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Difference between revisions of "Jörg Wilhalm Hutter"

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| subject              =  
 
| subject              =  
 
| movement            = Augsburg tradition
 
| movement            = Augsburg tradition
| notableworks        = ''Jörg Wilhalm Hutters kunst zu<br/>Augspurg''
+
| notableworks        = ''Jörg Wilhalm Hutters kunst zu Augspurg''
 
| archetype            = {{plainlist
 
| archetype            = {{plainlist
 
  | [[Jörg Wilhalm Hutters kunst zu Augspurg (Cod.I.6.4º.5)|Cod. I.6.4º.5]] (1522)
 
  | [[Jörg Wilhalm Hutters kunst zu Augspurg (Cod.I.6.4º.5)|Cod. I.6.4º.5]] (1522)
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  | [[Maister Liechtenawers Kunstbuech (Cgm 3712)|Cgm 3712]] (1556)
 
  | [[Maister Liechtenawers Kunstbuech (Cgm 3712)|Cgm 3712]] (1556)
 
  | [[Künnst zu fechten vonn dem Lienhartt Sollinger (Cod.Guelf.38.21 Aug.2º)|Cod.Guelf.38.21 Aug.2º]] (1588)
 
  | [[Künnst zu fechten vonn dem Lienhartt Sollinger (Cod.Guelf.38.21 Aug.2º)|Cod.Guelf.38.21 Aug.2º]] (1588)
 +
| [[Reit und Turnierbuch (MS KK5247)|MS KK5247]] (ca.&nbsp;1600)
 
  | [[Confectbuch von Abrichtung vollständiges Turnierbuch (Cod.Guelf.1.6.3 Aug.2º)|Cod.Guelf.1.6.3 Aug.2º]] (ca.&nbsp;1600)
 
  | [[Confectbuch von Abrichtung vollständiges Turnierbuch (Cod.Guelf.1.6.3 Aug.2º)|Cod.Guelf.1.6.3 Aug.2º]] (ca.&nbsp;1600)
| [[Unterschiedliche die Dressur und Aufzäumung der Pferde erläuternde Zeichnungen (Cod.Guelf.79.2 Aug.2º)|Cod.Guelf.79.2 Aug.2º]] (ca.&nbsp;1600)
+
  | [[Reit und Turnierbuch (MS 23.279)|MS 23.279]] (1838)
  | [[Reit und Turnierbuch (MS KK5247)|MS KK5247]] (ca.&nbsp;1600)  
 
 
}}
 
}}
 
| principal manuscript(s)=
 
| principal manuscript(s)=
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| influences          = {{plainlist
 
| influences          = {{plainlist
 
  | [[Johannes Liechtenauer]]
 
  | [[Johannes Liechtenauer]]
  | [[Nicolaüs Augsburger]]
+
  | [[Nicolaüs]]
 
}}
 
}}
 
| influenced          = {{plainlist
 
| influenced          = {{plainlist
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== Manuscripts ==
 
== Manuscripts ==
  
Four works are commonly attributed to Hutter: on unarmored [[long sword]] fencing in the tradition of [[Johannes Liechtenauer]], on [[armored fencing|armored]] and [[mounted fencing|mounted dueling]] that appear to be based on those of the early 15th century (relying on armor designs that were obsolete by the 1520s), and a series of 32 uncaptioned illustrations portraying scenes of judicial combat. However, it is unclear if Hutter authored all of these works or, like [[Lienhart Sollinger]] and [[Paulus Hector Mair]] after him, merely compiled existing works together and placed his name on them as an owner's mark. The development of the armored dueling treatises can be traced through a draftbook and rough early annotated copy, but the same is not true of the unarmored long sword fencing, which appears to be based on the [[Cluny Fechtbuch (Cl. 23842)|MS Cl. 23842]] from the 1480s-90s and is accompanied by a version of the [[pseudo-Peter von Danzig]] gloss that [[Gregor Erhart]] attributes to one Nicolaüs and dates to 1489.<ref>[[Gregor Erhart Fechtbuch (MS E.1939.65.354)|MS E.1939.65.354]], folio [[Page:MS E.1939.65.354 189r.jpg|189r]]; this is itself a heavily-abridged copy of branch C of the gloss, found in its complete form only in [[Paulus Kal Fechtbuch (MS KK5126)|MS KK5126]] (1480s).</ref>  
+
Four works are commonly attributed to Hutter: on unarmored [[long sword]] fencing in the tradition of [[Johannes Liechtenauer]], on [[armored fencing|armored]] and [[mounted fencing|mounted dueling]] that appear to be based on those of the early 15th century (relying on armor designs that were obsolete by the 1520s), and a series of 32 uncaptioned illustrations portraying scenes of judicial combat. However, it is unclear if Hutter authored all of these works or, like [[Lienhart Sollinger]] and [[Paulus Hector Mair]] after him, merely compiled existing works together and placed his name on them as an owner's mark. The development of the armored dueling treatises can be traced through a draftbook and rough early annotated copy, but the same is not true of the unarmored long sword fencing, which appears to be based on the [[Cluny Fechtbuch (Cl. 23842)|MS Cl. 23842]] from the 1480s-90s and is accompanied by an excerpt of Branch C of the pseudo-Peter von Danzig gloss which [[Gregor Erhart]] attributes to one [[Nicolaüs]] and dates to 1489.<ref>[[Gregor Erhart Fechtbuch (MS E.1939.65.354)|MS E.1939.65.354]], folio [[Page:MS E.1939.65.354 189r.jpg|189r]]; the complete text of Branch C is only given in [[Paulus Kal Fechtbuch (MS KK5126)|MS KK5126]] (1480s).</ref>  
  
 
There are three extant manuscripts of Hutter's treatises created between 1522 and 1523, all now residing in Augsburg (along with most of the rest of Paulus Hector Mair's collection). The apparent oldest of Hutter's manuscripts, [[Jörg Wilhalm Hutters kunst zu Augspurg (Cod.I.6.4º.5)|Cod.I.6.4º.5]],<ref>Generally we refer to manuscripts by their locations for ease of communication, but with three of the ten manuscripts in Augsburg, three in Wolfenbüttel, and two in Munich, that's not really feasible here.</ref> consists of numbered but uncaptioned illustrations of armored dueling on horse and on foot, and is dated to 1522. The same year saw the completion of the [[Jörg Wilhalm Hutters kunst zu Augspurg (Cod.I.6.2º.3)|Cod.I.6.2º.3]], which includes the same illustrations but adds written instructions to the plays; for this reason, Hils assumed the former was the draftbook used to develop the latter.{{cn}} In 1523, Hutter seems to have created an accompanying long sword treatise, preserved in the [[Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)|Cod.I.6.2º.2]].
 
There are three extant manuscripts of Hutter's treatises created between 1522 and 1523, all now residing in Augsburg (along with most of the rest of Paulus Hector Mair's collection). The apparent oldest of Hutter's manuscripts, [[Jörg Wilhalm Hutters kunst zu Augspurg (Cod.I.6.4º.5)|Cod.I.6.4º.5]],<ref>Generally we refer to manuscripts by their locations for ease of communication, but with three of the ten manuscripts in Augsburg, three in Wolfenbüttel, and two in Munich, that's not really feasible here.</ref> consists of numbered but uncaptioned illustrations of armored dueling on horse and on foot, and is dated to 1522. The same year saw the completion of the [[Jörg Wilhalm Hutters kunst zu Augspurg (Cod.I.6.2º.3)|Cod.I.6.2º.3]], which includes the same illustrations but adds written instructions to the plays; for this reason, Hils assumed the former was the draftbook used to develop the latter.{{cn}} In 1523, Hutter seems to have created an accompanying long sword treatise, preserved in the [[Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)|Cod.I.6.2º.2]].
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Most copies of Hutter's treatises were eventually acquired by Freifechter and collector Lienhart Sollinger. Cgm 3711 was a source for his [[Lienhart Sollinger Fechtbuch (Cgm 3712)|Cgm 3712]] (1556) and [[Künnst zu fechten vonn dem Lienhartt Sollinger (Cod.Guelf.38.21 Aug.2º)|Cod.Guelf.38.21 Aug.2º]] (1588), and the former also seems to have drawn heavily from MS E.1939.65.354. Sollinger, in turn, sold several of these works to [[Paulus Hector Mair]]: the Cod.I.6.2º.2 in 1544, the Cod.I.6.4º.5 in 1552, the MS E.1939.65.354 in 1560, and the Cod.I.6.2º.3 in 1561. Hutter's draftbook in particular was apparently used as the primary source for Mair's writings on armored dueling (preserved in three manuscripts in the 1540s and 50s); owing to its lack of text, Mair inserted his own descriptions of the plays—descriptions which diverge noticeably from Hutter's own explanations.
 
Most copies of Hutter's treatises were eventually acquired by Freifechter and collector Lienhart Sollinger. Cgm 3711 was a source for his [[Lienhart Sollinger Fechtbuch (Cgm 3712)|Cgm 3712]] (1556) and [[Künnst zu fechten vonn dem Lienhartt Sollinger (Cod.Guelf.38.21 Aug.2º)|Cod.Guelf.38.21 Aug.2º]] (1588), and the former also seems to have drawn heavily from MS E.1939.65.354. Sollinger, in turn, sold several of these works to [[Paulus Hector Mair]]: the Cod.I.6.2º.2 in 1544, the Cod.I.6.4º.5 in 1552, the MS E.1939.65.354 in 1560, and the Cod.I.6.2º.3 in 1561. Hutter's draftbook in particular was apparently used as the primary source for Mair's writings on armored dueling (preserved in three manuscripts in the 1540s and 50s); owing to its lack of text, Mair inserted his own descriptions of the plays—descriptions which diverge noticeably from Hutter's own explanations.
  
A final set of three copies of Hutter's work, including [[Confectbuch von Abrichtung vollständiges Turnierbuch (Cod.Guelf.1.6.3 Aug.2º)|Cod.Guelf.1.6.3 Aug.2º]], [[Unterschiedliche die Dressur und Aufzäumung der Pferde erläuternde Zeichnungen (Cod.Guelf.79.2 Aug.2º)|Cod.Guelf.79.2 Aug.2º]], and [[Reit und Turnierbuch (MS KK5247)|MS KK5247]], were prepared by Jeremias Schemel von Augsburg at the end of the 16th century as part of a massive compilation of treatises on horsemanship which also included discussion of riding, dressage, and jousting. These manuscripts contain Hutter's original text (unlike Mair's version), but the elaborate artwork includes details from multiple prior versions of Hutter's work, suggesting that Schemel's source manuscript may remain to be discovered.
+
A final set of two copies of Hutter's work, including [[Confectbuch von Abrichtung vollständiges Turnierbuch (Cod.Guelf.1.6.3 Aug.2º)|Cod.Guelf.1.6.3 Aug.2º]] and [[Reit und Turnierbuch (MS KK5247)|MS KK5247]], were prepared by [[Jeremias Schemel von Augsburg]] at the end of the 16th century as part of a massive compilation of treatises on horsemanship which also included discussion of riding, dressage, jousting, and tournaments. These manuscripts contain Hutter's original text (unlike Mair's version), but the elaborate artwork includes details from multiple prior versions of Hutter's work, suggesting that Schemel's source manuscript may remain to be discovered. A [[Reit und Turnierbuch (MS 23.279)|third manuscript]] of Schemel's work also exists, copied from the MS KK5247 in 1838, but such a late work has little to contribute to any analysis of the tradition.
  
 
== Treatise ==
 
== Treatise ==
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{{master begin
 
{{master begin
 
  | title = Long Sword
 
  | title = Long Sword
  | width = 188em
+
  | width = 210em
 
}}<section begin="credits1"/>
 
}}<section begin="credits1"/>
{| class="floated master" style="clear:right;"
+
{| class="master" style="clear:right;"
 
|-  
 
|-  
! id="thin" | <p>Images<br/>from the Archetype</p>
+
! <p>Illustrations<br/>from the Archetype</p>
 
! <p>{{rating|C|Draft Translation (from the Munich)}}<br/>by [[User:Stephen Cheney|Stephen Cheney]]</p>
 
! <p>{{rating|C|Draft Translation (from the Munich)}}<br/>by [[User:Stephen Cheney|Stephen Cheney]]</p>
! <p>[[Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)|Archetype]] (1523){{edit index|Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)}}<br/>by [[Dierk Hagedorn]]</p>
+
! <p>[[Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)|Archetype Transcription]] (1523){{edit index|Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)}}<br/>by [[Dierk Hagedorn]]</p>
! <p>[[Jörg Wilhalm Hutters kunst zu Augspurg (Cgm 3711)|Munich Version I]] (1523){{edit index|Jörg Wilhalm Hutters kunst zu Augspurg (Cgm 3711)}}<br/>by [[Kendra&nbsp;Brown]], [[Rebecca&nbsp;Garber]], [[Don&nbsp;Kindsvatter]], [[Mark&nbsp;Millman]], [[Amy&nbsp;West]]</p>
+
! <p>[[Jörg Wilhalm Hutters kunst zu Augspurg (Cgm 3711)|Munich I Transcription]] (1523){{edit index|Jörg Wilhalm Hutters kunst zu Augspurg (Cgm 3711)}}<br/>by [[Kendra&nbsp;Brown]], [[Rebecca&nbsp;Garber]], [[Don&nbsp;Kindsvatter]], [[Mark&nbsp;Millman]], [[Amy&nbsp;West]]</p>
! <p>[[Gregor Erhart Fechtbuch (MS E.1939.65.354)|Glasgow Version]] (1533){{edit index|Gregor Erhart Fechtbuch (MS E.1939.65.354)}}</p>
+
! <p>[[Gregor Erhart Fechtbuch (MS E.1939.65.354)|Glasgow Transcription]] (1533){{edit index|Gregor Erhart Fechtbuch (MS E.1939.65.354)}}</p>
! <p>[[Maister Liechtenawers Kunstbuech (Cgm 3712)|Munich Version II]] (1556){{edit index|Maister Liechtenawers Kunstbuech (Cgm 3712)}}</p>
+
! <p>[[Maister Liechtenawers Kunstbuech (Cgm 3712)|Munich II Transcription]] (1556){{edit index|Maister Liechtenawers Kunstbuech (Cgm 3712)}}</p>
! <p>[[Künnst zu fechten vonn dem Lienhartt Sollinger (Cod.Guelf.38.21 Aug.2º)|Wolfenbüttel Version I]] (1588){{edit index|Künnst zu fechten vonn dem Lienhartt Sollinger (Cod.Guelf.38.21 Aug.2º)}}<br/>by [[Kevin Maurer]]</p>
+
! <p>[[Künnst zu fechten vonn dem Lienhartt Sollinger (Cod.Guelf.38.21 Aug.2º)|Wolfenbüttel I Transcription]] (1588){{edit index|Künnst zu fechten vonn dem Lienhartt Sollinger (Cod.Guelf.38.21 Aug.2º)}}<br/>by [[Kevin Maurer]]</p>
 
<section end="credits1"/>
 
<section end="credits1"/>
 
|-  
 
|-  
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|-  
 
|-  
| [[File:Cgm 3711 2r.jpg|200px|center|link=http://daten.digitale-sammlungen.de/bsb00064546/image_43]]
+
| [[File:Cgm 3711 2r.jpg|300px|center|link=http://daten.digitale-sammlungen.de/bsb00064546/image_43]]
| <p>[2] Whoever wants to cut upon you,<br/>you shall parry it with joy,<br/>and when you have parried,<br/>thus all of his cuts are destroyed.</p>
+
| <p>[2] Whoever wants to hew upon you,<br/>you shall parry it with joy,<br/>and when you have parried,<br/>thus all of his hews are destroyed.</p>
  
:The two both stand to the right in the over cut
+
:The two both stand to the right in the over hew
  
<p>If you want to behold the art,<br/>then to left and right with cuts<br/>and left with right<br/>is what you strongly desire to fence.<br/>Whoever goes after with cutting<br/>allow their art little joy.<br/>Cut nearing what you want,<br/>no change-through comes to your shield.<br/>To head, to body,<br/>don’t abandon the fencing,<br/>with the whole body fence,<br/>what you desire to drive strongly,</p>
+
{| class="zettel"
 
+
|-
<p>hereafter what you strike crisply on.</p>
+
| <small>9</small>
 +
| If you want to behold the art,<br/>then to left and right with hews
 +
|-
 +
| <small>10</small>
 +
| and left with right<br/>is what you strongly desire to fence.
 +
|-
 +
| <small>11</small>
 +
| Whoever goes after with hews<br/>allow their art little joy.
 +
|-
 +
| <small>12</small>
 +
| Hew nearing what you want,<br/>no change-through comes to your shield.
 +
|-
 +
| <small>13</small>
 +
| To head, to body,<br/>don’t abandon the fencing,
 +
|-
 +
| <small>14</small>
 +
| with the whole body fence,<br/>what you desire to drive strongly,
 +
|-
 +
| <small>15</small>
 +
| hereafter what you strike crisply on.
 +
|}
 
|  
 
|  
 
| {{paget|Page:Cgm 3711|02r|jpg}}
 
| {{paget|Page:Cgm 3711|02r|jpg}}
| {{paget|Page:MS E.1939.65.354|0v|jpg}}
+
| {{paget|Page:MS E.1939.65.354|003v|jpg}}
 
| {{paget|page:Cgm 3712|97r|jpg}}
 
| {{paget|page:Cgm 3712|97r|jpg}}
 
| {{paget|Page:Cod.Guelf.38.21 Aug.2º|015r|jpg}}
 
| {{paget|Page:Cod.Guelf.38.21 Aug.2º|015r|jpg}}
  
 
|-  
 
|-  
| [[File:Cgm 3711 2v.jpg|200px|center|link=http://daten.digitale-sammlungen.de/bsb00064546/image_44]]
+
| [[File:Cgm 3711 2v.jpg|300px|center|link=http://daten.digitale-sammlungen.de/bsb00064546/image_44]]
| <p>[3] The two both stand on the left in the over cut</p>
+
| <p>[3] The two both stand on the left in the over hew</p>
  
<p>Don’t fight above on the left if you are right handed,<br/>and if you are left handed<br/>and in the right also severely hindered.<br/>Before and after, the two things<br/>are the origin of all art.<br/>Weak and strong,<br/>indes, wait, with that note your work.<br/>Thus may you learn<br/>your work with art, and whoever<br/>frightens easily,<br/>he shall not learn to be a fencer.</p>
+
{| class="zettel"
 +
|-
 +
| <small>15</small>
 +
| Don’t fence above on the left if you are right handed,
 +
|-
 +
| <small>16</small>
 +
| and if you are left handed<br/>and in the right also severely hindered.
 +
|-
 +
| <small>17</small>
 +
| Before and after, the two things<br/>are the origin of all art.
 +
|-
 +
| <small>18</small>
 +
| Weak and strong,<br/>indes, wait, with that note your work.
 +
|-
 +
| <small>19</small>
 +
| Thus may you learn<br/>your work with art,
 +
|-
 +
| <small>20</small>
 +
| and whoever frightens easily,<br/>he shall not learn to be a fencer.
 +
|}
 
|  
 
|  
 
| {{paget|Page:Cgm 3711|02v|jpg}}
 
| {{paget|Page:Cgm 3711|02v|jpg}}
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 06r.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 06r.jpg|300px|center]]
| <p>[4] He stands in the over cut</p>
+
| <p>[4] He stands in the over hew</p>
  
:This is the wrath cut from the right shoulder
+
:This is the wrath hew from the right shoulder
  
<p>This is about the wrath cut. Whoever cuts you from above, take the wrath cut strong on your shoulder and cut in straight, over the parry, and hang and wind with the sword as if you want to thwart, and allow to drop to both sides with half failers and hit him with the long edge to the right ear to the head away.</p>
+
<p>This is about the wrath hew. Whoever hews you from above, take the wrath hew strong on your shoulder and hew in straight, over the parry, and hang and wind with the sword as if you want to thwart, and allow to drop to both sides with half failers and hit him with the long edge to the right ear to the head away.</p>
 
| {{paget|Page:Cod.I.6.2º.2|06r|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|06r|jpg}}
 
| {{paget|Page:Cgm 3711|03r|jpg}}
 
| {{paget|Page:Cgm 3711|03r|jpg}}
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 06v.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 06v.jpg|300px|center]]
| <p>[5] He stands in the over cut</p>
+
| <p>[5] He stands in the over hew</p>
  
:This is the wrath cut from the left shoulder
+
:This is the wrath hew from the left shoulder
  
<p>This is the wrath cut on the left side, and take the same from the left shoulder and cut him quickly in long to the head and hang and wind with it, and again use the failers, and hit yet again as stands written before and behind.</p>
+
<p>This is the wrath hew on the left side, and take the same from the left shoulder and hew him quickly in long to the head and hang and wind with it, and again use the failers, and hit yet again as stands written before and behind.</p>
 
| {{paget|Page:Cod.I.6.2º.2|06v|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|06v|jpg}}
 
| {{paget|Page:Cgm 3711|03v|jpg}}
 
| {{paget|Page:Cgm 3711|03v|jpg}}
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 03r.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 03r.jpg|300px|center]]
 
| <p>[6] This is the wrath point</p>
 
| <p>[6] This is the wrath point</p>
  
:He stands in the over cut
+
:He stands in the over hew
  
 
<p>This is the direction, and note:</p>
 
<p>This is the direction, and note:</p>
  
<p>whoever cuts you from above,<br/>that you penetrate him with the wrath point<br/>and if he becomes aware,<br/>then take it away above without risk,<br/>and be strong here again,<br/>wind, cut and stab, if he sees it, then take it low.<br/>Note this precisely:<br/>cut, stab, weak and strong</p>
+
{| class="zettel"
 
+
|-
 +
| <small>27</small>
 +
| whoever hews you from above,<br/>that you penetrate him with the wrath point
 +
|-
 +
| <small>28</small>
 +
| and if he becomes aware,<br/>then take it away above without risk,
 +
|-
 +
| <small>29</small>
 +
| and be strong here again,<br/>wind, hew, and stab, if he sees it, then take it low.
 +
|-
 +
| <small>30</small>
 +
| Note this precisely:<br/>hew, stab, weak and strong
 +
|}
 
<p>and take it with half failers, but hit in as before and behind.</p>
 
<p>and take it with half failers, but hit in as before and behind.</p>
 
| {{paget|Page:Cod.I.6.2º.2|03r|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|03r|jpg}}
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 03v.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 03v.jpg|300px|center]]
| <p>[7] He stands in the over cut</p>
+
| <p>[7] He stands in the over hew</p>
  
 
:This is the other wrath point.
 
:This is the other wrath point.
  
<p>This is the other wrath point on the other side, take it also thusly: If they indeed both wrath cut from the shoulder, and one must make a stab from a cut, and the cut must be thrown, and take that also quickly away like the above.</p>
+
<p>This is the other wrath point on the other side, take it also thusly: If they indeed both wrath hew from the shoulder, and one must make a stab from a hew, and the hew must be thrown, and take that also quickly away like the above.</p>
 
| {{paget|Page:Cod.I.6.2º.2|03v|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|03v|jpg}}
 
| {{paget|Page:Cgm 3711|04v|jpg}}
 
| {{paget|Page:Cgm 3711|04v|jpg}}
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 02r.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 02r.jpg|300px|center]]
 
| <p>[8] Here, fences to the war</p>
 
| <p>[8] Here, fences to the war</p>
  
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<p>This is the direction about the war:</p>
 
<p>This is the direction about the war:</p>
  
<p>Whoever’s war aims above,<br/>he will be shamed from above low.<br/>Indes, before and after,<br/>don’t be quick to your war,<br/>understand this in all things<br/>if you want to make the war.</p>
+
{| class="zettel"
 +
|-
 +
| <small>32</small>
 +
| Whoever’s war aims above,<br/>he will be shamed from above low.
 +
|-
 +
| <small>31</small>
 +
| Indes, before and after,<br/>don’t be quick to your war,
  
 +
|-
 +
| <small>&mdash;</small>
 +
| Understand this in all things<br/>if you want to make the war.
 +
|}
 
<p>Gloss note.</p>
 
<p>Gloss note.</p>
 
| {{paget|Page:Cod.I.6.2º.2|02r|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|02r|jpg}}
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 02v.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 02v.jpg|300px|center]]
 
| <p>[9] This play is in the war</p>
 
| <p>[9] This play is in the war</p>
  
 
<p>This is also about the war, and should also know that</p>
 
<p>This is also about the war, and should also know that</p>
  
<p>in all windings,<br/>cleave and stab<br/>swords, run-over<br/>sword, wind out<br/>in all exchanges<br/>if you want to fool the masters</p>
+
{| class="zettel"
 
+
|-
 +
| <small>33</small>
 +
| in all windings,<br/>hew and stab
 +
|-
 +
| <small>&mdash;</small>
 +
| swords, run-over<br/>sword, wind out
 +
|-
 +
| <small>35</small>
 +
| in all exchanges<br/>if you want to fool the masters
 +
|}
 +
 
 
<p>because there are very many breaks about them and also to them, realize how one bares with the war. Gloss note.</p>
 
<p>because there are very many breaks about them and also to them, realize how one bares with the war. Gloss note.</p>
 
| {{paget|Page:Cod.I.6.2º.2|02v|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|02v|jpg}}
Line 219: Line 290:
  
 
|-  
 
|-  
| [[File:Cod.I.6.2º.2 04r.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 04r.jpg|300px|center]]
 
| <p>[10] This is an outer winding and break from the war</p>
 
| <p>[10] This is an outer winding and break from the war</p>
  
<p>This is another play from the war and a break of the previous play, and is an outer winding that goes: cut or stab, find slices well.</p>
+
<p>This is another play from the war and a break of the previous play, and is an outer winding that goes: hew or stab, find slices well.</p>
  
<p>You shall also<br/>cut, stab, slice below with need<br/>in all exchanges<br/>if you want to fool the master.</p>
+
{| class="zettel"
 +
|-
 +
| <small>34</small>
 +
| You shall also<br/>hew, stab, slice below with need
 +
|-
 +
| <small>35</small>
 +
| in all exchanges<br/>if you want to fool the master.
 +
|}
 
| {{paget|Page:Cod.I.6.2º.2|04r|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|04r|jpg}}
 
| {{paget|Page:Cgm 3711|06r|jpg}}
 
| {{paget|Page:Cgm 3711|06r|jpg}}
Line 232: Line 310:
  
 
|-  
 
|-  
| [[File:Cod.I.6.2º.2 05r.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 05r.jpg|300px|center]]
 
| <p>[11] This is also about the war</p>
 
| <p>[11] This is also about the war</p>
  
 
<p>This is also about the war:</p>
 
<p>This is also about the war:</p>
  
<p>squint to the point<br/>and take the neck without apprehension.</p>
+
{| class="zettel"
 
+
|-
 +
| <small>61</small>
 +
| Squint to the point<br/>and take the neck without apprehension.
 +
|}
 
<p>You shall also turn crooked and search to and on and test his techniques, whether he is soft or hard in his technique. Gloss note.</p>
 
<p>You shall also turn crooked and search to and on and test his techniques, whether he is soft or hard in his technique. Gloss note.</p>
 
| {{paget|Page:Cod.I.6.2º.2|05r|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|05r|jpg}}
Line 247: Line 328:
  
 
|-  
 
|-  
| [[File:Cod.I.6.2º.2 05v.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 05v.jpg|300px|center]]
 
| <p>[12] This is also about the war</p>
 
| <p>[12] This is also about the war</p>
  
Line 258: Line 339:
  
 
|-  
 
|-  
| [[File:Cgm 3711 7v.jpg|200px|center|link=http://daten.digitale-sammlungen.de/bsb00064546/image_54]]
+
| [[File:Cgm 3711 7v.jpg|300px|center|link=http://daten.digitale-sammlungen.de/bsb00064546/image_54]]
 
| <p>[13] Those are points in the war</p>
 
| <p>[13] Those are points in the war</p>
  
Line 269: Line 350:
  
 
|-  
 
|-  
| [[File:Cod.I.6.2º.2 38r.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 38r.jpg|300px|center]]
 
| <p>[14] This is also about the war</p>
 
| <p>[14] This is also about the war</p>
  
Line 280: Line 361:
  
 
|-  
 
|-  
| [[File:Cod.I.6.2º.2 38v.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 38v.jpg|300px|center]]
 
| <p>[15] This is also about the war, a sword taking</p>
 
| <p>[15] This is also about the war, a sword taking</p>
  
Line 291: Line 372:
  
 
|-  
 
|-  
| [[File:Cod.I.6.2º.2 39r.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 39r.jpg|300px|center]]
 
| <p>[16] Here, fencing to the four openings</p>
 
| <p>[16] Here, fencing to the four openings</p>
  
Line 298: Line 379:
 
<p>Here fence to the openings to the head and also to the side.</p>
 
<p>Here fence to the openings to the head and also to the side.</p>
  
<p>Know to aim for the four openings,<br/>thus you will hit wisely without fear,<br/>without all doubt how he bares,<br/>you will be well aware of that.</p>
+
{| class="zettel"
 
+
|-
 +
| <small>36</small>
 +
| Know to aim for the four openings,<br/>thus you will hit wisely without fear,
 +
|-
 +
| <small>37</small>
 +
| without all doubt how he bares,<br/>you will be well aware of that.
 +
|}
 
<p>Also, it comes after at the end hereafter how you shall break the four openings. Gloss note.</p>
 
<p>Also, it comes after at the end hereafter how you shall break the four openings. Gloss note.</p>
 
| {{paget|Page:Cod.I.6.2º.2|39r|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|39r|jpg}}
Line 308: Line 395:
  
 
|-  
 
|-  
| [[File:Cod.I.6.2º.2 39v.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 39v.jpg|300px|center]]
 
| <p>[17] Those are also two openings</p>
 
| <p>[17] Those are also two openings</p>
  
Line 319: Line 406:
 
     --><section begin="Krumphaw"/>
 
     --><section begin="Krumphaw"/>
 
|-  
 
|-  
| [[File:Cod.I.6.2º.2 40r.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 40r.jpg|300px|center]]
| <p>[18] This is the crooked cut on the right side change</p>
+
| <p>[18] This is the crooked hew on the right side change</p>
  
:He stands in the over-cut
+
:He stands in the over hew
  
<p>This is about the crooked cut, the direction:</p>
+
<p>This is about the crooked hew, the direction:</p>
  
<p>Crook on nimbly,<br/>throw the point upon the hands.<br/>Cut crooked to the flats<br/>if you want to weaken the masters.<br/>Don’t cut crooked, cut short,<br/>with it show your change through,</p>
+
<p>Crook on nimbly,<br/>throw the point upon the hands.<br/>Hew crooked to the flats<br/>if you want to weaken the masters.<br/>Don’t hew crooked, hew short,<br/>with it show your change through,</p>
  
 
<p>or use if you want to wrestle, and step to him in the triangle. Gloss note.</p>
 
<p>or use if you want to wrestle, and step to him in the triangle. Gloss note.</p>
Line 336: Line 423:
  
 
|-  
 
|-  
| [[File:Cgm 3711 10v.jpg|200px|center|link=http://daten.digitale-sammlungen.de/bsb00064546/image_60]]
+
| [[File:Cgm 3711 10v.jpg|300px|center|link=http://daten.digitale-sammlungen.de/bsb00064546/image_60]]
| <p>[19] He stands in the over cut</p>
+
| <p>[19] He stands in the over hew</p>
  
:This is the crooked cut from the left side
+
:This is the crooked hew from the left side
  
 
<p>That is, crook on nimbly.</p>
 
<p>That is, crook on nimbly.</p>
  
<p>Whoever parries well<br/>with striding, he destroys many cuts.<br/>Cut crooked to the flats<br/>if you want to weaken the masters.<br/>When it sparks above,<br/>stand away, that I want to praise.<br/>Strike crooked and not short cut,<br/>with it show the change through.<br/>Cut crooked whoever errs you,<br/>the noble war confuses him.</p>
+
<p>Whoever parries well<br/>with striding, he destroys many hews.<br/>Hew crooked to the flats<br/>if you want to weaken the masters.<br/>When it sparks above,<br/>stand away, that I want to praise.<br/>Strike crooked and not short hew,<br/>with it show the change through.<br/>Hew crooked whoever errs you,<br/>the noble war confuses him.</p>
 
| {{paget|Page:Cod.I.6.2º.2|40v|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|40v|jpg}}
 
| {{paget|Page:Cgm 3711|10v|jpg}}
 
| {{paget|Page:Cgm 3711|10v|jpg}}
Line 351: Line 438:
  
 
|-  
 
|-  
| [[File:Cgm 3711 11r.jpg|200px|center|link=http://daten.digitale-sammlungen.de/bsb00064546/image_61]]
+
| [[File:Cgm 3711 11r.jpg|300px|center|link=http://daten.digitale-sammlungen.de/bsb00064546/image_61]]
 
| <p>[20] This is how one shall break in the four openings: He hits him with opening to the side, thus the other breaks it to him and hits him behind onto his head</p>
 
| <p>[20] This is how one shall break in the four openings: He hits him with opening to the side, thus the other breaks it to him and hits him behind onto his head</p>
  
Line 368: Line 455:
  
 
|-  
 
|-  
| [[File:Cod.I.6.2º.2 08v.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 08v.jpg|300px|center]]
 
| <p>[21] There this breaks the opening on the other side, and is also to break the openings</p>
 
| <p>[21] There this breaks the opening on the other side, and is also to break the openings</p>
  
 
:He hits to the other opening to his left side  
 
:He hits to the other opening to his left side  
  
<p>This is the opening breaking on the other side, and break it as you see pictured. You must also double above, and mutate correctly below. Item: The opening breaking shall stand pictured in front before the crooked cut.</p>
+
<p>This is the opening breaking on the other side, and break it as you see pictured. You must also double above, and mutate correctly below. Item: The opening breaking shall stand pictured in front before the crooked hew.</p>
 
| {{paget|Page:Cod.I.6.2º.2|08v|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|08v|jpg}}
 
| {{paget|Page:Cgm 3711|11v|jpg}}
 
| {{paget|Page:Cgm 3711|11v|jpg}}
Line 381: Line 468:
 
     --><section end="Krumphaw"/>
 
     --><section end="Krumphaw"/>
 
|-  
 
|-  
| [[File:Cgm 3711 12r.jpg|200px|center|link=http://daten.digitale-sammlungen.de/bsb00064546/image_63]]
+
| [[File:Cgm 3711 12r.jpg|300px|center|link=http://daten.digitale-sammlungen.de/bsb00064546/image_63]]
 
| <p>[22] The guard from the day</p>
 
| <p>[22] The guard from the day</p>
  
Line 394: Line 481:
  
 
|-  
 
|-  
| [[File:Cod.I.6.2º.2 14v.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 14v.jpg|300px|center]]
| <p>[23] Skull cut</p>
+
| <p>[23] Skull hew</p>
  
 
:A position, or the iron gate
 
:A position, or the iron gate
  
<p>Item: This is about the crown, etc. and then he raises the sword upwards. He stands in the skull cut, and the other in a position, and when he hits away from the roof, thus the other takes the crown all right. Gloss note.</p>
+
<p>Item: This is about the crown, etc. and then he raises the sword upwards. He stands in the skull hew, and the other in a position, and when he hits away from the roof, thus the other takes the crown all right. Gloss note.</p>
 
| {{paget|Page:Cod.I.6.2º.2|14v|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|14v|jpg}}
 
| {{paget|Page:Cgm 3711|12v|jpg}}
 
| {{paget|Page:Cgm 3711|12v|jpg}}
Line 407: Line 494:
  
 
|-  
 
|-  
| [[File:Cod.I.6.2º.2 07r.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 07r.jpg|300px|center]]
| <p>[24] This is the thwart cut</p>
+
| <p>[24] This is the thwart hew</p>
  
:He stands in the over cut
+
:He stands in the over hew
  
 
<p>This is the thwart, it takes<br/>what comes from the day,<br/>then thwart with the strong,<br/>with it note your work.<br/>The thwart to plow,<br/>join hard to the ox,<br/>and who thwarts themselves well,<br/>with jumping threatens your head,</p>
 
<p>This is the thwart, it takes<br/>what comes from the day,<br/>then thwart with the strong,<br/>with it note your work.<br/>The thwart to plow,<br/>join hard to the ox,<br/>and who thwarts themselves well,<br/>with jumping threatens your head,</p>
Line 422: Line 509:
  
 
|-  
 
|-  
| [[File:Cod.I.6.2º.2 07v.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 07v.jpg|300px|center]]
 
| <p>[25] This is the thwart on the other side</p>
 
| <p>[25] This is the thwart on the other side</p>
  
:He stands in the over cut
+
:He stands in the over hew
  
 
<p>This is the thwart on the other side, take it also as on the other side: invert, force, run through, and also wrestle, and in the elbows in the scale and step to the left, and don’t be lazy. You may wrestle in both thwarts. Gloss note.</p>
 
<p>This is the thwart on the other side, take it also as on the other side: invert, force, run through, and also wrestle, and in the elbows in the scale and step to the left, and don’t be lazy. You may wrestle in both thwarts. Gloss note.</p>
Line 435: Line 522:
  
 
|-  
 
|-  
| [[File:Cod.I.6.2º.2 09r.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 09r.jpg|300px|center]]
 
| <p>[26] He breaks the thwart</p>
 
| <p>[26] He breaks the thwart</p>
  
Line 448: Line 535:
  
 
|-  
 
|-  
| [[File:Cod.I.6.2º.2 09v.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 09v.jpg|300px|center]]
 
| <p>[27] He stands in the guard from day and raises as much as he likes</p>
 
| <p>[27] He stands in the guard from day and raises as much as he likes</p>
  
Line 461: Line 548:
  
 
|-  
 
|-  
| [[File:Cod.I.6.2º.2 10r.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 10r.jpg|300px|center]]
 
| <p>[28] He lies in the thwart and has taken it with a jump, and shoves his arm away from him</p>
 
| <p>[28] He lies in the thwart and has taken it with a jump, and shoves his arm away from him</p>
  
Line 472: Line 559:
  
 
|-  
 
|-  
| [[File:Cod.I.6.2º.2 10v.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 10v.jpg|300px|center]]
 
| <p>[29] He also stands in the thwart, and he wants to shove away</p>
 
| <p>[29] He also stands in the thwart, and he wants to shove away</p>
  
Line 485: Line 572:
  
 
|-  
 
|-  
| [[File:Cod.I.6.2º.2 11r.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 11r.jpg|300px|center]]
 
| <p>[30] That is also driven from the thwart with jumping to the head, how he bares with his turn without fear</p>
 
| <p>[30] That is also driven from the thwart with jumping to the head, how he bares with his turn without fear</p>
  
Line 496: Line 583:
  
 
|-  
 
|-  
| [[File:Cod.I.6.2º.2 11v.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 11v.jpg|300px|center]]
 
| <p>[31] This is the thwart in above, also a play</p>
 
| <p>[31] This is the thwart in above, also a play</p>
  
Line 507: Line 594:
  
 
|-  
 
|-  
| [[File:Cod.I.6.2º.2 12r.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 12r.jpg|300px|center]]
 
| <p>[32] This is the ox</p>
 
| <p>[32] This is the ox</p>
  
Line 520: Line 607:
  
 
|-  
 
|-  
| [[File:Cod.I.6.2º.2 12v.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 12v.jpg|300px|center]]
 
| <p>[33] This is the ox</p>
 
| <p>[33] This is the ox</p>
  
Line 533: Line 620:
  
 
|-  
 
|-  
| [[File:Cod.I.6.2º.2 18r.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 18r.jpg|300px|center]]
 
| <p>[34] He stands armed<ref>Meaning as though armored</ref></p>
 
| <p>[34] He stands armed<ref>Meaning as though armored</ref></p>
  
Line 544: Line 631:
  
 
|-  
 
|-  
| [[File:Cod.I.6.2º.2 18v.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 18v.jpg|300px|center]]
 
| <p>[35] This is also about the squinter, play and break, and there he has the sword on the neck. This is the break and the other the play. Note that as you see it pictured.</p>
 
| <p>[35] This is also about the squinter, play and break, and there he has the sword on the neck. This is the break and the other the play. Note that as you see it pictured.</p>
 
| {{paget|Page:Cod.I.6.2º.2|18v|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|18v|jpg}}
Line 553: Line 640:
  
 
|-  
 
|-  
| [[File:Cod.I.6.2º.2 19r.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 19r.jpg|300px|center]]
 
| <p>[36] This is again about the squinter, the break, the run over, that strongly breaks his squinter, hit or slice and away from there quickly and soon, and therefore is not a play, it is a break from it. Gloss note.</p>
 
| <p>[36] This is again about the squinter, the break, the run over, that strongly breaks his squinter, hit or slice and away from there quickly and soon, and therefore is not a play, it is a break from it. Gloss note.</p>
 
| {{paget|Page:Cod.I.6.2º.2|19r|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|19r|jpg}}
Line 562: Line 649:
  
 
|-  
 
|-  
| [[File:Cod.I.6.2º.2 19v.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 19v.jpg|300px|center]]
 
| <p>[37] This is another play from the squinter. Squint to the point and take the neck without apprehension, and at the same time so note and learn art that you yourself have become accustomed to. Gloss note.</p>
 
| <p>[37] This is another play from the squinter. Squint to the point and take the neck without apprehension, and at the same time so note and learn art that you yourself have become accustomed to. Gloss note.</p>
 
| {{paget|Page:Cod.I.6.2º.2|19v|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|19v|jpg}}
Line 571: Line 658:
  
 
|-  
 
|-  
| [[File:Cod.I.6.2º.2 16r.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 16r.jpg|300px|center]]
 
| <p>[38] He stands hitting in the above parry</p>
 
| <p>[38] He stands hitting in the above parry</p>
  
Line 584: Line 671:
  
 
|-  
 
|-  
| [[File:Cod.I.6.2º.2 16v.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 16v.jpg|300px|center]]
 
| <p>[39] He stands hitting in the above parry</p>
 
| <p>[39] He stands hitting in the above parry</p>
  
Line 599: Line 686:
  
 
|-  
 
|-  
| [[File:Cod.I.6.2º.2 17r.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 17r.jpg|300px|center]]
 
| <p>[40] That is a squint to the point and take the neck without apprehension, and in addition strong into the scale</p>
 
| <p>[40] That is a squint to the point and take the neck without apprehension, and in addition strong into the scale</p>
  
Line 608: Line 695:
 
| {{paget|Page:Cgm 3711|21r|jpg}}
 
| {{paget|Page:Cgm 3711|21r|jpg}}
 
| {{paget|Page:MS E.1939.65.354|35v|jpg}}
 
| {{paget|Page:MS E.1939.65.354|35v|jpg}}
| {{paget|page:Cgm 3712|116r|jpg}}
+
| {{paget|Page:Cgm 3712|116r|jpg}}
 
| {{paget|Page:Cod.Guelf.38.21 Aug.2º|028r|jpg}}
 
| {{paget|Page:Cod.Guelf.38.21 Aug.2º|028r|jpg}}
  
 
|-  
 
|-  
| [[File:Cod.I.6.2º.2 17v.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 17v.jpg|300px|center]]
 
| <p>[41] He hits above over</p>
 
| <p>[41] He hits above over</p>
  
Line 625: Line 712:
  
 
|-  
 
|-  
| [[File:Cod.I.6.2º.2 24r.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 24r.jpg|300px|center]]
| <p>[42] This is the skull cut</p>
+
| <p>[42] This is the skull hew</p>
  
 
:This is the squinter
 
:This is the squinter
  
<p>This is about the skull cut, the direction: This is squinter with skuller, the face is threatened. With its turn, the chest quickly threatened, and what comes from him, the crown, all right. Gloss note.</p>
+
<p>This is about the skull hew, the direction: This is squinter with skuller, the face is threatened. With its turn, the chest quickly threatened, and what comes from him, the crown, all right. Gloss note.</p>
 
| {{paget|Page:Cod.I.6.2º.2|24r|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|24r|jpg}}
 
| {{paget|Page:Cgm 3711|22r|jpg}}
 
| {{paget|Page:Cgm 3711|22r|jpg}}
Line 638: Line 725:
  
 
|-  
 
|-  
| [[File:Cod.I.6.2º.2 24v.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 24v.jpg|300px|center]]
 
| <p>[43] This is the short edge</p>
 
| <p>[43] This is the short edge</p>
  
:Skull cut
+
:Skull hew
  
<p>This is also about the skull cut. It is to know that one shall take the skull cut with three steps and one may take it with a step, then the crown comes from him, that takes away the slice through the crown. Thus you break it hard and beautiful. Press the sweep, withdraw it with slicing. Gloss note.</p>
+
<p>This is also about the skull hew. It is to know that one shall take the skull hew with three steps and one may take it with a step, then the crown comes from him, that takes away the slice through the crown. Thus you break it hard and beautiful. Press the sweep, withdraw it with slicing. Gloss note.</p>
 
| {{paget|Page:Cod.I.6.2º.2|24v|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|24v|jpg}}
 
| {{paget|Page:Cgm 3711|22v|jpg}}
 
| {{paget|Page:Cgm 3711|22v|jpg}}
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+
| [[File:Cod.I.6.2º.2 25r.jpg|300px|center]]
 
| <p>[44] This is a parry</p>
 
| <p>[44] This is a parry</p>
  
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|-  
 
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| [[File:Cod.I.6.2º.2 26r.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 26r.jpg|300px|center]]
 
| <p>[45] This is also about the positions and is to know that one position breaks the other, and those are two positions, one lies over, the other under. Therefore note this, and hear that the lowest may well go through the above, and went onto his head, and therefore penetrates. Do well, so I shall say it. Gloss note.</p>
 
| <p>[45] This is also about the positions and is to know that one position breaks the other, and those are two positions, one lies over, the other under. Therefore note this, and hear that the lowest may well go through the above, and went onto his head, and therefore penetrates. Do well, so I shall say it. Gloss note.</p>
 
| {{paget|Page:Cod.I.6.2º.2|26r|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|26r|jpg}}
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+
| [[File:Cod.I.6.2º.2 26v.jpg|300px|center]]
 
| <p>[46] This is also about the positions, so that he then shoots on crooked on the position, and shoots to the top of his sword, and is the shooting over, also a position the other breaks. Gloss note.</p>
 
| <p>[46] This is also about the positions, so that he then shoots on crooked on the position, and shoots to the top of his sword, and is the shooting over, also a position the other breaks. Gloss note.</p>
 
| {{paget|Page:Cod.I.6.2º.2|26v|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|26v|jpg}}
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+
| [[File:Cod.I.6.2º.2 25v.jpg|300px|center]]
 
| <p>[47] This is a parry</p>
 
| <p>[47] This is a parry</p>
  
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+
| [[File:Cod.I.6.2º.2 30r.jpg|300px|center]]
 
| <p>[48] This is again about the four positions, and the parry upon it and shooting over. Those are also positions, note that there below with the strong and long into the scale, and if he wants to execute against you, then you may take a slice if you want to, or may hang, whatever fences best to you. Gloss note.</p>
 
| <p>[48] This is again about the four positions, and the parry upon it and shooting over. Those are also positions, note that there below with the strong and long into the scale, and if he wants to execute against you, then you may take a slice if you want to, or may hang, whatever fences best to you. Gloss note.</p>
 
| {{paget|Page:Cod.I.6.2º.2|30r|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|30r|jpg}}
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|-  
 
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+
| [[File:Cod.I.6.2º.2 30v.jpg|300px|center]]
 
| <p>[49] This is again about the four positions, and from the parry, there note on and watch: those are also two positions, and that is also a position, the shooting-over has, and the positions have an end, and the four parries, they are all side by side, then it is many that it searches. Gloss note.</p>
 
| <p>[49] This is again about the four positions, and from the parry, there note on and watch: those are also two positions, and that is also a position, the shooting-over has, and the positions have an end, and the four parries, they are all side by side, then it is many that it searches. Gloss note.</p>
 
| {{paget|Page:Cod.I.6.2º.2|30v|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|30v|jpg}}
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+
| [[File:Cod.I.6.2º.2 31r.jpg|300px|center]]
| <p>[50] This is about the pursuit.<br/>Learn twofold in the scale,<br/>and take two from it,<br/>and your work begins from it,<br/>and test your movements,<br/>whether they are soft or hard,<br/>learn the same.<br/>Indes, that word cuts severely.<br/>Pursue twofold,<br/>thus you take the old slice with power</p>
+
| <p>[50] This is about the pursuit.<br/>Learn twofold in the scale,<br/>and take two from it,<br/>and your work begins from it,<br/>and test your movements,<br/>whether they are soft or hard,<br/>learn the same.<br/>Indes, that word slices severely.<br/>Pursue twofold,<br/>thus you take the old slice with power</p>
  
<p>and have eight. Gloss note.</p>
+
<p>and pay attention. Gloss note.</p>
 
| {{paget|Page:Cod.I.6.2º.2|31r|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|31r|jpg}}
 
| {{paget|Page:Cgm 3711|26r|jpg}}
 
| {{paget|Page:Cgm 3711|26r|jpg}}
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 31v.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 31v.jpg|300px|center]]
 
| <p>[51] This is another pursuit. You should take the pursuit on both sides, step long if you want to stride, because the pursuit is several things, and that is the pursuit when one has hit you and wants to go from you or withdraw, then follow after him and defend yourself. Gloss note.</p>
 
| <p>[51] This is another pursuit. You should take the pursuit on both sides, step long if you want to stride, because the pursuit is several things, and that is the pursuit when one has hit you and wants to go from you or withdraw, then follow after him and defend yourself. Gloss note.</p>
 
| {{paget|Page:Cod.I.6.2º.2|31v|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|31v|jpg}}
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| [[File:Cod.I.6.2º.2 32r.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 32r.jpg|300px|center]]
 
| <p>[52] This is about the run over, there note that the run-over is thus: one runs over the other outside with the pommel outward with force, and that is an outer run over, and it is still more, and therefore when one wants to run over you, so raise your sword strong in the height, so he can not run-over you.</p>
 
| <p>[52] This is about the run over, there note that the run-over is thus: one runs over the other outside with the pommel outward with force, and that is an outer run over, and it is still more, and therefore when one wants to run over you, so raise your sword strong in the height, so he can not run-over you.</p>
 
| {{paget|Page:Cod.I.6.2º.2|32r|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|32r|jpg}}
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 32v.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 32v.jpg|300px|center]]
 
| <p>[53] This is also about the run over, and that is an inward run over,</p>
 
| <p>[53] This is also about the run over, and that is an inward run over,</p>
  
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 33r.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 33r.jpg|300px|center]]
 
| <p>[54] This is also a run-over, and is armored, and a wrestling goes with it, and therefore note precisely on when he wants to throw him over the left foot and many pertain to the run over, if one wishes to search. Gloss note as it stands precisely pictured.</p>
 
| <p>[54] This is also a run-over, and is armored, and a wrestling goes with it, and therefore note precisely on when he wants to throw him over the left foot and many pertain to the run over, if one wishes to search. Gloss note as it stands precisely pictured.</p>
 
| {{paget|Page:Cod.I.6.2º.2|33r|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|33r|jpg}}
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 33v.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 33v.jpg|300px|center]]
 
| <p>[55] This is also a run over with the pommel, and a run over armored with wrestling as before, and back him and throw him with it and do as stands pictured above. Gloss note, therefore the runs over.</p>
 
| <p>[55] This is also a run over with the pommel, and a run over armored with wrestling as before, and back him and throw him with it and do as stands pictured above. Gloss note, therefore the runs over.</p>
 
| {{paget|Page:Cod.I.6.2º.2|33v|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|33v|jpg}}
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|-  
 
|-  
| [[File:Cgm 3711 29r.jpg|200px|center|link=http://daten.digitale-sammlungen.de/bsb00064546/image_97]]
+
| [[File:Cgm 3711 29r.jpg|300px|center|link=http://daten.digitale-sammlungen.de/bsb00064546/image_97]]
| <p>[56] This is about the set aside. Whoever cleaves away at you from roof, set his cut away with the sword with the short edge. If he is soft, then let your pommel go around and hit him with the thwart. But if he is hard, then don’t hit and take and turn him at his sword and work. Gloss note as it stands pictured below.</p>
+
| <p>[56] This is about the set aside. Whoever hews away at you from roof, set his hew away with the sword with the short edge. If he is soft, then let your pommel go around and hit him with the thwart. But if he is hard, then don’t hit and take and turn him at his sword and work. Gloss note as it stands pictured below.</p>
 
| {{paget|Page:Cod.I.6.2º.2|34r|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|34r|jpg}}
 
| {{paget|Page:Cgm 3711|29r|jpg}}
 
| {{paget|Page:Cgm 3711|29r|jpg}}
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 34v.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 34v.jpg|300px|center]]
 
| <p>[57] A set aside</p>
 
| <p>[57] A set aside</p>
  
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 35r.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 35r.jpg|300px|center]]
 
| <p>[58] A set aside</p>
 
| <p>[58] A set aside</p>
  
 
:He lies in the long point
 
:He lies in the long point
  
<p>This is about the set aside. Cleave, stab, quickly injure, and the man behind lies in the long point, and the man in front sets him aside with a set-aside.</p>
+
<p>This is about the set aside. Hew, stab, quickly injure, and the man behind lies in the long point, and the man in front sets him aside with a set-aside.</p>
 
| {{paget|Page:Cod.I.6.2º.2|35r|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|35r|jpg}}
 
| {{paget|Page:Cgm 3711|30r|jpg}}
 
| {{paget|Page:Cgm 3711|30r|jpg}}
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 35v.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 35v.jpg|300px|center]]
 
| <p>[59] A set aside</p>
 
| <p>[59] A set aside</p>
  
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 36r.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 36r.jpg|300px|center]]
 
| <p>[60] A set aside</p>
 
| <p>[60] A set aside</p>
  
 
:A long point
 
:A long point
  
<p>This is whoever wants to set-aside,<br/>cleave, stab, quickly injure,<br/>and whoever wants to stab onto you,<br/>thus look that your point hits and his breaks,<br/>hits from both sides<br/>if you want to step.</p>
+
<p>This is whoever wants to set-aside,<br/>hew, stab, quickly injure,<br/>and whoever wants to stab onto you,<br/>thus look that your point hits and his breaks,<br/>hits from both sides<br/>if you want to step.</p>
  
 
<p>That is also as a set aside. Gloss note.</p>
 
<p>That is also as a set aside. Gloss note.</p>
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 36v.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 36v.jpg|300px|center]]
 
| <p>[61] A set aside</p>
 
| <p>[61] A set aside</p>
  
 
:A long point
 
:A long point
<p>This is whoever wants to set aside, cleave, stab, crooked, quickly injure, and is also a set aside. Gloss note, as it stands pictured below.</p>
+
<p>This is whoever wants to set aside, hew, stab, crooked, quickly injure, and is also a set aside. Gloss note, as it stands pictured below.</p>
 
| {{paget|Page:Cod.I.6.2º.2|36v|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|36v|jpg}}
 
| {{paget|Page:Cgm 3711|31v|jpg}}
 
| {{paget|Page:Cgm 3711|31v|jpg}}
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 37r.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 37r.jpg|300px|center]]
| <p>[62] This is the first upper slice to the top of the arms and slice away the hardening fast and quickly with your technique and have eight and take the slice with force, and therefore to do, gloss note, as it stands pictured below.</p>
+
| <p>[62] This is the first upper slice to the top of the arms and slice away the hardening fast and quickly with your technique and pay attention and take the slice with force, and therefore to do, gloss note, as it stands pictured below.</p>
 
| {{paget|Page:Cod.I.6.2º.2|37r|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|37r|jpg}}
 
| {{paget|Page:Cgm 3711|32r|jpg}}
 
| {{paget|Page:Cgm 3711|32r|jpg}}
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 37v.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 37v.jpg|300px|center]]
 
| <p>[63] This is the second upper slice, take it also with the long edge. Gloss note.</p>
 
| <p>[63] This is the second upper slice, take it also with the long edge. Gloss note.</p>
 
| {{paget|Page:Cod.I.6.2º.2|37v|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|37v|jpg}}
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 27r.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 27r.jpg|300px|center]]
 
| <p>[64] This is about the lower slice, the third, there slice away the hardening through both arms. Note that as it stands pictured above, and take that fast and soon away from there. Gloss note.</p>
 
| <p>[64] This is about the lower slice, the third, there slice away the hardening through both arms. Note that as it stands pictured above, and take that fast and soon away from there. Gloss note.</p>
 
| {{paget|Page:Cod.I.6.2º.2|27r|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|27r|jpg}}
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 27v.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 27v.jpg|300px|center]]
 
| <p>[65] This is the fourth slice. Take it also as you see in the picture below, and take him strong or soft as you want, and quickly away from there soon, and nimbly so that your slice completes to you. Gloss note.</p>
 
| <p>[65] This is the fourth slice. Take it also as you see in the picture below, and take him strong or soft as you want, and quickly away from there soon, and nimbly so that your slice completes to you. Gloss note.</p>
 
| {{paget|Page:Cod.I.6.2º.2|27v|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|27v|jpg}}
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 28r.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 28r.jpg|300px|center]]
 
| <p>[66] This is also an upper slice. Take it as you see it pictured above, and slice him away the hardening fast and quickly and away from there so that he does not follow you with the pursuit. Gloss note.</p>
 
| <p>[66] This is also an upper slice. Take it as you see it pictured above, and slice him away the hardening fast and quickly and away from there so that he does not follow you with the pursuit. Gloss note.</p>
 
| {{paget|Page:Cod.I.6.2º.2|28r|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|28r|jpg}}
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 28v.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 28v.jpg|300px|center]]
 
| <p>[67] Item: This is the old slice. The man in front drives it, take it thusly, and pull on him below through the right arm strong and long upwards and quickly away from there. Gloss note.</p>
 
| <p>[67] Item: This is the old slice. The man in front drives it, take it thusly, and pull on him below through the right arm strong and long upwards and quickly away from there. Gloss note.</p>
 
| {{paget|Page:Cod.I.6.2º.2|28v|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|28v|jpg}}
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 29r.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 29r.jpg|300px|center]]
 
| <p>[68] This is the other old slice to the other side. Take it thusly as it stands pictured above, and take it up quickly and behind away from there, so that he does not reach you. Gloss note.</p>
 
| <p>[68] This is the other old slice to the other side. Take it thusly as it stands pictured above, and take it up quickly and behind away from there, so that he does not reach you. Gloss note.</p>
 
| {{paget|Page:Cod.I.6.2º.2|29r|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|29r|jpg}}
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 29v.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 29v.jpg|300px|center]]
 
| <p>[69] This is about the hand press. The sword presses into the hands, and do this nimbly: turn your sword to flat through the hands. Gloss note.</p>
 
| <p>[69] This is about the hand press. The sword presses into the hands, and do this nimbly: turn your sword to flat through the hands. Gloss note.</p>
 
| {{paget|Page:Cod.I.6.2º.2|29v|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|29v|jpg}}
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 20r.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 20r.jpg|300px|center]]
 
| <p>[70] This is also a hand press. Take it thusly, and note: Take your sword and hit him to the opening and press him from you strong. Gloss note thereon, and realize it how he bares.</p>
 
| <p>[70] This is also a hand press. Take it thusly, and note: Take your sword and hit him to the opening and press him from you strong. Gloss note thereon, and realize it how he bares.</p>
 
| {{paget|Page:Cod.I.6.2º.2|20r|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|20r|jpg}}
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 20v.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 20v.jpg|300px|center]]
| <p>[71] This is about the hanging. Two hangings turn out of one hand from the other in all techniques, cleave, stab, position, soft or hard with your technique, that is the hanging, which thwarts itself as you see it pictured above. Gloss note, that is a hanging on the one side, understand that precisely.</p>
+
| <p>[71] This is about the hanging. Two hangings turn out of one hand from the other in all techniques, hew, stab, position, soft or hard with your technique, that is the hanging, which thwarts itself as you see it pictured above. Gloss note, that is a hanging on the one side, understand that precisely.</p>
 
| {{paget|Page:Cod.I.6.2º.2|20v|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|20v|jpg}}
 
| {{paget|Page:Cgm 3711|36v|jpg}}
 
| {{paget|Page:Cgm 3711|36v|jpg}}
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|-  
 
|-  
| [[File:Cgm 3711 37r.jpg|200px|center|link=http://daten.digitale-sammlungen.de/bsb00064546/image_113]]
+
| [[File:Cgm 3711 37r.jpg|300px|center|link=http://daten.digitale-sammlungen.de/bsb00064546/image_113]]
 
| <p>[72] Item: This is another hanging on the other side. He does it with the short sword and raises the point that faces downward, as you see it pictured above, and are the two hangings, two good parries to all things. Gloss note.</p>
 
| <p>[72] Item: This is another hanging on the other side. He does it with the short sword and raises the point that faces downward, as you see it pictured above, and are the two hangings, two good parries to all things. Gloss note.</p>
 
| {{paget|Page:Cod.I.6.2º.2|21r|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|21r|jpg}}
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 21v.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 21v.jpg|300px|center]]
 
| <p>[73] The broken window</p>
 
| <p>[73] The broken window</p>
  
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| {{paget|Page:Cgm 3711|37v|jpg}}
 
| {{paget|Page:Cgm 3711|37v|jpg}}
 
| {{paget|Page:MS E.1939.65.354|72v|jpg}}
 
| {{paget|Page:MS E.1939.65.354|72v|jpg}}
| {{paget|page:Cgm 3712|131v|jpg}}
+
| {{paget|Page:Cgm 3712|131v|jpg}}
 
|
 
|
  
 
|-  
 
|-  
| [[File:Cod.I.6.2º.2 22r.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 22r.jpg|300px|center]]
 
| <p>[74] A long point</p>
 
| <p>[74] A long point</p>
  
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 22v.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 22v.jpg|300px|center]]
 
| <p>[75] This is the second secret point, take that as you see it pictured above, it also goes to the face. Therefore note on and search for what is good from it.</p>
 
| <p>[75] This is the second secret point, take that as you see it pictured above, it also goes to the face. Therefore note on and search for what is good from it.</p>
 
| {{paget|Page:Cod.I.6.2º.2|22v|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|22v|jpg}}
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 23r.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 23r.jpg|300px|center]]
 
| <p>[76] This is the third secret point, and is a false point. Note it as it stands pictured above. You may also take the going-through or change through as you want. Take the going-through thusly: go through to him with the point below. Gloss note.</p>
 
| <p>[76] This is the third secret point, and is a false point. Note it as it stands pictured above. You may also take the going-through or change through as you want. Take the going-through thusly: go through to him with the point below. Gloss note.</p>
 
| {{paget|Page:Cod.I.6.2º.2|23r|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|23r|jpg}}
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 23v.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 23v.jpg|300px|center]]
 
| <p>[77] This is the fourth false point. Take it thusly as you see it pictured above, and he gets the sword through to him from the hand, and is also a good point and realize and note on it, as you see it pictured above.</p>
 
| <p>[77] This is the fourth false point. Take it thusly as you see it pictured above, and he gets the sword through to him from the hand, and is also a good point and realize and note on it, as you see it pictured above.</p>
 
| {{paget|Page:Cod.I.6.2º.2|23v|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|23v|jpg}}
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 13r.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 13r.jpg|300px|center]]
 
| <p>[78] This is again a false point, and a false step. Take it as you see it pictured above, and when he falls onto your sword, wind on with your sword, thus you stand in the long parry. Gloss note.</p>
 
| <p>[78] This is again a false point, and a false step. Take it as you see it pictured above, and when he falls onto your sword, wind on with your sword, thus you stand in the long parry. Gloss note.</p>
 
| {{paget|Page:Cod.I.6.2º.2|13r|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|13r|jpg}}
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 13v.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 13v.jpg|300px|center]]
 
| <p>[79] He stands in the unicorn</p>
 
| <p>[79] He stands in the unicorn</p>
  
Line 1,018: Line 1,105:
  
 
|-  
 
|-  
| [[File:Cod.I.6.2º.2 15r.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 15r.jpg|300px|center]]
 
| <p>[80] Item: This is the crown. He holds his sword armed in the hand nicely, and realize it already with the crown, it is good in all scales, to all defenses, and be strong in it or weak as you want. Gloss note.</p>
 
| <p>[80] Item: This is the crown. He holds his sword armed in the hand nicely, and realize it already with the crown, it is good in all scales, to all defenses, and be strong in it or weak as you want. Gloss note.</p>
 
| {{paget|Page:Cod.I.6.2º.2|15r|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|15r|jpg}}
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 15v.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 15v.jpg|300px|center]]
 
| <p>[81] This is the slice through the crown, and take that all right as you see it pictured, in all things, if you want to make a slice. Gloss note nicely on the slice in the crown.</p>
 
| <p>[81] This is the slice through the crown, and take that all right as you see it pictured, in all things, if you want to make a slice. Gloss note nicely on the slice in the crown.</p>
 
| {{paget|Page:Cod.I.6.2º.2|15v|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|15v|jpg}}
Line 1,036: Line 1,123:
  
 
|-  
 
|-  
| [[File:Cod.I.6.2º.2 41r.jpg|200px|center]]
+
| class="noline" | [[File:Cod.I.6.2º.2 41r.jpg|300px|center]]
| <p>[82] Item: This is the break onto the crown, there note all right as you see it pictured, and he raises sword upwards, it breaks the crown with the grasping at the sword with the cross, look upon it, because he wrenches the crown away to him. Gloss note.</p>
+
| class="noline" | <p>[82] Item: This is the break onto the crown, there note all right as you see it pictured, and he raises sword upwards, it breaks the crown with the grasping at the sword with the cross, look upon it, because he wrenches the crown away to him. Gloss note.</p>
  
 
<p>Here the long recital has an end, and that god help us nimbly, and the crown is the very last, and is the very best.</p>
 
<p>Here the long recital has an end, and that god help us nimbly, and the crown is the very last, and is the very best.</p>
| {{paget|Page:Cod.I.6.2º.2|41r|jpg}}
+
| class="noline" | {{paget|Page:Cod.I.6.2º.2|41r|jpg}}
| {{paget|Page:Cgm 3711|42r|jpg}}
+
| class="noline" | {{paget|Page:Cgm 3711|42r|jpg}}
| {{paget|Page:MS E.1939.65.354|83v|jpg}}  
+
| class="noline" | {{paget|Page:MS E.1939.65.354|83v|jpg}}  
  
 
{{paget|Page:MS E.1939.65.354|84v|jpg}}
 
{{paget|Page:MS E.1939.65.354|84v|jpg}}
| {{paget|page:Cgm 3712|136r|jpg}}
+
| class="noline" | {{paget|page:Cgm 3712|136r|jpg}}
| {{paget|Page:Cod.Guelf.38.21 Aug.2º|047r|jpg}}
+
| class="noline" | {{paget|Page:Cod.Guelf.38.21 Aug.2º|047r|jpg}}
  
 
|}
 
|}
Line 1,053: Line 1,140:
 
{{master begin
 
{{master begin
 
  | title = Short Sword
 
  | title = Short Sword
  | width = 272em
+
  | width = 330em
 
}}
 
}}
{| class="floated master"
+
{| class="master"
 
|-  
 
|-  
! id="thin" | <p>Images<br/>from the Archetype</p>
+
! <p>Illustrations<br/>from the Archetype</p>
! <p>{{rating|start}}<br/>by [[Ondřej Vodička]] and [[Michael Chidester]]</p>
+
! <p>{{rating|start}}<br/>by [[Robert Kraaijeveld]]</p>
! <p>[[Jörg Wilhalm Hutters kunst zu Augspurg (Cod.I.6.2º.3)|Archetype]] (1522){{edit index|Jörg Wilhalm Hutters kunst zu Augspurg (Cod.I.6.2º.3)}}<br/>by [[Dierk Hagedorn]]</p>
+
! <p>[[Jörg Wilhalm Hutters kunst zu Augspurg (Cod.I.6.2º.3)|Archetype Transcription]] (1522){{edit index|Jörg Wilhalm Hutters kunst zu Augspurg (Cod.I.6.2º.3)}}<br/>by [[Dierk Hagedorn]]</p>
! <p>[[Jörg Wilhalm Hutters kunst zu Augspurg (Cgm 3711)|Munich Version I]] (1523){{edit index|Jörg Wilhalm Hutters kunst zu Augspurg (Cgm 3711)}}<br/></p>
+
! <p>[[Jörg Wilhalm Hutters kunst zu Augspurg (Cgm 3711)|Munich I Transcription]] (1523){{edit index|Jörg Wilhalm Hutters kunst zu Augspurg (Cgm 3711)}}<br/></p>
! <p>[[Jörg Wilhalm Hutters kunst zu Augspurg (Cod.I.6.4º.5)|Draftbook]] (1522){{edit index|Jörg Wilhalm Hutters kunst zu Augspurg (Cod.I.6.4º.5)}}<br/>by [[Dierk Hagedorn]]</p>
+
! <p>[[Jörg Wilhalm Hutters kunst zu Augspurg (Cod.I.6.4º.5)|Draftbook Transcription]] (1522){{edit index|Jörg Wilhalm Hutters kunst zu Augspurg (Cod.I.6.4º.5)}}<br/>by [[Dierk Hagedorn]]</p>
! <p>[[Maister Liechtenawers Kunstbuech (Cgm 3712)|Munich Version II]] (1556){{edit index|Maister Liechtenawers Kunstbuech (Cgm 3712)}}<br/></p>
+
! <p>[[Maister Liechtenawers Kunstbuech (Cgm 3712)|Munich II Transcription]] (1556){{edit index|Maister Liechtenawers Kunstbuech (Cgm 3712)}}<br/></p>
! <p>[[Künnst zu fechten vonn dem Lienhartt Sollinger (Cod.Guelf.38.21 Aug.2º)|Wolfenbüttel Version I]] (1588){{edit index|Künnst zu fechten vonn dem Lienhartt Sollinger (Cod.Guelf.38.21 Aug.2º)}}<br/></p>
+
! <p>[[Künnst zu fechten vonn dem Lienhartt Sollinger (Cod.Guelf.38.21 Aug.2º)|Wolfenbüttel I Transcription]] (1588){{edit index|Künnst zu fechten vonn dem Lienhartt Sollinger (Cod.Guelf.38.21 Aug.2º)}}<br/></p>
! <p>[[Confectbuch von Abrichtung vollständiges Turnierbuch (Cod.Guelf.1.6.3 Aug.2º)|Wolfenbüttel Version II]] (ca. 1600){{edit index|Confectbuch von Abrichtung vollständiges Turnierbuch (Cod.Guelf.1.6.3 Aug.2º)}}<br/></p>
+
! <p>[[Reit und Turnierbuch (MS KK5247)|Vienna Transcription]] (ca. 1600){{edit index|Reit und Turnierbuch (MS KK5247)}}<br/></p>
! <p>[[Unterschiedliche die Dressur und Aufzäumung der Pferde erläuternde Zeichnungen (Cod.Guelf.79.2 Aug.2º)|Wolfenbüttel Version III]] (ca. 1600){{edit index|Unterschiedliche die Dressur und Aufzäumung der Pferde erläuternde Zeichnungen (Cod.Guelf.79.2 Aug.2º)}}<br/></p>
+
! <p>[[Confectbuch von Abrichtung vollständiges Turnierbuch (Cod.Guelf.1.6.3 Aug.2º)|Wolfenbüttel II Transcription]] (ca. 1600){{edit index|Confectbuch von Abrichtung vollständiges Turnierbuch (Cod.Guelf.1.6.3 Aug.2º)}}<br/></p>
! <p>[[Reit und Turnierbuch (MS KK5247)|Vienna Version]] (ca. 1600){{edit index|Reit und Turnierbuch (MS KK5247)}}<br/></p>
+
! <p>[[Unterschiedliche die Dressur und Aufzäumung der Pferde erläuternde Zeichnungen (Cod.Guelf.79.2 Aug.2º)|Wolfenbüttel III Transcription]] (ca. 1600){{edit index|Unterschiedliche die Dressur und Aufzäumung der Pferde erläuternde Zeichnungen (Cod.Guelf.79.2 Aug.2º)}}</p>
 +
! <p>[[Reit und Turnierbuch (MS 23.279)|New York Transcription]] (1838){{edit index|Reit und Turnierbuch (MS 23.279)}}<br/></p>
  
 
|-  
 
|-  
| [[File:Cod.I.6.4º.5 Ir.jpg|200px|center]]
+
| [[File:Cod.I.6.4º.5 Ir.jpg|300px|center]]
| <p>[1] Here stand three persons, one rich, one strong, one weak.</p>
+
| <p>[1] Here stand three persons: a rich one, a strong one and a weak one.</p>
  
<p>If the rich man has neither art nor knowledge, he wastes his possessions and belongings and has nothing left.</p>
+
<p>When the rich one has neither art nor knowledge, he wastes his possessions and goods, and has nothing left.</p>
  
<p>If the strong man has neither art nor courage, he gains neither possessions nor belongings. What good is his strength to him then?</p>
+
<p>When the strong one has neither art nor courage, he gains neither possessions nor goods. What good is his strength to him then?</p>
  
<p>If the weak man has art and knowledge, he may use them rightly<ref>With a good intention/forethought</ref> and thus he may obtain great honor and possession.</p>
+
<p>When the weak one has art and knowledge that he uses thoughtfully, he can use those to gain great honour and goods.</p>
 
|  
 
|  
 
| {{paget|Page:Cgm 3711|59r|jpg}}
 
| {{paget|Page:Cgm 3711|59r|jpg}}
 
| {{paget|Page:Cod.I.6.4º.5|Ir|jpg}}
 
| {{paget|Page:Cod.I.6.4º.5|Ir|jpg}}
 
| {{paget|Page:Cgm 3712|156r|jpg}}
 
| {{paget|Page:Cgm 3712|156r|jpg}}
 +
|
 
|  
 
|  
 
|  
 
|  
Line 1,087: Line 1,176:
  
 
|-  
 
|-  
| [[File:Cod.I.6.4º.5 Iv.jpg|200px|center]]
+
| [[File:Cod.I.6.4º.5 Iv.jpg|300px|center]]
| <p>[2] Help [me], Lord, thou Eternal Word; help [the body] here, the soul there.<ref>The statement as given in the treatises of [[Paulus Kal]] and [[Hans Talhoffer]] is "God, thou Eternal Word, help the body here, the soul there". See [[Page:MS 1825 05v.jpg|MS 1825, fol. 5v]], [[Page:MS Chart.A.558 002r.png|MS Chart.A.558, fol. 2r]], and [[Page:Ms.XIX.17-3 02r.png|Ms.XIX.17-3, fol. 2r]].</ref></p>
+
| <p>[2] Help [me] Lord [with] your eternal Word; help [my body] here, and the Soul over there.</p>
|  
+
|
 
| {{paget|Page:Cgm 3711|59v|jpg}}
 
| {{paget|Page:Cgm 3711|59v|jpg}}
 
| {{paget|Page:Cod.I.6.4º.5|Iv|jpg}}
 
| {{paget|Page:Cod.I.6.4º.5|Iv|jpg}}
 
| {{paget|Page:Cgm 3712|156v|jpg}}
 
| {{paget|Page:Cgm 3712|156v|jpg}}
 +
|
 
|  
 
|  
 
|  
 
|  
Line 1,099: Line 1,189:
  
 
|-  
 
|-  
| [[File:Cod.I.6.2º.3 01r.png|200px|center]]
+
| [[File:Cod.I.6.2º.3 01r.png|300px|center]]
| <p>[3] Here the master introduces his lord into the list, and thus should he hold himself.</p>
+
| <p>[3] The master leads his Lord into the barriers, this is the way in which he should hold himself.</p>
 
| {{section|Page:Cod.I.6.2º.3 01r.png|2|lbl=01r}}
 
| {{section|Page:Cod.I.6.2º.3 01r.png|2|lbl=01r}}
 
| {{paget|Page:Cgm 3711|60r|jpg}}
 
| {{paget|Page:Cgm 3711|60r|jpg}}
Line 1,106: Line 1,196:
 
| {{paget|Page:Cgm 3712|168r|jpg}}
 
| {{paget|Page:Cgm 3712|168r|jpg}}
 
|  
 
|  
 +
| {{paget|Page:KK5247|086r|jpg}}
 
| {{paget|Page:Cod.Guelf.1.6.3 Aug.2º|089r|png}}
 
| {{paget|Page:Cod.Guelf.1.6.3 Aug.2º|089r|png}}
 
|  
 
|  
Line 1,111: Line 1,202:
  
 
|-  
 
|-  
| [[File:Cod.I.6.2º.3 01v.png|200px|center]]
+
| [[File:Cod.I.6.2º.3 01v.png|300px|center]]
| <p>[4] </p>
+
| <p>[4] Here the two [combatants] come into the barriers, and [show] how they want to end the fight.</p>
 
| {{paget|Page:Cod.I.6.2º.3|01v|png}}
 
| {{paget|Page:Cod.I.6.2º.3|01v|png}}
 
| {{paget|Page:Cgm 3711|60v|jpg}}
 
| {{paget|Page:Cgm 3711|60v|jpg}}
Line 1,118: Line 1,209:
 
| {{paget|Page:Cgm 3712|168v|jpg}}
 
| {{paget|Page:Cgm 3712|168v|jpg}}
 
|  
 
|  
 +
| {{paget|Page:KK5247|086v|jpg}}
 
| {{paget|Page:Cod.Guelf.1.6.3 Aug.2º|089v|png}}
 
| {{paget|Page:Cod.Guelf.1.6.3 Aug.2º|089v|png}}
 
|  
 
|  
Line 1,123: Line 1,215:
  
 
|-  
 
|-  
| [[File:Cod.I.6.2º.3 02r.png|200px|center]]
+
| [[File:Cod.I.6.2º.3 02r.png|300px|center]]
| <p>[5] </p>
+
| <p>[5] '''This is the first guard and stance'''</p>
 +
 
 +
<p>Note: If you want to teach someone how to fight, then note to whom he is related,<ref>Matthias Lexer's ''Mittelhochdeutsch Handwoerterbuch'' defines 'sippen' as 'verwant sein mit einem (dat.)'</ref> and whether he has a good heart (so that you can trust him to fight), and if he is righteous or not. If he is righteous, then teach him the true art.</p>
 +
 
 +
<p>Let him use a heavy harness so that he may be useful in earnest [fighting]. If he has chain-mail, then he can use it. When a fight is arranged using the three weapons: The spear, the sword or the dagger, then teach him the two stances or guards that are painted above first, so that he is certain in his stance.</p>
 
| {{paget|Page:Cod.I.6.2º.3|02r|png}}
 
| {{paget|Page:Cod.I.6.2º.3|02r|png}}
 
| {{paget|Page:Cgm 3711|61r|jpg}}
 
| {{paget|Page:Cgm 3711|61r|jpg}}
Line 1,130: Line 1,226:
 
| {{paget|Page:Cgm 3712|172r|jpg}}
 
| {{paget|Page:Cgm 3712|172r|jpg}}
 
| {{paget|Page:Cod.Guelf.38.21 Aug.2º|057r|jpg}}
 
| {{paget|Page:Cod.Guelf.38.21 Aug.2º|057r|jpg}}
 +
| {{paget|Page:KK5247|087r|jpg}}
 
| {{paget|Page:Cod.Guelf.1.6.3 Aug.2º|090r|png}}
 
| {{paget|Page:Cod.Guelf.1.6.3 Aug.2º|090r|png}}
 
|  
 
|  
Line 1,135: Line 1,232:
  
 
|-  
 
|-  
| [[File:Cod.I.6.2º.3 02v.png|200px|center]]
+
| [[File:Cod.I.6.2º.3 02v.png|300px|center]]
| <p>[6] </p>
+
| <p>[6] '''The second piece'''</p>
 +
 
 +
<p>Note the other two stances or guards (as was written before). Also note that you are sure in your work, and have well thought out how you want to work [against] your opponent, and lower yourself well (as it is painted above).</p>
 
| {{paget|Page:Cod.I.6.2º.3|02v|png}}
 
| {{paget|Page:Cod.I.6.2º.3|02v|png}}
 
| {{paget|Page:Cgm 3711|61v|jpg}}
 
| {{paget|Page:Cgm 3711|61v|jpg}}
Line 1,142: Line 1,241:
 
| {{paget|Page:Cgm 3712|172v|jpg}}
 
| {{paget|Page:Cgm 3712|172v|jpg}}
 
| {{paget|Page:Cod.Guelf.38.21 Aug.2º|057v|jpg}}
 
| {{paget|Page:Cod.Guelf.38.21 Aug.2º|057v|jpg}}
 +
| {{paget|Page:KK5247|087v|jpg}}
 
| {{paget|Page:Cod.Guelf.1.6.3 Aug.2º|090v|png}}
 
| {{paget|Page:Cod.Guelf.1.6.3 Aug.2º|090v|png}}
 
|  
 
|  
Line 1,147: Line 1,247:
  
 
|-  
 
|-  
| [[File:Cod.I.6.2º.3 03r.png|200px|center]]
+
| [[File:Cod.I.6.2º.3 03r.png|300px|center]]
| <p>[7] </p>
+
| <p>[7] '''The third piece'''</p>
 +
 
 +
<p>Note: The third piece is called the sixth guard. When someone turns his pommel against you and has his sword on his left side, then lower yourself with your point towards the ground against him (as it is painted above). Make sure that you do not let yourself be distracted, as there is very beautiful work to be done from there.</p>
 
| {{paget|Page:Cod.I.6.2º.3|03r|png}}
 
| {{paget|Page:Cod.I.6.2º.3|03r|png}}
 
| {{paget|Page:Cgm 3711|62r|jpg}}
 
| {{paget|Page:Cgm 3711|62r|jpg}}
 
| {{paget|Page:Cod.I.6.4º.5|04r|jpg}}
 
| {{paget|Page:Cod.I.6.4º.5|04r|jpg}}
 
| {{paget|Page:Cgm 3712|173r|jpg}}
 
| {{paget|Page:Cgm 3712|173r|jpg}}
|  
+
| {{paget|Page:Cod.Guelf.38.21 Aug.2º|058r|jpg}}
|  
+
| {{paget|Page:KK5247|088r|jpg}}
 +
| {{paget|Page:Cod.Guelf.1.6.3 Aug.2º|091r|png}}
 
|  
 
|  
 
|  
 
|  
  
 
|-  
 
|-  
| [[File:Cod.I.6.2º.3 03v.png|200px|center]]
+
| [[File:Cod.I.6.2º.3 03v.png|300px|center]]
| <p>[8] </p>
+
| <p>[8] '''The fourth piece is called the Contact'''</p>
 +
 
 +
<p>Note: When someone works towards you (as was written before), then see if you can come into the contact or pinning onto his front foot. If you hit him, then fall with your chest onto the sword and press it down firmly. By doing so, you stab him down through his foot (as it is painted above). This is the first pinning, or work, in the fight.</p>
 
| {{paget|Page:Cod.I.6.2º.3|03v|png}}
 
| {{paget|Page:Cod.I.6.2º.3|03v|png}}
 
| {{paget|Page:Cgm 3711|62v|jpg}}
 
| {{paget|Page:Cgm 3711|62v|jpg}}
 
| {{paget|Page:Cod.I.6.4º.5|04v|jpg}}
 
| {{paget|Page:Cod.I.6.4º.5|04v|jpg}}
 
| {{paget|Page:Cgm 3712|173v|jpg}}
 
| {{paget|Page:Cgm 3712|173v|jpg}}
|  
+
| {{paget|Page:Cod.Guelf.38.21 Aug.2º|058v|jpg}}
|  
+
| {{paget|Page:KK5247|088v|jpg}}
 +
| {{paget|Page:Cod.Guelf.1.6.3 Aug.2º|091v|png}}
 
|  
 
|  
 
|  
 
|  
  
 
|-  
 
|-  
| [[File:Cod.I.6.2º.3 04r.png|200px|center]]
+
| [[File:Cod.I.6.2º.3 04r.png|300px|center]]
| <p>[9] </p>
+
| <p>[9] '''The fifth is called throwing'''</p>
 +
 
 +
<p>Note: When you see that one wants to pin your foot (as it is painted before), then go up with your sword, thrust towards his face and place the other foot forward. By doing so you break his contact (as it is painted above), and position yourself well.</p>
 
| {{paget|Page:Cod.I.6.2º.3|04r|png}}
 
| {{paget|Page:Cod.I.6.2º.3|04r|png}}
 
| {{paget|Page:Cgm 3711|63r|jpg}}
 
| {{paget|Page:Cgm 3711|63r|jpg}}
 
| {{paget|Page:Cod.I.6.4º.5|05r|jpg|blk=1}}
 
| {{paget|Page:Cod.I.6.4º.5|05r|jpg|blk=1}}
 
| {{paget|Page:Cgm 3712|174r|jpg}}
 
| {{paget|Page:Cgm 3712|174r|jpg}}
|  
+
| {{paget|Page:Cod.Guelf.38.21 Aug.2º|059r|jpg}}
|  
+
| {{paget|Page:KK5247|089r|jpg}}
 +
| {{paget|Page:Cod.Guelf.1.6.3 Aug.2º|092r|png}}
 
|  
 
|  
 
|  
 
|  
  
 
|-  
 
|-  
| [[File:Cod.I.6.2º.3 04v.png|200px|center]]
+
| [[File:Cod.I.6.2º.3 04v.png|300px|center]]
| <p>[10] </p>
+
| <p>[10] '''The sixth is the contact'''</p>
 +
 
 +
<p>Note: When one ignores the high thrust (as it is drawn above) and thrusts to your back foot, then fall with your sword, with both your hands onto his sword, and press it down well. By doing this, you free yourself as is written next. Always be sure in your work (as is painted above).</p>
 
| {{paget|Page:Cod.I.6.2º.3|04v|png}}
 
| {{paget|Page:Cod.I.6.2º.3|04v|png}}
 
| {{paget|Page:Cgm 3711|63v|jpg}}
 
| {{paget|Page:Cgm 3711|63v|jpg}}
 
| {{paget|Page:Cod.I.6.4º.5|05v|jpg|blk=1}}
 
| {{paget|Page:Cod.I.6.4º.5|05v|jpg|blk=1}}
 
| {{paget|Page:Cgm 3712|174v|jpg}}
 
| {{paget|Page:Cgm 3712|174v|jpg}}
 +
| {{paget|Page:Cod.Guelf.38.21 Aug.2º|059v|jpg}}
 +
| {{paget|Page:KK5247|089v|jpg}}
 +
| {{paget|Page:Cod.Guelf.1.6.3 Aug.2º|092v|png}}
 
|  
 
|  
 
|  
 
|  
|
 
|
 
  
|-  
+
|-  
| [[File:Cod.I.6.2º.3 05r.png|200px|center]]
+
| [[File:Cod.I.6.2º.3 05r.png|300px|center]]
| <p>[11] </p>
+
| <p>[11] '''The seventh is called the Murder-strike'''</p>
 +
 
 +
<p>Note: When you notice that [he wants to perform] the third contact or pinning onto the foot, then grab your sword by the point and turn the pommel forward. Strike him to his helmet: by doing so he will be stunned<ref>The 'Teutscher Dictionarus' by 'Simon Roten' of 1571 defines 'Temisch' as 'Temisch,Crüncken/weinig/vom wozt Temez tum, das ist wein', and 'Temen' as 'Oberflüssig wein trincken', so I assume being stunned as if drunk is what is implied here.</ref><ref>I omitted the translation of 'in Seim helm' in order to make the translation easier to read.</ref> (as it is painted above). By doing this, you free yourself.</p>
 
| {{paget|Page:Cod.I.6.2º.3|05r|png}}
 
| {{paget|Page:Cod.I.6.2º.3|05r|png}}
 
| {{paget|Page:Cgm 3711|64r|jpg}}
 
| {{paget|Page:Cgm 3711|64r|jpg}}
 
| {{paget|Page:Cod.I.6.4º.5|06r|jpg}}
 
| {{paget|Page:Cod.I.6.4º.5|06r|jpg}}
 
| {{paget|Page:Cgm 3712|175r|jpg}}
 
| {{paget|Page:Cgm 3712|175r|jpg}}
|  
+
| {{paget|Page:Cod.Guelf.38.21 Aug.2º|060r|jpg}}
|  
+
| {{paget|Page:KK5247|090r|jpg}}
 +
| {{paget|Page:Cod.Guelf.1.6.3 Aug.2º|093r|png}}
 
|  
 
|  
 
|  
 
|  
  
 
|-  
 
|-  
| [[File:Cod.I.6.2º.3 05v.png|200px|center]]
+
| [[File:Cod.I.6.2º.3 05v.png|300px|center]]
| <p>[12] </p>
+
| <p>[12] '''The eight is called the Contact'''</p>
 +
 
 +
<p>Note: When one strikes to your head, or wants to do so, then go up with your sword and pin his left elbow with the point. By doing that you have broken his murder-strike. Go well into [his elbow], and push him up (as is painted above).</p>
 
| {{paget|Page:Cod.I.6.2º.3|05v|png}}
 
| {{paget|Page:Cod.I.6.2º.3|05v|png}}
 
| {{paget|Page:Cgm 3711|64v|jpg}}
 
| {{paget|Page:Cgm 3711|64v|jpg}}
 
| {{paget|Page:Cod.I.6.4º.5|06v|jpg}}
 
| {{paget|Page:Cod.I.6.4º.5|06v|jpg}}
 
| {{paget|Page:Cgm 3712|175v|jpg}}
 
| {{paget|Page:Cgm 3712|175v|jpg}}
|  
+
| {{paget|Page:Cod.Guelf.38.21 Aug.2º|060v|jpg}}
|  
+
| {{paget|Page:KK5247|090v|jpg}}
 +
| {{paget|Page:Cod.Guelf.1.6.3 Aug.2º|093v|png}}
 
|  
 
|  
 
|  
 
|  
  
 
|-  
 
|-  
| [[File:Cod.I.6.2º.3 06r.png|200px|center]]
+
| [[File:Cod.I.6.2º.3 06r.png|300px|center]]
| <p>[13] </p>
+
| <p>[13] '''The ninth: Overwrenching'''</p>
 +
 
 +
<p>Note the ninth [piece of] work: When one has pinned you and wants to shove you backwards, then grab your sword by the hilt with your left hand, and step with your right foot forwards, and wrench to his face with the pommel. By doing so you break his pin and contact (as was painted before). And the work of the break [of that which was painted before] is as is painted here.</p>
 
| {{paget|Page:Cod.I.6.2º.3|06r|png}}
 
| {{paget|Page:Cod.I.6.2º.3|06r|png}}
 
| {{paget|Page:Cgm 3711|65r|jpg}}
 
| {{paget|Page:Cgm 3711|65r|jpg}}
 
| {{paget|Page:Cod.I.6.4º.5|07r|jpg|blk=1}}
 
| {{paget|Page:Cod.I.6.4º.5|07r|jpg|blk=1}}
 
| {{paget|Page:Cgm 3712|176r|jpg}}
 
| {{paget|Page:Cgm 3712|176r|jpg}}
|  
+
| {{paget|Page:Cod.Guelf.38.21 Aug.2º|061r|jpg}}
|  
+
| {{paget|Page:KK5247|091r|jpg}}
 +
| {{paget|Page:Cod.Guelf.1.6.3 Aug.2º|094r|png}}
 
|  
 
|  
 
|  
 
|  
  
 
|-  
 
|-  
| [[File:Cod.I.6.2º.3 06v.png|200px|center]]
+
| [[File:Cod.I.6.2º.3 06v.png|300px|center]]
| <p>[14] </p>
+
| <p>[14] '''The tenth piece'''</p>
 +
 
 +
<p>Note: When you see that one is working towards your face, then step with your right foot forward, go well up with your sword and shove your sword inside of his sword over his right arm. This is called 'stabbed between both the arms'. Press down well with your left foot forward, so that you can pin his right foot (as is painted above).</p>
 
| {{paget|Page:Cod.I.6.2º.3|06v|png}}
 
| {{paget|Page:Cod.I.6.2º.3|06v|png}}
 
| {{paget|Page:Cgm 3711|65v|jpg}}
 
| {{paget|Page:Cgm 3711|65v|jpg}}
 
| {{paget|Page:Cod.I.6.4º.5|07v|jpg|blk=1}}
 
| {{paget|Page:Cod.I.6.4º.5|07v|jpg|blk=1}}
 
| {{paget|Page:Cgm 3712|176v|jpg}}
 
| {{paget|Page:Cgm 3712|176v|jpg}}
|  
+
| {{paget|Page:Cod.Guelf.38.21 Aug.2º|061v|jpg}}
|  
+
| {{paget|Page:KK5247|091v|jpg}}
 +
| {{paget|Page:Cod.Guelf.1.6.3 Aug.2º|094v|png}}
 
|  
 
|  
 
|  
 
|  
  
 
|-  
 
|-  
| [[File:Cod.I.6.2º.3 07r.png|200px|center]]
+
| [[File:Cod.I.6.2º.3 07r.png|300px|center]]
| <p>[15] </p>
+
| <p>[15] '''The eleventh piece'''</p>
 +
 
 +
<p> When you see that he wants to push (with his sword) through both your arms and has taken your strength, then step forward with your left foot, and go upwards with your points towards his face, as is painted above. By doing so, you have broken him.</p>
 
| {{paget|Page:Cod.I.6.2º.3|07r|png}}
 
| {{paget|Page:Cod.I.6.2º.3|07r|png}}
 
| {{paget|Page:Cgm 3711|66r|jpg}}
 
| {{paget|Page:Cgm 3711|66r|jpg}}
 
| {{paget|Page:Cod.I.6.4º.5|08r|jpg|blk=1}}
 
| {{paget|Page:Cod.I.6.4º.5|08r|jpg|blk=1}}
 
| {{paget|Page:Cgm 3712|177r|jpg}}
 
| {{paget|Page:Cgm 3712|177r|jpg}}
|  
+
| {{paget|Page:Cod.Guelf.38.21 Aug.2º|062r|jpg}}
|  
+
| {{paget|Page:KK5247|092r|jpg}}
 +
| {{paget|Page:Cod.Guelf.1.6.3 Aug.2º|095r|png}}
 
|  
 
|  
 
|  
 
|  
  
 
|-  
 
|-  
| [[File:Cod.I.6.2º.3 07v.png|200px|center]]
+
| [[File:Cod.I.6.2º.3 07v.png|300px|center]]
| <p>[16] </p>
+
| <p>[16] '''The twelfth piece'''</p>
 +
 
 +
<p> When you notice that he is working towards your face, then stand with your right foot forward, and pull your pommel towards you with your right hand, under his left hand. Jerk the sword well towards yourself, as is
 +
painted above.</p>
 
| {{paget|Page:Cod.I.6.2º.3|07v|png}}
 
| {{paget|Page:Cod.I.6.2º.3|07v|png}}
 
| {{paget|Page:Cgm 3711|66v|jpg}}
 
| {{paget|Page:Cgm 3711|66v|jpg}}
 
| {{paget|Page:Cod.I.6.4º.5|08v|jpg|blk=1}}
 
| {{paget|Page:Cod.I.6.4º.5|08v|jpg|blk=1}}
 
| {{paget|Page:Cgm 3712|177v|jpg}}
 
| {{paget|Page:Cgm 3712|177v|jpg}}
|  
+
| {{paget|Page:Cod.Guelf.38.21 Aug.2º|062v|jpg}}
|  
+
| {{paget|Page:KK5247|092v|jpg}}
 +
| {{paget|Page:Cod.Guelf.1.6.3 Aug.2º|095v|png}}
 
|  
 
|  
 
|  
 
|  
  
 
|-  
 
|-  
| [[File:Cod.I.6.2º.3 08r.png|200px|center]]
+
| [[File:Cod.I.6.2º.3 08r.png|300px|center]]
| <p>[17] </p>
+
| <p>[17] '''The thirteenth piece'''</p>
 +
 
 +
<p> When you see that one pulls through as was described before, then step forward with your left foot </p>
 
| {{paget|Page:Cod.I.6.2º.3|08r|png}}
 
| {{paget|Page:Cod.I.6.2º.3|08r|png}}
 
| {{paget|Page:Cgm 3711|67r|jpg}}
 
| {{paget|Page:Cgm 3711|67r|jpg}}
 
| {{paget|Page:Cod.I.6.4º.5|09r|jpg|blk=1}}
 
| {{paget|Page:Cod.I.6.4º.5|09r|jpg|blk=1}}
 
| {{paget|Page:Cgm 3712|178r|jpg}}
 
| {{paget|Page:Cgm 3712|178r|jpg}}
|  
+
| {{paget|Page:Cod.Guelf.38.21 Aug.2º|063r|jpg}}
|  
+
| {{paget|Page:KK5247|093r|jpg}}
 +
| {{paget|Page:Cod.Guelf.1.6.3 Aug.2º|096r|png}}
 
|  
 
|  
 
|  
 
|  
  
 
|-  
 
|-  
| [[File:Cod.I.6.2º.3 08v.png|200px|center]]
+
| [[File:Cod.I.6.2º.3 08v.png|300px|center]]
 
| <p>[18] </p>
 
| <p>[18] </p>
 
| {{paget|Page:Cod.I.6.2º.3|08v|png}}
 
| {{paget|Page:Cod.I.6.2º.3|08v|png}}
Line 1,285: Line 1,419:
 
| {{paget|Page:Cod.I.6.4º.5|09v|jpg}}
 
| {{paget|Page:Cod.I.6.4º.5|09v|jpg}}
 
| {{paget|Page:Cgm 3712|178v|jpg}}
 
| {{paget|Page:Cgm 3712|178v|jpg}}
|  
+
| {{paget|Page:Cod.Guelf.38.21 Aug.2º|063v|jpg}}
|  
+
| {{paget|Page:KK5247|093v|jpg}}
 +
| {{paget|Page:Cod.Guelf.1.6.3 Aug.2º|096v|png}}
 
|  
 
|  
 
|  
 
|  
  
 
|-  
 
|-  
| [[File:Cod.I.6.2º.3 09r.png|200px|center]]
+
| [[File:Cod.I.6.2º.3 09r.png|300px|center]]
 
| <p>[19] </p>
 
| <p>[19] </p>
 
| {{paget|Page:Cod.I.6.2º.3|09r|png}}
 
| {{paget|Page:Cod.I.6.2º.3|09r|png}}
Line 1,297: Line 1,432:
 
| {{paget|Page:Cod.I.6.4º.5|10r|jpg|blk=1}}
 
| {{paget|Page:Cod.I.6.4º.5|10r|jpg|blk=1}}
 
| {{paget|Page:Cgm 3712|179r|jpg}}
 
| {{paget|Page:Cgm 3712|179r|jpg}}
|  
+
| {{paget|Page:Cod.Guelf.38.21 Aug.2º|064r|jpg}}
|  
+
| {{paget|Page:KK5247|094r|jpg}}
 +
| {{paget|Page:Cod.Guelf.1.6.3 Aug.2º|097r|png}}
 
|  
 
|  
 
|  
 
|  
  
 
|-  
 
|-  
| [[File:Cod.I.6.2º.3 09v.png|200px|center]]
+
| [[File:Cod.I.6.2º.3 09v.png|300px|center]]
 
| <p>[20] </p>
 
| <p>[20] </p>
 
| {{paget|Page:Cod.I.6.2º.3|09v|png}}
 
| {{paget|Page:Cod.I.6.2º.3|09v|png}}
Line 1,309: Line 1,445:
 
| {{paget|Page:Cod.I.6.4º.5|10v|jpg|blk=1}}
 
| {{paget|Page:Cod.I.6.4º.5|10v|jpg|blk=1}}
 
| {{paget|Page:Cgm 3712|179v|jpg}}
 
| {{paget|Page:Cgm 3712|179v|jpg}}
|  
+
| {{paget|Page:Cod.Guelf.38.21 Aug.2º|064v|jpg}}
|  
+
| {{paget|Page:KK5247|094v|jpg}}
 +
| {{paget|Page:Cod.Guelf.1.6.3 Aug.2º|097v|png}}
 
|  
 
|  
 
|  
 
|  
  
 
|-  
 
|-  
| [[File:Cod.I.6.2º.3 10r.png|200px|center]]
+
| [[File:Cod.I.6.2º.3 10r.png|300px|center]]
 
| <p>[21] </p>
 
| <p>[21] </p>
 
| {{paget|Page:Cod.I.6.2º.3|10r|png}}
 
| {{paget|Page:Cod.I.6.2º.3|10r|png}}
Line 1,321: Line 1,458:
 
| {{paget|Page:Cod.I.6.4º.5|11r|jpg|blk=1}}
 
| {{paget|Page:Cod.I.6.4º.5|11r|jpg|blk=1}}
 
| {{paget|Page:Cgm 3712|180r|jpg}}
 
| {{paget|Page:Cgm 3712|180r|jpg}}
 +
| {{paget|Page:Cod.Guelf.38.21 Aug.2º|065r|jpg}}
 +
| {{paget|Page:KK5247|095r|jpg}}
 +
| {{paget|Page:Cod.Guelf.1.6.3 Aug.2º|098r|png}}
 
|  
 
|  
 
|  
 
|  
|
+
 
|
 
 
 
 
|-  
 
|-  
| [[File:Cod.I.6.2º.3 10v.png|200px|center]]
+
| [[File:Cod.I.6.2º.3 10v.png|300px|center]]
 
| <p>[22] </p>
 
| <p>[22] </p>
 
| {{paget|Page:Cod.I.6.2º.3|10v|png}}
 
| {{paget|Page:Cod.I.6.2º.3|10v|png}}
Line 1,333: Line 1,471:
 
| {{paget|Page:Cod.I.6.4º.5|11v|jpg|blk=1}}
 
| {{paget|Page:Cod.I.6.4º.5|11v|jpg|blk=1}}
 
| {{paget|Page:Cgm 3712|180v|jpg}}
 
| {{paget|Page:Cgm 3712|180v|jpg}}
|  
+
| {{paget|Page:Cod.Guelf.38.21 Aug.2º|065v|jpg}}
|  
+
| {{paget|Page:KK5247|095v|jpg}}
 +
| {{paget|Page:Cod.Guelf.1.6.3 Aug.2º|098v|png}}
 
|  
 
|  
 
|  
 
|  
  
 
|-  
 
|-  
| [[File:Cod.I.6.2º.3 11r.png|200px|center]]
+
| [[File:Cod.I.6.2º.3 11r.png|300px|center]]
 
| <p>[23] </p>
 
| <p>[23] </p>
 
| {{paget|Page:Cod.I.6.2º.3|11r|png}}
 
| {{paget|Page:Cod.I.6.2º.3|11r|png}}
Line 1,345: Line 1,484:
 
| {{paget|Page:Cod.I.6.4º.5|12r|jpg}}
 
| {{paget|Page:Cod.I.6.4º.5|12r|jpg}}
 
| {{paget|Page:Cgm 3712|181r|jpg}}
 
| {{paget|Page:Cgm 3712|181r|jpg}}
|  
+
| {{paget|Page:Cod.Guelf.38.21 Aug.2º|066r|jpg}}
|  
+
| {{paget|Page:KK5247|096r|jpg}}
 +
| {{paget|Page:Cod.Guelf.1.6.3 Aug.2º|099r|png}}
 
|  
 
|  
 
|  
 
|  
  
 
|-  
 
|-  
| [[File:Cod.I.6.2º.3 11v.png|200px|center]]
+
| [[File:Cod.I.6.2º.3 11v.png|300px|center]]
 
| <p>[24] </p>
 
| <p>[24] </p>
 
| {{paget|Page:Cod.I.6.2º.3|11v|png}}
 
| {{paget|Page:Cod.I.6.2º.3|11v|png}}
Line 1,357: Line 1,497:
 
| {{paget|Page:Cod.I.6.4º.5|12v|jpg|blk=1}}
 
| {{paget|Page:Cod.I.6.4º.5|12v|jpg|blk=1}}
 
| {{paget|Page:Cgm 3712|181v|jpg}}
 
| {{paget|Page:Cgm 3712|181v|jpg}}
|  
+
| {{paget|Page:Cod.Guelf.38.21 Aug.2º|066v|jpg}}
|  
+
| {{paget|Page:KK5247|096v|jpg}}
 +
| {{paget|Page:Cod.Guelf.1.6.3 Aug.2º|099v|png}}
 
|  
 
|  
 
|  
 
|  
  
 
|-  
 
|-  
| [[File:Cod.I.6.2º.3 12r.png|200px|center]]
+
| [[File:Cod.I.6.2º.3 12r.png|300px|center]]
 
| <p>[25] </p>
 
| <p>[25] </p>
 
| {{paget|Page:Cod.I.6.2º.3|12r|png}}
 
| {{paget|Page:Cod.I.6.2º.3|12r|png}}
Line 1,369: Line 1,510:
 
| {{paget|Page:Cod.I.6.4º.5|13r|jpg|blk=1}}
 
| {{paget|Page:Cod.I.6.4º.5|13r|jpg|blk=1}}
 
| {{paget|Page:Cgm 3712|182r|jpg}}
 
| {{paget|Page:Cgm 3712|182r|jpg}}
|  
+
| {{paget|Page:Cod.Guelf.38.21 Aug.2º|067r|jpg}}
|  
+
| {{paget|Page:KK5247|097r|jpg}}
 +
| {{paget|Page:Cod.Guelf.1.6.3 Aug.2º|100r|png}}
 
|  
 
|  
 
|  
 
|  
  
 
|-  
 
|-  
| [[File:Cod.I.6.2º.3 12v.png|200px|center]]
+
| [[File:Cod.I.6.2º.3 12v.png|300px|center]]
 
| <p>[26] </p>
 
| <p>[26] </p>
 
| {{paget|Page:Cod.I.6.2º.3|12v|png}}
 
| {{paget|Page:Cod.I.6.2º.3|12v|png}}
Line 1,381: Line 1,523:
 
| {{paget|Page:Cod.I.6.4º.5|13v|jpg|blk=1}}
 
| {{paget|Page:Cod.I.6.4º.5|13v|jpg|blk=1}}
 
| {{paget|Page:Cgm 3712|182v|jpg}}
 
| {{paget|Page:Cgm 3712|182v|jpg}}
|  
+
| {{paget|Page:Cod.Guelf.38.21 Aug.2º|067v|jpg}}
|  
+
| {{paget|Page:KK5247|097v|jpg}}
 +
| {{paget|Page:Cod.Guelf.1.6.3 Aug.2º|100v|png}}
 
|  
 
|  
 
|  
 
|  
  
 
|-  
 
|-  
| [[File:Cod.I.6.2º.3 13r.png|200px|center]]
+
| [[File:Cod.I.6.2º.3 13r.png|300px|center]]
 
| <p>[27] </p>
 
| <p>[27] </p>
 
| {{paget|Page:Cod.I.6.2º.3|13r|png}}
 
| {{paget|Page:Cod.I.6.2º.3|13r|png}}
Line 1,393: Line 1,536:
 
| {{paget|Page:Cod.I.6.4º.5|14r|jpg}}
 
| {{paget|Page:Cod.I.6.4º.5|14r|jpg}}
 
| {{paget|Page:Cgm 3712|183r|jpg}}
 
| {{paget|Page:Cgm 3712|183r|jpg}}
|  
+
| {{paget|Page:Cod.Guelf.38.21 Aug.2º|068r|jpg}}
|  
+
| {{paget|Page:KK5247|098r|jpg}}
 +
| {{paget|Page:Cod.Guelf.1.6.3 Aug.2º|101r|png}}
 
|  
 
|  
 
|  
 
|  
  
 
|-  
 
|-  
| [[File:Cod.I.6.2º.3 13v.png|200px|center]]
+
| [[File:Cod.I.6.2º.3 13v.png|300px|center]]
 
| <p>[28] </p>
 
| <p>[28] </p>
 
| {{paget|Page:Cod.I.6.2º.3|13v|png}}
 
| {{paget|Page:Cod.I.6.2º.3|13v|png}}
Line 1,405: Line 1,549:
 
| {{paget|Page:Cod.I.6.4º.5|14v|jpg|blk=1}}
 
| {{paget|Page:Cod.I.6.4º.5|14v|jpg|blk=1}}
 
| {{paget|Page:Cgm 3712|183v|jpg}}
 
| {{paget|Page:Cgm 3712|183v|jpg}}
|  
+
| {{paget|Page:Cod.Guelf.38.21 Aug.2º|068v|jpg}}
|  
+
| {{paget|Page:KK5247|098v|jpg}}
 +
| {{paget|Page:Cod.Guelf.1.6.3 Aug.2º|101v|png}}
 
|  
 
|  
 
|  
 
|  
  
 
|-  
 
|-  
| [[File:Cod.I.6.2º.3 14r.png|200px|center]]
+
| [[File:Cod.I.6.2º.3 14r.png|300px|center]]
 
| <p>[29] </p>
 
| <p>[29] </p>
 
| {{paget|Page:Cod.I.6.2º.3|14r|png}}
 
| {{paget|Page:Cod.I.6.2º.3|14r|png}}
Line 1,417: Line 1,562:
 
| {{paget|Page:Cod.I.6.4º.5|15r|jpg|blk=1}}
 
| {{paget|Page:Cod.I.6.4º.5|15r|jpg|blk=1}}
 
| {{paget|Page:Cgm 3712|184r|jpg}}
 
| {{paget|Page:Cgm 3712|184r|jpg}}
|  
+
| {{paget|Page:Cod.Guelf.38.21 Aug.2º|069r|jpg}}
|  
+
| {{paget|Page:KK5247|099r|jpg}}
 +
| {{paget|Page:Cod.Guelf.1.6.3 Aug.2º|102r|png}}
 
|  
 
|  
 
|  
 
|  
  
 
|-  
 
|-  
| [[File:Cod.I.6.2º.3 14v.png|200px|center]]
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| [[File:Cod.I.6.2º.3 14v.png|300px|center]]
 
| <p>[30] </p>
 
| <p>[30] </p>
 
| {{paget|Page:Cod.I.6.2º.3|14v|png}}
 
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| [[File:Cod.I.6.2º.3 15r.png|300px|center]]
 
| <p>[31] </p>
 
| <p>[31] </p>
 
| {{paget|Page:Cod.I.6.2º.3|15r|png}}
 
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| <p>[32] </p>
 
| <p>[32] </p>
 
| {{paget|Page:Cod.I.6.2º.3|15v|png}}
 
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| <p>[33] </p>
 
| <p>[33] </p>
 
| {{paget|Page:Cod.I.6.2º.3|16r|png}}
 
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| <p>[34] </p>
 
| <p>[34] </p>
 
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| <p>[35] </p>
 
| <p>[35] </p>
 
| {{paget|Page:Cod.I.6.2º.3|17r|png}}
 
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| [[File:Cod.I.6.2º.3 17v.png|300px|center]]
 
| <p>[36] </p>
 
| <p>[36] </p>
 
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| <p>[37] </p>
 
| <p>[37] </p>
 
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| <p>[38] </p>
 
| <p>[38] </p>
 
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| <p>[39] </p>
 
| <p>[39] </p>
 
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| <p>[40] </p>
 
| <p>[40] </p>
 
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| <p>[41] </p>
 
| <p>[41] </p>
 
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| <p>[42] </p>
 
| <p>[42] </p>
 
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| <p>[43] </p>
 
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| <p>[44] </p>
 
| <p>[44] </p>
 
| {{paget|Page:Cod.I.6.2º.3|21v|png}}
 
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| <p>[45] </p>
 
| <p>[45] </p>
 
| {{paget|Page:Cod.I.6.2º.3|22r|png}}
 
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+
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| <p>[46] </p>
 
| <p>[46] </p>
 
| {{paget|Page:Cod.I.6.2º.3|22v|png}}
 
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{{paget|Page:Cgm 3712|193v|jpg}} [No text]
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|-  
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+
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| <p>[47] </p>
 
| <p>[47] </p>
 
| {{paget|Page:Cod.I.6.2º.3|23r|png}}
 
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|-  
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+
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| <p>[48] </p>
 
| <p>[48] </p>
 
| {{paget|Page:Cod.I.6.2º.3|23v|png}}
 
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|-  
| [[File:Cod.I.6.2º.3 24r.png|200px|center]]
+
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| <p>[49] </p>
 
| <p>[49] </p>
 
| {{paget|Page:Cod.I.6.2º.3|24r|png}}
 
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|-  
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+
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| <p>[50] </p>
 
| <p>[50] </p>
 
| {{paget|Page:Cod.I.6.2º.3|24v|png}}
 
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|-  
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+
| class="noline" | [[File:Cod.I.6.2º.3 25r.png|300px|center]]
| <p>[51] </p>
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| class="noline" | <p>[51] </p>
| {{paget|Page:Cod.I.6.2º.3|25r|png}}
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| class="noline" | {{paget|Page:Cod.I.6.2º.3|25r|png}}
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{{paget|Page:KK5247|110v|jpg}}
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| class="noline" | {{paget|Page:Cod.Guelf.1.6.3 Aug.2º|113r|png}}
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{{master begin
 
{{master begin
 
  | title = Mounted Fencing
 
  | title = Mounted Fencing
  | width = 272em
+
  | width = 330em
 
}}
 
}}
{| class="floated master"
+
{| class="master"
 
|-  
 
|-  
! id="thin" | <p>Images<br/>from the Archetype</p>
+
! <p>Illustrations<br/>from the Archetype</p>
! <p>{{rating|start}}<br/>by [[Ondřej Vodička]] and [[Michael Chidester]]</p>
+
! <p>{{rating}}</p>
! <p>[[Jörg Wilhalm Hutters kunst zu Augspurg (Cod.I.6.2º.3)|Archetype]] (1522){{edit index|Jörg Wilhalm Hutters kunst zu Augspurg (Cod.I.6.2º.3)}}<br/>by [[Dierk Hagedorn]]</p>
+
! <p>[[Jörg Wilhalm Hutters kunst zu Augspurg (Cod.I.6.2º.3)|Archetype Transcription]] (1522){{edit index|Jörg Wilhalm Hutters kunst zu Augspurg (Cod.I.6.2º.3)}}<br/>by [[Dierk Hagedorn]]</p>
! <p>[[Jörg Wilhalm Hutters kunst zu Augspurg (Cgm 3711)|Munich Version I]] (1523){{edit index|Jörg Wilhalm Hutters kunst zu Augspurg (Cgm 3711)}}<br/></p>
+
! <p>[[Jörg Wilhalm Hutters kunst zu Augspurg (Cgm 3711)|Munich I Transcription]] (1523){{edit index|Jörg Wilhalm Hutters kunst zu Augspurg (Cgm 3711)}}<br/></p>
! <p>[[Jörg Wilhalm Hutters kunst zu Augspurg (Cod.I.6.4º.5)|Draftbook]] (1522){{edit index|Jörg Wilhalm Hutters kunst zu Augspurg (Cod.I.6.4º.5)}}<br/>by [[Dierk Hagedorn]]</p>
+
! <p>[[Jörg Wilhalm Hutters kunst zu Augspurg (Cod.I.6.4º.5)|Draftbook Transcription]] (1522){{edit index|Jörg Wilhalm Hutters kunst zu Augspurg (Cod.I.6.4º.5)}}<br/>by [[Dierk Hagedorn]]</p>
! <p>[[Maister Liechtenawers Kunstbuech (Cgm 3712)|Munich Version II]] (1556){{edit index|Maister Liechtenawers Kunstbuech (Cgm 3712)}}<br/></p>
+
! <p>[[Maister Liechtenawers Kunstbuech (Cgm 3712)|Munich II Transcription]] (1556){{edit index|Maister Liechtenawers Kunstbuech (Cgm 3712)}}<br/></p>
! <p>[[Künnst zu fechten vonn dem Lienhartt Sollinger (Cod.Guelf.38.21 Aug.2º)|Wolfenbüttel Version I]] (1588){{edit index|Künnst zu fechten vonn dem Lienhartt Sollinger (Cod.Guelf.38.21 Aug.2º)}}<br/></p>
+
! <p>[[Künnst zu fechten vonn dem Lienhartt Sollinger (Cod.Guelf.38.21 Aug.2º)|Wolfenbüttel I Transcription]] (1588){{edit index|Künnst zu fechten vonn dem Lienhartt Sollinger (Cod.Guelf.38.21 Aug.2º)}}<br/></p>
! <p>[[Confectbuch von Abrichtung vollständiges Turnierbuch (Cod.Guelf.1.6.3 Aug.2º)|Wolfenbüttel Version II]] (ca. 1600){{edit index|Confectbuch von Abrichtung vollständiges Turnierbuch (Cod.Guelf.1.6.3 Aug.2º)}}<br/></p>
+
! <p>[[Reit und Turnierbuch (MS KK5247)|Vienna Transcription]] (ca. 1600){{edit index|Reit und Turnierbuch (MS KK5247)}}<br/></p>
! <p>[[Unterschiedliche die Dressur und Aufzäumung der Pferde erläuternde Zeichnungen (Cod.Guelf.79.2 Aug.2º)|Wolfenbüttel Version III]] (ca. 1600){{edit index|Unterschiedliche die Dressur und Aufzäumung der Pferde erläuternde Zeichnungen (Cod.Guelf.79.2 Aug.2º)}}<br/></p>
+
! <p>[[Confectbuch von Abrichtung vollständiges Turnierbuch (Cod.Guelf.1.6.3 Aug.2º)|Wolfenbüttel II Transcription]] (ca. 1600){{edit index|Confectbuch von Abrichtung vollständiges Turnierbuch (Cod.Guelf.1.6.3 Aug.2º)}}<br/></p>
! <p>[[Reit und Turnierbuch (MS KK5247)|Vienna Version]] (ca. 1600){{edit index|Reit und Turnierbuch (MS KK5247)}}<br/></p>
+
! <p>[[Unterschiedliche die Dressur und Aufzäumung der Pferde erläuternde Zeichnungen (Cod.Guelf.79.2 Aug.2º)|Wolfenbüttel III Transcription]] (ca. 1600){{edit index|Unterschiedliche die Dressur und Aufzäumung der Pferde erläuternde Zeichnungen (Cod.Guelf.79.2 Aug.2º)}}</p>
 +
! <p>[[Reit und Turnierbuch (MS 23.279)|New York Transcription]] (1838){{edit index|Reit und Turnierbuch (MS 23.279)}}<br/></p>
  
 
|-  
 
|-  
| [[File:Cod.I.6.2º.3 26r.png|200px|center]]
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| [[File:Cod.I.6.2º.3 26r.png|300px|center]]
 
| <p>[1]</p>
 
| <p>[1]</p>
 
| {{paget|Page:Cod.I.6.2º.3|26r|png}}
 
| {{paget|Page:Cod.I.6.2º.3|26r|png}}
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| {{paget|Page:Cod.I.6.4º.5|26v|jpg}}
 
| {{paget|Page:Cod.I.6.4º.5|26v|jpg}}
 
| {{paget|Page:Cgm 3712|138r|png}}
 
| {{paget|Page:Cgm 3712|138r|png}}
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| {{paget|Page:Cod.Guelf.38.21 Aug.2º|097r|jpg}}
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| {{paget|Page:Cod.Guelf.1.6.3 Aug.2º|114v|png|lbl=114v5r}}
 
|  
 
|  
 
|  
 
|  
  
 
|-  
 
|-  
| [[File:Cod.I.6.2º.3 26v.png|200px|center]]
+
| [[File:Cod.I.6.2º.3 26v.png|300px|center]]
 
| <p>[2]</p>
 
| <p>[2]</p>
 
| {{paget|Page:Cod.I.6.2º.3|26v|png}}
 
| {{paget|Page:Cod.I.6.2º.3|26v|png}}
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| {{paget|Page:Cod.I.6.4º.5|27r|jpg}}
 
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| {{paget|Page:Cgm 3712|138v|png}}
 
| {{paget|Page:Cgm 3712|138v|png}}
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| {{paget|Page:Cod.Guelf.38.21 Aug.2º|097v|jpg}}
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| {{paget|Page:KK5247|114v|jpg|lbl=114v5r}}
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| {{paget|Page:Cod.Guelf.1.6.3 Aug.2º|116v|png|lbl=116v7r}}
 
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|  
|
 
|
 
 
  
 
|-  
 
|-  
| [[File:Cod.I.6.2º.3 27r.png|200px|center]]
+
| [[File:Cod.I.6.2º.3 27r.png|300px|center]]
 
| <p>[3]</p>
 
| <p>[3]</p>
 
| {{paget|Page:Cod.I.6.2º.3|27r|png}}
 
| {{paget|Page:Cod.I.6.2º.3|27r|png}}
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| {{paget|Page:Cod.I.6.4º.5|27v|jpg}}
 
| {{paget|Page:Cod.I.6.4º.5|27v|jpg}}
 
| {{paget|Page:Cgm 3712|139r|png}}
 
| {{paget|Page:Cgm 3712|139r|png}}
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| {{paget|Page:Cod.Guelf.38.21 Aug.2º|098r|jpg}}
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| {{paget|Page:Cod.Guelf.1.6.3 Aug.2º|118v|png|lbl=118v9r}}
 
|  
 
|  
 
|  
 
|  
  
 
|-  
 
|-  
| [[File:Cod.I.6.4º.5 28r.jpg|200px|center]]
+
| [[File:Cod.I.6.4º.5 28r.jpg|300px|center]]
 
| <p>[4]</p>
 
| <p>[4]</p>
 
|  
 
|  
Line 1,752: Line 1,929:
 
| {{paget|Page:Cod.I.6.4º.5|28r|jpg}}
 
| {{paget|Page:Cod.I.6.4º.5|28r|jpg}}
 
| {{paget|Page:Cgm 3712|155r|png}}
 
| {{paget|Page:Cgm 3712|155r|png}}
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| {{paget|Page:Cod.Guelf.38.21 Aug.2º|114r|jpg}}
 
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|-  
| [[File:Cod.I.6.4º.5 28v.jpg|200px|center]]
+
| [[File:Cod.I.6.4º.5 28v.jpg|300px|center]]
 
| <p>[5]</p>
 
| <p>[5]</p>
 
|  
 
|  
Line 1,764: Line 1,942:
 
| {{paget|Page:Cod.I.6.4º.5|28v|jpg}}
 
| {{paget|Page:Cod.I.6.4º.5|28v|jpg}}
 
| {{paget|Page:Cgm 3712|155v|png}}
 
| {{paget|Page:Cgm 3712|155v|png}}
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| {{paget|Page:Cod.Guelf.38.21 Aug.2º|114v|jpg}}
 
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|-  
 
|-  
| [[File:Cod.I.6.2º.3 27v.png|200px|center]]
+
| [[File:Cod.I.6.2º.3 27v.png|300px|center]]
 
| <p>[6]</p>
 
| <p>[6]</p>
 
| {{paget|Page:Cod.I.6.2º.3|27v|png}}
 
| {{paget|Page:Cod.I.6.2º.3|27v|png}}
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| {{paget|Page:Cod.I.6.4º.5|29r|jpg}}
 
| {{paget|Page:Cod.I.6.4º.5|29r|jpg}}
 
| {{paget|Page:Cgm 3712|139v|png}}
 
| {{paget|Page:Cgm 3712|139v|png}}
|  
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| {{paget|Page:Cod.Guelf.38.21 Aug.2º|098v|jpg}}
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| {{paget|Page:KK5247|118v|jpg|lbl=118v9r}}
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| {{paget|Page:Cod.Guelf.1.6.3 Aug.2º|120v|png|lbl=120v1r}}
 
|  
 
|  
 
|  
 
|  
  
 
|-  
 
|-  
| [[File:Cod.I.6.2º.3 28r.png|200px|center]]
+
| [[File:Cod.I.6.2º.3 28r.png|300px|center]]
 
| <p>[7]</p>
 
| <p>[7]</p>
 
| {{paget|Page:Cod.I.6.2º.3|28r|png}}
 
| {{paget|Page:Cod.I.6.2º.3|28r|png}}
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| {{paget|Page:Cod.I.6.4º.5|29v|jpg}}
 
| {{paget|Page:Cod.I.6.4º.5|29v|jpg}}
 
| {{paget|Page:Cgm 3712|140r|png}}
 
| {{paget|Page:Cgm 3712|140r|png}}
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| {{paget|Page:Cod.Guelf.38.21 Aug.2º|099r|jpg}}
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| {{paget|Page:KK5247|120v|jpg|lbl=120v1r}}
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| {{paget|Page:Cod.Guelf.1.6.3 Aug.2º|122v|png|lbl=122v3r}}
 
|  
 
|  
 
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|  
  
 
|-  
 
|-  
| [[File:Cod.I.6.2º.3 28v.png|200px|center]]
+
| [[File:Cod.I.6.2º.3 28v.png|300px|center]]
 
| <p>[8]</p>
 
| <p>[8]</p>
 
| {{paget|Page:Cod.I.6.2º.3|28v|png}}
 
| {{paget|Page:Cod.I.6.2º.3|28v|png}}
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| {{paget|Page:Cod.I.6.4º.5|30r|jpg}}
 
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| {{paget|Page:Cgm 3712|140v|png}}
 
| {{paget|Page:Cgm 3712|140v|png}}
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| {{paget|Page:Cod.Guelf.38.21 Aug.2º|099v|jpg}}
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| {{paget|Page:Cod.Guelf.1.6.3 Aug.2º|124v|png|lbl=124v5r}}
 
|  
 
|  
 
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|  
  
 
|-  
 
|-  
| [[File:Cod.I.6.2º.3 29r.png|200px|center]]
+
| [[File:Cod.I.6.2º.3 29r.png|300px|center]]
 
| <p>[9]</p>
 
| <p>[9]</p>
 
| {{paget|Page:Cod.I.6.2º.3|29r|png}}
 
| {{paget|Page:Cod.I.6.2º.3|29r|png}}
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| {{paget|Page:Cod.I.6.4º.5|30v|jpg}}
 
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| {{paget|Page:Cgm 3712|141r|png}}
 
| {{paget|Page:Cgm 3712|141r|png}}
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| {{paget|Page:Cod.Guelf.38.21 Aug.2º|100r|jpg}}
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| {{paget|Page:Cod.Guelf.1.6.3 Aug.2º|126v|png|lbl=126v7r}}
 
|  
 
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|-  
 
|-  
| [[File:Cod.I.6.2º.3 29v.png|200px|center]]
+
| [[File:Cod.I.6.2º.3 29v.png|300px|center]]
 
| <p>[10]</p>
 
| <p>[10]</p>
 
| {{paget|Page:Cod.I.6.2º.3|29v|png}}
 
| {{paget|Page:Cod.I.6.2º.3|29v|png}}
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| {{paget|Page:Cgm 3712|141v|png}}
 
| {{paget|Page:Cgm 3712|141v|png}}
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| {{paget|Page:Cod.Guelf.1.6.3 Aug.2º|128v|png|lbl=128v9r}}
 
|  
 
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|-  
 
|-  
| [[File:Cod.I.6.2º.3 30r.png|200px|center]]
+
| [[File:Cod.I.6.2º.3 30r.png|300px|center]]
 
| <p>[11]</p>
 
| <p>[11]</p>
 
| {{paget|Page:Cod.I.6.2º.3|30r|png}}
 
| {{paget|Page:Cod.I.6.2º.3|30r|png}}
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| {{paget|Page:Cgm 3712|142r|png}}
 
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|  
 
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|-  
 
|-  
| [[File:Cod.I.6.2º.3 30v.png|200px|center]]
+
| [[File:Cod.I.6.2º.3 30v.png|300px|center]]
 
| <p>[12]</p>
 
| <p>[12]</p>
 
| {{paget|Page:Cod.I.6.2º.3|30v|png}}
 
| {{paget|Page:Cod.I.6.2º.3|30v|png}}
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| {{paget|Page:Cgm 3712|142v|png}}
 
| {{paget|Page:Cgm 3712|142v|png}}
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| {{paget|Page:Cod.Guelf.38.21 Aug.2º|101v|jpg}}
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|  
 
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|-  
| [[File:Cod.I.6.2º.3 31r.png|200px|center]]
+
| [[File:Cod.I.6.2º.3 31r.png|300px|center]]
 
| <p>[13]</p>
 
| <p>[13]</p>
 
| {{paget|Page:Cod.I.6.2º.3|31r|png}}
 
| {{paget|Page:Cod.I.6.2º.3|31r|png}}
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| {{paget|Page:Cgm 3712|143r|png}}
 
| {{paget|Page:Cgm 3712|143r|png}}
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|  
 
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|-  
 
|-  
| [[File:Cod.I.6.2º.3 31v.png|200px|center]]
+
| [[File:Cod.I.6.2º.3 31v.png|300px|center]]
 
| <p>[14]</p>
 
| <p>[14]</p>
 
| {{paget|Page:Cod.I.6.2º.3|31v|png}}
 
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|-  
| [[File:Cod.I.6.2º.3 32r.png|200px|center]]
+
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| <p>[15]</p>
 
| <p>[15]</p>
 
| {{paget|Page:Cod.I.6.2º.3|32r|png}}
 
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|-  
| [[File:Cod.I.6.2º.3 32v.png|200px|center]]
+
| [[File:Cod.I.6.2º.3 32v.png|300px|center]]
 
| <p>[16]</p>
 
| <p>[16]</p>
 
| {{paget|Page:Cod.I.6.2º.3|32v|png}}
 
| {{paget|Page:Cod.I.6.2º.3|32v|png}}
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|-  
| [[File:Cod.I.6.2º.3 33r.png|200px|center]]
+
| [[File:Cod.I.6.2º.3 33r.png|300px|center]]
 
| <p>[17]</p>
 
| <p>[17]</p>
 
| {{paget|Page:Cod.I.6.2º.3|33r|png}}
 
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|-  
| [[File:Cod.I.6.2º.3 33v.png|200px|center]]
+
| [[File:Cod.I.6.2º.3 33v.png|300px|center]]
 
| <p>[18]</p>
 
| <p>[18]</p>
 
| {{paget|Page:Cod.I.6.2º.3|33v|png}}
 
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| <p>[19]</p>
 
| <p>[19]</p>
 
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| <p>[20]</p>
 
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| <p>[21]</p>
 
| <p>[21]</p>
 
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| <p>[22]</p>
 
| <p>[22]</p>
 
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| <p>[23]</p>
 
| <p>[23]</p>
 
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| <p>[24]</p>
 
| <p>[24]</p>
 
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| <p>[25]</p>
 
| <p>[25]</p>
 
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| [[File:Cod.I.6.2º.3 37v.png|200px|center]]
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| <p>[26]</p>
 
| <p>[26]</p>
 
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| [[File:Cod.I.6.2º.3 38r.png|200px|center]]
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| <p>[27]</p>
 
| <p>[27]</p>
 
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| [[File:Cod.I.6.2º.3 38v.png|200px|center]]
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| <p>[28]</p>
 
| <p>[28]</p>
 
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| [[File:Cod.I.6.2º.3 39r.png|200px|center]]
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| <p>[29]</p>
 
| <p>[29]</p>
 
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| [[File:Cod.I.6.2º.3 39v.png|200px|center]]
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| <p>[30]</p>
 
| <p>[30]</p>
 
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| [[File:Cod.I.6.2º.3 40r.png|200px|center]]
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| <p>[31]</p>
 
| <p>[31]</p>
 
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| [[File:Cod.I.6.2º.3 40v.png|200px|center]]
+
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| <p>[32]</p>
 
| <p>[32]</p>
 
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| [[File:Cod.I.6.2º.3 41r.png|200px|center]]
+
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| <p>[33]</p>
 
| <p>[33]</p>
 
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| [[File:Cod.I.6.2º.3 41v.png|200px|center]]
+
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| <p>[34]</p>
 
| <p>[34]</p>
 
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| {{paget|Page:Cod.Guelf.38.21 Aug.2º|112v|jpg}}
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| {{paget|Page:Cod.Guelf.1.6.3 Aug.2º|190v|png|lbl=190v1r}}
 
|  
 
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|-  
| [[File:Cod.I.6.2º.3 42r.png|200px|center]]
+
| [[File:Cod.I.6.2º.3 42r.png|300px|center]]
 
| <p>[35]</p>
 
| <p>[35]</p>
 
| {{paget|Page:Cod.I.6.2º.3|42r|png}}
 
| {{paget|Page:Cod.I.6.2º.3|42r|png}}
| {{paget|Page:Cgm 3711|101r|jpg}}
+
| <p><br/></p>
 +
 
 +
{{paget|Page:Cgm 3711|101r|jpg}}
 
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| {{paget|Page:Cod.I.6.4º.5|43v|jpg}}
| {{paget|Page:Cgm 3712|154r|png}}
+
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| {{paget|Page:Cod.Guelf.38.21 Aug.2º|113r|jpg}}
|  
+
| <p><br/></p>
 +
 
 +
{{paget|Page:KK5247|189v|jpg|lbl=189v90r}}
 +
| <p><br/></p>
 +
 
 +
<p>''[An analogous illustration is present on [[Page:Cod.Guelf.1.6.3 Aug.2º 192v.png|folia 192v-193r]], but the text is that of the equivalent play in [[Antonius Rast]].]''</p>
 
|  
 
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|-  
| [[File:Cod.I.6.2º.3 42v.png|200px|center]]
+
| class="noline" | [[File:Cod.I.6.2º.3 42v.png|300px|center]]
| <p>[36]</p>
+
| class="noline" | <p>[36]</p>
| {{paget|Page:Cod.I.6.2º.3|42v|png}}
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| class="noline" | {{paget|Page:Cod.I.6.2º.3|42v|png}}
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| class="noline" | {{paget|Page:Cgm 3711|101v|jpg}}
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| class="noline" | {{paget|Page:Cod.I.6.4º.5|44r|jpg}}
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| class="noline" | {{paget|Page:Cgm 3712|153v|png}}
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| class="noline" | {{paget|Page:Cod.Guelf.38.21 Aug.2º|113v|jpg}}
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|}
 
|}
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{{master begin
 
{{master begin
 
  | title = Secondary Content
 
  | title = Secondary Content
  | width = 132em
+
  | width = 150em
 
}}
 
}}
{| class="floated master"
+
{| class="master"
 
|-  
 
|-  
! id="thin" | <p>Images<br/></p>
+
! <p>Illustrations<br/></p>
 
! <p>{{rating|B}}<br/>by [[Michael Chidester]]</p>
 
! <p>{{rating|B}}<br/>by [[Michael Chidester]]</p>
! <p>[[Jörg Wilhalm Hutters kunst zu Augspurg (Cgm 3711)|Munich Version I]] (1523){{edit index|Jörg Wilhalm Hutters kunst zu Augspurg (Cgm 3711)}}<br/></p>
+
! <p>[[Jörg Wilhalm Hutters kunst zu Augspurg (Cgm 3711)|Munich I Transcription]] (1523){{edit index|Jörg Wilhalm Hutters kunst zu Augspurg (Cgm 3711)}}<br/></p>
! <p>[[Maister Liechtenawers Kunstbuech (Cgm 3712)|Munich Version II]] (1556){{edit index|Maister Liechtenawers Kunstbuech (Cgm 3712)}}<br/></p>
+
! <p>[[Maister Liechtenawers Kunstbuech (Cgm 3712)|Munich II Transcription]] (1556){{edit index|Maister Liechtenawers Kunstbuech (Cgm 3712)}}<br/></p>
! <p>[[Künnst zu fechten vonn dem Lienhartt Sollinger (Cod.Guelf.38.21 Aug.2º)|Wolfenbüttel Version]] (1588){{edit index|Künnst zu fechten vonn dem Lienhartt Sollinger (Cod.Guelf.38.21 Aug.2º)}}<br/></p>
+
! <p>[[Künnst zu fechten vonn dem Lienhartt Sollinger (Cod.Guelf.38.21 Aug.2º)|Wolfenbüttel I Transcription]] (1588){{edit index|Künnst zu fechten vonn dem Lienhartt Sollinger (Cod.Guelf.38.21 Aug.2º)}}<br/></p>
  
 
|-  
 
|-  
| rowspan="2" | [[File:Cgm 3711 52r.jpg|200px|center]]
+
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| <p>[1] [No text]</p>
 
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<section begin="sourcebox"/>{{sourcebox header}}
 
<section begin="sourcebox"/>{{sourcebox header}}
 
{{sourcebox
 
{{sourcebox
  | work        = [[Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)|Cod.I.6.2º.2]] Images
+
  | work        = [[Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)|Cod.I.6.2º.2]] Illustrations
 
  | authors    = [[Universitätsbibliothek Augsburg]]
 
  | authors    = [[Universitätsbibliothek Augsburg]]
 
  | source link = http://www.nbn-resolving.de/urn:nbn:de:bvb:384-uba002003-5
 
  | source link = http://www.nbn-resolving.de/urn:nbn:de:bvb:384-uba002003-5
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}}
 
}}
 
{{sourcebox
 
{{sourcebox
  | work        = [[Jörg Wilhalm Hutters kunst zu Augspurg (Cod.I.6.2º.3)|Cod.I.6.2º.3]] Images
+
  | work        = [[Jörg Wilhalm Hutters kunst zu Augspurg (Cod.I.6.2º.3)|Cod.I.6.2º.3]] Illustrations
 
  | authors    = [[Universitätsbibliothek Augsburg]]
 
  | authors    = [[Universitätsbibliothek Augsburg]]
 
  | source link = http://www.nbn-resolving.de/urn:nbn:de:bvb:384-uba002006-0
 
  | source link = http://www.nbn-resolving.de/urn:nbn:de:bvb:384-uba002006-0
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}}
 
}}
 
{{sourcebox
 
{{sourcebox
  | work        = [[Jörg Wilhalm Hutters kunst zu Augspurg (Cgm 3711)|Cgm 3711]] Images
+
  | work        = [[Jörg Wilhalm Hutters kunst zu Augspurg (Cgm 3711)|Cgm 3711]] Illustrations
 
  | authors    = [[Bayerische Staatsbibliothek]]
 
  | authors    = [[Bayerische Staatsbibliothek]]
 
  | source link = http://daten.digitale-sammlungen.de/bsb00064546/image_1
 
  | source link = http://daten.digitale-sammlungen.de/bsb00064546/image_1
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{{sourcebox
 
{{sourcebox
 
  | work        = [[Jörg Wilhalm Hutters kunst zu Augspurg (Cgm 3711)|Munich Version I]]
 
  | work        = [[Jörg Wilhalm Hutters kunst zu Augspurg (Cgm 3711)|Munich Version I]]
  | authors    = [[Kendra&nbsp;Brown]], [[Rebecca&nbsp;Garber]], [[Don&nbsp;Kindsvatter]], [[Mark&nbsp;Millman]], [[Amy&nbsp;West]]
+
  | authors    = [[Kendra&nbsp;Brown]], [[Rebecca&nbsp;Garber]], [[Don&nbsp;Kindsvatter]], <br/>[[Mark&nbsp;Millman]], [[Amy&nbsp;West]]
 
  | source link =  
 
  | source link =  
 
  | source title= [[Index:Jörg Wilhalm Hutters kunst zu Augspurg (Cgm 3711)]]
 
  | source title= [[Index:Jörg Wilhalm Hutters kunst zu Augspurg (Cgm 3711)]]
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}}
 
}}
 
{{sourcebox
 
{{sourcebox
  | work        = [[Confectbuch von Abrichtung vollständiges Turnierbuch (Cod.Guelf.1.6.3 Aug.2º)|Wolfenbüttel Version II]]
+
  | work        = [[Reit und Turnierbuch (MS KK5247)|Vienna Version]]
 
  | authors    =  
 
  | authors    =  
 
  | source link =  
 
  | source link =  
  | source title= [[Index:Confectbuch von Abrichtung vollständiges Turnierbuch (Cod.Guelf.1.6.3 Aug.2º)]]
+
  | source title= [[Index:Reit und Turnierbuch (MS KK5247)]]
 
  | license    =  
 
  | license    =  
 
}}
 
}}
 
{{sourcebox
 
{{sourcebox
  | work        = [[Unterschiedliche die Dressur und Aufzäumung der Pferde erläuternde Zeichnungen (Cod.Guelf.79.2 Aug.2º)|Wolfenbüttel Version III]]
+
  | work        = [[Confectbuch von Abrichtung vollständiges Turnierbuch (Cod.Guelf.1.6.3 Aug.2º)|Wolfenbüttel Version II]]
 
  | authors    =  
 
  | authors    =  
 
  | source link =  
 
  | source link =  
  | source title= [[Index:Unterschiedliche die Dressur und Aufzäumung der Pferde erläuternde Zeichnungen (Cod.Guelf.79.2 Aug.2º)]]
+
  | source title= [[Index:Confectbuch von Abrichtung vollständiges Turnierbuch (Cod.Guelf.1.6.3 Aug.2º)]]
 
  | license    =  
 
  | license    =  
 
}}
 
}}
 
{{sourcebox
 
{{sourcebox
  | work        = [[Reit und Turnierbuch (MS KK5247)|Vienna Version]]
+
  | work        = [[Unterschiedliche die Dressur und Aufzäumung der Pferde erläuternde Zeichnungen (Cod.Guelf.79.2 Aug.2º)|Wolfenbüttel Version III]]
 
  | authors    =  
 
  | authors    =  
 
  | source link =  
 
  | source link =  
  | source title= [[Index:Reit und Turnierbuch (MS KK5247)]]
+
  | source title= [[Index:Unterschiedliche die Dressur und Aufzäumung der Pferde erläuternde Zeichnungen (Cod.Guelf.79.2 Aug.2º)]]
 
  | license    =  
 
  | license    =  
 
}}
 
}}
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{{reflist|2}}
 
{{reflist|2}}
{{DEFAULTSORT: Hutter, Jörg Wilhalm}}
+
{{DEFAULTSORT: Wilhalm Hutter, Jörg}}
 
{{Liechtenauer tradition}}
 
{{Liechtenauer tradition}}
 
__FORCETOC__
 
__FORCETOC__
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[[Category:Longshield]]
 
[[Category:Longshield]]
 
[[Category:Longsword]]
 
[[Category:Longsword]]
[[Category:Marriage Counseling]]
+
[[Category:Man vs. Woman]]
 
[[Category:Mounted Fencing]]
 
[[Category:Mounted Fencing]]
 
[[Category:Navaja]]
 
[[Category:Navaja]]
 +
 +
[[Category:New format]]

Latest revision as of 17:35, 25 November 2020

Jörg Wilhalm Hutter
Born 15th century
Died 16th century
Occupation
Citizenship Augsburg, Germany
Movement Augsburg tradition
Influences
Influenced
Genres Fencing manual
Language Early New High German
Notable work(s) Jörg Wilhalm Hutters kunst zu Augspurg
Archetype(s)
Manuscript(s)
Concordance by Michael Chidester
Signature Jörg Wilhalm Hutter sig.jpg

Jörg Wilhalm Hutter was a 16th century German fencing master. In addition to his fencing practice, his surname signifies that he was a hatter by trade, a fact that is confirmed in the tax records of Augsburg, Germany in 1501, 1504, and 1516.[citation needed]

Manuscripts

Four works are commonly attributed to Hutter: on unarmored long sword fencing in the tradition of Johannes Liechtenauer, on armored and mounted dueling that appear to be based on those of the early 15th century (relying on armor designs that were obsolete by the 1520s), and a series of 32 uncaptioned illustrations portraying scenes of judicial combat. However, it is unclear if Hutter authored all of these works or, like Lienhart Sollinger and Paulus Hector Mair after him, merely compiled existing works together and placed his name on them as an owner's mark. The development of the armored dueling treatises can be traced through a draftbook and rough early annotated copy, but the same is not true of the unarmored long sword fencing, which appears to be based on the MS Cl. 23842 from the 1480s-90s and is accompanied by an excerpt of Branch C of the pseudo-Peter von Danzig gloss which Gregor Erhart attributes to one Nicolaüs and dates to 1489.[1]

There are three extant manuscripts of Hutter's treatises created between 1522 and 1523, all now residing in Augsburg (along with most of the rest of Paulus Hector Mair's collection). The apparent oldest of Hutter's manuscripts, Cod.I.6.4º.5,[2] consists of numbered but uncaptioned illustrations of armored dueling on horse and on foot, and is dated to 1522. The same year saw the completion of the Cod.I.6.2º.3, which includes the same illustrations but adds written instructions to the plays; for this reason, Hils assumed the former was the draftbook used to develop the latter.[citation needed] In 1523, Hutter seems to have created an accompanying long sword treatise, preserved in the Cod.I.6.2º.2.

Some time soon after this, all three of Hutter's prior works, along a new series of 32 uncaptioned illustrations of dueling, were compiled into the Cgm 3711. This manuscript has some oddities not found in the others, including carnival costumes on some of the fighters and a pretzel salesman appearing in the illustration on folio 11r. It's currently unclear whether Hutter was involved in the creation of this manuscript or not, but it appears to be a presentation copy of the collected works and includes content unique to each of the three earlier manuscripts. Hutter's long sword treatise was also copied by sculptor Gregor Erhart into the MS E.1939.65.354 in 1533, though it's currently unclear which source he based it on.

Most copies of Hutter's treatises were eventually acquired by Freifechter and collector Lienhart Sollinger. Cgm 3711 was a source for his Cgm 3712 (1556) and Cod.Guelf.38.21 Aug.2º (1588), and the former also seems to have drawn heavily from MS E.1939.65.354. Sollinger, in turn, sold several of these works to Paulus Hector Mair: the Cod.I.6.2º.2 in 1544, the Cod.I.6.4º.5 in 1552, the MS E.1939.65.354 in 1560, and the Cod.I.6.2º.3 in 1561. Hutter's draftbook in particular was apparently used as the primary source for Mair's writings on armored dueling (preserved in three manuscripts in the 1540s and 50s); owing to its lack of text, Mair inserted his own descriptions of the plays—descriptions which diverge noticeably from Hutter's own explanations.

A final set of two copies of Hutter's work, including Cod.Guelf.1.6.3 Aug.2º and MS KK5247, were prepared by Jeremias Schemel von Augsburg at the end of the 16th century as part of a massive compilation of treatises on horsemanship which also included discussion of riding, dressage, jousting, and tournaments. These manuscripts contain Hutter's original text (unlike Mair's version), but the elaborate artwork includes details from multiple prior versions of Hutter's work, suggesting that Schemel's source manuscript may remain to be discovered. A third manuscript of Schemel's work also exists, copied from the MS KK5247 in 1838, but such a late work has little to contribute to any analysis of the tradition.

Treatise