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Difference between revisions of "Sigmund ain Ringeck"

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| '''[3] <span style="color:#A40000">Many good general lessons about the longsword.</span>'''<br/><br/>
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| <p>[3] {{red|b=1|Many good general lessons about the longsword.}}</p><br/>
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| style="width:3em;" | <poem><small>[9]</small>
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| <poem><small>[9]</small>
  
 
<small>[10]</small>
 
<small>[10]</small>
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:if you want to fight strongly.</poem>
 
:if you want to fight strongly.</poem>
 
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<span style="color:#A40000">Glosa</span> This is the longsword's first lesson; that you shall learn to cut properly from both sides, so that you can fight strongly and correctly. When you want to cut from the right side, stand with your left foot forwards; and when you want to cut from the left side, stand with your right foot forwards. If you cut with an Oberhau from the right side, follow after the cut with your right foot. If you do not do this then the cut is poor and insincere, because your right side lingers behind. Then the cut becomes too short and cannot follow the correct arc down towards the other side, in front of the left foot.
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<p>{{red|Glosa}} This is the longsword's first lesson; that you shall learn to cut properly from both sides, so that you can fight strongly and correctly. When you want to cut from the right side, stand with your left foot forwards; and when you want to cut from the left side, stand with your right foot forwards. If you cut with an Oberhau from the right side, follow after the cut with your right foot. If you do not do this then the cut is poor and insincere, because your right side lingers behind. Then the cut becomes too short and cannot follow the correct arc down towards the other side, in front of the left foot.</p>
| <strong style="color:#A40000">Das ist der text von vil gu°tter gemainer lere des langen schwerts</strong>
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{{section|Page:MS Dresd.C.487 011v.png|2|lbl=-|p=1}} {{paget|Page:MS Dresd.C.487|012r|png|p=1}} {{section|Page:MS Dresd.C.487 012v.png|1|lbl=012v|p=1}}
<poem>Willtu kunst schowen
 
Sich linck gen vñ recht mitt hawen
 
Vñ linck mitt rechtem /
 
ist dz du starck gerst fechten :•</poem>
 
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<span style="color:#A40000">Glosa</span> Merck dz ist die erst lere des '''[12r]''' langes schwercz dz du die hew võ baÿden sÿtten recht solt lernen hawen Ist dz du annders starck vñ gerecht fechten wilt Dz ver nÿm allso Wenn du wilt howe~ von der rechten sÿtten So sich dz dein <del>k</del> lincker fu°ß vor stee Vñ wenn du wilt howe~ võ der lincken sÿtten so sich dz dein rechter fu°ß vor stee <del>Haw</del> Häustu dann den ober haw° von der rechten sÿtten so folg dem haw nach mitt dem rechten fu°ß tu°st du dz nicht / so ist der how falsch vnd vngerecht wann dein '''[12v]''' rechte sÿten pleibpt dahinden Daru~ ist der haw zu° kurcz vñ mag sein rechten gang vndersich zu° der rechten <del>sÿten</del> andere~ sÿtten vor dem lincken fu°ß nicht gehaben
 
 
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| '''[6v] Das ist der Textt [top of word cut off] von viel gutten gemeinen lere des lang[en] schwerrdts.'''
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| {{section|Page:MS Var.82 006v.png|1|lbl=006v}}
{| cellspacing="0" cellpadding="0" border="0"
 
| <poem>Wiltu kunst schauen
 
sich lingck gehen und recht mit hauen
 
und ling mitt rechten
 
ist das du strackh begerst fechten.</poem>
 
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Glosa. Merck das ist die erste lere des langen schwerdts das du die Heue von beyden seitten recht solst lernen hauen. Ist das du anderst starck und gerecht fechten wilt, das vernym also wen du wilt hauen, von der rechten seitten, so sieh das dein lingker fuß for stee, hastu dan den oberhauw von der rechten seiten, so volge dem haw nach, mit dem rechten fuß, thustu das nicht so ist der haw falsch und unrecht, wenn dein rechte seiten bleibet da hindern, darumb ist der haw zu kurtz und mag seinen rechten ganng under sich zu der anderenn seiten vor dem lincken fusß nicht gehaben,
 
  
 
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Revision as of 01:50, 21 March 2015

Sigmund Schining ein Ringeck
Born date of birth unknown
Died before 1470
Occupation Fencing master
Nationality German
Patron Albrecht, Duke of Bavaria
Movement Society of Liechtenauer
Influences Johannes Liechtenauer
Influenced
Genres Fencing manual
Language Early New High German
Archetype(s) Hypothetical
Manuscript(s)
First printed
english edition
Tobler, 2001
Concordance by Michael Chidester
Translations

Sigmund Schining ein Ringeck (Sigmund ain Ringeck, Sigmund Amring, Sigmund Einring, Sigmund Schining) was a 14th or 15th century German fencing master. While the meaning of the surname "Schining" is uncertain, the suffix "ain Ringeck" may indicate that he came from the Rhineland region of south-eastern Germany. He is named in the text as Schirmaister to Albrecht, Count Palatine of Rhine and Duke of Bavaria. Other than this, the only thing that can be determined about his life is that his renown as a master was sufficient for Paulus Kal to include him on his memorial to the deceased masters of the Society of Liechtenauer in 1470.[1]

The identity of Ringeck's patron remains unclear, as four men named Albrecht held the title during the fifteenth century. If it is Albrecht I, who reigned from 1353 to 1404, this would signify that Ringeck was likely a direct associate or student of the grand master Johannes Liechtenauer. However, it may just as easily have been Albrecht III, who carried the title from 1438 to 1460, making Ringeck potentially a second-generation master carrying on the tradition.[2] Albrecht IV claimed the title in 1460 and thus also could have been Ringeck's patron; this seems somewhat less likely in light of Ringeck's apparent death within that same decade, meaning the master would have had to have penned his treatise in the final few years of his life. In its favor, however, is the fact that Albrecht IV lived until 1508 and so both the Dresden and Glasgow versions of the text were likely created during his reign.

Ringeck is often erroneously credited as the author of the MS Dresden C487. While Ringeck seems to be the author of one of the core texts, complete glosses of Liechtenauer's record on longsword fencing and armored fencing as well as a partial gloss of the mounted fencing, the manuscript is an anthology of treatises by several different masters including Andre Liegniczer and Ott Jud, and it is currently thought to have been composed in the early 16th century[3] (well after the master's lifetime). Regardless, the fact that he authored one of the few complete glosses of Liechtenauer's text makes Ringeck one of the most important masters of the 15th century.

While it was not duplicated nearly as often as the more famous gloss of Pseudo-Peter von Danzig, Ringeck's work nevertheless seems to have had a lasting influence. Not only was it reproduced by Joachim Meÿer in his final manuscript (left unifinished at his death in 1571), but in 1539 Hans Medel von Salzburg took it upon himself to create an update and revision of Ringeck's Bloßfechten gloss, integrating his own commentary in many places.

Treatise

Additional Resources

  • Lindholm, David and Svard, Peter. Sigmund Ringeck's Knightly Art of the Longsword. Boulder, CO: Paladin Press, 2003. ISBN 978-1-58160-410-8
  • Lindholm, David and Svard, Peter. Sigmund Ringeck's Knightly Arts of Combat: Sword-and-Buckler Fighting, Wrestling, and Fighting in Armor. Boulder, CO: Paladin Press, 2006. ISBN 978-1-58160-499-3
  • Tobler, Christian Henry. Secrets of German Medieval Swordsmanship. Highland Village, TX: Chivalry Bookshelf, 2001. ISBN 1-891448-07-2
  • Żabiński, Grzegorz. The Longsword Teachings of Master Liechtenauer. The Early Sixteenth Century Swordsmanship Comments in the "Goliath" Manuscript. Poland: Adam Marshall, 2010. ISBN 978-83-7611-662-4

References

  1. Paulus Kal. Untitled [manuscript]. Cgm 1507. Munich, Germany: Bayerische Staatsbibliothek, 1470.
  2. Christian Henry Tobler. "Chicken and Eggs: Which Master Came First?" In Saint George's Name: An Anthology of Medieval German Fighting Arts. Wheaton, IL: Freelance Academy Press, 2010.
  3. Werner J. Hoffmann. "Dresden, Landesbibl., Mscr. C 487". Handschriftencensus. Eine Bestandsaufnahme der handschriftlichen Überlieferung deutschsprachiger Texte des Mittelalters. August, 2010. Retrieved 5 July 2012.
  4. Corrected from »am«.