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Difference between revisions of "Jörg Wilhalm Hutter"

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(→‎Treatise: changed "cleave" and "cut" to "hew")
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{{master begin
 
{{master begin
 
  | title = Long Sword
 
  | title = Long Sword
  | width = 188em
+
  | width = 204em
 
}}<section begin="credits1"/>
 
}}<section begin="credits1"/>
 
{| class="floated master" style="clear:right;"
 
{| class="floated master" style="clear:right;"
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|-  
 
|-  
| [[File:Cgm 3711 2r.jpg|200px|center|link=http://daten.digitale-sammlungen.de/bsb00064546/image_43]]
+
| [[File:Cgm 3711 2r.jpg|300px|center|link=http://daten.digitale-sammlungen.de/bsb00064546/image_43]]
 
| <p>[2] Whoever wants to hew upon you,<br/>you shall parry it with joy,<br/>and when you have parried,<br/>thus all of his hews are destroyed.</p>
 
| <p>[2] Whoever wants to hew upon you,<br/>you shall parry it with joy,<br/>and when you have parried,<br/>thus all of his hews are destroyed.</p>
  
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|-  
 
|-  
| [[File:Cgm 3711 2v.jpg|200px|center|link=http://daten.digitale-sammlungen.de/bsb00064546/image_44]]
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| [[File:Cgm 3711 2v.jpg|300px|center|link=http://daten.digitale-sammlungen.de/bsb00064546/image_44]]
 
| <p>[3] The two both stand on the left in the over hew</p>
 
| <p>[3] The two both stand on the left in the over hew</p>
  
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|-  
| [[File:Cod.I.6.2º.2 06r.jpg|200px|center]]
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| [[File:Cod.I.6.2º.2 06r.jpg|300px|center]]
 
| <p>[4] He stands in the over hew</p>
 
| <p>[4] He stands in the over hew</p>
  
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|-  
| [[File:Cod.I.6.2º.2 06v.jpg|200px|center]]
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| [[File:Cod.I.6.2º.2 06v.jpg|300px|center]]
 
| <p>[5] He stands in the over hew</p>
 
| <p>[5] He stands in the over hew</p>
  
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 03r.jpg|200px|center]]
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| [[File:Cod.I.6.2º.2 03r.jpg|300px|center]]
 
| <p>[6] This is the wrath point</p>
 
| <p>[6] This is the wrath point</p>
  
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 03v.jpg|200px|center]]
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| [[File:Cod.I.6.2º.2 03v.jpg|300px|center]]
 
| <p>[7] He stands in the over hew</p>
 
| <p>[7] He stands in the over hew</p>
  
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 02r.jpg|200px|center]]
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| [[File:Cod.I.6.2º.2 02r.jpg|300px|center]]
 
| <p>[8] Here, fences to the war</p>
 
| <p>[8] Here, fences to the war</p>
  
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 02v.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 02v.jpg|300px|center]]
 
| <p>[9] This play is in the war</p>
 
| <p>[9] This play is in the war</p>
  
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 04r.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 04r.jpg|300px|center]]
 
| <p>[10] This is an outer winding and break from the war</p>
 
| <p>[10] This is an outer winding and break from the war</p>
  
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 05r.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 05r.jpg|300px|center]]
 
| <p>[11] This is also about the war</p>
 
| <p>[11] This is also about the war</p>
  
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 05v.jpg|200px|center]]
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| [[File:Cod.I.6.2º.2 05v.jpg|300px|center]]
 
| <p>[12] This is also about the war</p>
 
| <p>[12] This is also about the war</p>
  
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|-  
 
|-  
| [[File:Cgm 3711 7v.jpg|200px|center|link=http://daten.digitale-sammlungen.de/bsb00064546/image_54]]
+
| [[File:Cgm 3711 7v.jpg|300px|center|link=http://daten.digitale-sammlungen.de/bsb00064546/image_54]]
 
| <p>[13] Those are points in the war</p>
 
| <p>[13] Those are points in the war</p>
  
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 38r.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 38r.jpg|300px|center]]
 
| <p>[14] This is also about the war</p>
 
| <p>[14] This is also about the war</p>
  
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 38v.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 38v.jpg|300px|center]]
 
| <p>[15] This is also about the war, a sword taking</p>
 
| <p>[15] This is also about the war, a sword taking</p>
  
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 39r.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 39r.jpg|300px|center]]
 
| <p>[16] Here, fencing to the four openings</p>
 
| <p>[16] Here, fencing to the four openings</p>
  
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 39v.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 39v.jpg|300px|center]]
 
| <p>[17] Those are also two openings</p>
 
| <p>[17] Those are also two openings</p>
  
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     --><section begin="Krumphaw"/>
 
     --><section begin="Krumphaw"/>
 
|-  
 
|-  
| [[File:Cod.I.6.2º.2 40r.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 40r.jpg|300px|center]]
 
| <p>[18] This is the crooked hew on the right side change</p>
 
| <p>[18] This is the crooked hew on the right side change</p>
  
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|-  
 
|-  
| [[File:Cgm 3711 10v.jpg|200px|center|link=http://daten.digitale-sammlungen.de/bsb00064546/image_60]]
+
| [[File:Cgm 3711 10v.jpg|300px|center|link=http://daten.digitale-sammlungen.de/bsb00064546/image_60]]
 
| <p>[19] He stands in the over hew</p>
 
| <p>[19] He stands in the over hew</p>
  
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|-  
 
|-  
| [[File:Cgm 3711 11r.jpg|200px|center|link=http://daten.digitale-sammlungen.de/bsb00064546/image_61]]
+
| [[File:Cgm 3711 11r.jpg|300px|center|link=http://daten.digitale-sammlungen.de/bsb00064546/image_61]]
 
| <p>[20] This is how one shall break in the four openings: He hits him with opening to the side, thus the other breaks it to him and hits him behind onto his head</p>
 
| <p>[20] This is how one shall break in the four openings: He hits him with opening to the side, thus the other breaks it to him and hits him behind onto his head</p>
  
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 08v.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 08v.jpg|300px|center]]
 
| <p>[21] There this breaks the opening on the other side, and is also to break the openings</p>
 
| <p>[21] There this breaks the opening on the other side, and is also to break the openings</p>
  
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     --><section end="Krumphaw"/>
 
     --><section end="Krumphaw"/>
 
|-  
 
|-  
| [[File:Cgm 3711 12r.jpg|200px|center|link=http://daten.digitale-sammlungen.de/bsb00064546/image_63]]
+
| [[File:Cgm 3711 12r.jpg|300px|center|link=http://daten.digitale-sammlungen.de/bsb00064546/image_63]]
 
| <p>[22] The guard from the day</p>
 
| <p>[22] The guard from the day</p>
  
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 14v.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 14v.jpg|300px|center]]
 
| <p>[23] Skull hew</p>
 
| <p>[23] Skull hew</p>
  
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 07r.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 07r.jpg|300px|center]]
 
| <p>[24] This is the thwart hew</p>
 
| <p>[24] This is the thwart hew</p>
  
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 07v.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 07v.jpg|300px|center]]
 
| <p>[25] This is the thwart on the other side</p>
 
| <p>[25] This is the thwart on the other side</p>
  
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 09r.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 09r.jpg|300px|center]]
 
| <p>[26] He breaks the thwart</p>
 
| <p>[26] He breaks the thwart</p>
  
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 09v.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 09v.jpg|300px|center]]
 
| <p>[27] He stands in the guard from day and raises as much as he likes</p>
 
| <p>[27] He stands in the guard from day and raises as much as he likes</p>
  
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 10r.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 10r.jpg|300px|center]]
 
| <p>[28] He lies in the thwart and has taken it with a jump, and shoves his arm away from him</p>
 
| <p>[28] He lies in the thwart and has taken it with a jump, and shoves his arm away from him</p>
  
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 10v.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 10v.jpg|300px|center]]
 
| <p>[29] He also stands in the thwart, and he wants to shove away</p>
 
| <p>[29] He also stands in the thwart, and he wants to shove away</p>
  
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 11r.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 11r.jpg|300px|center]]
 
| <p>[30] That is also driven from the thwart with jumping to the head, how he bares with his turn without fear</p>
 
| <p>[30] That is also driven from the thwart with jumping to the head, how he bares with his turn without fear</p>
  
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 11v.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 11v.jpg|300px|center]]
 
| <p>[31] This is the thwart in above, also a play</p>
 
| <p>[31] This is the thwart in above, also a play</p>
  
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 12r.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 12r.jpg|300px|center]]
 
| <p>[32] This is the ox</p>
 
| <p>[32] This is the ox</p>
  
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 12v.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 12v.jpg|300px|center]]
 
| <p>[33] This is the ox</p>
 
| <p>[33] This is the ox</p>
  
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 18r.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 18r.jpg|300px|center]]
 
| <p>[34] He stands armed<ref>Meaning as though armored</ref></p>
 
| <p>[34] He stands armed<ref>Meaning as though armored</ref></p>
  
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 18v.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 18v.jpg|300px|center]]
 
| <p>[35] This is also about the squinter, play and break, and there he has the sword on the neck. This is the break and the other the play. Note that as you see it pictured.</p>
 
| <p>[35] This is also about the squinter, play and break, and there he has the sword on the neck. This is the break and the other the play. Note that as you see it pictured.</p>
 
| {{paget|Page:Cod.I.6.2º.2|18v|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|18v|jpg}}
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 19r.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 19r.jpg|300px|center]]
 
| <p>[36] This is again about the squinter, the break, the run over, that strongly breaks his squinter, hit or slice and away from there quickly and soon, and therefore is not a play, it is a break from it. Gloss note.</p>
 
| <p>[36] This is again about the squinter, the break, the run over, that strongly breaks his squinter, hit or slice and away from there quickly and soon, and therefore is not a play, it is a break from it. Gloss note.</p>
 
| {{paget|Page:Cod.I.6.2º.2|19r|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|19r|jpg}}
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 19v.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 19v.jpg|300px|center]]
 
| <p>[37] This is another play from the squinter. Squint to the point and take the neck without apprehension, and at the same time so note and learn art that you yourself have become accustomed to. Gloss note.</p>
 
| <p>[37] This is another play from the squinter. Squint to the point and take the neck without apprehension, and at the same time so note and learn art that you yourself have become accustomed to. Gloss note.</p>
 
| {{paget|Page:Cod.I.6.2º.2|19v|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|19v|jpg}}
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 16r.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 16r.jpg|300px|center]]
 
| <p>[38] He stands hitting in the above parry</p>
 
| <p>[38] He stands hitting in the above parry</p>
  
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 16v.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 16v.jpg|300px|center]]
 
| <p>[39] He stands hitting in the above parry</p>
 
| <p>[39] He stands hitting in the above parry</p>
  
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 17r.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 17r.jpg|300px|center]]
 
| <p>[40] That is a squint to the point and take the neck without apprehension, and in addition strong into the scale</p>
 
| <p>[40] That is a squint to the point and take the neck without apprehension, and in addition strong into the scale</p>
  
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 17v.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 17v.jpg|300px|center]]
 
| <p>[41] He hits above over</p>
 
| <p>[41] He hits above over</p>
  
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 24r.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 24r.jpg|300px|center]]
 
| <p>[42] This is the skull hew</p>
 
| <p>[42] This is the skull hew</p>
  
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 24v.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 24v.jpg|300px|center]]
 
| <p>[43] This is the short edge</p>
 
| <p>[43] This is the short edge</p>
  
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 25r.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 25r.jpg|300px|center]]
 
| <p>[44] This is a parry</p>
 
| <p>[44] This is a parry</p>
  
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 26r.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 26r.jpg|300px|center]]
 
| <p>[45] This is also about the positions and is to know that one position breaks the other, and those are two positions, one lies over, the other under. Therefore note this, and hear that the lowest may well go through the above, and went onto his head, and therefore penetrates. Do well, so I shall say it. Gloss note.</p>
 
| <p>[45] This is also about the positions and is to know that one position breaks the other, and those are two positions, one lies over, the other under. Therefore note this, and hear that the lowest may well go through the above, and went onto his head, and therefore penetrates. Do well, so I shall say it. Gloss note.</p>
 
| {{paget|Page:Cod.I.6.2º.2|26r|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|26r|jpg}}
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 26v.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 26v.jpg|300px|center]]
 
| <p>[46] This is also about the positions, so that he then shoots on crooked on the position, and shoots to the top of his sword, and is the shooting over, also a position the other breaks. Gloss note.</p>
 
| <p>[46] This is also about the positions, so that he then shoots on crooked on the position, and shoots to the top of his sword, and is the shooting over, also a position the other breaks. Gloss note.</p>
 
| {{paget|Page:Cod.I.6.2º.2|26v|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|26v|jpg}}
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 25v.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 25v.jpg|300px|center]]
 
| <p>[47] This is a parry</p>
 
| <p>[47] This is a parry</p>
  
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 30r.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 30r.jpg|300px|center]]
 
| <p>[48] This is again about the four positions, and the parry upon it and shooting over. Those are also positions, note that there below with the strong and long into the scale, and if he wants to execute against you, then you may take a slice if you want to, or may hang, whatever fences best to you. Gloss note.</p>
 
| <p>[48] This is again about the four positions, and the parry upon it and shooting over. Those are also positions, note that there below with the strong and long into the scale, and if he wants to execute against you, then you may take a slice if you want to, or may hang, whatever fences best to you. Gloss note.</p>
 
| {{paget|Page:Cod.I.6.2º.2|30r|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|30r|jpg}}
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 30v.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 30v.jpg|300px|center]]
 
| <p>[49] This is again about the four positions, and from the parry, there note on and watch: those are also two positions, and that is also a position, the shooting-over has, and the positions have an end, and the four parries, they are all side by side, then it is many that it searches. Gloss note.</p>
 
| <p>[49] This is again about the four positions, and from the parry, there note on and watch: those are also two positions, and that is also a position, the shooting-over has, and the positions have an end, and the four parries, they are all side by side, then it is many that it searches. Gloss note.</p>
 
| {{paget|Page:Cod.I.6.2º.2|30v|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|30v|jpg}}
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 31r.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 31r.jpg|300px|center]]
 
| <p>[50] This is about the pursuit.<br/>Learn twofold in the scale,<br/>and take two from it,<br/>and your work begins from it,<br/>and test your movements,<br/>whether they are soft or hard,<br/>learn the same.<br/>Indes, that word slices severely.<br/>Pursue twofold,<br/>thus you take the old slice with power</p>
 
| <p>[50] This is about the pursuit.<br/>Learn twofold in the scale,<br/>and take two from it,<br/>and your work begins from it,<br/>and test your movements,<br/>whether they are soft or hard,<br/>learn the same.<br/>Indes, that word slices severely.<br/>Pursue twofold,<br/>thus you take the old slice with power</p>
  
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 31v.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 31v.jpg|300px|center]]
 
| <p>[51] This is another pursuit. You should take the pursuit on both sides, step long if you want to stride, because the pursuit is several things, and that is the pursuit when one has hit you and wants to go from you or withdraw, then follow after him and defend yourself. Gloss note.</p>
 
| <p>[51] This is another pursuit. You should take the pursuit on both sides, step long if you want to stride, because the pursuit is several things, and that is the pursuit when one has hit you and wants to go from you or withdraw, then follow after him and defend yourself. Gloss note.</p>
 
| {{paget|Page:Cod.I.6.2º.2|31v|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|31v|jpg}}
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 32r.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 32r.jpg|300px|center]]
 
| <p>[52] This is about the run over, there note that the run-over is thus: one runs over the other outside with the pommel outward with force, and that is an outer run over, and it is still more, and therefore when one wants to run over you, so raise your sword strong in the height, so he can not run-over you.</p>
 
| <p>[52] This is about the run over, there note that the run-over is thus: one runs over the other outside with the pommel outward with force, and that is an outer run over, and it is still more, and therefore when one wants to run over you, so raise your sword strong in the height, so he can not run-over you.</p>
 
| {{paget|Page:Cod.I.6.2º.2|32r|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|32r|jpg}}
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 32v.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 32v.jpg|300px|center]]
 
| <p>[53] This is also about the run over, and that is an inward run over,</p>
 
| <p>[53] This is also about the run over, and that is an inward run over,</p>
  
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 33r.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 33r.jpg|300px|center]]
 
| <p>[54] This is also a run-over, and is armored, and a wrestling goes with it, and therefore note precisely on when he wants to throw him over the left foot and many pertain to the run over, if one wishes to search. Gloss note as it stands precisely pictured.</p>
 
| <p>[54] This is also a run-over, and is armored, and a wrestling goes with it, and therefore note precisely on when he wants to throw him over the left foot and many pertain to the run over, if one wishes to search. Gloss note as it stands precisely pictured.</p>
 
| {{paget|Page:Cod.I.6.2º.2|33r|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|33r|jpg}}
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 33v.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 33v.jpg|300px|center]]
 
| <p>[55] This is also a run over with the pommel, and a run over armored with wrestling as before, and back him and throw him with it and do as stands pictured above. Gloss note, therefore the runs over.</p>
 
| <p>[55] This is also a run over with the pommel, and a run over armored with wrestling as before, and back him and throw him with it and do as stands pictured above. Gloss note, therefore the runs over.</p>
 
| {{paget|Page:Cod.I.6.2º.2|33v|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|33v|jpg}}
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|-  
 
|-  
| [[File:Cgm 3711 29r.jpg|200px|center|link=http://daten.digitale-sammlungen.de/bsb00064546/image_97]]
+
| [[File:Cgm 3711 29r.jpg|300px|center|link=http://daten.digitale-sammlungen.de/bsb00064546/image_97]]
 
| <p>[56] This is about the set aside. Whoever hews away at you from roof, set his hew away with the sword with the short edge. If he is soft, then let your pommel go around and hit him with the thwart. But if he is hard, then don’t hit and take and turn him at his sword and work. Gloss note as it stands pictured below.</p>
 
| <p>[56] This is about the set aside. Whoever hews away at you from roof, set his hew away with the sword with the short edge. If he is soft, then let your pommel go around and hit him with the thwart. But if he is hard, then don’t hit and take and turn him at his sword and work. Gloss note as it stands pictured below.</p>
 
| {{paget|Page:Cod.I.6.2º.2|34r|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|34r|jpg}}
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| [[File:Cod.I.6.2º.2 34v.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 34v.jpg|300px|center]]
 
| <p>[57] A set aside</p>
 
| <p>[57] A set aside</p>
  
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|-  
| [[File:Cod.I.6.2º.2 35r.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 35r.jpg|300px|center]]
 
| <p>[58] A set aside</p>
 
| <p>[58] A set aside</p>
  
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|-  
| [[File:Cod.I.6.2º.2 35v.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 35v.jpg|300px|center]]
 
| <p>[59] A set aside</p>
 
| <p>[59] A set aside</p>
  
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|-  
| [[File:Cod.I.6.2º.2 36r.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 36r.jpg|300px|center]]
 
| <p>[60] A set aside</p>
 
| <p>[60] A set aside</p>
  
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 36v.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 36v.jpg|300px|center]]
 
| <p>[61] A set aside</p>
 
| <p>[61] A set aside</p>
  
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 37r.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 37r.jpg|300px|center]]
 
| <p>[62] This is the first upper slice to the top of the arms and slice away the hardening fast and quickly with your technique and have eight and take the slice with force, and therefore to do, gloss note, as it stands pictured below.</p>
 
| <p>[62] This is the first upper slice to the top of the arms and slice away the hardening fast and quickly with your technique and have eight and take the slice with force, and therefore to do, gloss note, as it stands pictured below.</p>
 
| {{paget|Page:Cod.I.6.2º.2|37r|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|37r|jpg}}
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 37v.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 37v.jpg|300px|center]]
 
| <p>[63] This is the second upper slice, take it also with the long edge. Gloss note.</p>
 
| <p>[63] This is the second upper slice, take it also with the long edge. Gloss note.</p>
 
| {{paget|Page:Cod.I.6.2º.2|37v|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|37v|jpg}}
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 27r.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 27r.jpg|300px|center]]
 
| <p>[64] This is about the lower slice, the third, there slice away the hardening through both arms. Note that as it stands pictured above, and take that fast and soon away from there. Gloss note.</p>
 
| <p>[64] This is about the lower slice, the third, there slice away the hardening through both arms. Note that as it stands pictured above, and take that fast and soon away from there. Gloss note.</p>
 
| {{paget|Page:Cod.I.6.2º.2|27r|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|27r|jpg}}
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 27v.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 27v.jpg|300px|center]]
 
| <p>[65] This is the fourth slice. Take it also as you see in the picture below, and take him strong or soft as you want, and quickly away from there soon, and nimbly so that your slice completes to you. Gloss note.</p>
 
| <p>[65] This is the fourth slice. Take it also as you see in the picture below, and take him strong or soft as you want, and quickly away from there soon, and nimbly so that your slice completes to you. Gloss note.</p>
 
| {{paget|Page:Cod.I.6.2º.2|27v|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|27v|jpg}}
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 28r.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 28r.jpg|300px|center]]
 
| <p>[66] This is also an upper slice. Take it as you see it pictured above, and slice him away the hardening fast and quickly and away from there so that he does not follow you with the pursuit. Gloss note.</p>
 
| <p>[66] This is also an upper slice. Take it as you see it pictured above, and slice him away the hardening fast and quickly and away from there so that he does not follow you with the pursuit. Gloss note.</p>
 
| {{paget|Page:Cod.I.6.2º.2|28r|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|28r|jpg}}
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 28v.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 28v.jpg|300px|center]]
 
| <p>[67] Item: This is the old slice. The man in front drives it, take it thusly, and pull on him below through the right arm strong and long upwards and quickly away from there. Gloss note.</p>
 
| <p>[67] Item: This is the old slice. The man in front drives it, take it thusly, and pull on him below through the right arm strong and long upwards and quickly away from there. Gloss note.</p>
 
| {{paget|Page:Cod.I.6.2º.2|28v|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|28v|jpg}}
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 29r.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 29r.jpg|300px|center]]
 
| <p>[68] This is the other old slice to the other side. Take it thusly as it stands pictured above, and take it up quickly and behind away from there, so that he does not reach you. Gloss note.</p>
 
| <p>[68] This is the other old slice to the other side. Take it thusly as it stands pictured above, and take it up quickly and behind away from there, so that he does not reach you. Gloss note.</p>
 
| {{paget|Page:Cod.I.6.2º.2|29r|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|29r|jpg}}
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 29v.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 29v.jpg|300px|center]]
 
| <p>[69] This is about the hand press. The sword presses into the hands, and do this nimbly: turn your sword to flat through the hands. Gloss note.</p>
 
| <p>[69] This is about the hand press. The sword presses into the hands, and do this nimbly: turn your sword to flat through the hands. Gloss note.</p>
 
| {{paget|Page:Cod.I.6.2º.2|29v|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|29v|jpg}}
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 20r.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 20r.jpg|300px|center]]
 
| <p>[70] This is also a hand press. Take it thusly, and note: Take your sword and hit him to the opening and press him from you strong. Gloss note thereon, and realize it how he bares.</p>
 
| <p>[70] This is also a hand press. Take it thusly, and note: Take your sword and hit him to the opening and press him from you strong. Gloss note thereon, and realize it how he bares.</p>
 
| {{paget|Page:Cod.I.6.2º.2|20r|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|20r|jpg}}
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 20v.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 20v.jpg|300px|center]]
 
| <p>[71] This is about the hanging. Two hangings turn out of one hand from the other in all techniques, hew, stab, position, soft or hard with your technique, that is the hanging, which thwarts itself as you see it pictured above. Gloss note, that is a hanging on the one side, understand that precisely.</p>
 
| <p>[71] This is about the hanging. Two hangings turn out of one hand from the other in all techniques, hew, stab, position, soft or hard with your technique, that is the hanging, which thwarts itself as you see it pictured above. Gloss note, that is a hanging on the one side, understand that precisely.</p>
 
| {{paget|Page:Cod.I.6.2º.2|20v|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|20v|jpg}}
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|-  
 
|-  
| [[File:Cgm 3711 37r.jpg|200px|center|link=http://daten.digitale-sammlungen.de/bsb00064546/image_113]]
+
| [[File:Cgm 3711 37r.jpg|300px|center|link=http://daten.digitale-sammlungen.de/bsb00064546/image_113]]
 
| <p>[72] Item: This is another hanging on the other side. He does it with the short sword and raises the point that faces downward, as you see it pictured above, and are the two hangings, two good parries to all things. Gloss note.</p>
 
| <p>[72] Item: This is another hanging on the other side. He does it with the short sword and raises the point that faces downward, as you see it pictured above, and are the two hangings, two good parries to all things. Gloss note.</p>
 
| {{paget|Page:Cod.I.6.2º.2|21r|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|21r|jpg}}
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 21v.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 21v.jpg|300px|center]]
 
| <p>[73] The broken window</p>
 
| <p>[73] The broken window</p>
  
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 22r.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 22r.jpg|300px|center]]
 
| <p>[74] A long point</p>
 
| <p>[74] A long point</p>
  
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 22v.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 22v.jpg|300px|center]]
 
| <p>[75] This is the second secret point, take that as you see it pictured above, it also goes to the face. Therefore note on and search for what is good from it.</p>
 
| <p>[75] This is the second secret point, take that as you see it pictured above, it also goes to the face. Therefore note on and search for what is good from it.</p>
 
| {{paget|Page:Cod.I.6.2º.2|22v|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|22v|jpg}}
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 23r.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 23r.jpg|300px|center]]
 
| <p>[76] This is the third secret point, and is a false point. Note it as it stands pictured above. You may also take the going-through or change through as you want. Take the going-through thusly: go through to him with the point below. Gloss note.</p>
 
| <p>[76] This is the third secret point, and is a false point. Note it as it stands pictured above. You may also take the going-through or change through as you want. Take the going-through thusly: go through to him with the point below. Gloss note.</p>
 
| {{paget|Page:Cod.I.6.2º.2|23r|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|23r|jpg}}
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 23v.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 23v.jpg|300px|center]]
 
| <p>[77] This is the fourth false point. Take it thusly as you see it pictured above, and he gets the sword through to him from the hand, and is also a good point and realize and note on it, as you see it pictured above.</p>
 
| <p>[77] This is the fourth false point. Take it thusly as you see it pictured above, and he gets the sword through to him from the hand, and is also a good point and realize and note on it, as you see it pictured above.</p>
 
| {{paget|Page:Cod.I.6.2º.2|23v|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|23v|jpg}}
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 13r.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 13r.jpg|300px|center]]
 
| <p>[78] This is again a false point, and a false step. Take it as you see it pictured above, and when he falls onto your sword, wind on with your sword, thus you stand in the long parry. Gloss note.</p>
 
| <p>[78] This is again a false point, and a false step. Take it as you see it pictured above, and when he falls onto your sword, wind on with your sword, thus you stand in the long parry. Gloss note.</p>
 
| {{paget|Page:Cod.I.6.2º.2|13r|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|13r|jpg}}
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 13v.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 13v.jpg|300px|center]]
 
| <p>[79] He stands in the unicorn</p>
 
| <p>[79] He stands in the unicorn</p>
  
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 15r.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 15r.jpg|300px|center]]
 
| <p>[80] Item: This is the crown. He holds his sword armed in the hand nicely, and realize it already with the crown, it is good in all scales, to all defenses, and be strong in it or weak as you want. Gloss note.</p>
 
| <p>[80] Item: This is the crown. He holds his sword armed in the hand nicely, and realize it already with the crown, it is good in all scales, to all defenses, and be strong in it or weak as you want. Gloss note.</p>
 
| {{paget|Page:Cod.I.6.2º.2|15r|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|15r|jpg}}
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 15v.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 15v.jpg|300px|center]]
 
| <p>[81] This is the slice through the crown, and take that all right as you see it pictured, in all things, if you want to make a slice. Gloss note nicely on the slice in the crown.</p>
 
| <p>[81] This is the slice through the crown, and take that all right as you see it pictured, in all things, if you want to make a slice. Gloss note nicely on the slice in the crown.</p>
 
| {{paget|Page:Cod.I.6.2º.2|15v|jpg}}
 
| {{paget|Page:Cod.I.6.2º.2|15v|jpg}}
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|-  
 
|-  
| [[File:Cod.I.6.2º.2 41r.jpg|200px|center]]
+
| [[File:Cod.I.6.2º.2 41r.jpg|300px|center]]
 
| <p>[82] Item: This is the break onto the crown, there note all right as you see it pictured, and he raises sword upwards, it breaks the crown with the grasping at the sword with the cross, look upon it, because he wrenches the crown away to him. Gloss note.</p>
 
| <p>[82] Item: This is the break onto the crown, there note all right as you see it pictured, and he raises sword upwards, it breaks the crown with the grasping at the sword with the cross, look upon it, because he wrenches the crown away to him. Gloss note.</p>
  
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{{master begin
 
{{master begin
 
  | title = Short Sword
 
  | title = Short Sword
  | width = 272em
+
  | width = 294em
 
}}
 
}}
 
{| class="floated master"
 
{| class="floated master"
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|-  
 
|-  
| [[File:Cod.I.6.4º.5 Ir.jpg|200px|center]]
+
| [[File:Cod.I.6.4º.5 Ir.jpg|300px|center]]
 
| <p>[1] Here stand three persons, one rich, one strong, one weak.</p>
 
| <p>[1] Here stand three persons, one rich, one strong, one weak.</p>
  
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|-  
 
|-  
| [[File:Cod.I.6.4º.5 Iv.jpg|200px|center]]
+
| [[File:Cod.I.6.4º.5 Iv.jpg|300px|center]]
 
| <p>[2] Help [me], Lord, thou Eternal Word; help [the body] here, the soul there.<ref>The statement as given in the treatises of [[Paulus Kal]] and [[Hans Talhoffer]] is "God, thou Eternal Word, help the body here, the soul there". See [[Page:MS 1825 05v.jpg|MS 1825, fol. 5v]], [[Page:MS Chart.A.558 002r.png|MS Chart.A.558, fol. 2r]], and [[Page:Ms.XIX.17-3 02r.png|Ms.XIX.17-3, fol. 2r]].</ref></p>
 
| <p>[2] Help [me], Lord, thou Eternal Word; help [the body] here, the soul there.<ref>The statement as given in the treatises of [[Paulus Kal]] and [[Hans Talhoffer]] is "God, thou Eternal Word, help the body here, the soul there". See [[Page:MS 1825 05v.jpg|MS 1825, fol. 5v]], [[Page:MS Chart.A.558 002r.png|MS Chart.A.558, fol. 2r]], and [[Page:Ms.XIX.17-3 02r.png|Ms.XIX.17-3, fol. 2r]].</ref></p>
 
|  
 
|  
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|-  
 
|-  
| [[File:Cod.I.6.2º.3 01r.png|200px|center]]
+
| [[File:Cod.I.6.2º.3 01r.png|300px|center]]
 
| <p>[3] Here the master introduces his lord into the list, and thus should he hold himself.</p>
 
| <p>[3] Here the master introduces his lord into the list, and thus should he hold himself.</p>
 
| {{section|Page:Cod.I.6.2º.3 01r.png|2|lbl=01r}}
 
| {{section|Page:Cod.I.6.2º.3 01r.png|2|lbl=01r}}
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|-  
 
|-  
| [[File:Cod.I.6.2º.3 01v.png|200px|center]]
+
| [[File:Cod.I.6.2º.3 01v.png|300px|center]]
 
| <p>[4] </p>
 
| <p>[4] </p>
 
| {{paget|Page:Cod.I.6.2º.3|01v|png}}
 
| {{paget|Page:Cod.I.6.2º.3|01v|png}}
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|-  
 
|-  
| [[File:Cod.I.6.2º.3 02r.png|200px|center]]
+
| [[File:Cod.I.6.2º.3 02r.png|300px|center]]
 
| <p>[5] </p>
 
| <p>[5] </p>
 
| {{paget|Page:Cod.I.6.2º.3|02r|png}}
 
| {{paget|Page:Cod.I.6.2º.3|02r|png}}
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|-  
 
|-  
| [[File:Cod.I.6.2º.3 02v.png|200px|center]]
+
| [[File:Cod.I.6.2º.3 02v.png|300px|center]]
 
| <p>[6] </p>
 
| <p>[6] </p>
 
| {{paget|Page:Cod.I.6.2º.3|02v|png}}
 
| {{paget|Page:Cod.I.6.2º.3|02v|png}}
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|-  
 
|-  
| [[File:Cod.I.6.2º.3 03r.png|200px|center]]
+
| [[File:Cod.I.6.2º.3 03r.png|300px|center]]
 
| <p>[7] </p>
 
| <p>[7] </p>
 
| {{paget|Page:Cod.I.6.2º.3|03r|png}}
 
| {{paget|Page:Cod.I.6.2º.3|03r|png}}
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|-  
 
|-  
| [[File:Cod.I.6.2º.3 03v.png|200px|center]]
+
| [[File:Cod.I.6.2º.3 03v.png|300px|center]]
 
| <p>[8] </p>
 
| <p>[8] </p>
 
| {{paget|Page:Cod.I.6.2º.3|03v|png}}
 
| {{paget|Page:Cod.I.6.2º.3|03v|png}}
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|-  
 
|-  
| [[File:Cod.I.6.2º.3 04r.png|200px|center]]
+
| [[File:Cod.I.6.2º.3 04r.png|300px|center]]
 
| <p>[9] </p>
 
| <p>[9] </p>
 
| {{paget|Page:Cod.I.6.2º.3|04r|png}}
 
| {{paget|Page:Cod.I.6.2º.3|04r|png}}
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|-  
 
|-  
| [[File:Cod.I.6.2º.3 04v.png|200px|center]]
+
| [[File:Cod.I.6.2º.3 04v.png|300px|center]]
 
| <p>[10] </p>
 
| <p>[10] </p>
 
| {{paget|Page:Cod.I.6.2º.3|04v|png}}
 
| {{paget|Page:Cod.I.6.2º.3|04v|png}}
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| [[File:Cod.I.6.2º.3 05r.png|200px|center]]
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| [[File:Cod.I.6.2º.3 05r.png|300px|center]]
 
| <p>[11] </p>
 
| <p>[11] </p>
 
| {{paget|Page:Cod.I.6.2º.3|05r|png}}
 
| {{paget|Page:Cod.I.6.2º.3|05r|png}}
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|-  
| [[File:Cod.I.6.2º.3 05v.png|200px|center]]
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| [[File:Cod.I.6.2º.3 05v.png|300px|center]]
 
| <p>[12] </p>
 
| <p>[12] </p>
 
| {{paget|Page:Cod.I.6.2º.3|05v|png}}
 
| {{paget|Page:Cod.I.6.2º.3|05v|png}}
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|-  
| [[File:Cod.I.6.2º.3 06r.png|200px|center]]
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| [[File:Cod.I.6.2º.3 06r.png|300px|center]]
 
| <p>[13] </p>
 
| <p>[13] </p>
 
| {{paget|Page:Cod.I.6.2º.3|06r|png}}
 
| {{paget|Page:Cod.I.6.2º.3|06r|png}}
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|-  
| [[File:Cod.I.6.2º.3 06v.png|200px|center]]
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| <p>[14] </p>
 
| <p>[14] </p>
 
| {{paget|Page:Cod.I.6.2º.3|06v|png}}
 
| {{paget|Page:Cod.I.6.2º.3|06v|png}}
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|-  
| [[File:Cod.I.6.2º.3 07r.png|200px|center]]
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| [[File:Cod.I.6.2º.3 07r.png|300px|center]]
 
| <p>[15] </p>
 
| <p>[15] </p>
 
| {{paget|Page:Cod.I.6.2º.3|07r|png}}
 
| {{paget|Page:Cod.I.6.2º.3|07r|png}}
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|-  
| [[File:Cod.I.6.2º.3 07v.png|200px|center]]
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| [[File:Cod.I.6.2º.3 07v.png|300px|center]]
 
| <p>[16] </p>
 
| <p>[16] </p>
 
| {{paget|Page:Cod.I.6.2º.3|07v|png}}
 
| {{paget|Page:Cod.I.6.2º.3|07v|png}}
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|-  
| [[File:Cod.I.6.2º.3 08r.png|200px|center]]
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| [[File:Cod.I.6.2º.3 08r.png|300px|center]]
 
| <p>[17] </p>
 
| <p>[17] </p>
 
| {{paget|Page:Cod.I.6.2º.3|08r|png}}
 
| {{paget|Page:Cod.I.6.2º.3|08r|png}}
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|-  
| [[File:Cod.I.6.2º.3 08v.png|200px|center]]
+
| [[File:Cod.I.6.2º.3 08v.png|300px|center]]
 
| <p>[18] </p>
 
| <p>[18] </p>
 
| {{paget|Page:Cod.I.6.2º.3|08v|png}}
 
| {{paget|Page:Cod.I.6.2º.3|08v|png}}
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|-  
| [[File:Cod.I.6.2º.3 09r.png|200px|center]]
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| [[File:Cod.I.6.2º.3 09r.png|300px|center]]
 
| <p>[19] </p>
 
| <p>[19] </p>
 
| {{paget|Page:Cod.I.6.2º.3|09r|png}}
 
| {{paget|Page:Cod.I.6.2º.3|09r|png}}
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|-  
| [[File:Cod.I.6.2º.3 09v.png|200px|center]]
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| [[File:Cod.I.6.2º.3 09v.png|300px|center]]
 
| <p>[20] </p>
 
| <p>[20] </p>
 
| {{paget|Page:Cod.I.6.2º.3|09v|png}}
 
| {{paget|Page:Cod.I.6.2º.3|09v|png}}
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|-  
| [[File:Cod.I.6.2º.3 10r.png|200px|center]]
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| [[File:Cod.I.6.2º.3 10r.png|300px|center]]
 
| <p>[21] </p>
 
| <p>[21] </p>
 
| {{paget|Page:Cod.I.6.2º.3|10r|png}}
 
| {{paget|Page:Cod.I.6.2º.3|10r|png}}
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|-  
| [[File:Cod.I.6.2º.3 10v.png|200px|center]]
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| [[File:Cod.I.6.2º.3 10v.png|300px|center]]
 
| <p>[22] </p>
 
| <p>[22] </p>
 
| {{paget|Page:Cod.I.6.2º.3|10v|png}}
 
| {{paget|Page:Cod.I.6.2º.3|10v|png}}
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|-  
| [[File:Cod.I.6.2º.3 11r.png|200px|center]]
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| [[File:Cod.I.6.2º.3 11r.png|300px|center]]
 
| <p>[23] </p>
 
| <p>[23] </p>
 
| {{paget|Page:Cod.I.6.2º.3|11r|png}}
 
| {{paget|Page:Cod.I.6.2º.3|11r|png}}
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|-  
| [[File:Cod.I.6.2º.3 11v.png|200px|center]]
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| [[File:Cod.I.6.2º.3 11v.png|300px|center]]
 
| <p>[24] </p>
 
| <p>[24] </p>
 
| {{paget|Page:Cod.I.6.2º.3|11v|png}}
 
| {{paget|Page:Cod.I.6.2º.3|11v|png}}
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|-  
 
|-  
| [[File:Cod.I.6.2º.3 12r.png|200px|center]]
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| [[File:Cod.I.6.2º.3 12r.png|300px|center]]
 
| <p>[25] </p>
 
| <p>[25] </p>
 
| {{paget|Page:Cod.I.6.2º.3|12r|png}}
 
| {{paget|Page:Cod.I.6.2º.3|12r|png}}
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|-  
 
|-  
| [[File:Cod.I.6.2º.3 12v.png|200px|center]]
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| [[File:Cod.I.6.2º.3 12v.png|300px|center]]
 
| <p>[26] </p>
 
| <p>[26] </p>
 
| {{paget|Page:Cod.I.6.2º.3|12v|png}}
 
| {{paget|Page:Cod.I.6.2º.3|12v|png}}
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|-  
 
|-  
| [[File:Cod.I.6.2º.3 13r.png|200px|center]]
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| [[File:Cod.I.6.2º.3 13r.png|300px|center]]
 
| <p>[27] </p>
 
| <p>[27] </p>
 
| {{paget|Page:Cod.I.6.2º.3|13r|png}}
 
| {{paget|Page:Cod.I.6.2º.3|13r|png}}
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|-  
| [[File:Cod.I.6.2º.3 13v.png|200px|center]]
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| [[File:Cod.I.6.2º.3 13v.png|300px|center]]
 
| <p>[28] </p>
 
| <p>[28] </p>
 
| {{paget|Page:Cod.I.6.2º.3|13v|png}}
 
| {{paget|Page:Cod.I.6.2º.3|13v|png}}
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|-  
| [[File:Cod.I.6.2º.3 14r.png|200px|center]]
+
| [[File:Cod.I.6.2º.3 14r.png|300px|center]]
 
| <p>[29] </p>
 
| <p>[29] </p>
 
| {{paget|Page:Cod.I.6.2º.3|14r|png}}
 
| {{paget|Page:Cod.I.6.2º.3|14r|png}}
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|-  
| [[File:Cod.I.6.2º.3 14v.png|200px|center]]
+
| [[File:Cod.I.6.2º.3 14v.png|300px|center]]
 
| <p>[30] </p>
 
| <p>[30] </p>
 
| {{paget|Page:Cod.I.6.2º.3|14v|png}}
 
| {{paget|Page:Cod.I.6.2º.3|14v|png}}
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|-  
| [[File:Cod.I.6.2º.3 15r.png|200px|center]]
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| [[File:Cod.I.6.2º.3 15r.png|300px|center]]
 
| <p>[31] </p>
 
| <p>[31] </p>
 
| {{paget|Page:Cod.I.6.2º.3|15r|png}}
 
| {{paget|Page:Cod.I.6.2º.3|15r|png}}
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|-  
| [[File:Cod.I.6.2º.3 15v.png|200px|center]]
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| [[File:Cod.I.6.2º.3 15v.png|300px|center]]
 
| <p>[32] </p>
 
| <p>[32] </p>
 
| {{paget|Page:Cod.I.6.2º.3|15v|png}}
 
| {{paget|Page:Cod.I.6.2º.3|15v|png}}
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|-  
| [[File:Cod.I.6.2º.3 16r.png|200px|center]]
+
| [[File:Cod.I.6.2º.3 16r.png|300px|center]]
 
| <p>[33] </p>
 
| <p>[33] </p>
 
| {{paget|Page:Cod.I.6.2º.3|16r|png}}
 
| {{paget|Page:Cod.I.6.2º.3|16r|png}}
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|-  
| [[File:Cod.I.6.2º.3 16v.png|200px|center]]
+
| [[File:Cod.I.6.2º.3 16v.png|300px|center]]
 
| <p>[34] </p>
 
| <p>[34] </p>
 
| {{paget|Page:Cod.I.6.2º.3|16v|png}}
 
| {{paget|Page:Cod.I.6.2º.3|16v|png}}
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|-  
| [[File:Cod.I.6.2º.3 17r.png|200px|center]]
+
| [[File:Cod.I.6.2º.3 17r.png|300px|center]]
 
| <p>[35] </p>
 
| <p>[35] </p>
 
| {{paget|Page:Cod.I.6.2º.3|17r|png}}
 
| {{paget|Page:Cod.I.6.2º.3|17r|png}}
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|-  
| [[File:Cod.I.6.2º.3 17v.png|200px|center]]
+
| [[File:Cod.I.6.2º.3 17v.png|300px|center]]
 
| <p>[36] </p>
 
| <p>[36] </p>
 
| {{paget|Page:Cod.I.6.2º.3|17v|png}}
 
| {{paget|Page:Cod.I.6.2º.3|17v|png}}
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|-  
| [[File:Cod.I.6.2º.3 18r.png|200px|center]]
+
| [[File:Cod.I.6.2º.3 18r.png|300px|center]]
 
| <p>[37] </p>
 
| <p>[37] </p>
 
| {{paget|Page:Cod.I.6.2º.3|18r|png}}
 
| {{paget|Page:Cod.I.6.2º.3|18r|png}}
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|-  
| [[File:Cod.I.6.2º.3 18v.png|200px|center]]
+
| [[File:Cod.I.6.2º.3 18v.png|300px|center]]
 
| <p>[38] </p>
 
| <p>[38] </p>
 
| {{paget|Page:Cod.I.6.2º.3|18v|png}}
 
| {{paget|Page:Cod.I.6.2º.3|18v|png}}
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|-  
| [[File:Cod.I.6.2º.3 19r.png|200px|center]]
+
| [[File:Cod.I.6.2º.3 19r.png|300px|center]]
 
| <p>[39] </p>
 
| <p>[39] </p>
 
| {{paget|Page:Cod.I.6.2º.3|19r|png}}
 
| {{paget|Page:Cod.I.6.2º.3|19r|png}}
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|-  
| [[File:Cod.I.6.2º.3 19v.png|200px|center]]
+
| [[File:Cod.I.6.2º.3 19v.png|300px|center]]
 
| <p>[40] </p>
 
| <p>[40] </p>
 
| {{paget|Page:Cod.I.6.2º.3|19v|png}}
 
| {{paget|Page:Cod.I.6.2º.3|19v|png}}
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|-  
| [[File:Cod.I.6.2º.3 20r.png|200px|center]]
+
| [[File:Cod.I.6.2º.3 20r.png|300px|center]]
 
| <p>[41] </p>
 
| <p>[41] </p>
 
| {{paget|Page:Cod.I.6.2º.3|20r|png}}
 
| {{paget|Page:Cod.I.6.2º.3|20r|png}}
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|-  
| [[File:Cod.I.6.2º.3 20v.png|200px|center]]
+
| [[File:Cod.I.6.2º.3 20v.png|300px|center]]
 
| <p>[42] </p>
 
| <p>[42] </p>
 
| {{paget|Page:Cod.I.6.2º.3|20v|png}}
 
| {{paget|Page:Cod.I.6.2º.3|20v|png}}
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|-  
 
|-  
| [[File:Cod.I.6.2º.3 21r.png|200px|center]]
+
| [[File:Cod.I.6.2º.3 21r.png|300px|center]]
 
| <p>[43] </p>
 
| <p>[43] </p>
 
| {{paget|Page:Cod.I.6.2º.3|21r|png}}
 
| {{paget|Page:Cod.I.6.2º.3|21r|png}}
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|-  
 
|-  
| [[File:Cod.I.6.2º.3 21v.png|200px|center]]
+
| [[File:Cod.I.6.2º.3 21v.png|300px|center]]
 
| <p>[44] </p>
 
| <p>[44] </p>
 
| {{paget|Page:Cod.I.6.2º.3|21v|png}}
 
| {{paget|Page:Cod.I.6.2º.3|21v|png}}
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|-  
| [[File:Cod.I.6.2º.3 22r.png|200px|center]]
+
| [[File:Cod.I.6.2º.3 22r.png|300px|center]]
 
| <p>[45] </p>
 
| <p>[45] </p>
 
| {{paget|Page:Cod.I.6.2º.3|22r|png}}
 
| {{paget|Page:Cod.I.6.2º.3|22r|png}}
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|-  
| [[File:Cod.I.6.2º.3 22v.png|200px|center]]
+
| [[File:Cod.I.6.2º.3 22v.png|300px|center]]
 
| <p>[46] </p>
 
| <p>[46] </p>
 
| {{paget|Page:Cod.I.6.2º.3|22v|png}}
 
| {{paget|Page:Cod.I.6.2º.3|22v|png}}
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|-  
| [[File:Cod.I.6.2º.3 23r.png|200px|center]]
+
| [[File:Cod.I.6.2º.3 23r.png|300px|center]]
 
| <p>[47] </p>
 
| <p>[47] </p>
 
| {{paget|Page:Cod.I.6.2º.3|23r|png}}
 
| {{paget|Page:Cod.I.6.2º.3|23r|png}}
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|-  
 
|-  
| [[File:Cod.I.6.2º.3 23v.png|200px|center]]
+
| [[File:Cod.I.6.2º.3 23v.png|300px|center]]
 
| <p>[48] </p>
 
| <p>[48] </p>
 
| {{paget|Page:Cod.I.6.2º.3|23v|png}}
 
| {{paget|Page:Cod.I.6.2º.3|23v|png}}
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|-  
 
|-  
| [[File:Cod.I.6.2º.3 24r.png|200px|center]]
+
| [[File:Cod.I.6.2º.3 24r.png|300px|center]]
 
| <p>[49] </p>
 
| <p>[49] </p>
 
| {{paget|Page:Cod.I.6.2º.3|24r|png}}
 
| {{paget|Page:Cod.I.6.2º.3|24r|png}}
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|-  
 
|-  
| [[File:Cod.I.6.2º.3 24v.png|200px|center]]
+
| [[File:Cod.I.6.2º.3 24v.png|300px|center]]
 
| <p>[50] </p>
 
| <p>[50] </p>
 
| {{paget|Page:Cod.I.6.2º.3|24v|png}}
 
| {{paget|Page:Cod.I.6.2º.3|24v|png}}
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|-  
 
|-  
| [[File:Cod.I.6.2º.3 25r.png|200px|center]]
+
| [[File:Cod.I.6.2º.3 25r.png|300px|center]]
 
| <p>[51] </p>
 
| <p>[51] </p>
 
| {{paget|Page:Cod.I.6.2º.3|25r|png}}
 
| {{paget|Page:Cod.I.6.2º.3|25r|png}}
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{{master begin
 
{{master begin
 
  | title = Mounted Fencing
 
  | title = Mounted Fencing
  | width = 272em
+
  | width = 294em
 
}}
 
}}
 
{| class="floated master"
 
{| class="floated master"
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|-  
 
|-  
| [[File:Cod.I.6.2º.3 26r.png|200px|center]]
+
| [[File:Cod.I.6.2º.3 26r.png|300px|center]]
 
| <p>[1]</p>
 
| <p>[1]</p>
 
| {{paget|Page:Cod.I.6.2º.3|26r|png}}
 
| {{paget|Page:Cod.I.6.2º.3|26r|png}}
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|-  
 
|-  
| [[File:Cod.I.6.2º.3 26v.png|200px|center]]
+
| [[File:Cod.I.6.2º.3 26v.png|300px|center]]
 
| <p>[2]</p>
 
| <p>[2]</p>
 
| {{paget|Page:Cod.I.6.2º.3|26v|png}}
 
| {{paget|Page:Cod.I.6.2º.3|26v|png}}
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|-  
 
|-  
| [[File:Cod.I.6.2º.3 27r.png|200px|center]]
+
| [[File:Cod.I.6.2º.3 27r.png|300px|center]]
 
| <p>[3]</p>
 
| <p>[3]</p>
 
| {{paget|Page:Cod.I.6.2º.3|27r|png}}
 
| {{paget|Page:Cod.I.6.2º.3|27r|png}}
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|-  
 
|-  
| [[File:Cod.I.6.4º.5 28r.jpg|200px|center]]
+
| [[File:Cod.I.6.4º.5 28r.jpg|300px|center]]
 
| <p>[4]</p>
 
| <p>[4]</p>
 
|  
 
|  
Line 1,758: Line 1,758:
  
 
|-  
 
|-  
| [[File:Cod.I.6.4º.5 28v.jpg|200px|center]]
+
| [[File:Cod.I.6.4º.5 28v.jpg|300px|center]]
 
| <p>[5]</p>
 
| <p>[5]</p>
 
|  
 
|  
Line 1,770: Line 1,770:
  
 
|-  
 
|-  
| [[File:Cod.I.6.2º.3 27v.png|200px|center]]
+
| [[File:Cod.I.6.2º.3 27v.png|300px|center]]
 
| <p>[6]</p>
 
| <p>[6]</p>
 
| {{paget|Page:Cod.I.6.2º.3|27v|png}}
 
| {{paget|Page:Cod.I.6.2º.3|27v|png}}
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|-  
 
|-  
| [[File:Cod.I.6.2º.3 28r.png|200px|center]]
+
| [[File:Cod.I.6.2º.3 28r.png|300px|center]]
 
| <p>[7]</p>
 
| <p>[7]</p>
 
| {{paget|Page:Cod.I.6.2º.3|28r|png}}
 
| {{paget|Page:Cod.I.6.2º.3|28r|png}}
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|-  
 
|-  
| [[File:Cod.I.6.2º.3 28v.png|200px|center]]
+
| [[File:Cod.I.6.2º.3 28v.png|300px|center]]
 
| <p>[8]</p>
 
| <p>[8]</p>
 
| {{paget|Page:Cod.I.6.2º.3|28v|png}}
 
| {{paget|Page:Cod.I.6.2º.3|28v|png}}
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|-  
 
|-  
| [[File:Cod.I.6.2º.3 29r.png|200px|center]]
+
| [[File:Cod.I.6.2º.3 29r.png|300px|center]]
 
| <p>[9]</p>
 
| <p>[9]</p>
 
| {{paget|Page:Cod.I.6.2º.3|29r|png}}
 
| {{paget|Page:Cod.I.6.2º.3|29r|png}}
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|-  
 
|-  
| [[File:Cod.I.6.2º.3 29v.png|200px|center]]
+
| [[File:Cod.I.6.2º.3 29v.png|300px|center]]
 
| <p>[10]</p>
 
| <p>[10]</p>
 
| {{paget|Page:Cod.I.6.2º.3|29v|png}}
 
| {{paget|Page:Cod.I.6.2º.3|29v|png}}
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Revision as of 00:16, 24 August 2017

Jörg Wilhalm Hutter
Born 15th century
Died 16th century
Occupation
Citizenship Augsburg, Germany
Movement Augsburg tradition
Influences
Influenced
Genres Fencing manual
Language Early New High German
Notable work(s) Jörg Wilhalm Hutters kunst zu
Augspurg
Archetype(s)
Manuscript(s)
Concordance by Michael Chidester
Signature Jörg Wilhalm Hutter sig.jpg

Jörg Wilhalm Hutter was a 16th century German fencing master. In addition to his fencing practice, his surname signifies that he was a hatter by trade, a fact that is confirmed in the tax records of Augsburg, Germany in 1501, 1504, and 1516.[citation needed]

Manuscripts

Four works are commonly attributed to Hutter: on unarmored long sword fencing in the tradition of Johannes Liechtenauer, on armored and mounted dueling that appear to be based on those of the early 15th century (relying on armor designs that were obsolete by the 1520s), and a series of 32 uncaptioned illustrations portraying scenes of judicial combat. However, it is unclear if Hutter authored all of these works or, like Lienhart Sollinger and Paulus Hector Mair after him, merely compiled existing works together and placed his name on them as an owner's mark. The development of the armored dueling treatises can be traced through a draftbook and rough early annotated copy, but the same is not true of the unarmored long sword fencing, which appears to be based on the MS Cl. 23842 from the 1480s-90s and is accompanied by a version of the pseudo-Peter von Danzig gloss that Gregor Erhart attributes to one Nicolaüs and dates to 1489.[1]

There are three extant manuscripts of Hutter's treatises created between 1522 and 1523, all now residing in Augsburg (along with most of the rest of Paulus Hector Mair's collection). The apparent oldest of Hutter's manuscripts, Cod.I.6.4º.5,[2] consists of numbered but uncaptioned illustrations of armored dueling on horse and on foot, and is dated to 1522. The same year saw the completion of the Cod.I.6.2º.3, which includes the same illustrations but adds written instructions to the plays; for this reason, Hils assumed the former was the draftbook used to develop the latter.[citation needed] In 1523, Hutter seems to have created an accompanying long sword treatise, preserved in the Cod.I.6.2º.2.

Some time soon after this, all three of Hutter's prior works, along a new series of 32 uncaptioned illustrations of dueling, were compiled into the Cgm 3711. This manuscript has some oddities not found in the others, including carnival costumes on some of the fighters and a pretzel salesman appearing in the illustration on folio 11r. It's currently unclear whether Hutter was involved in the creation of this manuscript or not, but it appears to be a presentation copy of the collected works and includes content unique to each of the three earlier manuscripts. Hutter's long sword treatise was also copied by sculptor Gregor Erhart into the MS E.1939.65.354 in 1533, though it's currently unclear which source he based it on.

Most copies of Hutter's treatises were eventually acquired by Freifechter and collector Lienhart Sollinger. Cgm 3711 was a source for his Cgm 3712 (1556) and Cod.Guelf.38.21 Aug.2º (1588), and the former also seems to have drawn heavily from MS E.1939.65.354. Sollinger, in turn, sold several of these works to Paulus Hector Mair: the Cod.I.6.2º.2 in 1544, the Cod.I.6.4º.5 in 1552, the MS E.1939.65.354 in 1560, and the Cod.I.6.2º.3 in 1561. Hutter's draftbook in particular was apparently used as the primary source for Mair's writings on armored dueling (preserved in three manuscripts in the 1540s and 50s); owing to its lack of text, Mair inserted his own descriptions of the plays—descriptions which diverge noticeably from Hutter's own explanations.

A final set of three copies of Hutter's work, including Cod.Guelf.1.6.3 Aug.2º, Cod.Guelf.79.2 Aug.2º, and MS KK5247, were prepared by Jeremias Schemel von Augsburg at the end of the 16th century as part of a massive compilation of treatises on horsemanship which also included discussion of riding, dressage, and jousting. These manuscripts contain Hutter's original text (unlike Mair's version), but the elaborate artwork includes details from multiple prior versions of Hutter's work, suggesting that Schemel's source manuscript may remain to be discovered.

Treatise

Additional Resources

References

  1. MS E.1939.65.354, folio 189r; this is itself a heavily-abridged copy of branch C of the gloss, found in its complete form only in MS KK5126 (1480s).
  2. Generally we refer to manuscripts by their locations for ease of communication, but with three of the ten manuscripts in Augsburg, three in Wolfenbüttel, and two in Munich, that's not really feasible here.
  3. windest
  4. korrigiert aus »halben«
  5. from ehert
  6. loss
  7. Treibn?
  8. Meaning as though armored
  9. At the end of the first line “zwiuach” is written with an “h” which is a scribal error.
  10. Note: different hand
  11. Same hand as previous.
  12. Change in scribe's hand?
  13. schnidt
  14. Change in hand
  15. With a good intention/forethought
  16. Disappears into the margin.
  17. The rest of the paragraph is cut off.
  18. The statement as given in the treatises of Paulus Kal and Hans Talhoffer is "God, thou Eternal Word, help the body here, the soul there". See MS 1825, fol. 5v, MS Chart.A.558, fol. 2r, and Ms.XIX.17-3, fol. 2r.
  19. Word disappears into margin.
  20. unleserliche Notiz zweier Wörter am unteren Seitenrand
  21. The last word disappears partly in trimming.
  22. The rest of the text is badly damaged at the bottom, disappears in the trimming and is not decipherable.
  23. The text disappears in trimming and is not decipherable.
  24. The rest of the text disappears in trimming and is not decipherable.
  25. The text disappears in trimming and is not decipherable.
  26. The text disappears in trimming.
  27. The rest of the text disappears in trimming and is not decipherable.
  28. The text disappears in trimming and is not decipherable.
  29. The text disappears in trimming and is not decipherable.
  30. The text disappears in trimming and is not decipherable.
  31. The rest of the text disappears in trimming and is not decipherable.
  32. In a second hand.
  33. In a third hand.
  34. In a different hand.
  35. In a different hand.
  36. korrigiert aus »mich«
  37. korrigiert aus »tengke«
  38. Notiz Mairs
  39. Notiz Mairs
  40. At the lower edge are remnants of a line written by another hand, but which is unreadable and lost to a later recutting of the manuscript.