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Difference between revisions of "Andre Paurenfeyndt"

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| '''THE SECOND CHAPTER''' learn how one should use the messer advantageously, which has exceedingly increased usefullness because of its' versatility and which is a predecessor and main source of the other weapons that are used with one hand, such as the tessack or the dagger, the straight cutting sword or the thrusting sword and many more one-handed weapons which I leave out for brevity's sake.
 
| '''[G2] DAS ANDER CAPITEL''' lernet wie man phfortail prauchñ ſol ym meſſer vnd hat peſunder nit vermert nem͂ / von wegñ der manigfaltikat / vñ iſt ein forgãg vñ haupturſach ander werñ die gpraucht werdñ mit ainer hand alſʒ iſt der Teſſack oder tolich / ſpatel oder handtegñ / vnd ander vil mer cʒu ainer hand die ich von kurʒ wegñ auſʒ laſʒ
 
| '''[G2] DAS ANDER CAPITEL''' lernet wie man phfortail prauchñ ſol ym meſſer vnd hat peſunder nit vermert nem͂ / von wegñ der manigfaltikat / vñ iſt ein forgãg vñ haupturſach ander werñ die gpraucht werdñ mit ainer hand alſʒ iſt der Teſſack oder tolich / ſpatel oder handtegñ / vnd ander vil mer cʒu ainer hand die ich von kurʒ wegñ auſʒ laſʒ
 
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Revision as of 15:39, 12 July 2017

Andre Paurñfeyndt
Born 15th century
Died 16th century
Occupation
Nationality German
Patron Matthäus Lang von Wellenburg
Movement Liechtenauer Tradition
Influences Johannes Liechtenauer
Influenced
Genres
Language Early New High German
Notable work(s) Ergrundung Ritterlicher Kunst der Fechterey (1516)
Manuscript(s)
Concordance by Michael Chidester and Jeremiah Smith
Translations Deutsch-Übersetzung

Andre Paurñfeyndt (Paurñfeindt, Paurenfeindt) was a 16th century German Freifechter. He seems to have been a resident of Vienna, although he mentions in his introduction that he served as a bodyguard to Cardinal Matthäus Lang von Wellenburg (1468 - 1540).[1] In 1516, he wrote and published a fencing manual entitled Ergrundung Ritterlicher Kunst der Fechterey ("Founding of the Chivalric Art of Swordplay"), which Sydney Anglo notes may have been the first illustrated work of its kind.[2] Little else is known about the life of this master, but he describes himself as a Freifechter and the contents of his book make it clear that he was associated with the tradition of Johannes Liechtenauer. His treatise diverges significantly from the standard teachings of the Liechtenauer tradition, but this may be due to his stated purpose of writing for beginning fencers.

Treatise

Please note that only the first edition of this text (1516) has a complete set of illustrations, and we currently do not have scans of that edition that we are authorized to distribute. This article is illustrated using the remaining three illustrated texts, but following the order laid out in the original. The only exception to this is the image on page H2v of the 1516, which is replaced by the three images used in Egenolff's version. Furthermore, while the Twelve Rules for the Beginning Fencer are unillustrated in Paurñfeyndt's work, this presentation includes the illustrations for six of the twelve found in the MS B.200 (1524).

Additional Resources

References

  1. Ott, Michael. "Matthew Lang." The Catholic Encyclopedia, Vol. 8. New York: Robert Appleton Company, 1910.
  2. Anglo, Sydney. The Martial Arts of Renaissance Europe. New Haven and London: Yale University Press, 2000. p 46. ISBN 978-0-300-08352-1