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Difference between revisions of "Andre Lignitzer"

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! <p>[[Goliath Fechtbuch (MS Germ.Quart.2020)|Krakow Transcription]] (1535-40){{edit index|Goliath Fechtbuch (MS Germ.Quart.2020)}}<br/>by [[Bartłomiej Walczak]]</p>
 
! <p>[[Goliath Fechtbuch (MS Germ.Quart.2020)|Krakow Transcription]] (1535-40){{edit index|Goliath Fechtbuch (MS Germ.Quart.2020)}}<br/>by [[Bartłomiej Walczak]]</p>
 
! <p>[[Über die Fechtkunst und den Ringkampf (MS 963)|Graz Transcription]] (1539){{edit index|Über die Fechtkunst und den Ringkampf (MS 963)}}<br/></p>
 
! <p>[[Über die Fechtkunst und den Ringkampf (MS 963)|Graz Transcription]] (1539){{edit index|Über die Fechtkunst und den Ringkampf (MS 963)}}<br/></p>
! <p>[[Opus Amplissimum de Arte Athletica (MS Dresd.C.93/C.94)|Dresden (Mair) II Transcription]] (1542){{edit index|Opus Amplissimum de Arte Athletica (MS Dresd.C.94)}}<br/>by [[Bartłomiej Walczak]]</p>
+
! <p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden (Mair) II Transcription]] (1542){{edit index|Opus Amplissimum de Arte Athletica (MS Dresd.C.94)}}<br/>by [[Bartłomiej Walczak]]</p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna (Mair) II German Transcription]] (1550s){{edit index|Opus Amplissimum de Arte Athletica (Cod.10826)}}</p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna (Mair) II German Transcription]] (1550s){{edit index|Opus Amplissimum de Arte Athletica (Cod.10826)}}</p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna (Mair) II Latin Transcription]] (1550s){{edit index|Opus Amplissimum de Arte Athletica (Cod.10826)}}</p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna (Mair) II Latin Transcription]] (1550s){{edit index|Opus Amplissimum de Arte Athletica (Cod.10826)}}</p>
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|-  
 
|-  
|  
+
| rowspan="2" | [[file:MS Germ.Quart.2020 253v.jpg|400x400px|center]]
 
| <p>[2] {{red|b=1|The First Play.}}</p>
 
| <p>[2] {{red|b=1|The First Play.}}</p>
  
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|-  
 
|-  
|
 
 
| <p>[3] {{red|b=1|The counter against}}</p>
 
| <p>[3] {{red|b=1|The counter against}}</p>
  
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|-  
 
|-  
|  
+
| rowspan="2" | [[file:MS Germ.Quart.2020 256r.jpg|400x400px|center]]
 
| <p>[9] {{red|b=1|The third play}}</p>
 
| <p>[9] {{red|b=1|The third play}}</p>
  
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|-  
 
|-  
|
 
 
| <p>[10] {{red|b=1|The counter against}}</p>
 
| <p>[10] {{red|b=1|The counter against}}</p>
  
Line 1,037: Line 1,035:
 
! <p>[[Goliath Fechtbuch (MS Germ.Quart.2020)|Krakow Transcription]] (1535-40){{edit index|Goliath Fechtbuch (MS Germ.Quart.2020)}}<br/>by [[Bartłomiej Walczak]]</p>
 
! <p>[[Goliath Fechtbuch (MS Germ.Quart.2020)|Krakow Transcription]] (1535-40){{edit index|Goliath Fechtbuch (MS Germ.Quart.2020)}}<br/>by [[Bartłomiej Walczak]]</p>
 
! <p>[[Über die Fechtkunst und den Ringkampf (MS 963)|Graz Transcription]] (1539){{edit index|Über die Fechtkunst und den Ringkampf (MS 963)}}<br/></p>
 
! <p>[[Über die Fechtkunst und den Ringkampf (MS 963)|Graz Transcription]] (1539){{edit index|Über die Fechtkunst und den Ringkampf (MS 963)}}<br/></p>
! <p>[[Opus Amplissimum de Arte Athletica (MS Dresd.C.93/C.94)|Dresden (Mair) II Transcription]] (1542){{edit index|Opus Amplissimum de Arte Athletica (MS Dresd.C.94)}}<br/>by [[Bartłomiej Walczak]]</p>
+
! <p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden (Mair) II Transcription]] (1542){{edit index|Opus Amplissimum de Arte Athletica (MS Dresd.C.94)}}<br/>by [[Bartłomiej Walczak]]</p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna (Mair) II German Transcription]] (1550s){{edit index|Opus Amplissimum de Arte Athletica (Cod.10826)}}</p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna (Mair) II German Transcription]] (1550s){{edit index|Opus Amplissimum de Arte Athletica (Cod.10826)}}</p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna (Mair) II Latin Transcription]] (1550s){{edit index|Opus Amplissimum de Arte Athletica (Cod.10826)}}</p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna (Mair) II Latin Transcription]] (1550s){{edit index|Opus Amplissimum de Arte Athletica (Cod.10826)}}</p>
Line 1,237: Line 1,235:
 
! <p>[[Goliath Fechtbuch (MS Germ.Quart.2020)|Krakow Transcription]] (1535-40){{edit index|Goliath Fechtbuch (MS Germ.Quart.2020)}}<br/>by [[Bartłomiej Walczak]]</p>
 
! <p>[[Goliath Fechtbuch (MS Germ.Quart.2020)|Krakow Transcription]] (1535-40){{edit index|Goliath Fechtbuch (MS Germ.Quart.2020)}}<br/>by [[Bartłomiej Walczak]]</p>
 
! <p>[[Über die Fechtkunst und den Ringkampf (MS 963)|Graz Transcription]] (1539){{edit index|Über die Fechtkunst und den Ringkampf (MS 963)}}<br/></p>
 
! <p>[[Über die Fechtkunst und den Ringkampf (MS 963)|Graz Transcription]] (1539){{edit index|Über die Fechtkunst und den Ringkampf (MS 963)}}<br/></p>
! <p>[[Opus Amplissimum de Arte Athletica (MS Dresd.C.93/C.94)|Dresden (Mair) II Transcription]] (1542){{edit index|Opus Amplissimum de Arte Athletica (MS Dresd.C.94)}}<br/>by [[Bartłomiej Walczak]]</p>
+
! <p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden (Mair) II Transcription]] (1542){{edit index|Opus Amplissimum de Arte Athletica (MS Dresd.C.94)}}<br/>by [[Bartłomiej Walczak]]</p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna (Mair) II German Transcription]] (1550s){{edit index|Opus Amplissimum de Arte Athletica (Cod.10826)}}</p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna (Mair) II German Transcription]] (1550s){{edit index|Opus Amplissimum de Arte Athletica (Cod.10826)}}</p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna (Mair) II Latin Transcription]] (1550s){{edit index|Opus Amplissimum de Arte Athletica (Cod.10826)}}</p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna (Mair) II Latin Transcription]] (1550s){{edit index|Opus Amplissimum de Arte Athletica (Cod.10826)}}</p>
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|-  
 
|-  
|  
+
| rowspan="2" | [[file:MS Germ.Quart.2020 148v.jpg|400x400px|center]]
 
| <p>[1] {{red|b=1|Here begins the wrestling of Master Andres Lignitzer}}<br/><br/></p>
 
| <p>[1] {{red|b=1|Here begins the wrestling of Master Andres Lignitzer}}<br/><br/></p>
  
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|-  
 
|-  
|
 
 
| <p>[2] {{red|b=1|The counter}}</p>
 
| <p>[2] {{red|b=1|The counter}}</p>
  
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|-  
 
|-  
|  
+
| rowspan="2" | [[file:MS Germ.Quart.2020 150r.jpg|400x400px|center]]
 
| <p>[3] {{red|b=1|The second wrestling}}</p>
 
| <p>[3] {{red|b=1|The second wrestling}}</p>
  
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|-  
 
|-  
|
 
 
| <p>[4] {{red|b=1|The third technique}}</p>
 
| <p>[4] {{red|b=1|The third technique}}</p>
  
Line 1,339: Line 1,335:
  
 
|-  
 
|-  
|  
+
| [[file:MS Germ.Quart.2020 150v.jpg|400x400px|center]]
 
| <p>[6] {{red|b=1|The fourth wrestling}}</p>
 
| <p>[6] {{red|b=1|The fourth wrestling}}</p>
  
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|-  
 
|-  
|  
+
| [[file:MS Germ.Quart.2020 151r.jpg|400x400px|center]]
 
| <p>[7] {{red|b=1|The counter}}</p>
 
| <p>[7] {{red|b=1|The counter}}</p>
  
Line 1,416: Line 1,412:
  
 
|-  
 
|-  
|  
+
| rowspan="2" | [[file:MS Germ.Quart.2020 152r.jpg|400x400px|center]]
 
| <p>[10] {{red|b=1|The sixth wrestling}}</p>
 
| <p>[10] {{red|b=1|The sixth wrestling}}</p>
  
Line 1,435: Line 1,431:
  
 
|-  
 
|-  
|
 
 
| <p>[11] {{red|b=1|The counter}}</p>
 
| <p>[11] {{red|b=1|The counter}}</p>
  
Line 1,530: Line 1,525:
  
 
|-  
 
|-  
|  
+
| rowspan="2" | [[file:MS Germ.Quart.2020 153r.jpg|400x400px|center]]
 
| <p>[16] {{red|b=1|The ninth wrestling}}</p>
 
| <p>[16] {{red|b=1|The ninth wrestling}}</p>
  
Line 1,550: Line 1,545:
  
 
|-  
 
|-  
|
 
 
| <p>[17] '''[The Counter]'''</p>
 
| <p>[17] '''[The Counter]'''</p>
  
Line 1,606: Line 1,600:
  
 
|-  
 
|-  
|  
+
| rowspan="3" | [[file:MS Germ.Quart.2020 154r.jpg|400x400px|center]]
 
| <p>[20] {{red|b=1|The eleventh wrestling}}</p>
 
| <p>[20] {{red|b=1|The eleventh wrestling}}</p>
  
Line 1,625: Line 1,619:
  
 
|-  
 
|-  
|
 
 
| <p>[21] {{red|b=1|The counter}}</p>
 
| <p>[21] {{red|b=1|The counter}}</p>
  
Line 1,644: Line 1,637:
  
 
|-  
 
|-  
|
 
 
| <p>[22] {{red|b=1|Another counter to the previous wrestling}}</p>
 
| <p>[22] {{red|b=1|Another counter to the previous wrestling}}</p>
  
Line 1,663: Line 1,655:
  
 
|-  
 
|-  
|  
+
| [[file:MS Germ.Quart.2020 154v.jpg|400x400px|center]]
 
| <p>[23] {{red|b=1|The twelfth wrestling}}</p>
 
| <p>[23] {{red|b=1|The twelfth wrestling}}</p>
  
Line 1,682: Line 1,674:
  
 
|-  
 
|-  
|  
+
| [[file:MS Germ.Quart.2020 155r.jpg|400x400px|center]]
 
| <p>[24] {{red|b=1|The thirteenth wrestling}}</p>
 
| <p>[24] {{red|b=1|The thirteenth wrestling}}</p>
  
Line 1,701: Line 1,693:
  
 
|-  
 
|-  
|  
+
| [[file:MS Germ.Quart.2020 155v.jpg|400x400px|center]]
 
| <p>[25] {{red|b=1|The fourteenth wrestling}}</p>
 
| <p>[25] {{red|b=1|The fourteenth wrestling}}</p>
  
Line 1,740: Line 1,732:
  
 
|-  
 
|-  
|  
+
| [[file:MS Germ.Quart.2020 156r.jpg|400x400px|center]]
 
| <p>[27] {{red|b=1|The sixteenth wrestling}}</p>
 
| <p>[27] {{red|b=1|The sixteenth wrestling}}</p>
  
Line 1,832: Line 1,824:
 
! <p>[[Goliath Fechtbuch (MS Germ.Quart.2020)|Krakow Transcription]] (1535-40){{edit index|Goliath Fechtbuch (MS Germ.Quart.2020)}}<br/>by [[Bartłomiej Walczak]]</p>
 
! <p>[[Goliath Fechtbuch (MS Germ.Quart.2020)|Krakow Transcription]] (1535-40){{edit index|Goliath Fechtbuch (MS Germ.Quart.2020)}}<br/>by [[Bartłomiej Walczak]]</p>
 
! <p>[[Über die Fechtkunst und den Ringkampf (MS 963)|Graz Transcription]] (1539){{edit index|Über die Fechtkunst und den Ringkampf (MS 963)}}<br/></p>
 
! <p>[[Über die Fechtkunst und den Ringkampf (MS 963)|Graz Transcription]] (1539){{edit index|Über die Fechtkunst und den Ringkampf (MS 963)}}<br/></p>
! <p>[[Opus Amplissimum de Arte Athletica (MS Dresd.C.93/C.94)|Dresden (Mair) II Transcription]] (1542){{edit index|Opus Amplissimum de Arte Athletica (MS Dresd.C.94)}}<br/>by [[Pierre-Henry Bas]]</p>
+
! <p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden (Mair) II Transcription]] (1542){{edit index|Opus Amplissimum de Arte Athletica (MS Dresd.C.94)}}<br/>by [[Pierre-Henry Bas]]</p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna (Mair) II German Transcription]] (1550s){{edit index|Opus Amplissimum de Arte Athletica (Cod.10826)}}</p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna (Mair) II German Transcription]] (1550s){{edit index|Opus Amplissimum de Arte Athletica (Cod.10826)}}</p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna (Mair) II Latin Transcription]] (1550s){{edit index|Opus Amplissimum de Arte Athletica (Cod.10826)}}</p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna (Mair) II Latin Transcription]] (1550s){{edit index|Opus Amplissimum de Arte Athletica (Cod.10826)}}</p>
Line 2,075: Line 2,067:
  
 
<section begin="sourcebox"/>{{sourcebox header}}
 
<section begin="sourcebox"/>{{sourcebox header}}
{{sourcebox
 
| work        = Translation (Short Sword)
 
| authors    = [[Szabolcs Waldmann]]
 
| source link =
 
| source title=
 
| license    = copyrighted
 
}}
 
 
{{sourcebox
 
{{sourcebox
 
  | work        = Translation (Short Sword, Dagger)
 
  | work        = Translation (Short Sword, Dagger)
Line 2,104: Line 2,089:
 
}}
 
}}
 
{{sourcebox
 
{{sourcebox
  | work        = [[Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)|Dresden Version]]
+
  | work        = [[Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)|Dresden Transcription]]
 
  | authors    = [[Dierk Hagedorn]]
 
  | authors    = [[Dierk Hagedorn]]
  | source link = http://www.hammaborg.de/en/transkriptionen/sigmund_ringeck/index.php
+
  | source link =  
  | source title= Hammaborg Historischer Schwertkampf
+
  | source title= [[Index:Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)]]
 
  | license    = copyrighted
 
  | license    = copyrighted
 
}}
 
}}
 
{{sourcebox
 
{{sourcebox
  | work        = [[Codex Danzig (Cod.44.A.8)|Rome Version]]
+
  | work        = [[Codex Danzig (Cod.44.A.8)|Rome Transcription]]
 
  | authors    = [[Dierk Hagedorn]]
 
  | authors    = [[Dierk Hagedorn]]
  | source link = http://www.hammaborg.de/en/transkriptionen/peter_von_danzig/index.php
+
  | source link =  
  | source title= Hammaborg Historischer Schwertkampf
+
  | source title= [[Index:Codex Danzig (Cod.44.A.8)]]
 
  | license    = copyrighted
 
  | license    = copyrighted
 
}}
 
}}
 
{{sourcebox
 
{{sourcebox
  | work        = [[Codex Lew (Cod.I.6.4°.3)|Augsburg Version]]
+
  | work        = [[Codex Lew (Cod.I.6.4°.3)|Augsburg Transcription]]
 
  | authors    = [[Dierk Hagedorn]]
 
  | authors    = [[Dierk Hagedorn]]
  | source link = http://www.hammaborg.de/en/transkriptionen/jude_lew/index.php
+
  | source link =  
  | source title= Hammaborg Historischer Schwertkampf
+
  | source title= [[Index:Codex Lew (Cod.I.6.4°.3)]]
 
  | license    = copyrighted
 
  | license    = copyrighted
 
}}
 
}}
 
{{sourcebox
 
{{sourcebox
  | work        = [[Paulus Kal Fechtbuch (MS KK5126)|Vienna Version]]
+
  | work        = [[Paulus Kal Fechtbuch (MS KK5126)|Vienna Transcription]]
  | authors    = [[Carsten&nbsp;Lorbeer]], [[Julia&nbsp;Lorbeer]], [[Andreas&nbsp;Meier]], [[Marita&nbsp;Wiedner]]
+
  | authors    = [[Dierk Hagedorn]]
  | source link = http://www.pragmatische-schriftlichkeit.de/transkription/edition_paulus_kal.pdf
+
  | source link =  
  | source title= Gesellschaft für pragmatische Schriftlichkeit
+
  | source title= [[Index:Paulus Kal Fechtbuch (MS KK5126)]]
 
  | license    = copyrighted
 
  | license    = copyrighted
 
}}
 
}}
 
{{sourcebox
 
{{sourcebox
  | work        = [[Codex Speyer (MS M.I.29)|Salzburg Version]]
+
  | work        = [[Codex Speyer (MS M.I.29)|Salzburg Transcription]]
 
  | authors    = [[Dierk Hagedorn]]
 
  | authors    = [[Dierk Hagedorn]]
  | source link = http://www.hammaborg.de/en/transkriptionen/hans_von_speyer/index.php
+
  | source link =  
  | source title= Hammaborg Historischer Schwertkampf
+
  | source title= [[Index:Codex Speyer (MS M.I.29)]]
 
  | license    = copyrighted
 
  | license    = copyrighted
 
}}
 
}}
 
{{sourcebox
 
{{sourcebox
  | work        = [[Glasgow Fechtbuch (MS E.1939.65.341)|Glasgow Version]]
+
  | work        = [[Glasgow Fechtbuch (MS E.1939.65.341)|Glasgow Transcription]]
 
  | authors    = [[Dierk Hagedorn]]
 
  | authors    = [[Dierk Hagedorn]]
  | source link = http://www.hammaborg.de/en/transkriptionen/emring_glasgow/index.php
+
  | source link =  
  | source title= Hammaborg Historischer Schwertkampf
+
  | source title= [[Index:Glasgow Fechtbuch (MS E.1939.65.341)]]
 
  | license    = copyrighted
 
  | license    = copyrighted
 
}}
 
}}
 
{{sourcebox
 
{{sourcebox
  | work        = [[Goliath Fechtbuch (MS Germ.Quart.2020)|Krakow Version]]
+
  | work        = [[Goliath Fechtbuch (MS Germ.Quart.2020)|Krakow Transcription]]
 
  | authors    = [[Bartłomiej Walczak]]
 
  | authors    = [[Bartłomiej Walczak]]
  | source link = http://www.arma.lh.pl/badania.html
+
  | source link =  
  | source title= ARMA Poland
+
  | source title= [[Index:Goliath Fechtbuch (MS Germ.Quart.2020)]]
 
  | license    = copyrighted
 
  | license    = copyrighted
 +
}}
 +
{{sourcebox
 +
| work        = [[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden Mair Transcription]]
 +
| authors    = [[Pierre-Henry Bas]]
 +
| source link =
 +
| source title= [[Index:Opus Amplissimum de Arte Athletica (MS Dresd.C.94)]]
 +
| license    = copyrighted
 +
}}
 +
{{sourcebox
 +
| work        = [[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna Mair Transcription]]
 +
| authors    =
 +
| source link =
 +
| source title= [[Index:Opus Amplissimum de Arte Athletica (Cod.10826)]]
 +
| license    =
 +
}}
 +
{{sourcebox
 +
| work        = [[Opus Amplissimum de Arte Athletica (Cod.icon. 393)|Munich Mair Transcription]]
 +
| authors    =
 +
| source link =
 +
| source title= [[Index:Opus Amplissimum de Arte Athletica (Cod.icon. 393 II)]]
 +
| license    =
 
}}
 
}}
 
{{sourcebox
 
{{sourcebox
Line 2,156: Line 2,162:
 
  | authors    = [[Michael Chidester]]
 
  | authors    = [[Michael Chidester]]
 
  | source link =  
 
  | source link =  
  | source title= Wiktenauer
+
  | source title= [[Index:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurñfeyndt) 1516.pdf|Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurñfeyndt) 1516]]
 
  | license    = noncommercial
 
  | license    = noncommercial
 
}}
 
}}
Line 2,162: Line 2,168:
 
  | work        = ''[[Der Altenn Fechter anfengliche kunst (Christian Egenolff)‎‎|Der Altenn Fechter anfengliche kunst]]''
 
  | work        = ''[[Der Altenn Fechter anfengliche kunst (Christian Egenolff)‎‎|Der Altenn Fechter anfengliche kunst]]''
 
  | authors    = [[Alex Kiermayer]]
 
  | authors    = [[Alex Kiermayer]]
  | source link = http://www.hauppauge.de/~freifechter/egenolph.html
+
  | source link =  
  | source title= Die Freifechter Gesellschaft für Historische Fechtkunst e.V.
+
  | source title= [[Index:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf|Index:Der Altenn Fechter anfengliche kunst (Christian Egenolff)]]
 
  | license    = copyrighted
 
  | license    = copyrighted
 
}}
 
}}
 
{{sourcebox
 
{{sourcebox
  | work        = ''[[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurñfeyndt)|La Noble Science des Ioueurs Despee]]''
+
  | work        = ''[[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurñfeyndt)|La Noble Science des Ioueurs Despee (Andre Paurñfeyndt)]]''
 
  | authors    = [[Olivier&nbsp;Dupuis]], [[Didier&nbsp;de&nbsp;Grenier]], [[Michael&nbsp;Huber]]
 
  | authors    = [[Olivier&nbsp;Dupuis]], [[Didier&nbsp;de&nbsp;Grenier]], [[Michael&nbsp;Huber]]
  | source link = http://ardamhe.free.fr/biblio/noble_science/sommaire.htm
+
  | source link =  
  | source title= L'Association pour la Recherche et le Développement des Arts Martiaux Historiques Européens - Ile de France
+
  | source title= [[Index:La noble science des ioueurs d%27espee (Andre Paur%C3%B1feyndt) 1538.pdf|Index:La noble science des ioueurs d%27espee (Andre Paur%C3%B1feyndt)]]
 
  | license    = copyrighted
 
  | license    = copyrighted
}}
 
{{sourcebox
 
| work        = [[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Mair's Dresden Version]]
 
| authors    = [[Pierre-Henry Bas]]
 
| source link = http://reght.wordpress.com/retranscription-des-manuscrits-en-lien-avec-paul-hector-mair/
 
| source title= Escrime Ancienne Medievale & Renaissance
 
| license    = copyrighted
 
}}
 
{{sourcebox
 
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| work        = [[Opus Amplissimum de Arte Athletica (Cod.icon. 393)|Mair's Munich Version]]
 
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  | work        = [[Hutter/Sollinger Fechtbuch (Cod.I.6.2°.2)|Sollinger Fechtbuch]]
 
  | work        = [[Hutter/Sollinger Fechtbuch (Cod.I.6.2°.2)|Sollinger Fechtbuch]]
 
  | authors    = [[Dierk Hagedorn]]
 
  | authors    = [[Dierk Hagedorn]]
  | source link = http://www.hammaborg.de/en/transkriptionen/wilhalm_sollinger/04_sollinger.php
+
  | source link =  
  | source title= Hammaborg Historischer Schwertkampf
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  | source title= [[Index:Hutter/Sollinger Fechtbuch (Cod.I.6.2°.2)]]
 
  | license    = copyrighted
 
  | license    = copyrighted
 
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Revision as of 02:42, 16 May 2020

Andre Liegniczer
Born date of birth unknown
Legnica, Poland
Died before 1452
Relative(s) Jacob Liegniczer (brother)
Occupation Fencing master
Movement Fellowship of Liechtenauer
Genres
Language Early New High German
Manuscript(s)
First printed
english edition
Tobler, 2010
Concordance by Michael Chidester
Translations

Andre Liegniczer (Andres Lignitzer) was a late 14th or early 15th century German fencing master. His name might signify that he came from Legnica, Poland. While Liegniczer's precise lifetime is uncertain, he seems to have died some time before the creation of Codex Danzig in 1452.[1] He had a brother named Jacob Liegniczer who was also a fencing master,[2] but there is no record of any treatise Jacob may have authored. The only other fact that can be determined about Liegniczer's life is that his renown as a master was sufficient for Paulus Kal to include him, along with his brother, in his list of members of the Fellowship of Liechtenauer in 1470.[2]

An Andres Juden (Andres the Jew) is mentioned as a master associated with Liechtenauer in Pol Hausbuch,[3] and Codex Speyer contains a guide to converting between long sword and Messer techniques written by a "Magister Andreas",[4] but it is not currently known whether either of these masters is Liegniczer.

Andre Liegniczer is best known for his teachings on sword and buckler, and some variation on this brief treatise is included in many compilation texts in the Liechtenauer tradition. He also authored treatises on fencing with the short sword, dagger, and grappling, though these appear less frequently. Liegniczer's sword and buckler teachings are sometimes attributed to Sigmund ain Ringeck due to their unattributed inclusion in the MS Dresden C.487, but this is clearly incorrect.

Treatises

Note that the Augsburg and Salzburg versions of Liegniczer's treatise on short sword fencing are erroneously credited to Martin Huntfeltz.

Additional Resources

References

  1. He is given the traditional blessing on the dead on folio 73r.
  2. 2.0 2.1 The Fellowship of Liechtenauer is recorded in three versions of Paulus Kal's treatise: MS 1825 (1460s), Cgm 1570 (ca. 1470), and MS KK5126 (1480s).
  3. Anonymous. Untitled [manuscript]. MS 3227a. Nuremberg, Germany: Germanisches Nationalmuseum, ca.1389.
  4. von Speyer, Hans. Untitled [manuscript]. MS M.I.29. Salzburg, Austria: Universitätsbibliothek Salzburg, 1491.
  5. play
  6. There is a further piece of instruction in Goliath: “Pull your left leg far back.”
  7. The instructions in Goliath are more precise: “Go through to your left side under his left armpit while holding his left arm.”
  8. “his” (in Goliath)
  9. “his” (in the Glasgow Fechtbuch)
  10. Goliath’s description is a bit different: “Strike out with your right hand and grab his right butt cheek.”
  11. The Glasgow Fechtbuch has another suggestion: “…or into his eyes.”
  12. “over” (in the Glasgow Fechtbuch)
  13. The instructions in Goliath are clearer: “Step with your right leg outside behind his right leg…”
  14. Goliath goes in more detail here: “…turn to your left side and throw him over your right hip.”
  15. Goliath has a further suggestion: “You can also step with your right thigh to his left thigh during the turn and throw him.”
  16. Korrgiert aus »rechten«.