Wiktenauer logo.png

Difference between revisions of "Pseudo-Peter von Danzig"

From Wiktenauer
Jump to navigation Jump to search
Line 21: Line 21:
 
| state of existence    =  
 
| state of existence    =  
 
<!----------Manuscript Information---------->
 
<!----------Manuscript Information---------->
| genre                = {{plainlist | [[Fencing manual]] | [[Wrestling manual]] }}
+
| genre                = {{plainlist
 +
| [[Fencing manual]]
 +
| [[Wrestling manual]]
 +
}}
 
| series                =  
 
| series                =  
 
| archetype(s)          = Hypothetical
 
| archetype(s)          = Hypothetical
| principal manuscript(s)= {{collapsible list
+
| principal manuscript(s)={{collapsible list
 
  | [[Codex Danzig (Cod.44.A.8)|Cod. 44.A.8]] (1452)
 
  | [[Codex Danzig (Cod.44.A.8)|Cod. 44.A.8]] (1452)
 
  | [[Codex Lew (Cod.I.6.4º.3)|Cod. I.6.4º.3]] (1450s)
 
  | [[Codex Lew (Cod.I.6.4º.3)|Cod. I.6.4º.3]] (1450s)
Line 44: Line 47:
 
| wiktenauer compilation by=[[Michael Chidester]]
 
| wiktenauer compilation by=[[Michael Chidester]]
 
| translations          = {{collapsible list
 
| translations          = {{collapsible list
  | title = List of translations
+
  | {{French translation|http://ardamhe.free.fr/biblio/Tetraptyque.pdf|1}}
| 1    = {{French translation|http://ardamhe.free.fr/biblio/Tetraptyque.pdf|1}}
+
  | {{German translation|http://www.hammaborg.de/en/transkriptionen/peter_von_danzig/index.php|1}}
  | 2    = {{German translation|http://www.hammaborg.de/en/transkriptionen/peter_von_danzig/index.php|1}}
+
  | {{Hungarian translation|Pseudo-Peter von Danzig/Hungarian|2}}
  | 3    = {{Hungarian translation|Pseudo-Peter von Danzig/Hungarian|2}}
+
  | {{Slovak translation|http://fecht-kunst.eu/files/HansVonSpeyer_1.4.pdf|1}}
  | 4    = {{Slovak translation|http://fecht-kunst.eu/files/HansVonSpeyer_1.4.pdf|1}}
+
  | {{Spanish translation|http://www.aveh.eu/documentos/EdadMedia/TETRAPTICOV.pdf|1}}
  | 5    = {{Spanish translation|http://www.aveh.eu/documentos/EdadMedia/TETRAPTICOV.pdf|1}}
 
 
}}
 
}}
 
| below                =  
 
| below                =  
Line 55: Line 57:
 
'''"Pseudo-Peter von Danzig"''' is the name given to an anonymous late 14th or early [[century::15th century]] [[nationality::German]] [[fencing master]].<ref>This name stems from the false assumption of many 20th century writers identifying him with [[Peter von Danzig zum Ingolstadt]].</ref> Some time before the creation of the [[Codex Danzig (Cod.44.A.8)|Codex 44.A.8]] in 1452, he authored a [[gloss]] of [[Johannes Liechtenauer]]'s [[Recital]] (''Zettel'') which would go on to become the most widespread in the tradition. While his identity remains unknown, it is possible that he was in fact [[Jud Lew]] or [[Sigmund Schining ein Ringeck]], both of whose glosses show strong similarities to the work. On the other hand, the introduction to the Rome version of the text—the oldest currently extant—might be construed as attributing it to Liechtenauer himself.
 
'''"Pseudo-Peter von Danzig"''' is the name given to an anonymous late 14th or early [[century::15th century]] [[nationality::German]] [[fencing master]].<ref>This name stems from the false assumption of many 20th century writers identifying him with [[Peter von Danzig zum Ingolstadt]].</ref> Some time before the creation of the [[Codex Danzig (Cod.44.A.8)|Codex 44.A.8]] in 1452, he authored a [[gloss]] of [[Johannes Liechtenauer]]'s [[Recital]] (''Zettel'') which would go on to become the most widespread in the tradition. While his identity remains unknown, it is possible that he was in fact [[Jud Lew]] or [[Sigmund Schining ein Ringeck]], both of whose glosses show strong similarities to the work. On the other hand, the introduction to the Rome version of the text—the oldest currently extant—might be construed as attributing it to Liechtenauer himself.
  
Early on in its history, this text seems to have split into two primary branches. The first branch, found in the Rome (1452), Krakow (1510-20), and Augsburg (1564) versions, has slightly longer descriptions and is always accompanied by illustrations. The second branch, appearing first in the Augsburg (1450s) and used in all extant versions except the three listed above, has shorter descriptions but a number of additional devices (some of which seem to be drawn directly from Ringeck's gloss).
+
== Treatise ==
  
== Treatise ==
+
Early on in its history, this text seems to have split into two primary branches. The first branch, found in the [[Codex Danzig (Cod.44.A.8)|Rome]] (1452), [[Goliath (MS Germ.Quart.2020)|Krakow]] (1510-20), and [[Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)|Augsburg II]] (1564) versions, has slightly longer descriptions for many devices and is always accompanied by illustrations. The second branch, appearing first in the [[Codex Lew (Cod.I.6.4º.3)|Augsburg I]] (1450s) and used in all extant versions except the three listed above, has shorter descriptions but a number of additional devices.
  
In order to achieve a greater degree of organization and readability, Liechtenauer's verse has been separated into its proper couplets in this presentation. The verse is laid out this way in the [[Codex Speyer (MS M.I.29)|Salzburg version]], but in most of the other manuscripts it is included inline.
+
In order to achieve a greater degree of organization and readability, Liechtenauer's verse has been separated into its proper couplets in this presentation. The verse is laid out this way in the Augsburg I and [[Codex Speyer (MS M.I.29)|Salzburg versions]], but in most of the other manuscripts it is included inline.
  
 
{{master begin
 
{{master begin

Revision as of 02:50, 2 October 2015

Gloss and Interpretation of
the Recital on the Long Sword
die gloss und die auslegung der zettel
des langen schwert
Author(s) Unknown
Ascribed to Pseudo-Peter von Danzig
Illustrated by Unknown
Date before 1452
Genre
Language Early New High German
Archetype(s) Hypothetical
Principal
Manuscript(s)
Manuscript(s)
First Printed
English Edition
Tobler, 2010
Concordance by Michael Chidester
Translations

"Pseudo-Peter von Danzig" is the name given to an anonymous late 14th or early 15th century German fencing master.[1] Some time before the creation of the Codex 44.A.8 in 1452, he authored a gloss of Johannes Liechtenauer's Recital (Zettel) which would go on to become the most widespread in the tradition. While his identity remains unknown, it is possible that he was in fact Jud Lew or Sigmund Schining ein Ringeck, both of whose glosses show strong similarities to the work. On the other hand, the introduction to the Rome version of the text—the oldest currently extant—might be construed as attributing it to Liechtenauer himself.

Treatise

Early on in its history, this text seems to have split into two primary branches. The first branch, found in the Rome (1452), Krakow (1510-20), and Augsburg II (1564) versions, has slightly longer descriptions for many devices and is always accompanied by illustrations. The second branch, appearing first in the Augsburg I (1450s) and used in all extant versions except the three listed above, has shorter descriptions but a number of additional devices.

In order to achieve a greater degree of organization and readability, Liechtenauer's verse has been separated into its proper couplets in this presentation. The verse is laid out this way in the Augsburg I and Salzburg versions, but in most of the other manuscripts it is included inline.

Additional Resources

References

  1. This name stems from the false assumption of many 20th century writers identifying him with Peter von Danzig zum Ingolstadt.
  2. cut, strike, slash, punch, beat
  3. well, very, quite, certainly, easily have, almost, in general
  4. on, to, upon, at, in
  5. reversed, inverted, perverse, incorrect
  6. Indes - Both within and during
  7. cut, struck, slashed, punched, beat
  8. reversed, inverted, perverse, incorrect
  9. reversed, inverted, perverse, incorrect
  10. Squint here means "an askew glance", referring to both the sword's direction of travel and also the use of deception with the eyes with this hew.