Paulus Hector Mair
|Paulus Hector Mair|
"Mair", Cod.icon. 312b f 64r
|Died||10 Dec 1579 (age 62)|
|Knight and Hunt, 2008|
Paulus Hector Mair (Paulsen Hektor Mair, Paulus Hector Meyer; 1517 – 1579) was a 16th century German aristocrat, civil servant, and fencer. He was born in 1517 to a wealthy and influential Augsburg patrician family. In his youth, he likely received training in fencing and grappling from the masters of Augsburg fencing guild, and early on developed a deep fascination with fencing treatises. He began his civil service as a secretary to the Augsburg City Council; by 1541, Mair was the City Treasurer, and in 1545 he also took on the office of Master of Rations.
Mair's martial background is unknown, but as a citizen of a free city he would have had military obligations whenever the city went to war, and as a member of a patrician family he likely served in the cavalry. He was also an avid collector of fencing treatises and other literature on military history. Like his contemporary Joachim Meÿer, Mair believed that the Medieval martial arts were being forgotten, and he saw this as a tragedy, idealizing the arts of fencing as a civilizing and character-building influence on men. Where Meÿer sought to update the traditional fencing systems and apply them to contemporary weapons of war and defense, Mair was more interested in preserving historical teachings intact. Thus, some time in the latter part of the 1540s he commissioned what would become the most extensive compendium of German fencing treatises ever made, a massive two-volume manuscript compiling virtually every fencing treatise he could access. He retained famed artist Jörg Breu the Younger to create the illustrations for the text, and hired two Augsburg fencers to pose for the illustrations. This project was extraordinarily expensive and took at least four years to complete. Ultimately, three copies of this compendium were produced, each more extensive than the last; the first (MSS Dresden C.93/C.94) was written in Early New High German, the second and most artistically ambitious (Cod.icon. 393) in New Latin, and the third and final version (Cod. 10825/10826) incorporated both languages.
Beginning in the 1540s, Mair began purchasing older fencing manuscripts, some from fellow collector Lienhart Sollinger (a Freifechter who lived in Augsburg for many years) and others from auctions. Perhaps most significant of all of his acquisitions was the partially-completed treatise of Antonius Rast, a Master of the Long Sword and three-time captain of the Marxbrüder fencing guild. The venerable master left in incomplete when he died in 1549, and Mair ultimately produced a complete fencing manual (Reichsstadt "Schätze" Nr. 82) based on his notes. Ultimately, he owned over a dozen fencing manuscripts over the course of his life, including the following:
- Codex I.6.2º.1 - A copy of one of Hans Talhoffer's fencing manuals, possibly the MS XIX.17-3.
- Codex I.6.2º.2 - A compilation of Jörg Wilhalm Hutter's longsword treatise and Lienhart Sollinger's manuscript reproduction of Ergrundung Ritterlicher Kunst der Fechterey.
- Codex I.6.2º.3 - A copy of Codex I.6.4º.5 with descriptive text by Hutter.
- Codex I.6.2º.4 - Jörg Breu's draftbook for his work on Mair's treatises.
- Codex I.6.2º.5 - A compilation of Hans Medel's revision of Sigmund Schining ein Ringeck's treatise, Medel's own writings, fencing prints by Maarten van Heemskerck, and records of the Marxbrüder fencing guild.
- Codex I.6.4º.2 - A compilation of two treatises from the Nuremberg Group and a much older, uncaptioned series of fencing drawings known as pseudo-Gladiatoria.
- Codex I.6.4º.3 (?) - A compilation of several treatises from the tradition of Johannes Liechtenauer, possibly compiled by Jud Lew. (Not verified as being in his collection.)
- Codex I.6.4º.5 - Jörg Wilhalm Hutter's draftbook.
- MS E.1939.65.354 - Gregor Erhart's fencing manual. (Formerly Codex I.6.4º.4.)
- Reichsstadt "Schätze" Nr. 82 - The expanded and finished version of Antonius Rast's fencing notes.
He also used several printed books as source material for his compendia, and presumably owned copies, including Der Altenn Fechter anfengliche kunst (compiled by Christian Egenolff), Opera Nova by Achille Marozzo, and Ringer Kunst by Fabian von Auerswald.
Mair not only spent incredible sums of money on his fencing interests, but generally lead a lavish lifestyle and maintained his political influence with expensive parties and other entertainments for the burghers and patricians of Augsburg. This habit of living far beyond his means for decades exhausted his family's wealth, eventually leading him to sell the Latin version of his fencing manuscript (netting the princely sum of 800 florins) and finally to begin embezzling money from the Augsburg city coffers. This embezzlement was not discovered for many years (or perhaps was overlooked due to the favor his parties garnered), until finally in 1579 a disgruntled assistant reported him to the Augsburg City Council and provoked an audit of his books. Mair was arrested, tried, and hanged as a thief at the age of 62. After Mair's death, his effects (including his library) were sold at auction to recoup some of the funds he had embezzled.
Whether viewed as an unwise scholar who paid the ultimate price for his art or an ignoble thief who violated his city's trust, Mair remains one of the most influential figures in the history of Kunst des Fechtens. By completing the fencing manual of Antonius Rast, Mair gave us valuable insight into the Nuremberg fencing tradition; his own works are impressive on both an artistic and practical level, and his extensive commentary on the uncaptioned treatises in his collection serves to make potentially useful training aids out of what would otherwise be mere curiosities. Finally, in purchasing so many important fencing treatises he succeeded in preserving them for future generations; they were purchased by the fabulously wealthy Fugger family after his death and ultimately passed to the Augsburg University Library, where they remain to this day.
Much of Mair's content represents his revision and expansion of the older treatises listed above, including adding descriptive content to uncaptioned images. Where available, these images are displayed in the left-most column, labeled "Source Images", for comparison purposes. Mair's own illustrations appear in the second image column.