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Difference between revisions of "Pseudo-Peter von Danzig"

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| series                =  
 
| series                =  
 
| archetype(s)          = Hypothetical
 
| archetype(s)          = Hypothetical
| manuscript(s)        = {{Collapsible list
+
| manuscript(s)        = {{collapsible list
  | title     = List of manuscripts
+
| title = List of manuscripts
  | 1         = [[Codex Danzig (Cod.44.A.8)|Codex 44.A.8]] (1452)
+
| 1     = [[Codex Danzig (Cod.44.A.8)|Codex 44.A.8]] (1452)
  | 2         = [[Codex Lew (Cod.I.6.4º.3)|Codex I.6.4º.3]] (1450s)
+
| 2     = [[Codex Lew (Cod.I.6.4º.3)|Codex I.6.4º.3]] (1450s)
  | 3         = [[Paulus Kal Fechtbuch (MS KK5126)|MS KK5126]] (1480s)
+
| 3     = [[Paulus Kal Fechtbuch (MS KK5126)|MS KK5126]] (1480s)
  | 4         = [[Codex Speyer (MS M.I.29)|MS M.I.29]] (1491)
+
| 4     = [[Codex Speyer (MS M.I.29)|MS M.I.29]] (1491)
  | 5         = [[OPLODIDASKALIA sive Armorvm Tractandorvm Meditatio Alberti Dvreri (MS 26-232)|MS 26-232]] (1512)
+
| 5     = [[OPLODIDASKALIA sive Armorvm Tractandorvm Meditatio Alberti Dvreri (MS 26-232)|MS 26-232]] (1512)
  | 6         = [[Goliath (MS Germ.Quart.2020)|MS German Quarto 2020]] (1510-20)
+
| 6     = [[Goliath (MS Germ.Quart.2020)|MS German Quarto 2020]] (1510s)
  | 7         = [[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|MSS Dresden C.93/94]] (1542)
+
| 7     = [[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|MSS Dresden C.93/94]] (1542)
  | 8         = [[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Codex 10825/10826]] (1550s)
+
| 8     = [[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Codex 10825/10826]] (1550s)
  | 9         = [[Opus Amplissimum de Arte Athletica (Cod.icon. 393)|Codex Icon 393]] (1550s)
+
| 9     = [[Opus Amplissimum de Arte Athletica (Cod.icon. 393)|Codex Icon 393]] (1550s)
  | 10         = [[Rast Fechtbuch (Reichsstadt "Schätze" Nr. 82)|Reichsstadt Nr. 82]] (1553)
+
| 10   = [[Rast Fechtbuch (Reichsstadt "Schätze" Nr. 82)|Reichsstadt Nr. 82]] (1553)
  | 11         = [[Lienhart Sollinger Fechtbuch (Cgm 3712)|Cgm 3712]] (1556)
+
| 11   = [[Lienhart Sollinger Fechtbuch (Cgm 3712)|Cgm 3712]] (1556)
  | 12         = [[Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)|Codex I.6.2º.2]] (1564)
+
| 12   = [[Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)|Codex I.6.2º.2]] (1564)
  | 13         = [[Fechtbuch zu Ross und zu Fuss (MS Var.82)|MS Varia 82]] (1570)
+
| 13   = [[Fechtbuch zu Ross und zu Fuss (MS Var.82)|MS Varia 82]] (1570)
 
}}
 
}}
 
| principal manuscript(s)=
 
| principal manuscript(s)=
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== References ==
 
== References ==
  
{{reflist}}
+
{{reflist|2}}
 
{{Liechtenauer tradition}}
 
{{Liechtenauer tradition}}
 
{{DEFAULTSORT:Danzig, Pseudo-Peter von}}
 
{{DEFAULTSORT:Danzig, Pseudo-Peter von}}

Revision as of 16:28, 4 September 2014

Gloss and Interpretation of
the Record of the Long Sword
die gloss und die auslegung der zettel des langen schwert
Author(s) Unknown
Ascribed to Pseudo-Peter von Danzig
Illustrated by Unknown
Date before 1452
Genre
Language Early New High German
Archetype(s) Hypothetical
Manuscript(s)
First Printed
English Edition
Tobler, 2010
Concordance by Michael Chidester
Translations

"Pseudo-Peter von Danzig" is the name given to an anonymous late 14th or early 15th century German fencing master.[1] Some time before the creation of the Codex 44.A.8 in 1452, he authored a gloss of Johannes Liechtenauer's record which would go on to become the most widespread in the tradition. While his identity remains unknown, it is possible that he was in fact Jud Lew or Sigmund Schining ein Ringeck, both of whose glosses show strong similarities to the work. On the other hand, the introduction to the Rome version of the text—the oldest currently extant—might be construed as attributing it to Liechtenauer himself.

Early on in its history, this text seems to have split into two primary branches. The first branch, found in the Rome (1452), Krakow (1510-20), and Augsburg (1564) versions, has slightly longer descriptions and is always accompanied by illustrations. The second branch, appearing first in the Augsburg (1450s) and used in all extant versions except the three listed above, has shorter descriptions but a number of additional devices (some of which seem to be drawn directly from Ringeck's gloss).

Treatise

In order to achieve a greater degree of organization and readability, Liechtenauer's verse has been separated into its proper couplets in this presentation. The verse is laid out this way in the Salzburg version, but in most of the other manuscripts it is included inline.

Additional Resources

References

  1. This name stems from the false assumption of many 20th century writers identifying him with Peter von Danzig zum Ingolstadt.
  2. strike, cut, slash, punch
  3. Indes - Both within and during
  4. Text identical with Codex Ringeck, ff 26v-27r.
  5. Text identical with Codex Ringeck, ff 28v.
  6. Text identical with Codex Ringeck, ff 32v.
  7. Text identical with Codex Ringeck, ff 33v.
  8. Text identical with Codex Ringeck, ff 33r.
  9. 9.0 9.1 Text identical with Codex Ringeck, ff 35v.