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|-  
 
|-  
| <p>[23] The second resting place is named the hanging point and is dual.</p>
+
| <p>[23] '''The''' second resting place is named the hanging point and is dual.</p>
 
{| class="zettel"
 
{| class="zettel"
 
|-  
 
|-  
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<br/>
 
<br/>
 
[[File:Egenolff 3.jpg|300px|center|thumb]]
 
[[File:Egenolff 3.jpg|300px|center|thumb]]
| <p>[28] </p>
+
| <p>[28] '''Four positions'''</p>
 
+
{| class="zettel"
<p><br/><br/><br/><br/></p>
+
|-
 
+
| <small>68</small>
<p>(after the ancient art) but to our ''rabischen'' and new art we have other</p>
+
| Four positions alone<br/>&emsp;Defend from those and eshew the common
 +
|-
 +
| <small>69</small>
 +
| Ox, plow, fool,<br/>&emsp;From-the-roof are not dispised by you
 +
|}
 +
<p>According to the old art, but according to our exquisite new art we have different names, but nonetheless it is one idea. High point, Hanging point, Iron door, Plow. They are manifold.</p>
 
|  
 
|  
 
| <p><br/></p>
 
| <p><br/></p>
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|-  
 
|-  
| <p>[29] GRABBING OVER</p>
+
| <p>[29] '''Overgripping'''</p>
  
<p>You may also take Over-Grabbing from the Highpoint, grab with your right hand over your cross onto the blade so that your fingers stay on the flat, if one strikes at you, strike against him with the strong so that you are over his and pull your flat to his right ear and lead high in the displacing.</p>
+
<p>You can also undertake overgripping from high point. Reach over your cross with your right hand into the blade such that your finger stands on the blade. If someone initiates a strike, strike against them with your strong such that you overwhelm their sword, keeping threat and suddenly withdraw your flat against their right ear and veer high into your act of parrying.</p>
 
|  
 
|  
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/21|2|lbl=14.2}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/21|2|lbl=14.2}}
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| <p>[30] '''Break'''</p>
 
| <p>[30] '''Break'''</p>
  
<p>When one would Over-Grab to you, offer him the strike and pull short, then strike long after or break him with the Failer or the Crown Strike, etc.</p>
+
<p>When someone overgrips, bait them with a strike and suddenly withdraw short, make a follow up strike long or else break it with a failer or a crown cut, etc.</p>
 
|  
 
|  
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/21|3|lbl=14.3}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/21|3|lbl=14.3}}
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|-  
 
|-  
| <p>[31] REMAINING</p>
+
| <p>[31] '''Remaining'''</p>
  
<p>Position yourself in the High Guard or Highpoint, and hew with the long edge to his left ear, and make as if you would pull this, but remain with the short edge on his left ear, thereafter pull and hew after with the long edge.</p>
+
<p>Position yourself in the high guard or high point, and cut to the opponent's left ear with your long edge, and act as if you will suddenly withdraw, but remain against their left ear with your short edge, thereafter suddenly withdraw and make a follow up cut with the long edge.</p>
 
|  
 
|  
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/21|4|lbl=14.4}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/21|4|lbl=14.4}}
Line 843: Line 848:
 
| <p>[32] '''Break'''</p>
 
| <p>[32] '''Break'''</p>
  
<p>When one would remain with the short edge on your left ear, thus remain also on the other side; if he pulls away first, he thus harms himself.</p>
+
<p>When someone remains with their short edge against your right ear, remain on the other side as well. If they indeed pull away first, then they strike themselves the same way.</p>
 
|  
 
|  
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/21|5|lbl=14.5}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/21|5|lbl=14.5}}
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|-  
 
|-  
| <p>[A] </p>
+
| <p>[B] Splendid! I have already figured out myself how<br/>&emsp;To displace to both places<ref>alt: points, ends</ref><br/>I preserve the before, yet not too long.<br/>&emsp;The openings will be wide open to me.<br/>No position will be good for you.<br/>&emsp;I hit you in the after from a carefree spirit.<br/>With it, I come swiftly to work<br/>&emsp;Just you wait until I bind you first.<br/></p>
 
|  
 
|  
 
|  
 
|  
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| [[File:Paurenfeyndt F.png|x250px|center]]
 
| [[File:Paurenfeyndt F.png|x250px|center]]
 
|}
 
|}
| <p>[33] FROM RUNNING OVER</p>
+
| <p>[33] '''About overrunning'''</p>
 +
{| class="zettel"
 +
|-
 +
| <small>80</small>
 +
| Whoever takes aim from below<br/>&emsp;Overrun it, they will be shamed.
 +
|-
 +
| <small>81</small>
 +
| When it clashes above,<br/>&emsp;Then dismount, This I will praise.
 +
|-
 +
| <small>82</small>
 +
| Make your work<br/>&emsp;Or press hard twice.
 +
|}
 
|  
 
|  
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/23|1|lbl=16.1}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/23|1|lbl=16.1}}
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|-  
 
|-  
| <p>[34] TRIANGLE</p>
+
| <p>[34] '''Triangle'''</p>
  
<p>Position yourself with crossed hands before your face; if one strikes wildly to you from the Highpoint, then turn your hand out from under and step in with a false step and displace after, that he is torn out with your flat, thereafter step and strike after with the long edge.</p>
+
<p>Position yourself with braced hands in front of your face. If someone strikes the buffalo from high point, twist your hands up from below and step into a false step and shield yourself short such that they roll down your flat, thereafter make a follow up strike long with a step.</p>
 
|  
 
|  
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/23|2|lbl=16.2}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/23|2|lbl=16.2}}
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| <p>[35] '''Break'''</p>
 
| <p>[35] '''Break'''</p>
  
<p>When you yourself have cut at him, thus drive with your pommel upwards that you are also displaced, allow him also to be parried and work after to him with haste. (?)</p>
+
<p>When you have overcommitted yourself striking at your opponent, rise up with your pommel so you are also shielded. Let them roll down as well and work with them according to advantage.</p>
 
|  
 
|  
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/23|3|lbl=16.3}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/23|3|lbl=16.3}}
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|-  
 
|-  
| <p>[36] FROM DISPLACING</p>
+
| <p>[36] '''About displacing'''</p>
 +
{| class="zettel"
 +
|-
 +
| <small>83</small>
 +
| Learn to displace<br/>&emsp;Skillfully disrupting cuts and thrusts
 +
|-
 +
| <small>84</small>
 +
| Whoever thrusts at you<br/>&emsp;Their point breaks
 +
|-
 +
| <small>85</small>
 +
| From both sides<br/>&emsp;You will hit every time, if you step.
 +
|}
 
|  
 
|  
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/23|4|lbl=16.4}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/23|4|lbl=16.4}}
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|-  
 
|-  
| <p>[37] FROM RUNNING THROUGH</p>
+
| <p>[37] '''Rushing through'''</p>
 +
{| class="zettel"
 +
|-
 +
| <small>91</small>
 +
| Rush through, let hang<br/>&emsp;Grab with the pommel if you wish to grapple.
 +
|-
 +
| <small>92</small>
 +
| Whoever strengthens against you,<br/>&emsp;Remember to rush through with it.
 +
|}
 
|  
 
|  
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/23|5|lbl=16.5}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/23|5|lbl=16.5}}
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|-  
 
|-  
| <p>[38] DEVICE</p>
+
| <p>[38] '''Rule'''</p>
  
<p>Mark when you have thrust high at one, so that you work with the point, thus always wind the sword with the pommel under your right shoulder.</p>
+
<p>Remember whenever you initiate a thrust, that you always wind your sword under your right shoulder using the pommel when you hit with your point.</p>
 
|  
 
|  
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/23|6|lbl=16.6}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/23|6|lbl=16.6}}
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<br/>
 
<br/>
 
[[File:Egenolff 2.jpg|300px|center|thumb]]
 
[[File:Egenolff 2.jpg|300px|center|thumb]]
| <p>[39] FROM CHANGING THROUGH</p>
+
| <p>[39] '''About disengaging'''</p>
 +
{| class="zettel"
 +
|-
 +
| <small>86</small>
 +
| Learn to disengage<br/>&emsp;From both sides stabbing sharply with it
 +
|-
 +
| <small>87</small>
 +
| Whoever binds upon you<br/>&emsp;Disengaging surely finds or slices the opponent
 +
|}
 
|  
 
|  
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/25|1|lbl=18.1}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/25|1|lbl=18.1}}
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|-  
 
|-  
| <p>[40] </p>
+
| <p>[40] '''About suddenly withdrawing'''</p>
 +
{| class="zettel"
 +
|-
 +
| <small>88</small>
 +
| Tread close in binds,<br/>&emsp;So that withdrawing suddenly gives good finds.
 +
|-
 +
| <small>89</small>
 +
| Suddenly withdraw. If they engage, suddenly withdraw again.<br/>&emsp;That does them harm.
 +
|-
 +
| <small>90</small>
 +
| Suddenly withdraw all engagements<br/>&emsp;If you wish to make a fool of the masters
 +
|}
 
|  
 
|  
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/25|2|lbl=18.2}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/25|2|lbl=18.2}}
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|-  
 
|-  
| <p>[41] FIGHTING DEVICE</p>
+
| <p>[41] '''Combat play'''</p>
  
<p>Position yourself against him as before, grip with your left hand on your sword's blade in the middle, and thrust at him  towards his face, thus he must displace you, and lay on the thrust, thus follow after him with a step, and release your left hand from the sword, grip with your pommel over both of his hands, and put your sword on his neck, and thus will you put him in the weak.</p>
+
<p>Position yourself against the opponent as before. Grab the middle of your sword's blade with your left hand and thrust towards their face so that they must shield themselves and carry off your thrust. Follow them with a step and release your left hand from your sword. Reach across both of their hands with your pommel and position your edge against their neck and position them into weakness so that you throw them.</p>
 
|  
 
|  
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/25|3|lbl=18.3}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/25|3|lbl=18.3}}
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| <p>[42] '''Break'''</p>
 
| <p>[42] '''Break'''</p>
  
<p>When one has set their sword on you and will throw you, release your right hand from your sword and push from under on his left elbow that he must be turned.</p>
+
<p>When someone has lodged their sword against you and and will throw you, release your right hand from your sword and shove their left elbow from below so that they must turn themselves.</p>
 
|  
 
|  
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/25|4|lbl=18.4}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/25|4|lbl=18.4}}
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|-  
 
|-  
| <p>[43] DEVICE</p>
+
| <p>[43] '''Play'''</p>
  
<p>When one has set [his point] on your chest, thus grab your sword near the point with the left hand forward, and thrust with your sword behind his left leg, and get through with your chest against him, and thrust back with your left hand to his chest, behind you over your sword.</p>
+
<p>If someone has lodged against your breast, take hold of their sword with your left hand forward by the point and thrust your sword behind their left leg and press against them with your breast and with your left hand against their breast, shove them back backwards over your sword.</p>
 
|  
 
|  
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/25|5|lbl=18.5}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/25|5|lbl=18.5}}
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| [[File:Paurenfeyndt D.png|x250px|center]]
 
| [[File:Paurenfeyndt D.png|x250px|center]]
 
|}
 
|}
| <p>[44] FROM FOLLOWING AFTER</p>
+
| <p>[44] '''About pursuing'''</p>
 +
{| class="zettel"
 +
|-
 +
| <small>75</small>
 +
| Learn to pursue<br/>&emsp;Twice or slice into the weapon
 +
|-
 +
| <small>76</small>
 +
| Two as well to the outside<br/>&emsp;Your work begins thereafter
 +
|-
 +
| <small>77</small>
 +
| And gauge the applications<br/>&emsp;Whether they are soft or hard
 +
|-
 +
| <small>78</small>
 +
| Learn to feel<br/>&emsp;Indes, this here cuts sharply
 +
|-
 +
| <small>79</small>
 +
| Pursuing twice,<br/>&emsp;If on connects, make the old slice with it.
 +
|}
 
|  
 
|  
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/27|1|lbl=20.1}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/27|1|lbl=20.1}}
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|-  
 
|-  
| <p>[45] The Fourth guard will be known as the Plow, what the ''bruffel'' corrupts, step in a triangle with the right foot and displaces quickly with the flat so that he calls forth, and thereafter step to him with the left foot and strike after, with the long edge.</p>
+
| <p>[45] THE fourth resting place is named the plow. Whatever the buffalo strikes at you, step into the triangle with the right foot and shield yourself short with your flat such that they roll off. Thereafter follow them with your left foot and make a follow up strike with your long edge.</p>
 
|  
 
|  
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/27|2|lbl=20.2}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/27|2|lbl=20.2}}
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| <p>[46] '''Break'''</p>
 
| <p>[46] '''Break'''</p>
  
<p>When one has displaced you, and you yourself have cut, pull your pommel upwards so that you are well covered, and allow him also to slide off, the same is also understood in ''Hilprantz'' or ''Pliczhewen''.</p>
+
<p>When someone parries you and have overcommitted yourself attacking, yank your pommel upwards so that you are well covered and let them roll off of it in the same way conceived in Hildebrand or Lightning cuts.</p>
 
|  
 
|  
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/27|3|lbl=20.3}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/27|3|lbl=20.3}}
Line 1,002: Line 1,073:
  
 
|-  
 
|-  
| <p>[47] FROM CUTTING AWAY</p>
+
| <p>[47] '''About cutting off'''</p>
 +
{| class="zettel"
 +
|-
 +
| <small>93</small>
 +
| Cut off the hard ones<br/>&emsp;From below in both paths
 +
|-
 +
| <small>94</small>
 +
| Four are the slices<br/>&emsp;Below two, above with it.
 +
|}
 
|  
 
|  
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/27|4|lbl=20.4}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/27|4|lbl=20.4}}
Line 1,010: Line 1,089:
  
 
|-  
 
|-  
| <p>[48] DEVICE</p>
+
| <p>[48] '''Play'''</p>
  
<p>When you wind on one in the plow, and he shoots over, it is with short or long edge that he comes to work, thus bar him so that he may neither pull or strike, thus you won't be hurt, then you have understanding in this guard.</p>
+
<p>When you find someone in plow, overshoot them, be it with your short or long edge, before they come to their work. In this way, you bar them from neither yanking back nor striking. This will not fail you if you seize them in their resting position.</p>
 
|  
 
|  
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/27|5|lbl=20.5}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/27|5|lbl=20.5}}
Line 1,020: Line 1,099:
  
 
|-  
 
|-  
| rowspan="7" | [[File:Paurenfeyndt 10.jpg|400px|center]]
+
| rowspan="6" | [[File:Paurenfeyndt 10.jpg|400px|center]]
| <p>[49] FROM THE SHIELHAU</p>
+
| <p>[49] '''About the cockeyed cut'''</p>
 +
{| class="zettel"
 +
|-
 +
| <small>58</small>
 +
| The cockeyed cut breaks inside<br/>&emsp;Whatever the buffalo cuts or thrusts
 +
|-
 +
| <small>59</small>
 +
| Whoever threatens to change,<br/>&emsp;The cockeyed cut robs them of it.
 +
|-
 +
| <small>60</small>
 +
| Cock an eye. If they short change you,<br/>&emsp;Disengaging defeats them.
 +
|-
 +
| <small>61</small>
 +
| Cock an eye at the point<br/>&emsp;Take the neck without fear
 +
|-
 +
| <small>62</small>
 +
| Cock an eye at the top of the head<br/>&emsp;If you wish to ruin the hands.
 +
|}
 
|  
 
|  
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/29|1|lbl=22.1}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/29|1|lbl=22.1}}
Line 1,030: Line 1,126:
  
 
|-  
 
|-  
| <p>[B] </p>
+
| <p>[C] The short and long are my reservoir<br/>&emsp;They safeguard me at all times<br/>Out of which, I drive all my work<br/>&emsp;Strong to the blade, smooth to the body.</p>
 +
 
 +
<p>Therein I can perceive your strength<br/>&emsp;I break yours with weakness from that moment on,<br/>If you misfire, pay attention right quick<br/>&emsp;To what my master has taught me.</p>
 
|  
 
|  
 
|  
 
|  
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/14|2|lbl=7r.2}}
 
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/14|2|lbl=7r.2}}
 +
 +
{{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/14|3|lbl=7r.3}}
 
|  
 
|  
 
|  
 
|  
  
 
|-  
 
|-  
| <p>[C] </p>
+
| <p>[50] '''About withdrawing suddenly'''</p>
|  
+
{| class="zettel"
|  
+
|-
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/14|3|lbl=7r.3}}
+
| <small>88</small>
|  
+
| Tread close in binds,<br/>&emsp;So that withdrawing suddenly gives good finds.
|  
+
|-
 
+
| <small>89</small>
 +
| Suddenly withdraw. If they engage, suddenly withdraw again.<br/>&emsp;Do work that does them harm.
 
|-  
 
|-  
| <p>[50] FROM PULLING</p>
+
| <small>90</small>
 +
| Suddenly withdraw all engagements<br/>&emsp;If you wish to make a fool of the masters.
 +
|}
 
|  
 
|  
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/29|2|lbl=22.2}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/29|2|lbl=22.2}}
Line 1,054: Line 1,157:
  
 
|-  
 
|-  
| <p>[51] FROM BINDING-ON</p>
+
| <p>[51] '''About binding up'''</p>
  
<p>When one has bound with you from above, then test if he lays on hard or soft, if he lays hard, thus wind under and through the Rose to his face, to the left ear, thus you have wound out on his sword and opened there with, but if he pulls and strikes, drive above with the displacing.</p>
+
<p>If someone binds you from above, gauge whether they lie hard or soft. If they lie hard, then wind down through the roses towards their face, onto their left ear, so that you wind out their sword and uncover them with it. But if they suddenly withdraw and strike, veer up into your act of parrying.</p>
 
|  
 
|  
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/29|3|lbl=22.3}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/29|3|lbl=22.3}}
Line 1,066: Line 1,169:
 
| <p>[52] '''Break'''</p>
 
| <p>[52] '''Break'''</p>
  
<p>When one has bound-on with you from above, and stays fast so that you may not pull away, and he will also not pull, thus heave your pommel upwards and allow the point to go between his hands, and pull to yourself thus he must leave it go.</p>
+
<p>If someone binds you from above, and lies firm such that they will not allow you to withdraw, lift your pommel upwards and let the point go in in between their hands and yank towards yourself so that they must let go.</p>
 
|  
 
|  
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/29|4|lbl=22.4}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/29|4|lbl=22.4}}
Line 1,074: Line 1,177:
  
 
|-  
 
|-  
| <p>[53] TRAVELING OUT</p>
+
| <p>[53] '''Wrenching out'''</p>
  
<p>When one has bound on you, and stays hard in the bind on your sword, thus grab with your hilt, over both of his hands, and wrench downwards to yourself, there with you open and hurt him.</p>
+
<p>If someone binds you, and lies firm in the bind against your sword, reach over both of their hands with your hilt and wrench down towards yourself, with this you uncover them and strike.</p>
 
|  
 
|  
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/29|5|lbl=22.5}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/29|5|lbl=22.5}}
Line 1,089: Line 1,192:
 
| [[File:Paurenfeyndt F.png|x250px|center]]
 
| [[File:Paurenfeyndt F.png|x250px|center]]
 
|}
 
|}
| <p>[54] FROM THE SCHEITELHAU</p>
+
| <p>[54] '''About the part cut'''</p>
 +
{| class="zettel"
 +
|-
 +
| <small>63</small>
 +
| The part cut<br/>&emsp;Is a threat to the face
 +
|-
 +
| <small>64</small>
 +
| With it's turn<br/>&emsp;The breast is yet endangered.
 +
|-
 +
| <small>65</small>
 +
| Whatever comes from them<br/>&emsp;The crown removes.
 +
|-
 +
| <small>66</small>
 +
| Slice through the crown<br/>&emsp;So that you break it beautifully and hard
 +
|-
 +
| <small>67</small>
 +
| Press the thrusts<br/>&emsp;By slicing withdraw it.
 +
|}
 
|  
 
|  
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/31|1|lbl=24.1}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/31|1|lbl=24.1}}
Line 1,097: Line 1,217:
  
 
|-  
 
|-  
| <p>[55] FROM RUNNING THROUGH</p>
+
| <p>[55] '''About rushing through'''</p>
 +
{| class="zettel"
 +
|-
 +
| <small>91</small>
 +
| Rush through, let hang<br/>&emsp;Grab with the pommel if you wish to grapple.
 +
|-
 +
| <small>92</small>
 +
| Whoever strengthens against you,<br/>&emsp;Remember to rush through with it.
 +
|}
 
|  
 
|  
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/31|2|lbl=24.2}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/31|2|lbl=24.2}}
Line 1,105: Line 1,233:
  
 
|-  
 
|-  
| <p>[56] FROM SPRECHFENSTER</p>
+
| <p>[56] '''About the speaking window'''</p>
 +
{| class="zettel"
 +
|-
 +
| <small>98</small>
 +
| Make the speaking window<br/>&emsp;Stand freely, watch their situation.
 +
|-
 +
| <small>99</small>
 +
| Strike them so that it snaps,<br/>&emsp;Whoever withdraws themselves before you.
 +
|-
 +
| <small>100</small>
 +
| I say to you truthfully<br/>&emsp;No one defends themselves without danger
 +
|-
 +
| <small>101</small>
 +
| If you have understood<br/>&emsp;They cannot come to blows.
 +
|}
 
|  
 
|  
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/31|3|lbl=24.3}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/31|3|lbl=24.3}}
Line 1,114: Line 1,256:
  
 
|-  
 
|-  
| <p>[57] A DEVICE</p>
+
| <p>[57] '''A play'''</p>
  
<p>When one lays before you in Speaking-window, thus grab with your pommel over his hilt, between his hands, and grab with your left thumb on his hilt and bring this to yourself thus you open him and harm him there with.</p>
+
<p>When someone lies before you in the speaking window, reach over their hilt and between their hands with your pommel and latch onto their hilt with your left thumb and pull toward yourself so that you uncover them and strike them with that.</p>
 
|  
 
|  
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/31|4|lbl=24.4}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/31|4|lbl=24.4}}
Line 1,124: Line 1,266:
  
 
|-  
 
|-  
| <p>[58] ANOTHER</p>
+
| <p>[58] '''Another'''</p>
  
<p>When one lays in Speaking-window, thus lay like this also, and if he will not work, thrust in with your left hand to his right hand that he is turned and there with you he makes open.</p>
+
<p>When someone lies in the speaking window, position your self in exactly the same way. If they will not work shove them with your left hand on their right hand such that they turn themselves and uncovers them with it.</p>
 
|  
 
|  
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/31|5|lbl=24.5}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/31|5|lbl=24.5}}
Line 1,137: Line 1,279:
 
<br/>
 
<br/>
 
[[File:Egenolff 5.jpg|300px|center|thumb]]
 
[[File:Egenolff 5.jpg|300px|center|thumb]]
| <p>[59] FROM HANGING</p>
+
| <p>[59] '''About hanging'''</p>
 +
{| class="zettel"
 +
|-
 +
| <small>96</small>
 +
| Two hangings emerge<br/>&emsp;From the ground out of each place
 +
|-
 +
| <small>97</small>
 +
| In every application<br/>&emsp;Cut, Thrust, Position, Soft or Hard.
 +
|}
 
|  
 
|  
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/33|1|lbl=26.1}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/33|1|lbl=26.1}}
Line 1,145: Line 1,295:
  
 
|-  
 
|-  
| <p>[60] FROM HAND-PUSHING</p>
+
| <p>[60] '''About hand pressing'''</p>
 +
{| class="zettel"
 +
|-  
 +
| <small>95</small>
 +
| Turn your slice<br/>&emsp;To flatten, press your hands
 +
|}
 
|  
 
|  
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/33|2|lbl=26.2}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/33|2|lbl=26.2}}
Line 1,153: Line 1,308:
  
 
|-  
 
|-  
| <p>[61] A DEVICE</p>
+
| <p>[61] '''A play'''</p>
  
<p>When one lays to you in Speaking-window, position yourself also this way, and grab with the fingers of your right hand over your sword, and grasp his sword to yours. Therewith you push his hands.</p>
+
<p>When someone lies in the speaking window, position your self in the same way as well and reach over your sword with the fingers of your right hand and latch their sword to yours. With that you press their hands.</p>
 
|  
 
|  
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/33|3|lbl=26.3}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/33|3|lbl=26.3}}
Line 1,165: Line 1,320:
  
 
|-  
 
|-  
| <p>[62] SWORD-TAKING</p>
+
| <p>[62] '''Sword disarm'''</p>
  
<p>If you find one in Speaking-window or ''Zwerch'', thus grab up with your left hand over and outside his right hand and stay in the weak with your left foot outside and over the crook of his right knee, and push from yours, so must he allow his sword to fall.</p>
+
<p>When you find someone in the speaking window or crosswise cut, reach over their right hand up from the outside with your left hand and position them into weakness with your left foot to the outside, across their right knee pit and draw them away from you so that they must let their sword drop.</p>
 
|  
 
|  
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/33|4|lbl=26.4}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/33|4|lbl=26.4}}
Line 1,175: Line 1,330:
  
 
|-  
 
|-  
| <p>[63] A THROWING</p>
+
| <p>[63] '''A throw'''</p>
  
<p>When one will run in to you with the sword and has bound with you high, thus drive him with your right arm on his left breast and put him in the weak with your right foot well behind the right crook of his knee, and throw him down.</p>
+
<p>When someone rushes in at the sword and has bound high, quickly move your right arm into their left breast and position them into weakness with your right foot well behind their right knee pit and throw them down.</p>
 
|  
 
|  
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/33|5|lbl=26.5}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/33|5|lbl=26.5}}
Line 1,185: Line 1,340:
  
 
|-  
 
|-  
| <p>[64] ANOTHER</p>
+
| <p>[64] '''Another'''</p>
  
<p>When to you one runs in, thus thrust in with your left hand to his right elbow and step with your left foot forwards to his right foot, let him there be launched over.</p>
+
<p>When someone rushes in, shove them on their right elbow with your left hand and step in front of their left foot with your right foot and let them plunge over it.</p>
 
|  
 
|  
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/33|6|lbl=26.6}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/33|6|lbl=26.6}}
Line 1,195: Line 1,350:
  
 
|-  
 
|-  
| <p>[65] HOLDING ONE HORIZONTAL</p>
+
| <p>[65] '''Holding someone prone'''</p>
  
<p>Thrown him on his stomach thus sit upon him, and step over his arm and thus you may break him.</p>
+
<p>If you throw someone onto their belly, sit atop them and step over their arm so you are able to break it.</p>
 
|  
 
|  
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/33|7|lbl=26.7}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/33|7|lbl=26.7}}
Line 1,208: Line 1,363:
 
<br/>
 
<br/>
 
[[File:Egenolff 4.jpg|300px|center|thumb]]
 
[[File:Egenolff 4.jpg|300px|center|thumb]]
| <p>[66] Item; two devices of the long sword, the first device is called:</p>
+
| <p>[66] Item. Two plays of the long sword. The first play is called:</p>
 +
{| class="zettel"
 +
|-
 +
| <small>54</small>
 +
| The inverter constrains<br/>&emsp;Slipping through and also wrestles with it.
 +
|}
 
|  
 
|  
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/35|1|lbl=28.1}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/35|1|lbl=28.1}}
Line 1,216: Line 1,376:
  
 
|-  
 
|-  
| <p>[67] The other device is called:</p>
+
| <p>[67] The other play is called:</p>
 +
{| class="zettel"
 +
|-
 +
| <small>91</small>
 +
| Rush through, let hang<br/>&emsp;Grab with the pommel if you wish to grapple.
 +
|}
 +
<p>Eight wrestlings come from these two plays</p>
 
|  
 
|  
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/35|2|lbl=28.2}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/35|2|lbl=28.2}}
Line 1,226: Line 1,392:
  
 
|-  
 
|-  
| <p>[68] SWORD-TAKING</p>
+
| <p>[68] '''Sword disarm'''</p>
  
<p>Mark when he goes high in ''Zwerch'' or the Speaking window, loose your left hand from the sword and grab him under between his hands with your pommel, thereafter take your pommel again with reversed hands, and wrench towards your left side, thus you take his sword.</p>
+
<p>Note. If someone lies high in the cross or the speaking window, release your back hand from your sword and reach between their hands with your pommel. Afterwards, retract your pommel with your hand inverted and wrench toward your left side so that you take their sword.</p>
 
|  
 
|  
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/35|3|lbl=28.3}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/35|3|lbl=28.3}}
Line 1,236: Line 1,402:
  
 
|-  
 
|-  
| <p>[69] ANOTHER</p>
+
| <p>[69] '''Another'''</p>
  
<p>If he is positioned lower however, then grab with your sword above and over his grip with your pommel, and take your pommel down and clench and wind towards your right side. Thus you throw him over your sword, or he must let go of his sword.</p>
+
<p>But if they lie low, reach over their haft with the pommel of your sword and take your pommel down into a clinch and wind towards your right side so that you either throw them over your sword or they must let the sword go.</p>
 
|  
 
|  
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/35|4|lbl=28.4}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/35|4|lbl=28.4}}
Line 1,248: Line 1,414:
  
 
|-  
 
|-  
| <p>[70] A THROWING</p>
+
| <p>[70] '''A throw'''</p>
  
<p>If one meets you high in the displacing and would not thereafter work, grab him with your left foot behind his right foot and with your left arm to his left breast, and throw him off his feet over your left leg.</p>
+
<p>When someone engages high in their act of parrying and will not part, reach behind their right foot with your left foot and with your right arm into their left breast and throw them off their feet, over your left leg.</p>
 
|  
 
|  
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/35|5|lbl=28.5}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/35|5|lbl=28.5}}
Line 1,258: Line 1,424:
  
 
|-  
 
|-  
| <p>[71] HOLDING ONE HORIZONTAL</p>
+
| <p>[71] '''Holding someone prone'''</p>
  
<p>Throw him on his stomach, thus fall on him with your right knee, to his back, and with the left hand grab over his head to a tuft of hairs, and pull upwards, twisting his neck, thus he fails again on his belly.</p>
+
<p>If you throw someone on their belly, drop your right knee onto their back and reach forward to the top of their head, grab their hair and pull up and crank their neck so they will fall back onto their belly if they try to stand.</p>
 
|  
 
|  
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/35|6|lbl=28.6}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/35|6|lbl=28.6}}
Line 1,275: Line 1,441:
 
<br/>
 
<br/>
 
[[File:Egenolff 3.jpg|300px|center|thumb]]
 
[[File:Egenolff 3.jpg|300px|center|thumb]]
| <p>[72] DEVICE IN STRIKING OUT</p>
+
| <p>[72] '''An upsweep play'''</p>
  
<p>When you stand in the side guard to his left side and one will hew to you from above, from his right shoulder, thus strike from under to his sword with the short edge. If he holds strongly against it and is not high with the hands, thus ''duplier'' between the man and his sword, with the short edge to his left ear.</p>
+
<p>Item. When you lay in the side guard on your left side and someone makes a descending cut at you from their right shoulder, sweep up firmly up from below into their sword with your short edge. If someone stands strong and is not too high with the hands, double in between them and their sword with the short edge to their left ear.</p>
 
|  
 
|  
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/37|1|lbl=30.1}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/37|1|lbl=30.1}}
Line 1,293: Line 1,459:
  
 
|-  
 
|-  
| <p>[73] ANOTHER<p>
+
| <p>[73] '''Another'''</p>
  
</p>When you have struck out to his sword, and he holds strong against it, thus strike with the ''Twer'' to his left side and ''duplier'', but between his sword and strike to his right ear with the long edge.</p>
+
<p>When you sweep up against the opponent's sword and they hold strong back, immediately strike their left side with the crosswise cut and again, double between [them and] their sword and strike at their right ear with the long edge.</p>
 
|  
 
|  
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/37|3|lbl=30.2}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/37|3|lbl=30.2}}
Line 1,305: Line 1,471:
  
 
|-  
 
|-  
| <p>[74] ANOTHER</p>
+
| <p>[74] '''Another'''</p>
  
<p>When you have struck out below on his sword and he is weak on the sword, and low with his hands, thus hew him with the long edge high to the openings.</p>
+
<p>When you sweep up against the opponent's sword and they are weak at the sword and with their hands low, cut toward their opening above with the long edge.</p>
 
|  
 
|  
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/37|4|lbl=30.3}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/37|4|lbl=30.3}}
Line 1,315: Line 1,481:
  
 
|-  
 
|-  
| <p>[75] ANOTHER</p>
+
| <p>[75] '''Another'''</p>
  
<p>When you strike to him and the he moves high and winds, thus stick with the long edge. If he displaces this with the ''Zwerch'', thus strike him to the left side with a step out.</p>
+
<p>When you sweep against the opponent's sword and they rise up high and wind, strengthen with the long edge, but if they strike with the crosswise cut, strike to their left side with a step off.</p>
 
|  
 
|  
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/37|5|lbl=30.4}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/37|5|lbl=30.4}}
Line 1,327: Line 1,493:
  
 
|-  
 
|-  
| <p>[76] ANOTHER</p>
+
| <p>[76] '''Another'''</p>
  
<p>When you lay in the side guard, or work the striking to the man, and he holds then his sword athwart before himself, and will fall on your sword, and he is high with the arms, thus strike him below on his sword, and thrust in under sword to his chest.</p>
+
<p>When you lie in the side guard or conduct the sweeps against someone, if they then hold their sword crosswise in front of themselves and will drop onto your sword and are high with their arms, sweep against their sword from below and thrust under their sword, into their breast.</p>
 
|  
 
|  
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/37|6|lbl=30.5}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/37|6|lbl=30.5}}
Line 1,342: Line 1,508:
 
<br/>
 
<br/>
 
[[File:Egenolff 1.jpg|300px|center|thumb]]
 
[[File:Egenolff 1.jpg|300px|center|thumb]]
| <p>[77] ANOTHER</p>
+
| <p>[77] '''Another'''</p>
  
<p>If he is lower with the hands and will drive out, thus strike through, and thrust him to the chest to the other side, this is changing through.</p>
+
<p>If they are low with their hands and will rise up, then sweep through and thrust on the other side into their breast, whereupon it has disengaged.</p>
 
|  
 
|  
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/39|1|lbl=32.1}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/39|1|lbl=32.1}}
Line 1,352: Line 1,518:
  
 
|-  
 
|-  
| <p>[78] ANOTHER</p>
+
| <p>[78] '''Another'''</p>
  
<p>When you have struck through, thus fall on him with your long edge on his sword, and turn to your left side so that your thumb comes under, then drive him with the strong of your long edge, to the right side of his neck, then spring with the right foot and throw him over with your sword.</p>
+
<p>When you sweep through, drop onto their sword with your long edge and wind toward your left side such that your thumb comes under and speed against the right side of the opponent's neck with your strong and spring with your right foot and back them over it.</p>
 
|  
 
|  
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/39|2|lbl=32.2}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/39|2|lbl=32.2}}
Line 1,364: Line 1,530:
  
 
|-  
 
|-  
| <p>[79] ANOTHER</p>
+
| <p>[79] '''Another'''</p>
  
 
<p>When you changed through from the striking, and have come to the other side above his sword, thus you may just as well do the devices, as before with the Vexing, and with all things as stated before, to all sides.</p>
 
<p>When you changed through from the striking, and have come to the other side above his sword, thus you may just as well do the devices, as before with the Vexing, and with all things as stated before, to all sides.</p>
Line 1,376: Line 1,542:
  
 
|-  
 
|-  
| <p>[80] FIGHTING FROM THE DISPLACEMENT</p>
+
| <p>[80] '''Fencing out of displacing'''</p>
  
<p>When you are fighting with one, and oncoming to him you come, thus come in the Plow, and work then, quickly with winding from one side to the other, and so that your point always remains before you, from this you may also do the displacing, that is the next, and in these, you may do this strongly with the long edge, all the forthcoming devices. Also you may hew and thrust the displacing and break the weak ones, and with the point, search for the opening.</p>
+
<p>When you fence with someone and come close to them, come into plow and conduct it swiftly by turning from one side to the other, such that your point always stays in front of yourself. From this you can conduct parrying. This is the narrows and in them you can strengthen with the long edge and from this conduct all the previous plays. You can also displace cut and thrust and break misaligned ones and seek the opening with your point.</p>
 
|  
 
|  
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/39|4|lbl=32.4}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/39|4|lbl=32.4}}
Line 1,391: Line 1,557:
 
| [[File:Paurenfeyndt D.png|x250px|center]]
 
| [[File:Paurenfeyndt D.png|x250px|center]]
 
|}
 
|}
| <p>[81] SIDE GUARD</p>
+
| <p>[81] '''Side guard'''</p>
  
<p>When you fight with one, and are oncoming to him, thus stay with the left foot forward and hold the sword with the point to the earth, at your right side, so that the long edge stays up, that goes for both sides.</p>
+
<p>When you fence with someone and come close to them, stand with the left foot forward and position your sword with the point upon the ground on your right side, such that the long edge is up. This goes on both sides.</p>
 
|  
 
|  
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/41|1|lbl=34.1}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/41|1|lbl=34.1}}
Line 1,401: Line 1,567:
  
 
|-  
 
|-  
| <p>[82] DEVICE FROM THE SIDE GUARD</p>
+
| <p>[82] '''A play from side guard'''</p>
  
<p>If one hews to you from above, or from elsewhere, thus hew him crooked to his opening with a step out.</p>
+
<p>If someone initiates a cut from above or wherever it is, cut in crooked to their opening with a step out.</p>
 
|  
 
|  
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/41|2|lbl=34.2}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/41|2|lbl=34.2}}
Line 1,411: Line 1,577:
  
 
|-  
 
|-  
| <p>[83] ANOTHER</p>
+
| <p>[83] '''Another'''</p>
  
<p>Work to him with the Reverser with the point to his face, and when he binds on, thus strongly with the long edge you may do all the forthcoming devices in the striking.</p>
+
<p>Drive in the inverter with your point in their face. When they bind up, strengthen with the long edge and you can conduct all the plays that are previous in the sweeps.</p>
 
|  
 
|  
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/41|3|lbl=34.3}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/41|3|lbl=34.3}}
Line 1,421: Line 1,587:
  
 
|-  
 
|-  
| <p>[84] INTERPRETATION OF THE COUNSEL</p>
+
| <p>[84] '''Explanation of the advice'''</p>
  
<p>When you fight with one, thus stretch your arm long from you and so that your thumb stays on the sword, then turn the sword from you with the point, with this you may get him from under to your left side quickly, and go to the opponent, from there you may change through to which side you will, or whichever device is convenient to you quickly thereafter.</p>
+
<p>When you fence with someone, extend your arms long, away from you and rest your thumb up atop your sword and turn your sword with your point away from you. With this you can drive up swiftly from below to your left side and move towards the opponent. From there, you can disengage to whichever side you wish or whatever play suits you, according to advantage.</p>
 
|  
 
|  
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/41|4|lbl=34.4}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/41|4|lbl=34.4}}
Line 1,432: Line 1,598:
 
|- <includeonly>
 
|- <includeonly>
 
| rowspan="2" | <br/></includeonly>
 
| rowspan="2" | <br/></includeonly>
| <p>[85] TWERHEW BREAKING</p>
+
| <p>[85] '''Breaking the crosswise cut'''</p>
  
<p>When you stand in the guard of the Roof, and one will hew to you with the ''Twer'', thus hew the Wrath strike at the same time with him and bind him strongly on the middle of his sword, and will he then strike around with the ''Twer'', thus ''Twer'' him first, to his neck. Also you may do all the devices that are in the striking.</p>
+
<p>When you stay in the roof guard and someone attacks you with a crosswise cut, simultaneously cut in the wrath cut and bind them strongly in the middle of their sword and if they will strike around with a crosswise cut, then crosswise cut ahead of them into their neck. You can also conduct all plays that are in the sweeps.</p>
 
|  
 
|  
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/41|5|lbl=34.5}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/41|5|lbl=34.5}}
Line 1,442: Line 1,608:
  
 
|-  
 
|-  
| <p>[86] ANOTHER</p>
+
| <p>[86] '''Another'''</p>
  
<p>Mark when you ''Zwerch'' and he will also ''Zwerch'' at you forthcoming under your sword to your neck, thus fall on him ''indes'' with the long edge strongly on his sword, thus this is broken and take the next opening, as pleases you.</p>
+
<p>Note, when you execute a crosswise cut and someone will preempt you with a crosswise cut against your neck from below your sword, indes, drop atop their sword strongly with your long edge so that it is broken and take the next opening that becomes available to you.</p>
 
|  
 
|  
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/43|1|lbl=36.1}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/43|1|lbl=36.1}}
Line 1,457: Line 1,623:
 
| [[File:Paurenfeyndt B.png|x250px|center]]
 
| [[File:Paurenfeyndt B.png|x250px|center]]
 
|}
 
|}
| <p>[87] FROM THE WRATH HEW</p>
+
| <p>[87] '''About the wrath cut'''</p>
  
<p>When you are fighting with one, and you hew him with the wrath strike, or something from above, and he will displace you, and drive up high with the arms, and run both one to the other, and he is so careful and he will take your slice under the hands on the arm, thus follow after his sword underneath yours with the long edge and push down, thus have you broken him.</p>
+
<p>When you fence with someone and cut in with the wrath cut or however else down from above and they parry that and rise up with their arms and you both rush in on each other and they are then so circumspect that they will take your slice from below the hands into your arms, follow their sword downwards with your long edge and press down, thus you have broken them.</p>
 
|  
 
|  
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/43|2|lbl=36.2}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/43|2|lbl=36.2}}
Line 1,467: Line 1,633:
  
 
|-  
 
|-  
| <p>[88] ANOTHER</p>
+
| <p>[88] '''Another'''</p>
  
<p>When you have come high with your arms, however, and he has also and runs in to you, and would he the thrust to you with the pommel, through your arms and under your hands, or under your eyes, or to your chest, thus drive downwards with the pommel strongly with the arms, and move yourself in closer, and strike him with the sword to his head.</p>
+
<p>But when you arrive with your arms high and someone does as well and they rush in and want to bash you between the eyes or in the breast with their pommel through your arms from below your hands, speed downwards with your pommel, with your arms strong and heave towards yourself and strike them on their head with your sword.</p>
 
|  
 
|  
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/43|3|lbl=36.3}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/43|3|lbl=36.3}}
Line 1,483: Line 1,649:
 
| [[File:Paurenfeyndt G.png|x250px|center]]
 
| [[File:Paurenfeyndt G.png|x250px|center]]
 
|}
 
|}
| <p>[89] FIGHTING DEVICE</p>
+
| <p>[89] '''Combat play'''</p>
  
<p>Thrust at him inside to the face and drive through, and thrust him outside to the face if he would do this to you however, thus step with your left foot between both his legs, and grip with your pommel out and over his left leg at the crook of his knee, and heave upwards with your pommel and with the left shoulder push up from you, thus he falls.</p>
+
<p>Stab the opponent in the face on the inside and slip down through and stab them in the face on the outside. But if they defend that, step between both of their legs with your left foot and reach out over their left leg with your pommel into the pit of their knee and lift up with your pommel and with your left shoulder push them away from you from up high so that they fall.</p>
 
|  
 
|  
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/45|1|lbl=38.1}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/45|1|lbl=38.1}}
Line 1,495: Line 1,661:
 
| <p>[90] '''Break'''</p>
 
| <p>[90] '''Break'''</p>
  
<p>When one has driven to you with his pommel to the crook of your left knee, thus grab him with your left hand behind his left hand and grab with your right hand from under onto his elbow, and take him then where you wish.</p>
+
<p>When someone speeds into the pit of your left knee with their pommel, reach up from below and grab onto their elbow behind their left hand with your right hand and take their weight.</p>
 
|  
 
|  
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/45|2|lbl=38.2}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/45|2|lbl=38.2}}
Line 1,503: Line 1,669:
  
 
|-  
 
|-  
| <p>[91] FIGHTING DEVICE</p>
+
| <p>[91] '''Combat play'''</p>
  
<p>Thrust him inside to his face, and set on him; he will thus pull, then thrust him to the other side. If he however strikes away your point, thus drive to him with your pommel, and go over his right shoulder and around his neck, and spring with your right foot behind your left and throw him over.</p>
+
<p>Stab the opponent in the face on the inside and lodge against them. If they defend that, withdraw suddenly and stab them on the other side. But if they defend that and sweep your point aside, quickly move your pommel over their right shoulder and around their neck and spring behind their left foot with your right and throw them over it.</p>
 
|  
 
|  
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/45|3|lbl=38.3}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/45|3|lbl=38.3}}
Line 1,516: Line 1,682:
 
| <p>[92] '''Break'''</p>
 
| <p>[92] '''Break'''</p>
  
<p>When one is driving to you with his pommel over your right shoulder and around your neck, thus grab him on his right elbow with your left hand and push him from you, thus you gain his side (open).</p>
+
<p>When someone has slipped over your right shoulder and around your neck with their pommel, seize their right elbow with your left hand and shove them away from you so that you gain their side.</p>
 
|  
 
|  
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/45|4|lbl=38.4}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/45|4|lbl=38.4}}
Line 1,524: Line 1,690:
  
 
|-  
 
|-  
| <p>[93] '''One other break'''</p>
+
| <p>[93] '''Another break'''</p>
  
<p>When one is driving to you with his pommel around your neck, thus grab his right arm with your right hand and hold him fast, and turn yourself from him to your right side and throw him over your left hip.</p>
+
<p>When someone has slipped around your neck with their pommel, seize their right arm with your left hand and hold it firmly and turn yourself away from them to your right side and throw them over your left hip.</p>
 
|  
 
|  
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/45|5|lbl=38.5}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/45|5|lbl=38.5}}
Line 1,534: Line 1,700:
  
 
|-  
 
|-  
| <p>[94] THE DECREE OF THE LONG SWORD</p>
+
| <p>[94] '''The distillation of the long sword'''</p>
 +
{| class="zettel"
 +
|-
 +
| <small>102</small>
 +
| Who fully commands and correctly breaks<br/>&emsp;And makes complete irrefutable judgement
 +
|-
 +
| <small>103</small>
 +
| And breaks each one individually<br/>&emsp;Into three wounders
 +
|-
 +
| <small>104</small>
 +
| Who hangs consumately and correctly<br/>&emsp;And carries out windings correctly with it
 +
|-
 +
| <small>105</small>
 +
| And considers the eight winds<br/>&emsp;With correct judgement
 +
|-
 +
| <small>106</small>
 +
| And unites them.<br/>&emsp;The windings, I differentiate trebly
 +
|-
 +
| <small>107</small>
 +
| Thus they are twenty<br/>&emsp;And four counting them individually.
 +
|-
 +
| <small>108</small>
 +
| From both sides<br/>&emsp;Learn eight windings with steps
 +
|-
 +
| <small>109</small>
 +
| Gauge these applications<br/>&emsp;As soft or hard.
 +
|}
 
|  
 
|  
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/46|1|lbl=39.1}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/46|1|lbl=39.1}}
Line 1,542: Line 1,734:
  
 
|- valign=top
 
|- valign=top
| <p>[95] Don't focus on more than you can understand<br/>So that you won't end up behind the wagon.</p>
+
| <p>[95] Do not focus on more than you understand<br/>&emsp;So that you do not end up behind the wagon</p>
 
|  
 
|  
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/46|2|lbl=39.2}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/46|2|lbl=39.2}}
Line 1,551: Line 1,743:
 
|-  
 
|-  
 
|  
 
|  
| <p>[96] </p>
+
| <p>[96] '''Excerpt of the short sword'''</p>
 +
 
 +
<p>The short sword rightens you<br/>&emsp;Whoever thrusts at you,<br/>With your shield<br/>&emsp;If you wish to make them mild.<br/>Five lessons<br/>&emsp;That guide with correct sense.<br/>Two upon the right,<br/>&emsp;Learn to fence with these.<br/>As many on the left<br/>&emsp;Compose yourself to not waver<br/>And before the opponent<br/>&emsp;Do not let yourself worry<br/>If they are above,<br/>&emsp;Stay below, that I will praise<br/>Learn to displace with your shield<br/>&emsp;Wind in so you can disrupt the masters<br/>If they allow that<br/>&emsp;Grab between their legs, don't be lax.<br/>Step, break<br/>&emsp;Whatever one does, it comes to nothing.<br/>If they take target of you high<br/>&emsp;Grab the sword far in the middle, they will be shamed.<br/>Go through. If they come from below,<br/>&emsp;Displace, grab them by their neck, so that you can wound them.<br/>Make staff, sword wind in.<br/>&emsp;Bring the pommels together, then you have won.<br/>Learn to wind in from both sides<br/>&emsp;Then you can find the art.<br/>Do not hold yourself so close<br/>&emsp;That you will not act<br/>Follow swiftly, then you gauge it<br/>&emsp;For with that, you dupe them.</p>
 
|  
 
|  
 
| {{pagetb|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf|47|lbl=40}}
 
| {{pagetb|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf|47|lbl=40}}
Line 1,564: Line 1,758:
 
| [[File:Paurenfeyndt H.png|x250px|center]]
 
| [[File:Paurenfeyndt H.png|x250px|center]]
 
|}
 
|}
| <p>[97] </p>
+
| <p>[97] '''The first precept'''</p>
 +
 
 +
<p>Note, If someone is high, then you are low, but if they are low, then you are high. When you are low on your right side and hold your sword in your right hand and your point in your left, if they thrust at you from above, then displace with your point, wind into their left arm with your pommel and yank them forwards. Or displace them with your point and fasten their sword to yours and with your pommel, reach up for their right arm from below and press up. Or, when you clasp the sword with their point to yours, you can also reach into the middle with your pommel and step behind them. Whoever contests this, after you have struck them together and grab the sword in your left hand and the point in your right hand, then displace with your pommel, wind inside their left arm with your point and onto the outside of their right arm with your point and yank them forward.</p>
 
|  
 
|  
 
| {{pagetb|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf|49|lbl=42}}
 
| {{pagetb|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf|49|lbl=42}}
Line 1,577: Line 1,773:
 
| [[File:Paurenfeyndt G.png|x250px|center]]
 
| [[File:Paurenfeyndt G.png|x250px|center]]
 
|}
 
|}
| <p>[98] </p>
+
| <p>[98] '''The second precept'''</p>
 +
 
 +
<p>On the other hand, if you are high on your right side and hold your sword in your right hand and your point in your left and someone thrusts up at you from below, you can shoot through. then, if you wish, you can displace with your point and clasp their sword to yours and grab them by their neck with your pommel and step behind them. Or, when you have displaced with your point, strike at their knee with the pommel of your sword or reach behind the pit of their knee with your pommel and pull it against you or grab them by their neck with your pommel and pull them down forwards. But, if you have struck and hold your sword in your left hand and your point in your right and they thrust up at you from below, then displace with your pommel and clasp their sword to yours and grab them by their neck with your point and step backwards.</p>
 
|  
 
|  
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/51|1|lbl=44.1}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/51|1|lbl=44.1}}
Line 1,585: Line 1,783:
  
 
|-  
 
|-  
| <p>[99] </p>
+
| <p>[99] '''The third precept'''</p>
 +
 
 +
<p>Note, When you are on the left side and are high and hold your sword in your right hand and the point in your left and someone thrusts up at you from below, parry with your half-sword such that your pommel goes down at the moment of your parry and wind inside their left arm with your pommel and onto the outside of their right arm with your pommel and yank them forwards. And when you hold your sword in your left hand and your point in your right and stand high on your left side and someone thrusts up at you from below, parry with your half-sword such that your point goes down at the moment of your parry, then wind inside their left arm with your point and onto the outside of their right arm with your pommel and yank them forward.</p>
 
|  
 
|  
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/51|2|lbl=44.2}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/51|2|lbl=44.2}}
Line 1,601: Line 1,801:
 
|}
 
|}
 
''[This illustration is inverted in ''Ergrundung Ritterlicher Kunst der Fechterey''.]''
 
''[This illustration is inverted in ''Ergrundung Ritterlicher Kunst der Fechterey''.]''
| <p>[100] </p>
+
| <p>[100] '''The fourth precept'''</p>
 +
 
 +
<p>On the other hand, if you are low on your left side and someone thrusts at you from above and you hold your sword in your right hand and your point in your other hand, parry with your half-sword such that your point goes up at the moment of your parry, then wind inside their left arm with your pommel and onto the outside of their right arm with your point. If they let go, grab between their legs with your pommel and press up away from you. You can do this every time you wind in, just always step backwards in your winding in. But if you clasp your sword in your left hand and your point in your right and someone thrusts at you from above, parry with your half-sword such that your point goes down at the moment of your parry, then wind inside their left arm with your point and onto the outside of their right arm with your pommel and yank them forward. In the previous play, if turn your point upwards, you have both the winding in and the shooting through, below and above and if someone strikes or thrusts at you, then be ready for the wrenching down or the winding in.</p>
 
|  
 
|  
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/53|1|lbl=46.1}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/53|1|lbl=46.1}}
Line 1,619: Line 1,821:
 
|-  
 
|-  
 
| class="noline" rowspan="5" | [[File:Paurenfeyndt 19.jpg|400px|center]]
 
| class="noline" rowspan="5" | [[File:Paurenfeyndt 19.jpg|400px|center]]
| <p>[102] </p>
+
| <p>[102] '''Rushing in'''</p>
 +
 
 +
<p>When you wish to rush in, which I firmly do not recommend, let your sword drop when you go in on someone, grab inside their right hand with your left and with your right hand grab onto the inside of their right leg and slip under their right armpit, then left them and carry them away wherever you wish.</p>
 
|  
 
|  
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/55|1|lbl=48.1}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/55|1|lbl=48.1}}
Line 1,627: Line 1,831:
  
 
|-  
 
|-  
| <p>[103] </p>
+
| <p>[103] '''Break'''</p>
 +
 
 +
<p>When someone wishes to run in on you, drive over both of their arms with your right arm and press them firmly into you with your arms, step behind their right foot eith your right and turn yourself to your left side so they fall.</p>
 
|  
 
|  
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/55|2|lbl=48.2}}
 
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/55|2|lbl=48.2}}
Line 1,635: Line 1,841:
 
   
 
   
 
|-  
 
|-  
| <p>[104] </p>
+
| <p>[104] '''Breaking rushing in'''</p>
 +
 
 +
<p>When someone wishes to run in on you at the sword, release your right hand from your sword and seize the outside of their right hand with your hand inverted and yank them into you, grab onto their elbow with your left hand and take away their balance.</p>
 
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<p>Release your hand from your sword and with your right, drive over their right hand and press them down with it and with your left hand, take their balance away by their elbow.</p>
 
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<p>When you have clasped their sword against yours in your left hand and they remain low with their arms, drive up over their sword in front of their right hand with your pommel and wrench to your right side, so that both sword stay with you.</p>
 
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Revision as of 22:08, 2 January 2022

Andre Paurenfeyndt
Born 15th century
Died 16th century
Occupation
Nationality German
Patron Matthäus Lang von Wellenburg
Movement Liechtenauer Tradition
Influences Johannes Liechtenauer
Influenced
Genres
Language Early New High German
Notable work(s) Ergrundung Ritterlicher Kunst der
Fechterey
(1516)
Manuscript(s)
Concordance by Michael Chidester
Translations Deutsch-Übersetzung

Andre Paurenfeyndt (Paurñfeyndt, Paurñfeindt) was a 16th century German Freifechter. He seems to have been a resident of Vienna, although he mentions in his introduction that he served as a bodyguard to Cardinal Matthäus Lang von Wellenburg (1468 - 1540).[1] In 1516, he wrote and published a fencing manual entitled Ergrundung Ritterlicher Kunst der Fechterey ("Founding of the Chivalric Art of Swordplay"), which Sydney Anglo notes may have been the first illustrated fencing treatise ever published.[2] Little else is known about the life of this master, but he describes himself as a Freifechter and the contents of his book make it clear that he was associated with the tradition of Johannes Liechtenauer. His treatise diverges significantly from the earlier teachings of the Liechtenauer tradition, which may be due to his stated purpose of writing for beginning fencers.

Treatise

Please note that only the first edition (1516) has the complete set of illustrations, and all later versions are disorganized and incomplete; this article follows the order of plays and illustrations laid out in the original, and the variant sequences can be viewed on the transcription pages. Egenolff's illustrations are rather different from Paurenfeyndt's, and smaller thumbnails are included where applicable. Furthermore, the illustrations on pages 57 and 59 of the 1516 don't seem to relate to the plays described on 58 and 60, since they show pairs of fencers with dussacks while the text indicates that one of them should be unarmed. They are included here for reference, but the Egenolff illustrations (which are original and not based on Paurenfeyndt) are the ones that seem to depict something similar to the plays as described. While the Twelve Rules for the Beginning Fencer are unillustrated in Paurenfeyndt's work, this presentation includes the illustrations for six of the twelve found in the MS B.200 (1524).

Rather than presenting the treatise transcriptions chronologically, this concordance groups the three complete German texts together (including Lienhart Sollinger's 1564 copy), followed by the 1538 Walloon translation. There are three shorter manuscript fragments of the German text, and these have been added in additional columns on the far end of the table in only the sections where they appear.

Additional Resources

  • Bauer, Matthias Johannes. “Der Alten Fechter gründtliche Kunst” – Das Frankfurter oder Egenolffsche Fechtbuch. Untersuchung und Edition. Coll. Geschichtswissenschaften 37. München: Utz Verlag, 2016. ISBN 978-3-8316-4559-6
  • Bauer, Matthias Johannes. "Economising Early Prints on Fight Books by Multiple Using Movable Half Page Woodcuts". Acta Periodica Duellatorum 4(2): 99–116, 2016. doi:10.36950/apd-2016-015
  • Bergner, U. and Giessauf, J. Würgegriff und Mordschlag. Die Fecht- und Ringlehre des Hans Czynner (1538). Graz: Akademische Druck- u. Verlagsanstalt, 2006. ISBN 978-3-201-01855-5
  • Roelofsen, Mathijs. "La Noble Science des Joueurs d’Espée: Fight Book and Commercial Product". Acta Periodica Duellatorum 8(1): 73-88, 2020. doi:10.36950/apd-2020-005
  • Welle, Rainer. "Ein unvollendetes Meisterwerk der Fecht- und Ringkampfliteratur des 16. Jahrhunderts sucht seinen Autor: der Landshuter Holzschneider und Maler Georg Lemberger als Fecht- und Ringbuchillustrator?" Codices manuscripti & impressi. Supplementum 12. Purkersdorf: Verlag Brüder Hollinek, 2017.

References

  1. Ott, Michael. "Matthew Lang." The Catholic Encyclopedia, Vol. 8. New York: Robert Appleton Company, 1910.
  2. Anglo, Sydney. The Martial Arts of Renaissance Europe. New Haven and London: Yale University Press, 2000. p 46. ISBN 978-0-300-08352-1
  3. lit: foot, but can and often mean the leg
  4. alt: flesh wounds, tag hits.
  5. Text cut off; added from Paurnfeindt: er nit kumeñ
  6. Text cut off; added from Paurnfeindt: Wan dir ainer die kurcz schneid vberscheust so wendt den straich ab, so kumpt dir straich wider straich, vnd gleiche arbait
  7. Text cut off; added from Paurnfeindt: so entplest er sich
  8. Text cut off; added from Paurnfeindt: zuck vnd haw mit langer schneid nach
  9. alt: points, ends
  10. Bottom cut off; added from Paurnfeindt: schwert mit dem knopf vnter dein recht uxñ
  11. Bottom cut off; added from Paurnfeindt: schon, die stich trucke mit schnitten sy ab czucke
  12. Top cut off; added from Paurnfeindt: yglichs in dreu wunder
  13. Corrected from »lanngem«
  14. Text cut off; added from Paurnfeindt: vmbsunst vrsach halben er mag kain folling straich auff dich habñ
  15. Erreur d'impression?
  16. Bottom cut off; added from Paurnfeindt: dar uber
  17. Bottom cut off; added from Paurnfeindt: arm