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Difference between revisions of "Martin Huntsfeld"

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! <p>[[Paulus Kal Fechtbuch (MS KK5126)|Vienna Version]] (1480s){{edit index|Paulus Kal Fechtbuch (MS KK5126)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
 
! <p>[[Paulus Kal Fechtbuch (MS KK5126)|Vienna Version]] (1480s){{edit index|Paulus Kal Fechtbuch (MS KK5126)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
 
! <p>[[Codex Speyer (MS M.I.29)|Salzburg Version]] (1491){{edit index|Codex Speyer (MS M.I.29)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
 
! <p>[[Codex Speyer (MS M.I.29)|Salzburg Version]] (1491){{edit index|Codex Speyer (MS M.I.29)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
! <p>[[Glasgow Fechtbuch (MS E.1939.65.341)|Glasgow Version]] (1508){{edit index|Glasgow Fechtbuch (MS E.1939.65.341)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
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! <p>[[Oplodidaskalia sive Armorvm Tractandorvm Meditatio Alberti Dvreri (MS 26-232)|Vienna Version]] (1512){{edit index|Oplodidaskalia sive Armorvm Tractandorvm Meditatio Alberti Dvreri (MS 26-232)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
 
! <p>[[Goliath Fechtbuch (MS Germ.Quart.2020)|Krakow Version]] (1535-40){{edit index|Goliath Fechtbuch (MS Germ.Quart.2020)}}<br/>Transcribed by [[Bartłomiej Walczak]]</p>
 
! <p>[[Goliath Fechtbuch (MS Germ.Quart.2020)|Krakow Version]] (1535-40){{edit index|Goliath Fechtbuch (MS Germ.Quart.2020)}}<br/>Transcribed by [[Bartłomiej Walczak]]</p>
 
! <p>[[Über die Fechtkunst und den Ringkampf (MS 963)|Graz Version]] (1539){{edit index|Über die Fechtkunst und den Ringkampf (MS 963)}}<br/></p>
 
! <p>[[Über die Fechtkunst und den Ringkampf (MS 963)|Graz Version]] (1539){{edit index|Über die Fechtkunst und den Ringkampf (MS 963)}}<br/></p>
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! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna (Mair) II German Version]] (1550s){{edit index|Opus Amplissimum de Arte Athletica (Cod.10826)}}</p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna (Mair) II German Version]] (1550s){{edit index|Opus Amplissimum de Arte Athletica (Cod.10826)}}</p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna (Mair) II Latin Version]] (1550s){{edit index|Opus Amplissimum de Arte Athletica (Cod.10826)}}</p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna (Mair) II Latin Version]] (1550s){{edit index|Opus Amplissimum de Arte Athletica (Cod.10826)}}</p>
! <p>[[Opus Amplissimum de Arte Athletica (Cod.icon. 393)|Munich (Mair) I Version]] (1550s){{edit index|Opus Amplissimum de Arte Athletica (Cod.icon. 393 I)}}</p>
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! <p>[[Opus Amplissimum de Arte Athletica (Cod.icon. 393)|Munich (Mair) II Version]] (1550s){{edit index|Opus Amplissimum de Arte Athletica (Cod.icon. 393 I)}}</p>
  
 
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<p>Stride on horseback<br/>Learn from both sides<br/>Thereafter certainly<br/>Know the horse well<br/>Also note the side<br/>Which you wish to advantageously stride<br/>Whoever thinks about you<br/>His sword wins coming to you<br/>Wind on without misgiving<br/>If you want no pain<br/>Thereafter note<br/>Stitch lance wielding with strength<br/>Run to the first opening<br/>Then grasp the bridle long with sense<br/>Thereafter stride forth<br/>Thwart the lance over a side<br/>Then note the side<br/>So you want to ride with art<br/>So correctly with sense<br/>Then you want to win set-aside<br/>Right long, let hang<br/>That I praise, if you want to wrestle<br/>Whoever wants to hew upon you<br/>Parry, you shall free yourself<br/>When you have parried<br/>Then all of his hews are destroyed<br/>So you find with slice behind<br/>And in front, thereafter hew away to him<br/>Reins, left leg, otherwise threaten him</p>
 
<p>Stride on horseback<br/>Learn from both sides<br/>Thereafter certainly<br/>Know the horse well<br/>Also note the side<br/>Which you wish to advantageously stride<br/>Whoever thinks about you<br/>His sword wins coming to you<br/>Wind on without misgiving<br/>If you want no pain<br/>Thereafter note<br/>Stitch lance wielding with strength<br/>Run to the first opening<br/>Then grasp the bridle long with sense<br/>Thereafter stride forth<br/>Thwart the lance over a side<br/>Then note the side<br/>So you want to ride with art<br/>So correctly with sense<br/>Then you want to win set-aside<br/>Right long, let hang<br/>That I praise, if you want to wrestle<br/>Whoever wants to hew upon you<br/>Parry, you shall free yourself<br/>When you have parried<br/>Then all of his hews are destroyed<br/>So you find with slice behind<br/>And in front, thereafter hew away to him<br/>Reins, left leg, otherwise threaten him</p>
 
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Revision as of 06:06, 2 January 2022

Martin Huntsfeld
Born date of birth unknown
Died before 1452
Occupation Fencing master
Nationality German
Movement Fellowship of Liechtenauer
Genres
Language Early New High German
Manuscript(s)
First printed
english edition
Tobler, 2010
Concordance by Michael Chidester
Translations

Martin Huntsfeld (Martein Hündsfelder) was an early 15th century German fencing master. Based on his surname, he was likely born in Psie Pole, a district of present-day Wrocław, Poland; alternatively, it is possible that he was from the village of Hundsfeld, about 20 km east of Würzburg. While Huntsfeld's precise lifetime is uncertain, he seems to have died some time before the creation of the Starhemberg Fechtbuch in 1452.[1] The only other thing that can be determined about his life is that his renown as a master was sufficient for Paulus Kal to include him in the list of members of the Fellowship of Liechtenauer in 1470.[2] Attributed to Huntsfeld are teachings on armored fencing (both with the short sword and grappling), dagger, and mounted fencing.

Treatises

Note that the Augsburg, Salzburg, and Graz versions of Huntsfeld's treatise on short sword fencing are erroneously credited to Lew, while that of Andre Lignitzer is credited to Huntsfeld.[3]

The text of the Krakow version of Hundsfeld frequently refers to intended illustrations that were never added to the manuscript. The appropriate blank pages are included in the illustration column for reference. It's possible (though not likely, given what we know about its origins) that this manuscript was replicating another one with a complete set of illustrations; if this ever surfaces, the illustrations will be replaced.

Additional Resources

References

  1. His name is accompanied by the traditional blessing on the dead on folio 87r.
  2. The Fellowship of Liechtenauer is recorded in three versions of Paulus Kal's treatise: MS 1825 (1460s), Cgm 1570 (ca. 1470), and MS KK5126 (1480s).
  3. Jaquet and Walczak 2014.
  4. Das Initial ist ausgespart und nur durch einen kleinen provisorischen Buchstaben kenntlich gemacht.
  5. completed based on Danzig
  6. Written "die In", with marks indicating the correct order
  7. Korrigiert aus »an«.
  8. Placed between "die hant", with marks indicating the correct placement
  9. Note: "wrenching" is a pure guess.
  10. Paragraph placed after 53.
  11. Die beiden Worte »ÿm« und »mit« sind vertauscht, was durch entsprechende Einfügezeichen kenntlich gemacht ist.
  12. Should be "fůessen"
  13. Note: "pull upward" is another guess.
  14. choke
  15. das »b« war ursprünglich ein »g«
  16. Note: schlos/schloss can mean castle/fort as well as lock. In either case it is something that is strongly closed.
  17. Written "glaffenn der", with marks indicating the correct order
  18. Korrigiert aus »rechtenn.