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Difference between revisions of "Ott Jud"
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| manuscript(s) = {{collapsible list | | manuscript(s) = {{collapsible list | ||
| [[Talhoffer Fechtbuch (MS Chart.A.558)|MS Chart.A.558]] (1448) | | [[Talhoffer Fechtbuch (MS Chart.A.558)|MS Chart.A.558]] (1448) | ||
− | | [[ | + | | [[Starhemberg Fechtbuch (Cod.44.A.8)|Cod.44.A.8]] (1452) |
− | | [[Codex Lew (Cod.I.6.4º.3)|Cod.I.6.4º.3]] ( | + | | [[Codex Lew (Cod.I.6.4º.3)|Cod.I.6.4º.3]] (1460s) |
| [[Paulus Kal Fechtbuch (MS KK5126)|MS KK5126]] (ca.1480) | | [[Paulus Kal Fechtbuch (MS KK5126)|MS KK5126]] (ca.1480) | ||
| [[Codex Speyer (MS M.I.29)|MS M.I.29]] (1491) | | [[Codex Speyer (MS M.I.29)|MS M.I.29]] (1491) | ||
+ | | [[Ortenburg Fechtbuch]] (1400s) | ||
| [[Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)|MS dresd.C.487]] (1504-1519) | | [[Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)|MS dresd.C.487]] (1504-1519) | ||
| [[Glasgow Fechtbuch (MS E.1939.65.341)|MS E.1939.65.341]] (1508) | | [[Glasgow Fechtbuch (MS E.1939.65.341)|MS E.1939.65.341]] (1508) | ||
− | |||
| [[Oplodidaskalia sive Armorvm Tractandorvm Meditatio Alberti Dvreri (MS 26-232)|MS 26-232]] (1512) | | [[Oplodidaskalia sive Armorvm Tractandorvm Meditatio Alberti Dvreri (MS 26-232)|MS 26-232]] (1512) | ||
− | | [[Wassmannsdorff's Fechtbuch]] (1539 | + | | [[Goliath Fechtbuch (MS Germ.Quart.2020)|MS germ.quart. 2020]] (1535-40) |
+ | | [[Wassmannsdorff's Fechtbuch]] (1539) | ||
| [[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|MS dresd.C.94]] (1540s) | | [[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|MS dresd.C.94]] (1540s) | ||
| [[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Cod. 10826]] (1540s) | | [[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Cod. 10826]] (1540s) | ||
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| website = | | website = | ||
| translations = {{plainlist | | translations = {{plainlist | ||
− | | {{ | + | | {{French translation|Ott Jud/French|2}} |
− | | {{ | + | | {{French translation|http://gagschola.ch/wp-content/uploads/Traduction-Ott-et-Liegniczer-Version-finale.pdf|1}} |
+ | | {{German translation|http://www.hammaborg.de/de/transkriptionen/peter_von_danzig/13_ringen/|1}} | ||
| {{Slovenian translation|http://scholapugnatoria.si/?page_id{{=}}532|1}} | | {{Slovenian translation|http://scholapugnatoria.si/?page_id{{=}}532|1}} | ||
}} | }} | ||
| below = | | below = | ||
}} | }} | ||
− | + | '''Ott Jud''' was a [[century::15th century]] [[nationality::German]] [[wrestling master]]. His name signifies that he was a Jew, and several versions of his treatise (including the oldest one) state that he was baptized Christian.<ref>The [[Talhoffer Fechtbuch (MS Chart.A.558)|Gotha version]], as well as the [[Codex Lew (Cod.I.6.4º.3)|Augsburg]], [[Paulus Kal Fechtbuch (MS KK5126)|Vienna]], and [[Glasgow Fechtbuch (MS E.1939.65.341)|Glasgow]] versions, all use the term ''tauffter Jud'', "baptized Jew".</ref> In 1470, [[Paulus Kal]] described him as the wrestling master to the princes of Austria, and included him in the membership of the [[Fellowship of Liechtenauer]].<ref>The Fellowship of Liechtenauer is recorded in three versions of [[Paulus Kal]]'s treatise: [[Paulus Kal Fechtbuch (MS 1825)|MS 1825]] (1460s), [[Paulus Kal Fechtbuch (Cgm 1507)|Cgm 1507]] (ca. 1470), and [[Paulus Kal Fechtbuch (MS KK5126)|MS KK5126]] (1480s).</ref> While Ott's precise lifetime is uncertain, he may have still been alive when [[Hans Talhoffer]] included the [[Talhoffer Fechtbuch (MS Chart.A.558)|Gotha version]] in his fencing manual in ca. 1448, but seems to have died some time before the creation of the [[Starhemberg Fechtbuch (Cod.44.A.8)|Rome version]] in 1452.<ref>His name lacks the traditional blessing on the dead in Talhoffer, but receives it in the Rome (see [[Page:Cod.44.A.8 100v.jpg|folio 100v]]).</ref> | |
− | '''Ott Jud''' was a [[century::15th century]] [[nationality::German]] [[wrestling master]]. His name signifies that he was a Jew, and several versions of his treatise (including the oldest one) state that he was baptized Christian.<ref>The [[Talhoffer Fechtbuch (MS Chart.A.558)|Gotha version]], as well as the [[Codex Lew (Cod.I.6.4º.3)|Augsburg]], [[Paulus Kal Fechtbuch (MS KK5126)|Vienna]], and [[Glasgow Fechtbuch (MS E.1939.65.341)|Glasgow]] versions, all use the term ''tauffter Jud'', "baptized Jew".</ref> [[Paulus Kal]] | ||
Ott's treatise on grappling is repeated throughout all of the early German treatise compilations and seems to have become the dominant work on the subject within the Liechtenauer tradition. | Ott's treatise on grappling is repeated throughout all of the early German treatise compilations and seems to have become the dominant work on the subject within the Liechtenauer tradition. | ||
− | == | + | == Textual History == |
+ | |||
+ | === Manuscripts === | ||
+ | |||
+ | It is difficult to say when Ott's treatise was written, and the original is certainly lost at present. It is also unclear how much of the material in the existing versions should be attributed to him directly. Jessica Finley has pointed out that the first 31 plays form a coherent progression, whereas the subsequent 38 plays are disorganized. Furthermore, there are a number of copies that are limited to one half or the other, including Vienna and the prose Wassmannsdorff for the first part and Dresden and the poetic Wassmannsdorff for the second; these copies of only the second part make no mention of Ott in their introductions. It's possible that these two halves of the text had separate origins, with the first being written by Ott and the second mistakenly attributed to him early on, a mistake that persisted in the tradition ever after. | ||
+ | |||
+ | The oldest extant copy is the [[Talhoffer Fechtbuch (MS Chart.A.558)|Gotha version]], which was included in a manuscript in the 1440s alongside works by [[Johannes Hartlieb]], [[Hans Talhoffer]], and others. The Gotha version appears incomplete compared to other early renditions, which may suggest that Ott was not directly involved despite its proximity to his career. Gotha was copied into several further manuscripts along with the other contents of the manuscript, including the [[Talhoffer Fechtbuch (MS 26.236)|New York]] (16th century), the [[Talhoffer Fechtbuch (2º Col.MS.Philos.61)|Göttingen]] (17th century), and the third [[Talhoffer Fechtbuch (Cod.icon. 395)|Munich]] (ca. 1820) versions; since these are all direct copies, they offer little additional help in understanding Ott's work (apart from being evidence of its continued transmission). | ||
+ | |||
+ | Two copies of Ott's work date to the mid-15th century, the [[Starhemberg Fechtbuch (Cod.44.A.8)|Rome]] (1452) and [[Codex Lew (Cod.I.6.4º.3)|Augsburg]] (1460s) versions. These both contain plays not found in Gotha but also show differences from each other, indicating that the textual tradition had already diverged into two branches (though Augsburg is only a fragment of its branch). Of the later 15th century copies, [[Paulus Kal Fechtbuch (MS KK5126)|Vienna Ⅰ]] (1480s) and [[Ortenburg Fechtbuch|Ortenburg]] (late 1400s) follow Rome, and [[Codex Speyer (MS M.I.29)|Salzburg]] (1491) is a complete version of the text appearing in Augsburg—indeed, Rainer Welle describes Salzburg as the most detailed version of the treatise up to that time.<ref>Welle 1993, p 44.</ref> Likewise, in the 16th century, [[Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)|Dresden]] (1504-19), [[Glasgow Fechtbuch (MS E.1939.65.341)|Glasgow]] (1508), and [[Goliath Fechtbuch (MS Germ.Quart.2020)|Kraków]] (1535-40) follow Rome, while [[Oplodidaskalia sive Armorvm Tractandorvm Meditatio Alberti Dvreri (MS 26-232)|Vienna Ⅱ]] (1512), [[Wassmannsdorff's Fechtbuch|Wassmannsdorff]] (1539), [[Maister Liechtenawers Kunstbuech (Cgm 3712)|Munich Ⅱ]] (1556), and the works of [[Paulus Hector Mair]] follow Augsburg (Mayr's manuscripts and Munich Ⅱ even have the same gaps as the Augsburg fragment). | ||
+ | |||
+ | Establishing the relationships between these versions is very problematic. The pattern of which plays are present in each of the early versions and which plays are missing doesn't match the later versions in each branch—for example, Vienna Ⅰ has plays not present in Rome, Salzburg has far more than the fragmentary Augsburg, and there are a few plays present in both Vienna and Salzburg that are in neither one of those first versions. Either some later versions were created by combining multiple earlier ones, or there are many missing links in this chain. Furthermore, certain plays have descriptions that gain extra pieces of clarifying text as time passes, especially in the Rome branch.<ref>See, for example, play 4, which has an additional segment added beginning in Rome, and a second additional segment exclusive to Kraków.</ref> This is especially apparent in Kraków, which has expanded versions of more than half of the plays (and was also intended to be augmented with illustrations for the first time). This expanding text might be evidence that the early copies are all incomplete fragments and the expanded versions are the correct ones, but it may equally suggest that Ott's treatise received additional input and clarifications from other knowledgeable wrestlers over the course of time. | ||
+ | |||
+ | Finally, there were two notable transformations of Ott's treatise in the 16th century. First, Wassmannsdorff's now-lost 1539 manuscript contains two versions of Ott: one a fragment of the first 24 plays, the other covering the final 20 plays (49-69) but also including plays 50-55 recomposed as poems. This rewriting of a core text is otherwise unprecedented in the Liechtenauer tradition, and the author appears to be anonymous. The second transformation of the text occurred in the 1540s, when Mayr had it translated into Latin. | ||
+ | |||
+ | Most texts in the Liechtenauer corpus seem to have ossified immediately and been preserved without any intentional changes after they were initially written. The expansions to Ott's core plays and the poetic rewrite of part of the text both buck this trend, and make his treatise a unique example of a living textual tradition that may mirror a living teaching tradition. | ||
+ | |||
+ | === Modern HEMA === | ||
+ | |||
+ | Several books related to Ott were published in the 19th century which would be influential once HEMA was established, including [[Karl Wassmannsdorff|Wassmannsdorf's]] transcription of the [[Codex Lew (Cod.I.6.4º.3)|Augsburg]] version (and [[Wassmannsdorff's Fechtbuch|his own manuscript]]) in 1870, published as ''Die Ringkunst des deutschen Mittelalters'', and Hergsell's transcription and modernization of the [[Talhoffer Fechtbuch (MS Chart.A.558)|Gotha version]] in 1889, titled ''Talhoffers Fechtbuch (Gothaer Codex) aus dem Jahre 1443'' (which was then translated to French and published in 1893 and 1901 as ''Livre d'escrime de Talhoffer (codex Gotha) de l'an 1443''. | ||
+ | |||
+ | Ott was likewise represented at the very beginning of HEMA in [[Martin Wierschin]]'s 1965 opus ''Meister Johann Liechtenauers Kunst des Fechtens'', which included a transcription of the the Dresden manuscript (attributed entirely to [[Sigmund ain Ringeck]], an error that would then persist in HEMA thought for half a century). Wierschin's catalog also includes more than half of the currently-known copies of Ott: Gotha, [[Starhemberg Fechtbuch (Cod.44.A.8)|Rome]], Augsburg, [[Paulus Kal Fechtbuch (MS KK5126)|Vienna Ⅰ]], [[Codex Speyer (MS M.I.29)|Salzburg]], [[Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)|Dresden]], [[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden Ⅱ]], [[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna Ⅲ]], [[Maister Liechtenawers Kunstbuech (Cgm 3712)|Munich Ⅱ]], and [[Talhoffer Fechtbuch (Cod.icon. 395)|Munich Ⅲ]]. Of those that were left out, [[Oplodidaskalia sive Armorvm Tractandorvm Meditatio Alberti Dvreri (MS 26-232)|Vienna Ⅱ]], [[Goliath Fechtbuch (MS Germ.Quart.2020)|Kraków]], [[Opus Amplissimum de Arte Athletica (Cod.icon. 393)|Munich Ⅰ]], and [[Talhoffer Fechtbuch (2º Col.MS.Philos.61)|Göttingen]] were added by [[Hans-Peter Hils]] in his 1985 update ''Meister Johann Liechtenauers Kunst des langen Schwertes''. | ||
+ | |||
+ | Of the remaining three known copies, the [[Glasgow Fechtbuch (MS E.1939.65.341)|Glasgow Fechtbuch]] was identified in [[Sydney Anglo]]'s 2000 opus as merely "[R. L.] Scott's Liechtenauer MS",<ref>Sydney Anglo. ''The Martial Arts of Renaissance Europe''. New Haven and London: Yale University Press, 2000. pp 312-315.</ref> but had been fully profiled by 2008 when [[Rainer Leng]] published his catalog. The [[Talhoffer Fechtbuch (MS 26.236)|New York version]] has mostly been left out of scholarly literature, though it was known by many HEMA researchers and was even the subject of an essay by [[Daniel Jaquet]] published by [[Metropolitan Museum of Art|the Met]] in 2018.<ref>Daniel Jaquet. "Hans Talhoffer’s Fight Book, a Sixteenth-Century Manuscript about the Art of Fighting." ''Heilbrunn Timeline of Art History''. https://www.metmuseum.org/toah/hd/fight/hd_fight.htm. Retrieved 02 MAY 2023.</ref> Finally, the [[Ortenburg Fechtbuch]] was discovered by Hils in the 80s, only to be lost again ever after; microfilm scans that Hils bought at the time were finally the subject of an extensive book by [[Dierk Hagedorn]] published in 2023 as ''Das Ortenburger Fechtbuch'', including the first transcription, modernization, and other analysis. | ||
+ | |||
+ | The earliest work on Ott is inseparable from work on Ringeck, because of the previously-mentioned attribution of the Dresden manuscript to Ringeck. Thus, the first transcription of any part of the text would be Wierschin's transcription of the Dresden version in 1965, the first German modernization was made by [[Christoph Kaindel]] in the 1990s, and the first English translation was authored in 1999 by [[Alex Kiermayer]]. Another English translation was produced by [[Christian Tobler]] and published in 2001 by [[Chivalry Bookshelf]] in ''Secrets of German Medieval Swordsmanship'', and a third English translation was produced by [[David Lindholm]] and published in 2005 by [[Paladin Press]] as part of ''Sigmund Ringeck's Knightly Arts of Combat: Sword-and-Buckler Fighting, Wrestling, and Fighting in Armor''. | ||
+ | |||
+ | Possibly the first dedicated work on Ott (under his own name) was done by [[Monika Maziarz]], who transcribed the Rome, Augsburg, Salzburg, and Kraków versions between 2002 and 2004 and posted them on the ARMA-PL site. | ||
+ | |||
+ | The first English and Solvenian translations of a complete version of Ott (rather than the Dresden fragment) were created by [[Gregor Medvešek]] in 2010. | ||
+ | |||
+ | In 2015, [[Kendra Brown]], [[Nicole Brynes]], [[Michael Chidester]], [[Rebecca Garber]], [[Mark Millman]], members of the [[Cambridge HEMA Society]] (CHEMAS), transcribed and translated the German and Latin versions of Ott in [[Paulus Hector Mair]]'s Vienna Ⅲ. The transcriptions were donated to Wiktenauer but the translation was saved until it could be edited and refined. | ||
+ | |||
+ | In 2017, [[Laurent Ott]] completed a new transcription of the Rome version and a French translation, posting it on the [[Gagschola]] site. | ||
+ | |||
+ | However, most work on Ott has been done as part of larger projects processing an entire manuscript. In 2006, [[Carsten Lorbeer]], [[Julia Lorbeer]], [[Andreas Meier]], [[Marita Wiedner]], and [[Johann Heim]], working as part of the [[Gesellschaft für pragmatische Schriftlichkeit]], authored a complete transcription of the Vienna Ⅰ manuscript as part of their [[Paulus Kal]] project (which was eventually posted on that site). Also in 2006, [[Dierk Hagedorn]] authored a new transcription of the entire Rome manuscript as well as a German modernization, posting both on the Hammaborg site. These were subsequently published by [[VS-Books]] in ''Transkription und Übersetzung der Handschrift 44 A 8'' in 2008. Over the subsequent decade, Dierk would go on to likewise transcribe the entirety of the manuscripts containing the Gotha, Augsburg, Vienna Ⅰ, Dresden Ⅰ, Glasgow Ⅰ, and Vienna Ⅱ, all of which were likewise released on Hammaborg. In 2012, [[Pierre-Henry Bas]] transcribed large sections of the Dresden version of Mair's work for his dissertation and released them on his blog REGHT, including Ott. | ||
− | + | In 2010, [[Christian Henry Tobler]]'s complete English translation of the Rome manuscript was published by [[Freelance Academy Press]] as ''In Saint George's Name: An Anthology of Medieval German Fighting Arts''; this translation was also used by [[Jessica Finley]] in her 2014 book on Ott, also published by Freelance. In 2017, [[Rainer Welle]] published a complete transcription of the Kraków manuscript in ''Codices manuscripti & impressi'' (Supp. 12) as "Ein unvollendetes Meisterwerk der Fecht- und Ringkampfliteratur des 16. Jahrhunderts sucht seinen Autor: der Landshuter Holzschneider und Maler Georg Lemberger als Fecht- und Ringbuchillustrator?" | |
− | + | Several of Dierk Hagedorn's transcriptions also turned into books. His Augsburg transcription was published in 2017 by VS-Books in ''Jude Lew: Das Fechtbuch'' along with modernizations and English translations by various others; Ott's section was modernized and translated by Anneka Fleischhauer. He combined his Rome transcription with Tobler's English translation to create ''The Peter von Danzig Fight Book'', published by Freelance Academy Press in 2021. His Vienna Ⅱ transcription and German modernization was published by VS-Books as ''Albrecht Dürer. Das Fechtbuch'' in 2021, and was published by [[Greenhill Books]] along with his English translation as ''Dürer's Fight Book: The Genius of the German Renaissance and his Combat Treatise'' in 2022. | |
== Treatise == | == Treatise == | ||
− | {{ | + | {{Special:RunQuery/Ott Jud}} |
− | + | <h3 style="display: none;> Teachings of Ott Jud </h3> | |
− | + | <div id="main" style="background:transparent; clear:both; font-weight:normal; padding:3px; text-align:left; width:0em; min-width:0em;"> | |
− | + | <table class="master sortable" style="clear:right;"> | |
− | + | <tr> | |
− | + | <th id="MainIllustrations0">Illustrations<br/>from the Kraków</th> | |
− | + | <th id="MainMedvesek0">{{rating|C|Draft Translation (from the Rome)}} (2010)<br/>by [[Gregor Medvešek]]</th> | |
− | + | <th id="MainAlexAlmirena0">{{rating|start|Incomplete Translation (from the Dresden)}} (2002)<br/>by [[Alex and Almirena]]</th/> | |
− | + | <th id="MainGotha0">[[Talhoffer Fechtbuch (MS Chart.A.558)|Gotha Version]] (1448){{edit index|Talhoffer Fechtbuch (MS Chart.A.558)}}<br/>Transcribed by [[Dierk Hagedorn]]</th> | |
− | + | <th id="MainRome0">[[Starhemberg Fechtbuch (Cod.44.A.8)|Rome Version]] (1452){{edit index|Starhemberg Fechtbuch (Cod.44.A.8)}}<br/>Transcribed by [[Dierk Hagedorn]]</th> | |
− | + | <th id="MainAugsburg0">[[Codex Lew (Cod.I.6.4º.3)|Augsburg Version]] (1460s){{edit index|Codex Lew (Cod.I.6.4º.3)}}<br/>Transcribed by [[Dierk Hagedorn]]</th> | |
− | + | <th id="MainViennaa0">[[Paulus Kal Fechtbuch (MS KK5126)|Vienna Version Ⅰ]] (ca.1480){{edit index|Paulus Kal Fechtbuch (MS KK5126)}}<br/>Transcribed by [[Dierk Hagedorn]]</th> | |
− | + | <th id="MainOrtenburg0">[[Ortenburg Fechtbuch]] (1400s)</th> | |
− | + | <th id="MainSalzburg0">[[Codex Speyer (MS M.I.29)|Salzburg Version]] (1491){{edit index|Codex Speyer (MS M.I.29)}}<br/>Transcribed by [[Dierk Hagedorn]]</th> | |
− | + | <th id="MainDresdena0">[[Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)|Dresden Version]] (1504-1519){{edit index|Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)}}<br/>Transcribed by [[Dierk Hagedorn]]</th> | |
− | + | <th id="MainGlasgowa0">[[Glasgow Fechtbuch (MS E.1939.65.341)|Glasgow Version Ⅰ]] (1508){{edit index|Glasgow Fechtbuch (MS E.1939.65.341)}}<br/>Transcribed by [[Dierk Hagedorn]]</th> | |
− | + | <th id="MainViennab0">[[Oplodidaskalia sive Armorvm Tractandorvm Meditatio Alberti Dvreri (MS 26-232)|Vienna Version Ⅱ]] (1512){{edit index|Oplodidaskalia sive Armorvm Tractandorvm Meditatio Alberti Dvreri (MS 26-232)}}<br/>Transcribed by [[Dierk Hagedorn]]</th> | |
− | + | <th id="MainKrakow0">[[Goliath Fechtbuch (MS Germ.Quart.2020)|Kraków Version]] (1535-40){{edit index|Goliath Fechtbuch (MS Germ.Quart.2020)}}<br/>Transcribed by [[Monika Maziarz]]</th> | |
− | + | <th id="MainWassmannsdorff0">[[Wassmannsdorff's Fechtbuch|Wassmannsdorff Version]] (1539){{edit index|Wassmannsdorff's Fechtbuch}}<br/>Transcribed by [[Karl Wassmannsdorff]] and [[Michael Chidester]]</th> | |
− | + | <th id="MainDresdenb0">[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden (Mair) Version]] (1540s){{edit index|Opus Amplissimum de Arte Athletica (MS Dresd.C.94)}}<br/>Transcribed by [[Pierre-Henry Bas]]</th> | |
− | + | <th id="MainViennac0">[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna (Mair) German Version]] (1550s){{edit index|Opus Amplissimum de Arte Athletica (Cod.10826)}}<br/>Transcribed by [[Nicole Brynes]], [[Rebecca Garber]], [[Mark Millman]]</th> | |
− | + | <th id="MainMunicha0">[[Opus Amplissimum de Arte Athletica (Cod.icon. 393)|Munich (Mair) Version]] (1540s){{edit index|Opus Amplissimum de Arte Athletica (Cod.icon. 393 I)}}<br/>Transcription open for editing</th> | |
− | + | <th id="MainViennad0">[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna (Mair) Latin Version]] (1550s){{edit index|Opus Amplissimum de Arte Athletica (Cod.10826)}}<br/>Transcribed by [[Kendra Brown]], [[Rebecca Garber]]</th> | |
− | + | <th id="MainMunichb0">[[Maister Liechtenawers Kunstbuech (Cgm 3712)|Munich Version Ⅱ]] (1556){{edit index|Maister Liechtenawers Kunstbuech (Cgm 3712)}}</th> | |
+ | <th id="MainNewYork0">[[Talhoffer Fechtbuch (MS 26.236)|New York Version]] (1500s){{edit index|Talhoffer Fechtbuch (MS 26.236)}}</th> | ||
+ | <th id="MainGottingen0">[[Talhoffer Fechtbuch (2º Col.MS.Philos.61)|Göttingen Version]] (1600s){{edit index|Talhoffer Fechtbuch (2º Col.MS.Philos.61)}}</th> | ||
+ | <th id="MainMunichc0">[[Talhoffer Fechtbuch (Cod.icon. 395)|Munich Version Ⅲ]] (ca. 1820){{edit index|Talhoffer Fechtbuch (Cod.icon. 395)}}</th> | ||
+ | </tr> | ||
− | + | {{Ott row main|1 | |
− | + | | {{section|Page:MS Chart.A.558 109v.jpg|1|lbl=109v.1}} | |
− | | {{section|Page:MS Chart.A.558 109v.jpg|1|lbl=109v}} | + | | {{section|Page:Cod.44.A.8 100v.jpg|1|lbl=100v.1}} |
− | | {{section|Page:Cod. | + | | {{section|Page:Cod.I.6.4º.3 085r.jpg|1|lbl=85r.1}} |
− | | {{section|Page:Cod. | + | | {{section|Page:MS KK5126 122v.jpg|8|lbl=122v.8}} |
− | | {{section|Page:MS KK5126 122v.jpg|8|lbl=122v}} | + | | <p><small>[53r.2]</small></p> |
− | | {{section|Page:MS M.I.29 119r.jpg|1|lbl=119r | + | | {{section|Page:MS M.I.29 119r.jpg|1|lbl=119r.1}} |
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+ | | {{section|Page:MS E.1939.65.341 067r.jpg|1|lbl=67r.1}} | ||
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+ | | {{section|Page:MS Germ.Quart.2020 131r.jpg|1|lbl=131r.1}} | ||
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+ | | {{section|page:Cgm 3712 038r.jpg|1|lbl=38r.1}} | ||
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+ | }} | ||
− | + | {{Ott row main|2 | |
− | + | | {{section|Page:MS Chart.A.558 109v.jpg|2|lbl=109v.2}} | |
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− | | {{section|Page:MS Chart.A.558 109v.jpg|2|lbl= | ||
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| <p><br/><br/></p> | | <p><br/><br/></p> | ||
− | {{section|Page:Cod.44.A.8 100v.jpg|2|lbl= | + | {{section|Page:Cod.44.A.8 100v.jpg|2|lbl=100v.2}} |
+ | | {{section|Page:Cod.I.6.4º.3 085r.jpg|2|lbl=85r.2}} | ||
| <p><br/><br/></p> | | <p><br/><br/></p> | ||
− | {{section|Page:MS KK5126 122v.jpg|9|lbl= | + | {{section|Page:MS KK5126 122v.jpg|9|lbl=122v.9}} |
− | | {{section|Page:MS M.I.29 119r.jpg|2|lbl= | + | | <p><small>[53r.2]</small></p> |
+ | | {{section|Page:MS M.I.29 119r.jpg|2|lbl=119r.2}} | ||
| | | | ||
− | | {{section|Page:MS E.1939.65.341 067r.jpg|2|lbl= | + | | {{section|Page:MS E.1939.65.341 067r.jpg|2|lbl=67r.2}} |
− | | {{section|Page:MS 26-232 100v.png|8|lbl=100v}} | + | | {{section|Page:MS 26-232 100v.png|8|lbl=100v.8}} |
+ | | {{section|Page:MS Germ.Quart.2020 131r.jpg|2|lbl=131r.2}} | ||
+ | | <p><small>[1]</small> '''''Item'''''<ref>This column is not a true transcription of the first fragment of Ott in Wassmannsdorff's manuscript. It is, instead, a version of Wassmannsdorff's transcription of the [[Codex Lew (Cod.I.6.4º.3)|Augsburg version]] incorporating the differences between the two that he notes in his apparatus. It is placed here to offer a rough idea of the contents of this section in the absence of the actual manuscript or complete transcription. After the 22nd play, the footnotes stop (except for a single note in 66 referring to the poetic portion). This doesn't necessarily mean that the treatise stops there before resuming at 49, since it's possible that there are additional paragraphs which simply have no differences from the Augsburg; without access to the manuscript, there's no way to know.</ref><br/><br/></p> | ||
+ | |||
+ | <p>''In allen Ringen füllen drei ding sein Das erst kunst Das ander Schnelligkeit. Daz dritt ist recht anlegung d<sup>r</sup> schritt[!] Darümb soltu mercken das pest ist schnelligkeit die laß nit zu brauchen komen Darnach soltu mercken das man allen krancken sol vor Ringen vnd allen starcken nachringen vnd In allem vorringen wardt der schnelligkeitt In allē mit ringen wart der wag vnd In allē nachringen wart der kniepüg.''</p> | ||
+ | | {{section|Page:MS Dresd.C.94 114r.png|2|lbl=114r.2}} | ||
+ | | {{section|Page:Cod.10826 087r.png|1|lbl=87r.1}} | ||
+ | | {{section|Page:Cod.icon. 393 I 292r.jpg|1|lbl=292r.1}} | ||
+ | | {{section|Page:Cod.10826 104r.png|1|lbl=104r.1}} | ||
+ | | {{section|page:Cgm 3712 038r.jpg|2|lbl=38r.2}} | ||
| | | | ||
− | |||
− | |||
− | |||
− | |||
| | | | ||
| | | | ||
+ | }} | ||
+ | |||
+ | {{Ott row main|3 | ||
| | | | ||
+ | | {{section|Page:Cod.44.A.8 100v.jpg|3|lbl=100v.3}} | ||
| | | | ||
+ | {{section|Page:Cod.I.6.4º.3 085r.jpg|3|lbl=85r.3|p=1}} {{section|Page:Cod.I.6.4º.3 085v.jpg|1|lbl=85v.1|p=1}} | ||
+ | | <p><br/></p> | ||
− | | | + | {{section|Page:MS KK5126 122v.jpg|10|lbl=122v.10|p=1}} {{section|Page:MS KK5126 123r.jpg|1|lbl=123r.1|p=1}} |
− | | | + | | <p><small>[53r.4]</small></p> |
− | + | | {{section|Page:MS M.I.29 119r.jpg|3|lbl=119r.3}} | |
− | < | + | | |
− | | | + | | {{section|Page:MS E.1939.65.341 067r.jpg|3|lbl=67r.3}} |
+ | | {{section|Page:MS 26-232 100v.png|9|lbl=100v.9}} | ||
| | | | ||
− | {{section|Page: | + | {{section|Page:MS Germ.Quart.2020 131r.jpg|3|lbl=131r.3|p=1}} {{section|Page:MS Germ.Quart.2020 131v.jpg|1|lbl=131v.1|p=1}} |
− | + | | <p>'''''Item'''''</p> | |
− | | <p> | ||
− | + | <p>''wenn du mit einem Ringen wilt auß den armen So gedenck albeg das du In fassest mit deiner lincken haut du mans seines rechten armes vnd mit deiner rechten hant In außwendig fasset seinen lincken armes vnd mit d<sup>r</sup> linckē haut, die du dan der mauß hast, truck frisch zu rucke vnd mit dein<sup>r</sup> rechten hant begreif Im sein lincke hant vorn vnd zuck vast zu dir vnd wann du in einen also gevast hast, So treib die ringen die hienach geschrieben sein welches dich am pesten dunket.''</p> | |
− | + | | {{section|Page:MS Dresd.C.94 114v.png|1|lbl=114v.1}} | |
− | |||
− | |||
− | |||
− | |||
− | | {{section|Page:MS Dresd.C.94 114v.png|1|lbl=114v | ||
− | |||
− | |||
− | |||
− | |||
| | | | ||
+ | {{section|Page:Cod.10826 087r.png|2|lbl=87r.2|p=1}} {{section|Page:Cod.10826 087v.png|1|lbl=87v.1|p=1}} | ||
+ | | {{section|Page:Cod.icon. 393 I 292r.jpg|2|lbl=292r.2}} | ||
+ | | {{section|Page:Cod.10826 104r.png|2|lbl=104r.2}} | ||
+ | | {{section|page:Cgm 3712 038r.jpg|3|lbl=38r.3}} | ||
| | | | ||
| | | | ||
| | | | ||
+ | }} | ||
− | | | + | {{Ott row main image|4 |
− | | | + | | [[File:MS Germ.Quart.2020 132r.jpg|400x400px|center]] |
+ | | <p><br/><br/></p> | ||
− | + | {{section|Page:MS Chart.A.558 109v.jpg|3|lbl=109v.2}} | |
− | + | | {{section|Page:Cod.44.A.8 101r.jpg|1|lbl=101r.1}} | |
− | + | | {{section|Page:Cod.I.6.4º.3 085v.jpg|2|lbl=85v.2}} | |
− | {{section|Page:MS Chart.A.558 109v.jpg|3|lbl= | + | | <p><br/><br/></p> |
− | | {{section|Page:Cod. | ||
− | | {{section|Page:Cod. | ||
− | | <p><br/></p> | ||
− | {{section|Page:MS KK5126 123r.jpg|2|lbl= | + | {{section|Page:MS KK5126 123r.jpg|2|lbl=123r.2}} |
− | | {{section|Page:MS M.I.29 119v.jpg|1|lbl=119v}} | + | | <p><small>[53r.5] [53v.1]</small></p> |
+ | | {{section|Page:MS M.I.29 119v.jpg|1|lbl=119v.1}} | ||
| | | | ||
| | | | ||
− | {{section|Page:MS E.1939.65.341 067r.jpg|4|lbl= | + | {{section|Page:MS E.1939.65.341 067r.jpg|4|lbl=67r.4|p=1}} {{section|Page:MS E.1939.65.341 067v.jpg|1|lbl=67v.1|p=1}} |
− | | {{section|Page:MS 26-232 100v.png|10|lbl= | + | | {{section|Page:MS 26-232 100v.png|10|lbl=100v.10}} |
| | | | ||
− | | {{section|Page:MS Dresd.C.94 114v.png|2|lbl= | + | {{section|Page:MS Germ.Quart.2020 131v.jpg|2|lbl=131v.2|p=1}} {{section|Page:MS Germ.Quart.2020 132r.jpg|1|lbl=132r.1|p=1}} |
− | | {{section|Page:Cod.10826 087v.png|2|lbl= | + | | <p>'''''Item Das erst stuck'''''<br/><br/></p> |
+ | |||
+ | <p>''wann du In also geuasset hast So far mit deiner lincken hant auß seinem rechten arm vnd begreiff (In vnnter seiner rechten hand vnd zeug dan czu dir vnd mit der rechten hant) die du sein lincke hant Innen hast Stos Im den arm von dir So ve<sup>r</sup>ruckstu Im den arm.''</p> | ||
+ | | {{section|Page:MS Dresd.C.94 114v.png|2|lbl=114v.2}} | ||
+ | | {{section|Page:Cod.10826 087v.png|2|lbl=87v.2}} | ||
| | | | ||
− | {{section|Page:Cod.icon. 393 I 292r.jpg|3|lbl= | + | {{section|Page:Cod.icon. 393 I 292r.jpg|3|lbl=292r.3|p=1}} {{section|Page:Cod.icon. 393 I 292v.jpg|1|lbl=292v.1|p=1}} |
− | | {{section|Page:Cod.10826 104r.png|3|lbl= | + | | {{section|Page:Cod.10826 104r.png|3|lbl=204r.3}} |
+ | | {{section|page:Cgm 3712 038r.jpg|4|lbl=38r.4}} | ||
| | | | ||
| | | | ||
| | | | ||
− | + | }} | |
− | |||
− | |||
− | |||
− | + | {{Ott row main image|5 | |
− | | {{section|Page:MS Chart.A.558 109v.jpg|4|lbl= | + | | [[File:MS Germ.Quart.2020 132v.jpg|400x400px|center]] |
+ | | {{section|Page:MS Chart.A.558 109v.jpg|4|lbl=109v.4}} | ||
+ | | {{section|Page:Cod.44.A.8 101r.jpg|2|lbl=101r.2}} | ||
| | | | ||
− | {{section|Page:Cod.I.6.4º.3 085v.jpg|3|lbl= | + | {{section|Page:Cod.I.6.4º.3 085v.jpg|3|lbl=85v.3|p=1}} {{section|Page:Cod.I.6.4º.3 086r.jpg|1|lbl=86r.1|p=1}} |
− | |||
| <p><br/></p> | | <p><br/></p> | ||
− | {{section|Page:MS KK5126 123r.jpg|3|lbl= | + | {{section|Page:MS KK5126 123r.jpg|3|lbl=123r.3}} |
− | | {{section|Page:MS M.I.29 119v.jpg|2|lbl= | + | | <p><small>[53v.2]</small></p> |
− | + | | {{section|Page:MS M.I.29 119v.jpg|2|lbl=119v.2}} | |
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
| | | | ||
+ | | {{section|Page:MS E.1939.65.341 067v.jpg|2|lbl=67v.2}} | ||
+ | | {{section|Page:MS 26-232 100v.png|11|lbl=100v.11}} | ||
+ | | {{section|Page:MS Germ.Quart.2020 132v.jpg|1|lbl=132v.1}} | ||
+ | | <p>'''''Item ein anders auß den vassen.'''''</p> | ||
+ | |||
+ | <p>''Heb Im auf den lincken arm mit deiner rechten hant vnd schleuss mit dem haubt durch den arm vnd zuck Im den über den hals vnd mit der lincken hant begreiff Im sein linckes pein In der kniepiegūg vnd würff In also über den rucke.''</p> | ||
+ | | {{section|Page:MS Dresd.C.94 115r.png|1|lbl=115r.1}} | ||
+ | | {{section|Page:Cod.10826 087v.png|3|lbl=87v.3}} | ||
+ | | {{section|Page:Cod.icon. 393 I 292v.jpg|2|lbl=292v.2}} | ||
+ | | {{section|Page:Cod.10826 104r.png|4|lbl=104r.4}} | ||
+ | | {{section|page:Cgm 3712 038r.jpg|4|lbl=38r.4|p=1}} {{section|page:Cgm 3712 038v.jpg|1|lbl=38v.1|p=1}} | ||
| | | | ||
| | | | ||
| | | | ||
+ | }} | ||
− | + | {{Ott row main|6 | |
− | |||
− | |||
− | |||
| | | | ||
− | {{section|Page:MS Chart.A.558 109v.jpg|5|lbl= | + | {{section|Page:MS Chart.A.558 109v.jpg|5|lbl=109v.5|p=1}} {{section|Page:MS Chart.A.558 110r.jpg|1|lbl=110r.1|p=1}} |
− | | {{section|Page:Cod. | + | | {{section|Page:Cod.44.A.8 101r.jpg|3|lbl=101r.3}} |
− | | {{section|Page:Cod. | + | | {{section|Page:Cod.I.6.4º.3 086r.jpg|2|lbl=86r.2}} |
| <p><br/></p> | | <p><br/></p> | ||
− | {{section|Page:MS KK5126 123r.jpg|4|lbl= | + | {{section|Page:MS KK5126 123r.jpg|4|lbl=123r.4}} |
− | | {{section|Page:MS M.I.29 119v.jpg|3|lbl= | + | | <p><small>[53v.3]</small></p> |
+ | | {{section|Page:MS M.I.29 119v.jpg|3|lbl=119v.3}} | ||
| | | | ||
− | | {{section|Page:MS E.1939.65.341 067v.jpg|3|lbl= | + | | {{section|Page:MS E.1939.65.341 067v.jpg|3|lbl=67v.3}} |
− | | {{section|Page:MS 26-232 100v.png|12|lbl= | + | | {{section|Page:MS 26-232 100v.png|12|lbl=100v.12}} |
− | + | | {{section|Page:MS Germ.Quart.2020 135r.jpg|1|lbl=135r.1}} | |
− | | {{section|Page:MS | + | | <p>'''''Item ein anders auß dem fassen.'''''</p> |
− | | | + | |
− | + | <p>''Heb Im auf den lincken arm mit deiner rechten hant vnd greiff Im mit deiner lincken hant vnden an sein elenpogen vnd zuck damit zu dir vnd mit der rechten stos oben von dir vnd spring mit deinem lincken fuß hintter seinen rechten fuß vn̄ würff In über dein linckes pein &c.''</p> | |
− | | {{section|Page: | + | | {{section|Page:MS Dresd.C.94 115r.png|2|lbl=115r.2}} |
− | |||
| | | | ||
+ | {{section|Page:Cod.10826 087v.png|4|lbl=87v.4|p=1}} {{section|Page:Cod.10826 088r.png|1|lbl=88r.1|p=1}} | ||
+ | | {{section|Page:Cod.icon. 393 I 292v.jpg|3|lbl=292v.3}} | ||
+ | | {{section|Page:Cod.10826 104r.png|5|lbl=104r.5}} | ||
+ | | {{section|page:Cgm 3712 038v.jpg|2|lbl=38v.2}} | ||
| | | | ||
| | | | ||
| | | | ||
+ | }} | ||
− | | | + | {{Ott row main image|7 |
− | | | + | | [[File:MS Germ.Quart.2020 133r.jpg|400x400px|center]] |
− | |||
− | |||
| <p><br/></p> | | <p><br/></p> | ||
− | {{section|Page:MS Chart.A.558 110r.jpg|2|lbl= | + | {{section|Page:MS Chart.A.558 110r.jpg|2|lbl=110r.2}} |
− | + | | {{section|Page:Cod.44.A.8 101r.jpg|4|lbl=101r.4}} | |
− | |||
− | | {{section|Page:Cod.44.A.8 101r.jpg|4|lbl= | ||
− | {{section|Page:Cod.44.A.8 101v.jpg|1|lbl=101v | + | {{section|Page:Cod.44.A.8 101v.jpg|1|lbl=101v.1}} |
− | |||
| | | | ||
− | {{section|Page: | + | {{section|Page:Cod.I.6.4º.3 086r.jpg|3|lbl=86r.3|p=1}} {{section|Page:Cod.I.6.4º.3 086v.jpg|1|lbl=86v.1|p=1}} |
+ | | {{section|Page:MS KK5126 123r.jpg|5|lbl=123r.5}} | ||
+ | | <p><small>[53v.4] [54r.1]</small></p> | ||
| | | | ||
− | + | {{section|Page:MS M.I.29 119v.jpg|4|lbl=119v.4|p=1}} {{section|Page:MS M.I.29 120r.jpg|1|lbl=120r.1|p=1}} | |
− | |||
| | | | ||
− | | {{section|Page:MS Dresd.C.94 115v.png|1|lbl=115v}} | + | | {{section|Page:MS E.1939.65.341 067v.jpg|4|lbl=67v.4}} |
− | | {{section|Page:Cod.10826 088r.png|2|lbl= | + | | {{section|Page:MS 26-232 100v.png|13|lbl=100v.13}} |
− | | {{section|Page:Cod.icon. 393 I 293r.jpg|1|lbl=293r}} | + | | {{section|Page:MS Germ.Quart.2020 133r.jpg|1|lbl=133r.1}} |
− | | {{section|Page:Cod.10826 104r.png|6|lbl= | + | | <p>'''''Item aber eins ausß dem erstenn fassen'''''</p> |
+ | |||
+ | <p>''Halt In vest mit deiner rechten hant sein lincke vnd greif mit deiner lincken hant deiner rechten zu hilff und halt In [!] vest mit beden henden vnd wende dich du<sup>r</sup>ch feinen arm auf dein rechte seitte So gewynnestu Im den ruck an.''</p> | ||
+ | | {{section|Page:MS Dresd.C.94 115v.png|1|lbl=115v.1}} | ||
+ | | {{section|Page:Cod.10826 088r.png|2|lbl=88r.2}} | ||
+ | | {{section|Page:Cod.icon. 393 I 293r.jpg|1|lbl=293r.1}} | ||
+ | | {{section|Page:Cod.10826 104r.png|6|lbl=104r.6}} | ||
+ | | {{section|page:Cgm 3712 038v.jpg|3|lbl=38v.3}} | ||
| | | | ||
| | | | ||
| | | | ||
+ | }} | ||
+ | |||
+ | {{Ott row main|8 | ||
+ | | {{section|Page:MS Chart.A.558 110r.jpg|3|lbl=110r.3}} | ||
+ | | {{section|Page:Cod.44.A.8 101v.jpg|3|lbl=101v.3}} | ||
+ | | {{section|Page:Cod.I.6.4º.3 086v.jpg|2|lbl=86v.2}} | ||
+ | | {{section|Page:MS KK5126 123r.jpg|6|lbl=123r.6}} | ||
+ | | <p><small>[54r.2]</small></p> | ||
+ | | {{section|Page:MS M.I.29 120r.jpg|2|lbl=120r.2}} | ||
| | | | ||
+ | | {{section|Page:MS E.1939.65.341 067v.jpg|5|lbl=67v.5}} | ||
+ | | {{section|Page:MS 26-232 100v.png|14|lbl=100v.14}} | ||
+ | | {{section|Page:MS Germ.Quart.2020 134r.jpg|1|lbl=134r.1}} | ||
+ | | <p>'''''Bruch.'''''</p> | ||
− | + | <p>''wer dir durch gee dem gee mit durch vnd vall In ein ringe In welches du wilt.''</p> | |
− | + | | {{section|Page:MS Dresd.C.94 115v.png|2|lbl=115v.2}} | |
− | + | | {{section|Page:Cod.10826 088r.png|3|lbl=88r.3}} | |
− | + | | {{section|Page:Cod.icon. 393 I 293r.jpg|2|lbl=293r.2}} | |
− | | {{section|Page:MS | + | | {{section|Page:Cod.10826 104r.png|7|lbl=104r.7}} |
− | + | | {{section|page:Cgm 3712 038v.jpg|4|lbl=38v.4}} | |
− | | {{section|Page:Cod. | ||
− | | {{section|Page: | ||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | | {{section|Page:Cod.10826 | ||
− | | {{section| | ||
− | |||
− | |||
| | | | ||
| | | | ||
| | | | ||
+ | }} | ||
− | | | + | {{Ott row main|9 |
− | |||
| <p><br/></p> | | <p><br/></p> | ||
− | {{section|Page:MS Chart.A.558 110r.jpg|4|lbl= | + | {{section|Page:MS Chart.A.558 110r.jpg|4|lbl=110r.4}} |
− | | {{section|Page:Cod.I.6.4º.3 086v.jpg|3|lbl= | + | | |
+ | | {{section|Page:Cod.I.6.4º.3 086v.jpg|3|lbl=86v.3}} | ||
| | | | ||
| | | | ||
− | | {{section|Page:MS M.I.29 120r.jpg|3|lbl= | + | | {{section|Page:MS M.I.29 120r.jpg|3|lbl=120r.3}} |
| | | | ||
− | | {{section|Page:MS E.1939.65.341 067v.jpg|6|lbl= | + | | {{section|Page:MS E.1939.65.341 067v.jpg|6|lbl=67v.6}} |
− | {{section|Page:MS E.1939.65.341 068r.jpg|1|lbl=68r}} | + | {{section|Page:MS E.1939.65.341 068r.jpg|1|lbl=68r.1}} |
− | | {{section|Page:MS 26-232 100v.png|15|lbl= | + | | {{section|Page:MS 26-232 100v.png|15|lbl=100v.15}} |
− | |||
− | |||
− | |||
− | |||
− | |||
| | | | ||
+ | | <p>'''''Item'''''</p> | ||
+ | |||
+ | <p>''halt In vast mit beden henden sein lincke vnd wend dich durch sein arm auf dein lincke seitten.''</p> | ||
+ | | {{section|Page:MS Dresd.C.94 115v.png|3|lbl=115v.3}} | ||
+ | | {{section|Page:Cod.10826 088r.png|4|lbl=88r.4}} | ||
+ | | {{section|Page:Cod.icon. 393 I 293r.jpg|3|lbl=293r.3}} | ||
+ | | {{section|Page:Cod.10826 104r.png|8|lbl=104r.8}} | ||
+ | | {{section|page:Cgm 3712 038v.jpg|5|lbl=38v.5}} | ||
| | | | ||
| | | | ||
| | | | ||
+ | }} | ||
− | + | {{Ott row main|10 | |
− | |||
− | |||
− | |||
| <p><br/></p> | | <p><br/></p> | ||
− | {{section|Page:MS Chart.A.558 110r.jpg|5|lbl= | + | {{section|Page:MS Chart.A.558 110r.jpg|5|lbl=110r.5}} |
− | + | | {{section|Page:Cod.44.A.8 101v.jpg|2|lbl=101v.2}} | |
− | | {{section|Page:Cod.44.A.8 101v.jpg|2|lbl= | + | | {{section|Page:Cod.I.6.4º.3 086v.jpg|4|lbl=86v.4}} |
− | + | | {{section|Page:MS KK5126 123r.jpg|7|lbl=123r.7}} | |
− | | {{section|Page: | + | | <p><small>[54r.3]</small></p> |
− | + | | {{section|Page:MS M.I.29 120r.jpg|4|lbl=120r.4}} | |
− | | {{section|Page:MS | ||
− | | | ||
− | |||
− | | {{section|Page:MS | ||
− | |||
− | |||
− | |||
| | | | ||
+ | | {{section|Page:MS E.1939.65.341 068r.jpg|2|lbl=68r.2}} | ||
+ | | {{section|Page:MS 26-232 100v.png|16|lbl=100v.16}} | ||
+ | | {{section|Page:MS Germ.Quart.2020 133v.jpg|1|lbl=133v.1}} | ||
+ | | <p>'''''Also brich das.'''''</p> | ||
+ | |||
+ | <p>''halt Im sein lincke hant vest mit deinen baidē henden vnd wend dich durch sein arm auf dein lincke seitten vnd zuck Im den lincken arm über dein rechte achseln vnd ruck übersich.''</p> | ||
+ | | {{section|Page:MS Dresd.C.94 116r.png|1|lbl=116r.1}} | ||
+ | | {{section|Page:Cod.10826 088v.png|1|lbl=88v.1}} | ||
+ | | {{section|Page:Cod.icon. 393 I 293v.jpg|1|lbl=293v.1}} | ||
+ | | {{section|Page:Cod.10826 104r.png|9|lbl=104r.9}} | ||
+ | | {{section|page:Cgm 3712 038v.jpg|6|lbl=38v.6}} | ||
| | | | ||
| | | | ||
| | | | ||
+ | }} | ||
+ | |||
+ | {{Ott row main|11 | ||
+ | | <p><br/></p> | ||
− | | | + | {{section|Page:MS Chart.A.558 111r.jpg|4|lbl=111r.4}} |
− | | | + | | {{section|Page:Cod.44.A.8 103r.jpg|3|lbl=103r.3}} |
+ | | {{section|Page:Cod.I.6.4º.3 089r.jpg|2|lbl=89r.2}} | ||
+ | | <p><br/></p> | ||
− | <p> | + | {{section|Page:MS KK5126 123v.jpg|3|lbl=123v.3}} |
+ | | <p><small>[55r.3]</small></p> | ||
+ | | {{section|Page:MS M.I.29 120r.jpg|5|lbl=120r.5}} | ||
| | | | ||
− | {{section|Page:MS | + | | {{section|Page:MS E.1939.65.341 069r.jpg|3|lbl=69r.3}} |
− | | {{section|Page:Cod.I. | + | | {{section|Page:MS 26-232 100v.png|17|lbl=100v.17}} |
+ | | {{section|Page:MS Germ.Quart.2020 137v.jpg|1|lbl=137v.1}} | ||
+ | | <p>'''''Aber ein Ringen.'''''</p> | ||
+ | |||
+ | <p>''Item wann dich einer gefast hat mit payden armen vnd du In wid<sup>r</sup> Helt er dich laß, so slag Im sein lincken arm auß mit deiner rechten hant von oben nider vnd begreif Im damit sein linckes pein In der kniepiegung vnd zuck zu dir vnd mit der lincken hant stos In vorn an die prust an seiner lincken seitten So muß er vallen.''</p> | ||
+ | | {{section|Page:MS Dresd.C.94 118r.png|2|lbl=118r.2}} | ||
+ | | {{section|Page:Cod.10826 090r.png|2|lbl=90r.2}} | ||
+ | | {{section|Page:Cod.icon. 393 I 295r.jpg|2|lbl=295r.2}} | ||
+ | | {{section|Page:Cod.10826 104v.png|3|lbl=104v.3}} | ||
+ | | {{section|page:Cgm 3712 040r.jpg|2|lbl=40r.2}} | ||
| | | | ||
− | |||
− | |||
− | |||
| | | | ||
− | |||
| | | | ||
+ | }} | ||
+ | |||
+ | {{Ott row main|12 | ||
| | | | ||
− | + | {{section|Page:MS Chart.A.558 111r.jpg|5|lbl=111r.5|p=1}} {{section|Page:MS Chart.A.558 111v.jpg|1|lbl=111v.1|p=1}} | |
− | + | | {{section|Page:Cod.44.A.8 103r.jpg|4|lbl=103r.4}} | |
− | |||
− | | {{section|Page:Cod. | ||
− | |||
| | | | ||
+ | {{section|Page:Cod.I.6.4º.3 089r.jpg|3|lbl=89r.3|p=1}} {{section|Page:Cod.I.6.4º.3 089v.jpg|1|lbl=89v.1|p=1}} | ||
+ | | {{section|Page:MS KK5126 123v.jpg|4|lbl=123v.4}} | ||
+ | | <p><small>[55r.4]</small></p> | ||
| | | | ||
+ | {{section|Page:MS M.I.29 120r.jpg|6|lbl=120r.6|p=1}} {{section|Page:MS M.I.29 120v.jpg|1|lbl=120v.1|p=1}} | ||
| | | | ||
+ | | {{section|Page:MS E.1939.65.341 069r.jpg|4|lbl=69r.4}} | ||
+ | | {{section|Page:MS 26-232 100v.png|18|lbl=100v.18}} | ||
+ | | {{section|Page:MS Germ.Quart.2020 138r.jpg|1|lbl=138r.1}} | ||
+ | | <p>'''''Also brich das.'''''</p> | ||
− | + | <p>''Item wenn dir einer greifft vorn an die prust mit seiner lincken hant So begreiff Im sein lincke hant mit deiner lincken vnd reibe vmb vnd mit deiner rechte hant nym Im das gewicht pej dem lincken elenpogen.''</p> | |
− | + | | {{section|Page:MS Dresd.C.94 118v.png|1|lbl=118v.1}} | |
− | + | | {{section|Page:Cod.10826 090r.png|3|lbl=90r.3}} | |
− | <p> | + | | {{section|Page:Cod.icon. 393 I 295r.jpg|3|lbl=295r.3}} |
− | + | | {{section|Page:Cod.10826 104v.png|4|lbl=104v.4}} | |
− | + | | {{section|page:Cgm 3712 040r.jpg|3|lbl=40r.3}} | |
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | | {{section|Page:MS Dresd.C.94 | ||
− | | | ||
− | {{section|Page:Cod.10826 | ||
− | | | ||
− | {{section|Page:Cod.icon. 393 I | ||
− | | {{section| | ||
− | |||
| | | | ||
| | | | ||
| | | | ||
+ | }} | ||
+ | |||
+ | {{Ott row main|13 | ||
+ | | {{section|Page:MS Chart.A.558 111v.jpg|2|lbl=111v.2}} | ||
+ | | <p><br/></p> | ||
− | | | + | {{section|Page:Cod.44.A.8 103r.jpg|5|lbl=103r.5}} |
− | | | + | | {{section|Page:Cod.I.6.4º.3 089v.jpg|2|lbl=89v.2}} |
+ | | <p><br/></p> | ||
− | <p> | + | {{section|Page:MS KK5126 123v.jpg|5|lbl=123v.5}} |
+ | | <p><small>[55r.5]</small></p> | ||
+ | | {{section|Page:MS M.I.29 120v.jpg|2|lbl=120v.2}} | ||
+ | | | ||
+ | | {{section|Page:MS E.1939.65.341 069r.jpg|5|lbl=69r.5}} | ||
| <p><br/></p> | | <p><br/></p> | ||
− | {{section|Page:MS | + | {{section|Page:MS 26-232 100v.png|19|lbl=100v.19}} |
− | |||
− | |||
| <p><br/></p> | | <p><br/></p> | ||
− | {{section|Page:MS | + | {{section|Page:MS Germ.Quart.2020 138r.jpg|2|lbl=138r.2}} |
− | + | | <p>'''''Item'''''</p> | |
− | + | ||
− | + | <p>''oder stos mit deiner rechtē hant seinen lincken elenpogen über sich vnd wend In also von dir &c.''</p> | |
− | + | | <p><br/></p> | |
− | |||
− | |||
− | | | ||
− | |||
− | |||
− | |||
− | |||
− | |||
− | | | ||
− | | | + | {{section|Page:MS Dresd.C.94 118v.png|2|lbl=118v.2}} |
− | | <p> | + | | <p><br/></p> |
− | + | {{section|Page:Cod.10826 090v.png|1|lbl=90v.1}} | |
| <p><br/></p> | | <p><br/></p> | ||
− | {{section|Page: | + | {{section|Page:Cod.icon. 393 I 295v.jpg|1|lbl=295v.1}} |
− | |||
− | |||
| <p><br/></p> | | <p><br/></p> | ||
− | {{section|Page: | + | {{section|Page:Cod.10826 104v.png|5|lbl=104v.5}} |
− | | {{section| | + | | {{section|page:Cgm 3712 040r.jpg|4|lbl=40r.4}} |
| | | | ||
− | |||
| | | | ||
| | | | ||
− | + | }} | |
− | |||
− | |||
− | {{ | + | {{Ott row main image|14 |
− | + | | [[File:MS Germ.Quart.2020 134v.jpg|400x400px|center]] | |
− | |||
− | |||
| | | | ||
+ | {{section|Page:MS Chart.A.558 110r.jpg|6|lbl=110r.6|p=1}} {{section|Page:MS Chart.A.558 110v.jpg|1|lbl=110v.1|p=1}} | ||
| | | | ||
+ | {{section|Page:Cod.44.A.8 101v.jpg|4|lbl=101v.4|p=1}} {{section|Page:Cod.44.A.8 102r.jpg|1|lbl=102r.1|p=1}} | ||
+ | | {{section|Page:Cod.I.6.4º.3 087r.jpg|1|lbl=87r.1}} | ||
+ | | {{section|Page:MS KK5126 123r.jpg|8|lbl=123r.8}} | ||
+ | | <p><small>[54r.4]</small></p> | ||
+ | | {{section|Page:MS M.I.29 120v.jpg|3|lbl=120v.3}} | ||
| | | | ||
+ | | {{section|Page:MS E.1939.65.341 068r.jpg|3|lbl=68r.3}} | ||
| | | | ||
+ | | {{section|Page:MS Germ.Quart.2020 134r.jpg|2|lbl=134r.2}} | ||
+ | | <p>'''''Ein anders'''''<br/><br/></p> | ||
− | + | <p>''wann dir einer hat genast dein lincke hant mit seiner recht‾ vnd will mit seiner linken hant vntten durch greiffen an deinem elenpogen vnd will dir den v<sup>r</sup>rencken oder wil seiner rechten hant zuhilff kom̄en vnd sich durch den winden die weil er mit der lincken der rechten zuhilff greiffet oder nach dem elenpogen In dēselben so far Im mit deinem rechtē arm oben über sein lincken In sein rechte seitten vnd faß In In d<sup>r</sup> wieste vnd spring mit deinem rechten fuß hintter sein lincken fuß vnd würff In auß dem lincken fuß über dein rechtes pein &c.''</p> | |
− | + | | {{section|Page:MS Dresd.C.94 116r.png|2|lbl=116r.2}} | |
− | + | | {{section|Page:Cod.10826 088v.png|2|lbl=88v.2}} | |
− | < | + | | {{section|Page:Cod.icon. 393 I 293v.jpg|2|lbl=293v.2}} |
− | + | | {{section|Page:Cod.10826 104r.png|10|lbl=104r.10}} | |
+ | | {{section|page:Cgm 3712 039r.jpg|1|lbl=39r.1}} | ||
+ | | | ||
+ | | | ||
+ | | | ||
+ | }} | ||
− | {{section|Page:MS Chart.A.558 110v.jpg| | + | {{Ott row main|15 |
− | | {{section|Page:Cod. | + | | {{section|Page:MS Chart.A.558 110v.jpg|2|lbl=110v.2}} |
+ | | {{section|Page:Cod.44.A.8 102r.jpg|2|lbl=102r.2}} | ||
| | | | ||
− | {{section|Page:Cod. | + | {{section|Page:Cod.I.6.4º.3 087r.jpg|2|lbl=87r.2|p=1}} {{section|Page:Cod.I.6.4º.3 087v.jpg|1|lbl=87v.1|p=1}} |
| <p><br/></p> | | <p><br/></p> | ||
− | {{section|Page:MS KK5126 123r.jpg| | + | {{section|Page:MS KK5126 123r.jpg|9|lbl=123r.9}} |
− | | {{section|Page:MS M.I.29 | + | | <p><small>[54r.5]</small></p> |
+ | | {{section|Page:MS M.I.29 120v.jpg|4|lbl=120v.4}} | ||
| | | | ||
− | | {{section|Page:MS E.1939.65.341 | + | | {{section|Page:MS E.1939.65.341 068r.jpg|4|lbl=68r.4}} |
| | | | ||
| | | | ||
− | | {{section|Page:MS Dresd.C.94 | + | | <p><br/></p> |
+ | |||
+ | <p>''Greifft dich einer oben an neben die arm mit sterck vnd helt dich vest vnd wil dich daugen So far mit deinem rechten arm aussen über sein lincken arm pej seiner hant vnd begreiff mit der lincken sein rechte vnd druck mit beden sein henden vast an die brust.''</p> | ||
+ | | {{section|Page:MS Dresd.C.94 116v.png|1|lbl=116v.1}} | ||
| | | | ||
− | {{section|Page:Cod.10826 | + | {{section|Page:Cod.10826 088v.png|3|lbl=88v.3|p=1}} {{section|Page:Cod.10826 089r.png|1|lbl=89r.1|p=1}} |
− | |||
− | |||
− | |||
| | | | ||
+ | {{section|Page:Cod.icon. 393 I 293v.jpg|3|lbl=293v.3|p=1}} {{section|Page:Cod.icon. 393 I 294r.jpg|1|lbl=294r.1|p=1}} | ||
+ | | {{section|Page:Cod.10826 104r.png|11|lbl=104r.11}} | ||
+ | | {{section|page:Cgm 3712 039r.jpg|2|lbl=39r.2}} | ||
| | | | ||
| | | | ||
| | | | ||
+ | }} | ||
− | | | + | {{Ott row main|16 |
− | | <p> | + | | <p><br/></p> |
− | + | {{section|Page:MS Chart.A.558 110v.jpg|3|lbl=110v.3}} | |
− | + | | {{section|Page:Cod.44.A.8 102r.jpg|4|lbl=102r.4}} | |
− | | {{section|Page:Cod. | + | | {{section|Page:Cod.I.6.4º.3 087v.jpg|2|lbl=87v.2}} |
− | | {{section|Page:Cod. | ||
| <p><br/></p> | | <p><br/></p> | ||
− | {{section|Page:MS KK5126 123r.jpg| | + | {{section|Page:MS KK5126 123r.jpg|10|lbl=123r.10}} |
+ | | <p><small>[54r.6] [54v.1]</small></p> | ||
+ | | {{section|Page:MS M.I.29 121r.jpg|1|lbl=121r.1}} | ||
| | | | ||
− | {{section|Page:MS | + | | {{section|Page:MS E.1939.65.341 068v.jpg|1|lbl=68v.1}} |
| | | | ||
− | |||
| | | | ||
+ | | <p>'''''Bruch.'''''</p> | ||
+ | |||
+ | <p>''Item strecket er dir die vinger an der hant die du Im an der prust druckest So begreiff die fing<sup>r</sup> mit deiner lincken hant vnd heb übersich auf dein lincke seitten vnd mit der rechtē hant nym Ime das gewicht bej dē elenpogen.''</p> | ||
+ | | {{section|Page:MS Dresd.C.94 116v.png|2|lbl=116v.2}} | ||
+ | | {{section|Page:Cod.10826 089r.png|2|lbl=89r.2}} | ||
+ | | {{section|Page:Cod.icon. 393 I 294r.jpg|2|lbl=294r.2}} | ||
+ | | {{section|Page:Cod.10826 104r.png|12|lbl=104r.12}} | ||
+ | | {{section|page:Cgm 3712 039r.jpg|3|lbl=39r.3}} | ||
| | | | ||
− | |||
− | |||
− | |||
− | |||
| | | | ||
| | | | ||
+ | }} | ||
+ | |||
+ | {{Ott row main|17 | ||
+ | | <p><br/></p> | ||
+ | |||
+ | {{section|Page:MS Chart.A.558 110v.jpg|4|lbl=110v.4}} | ||
+ | | {{section|Page:Cod.44.A.8 102r.jpg|3|lbl=102r.3}} | ||
+ | | {{section|Page:Cod.I.6.4º.3 087v.jpg|3|lbl=87v.3}} | ||
+ | | <p><br/></p> | ||
+ | |||
+ | {{section|Page:MS KK5126 123r.jpg|11|lbl=123r.11}} | ||
+ | | <p><small>[54v.2]</small></p> | ||
+ | | {{section|Page:MS M.I.29 121r.jpg|2|lbl=121r.2}} | ||
+ | | | ||
+ | | {{section|Page:MS E.1939.65.341 068v.jpg|2|lbl=68v.2}} | ||
| | | | ||
| | | | ||
+ | | <p>'''''Bruch.'''''</p> | ||
− | + | <p>''helt er aber zw die handt zu an deiner prust So spring mit deinē rechten fuß vnd<sup>r</sup> seinen linckē vnd greiff mit deiner linckē In die kniepiegung seins lincken susses und heb damit auf vnd mit der rechten hant stoß In obē von dir So vellet er.''</p> | |
− | + | | {{section|Page:MS Dresd.C.94 117r.png|1|lbl=117r.1}} | |
+ | | {{section|Page:Cod.10826 089r.png|3|lbl=89r.3}} | ||
+ | | <p><br/></p> | ||
− | + | {{section|Page:Cod.icon. 393 I 294r.jpg|3|lbl=294r.3}} | |
− | | <p | + | | <p><br/></p> |
− | {{section|Page: | + | {{section|Page:Cod.10826 104r.png|13|lbl=104r.13}} |
− | | {{section| | + | | {{section|page:Cgm 3712 039r.jpg|4|lbl=39r.4}} |
− | |||
| | | | ||
− | |||
− | |||
| | | | ||
| | | | ||
− | {{ | + | }} |
+ | |||
+ | {{Ott row main rowspan a|18 | ||
+ | | [[File:MS Germ.Quart.2020 135v.jpg|400x400px|center]] | ||
+ | | <p><br/></p> | ||
+ | |||
+ | {{section|Page:MS Chart.A.558 110v.jpg|5|lbl=110v.5}} | ||
| | | | ||
+ | {{section|Page:Cod.44.A.8 102r.jpg|5|lbl=102r.5|p=1}} {{section|Page:Cod.44.A.8 102v.jpg|1|lbl=102v.1|p=1}} | ||
+ | | {{section|Page:Cod.I.6.4º.3 088r.jpg|1|lbl=88r.1}} | ||
+ | | <p><br/></p> | ||
+ | |||
+ | {{section|Page:MS KK5126 123r.jpg|12|lbl=123r.12}} | ||
+ | | <p><small>[54v.3]</small></p> | ||
+ | | {{section|Page:MS M.I.29 121r.jpg|3|lbl=121r.3}} | ||
| | | | ||
− | | {{section|Page:MS | + | | {{section|Page:MS E.1939.65.341 068v.jpg|3|lbl=68v.3}} |
− | |||
− | |||
| | | | ||
− | {{section|Page: | + | | {{section|Page:MS Germ.Quart.2020 135v.jpg|1|lbl=135v.1}} |
+ | | <p>'''''Aber ein gut ringen.'''''</p> | ||
+ | |||
+ | <p>''Item helt dich einer las Im den arm wenn du mit Im ringen wilt So greif mit deiner lincke hant oben über sein rechte vnd begreiff Im sein lincke hant vnd zeug auf die linckhe seitten pej den vingern oder sunst vnd heb auf dein lincke seitten vnd mit der rechten nym Im das gewicht bej seinem lincken elenpogen &c.''</p> | ||
+ | | {{section|Page:MS Dresd.C.94 117r.png|2|lbl=117r.2}} | ||
| | | | ||
+ | {{section|Page:Cod.10826 089r.png|4|lbl=89r.4|p=1}} {{section|Page:Cod.10826 089v.png|1|lbl=89v.1|p=1}} | ||
| | | | ||
+ | {{section|Page:Cod.icon. 393 I 294r.jpg|4|lbl=294r.4|p=1}} {{section|Page:Cod.icon. 393 I 294v.jpg|1|lbl=294v.1|p=1}} | ||
+ | | {{section|Page:Cod.10826 104r.png|14|lbl=104r.14}} | ||
+ | | {{section|page:Cgm 3712 039v.jpg|1|lbl=39v.1}} | ||
| | | | ||
| | | | ||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
| | | | ||
− | + | }} | |
− | |||
− | |||
− | |||
− | {{ | + | {{Ott row main rowspan b|19 |
− | |||
− | |||
− | |||
| | | | ||
| | | | ||
− | |||
| | | | ||
− | |||
− | |||
− | |||
| | | | ||
| | | | ||
| | | | ||
| | | | ||
− | |||
− | |||
− | |||
| | | | ||
| | | | ||
− | | {{section|Page: | + | | {{section|Page:MS Germ.Quart.2020 135v.jpg|2|lbl=135-2}} |
| | | | ||
| | | | ||
Line 583: | Line 681: | ||
| | | | ||
| | | | ||
− | + | }} | |
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | {{section|Page:MS Chart.A.558 111r.jpg| | + | {{Ott row main image|20 |
− | | {{section|Page:Cod. | + | | [[File:MS Germ.Quart.2020 136r.jpg|400x400px|center]] |
− | | {{section|Page:Cod. | + | | {{section|Page:MS Chart.A.558 111r.jpg|1|lbl=111r.1}} |
− | | <p><br/></p> | + | | {{section|Page:Cod.44.A.8 102v.jpg|2|lbl=102v.2}} |
+ | | {{section|Page:Cod.I.6.4º.3 088r.jpg|2|lbl=88r.2}} | ||
+ | | <p><br/><br/><br/></p> | ||
− | {{section|Page:MS KK5126 | + | {{section|Page:MS KK5126 123r.jpg|13|lbl=123r.13}} |
− | | | + | | <p><small>[54v.4]</small></p> |
| | | | ||
− | + | {{section|Page:MS M.I.29 121r.jpg|4|lbl=121r.4|p=1}} {{section|Page:MS M.I.29 121v.jpg|1|lbl=121v.1|p=1}} | |
− | |||
| | | | ||
− | | {{section|Page:MS | + | | {{section|Page:MS E.1939.65.341 068v.jpg|4|lbl=68v.4}} |
− | |||
− | |||
− | |||
| | | | ||
+ | | {{section|Page:MS Germ.Quart.2020 136r.jpg|1|lbl=136r.1}} | ||
+ | | <p>'''''Also brich das.'''''<br/><br/><br/></p> | ||
+ | |||
+ | <p>''Item wer dir das tut mit der lincken haut nach dē fing<sup>r</sup> greifft vnd wil dir mit der rechten das gewicht nemen bej dem elenpogenn dem var mit deiner rechten hant vntter seinē lincken arm In die wuest vnd spring mit deinem rechten fusß für vnd würff In also.''</p> | ||
+ | | {{section|Page:MS Dresd.C.94 117v.png|1|lbl=117v.1}} | ||
+ | | {{section|Page:Cod.10826 089v.png|2|lbl=89v.2}} | ||
+ | | {{section|Page:Cod.icon. 393 I 294v.jpg|2|lbl=294v.2}} | ||
+ | | {{section|Page:Cod.10826 104r.png|15|lbl=104r.15}} | ||
+ | | {{section|page:Cgm 3712 039v.jpg|2|lbl=39v.2}} | ||
| | | | ||
| | | | ||
| | | | ||
+ | }} | ||
− | | | + | {{Ott row main|21 |
− | | <p> | + | | <p><br/><br/></p> |
− | + | {{section|Page:MS Chart.A.558 111r.jpg|2|lbl=111r.2}} | |
+ | | {{section|Page:Cod.44.A.8 102v.jpg|3|lbl=102v.3}} | ||
+ | | {{section|Page:Cod.I.6.4º.3 088v.jpg|1|lbl=88v.1}} | ||
| | | | ||
− | {{section|Page:MS | + | {{section|Page:MS KK5126 123r.jpg|14|lbl=123r.14|p=1}} {{section|Page:MS KK5126 123v.jpg|1|lbl=123v.1|p=1}} |
+ | | <p><small>[54v.5] [55r.1]</small></p> | ||
+ | | {{section|Page:MS M.I.29 121v.jpg|2|lbl=121v.2}} | ||
| | | | ||
− | |||
− | |||
− | |||
| | | | ||
− | {{section|Page:MS | + | {{section|Page:MS E.1939.65.341 068v.jpg|5|lbl=68v.5|p=1}} {{section|Page:MS E.1939.65.341 069r.jpg|1|lbl=69r.1|p=1}} |
| | | | ||
− | | {{section|Page:MS | + | | {{section|Page:MS Germ.Quart.2020 136v.jpg|1|lbl=136v.1}} |
− | | | + | | <p><br/></p> |
− | + | ||
− | | {{section|Page:MS Dresd.C.94 | + | <p>''Wann er dir mit der lincken hant dein lincke begreiffe hadt und wil mit der rechten dir das gewicht nemen pej dem lincken elenpogen So sencke dich nider vnd far Im mit dem lincken elenpogen In die wüst vnd spring mit dem lincken fuß hintter sein rechten vnd begreiff Im sein rechten fuß mit deiner rechtē hant Ine d<sup>r</sup> kniepug vnd zuck damit zu dir vnd mit der lincken hant stoß oben von dir So velt er.''</p> |
− | | {{section|Page:Cod.10826 | + | | {{section|Page:MS Dresd.C.94 117v.png|2|lbl=117v.2}} |
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+ | {{section|Page:Cod.44.A.8 102v.jpg|4|lbl=102v.4|p=1}} {{section|Page:Cod.44.A.8 103r.jpg|1|lbl=103r.1|p=1}} | ||
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+ | {{section|Page:Cod.I.6.4º.3 088v.jpg|2|lbl=88v.2|p=1}} {{section|Page:Cod.I.6.4º.3 089r.jpg|1|lbl=89r.1|p=1}} | ||
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− | {{section|Page:MS KK5126 123v.jpg| | + | {{section|Page:MS KK5126 123v.jpg|2|lbl=123v.2}} |
− | | {{section|Page:MS M.I.29 | + | | <p><small>[55r.2]</small></p> |
+ | | {{section|Page:MS M.I.29 121v.jpg|3|lbl=121v.3}} | ||
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− | | | + | | {{section|Page:MS Germ.Quart.2020 137r.jpg|1|lbl=137r.1}} |
− | + | | <p>'''''Item'''''</p> | |
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− | {{section|Page: | + | <p>''wann dir ainer pegreyfft dei n lincke hant mit seiner lincken vnd nympt dir dz gewicht mit seiner rechten vnd er stost dir dein elpogen. vernim dein linckhe {{dec|s|so far}} hoch auf, vnd so wend dich mit dem haubt dar durch vnd far Im mit dem rechte arm In sein lincke wüsten vnd spring mit deinem rechten fuß vnder seinen rechten vnd würff In über dein rechte hüff.''</p> |
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+ | {{section|page:Cgm 3712 039v.jpg|4|lbl=39v.4|p=1}} {{section|page:Cgm 3712 040r.jpg|1|lbl=40r.1|p=1}} | ||
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| <p><br/></p> | | <p><br/></p> | ||
− | {{section|Page:MS KK5126 123v.jpg| | + | {{section|Page:MS KK5126 123v.jpg|6|lbl=123v.6}} |
− | | | + | | <p><small>[55r.6] [55v.1]</small></p> |
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− | | {{section|Page:MS | + | {{section|Page:MS M.I.29 121v.jpg|4|lbl=121v.4|p=1}} {{section|Page:MS M.I.29 122r.jpg|1|lbl=122r.1|p=1}} |
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+ | | {{section|Page:MS E.1939.65.341 069v.jpg|1|lbl=69v.1}} | ||
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− | | {{section|Page:MS Dresd.C.94 | + | | {{section|Page:MS Germ.Quart.2020 138v.jpg|1|lbl=138v.1}} |
− | | {{section|Page:Cod.10826 | + | | <p>'''''Aber ein ringen.'''''</p> |
− | | {{section|Page:Cod.icon. 393 I | + | |
− | | {{section|Page:Cod.10826 104v.png| | + | <p>''Item wann du dich mit einē gefasset hast pej den armen Helt er dich dann lose So slag sein rechte hant auß mit deiner lincken von oben nider vnd far Im damit vnden durch sein rechtē arm vnd begreif In hinden vn̄ halt In veste vnd zuck vnd mit der rechten hant begreif In außwendig In seiner rechten kniepigung So würfstu In auff die lincken seitten vnd geht zu beiden seitten zu.''</p> |
+ | | {{section|Page:MS Dresd.C.94 118v.png|3|lbl=118v.3}} | ||
+ | | {{section|Page:Cod.10826 090v.png|2|lbl=90v.2}} | ||
+ | | {{section|Page:Cod.icon. 393 I 295v.jpg|2|lbl=295v.2}} | ||
+ | | {{section|Page:Cod.10826 104v.png|6|lbl=104v.6}} | ||
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+ | {{section|page:Cgm 3712 040r.jpg|5|lbl=40r.5|p=1}} {{section|page:Cgm 3712 040v.jpg|1|lbl=40v.1|p=1}} | ||
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+ | | {{section|Page:Cod.icon. 393 I 296r.jpg|2|lbl=296r.2}} | ||
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− | {{section|Page:MS M.I.29 122v.jpg| | + | {{section|Page:MS KK5126 123v.jpg|8|lbl=123v.8}} |
+ | | <p><small>[55v.3]</small></p> | ||
+ | | {{section|Page:MS M.I.29 122v.jpg|1|lbl=122v.1}} | ||
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| <p><br/></p> | | <p><br/></p> | ||
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| <p><br/></p> | | <p><br/></p> | ||
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| <p><br/></p> | | <p><br/></p> | ||
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| <p><br/></p> | | <p><br/></p> | ||
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| <p><br/></p> | | <p><br/></p> | ||
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| <p><br/></p> | | <p><br/></p> | ||
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| <p><br/></p> | | <p><br/></p> | ||
− | + | {{section|Page:MS KK5126 124v.jpg|8|lbl=124v.8}} | |
− | + | | <p><small>[58r.5]</small></p> | |
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+ | | {{section|Page:MS Germ.Quart.2020 145v.jpg|1|lbl=145v.1}} | ||
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Line 1,629: | Line 1,695: | ||
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+ | }} | ||
− | + | {{Ott row main|56 | |
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| <p><br/></p> | | <p><br/></p> | ||
− | {{section|Page:MS Chart.A.558 114r.jpg|5|lbl= | + | {{section|Page:MS Chart.A.558 114r.jpg|5|lbl=114r.5}} |
+ | | {{section|Page:Cod.44.A.8 106v.jpg|5|lbl=106v.5}} | ||
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− | | {{section|Page:MS M.I.29 125v.jpg|2|lbl= | + | | {{section|Page:MS M.I.29 125v.jpg|2|lbl=125v.2}} |
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− | {{section|Page:MS Dresd.C.487 082r.png|2|lbl= | + | {{section|Page:MS Dresd.C.487 082r.png|2|lbl=82r.2|p=1}} {{section|Page:MS Dresd.C.487 082v.png|1|lbl=82v.1|p=1}} |
− | | {{section|Page:MS E.1939.65.341 072v.jpg|5|lbl= | + | | {{section|Page:MS E.1939.65.341 072v.jpg|5|lbl=72v.5}} |
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− | | {{section|Page:Wassmannsdorff's Fechtbuch 96b.png|2|lbl=-}} | + | | {{section|Page:MS Germ.Quart.2020 145v.jpg|2|lbl=145v.2}} |
+ | | {{section|Page:Wassmannsdorff's Fechtbuch 96b.png|2|lbl=96b-2}} | ||
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Line 1,654: | Line 1,720: | ||
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+ | }} | ||
− | + | {{Ott row main image|57 | |
− | + | | [[File:MS Germ.Quart.2020 146r.jpg|400x400px|center]] | |
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Line 1,680: | Line 1,734: | ||
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+ | {{section|Page:MS Germ.Quart.2020 145v.jpg|3|lbl=145v.3|p=1}} {{section|Page:MS Germ.Quart.2020 146r.jpg|1|lbl=146r.1|p=1}} | ||
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− | + | }} | |
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− | + | {{Ott row main|58 | |
| <p><br/></p> | | <p><br/></p> | ||
− | {{section|Page:MS Chart.A.558 114r.jpg| | + | {{section|Page:MS Chart.A.558 114r.jpg|6|lbl=114r.6}} |
+ | | | ||
+ | {{section|Page:Cod.44.A.8 106v.jpg|6|lbl=106v.6|p=1}} {{section|Page:Cod.44.A.8 107r.jpg|1|lbl=107r.1|p=1}} | ||
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− | |||
| <p><br/></p> | | <p><br/></p> | ||
− | {{section|Page:MS KK5126 124v.jpg| | + | {{section|Page:MS KK5126 124v.jpg|9|lbl=124v.9}} |
− | | {{section|Page:MS M.I.29 | + | | <p><small>[58r.6] [58v.1]</small></p> |
− | | {{section|Page:MS Dresd.C.487 | + | | {{section|Page:MS M.I.29 125v.jpg|3|lbl=125v.3}} |
− | | {{section|Page:MS E.1939.65.341 073r.jpg| | + | | {{section|Page:MS Dresd.C.487 082v.png|2|lbl=82v.2}} |
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+ | {{section|Page:MS E.1939.65.341 072v.jpg|6|lbl=72v.6|p=1}} {{section|Page:MS E.1939.65.341 073r.jpg|1|lbl=73r.1|p=1}} | ||
| | | | ||
− | | {{section|Page:Wassmannsdorff's Fechtbuch | + | | {{section|Page:MS Germ.Quart.2020 146v.jpg|1|lbl=146v.1}} |
+ | | {{section|Page:Wassmannsdorff's Fechtbuch 96b.png|3|lbl=96b-3}} | ||
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Line 1,733: | Line 1,772: | ||
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+ | }} | ||
− | | | + | {{Ott row main|59 |
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+ | | {{section|Page:Cod.44.A.8 107r.jpg|2|lbl=107r.2}} | ||
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− | |||
| <p><br/></p> | | <p><br/></p> | ||
− | {{section|Page:MS KK5126 124v.jpg| | + | {{section|Page:MS KK5126 124v.jpg|10|lbl=124v.10}} |
− | | {{section|Page:MS M.I.29 | + | | <p><small>[58v.2]</small></p> |
− | | {{section|Page:MS Dresd.C.487 | + | | {{section|Page:MS M.I.29 125v.jpg|4|lbl=125v.4}} |
− | | {{section|Page:MS E.1939.65.341 073r.jpg| | + | | {{section|Page:MS Dresd.C.487 082v.png|3|lbl=82v.3}} |
+ | | {{section|Page:MS E.1939.65.341 073r.jpg|2|lbl=73r.2}} | ||
| | | | ||
− | | {{section|Page: | + | | {{section|Page:MS Germ.Quart.2020 146v.jpg|2|lbl=146v.2}} |
| | | | ||
+ | {{section|Page:Wassmannsdorff's Fechtbuch 96b.png|4|lbl=96b-4|p=1}} {{section|Page:Wassmannsdorff's Fechtbuch 97a.png|1|lbl=97a-1|p=1}} | ||
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Line 1,757: | Line 1,796: | ||
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+ | | | ||
+ | }} | ||
− | | | + | {{Ott row main|60 |
− | |||
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− | |||
| <p><br/></p> | | <p><br/></p> | ||
− | {{section|Page:MS Chart.A.558 114r.jpg|8|lbl= | + | {{section|Page:MS Chart.A.558 114r.jpg|7|lbl=114r.7}} |
+ | | {{section|Page:Cod.44.A.8 107r.jpg|3|lbl=107r.3}} | ||
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− | |||
| <p><br/></p> | | <p><br/></p> | ||
− | {{section|Page:MS KK5126 124v.jpg| | + | {{section|Page:MS KK5126 124v.jpg|11|lbl=124v.11}} |
− | | {{section|Page:MS M.I.29 126r.jpg| | + | | <p><small>[58v.3]</small></p> |
− | | {{section|Page:MS Dresd.C.487 083r.png| | + | | {{section|Page:MS M.I.29 126r.jpg|1|lbl=126r.1}} |
− | | {{section|Page:MS E.1939.65.341 073r.jpg| | + | | {{section|Page:MS Dresd.C.487 083r.png|1|lbl=83r.1}} |
+ | | {{section|Page:MS E.1939.65.341 073r.jpg|3|lbl=73r.3}} | ||
+ | | | ||
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− | | {{section|Page:Wassmannsdorff's Fechtbuch 97a.png| | + | | {{section|Page:Wassmannsdorff's Fechtbuch 97a.png|2|lbl=97a-2}} |
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Line 1,783: | Line 1,823: | ||
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+ | }} | ||
− | + | {{Ott row main|61 | |
− | + | | | |
− | + | | {{section|Page:Cod.44.A.8 107r.jpg|4|lbl=107r.4}} | |
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− | {{section|Page: | ||
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− | |||
| <p><br/></p> | | <p><br/></p> | ||
− | {{section|Page:MS KK5126 124v.jpg| | + | {{section|Page:MS KK5126 124v.jpg|12|lbl=124v.12}} |
− | | {{section|Page:MS M.I.29 126r.jpg| | + | | <p><small>[58v.4]</small></p> |
− | | {{section|Page:MS Dresd.C.487 | + | | {{section|Page:MS M.I.29 126r.jpg|2|lbl=126r.2}} |
− | | {{section|Page:MS E.1939.65.341 073r.jpg| | + | | {{section|Page:MS Dresd.C.487 083r.png|2|lbl=83r.2}} |
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+ | | {{section|Page:MS Germ.Quart.2020 146v.jpg|3|lbl=146v.3}} | ||
+ | | {{section|Page:Wassmannsdorff's Fechtbuch 97a.png|3|lbl=97a-3}} | ||
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− | |||
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Line 1,809: | Line 1,847: | ||
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+ | }} | ||
+ | |||
+ | {{Ott row main|62 | ||
+ | | <p><br/></p> | ||
+ | |||
+ | {{section|Page:MS Chart.A.558 114r.jpg|8|lbl=114r.8}} | ||
+ | | {{section|Page:Cod.44.A.8 107r.jpg|5|lbl=107r.5}} | ||
| | | | ||
+ | | <p><br/></p> | ||
− | | | + | {{section|Page:MS KK5126 124v.jpg|13|lbl=124v.13}} |
− | | <p>[ | + | | <p><small>[58v.5]</small></p> |
+ | | {{section|Page:MS M.I.29 126r.jpg|3|lbl=126r.3}} | ||
+ | | {{section|Page:MS Dresd.C.487 083r.png|3|lbl=83r.3}} | ||
+ | | {{section|Page:MS E.1939.65.341 073r.jpg|5|lbl=73r.5}} | ||
+ | | | ||
+ | | {{section|Page:MS Germ.Quart.2020 147r.jpg|1|lbl=147r.1}} | ||
+ | | {{section|Page:Wassmannsdorff's Fechtbuch 97a.png|4|lbl=97a-4}} | ||
+ | | | ||
+ | | | ||
+ | | | ||
+ | | | ||
+ | | | ||
+ | | | ||
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+ | }} | ||
+ | |||
+ | {{Ott row main|63 | ||
+ | | <p><br/></p> | ||
+ | |||
+ | {{section|Page:MS Chart.A.558 114v.jpg|1|lbl=114v.1}} | ||
+ | | {{section|Page:Cod.44.A.8 107r.jpg|6|lbl=107r.6}} | ||
| | | | ||
| <p><br/></p> | | <p><br/></p> | ||
− | {{section|Page:MS KK5126 124v.jpg| | + | {{section|Page:MS KK5126 124v.jpg|14|lbl=124v.14}} |
+ | | <p><small>[58v.6]</small></p> | ||
+ | | {{section|Page:MS M.I.29 126r.jpg|4|lbl=126r.4}} | ||
+ | | {{section|Page:MS Dresd.C.487 083v.png|1|lbl=83v.1}} | ||
+ | | {{section|Page:MS E.1939.65.341 073r.jpg|6|lbl=73r.6}} | ||
| | | | ||
− | {{section|Page:MS | + | | {{section|Page:MS Germ.Quart.2020 147r.jpg|2|lbl=147r.2}} |
| | | | ||
+ | {{section|Page:Wassmannsdorff's Fechtbuch 97a.png|5|lbl=97a-5|p=1}} {{section|Page:Wassmannsdorff's Fechtbuch 97b.png|1|lbl=97b-1|p=1}} | ||
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Line 1,830: | Line 1,900: | ||
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+ | }} | ||
+ | |||
+ | {{Ott row main|64 | ||
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− | |||
− | |||
− | |||
| <p><br/></p> | | <p><br/></p> | ||
− | {{section|Page:MS | + | {{section|Page:MS KK5126 124v.jpg|15|lbl=124v.15}} |
+ | | <p><small>[58v.7] [59r.1]</small></p> | ||
| | | | ||
+ | {{section|Page:MS M.I.29 126r.jpg|5|lbl=126r.5|p=1}} {{section|Page:MS M.I.29 126v.jpg|1|lbl=126v.1|p=1}} | ||
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Line 1,857: | Line 1,925: | ||
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+ | }} | ||
− | + | {{Ott row main|65 | |
− | |||
− | |||
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| <p><br/></p> | | <p><br/></p> | ||
− | {{section|Page:MS Chart.A.558 114v.jpg| | + | {{section|Page:MS Chart.A.558 114v.jpg|2|lbl=114v.2}} |
| | | | ||
| | | | ||
− | |||
| <p><br/></p> | | <p><br/></p> | ||
− | {{section|Page:MS KK5126 124v.jpg| | + | {{section|Page:MS KK5126 124v.jpg|16|lbl=124v.16}} |
− | | {{section|Page:MS M.I.29 126v.jpg| | + | | <p><small>[59r.2]</small></p> |
+ | | {{section|Page:MS M.I.29 126v.jpg|2|lbl=126v.2}} | ||
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Line 1,885: | Line 1,948: | ||
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− | |||
− | |||
− | |||
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| | | | ||
| | | | ||
+ | }} | ||
+ | |||
+ | {{Ott row main image|66 | ||
+ | | [[File:MS Germ.Quart.2020 147v.jpg|400x400px|center]] | ||
+ | | <p><br/></p> | ||
+ | |||
+ | {{section|Page:MS Chart.A.558 114v.jpg|3|lbl=114v.3}} | ||
| | | | ||
+ | {{section|Page:Cod.44.A.8 107r.jpg|7|lbl=107r.7|p=1}} {{section|Page:Cod.44.A.8 107v.jpg|1|lbl=107v.1|p=1}} | ||
| | | | ||
+ | | <p><br/></p> | ||
+ | |||
+ | {{section|Page:MS KK5126 124v.jpg|17|lbl=124v.17}} | ||
+ | | <p><small>[59r.3]</small></p> | ||
+ | | {{section|Page:MS M.I.29 126v.jpg|3|lbl=126v.3}} | ||
| | | | ||
+ | {{section|Page:MS Dresd.C.487 083v.png|2|lbl=83v.2|p=1}} {{section|Page:MS Dresd.C.487 084r.png|1|lbl=84r.1|p=1}} | ||
+ | | {{section|Page:MS E.1939.65.341 073v.jpg|1|lbl=73v.1}} | ||
| | | | ||
+ | | {{section|Page:MS Germ.Quart.2020 147r.jpg|3|lbl=147r.3}} | ||
+ | | {{section|Page:Wassmannsdorff's Fechtbuch 97b.png|2|lbl=97b-2}} | ||
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− | |||
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Line 1,904: | Line 1,980: | ||
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+ | }} | ||
+ | |||
+ | {{Ott row main|67 | ||
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− | |||
− | |||
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Line 1,917: | Line 1,993: | ||
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− | | {{section|Page:Wassmannsdorff's Fechtbuch 98a.png| | + | {{section|Page:Wassmannsdorff's Fechtbuch 97b.png|3|lbl=97b-3|p=1}} {{section|Page:Wassmannsdorff's Fechtbuch 98a.png|1|lbl=98a-1|p=1}} |
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Line 1,926: | Line 2,002: | ||
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| | | | ||
+ | }} | ||
− | | | + | {{Ott row main|68 |
− | |||
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Line 1,938: | Line 2,014: | ||
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− | {{section|Page:Wassmannsdorff's Fechtbuch | + | | {{section|Page:Wassmannsdorff's Fechtbuch 98a.png|2|lbl=98a-2}} |
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| | | | ||
Line 1,947: | Line 2,023: | ||
| | | | ||
| | | | ||
+ | }} | ||
− | + | {{Ott row main|69 | |
− | |||
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− | |||
| | | | ||
− | | {{section|Page:MS | + | | {{section|Page:MS M.I.29 126v.jpg|4|lbl=126v.4}} |
| | | | ||
− | | {{section|Page: | + | | {{section|Page:MS E.1939.65.341 073v.jpg|2|lbl=73v.2}} |
| | | | ||
+ | | {{section|Page:MS Germ.Quart.2020 147r.jpg|4|lbl=147r.4}} | ||
+ | | {{section|Page:Wassmannsdorff's Fechtbuch 101a.png|2|lbl=101a-2}} | ||
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Line 1,967: | Line 2,044: | ||
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| | | | ||
+ | | | ||
+ | }} | ||
+ | |||
+ | </table> | ||
+ | </div> | ||
− | |} | + | <h3 style="display: none;> 16th century poetic rendering </h3> |
− | {{ | + | <div id="poem" style="background:transparent; clear:both; font-weight:normal; padding:3px; text-align:left; width:0em; min-width:0em;"> |
+ | <table class="master sortable" style="clear:right;"> | ||
+ | <tr> | ||
+ | <th id="PoemAcutt0"><p>{{rating|C}} (2016)<br/>by [[Jay Acutt]]</p></th> | ||
+ | <th id="PoemWassmannsdorff0"><p>[[Wassmannsdorff's Fechtbuch|Wassmannsdorff Version]] (1539){{edit index|Wassmannsdorff's Fechtbuch}}<br/>Transcribed by [[Karl Wassmannsdorff]] and [[Jay Acutt]]</p></th> | ||
+ | </tr> | ||
− | {{ | + | {{Ott row poem|1 |
− | + | | | |
− | + | {{paget|Page:Wassmannsdorff's Fechtbuch|93a|png|p=1}}<br/>{{paget|Page:Wassmannsdorff's Fechtbuch|93b|png|p=1}}<br/>{{section|Page:Wassmannsdorff's Fechtbuch 94a.png|1|lbl=94a|p=1}} | |
}} | }} | ||
− | |||
− | |||
− | |||
− | |||
− | |||
− | | | + | {{Ott row poem|2 |
| | | | ||
+ | {{section|Page:Wassmannsdorff's Fechtbuch 94a.png|2e|lbl=-|p=1}} {{section|Page:Wassmannsdorff's Fechtbuch 94b.png|1|lbl=94b|p=1}}<ref>Compare play 50.</ref> | ||
+ | }} | ||
+ | |||
+ | {{Ott row poem|3 | ||
| | | | ||
− | | {{section|Page: | + | {{section|Page:Wassmannsdorff's Fechtbuch 94b.png|2e|lbl=-|p=1}}<br/>{{section|Page:Wassmannsdorff's Fechtbuch 95a.png|1e|lbl=95a|p=1}}<ref>Compare play 51.</ref> |
+ | }} | ||
+ | |||
+ | {{Ott row poem|4 | ||
+ | | {{section|Page:Wassmannsdorff's Fechtbuch 95a.png|2e|lbl=-}} | ||
+ | |||
+ | {{section|Page:Wassmannsdorff's Fechtbuch 95b.png|1|lbl=95b|p=1}}<ref>Compare play 52.</ref> | ||
+ | }} | ||
+ | |||
+ | {{Ott row poem|5 | ||
+ | | {{section|Page:Wassmannsdorff's Fechtbuch 95b.png|2e|lbl=-}} | ||
− | | | + | {{section|Page:Wassmannsdorff's Fechtbuch 96a.png|1|lbl=96a|p=1}}<ref>Compare play 53.</ref> |
+ | }} | ||
+ | |||
+ | {{Ott row poem|6 | ||
| | | | ||
+ | {{section|Page:Wassmannsdorff's Fechtbuch 96a.png|2|lbl=-|p=1}}<ref>Compare play 54.</ref> | ||
+ | }} | ||
+ | |||
+ | {{Ott row poem|7 | ||
| | | | ||
− | | {{section|Page: | + | {{section|Page:Wassmannsdorff's Fechtbuch 96a.png|3e|lbl=-|p=1}} {{section|Page:Wassmannsdorff's Fechtbuch 96b.png|1|lbl=96b|p=1}}<ref>Compare play 55.</ref> |
+ | }} | ||
− | | | + | {{Ott row poem|8 |
| | | | ||
− | + | {{section|Page:Wassmannsdorff's Fechtbuch 100b.png|2|lbl=-|p=1}}<br/>{{section|Page:Wassmannsdorff's Fechtbuch 101a.png|1|lbl=101a|p=1}} | |
− | + | }} | |
− | {{section|Page: | + | |
+ | </table> | ||
+ | </div> | ||
+ | <!--{{master begin | ||
+ | | title = Other teachings related to Ott | ||
+ | | width = 210em | ||
+ | }} | ||
+ | {| class="master" style="clear:right;" | ||
|- | |- | ||
− | | | + | ! <p>{{rating|start}}<br/>by [[Per Magnus Haaland]]</p> |
− | | | + | ! <p>[[Gregor Erhart Fechtbuch (MS E.1939.65.354)|Glasgow Version Ⅱ]] (1533){{edit index|Gregor Erhart Fechtbuch (MS E.1939.65.354)}}<br/>Transcribed by [[Michael Chidester]]</p> |
− | | | + | ! <p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden (Mair) Version]] (1540s){{edit index|Opus Amplissimum de Arte Athletica (MS Dresd.C.94)}}<br/>Transcribed by [[Pierre-Henry Bas]]</p> |
− | {{ | + | ! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna (Mair) German Version]] (1550s){{edit index|Opus Amplissimum de Arte Athletica (Cod.10826)}}<br/>Transcribed by [[Nicole Brynes]], [[Rebecca Garber]], [[Mark Millman]]</p> |
+ | ! <p>[[Opus Amplissimum de Arte Athletica (Cod.icon. 393)|Munich (Mair) Version]] (1550s){{edit index|Opus Amplissimum de Arte Athletica (Cod.icon. 393 I)}}<br/>Transcription open for editing</p> | ||
+ | ! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna (Mair) Latin Version]] (1550s){{edit index|Opus Amplissimum de Arte Athletica (Cod.10826)}}<br/>Transcribed by [[Kendra Brown]], [[Rebecca Garber]]</p> | ||
+ | ! <p>[[Maister Liechtenawers Kunstbuech (Cgm 3712)|Munich Version Ⅰ]] (1556){{edit index|Maister Liechtenawers Kunstbuech (Cgm 3712)}}<br/>Transcribed by [[Per Magnus Haaland]]</p> | ||
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+ | {{section|Page:Cod.10826 093v.png|6|lbl=93v|p=1}} {{section|Page:Cod.10826 094r.png|1|lbl=94r|p=1}} | ||
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+ | {{section|Page:MS E.1939.65.354 190r.jpg|5|lbl=-|p=1}} {{section|Page:MS E.1939.65.354 190v.jpg|1|lbl=190v|p=1}} | ||
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+ | {{section|Page:MS E.1939.65.354 190v.jpg|3|lbl=-}} | ||
+ | | {{section|Page:MS Dresd.C.94 124v.png|2|lbl=-}} | ||
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+ | | {{section|Page:MS Dresd.C.94 125r.png|1|lbl=125r}} | ||
+ | | {{section|Page:Cod.10826 094v.png|1|lbl=94v}} | ||
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+ | {{section|Page:MS E.1939.65.354 190v.jpg|6|lbl=-|p=1}} {{section|Page:MS E.1939.65.354 191r.jpg|1|lbl=191r|p=1}} | ||
+ | | {{section|Page:MS Dresd.C.94 125v.png|1|lbl=125v}} | ||
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+ | {{section|Page:Cod.10826 094v.png|4|lbl=-|p=1}} {{section|Page:Cod.10826 095r.png|1|lbl=95r|p=1}} | ||
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+ | | {{section|Page:MS Dresd.C.94 126r.png|1|lbl=126r}} | ||
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− | | {{section|Page:MS | + | {{section|Page:MS E.1939.65.354 191r.jpg|4|lbl=-|p=1}} {{section|Page:MS E.1939.65.354 191v.jpg|1|lbl=191v|p=1}} |
− | + | | {{section|Page:MS Dresd.C.94 126r.png|2|lbl=-}} | |
− | |- | + | | {{section|Page:Cod.10826 095r.png|3|lbl=-}} |
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+ | {{section|Page:Cod.icon. 393 I 300v.jpg|3|lbl=-|p=1}} {{section|Page:Cod.icon. 393 I 301r.jpg|1|lbl=301r|p=1}} | ||
+ | | {{section|Page:Cod.10826 105v.png|2|lbl=-}} | ||
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+ | | <p>'''Here follows the traverse wrestling techniques'''</p> | ||
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+ | | {{section|page:MS Dresd.C.94 126v.png|1|lbl=126v}} | ||
+ | | {{section|Page:Cod.10826 095v.png|1|lbl=95v}} | ||
+ | | {{section|page:Cod.icon. 393 I 301r.jpg|2|lbl=301r}} | ||
+ | | {{section|Page:Cod.10826 105v.png|3|lbl=-}} | ||
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− | | | + | | <p>'''The first'''</p> |
− | + | ||
− | + | <p>When you wrestle with someone with outstretched arms, break free with one arm and reach out towards his leg as if you wanted to pull it towards you, and as he then sees it and pulls back his foot, then reach after his leg with the arm extended, and step with your foot behind him in the traverse, that way you will throw him on his back. This can be done on both sides.</p> | |
+ | | <p><br/></p> | ||
− | |} | + | {{section|Page:MS E.1939.65.354 191v.jpg|2|lbl=-}} |
− | {{ | + | | {{section|page:MS Dresd.C.94 126v.png|2|lbl=-}} |
+ | | {{section|Page:Cod.10826 095v.png|2|lbl=-}} | ||
+ | | <p><br/></p> | ||
− | {{ | + | {{section|page:Cod.icon. 393 I 301r.jpg|3|lbl=-}} |
− | + | | <p><br/></p> | |
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− | + | {{section|Page:Cod.10826 105v.png|4|lbl=-}} | |
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− | {{section|Page: | ||
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+ | |||
+ | |- | ||
+ | | <p>'''The second traverse'''</p> | ||
+ | |||
+ | <p>Execute the second traverse thus: if you wrestle your opponent with outstretched arms, then quickly break loose with your right, and reach with it under his left arm. Then, step behind his right foot with your right foot, and throw him on his back. This can be done on both sides.</p> | ||
+ | | <p><br/></p> | ||
+ | |||
+ | {{section|Page:MS E.1939.65.354 191v.jpg|3|lbl=-}} | ||
| | | | ||
+ | {{section|page:MS Dresd.C.94 126v.png|3|lbl=-|p=1}} {{section|page:MS Dresd.C.94 127r.png|1|lbl=127r|p=1}} | ||
+ | | {{section|Page:Cod.10826 095v.png|3|lbl=-}} | ||
+ | | {{section|page:Cod.icon. 393 I 301r.jpg|4|lbl=-}} | ||
+ | | {{section|Page:Cod.10826 105v.png|5|lbl=-}} | ||
| | | | ||
|- | |- | ||
+ | | <p>'''The third traverse'''</p> | ||
+ | |||
+ | <p>Is done thus: when you wrestle with your opponent with outstretched arms (or long arms as we call it), then break free with your right arm and lean forward upon him holding his arms with both your hands, and turn away from him so that you get your opponent on your back, and throw him on his back. This can be done from both sides.</p> | ||
+ | | <p><br/></p> | ||
+ | |||
+ | {{section|Page:MS E.1939.65.354 191v.jpg|4|lbl=-}} | ||
+ | | {{section|page:MS Dresd.C.94 127r.png|2|lbl=-}} | ||
| | | | ||
− | | {{section|Page: | + | {{section|Page:Cod.10826 095v.png|4|lbl=-|p=1}} {{section|Page:Cod.10826 096r.png|1|lbl=96r|p=1}} |
− | | | + | | {{section|page:Cod.icon. 393 I 301v.jpg|1|lbl=301v}} |
− | | | + | | {{section|Page:Cod.10826 105v.png|6|lbl=-}} |
− | | | ||
− | | | ||
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|- | |- | ||
+ | | <p>'''The fourth traverse'''</p> | ||
+ | |||
+ | <p>The fourth is executed thus: when you wrestle with your opponent with extended arms, then break free with your right arm and pull him around and towards you a little, then step with your right foot behind his right, then put your right elbow under his right arm, you may throw him on his back. This can be done from both sides.</p> | ||
+ | | <p><br/></p> | ||
+ | |||
+ | {{section|Page:MS E.1939.65.354 191v.jpg|5|lbl=-|p=1}} {{section|Page:MS E.1939.65.354 192r.jpg|1|lbl=192r|p=1}} | ||
| | | | ||
− | | {{section|Page: | + | {{section|page:MS Dresd.C.94 127r.png|3|lbl=-|p=1}} {{section|page:MS Dresd.C.94 127v.png|1|lbl=127v|p=1}} |
− | | | + | | {{section|Page:Cod.10826 096r.png|2|lbl=-}} |
− | | | + | | {{section|page:Cod.icon. 393 I 301v.jpg|2|lbl=-}} |
− | | | + | | {{section|Page:Cod.10826 105v.png|7|lbl=-}} |
− | | | ||
| | | | ||
|- | |- | ||
− | | | + | | <p>'''The fifth traverse'''</p> |
− | | {{section|Page:MS E.1939.65.354 | + | |
− | | | + | <p>Is executed thus: break loose with your right arm and turn around with him a little, and then quickly pull him towards you, and lift your right arm as high as you can, and reach over his right arm around his back and step behind him with your right foot and sweep him with the knee, then you will throw him on his back.</p> |
− | | | + | | <p><br/></p> |
− | | | + | |
− | | | + | {{section|Page:MS E.1939.65.354 192r.jpg|2|lbl=-}} |
+ | | {{section|page:MS Dresd.C.94 127v.png|2|lbl=-}} | ||
+ | | {{section|Page:Cod.10826 096r.png|3|lbl=-}} | ||
+ | | {{section|page:Cod.icon. 393 I 301v.jpg|3|lbl=-}} | ||
+ | | {{section|Page:Cod.10826 105v.png|8|lbl=-}} | ||
| | | | ||
|- | |- | ||
+ | | <p>'''The sixth traverse'''</p> | ||
+ | |||
+ | <p>Is done thus: free your right arm and go around him a little, and push him away hard. Then quickly pull him towards you, and put your right hand on the outside of his right knee, put your right shoulder on his right arm, lower him down, that way you will throw him on his back. This can be done on both sides.</p> | ||
+ | | <p><br/></p> | ||
+ | |||
+ | {{section|Page:MS E.1939.65.354 192r.jpg|3|lbl=-}} | ||
| | | | ||
− | + | {{section|page:MS Dresd.C.94 127v.png|3|lbl=-|p=1}} {{section|page:MS Dresd.C.94 128r.png|1|lbl=128r|p=1}} | |
− | | | ||
− | | | ||
− | | | ||
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+ | {{section|Page:Cod.10826 096r.png|4|lbl=-|p=1}} {{section|Page:Cod.10826 096v.png|1|lbl=96v|p=1}} | ||
+ | | {{section|page:Cod.icon. 393 I 302r.jpg|1|lbl=302r}} | ||
+ | | {{section|Page:Cod.10826 105v.png|9|lbl=-}} | ||
| | | | ||
|- | |- | ||
− | | | + | | <p>'''The seventh traverse'''</p> |
− | | {{section|Page:MS E.1939.65.354 | + | |
− | | | + | <p>As before, break free with your right arm, and push your opponent away from you forcefully, then quickly pull him towards you, put your right hand on the outside of his right knee and put your right shoulder under his right arm and push him down to the ground, that way you will throw him to the ground.</p> |
− | | | + | | <p><br/></p> |
− | | | + | |
− | | | + | {{section|Page:MS E.1939.65.354 192r.jpg|4|lbl=-|p=1}} {{section|Page:MS E.1939.65.354 192v.jpg|1|lbl=192v|p=1}} |
+ | | {{section|page:MS Dresd.C.94 128r.png|2|lbl=-}} | ||
+ | | {{section|Page:Cod.10826 096v.png|2|lbl=-}} | ||
+ | | {{section|page:Cod.icon. 393 I 302r.jpg|2|lbl=-}} | ||
+ | | {{section|Page:Cod.10826 105v.png|10|lbl=-}} | ||
| | | | ||
|- | |- | ||
+ | | <p>'''The scales'''</p> | ||
+ | |||
+ | <p>If someone goes down into the scales and hinders you to do any traverse technique mentioned above, then break free your right arm, and make a lock-hold on his right arm. Then, if you pull him backwards, you will break his arm. Even this can be done on both sides.</p> | ||
+ | | <p><br/></p> | ||
+ | |||
+ | {{section|Page:MS E.1939.65.354 192v.jpg|2|lbl=-}} | ||
| | | | ||
− | | {{section|Page: | + | {{section|page:MS Dresd.C.94 128r.png|3|lbl=-|p=1}} {{section|page:MS Dresd.C.94 128v.png|1|lbl=128v|p=1}} |
− | | | + | | {{section|Page:Cod.10826 096v.png|3|lbl=-}} |
− | | | + | | {{section|page:Cod.icon. 393 I 302r.jpg|3|lbl=-}} |
+ | | {{section|Page:Cod.10826 105v.png|11|lbl=-}} | ||
| | | | ||
+ | |||
+ | |- | ||
+ | | <p>'''Another wrestling'''</p> | ||
+ | |||
+ | <p>When you wrestle with someone and you both hold each other with straight arms, then grab with your left hand on his left wrist, and twist it around, and grab his right elbow with your right hand and step forward with the right foot, you break his arm. This can also be done from the other side.</p> | ||
+ | | <p><br/></p> | ||
+ | |||
+ | {{section|Page:MS E.1939.65.354 192v.jpg|3|lbl=-}} | ||
+ | | {{section|page:MS Dresd.C.94 128v.png|2|lbl=-}} | ||
| | | | ||
+ | {{section|Page:Cod.10826 096v.png|4|lbl=-|p=1}} {{section|Page:Cod.10826 097r.png|1|lbl=97r|p=1}} | ||
+ | | {{section|page:Cod.icon. 393 I 302v.jpg|1|lbl=302v}} | ||
+ | | {{section|Page:Cod.10826 105v.png|12|lbl=-}} | ||
| | | | ||
|- | |- | ||
+ | | <p>'''When wrestling with extended arms'''</p> | ||
+ | |||
+ | <p>When you wrestle with someone with extended arms, then lower yourself into the scale, and do not let him get under you. If he then tries to grapple after a traverse, then grab his elbow push him from you, and step in front of him with one foot, then you will throw him on face first. This can be executed on both sides as well.</p> | ||
+ | | <p><br/></p> | ||
+ | |||
+ | {{section|Page:MS E.1939.65.354 192v.jpg|4|lbl=-}} | ||
| | | | ||
− | | {{section|Page: | + | {{section|page:MS Dresd.C.94 128v.png|3|lbl=-}} {{section|page:MS Dresd.C.94 129r.png|1|lbl=129r}} |
− | | | + | | {{section|Page:Cod.10826 097r.png|2|lbl=-}} |
− | | | + | | {{section|page:Cod.icon. 393 I 302v.jpg|2|lbl=-}} |
− | | | + | | {{section|Page:Cod.10826 105v.png|13|lbl=-}} |
− | | | ||
| | | | ||
|- | |- | ||
− | | | + | | <p>'''When wrestling with someone who is stronger than you.'''</p> |
− | | {{section|Page:MS E.1939.65.354 | + | |
− | | | + | <p>When you are wrestling with someone who is strong and is not able to do any good techniques, then make sure as soon as you get free of him, strike with your inward turned arm on his inward turned arm from the outside, and underneath you grip his left leg, that way you break his arm. This can be executed on both sides.</p> |
− | | | + | | <p><br/></p> |
− | | | + | |
− | | | + | {{section|Page:MS E.1939.65.354 192v.jpg|5|lbl=-|p=1}} {{section|Page:MS E.1939.65.354 193r.jpg|1|lbl=193r|p=1}} |
+ | | {{section|page:MS Dresd.C.94 129r.png|2|lbl=-}} | ||
+ | | {{section|Page:Cod.10826 097r.png|3|lbl=-}} | ||
+ | | {{section|page:Cod.icon. 393 I 302v.jpg|3|lbl=-}} | ||
+ | | {{section|Page:Cod.10826 105v.png|14|lbl=-}} | ||
| | | | ||
|- | |- | ||
− | | | + | | <p>'''Note'''</p> |
+ | |||
+ | <p>If you wrestle someone with outstretched arms and he will not let you do any traverse technique, then break free from him and walk around him a bit, and then push him forcefully and then quickly pull him towards you, and put your head in under his right arm, and reach with your right arm around his right foot and lift him up.</p> | ||
| <p><br/></p> | | <p><br/></p> | ||
− | {{section|Page:MS E.1939.65.354 | + | {{section|Page:MS E.1939.65.354 193r.jpg|2|lbl=-}} |
− | | {{section| | + | | {{section|page:MS Dresd.C.94 129v.png|1|lbl=129v}} |
| | | | ||
− | {{section|Page:Cod.10826 | + | {{section|Page:Cod.10826 097r.png|4|lbl=-|p=1}} {{section|Page:Cod.10826 097v.png|1|lbl=97v|p=1}} |
− | | {{section| | + | | {{section|page:Cod.icon. 393 I 303r.jpg|1|lbl=303r}} |
− | | {{section|Page:Cod.10826 | + | | {{section|Page:Cod.10826 105v.png|15|lbl=-}} |
| | | | ||
|- | |- | ||
− | |||
| <p><br/></p> | | <p><br/></p> | ||
− | + | <p>If anyone has grabbed hold of you as described above, then pull your foot far away from you and lay on top of him and make yourself heavy, while you make sure he cannot reach any of your feet. Then, if you turn around with him you throw him to the ground.</p> | |
− | | {{section| | + | | <p><br/></p> |
− | | {{section|Page:Cod.10826 | + | |
− | | {{section| | + | {{section|Page:MS E.1939.65.354 193r.jpg|3|lbl=-}} |
− | | {{section|Page:Cod.10826 | + | | <p><br/></p> |
+ | |||
+ | {{section|page:MS Dresd.C.94 129v.png|2|lbl=-}} | ||
+ | | {{section|Page:Cod.10826 097v.png|2|lbl=-}} | ||
+ | | <p><br/></p> | ||
+ | |||
+ | {{section|page:Cod.icon. 393 I 303r.jpg|2|lbl=-}} | ||
+ | | <p><br/></p> | ||
+ | |||
+ | {{section|Page:Cod.10826 106r.png|1|lbl=106r}} | ||
| | | | ||
|- | |- | ||
− | | | + | | <p>'''Another'''</p> |
− | | | + | |
− | | {{section| | + | <p>If your opponent lays himself on top of you in above mentioned way, then grab around both his arms firmly, turn around behind his back, and extend your legs far, and you will throw him on his back. This technique can be executed on both sides.</p> |
− | | {{section|Page:Cod.10826 | + | | <p><br/></p> |
− | | | + | |
− | | | + | {{section|Page:MS E.1939.65.354 193r.jpg|4|lbl=-}} |
+ | | {{section|page:MS Dresd.C.94 130r.png|1|lbl=130r}} | ||
+ | | {{section|Page:Cod.10826 097v.png|3|lbl=-}} | ||
+ | | {{section|page:Cod.icon. 393 I 303r.jpg|3|lbl=-}} | ||
+ | | {{section|Page:Cod.10826 106r.png|2|lbl=-}} | ||
| | | | ||
|- | |- | ||
+ | | <p>'''Another'''</p> | ||
+ | |||
+ | <p>When your opponent lays himself on top of you so heavily that you cannot free yourself from him, then grab hold around both his arms as hard as you can. Then quickly stoop down and thrust your head into his stomach with all your might, and throw him face first over your back thus.</p> | ||
+ | | <p><br/></p> | ||
+ | |||
+ | {{section|Page:MS E.1939.65.354 193r.jpg|5|lbl=-}} | ||
+ | | {{section|page:MS Dresd.C.94 130r.png|2|lbl=-}} | ||
| | | | ||
− | + | {{section|Page:Cod.10826 097v.png|4|lbl=-|p=1}} {{section|Page:Cod.10826 098r.png|1|lbl=98r|p=1}} | |
− | + | | {{section|page:Cod.icon. 393 I 303v.jpg|1|lbl=303v}} | |
− | + | | {{section|Page:Cod.10826 106r.png|3|lbl=-}} | |
− | | {{section| | ||
− | | {{section|Page:Cod.10826 | ||
| | | | ||
|- | |- | ||
− | | | + | | <p>'''When wrestling with equal holds'''</p> |
− | | | + | |
− | | {{section| | + | <p>When you wrestle with someone out of equal holds, then lower yourself into the scales, but do not close your arms, as you will use them. When your opponent then wants to lift you up with force, then wait until he lower himself down and bends the knee, then sweep it with your own knee from outside, and you will throw him on his back. This can be done on both sides.</p> |
− | | {{section|Page:Cod.10826 | + | | <p><br/></p> |
− | | {{section| | + | |
− | | {{section|Page:Cod.10826 | + | {{section|Page:MS E.1939.65.354 193v.jpg|1|lbl=193v}} |
+ | | {{section|page:MS Dresd.C.94 130v.png|1|lbl=130v}} | ||
+ | | {{section|Page:Cod.10826 098r.png|2|lbl=-}} | ||
+ | | {{section|page:Cod.icon. 393 I 303v.jpg|2|lbl=-}} | ||
+ | | {{section|Page:Cod.10826 106r.png|4|lbl=-}} | ||
| | | | ||
|- | |- | ||
− | | | + | | <p>'''Knee sweep'''</p> |
− | | | + | |
− | | {{section| | + | <p>If someone has swept your knee as described above, so that you must fall, then make sure to hold firmly with your right arm, and stretch out your leg far underneath, and throw yourself forcefully and put the left hand on the ground. That way you will throw your opponent over you. This technique is called with-fall, and the third foot, and it can be done on both sides.</p> |
− | | {{section|Page:Cod.10826 | + | | <p><br/></p> |
− | | {{section| | + | |
− | | {{section|Page:Cod.10826 | + | {{section|Page:MS E.1939.65.354 193v.jpg|2|lbl=-}} |
+ | | {{section|page:MS Dresd.C.94 130v.png|2|lbl=-}} | ||
+ | | {{section|Page:Cod.10826 098r.png|3|lbl=-}} | ||
+ | | {{section|page:Cod.icon. 393 I 303v.jpg|3|lbl=-}} | ||
+ | | {{section|Page:Cod.10826 106r.png|5|lbl=-}} | ||
| | | | ||
|- | |- | ||
+ | | <p>'''If you wrestle a strong opponent'''</p> | ||
+ | |||
+ | <p>If you wrestle with someone strong in equal holds, and he lifts you up hard, then grab behind his chin with your left hand and push him from you. As soon as lets go of you, grab his wrist with your right hand and step forward with your right foot, that way you will throw him as well as break/dislocate his arm. This can be done on both sides.</p> | ||
+ | | <p><br/></p> | ||
+ | |||
+ | {{section|Page:MS E.1939.65.354 193v.jpg|3|lbl=-|p=1}} {{section|Page:MS E.1939.65.354 194r.jpg|1|lbl=194r|p=1}} | ||
+ | | {{section|page:MS Dresd.C.94 131r.png|1|lbl=131r}} | ||
| | | | ||
− | + | {{section|Page:Cod.10826 098r.png|4|lbl=-|p=1}} {{section|Page:Cod.10826 098v.png|1|lbl=98v|p=1}} | |
− | + | | {{section|page:Cod.icon. 393 I 304r.jpg|1|lbl=304r}} | |
− | + | | {{section|Page:Cod.10826 106r.png|6|lbl=-}} | |
− | | {{section| | ||
− | | {{section|Page:Cod.10826 | ||
| | | | ||
|- | |- | ||
− | | | + | | <p>'''Another'''</p> |
− | | | + | |
− | + | <p>When your opponent is holding you in the same manner, and has both arms closed together, and is about to step forward, then grab your right hand with your left, and pull it forward, then you break/dislocate his arm. This can be done on both sides.</p> | |
− | | | + | | <p><br/></p> |
− | {{section| | + | |
− | | {{section| | + | {{section|Page:MS E.1939.65.354 194r.jpg|2|lbl=-}} |
− | | {{section|Page:Cod.10826 | + | | {{section|page:MS Dresd.C.94 131r.png|2|lbl=-}} |
+ | | {{section|Page:Cod.10826 098v.png|2|lbl=-}} | ||
+ | | {{section|page:Cod.icon. 393 I 304r.jpg|2|lbl=-}} | ||
+ | | {{section|Page:Cod.10826 106r.png|7|lbl=-}} | ||
| | | | ||
|- | |- | ||
+ | | <p>'''Another wrestling technique'''</p> | ||
+ | |||
+ | <p>When you are wrestling someone on equal holds, then note that as soon as he wants to pull you towards him or press you, you grab hold of his right arm with both of yours, and put your shoulder under his right arm. If he then wants to pull you over with force, then make sure that you grab hold of one of his legs. This can be done on both sides.</p> | ||
+ | | <p><br/></p> | ||
+ | |||
+ | {{section|Page:MS E.1939.65.354 194r.jpg|3|lbl=-}} | ||
+ | | {{section|page:MS Dresd.C.94 131v.png|1|lbl=131v}} | ||
+ | | {{section|Page:Cod.10826 098v.png|3|lbl=-}} | ||
| | | | ||
− | + | {{section|page:Cod.icon. 393 I 304r.jpg|3|lbl=-|p=1}} {{section|page:Cod.icon. 393 I 304v.jpg|1|lbl=304v|p=1}} | |
− | + | | {{section|Page:Cod.10826 106r.png|8|lbl=-}} | |
− | |||
− | |||
− | | {{section|Page:Cod.10826 | ||
| | | | ||
|- | |- | ||
− | | | + | | <p>'''What to do if someone is too strong'''</p> |
− | + | ||
− | + | <p>If your opponent is stronger than you, and is about to lift one of your legs up forcefully, then put your leg around his leg. If someone on the other hand has closed his leg around yours, then lift up his foot and pull it towards you. If you then sweep his free leg with your closed legs, he will fall backwards. This can be done on the other side as well.</p> | |
− | + | | <p><br/></p> | |
− | |||
− | |||
− | |||
− | |||
− | | | + | {{section|Page:MS E.1939.65.354 194r.jpg|4|lbl=-}} |
− | | | + | | {{section|page:MS Dresd.C.94 131v.png|2|lbl=-}} |
− | | | + | | {{section|Page:Cod.10826 099r.png|1|lbl=99r}} |
− | | {{section|page:MS Dresd.C.94 | + | | {{section|page:Cod.icon. 393 I 304v.jpg|2|lbl=-}} |
− | | {{section|Page:Cod.10826 | + | | {{section|Page:Cod.10826 106r.png|9|lbl=-}} |
− | | {{section|page:Cod.icon. 393 I | ||
− | | {{section|Page:Cod.10826 | ||
| | | | ||
|- | |- | ||
− | | <p>''' | + | | <p>'''Worth noting'''</p> |
− | <p> | + | <p>If you wrestle with someone who is stronger than you, make sure above all that you hook his leg well, and thrust him backwards, and then pull him towards you again, then sweep the leg you hooked, and you will then throw him on his back. This can be done on both sides.</p> |
− | |||
− | |||
− | |||
| <p><br/></p> | | <p><br/></p> | ||
− | {{section|page:Cod.icon. 393 I | + | {{section|Page:MS E.1939.65.354 194v.jpg|1|lbl=194v}} |
− | | | + | | {{section|page:MS Dresd.C.94 132r.png|1|lbl=132r}} |
+ | | {{section|Page:Cod.10826 099r.png|2|lbl=-}} | ||
+ | | {{section|page:Cod.icon. 393 I 304v.jpg|3|lbl=-}} | ||
+ | | {{section|Page:Cod.10826 106r.png|10|lbl=-}} | ||
+ | | | ||
− | {{section|Page:Cod.10826 | + | |- |
+ | | <p>'''About the leg hook'''</p> | ||
+ | |||
+ | <p>When you wrestle with a strong opponent, and he hooks your leg with force, then pull him towards you as hard as you can with right hand and step with your hooked leg on top of his free foot, and push him away from you above, you will throw him on his face.</p> | ||
+ | | <p><br/></p> | ||
+ | |||
+ | {{section|Page:MS E.1939.65.354 194v.jpg|2|lbl=-}} | ||
+ | | {{section|page:MS Dresd.C.94 132r.png|2|lbl=-}} | ||
+ | | {{section|Page:Cod.10826 099r.png|3|lbl=-}} | ||
+ | | {{section|page:Cod.icon. 393 I 305r.jpg|1|lbl=305r}} | ||
+ | | {{section|Page:Cod.10826 106r.png|11|lbl=-}} | ||
| | | | ||
|- | |- | ||
− | | <p>''' | + | | <p>'''Note'''</p> |
+ | |||
+ | <p>If someone has hooked your leg, and grabbed you by your free arm, and wants to throw you, then grab him with your lower arm from behind over his arm and push him forward, then you break his arm and throws him face first. This can be done on both sides.</p> | ||
+ | | <p><br/></p> | ||
− | + | {{section|Page:MS E.1939.65.354 194v.jpg|3|lbl=-}} | |
+ | | {{section|page:MS Dresd.C.94 132v.png|1|lbl=132v}} | ||
| | | | ||
− | + | {{section|Page:Cod.10826 099r.png|4|lbl=-|p=1}} {{section|Page:Cod.10826 099v.png|1|lbl=99v|p=1}} | |
− | {{section| | + | | {{section|page:Cod.icon. 393 I 305r.jpg|2|lbl=-}} |
− | + | | {{section|Page:Cod.10826 106r.png|12|lbl=-}} | |
− | | {{section|page:Cod.icon. 393 I | ||
− | | {{section|Page:Cod.10826 | ||
| | | | ||
|- | |- | ||
− | | <p>''' | + | | <p>'''Note'''</p> |
− | <p> | + | <p>If you see that your opponent wants to bring you out of the leg hook, then quickly stretch out hard on him, step with the same foot before him and twist your hip into his groin and grab him with your left hand behind his leg. That way you will throw him over your back. This can be done from both sides.</p> |
− | | | + | | <p><br/></p> |
− | + | ||
− | | | + | {{section|Page:MS E.1939.65.354 194v.jpg|4|lbl=-}} |
− | {{section| | + | | {{section|page:MS Dresd.C.94 132v.png|2|lbl=-}} |
− | | {{section|page:Cod.icon. 393 I | + | | {{section|Page:Cod.10826 099v.png|2|lbl=-}} |
− | | {{section|Page:Cod.10826 | + | | {{section|page:Cod.icon. 393 I 305r.jpg|3|lbl=-}} |
+ | | {{section|Page:Cod.10826 106r.png|13|lbl=-}} | ||
| | | | ||
|- | |- | ||
− | | <p>''' | + | | <p>'''Another wrestling technique'''</p> |
+ | |||
+ | <p>If your opponent is faster than you and gets both his arm underneath yours and wants to throw you over or press you down, then grab his head with both hands and thrust it up and away from you, that way you will break his neck.</p> | ||
+ | | <p><br/></p> | ||
− | + | {{section|Page:MS E.1939.65.354 195r.jpg|1|lbl=195r}} | |
− | + | | {{section|page:MS Dresd.C.94 132v.png|3|lbl=-}} | |
− | + | | {{section|Page:Cod.10826 099v.png|3|lbl=-}} | |
− | {{section| | + | | {{section|page:Cod.icon. 393 I 305v.jpg|1|lbl=305v}} |
− | | {{section|Page:Cod.10826 | + | | {{section|Page:Cod.10826 106r.png|14|lbl=-}} |
− | | {{section|page:Cod.icon. 393 I | ||
− | | {{section|Page:Cod.10826 | ||
| | | | ||
|- | |- | ||
− | | <p>''' | + | | <p>'''A grip'''</p> |
− | <p> | + | <p>If your opponent grabs you with his left hand on your collar and with his right hand underneath by the jacket, then grab with your left hand in the wrist on his left hand, turn around and put your right elbow on top if his arm and press him down. That can be done on both sides.</p> |
− | | | + | | <p><br/></p> |
− | | {{section|page:MS Dresd.C.94 | + | |
− | | {{section|Page:Cod.10826 | + | {{section|Page:MS E.1939.65.354 195r.jpg|2|lbl=-}} |
− | | {{section|page:Cod.icon. 393 I | + | | {{section|page:MS Dresd.C.94 133r.png|1|lbl=133r}} |
− | | {{section|Page:Cod.10826 | + | | |
+ | {{section|Page:Cod.10826 099v.png|4|lbl=-|p=1}} {{section|Page:Cod.10826 100r.png|1|lbl=100r|p=1}} | ||
+ | | {{section|page:Cod.icon. 393 I 305v.jpg|2|lbl=-}} | ||
+ | | {{section|Page:Cod.10826 106r.png|15|lbl=-}} | ||
| | | | ||
|- | |- | ||
− | | <p>''' | + | | <p>'''Arm breaking technique'''</p> |
+ | |||
+ | <p>If someone lowers his left arm and hinders you from turning around, then grab around his right arm with both your arms from below near by the wrist heave him up, that way you will break his arm. This can be done on both sides.</p> | ||
+ | | <p><br/></p> | ||
− | + | {{section|Page:MS E.1939.65.354 195r.jpg|3|lbl=-}} | |
− | + | | {{section|page:MS Dresd.C.94 133r.png|2|lbl=-}} | |
− | + | | {{section|Page:Cod.10826 100r.png|2|lbl=-}} | |
− | {{section| | + | | {{section|page:Cod.icon. 393 I 305v.jpg|3|lbl=-}} |
− | | | + | | {{section|Page:Cod.10826 106r.png|16|lbl=-}} |
− | {{section|Page:Cod.10826 | ||
− | | {{section|page:Cod.icon. 393 I | ||
− | | {{section|Page:Cod.10826 | ||
| | | | ||
|- | |- | ||
− | | <p>''' | + | | <p>'''If someone grabs you from behind'''</p> |
− | <p> | + | <p>If someone embraces you behind the back while you wrestle, then quickly grab him by the hair with both your hands over your head, and throw him over your head. If you want to counter this, then grab hold of both his elbows and pull him backwards or bend your head down as far as you can, so that he cannot reach your hair.</p> |
− | | | + | | <p><br/></p> |
− | | {{section|page:MS Dresd.C.94 | + | |
− | | {{section|Page:Cod.10826 | + | {{section|Page:MS E.1939.65.354 195r.jpg|4|lbl=-}} |
− | | {{section|page:Cod.icon. 393 I | + | | {{section|page:MS Dresd.C.94 133r.png|3|lbl=-}} |
− | | {{section|Page:Cod.10826 | + | | {{section|Page:Cod.10826 100r.png|3|lbl=-}} |
+ | | {{section|page:Cod.icon. 393 I 306r.jpg|1|lbl=306r}} | ||
+ | | {{section|Page:Cod.10826 106v.png|1|lbl=106v}} | ||
| | | | ||
|- | |- | ||
− | | <p>''' | + | | <p>'''Note'''</p> |
+ | |||
+ | <p>If someone holds you so firmly that you cannot reach his hair, then hit him in the face, lower yourself down quickly and step with one foot behind him, that way you will throw your opponent on his back. That can be done on both sides.</p> | ||
+ | | <p><br/></p> | ||
− | + | {{section|Page:MS E.1939.65.354 195v.jpg|1|lbl=195v}} | |
+ | | {{section|page:MS Dresd.C.94 133v.png|1|lbl=133v}} | ||
| | | | ||
− | + | {{section|Page:Cod.10826 100r.png|4|lbl=-|p=1}} {{section|Page:Cod.10826 100v.png|1|lbl=100v|p=1}} | |
− | {{section| | + | | {{section|page:Cod.icon. 393 I 306r.jpg|2|lbl=-}} |
− | + | | {{section|Page:Cod.10826 106v.png|2|lbl=-}} | |
− | | {{section|page:Cod.icon. 393 I | ||
− | | {{section|Page:Cod.10826 | ||
| | | | ||
|- | |- | ||
− | | <p>''' | + | | <p>'''About stepping under'''</p> |
− | <p> | + | <p>If someone holds you firmly and stands in the scales, and will not allow you to step underneath him, then grab him by one of his fingers, and break it loose. This however must be kept secret and never be used except in dire emergency.</p> |
− | | | + | | <p><br/></p> |
− | + | ||
− | | | + | {{section|Page:MS E.1939.65.354 195v.jpg|2|lbl=-}} |
− | {{section| | + | | {{section|page:MS Dresd.C.94 133v.png|2|lbl=-}} |
− | | {{section|page:Cod.icon. 393 I | + | | {{section|Page:Cod.10826 100v.png|2|lbl=-|p=1}} |
− | | {{section|Page:Cod.10826 | + | | {{section|page:Cod.icon. 393 I 306r.jpg|3|lbl=-}} |
+ | | {{section|Page:Cod.10826 106v.png|3|lbl=-}} | ||
| | | | ||
|- | |- | ||
− | | <p>''' | + | | <p>'''If someone grabs around your chest'''</p> |
+ | |||
+ | <p>If someone grabs around your chest in front of you, and has both of his arms under yours, then grab him with one hand in his collar and put one finger in his throat, then he must let go of you, and you can go under him, or throw him on his back.</p> | ||
+ | | <p><br/></p> | ||
− | + | {{section|Page:MS E.1939.65.354 195v.jpg|3|lbl=-}} | |
− | + | | {{section|page:MS Dresd.C.94 133v.png|3|lbl=-}} | |
− | + | | {{section|Page:Cod.10826 100v.png|3|lbl=-}} | |
− | {{section| | + | | {{section|page:Cod.icon. 393 I 306v.jpg|1|lbl=306v}} |
− | | {{section|Page:Cod.10826 | + | | {{section|Page:Cod.10826 106v.png|4|lbl=-}} |
− | | {{section|page:Cod.icon. 393 I | ||
− | | {{section|Page:Cod.10826 | ||
| | | | ||
|- | |- | ||
− | | <p>''' | + | | <p>'''Note'''</p> |
− | <p> | + | <p>If someone has grabbed you by the collar from behind and tries to hold you or stab you, then put your left hand on top of his hand in the wrist(?) and twist it around, put your right elbow on top of his arm and thrust down, then you break his arm. This can be done from both sides.</p> |
− | | | + | | <p><br/></p> |
− | | {{section|page:MS Dresd.C.94 | + | |
− | | {{section|Page:Cod.10826 | + | {{section|Page:MS E.1939.65.354 195v.jpg|4|lbl=-}} |
− | | {{section|page:Cod.icon. 393 I | + | | {{section|page:MS Dresd.C.94 134r.png|1|lbl=134r}} |
− | | {{section|Page:Cod.10826 | + | | {{section|Page:Cod.10826 100v.png|4|lbl=-}} |
+ | | {{section|page:Cod.icon. 393 I 306v.jpg|2|lbl=-}} | ||
+ | | {{section|Page:Cod.10826 106v.png|5|lbl=-}} | ||
| | | | ||
Line 2,566: | Line 2,777: | ||
| <p>'''Note'''</p> | | <p>'''Note'''</p> | ||
− | <p> | + | <p>When someone grabs you by the collar then turn to your left, and thrust with your right hand into his elbow and step with your left foot before him, that way you will throw him on his face. This can be done on both sides.</p> |
− | | | + | | <p><br/></p> |
− | | {{section| | + | |
− | | | + | {{section|Page:MS E.1939.65.354 195v.jpg|5|lbl=-|p=1}} {{section|Page:MS E.1939.65.354 196r.jpg|1|lbl=196r|p=1}} |
− | {{section| | + | | {{section|page:MS Dresd.C.94 134r.png|2|lbl=-}} |
− | | {{section|page:Cod.icon. 393 I | + | | {{section|Page:Cod.10826 101r.png|1|lbl=101r}} |
− | | {{section|Page:Cod.10826 | + | | {{section|page:Cod.icon. 393 I 306v.jpg|3|lbl=-}} |
+ | | {{section|Page:Cod.10826 106v.png|6|lbl=-}} | ||
| | | | ||
|- | |- | ||
− | | <p> | + | | <p>'''Another wrestling technique'''</p> |
− | <p> | + | <p>When you wrestle with someone and you notice that he is about to punch you, then move both your hands to your belly, and step towards him. When he then tries to hit you in the face, catch the punch with the open palm of your right hand, and advance on him as follows below.</p> |
− | |||
| <p><br/></p> | | <p><br/></p> | ||
− | {{section|page:MS Dresd.C.94 | + | {{section|Page:MS E.1939.65.354 196r.jpg|2|lbl=-}} |
− | | {{section|Page:Cod.10826 | + | | {{section|page:MS Dresd.C.94 134r.png|3|lbl=-}} |
+ | | {{section|Page:Cod.10826 101r.png|2|lbl=-}} | ||
+ | | {{section|page:Cod.icon. 393 I 307r.jpg|1|lbl=307r}} | ||
+ | | {{section|Page:Cod.10826 106v.png|7|lbl=-}} | ||
+ | | | ||
+ | |||
+ | |- | ||
+ | | <p>'''Note'''</p> | ||
+ | |||
+ | <p>When you have parried the blow with your right hand, step in deep with your right foot behind his right foot in the traverse, then you will throw him on his back.</p> | ||
+ | | <p><br/></p> | ||
+ | |||
+ | {{section|Page:MS E.1939.65.354 196r.jpg|3|lbl=-}} | ||
+ | | {{section|page:MS Dresd.C.94 134v.png|1|lbl=134v}} | ||
+ | | {{section|Page:Cod.10826 101r.png|3|lbl=-}} | ||
| <p><br/></p> | | <p><br/></p> | ||
− | {{section|page:Cod.icon. 393 I | + | {{section|page:Cod.icon. 393 I 307r.jpg|2|lbl=-}} |
| <p><br/></p> | | <p><br/></p> | ||
− | {{section|Page:Cod.10826 | + | {{section|Page:Cod.10826 106v.png|8|lbl=-}} |
| | | | ||
Line 2,595: | Line 2,820: | ||
| <p>'''Another'''</p> | | <p>'''Another'''</p> | ||
− | <p> | + | <p>When someone tries to punch you in the face, then (parry and catch as before) and strike with your fist outstretched under his collar, and then grab around his leg with your right arm, and you will throw him on his back.</p> |
+ | | <p><br/></p> | ||
+ | |||
+ | {{section|Page:MS E.1939.65.354 196r.jpg|4|lbl=-}} | ||
+ | | {{section|page:MS Dresd.C.94 134v.png|2|lbl=-}} | ||
| | | | ||
− | + | {{section|Page:Cod.10826 101r.png|4|lbl=-|p=1}} {{section|Page:Cod.10826 101v.png|1|lbl=101v|p=1}} | |
− | + | | {{section|page:Cod.icon. 393 I 307r.jpg|3|lbl=-}} | |
− | | {{section|page:Cod.icon. 393 I | + | | {{section|Page:Cod.10826 106v.png|9|lbl=-}} |
− | | {{section|Page:Cod.10826 | ||
| | | | ||
|- | |- | ||
− | | <p>'''Another'''</p> | + | | <p>'''Another wrestling technique'''</p> |
+ | |||
+ | <p>When your opponent tries to hit you, then catch the blow with the outside of the hand, and push him backwards with all your might. Then catch with your left hand from underneath around his right arm, and step behind his right foot with your left foot, that way you will throw him on his back and break his arm.</p> | ||
+ | | <p><br/></p> | ||
− | + | {{section|Page:MS E.1939.65.354 196r.jpg|5|lbl=-|p=1}} {{section|Page:MS E.1939.65.354 196v.jpg|1|lbl=196v|p=1}} | |
+ | | {{section|page:MS Dresd.C.94 134v.png|3|lbl=-}} | ||
+ | | {{section|Page:Cod.10826 101v.png|2|lbl=-}} | ||
| | | | ||
− | + | {{section|page:Cod.icon. 393 I 307r.jpg|4|lbl=-|p=1}} {{section|page:Cod.icon. 393 I 307v.jpg|1|lbl=307v|p=1}} | |
− | + | | {{section|Page:Cod.10826 106v.png|10|lbl=-}} | |
− | |||
− | |||
− | | {{section|Page:Cod.10826 | ||
| | | | ||
|- | |- | ||
− | | <p>''' | + | | <p>'''Grabbing the hair'''</p> |
− | <p>When | + | <p>When someone has grabbed hold of your hair, then grab with your left hand over both of his hands onto the wrist of his right hand and with your right hand underneath on his elbow. Then, if you twist his arm upward, you will get free of him and break his arm.</p> |
− | | | + | | <p><br/></p> |
− | |||
− | |||
− | |||
− | |||
− | |||
− | | | + | {{section|Page:MS E.1939.65.354 196v.jpg|2|lbl=-}} |
− | + | | {{section|page:MS Dresd.C.94 135r.png|1|lbl=135r}} | |
− | + | | {{section|Page:Cod.10826 101v.png|3|lbl=-}} | |
− | + | | {{section|page:Cod.icon. 393 I 307v.jpg|2|lbl=-}} | |
− | | | + | | {{section|Page:Cod.10826 106v.png|11|lbl=-}} |
− | | {{section|page:MS Dresd.C.94 | + | | <p><br/></p> |
− | | {{section|Page:Cod.10826 | ||
− | | {{section|page:Cod.icon. 393 I | ||
− | | {{section|Page:Cod.10826 | ||
− | | | ||
− | + | {{section|Page:Cgm 3712 073r.jpg|1|lbl=73r}} | |
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
|- | |- | ||
| <p>'''Another'''</p> | | <p>'''Another'''</p> | ||
− | <p>When | + | <p>When both of you have grabbed each other by the hair, then grab hold of him as before, and twist his left hand on your right arm, and press down hard, and then hit him in the neck with your left hand.</p> |
− | | | + | | <p><br/></p> |
− | | {{section|page:MS Dresd.C.94 | + | |
− | | {{section|Page:Cod.10826 | + | {{section|Page:MS E.1939.65.354 196v.jpg|3|lbl=-}} |
− | | {{section|page:Cod.icon. 393 I | + | | {{section|page:MS Dresd.C.94 135r.png|2|lbl=-}} |
− | | {{section|Page:Cod.10826 | + | | {{section|Page:Cod.10826 101v.png|4|lbl=-}} |
− | | | + | | {{section|page:Cod.icon. 393 I 307v.jpg|3|lbl=-}} |
+ | | {{section|Page:Cod.10826 106v.png|12|lbl=-}} | ||
+ | | <p><br/></p> | ||
+ | |||
+ | {{section|Page:Cgm 3712 073r.jpg|2|lbl=-}} | ||
|- | |- | ||
− | | <p>''' | + | | <p>'''A throw'''</p> |
− | <p>When you | + | <p>When someone has taken hold of you in the middle and wants to throw you on your back by head-butting you, then as quickly as you can, take hold of both his shoulders, so that you again can grab him by the collar. Then sweep his leg with your foot, and he will fall over.</p> |
+ | | | ||
| | | | ||
− | + | {{section|page:MS Dresd.C.94 135r.png|3|lbl=-|p=1}} {{section|page:MS Dresd.C.94 135v.png|1|lbl=135v|p=1}} | |
− | |||
| | | | ||
− | {{section| | + | {{section|Page:Cod.10826 101v.png|5|lbl=-|p=1}} {{section|Page:Cod.10826 102r.png|1|lbl=102r|p=1}} |
− | | {{section|Page:Cod.10826 | + | | {{section|page:Cod.icon. 393 I 308r.jpg|1|lbl=308r}} |
+ | | {{section|Page:Cod.10826 106v.png|13|lbl=-}} | ||
| | | | ||
|- | |- | ||
− | | <p>''' | + | | <p>'''A counter to above mentioned technique'''</p> |
− | <p>If | + | <p>If someone has grabbed you the same way, then let go of his waist, and grab him behind the knees, and lift him up, that way you can either as you wish, throw him on his back, over your head, or run away with him.</p> |
| | | | ||
− | | {{section|page:MS Dresd.C.94 | + | | {{section|page:MS Dresd.C.94 135v.png|2|lbl=-}} |
− | | {{section|Page:Cod.10826 | + | | {{section|Page:Cod.10826 102r.png|2|lbl=-}} |
− | | {{section|page:Cod.icon. 393 I | + | | {{section|page:Cod.icon. 393 I 308r.jpg|2|lbl=-}} |
− | | {{section|Page:Cod.10826 | + | | {{section|Page:Cod.10826 106v.png|14|lbl=-}} |
| | | | ||
|- | |- | ||
− | | <p>''' | + | | <p>'''A wrestling throw'''</p> |
− | <p> | + | <p>Grab him by the left hand with your right, and lift it well, go through with your head, and grab with your left hand in his right knee. Then lift him by the leg on your shoulders, and you will throw him over your back face first.</p> |
| | | | ||
− | | {{section|page:MS Dresd.C.94 | + | | {{section|page:MS Dresd.C.94 135v.png|3|lbl=-}} |
− | | {{section|Page:Cod.10826 | + | | {{section|Page:Cod.10826 102r.png|3|lbl=-}} |
− | | {{section|page:Cod.icon. 393 I | + | | {{section|page:Cod.icon. 393 I 308r.jpg|3|lbl=-}} |
− | | {{section|Page:Cod.10826 | + | | {{section|Page:Cod.10826 106v.png|15|lbl=-}} |
| | | | ||
|- | |- | ||
− | | <p>''' | + | | <p>'''Another'''</p> |
− | <p> | + | <p>Grab hold with your left hand onto his right and twist it away from you on your left side, step with your right foot behind his right and grab with your right hand up front on his neck, and throw him over your right hip.</p> |
+ | | | ||
+ | | {{section|page:MS Dresd.C.94 136r.png|1|lbl=136r}} | ||
| | | | ||
− | + | {{section|Page:Cod.10826 102r.png|4|lbl=-|p=1}} {{section|Page:Cod.10826 102v.png|1|lbl=102v|p=1}} | |
− | + | | {{section|page:Cod.icon. 393 I 308v.jpg|1|lbl=308v}} | |
− | | {{section|page:Cod.icon. 393 I | + | | {{section|Page:Cod.10826 106v.png|16|lbl=-}} |
− | | {{section|Page:Cod.10826 | ||
| | | | ||
Line 2,708: | Line 2,925: | ||
| <p>'''Note'''</p> | | <p>'''Note'''</p> | ||
− | <p>If | + | <p>If your opponent has is arms held high when advancing onto you, then run through him with the head under his right arm on his right side. Step in front of his right foot and grab around his waist from behind with your right arm. Lower yourself a little, lift him up on your right hip and throw him behind you.</p> |
| | | | ||
− | | {{section|page:MS Dresd.C.94 | + | | {{section|page:MS Dresd.C.94 136r.png|2|lbl=-}} |
− | | | + | | {{section|Page:Cod.10826 102v.png|2|lbl=-}} |
− | {{section|Page:Cod.10826 | + | | {{section|page:Cod.icon. 393 I 308v.jpg|2|lbl=-}} |
− | | {{section|page:Cod.icon. 393 I | + | | {{section|Page:Cod.10826 107r.png|1|lbl=107r}} |
− | | {{section|Page:Cod.10826 | ||
| | | | ||
|- | |- | ||
− | | <p>''' | + | | <p>'''What to do with your opponent once you have thrown him'''</p> |
− | <p> | + | <p>When you have thrown your opponent to the ground, then knee him in the groin and hold both of his arms or his throat and press down, that way you may keep him down.</p> |
| | | | ||
− | | {{section|page:MS Dresd.C.94 | + | | {{section|page:MS Dresd.C.94 136v.png|1|lbl=136v}} |
− | | {{section|Page:Cod.10826 | + | | {{section|Page:Cod.10826 102v.png|3|lbl=-}} |
− | | {{section|page:Cod.icon. 393 I | + | | {{section|page:Cod.icon. 393 I 308v.jpg|3|lbl=-}} |
− | | {{section|Page:Cod.10826 | + | | {{section|Page:Cod.10826 107r.png|2|lbl=-}} |
| | | | ||
|- | |- | ||
− | | <p>''' | + | | class="noline" | <p>'''Counter'''</p> |
− | <p>If your opponent | + | <p>If you have been thrown to the ground by your opponent, then make sure above all things that your hands are not caught. Quickly, with one hand grab onto his face with the thumb under his chin and the rest of the fingers in his eyes, and press them away as hard as you can, and with the other hand hit him in the bladder. Extend the one leg that is the freest, and pull him towards you again, and he will receive a good hit to the groin as well. With these three moves mentioned here you will break free of him and weaken him as well.</p> |
− | | | + | | class="noline" | |
− | | {{section|page:MS Dresd.C.94 | + | | class="noline" | {{section|page:MS Dresd.C.94 136v.png|2|lbl=-}} |
− | | {{section|Page:Cod.10826 | + | | class="noline" | |
− | | {{section|page:Cod.icon. 393 I | + | {{section|Page:Cod.10826 102v.png|4|lbl=-|p=1}} {{section|Page:Cod.10826 103r.png|1|lbl=103r|p=1}} |
− | | {{section|Page:Cod.10826 | + | | class="noline" | {{section|page:Cod.icon. 393 I 309r.jpg|1|lbl=309r}} |
− | | | + | | class="noline" | {{section|Page:Cod.10826 107r.png|3|lbl=-}} |
+ | | class="noline" | | ||
− | |- | + | |} |
− | | | + | {{master end}} |
+ | --> | ||
+ | {{master begin | ||
+ | | title = Copyright and License Summary | ||
+ | | width = 100% | ||
+ | }} | ||
+ | For further information, including transcription and translation notes, see the [[Talk:{{PAGENAME}}|discussion page]]. | ||
− | < | + | <section begin="sourcebox"/>{{sourcebox header}} |
− | + | {{sourcebox | |
− | + | | work = [[Goliath Fechtbuch (MS Germ.Quart.2020)|Kraków Illustrations]] | |
− | | | + | | authors = [[Biblioteka Jagiellońska]] |
− | + | | source link = http://www.bj.uj.edu.pl/ | |
− | | | + | | source title= Biblioteka Jagiellońska |
− | + | | license = public domain | |
− | | | + | }} |
− | + | {{sourcebox | |
− | | | + | | work = Translation |
− | + | | authors = [[translator::Gregor Medvešek]] | |
− | + | | source link = http://www.scholapugnatoria.si/en/master.otts-wrestling/ | |
− | + | | source title= Schola Pugnatoria | |
− | | | + | | license = copyrighted |
− | | | + | }} |
− | + | {{sourcebox | |
− | + | | work = Translation | |
− | | | + | | authors = [[translator::Alex and Almirena]] |
− | | | + | | source link = https://sigmundringeck.tripod.com/ringeck/id11.html |
− | + | | source title= Master Sigmund Ringeck | |
− | + | | license = copyrighted | |
− | + | }} | |
− | + | {{sourcebox | |
− | + | | work = Translation | |
− | | | + | | authors = [[translator::Jay Acutt]] |
− | | | + | | source link = |
− | + | | source title= Document circulated online | |
− | | | + | | license = copyrighted |
− | + | }} | |
− | | | + | <!--{{sourcebox |
− | + | | work = Translation | |
− | | | + | | authors = [[translator::Per Magnus Haaland]] |
− | + | | source link = | |
− | + | | source title= Private communication | |
− | + | | license = copyrighted | |
− | | | + | }}--> |
− | + | {{sourcebox | |
− | | | + | | work = [[Talhoffer Fechtbuch (MS Chart.A.558)|Gotha Transcription]] |
− | + | | authors = [[Dierk Hagedorn]] | |
− | | | + | | source link = |
− | + | | source title= [[Index:Talhoffer Fechtbuch (MS Chart.A.558)]] | |
− | | | + | | license = copyrighted |
− | + | }} | |
− | | | + | {{sourcebox |
− | + | | work = [[Codex Lew (Cod.I.6.4º.3)|Augsburg Transcription]] | |
− | + | | authors = [[Dierk Hagedorn]] | |
− | + | | source link = | |
− | | | + | | source title= [[Index:Codex Lew (Cod.I.6.4º.3)]] |
− | + | | license = copyrighted | |
− | | | + | }} |
− | + | {{sourcebox | |
− | | {{ | + | | work = [[Starhemberg Fechtbuch (Cod.44.A.8)|Rome Transcription]] |
− | | | + | | authors = [[Dierk Hagedorn]] |
− | + | | source link = | |
− | + | | source title= [[Index:Starhemberg Fechtbuch (Cod.44.A.8)]] | |
− | | | + | | license = copyrighted |
− | + | }} | |
− | + | {{sourcebox | |
− | | | + | | work = [[Paulus Kal Fechtbuch (MS KK5126)|Vienna Ⅰ Transcription]] |
− | | | + | | authors = [[Dierk Hagedorn]] |
− | + | | source link = | |
− | | | + | | source title= [[Index:Paulus Kal Fechtbuch (MS KK5126)]] |
− | + | | license = copyrighted | |
− | | | + | }} |
− | + | {{sourcebox | |
− | | | + | | work = [[Codex Speyer (MS M.I.29)|Salzburg Transcription]] |
− | + | | authors = [[Dierk Hagedorn]] | |
− | + | | source link = | |
− | + | | source title= [[Index:Codex Speyer (MS M.I.29)]] | |
− | | | + | | license = copyrighted |
− | | | + | }} |
− | + | {{sourcebox | |
− | | | + | | work = [[Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)|Dresden Transcription]] |
− | + | | authors = [[Dierk Hagedorn]] | |
− | + | | source link = | |
− | + | | source title= [[Index:Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)]] | |
− | + | | license = copyrighted | |
− | + | }} | |
− | + | {{sourcebox | |
− | + | | work = [[Glasgow Fechtbuch (MS E.1939.65.341)|Glasgow Ⅰ Transcription]] | |
− | | | + | | authors = [[Dierk Hagedorn]] |
− | | | + | | source link = |
− | + | | source title= [[Index:Glasgow Fechtbuch (MS E.1939.65.341)]] | |
− | | | + | | license = copyrighted |
− | + | }} | |
− | | | + | {{sourcebox |
− | + | | work = [[Oplodidaskalia sive Armorvm Tractandorvm Meditatio Alberti Dvreri (MS 26-232)|Vienna Ⅱ Transcription]] | |
− | | | + | | authors = [[Dierk Hagedorn]] |
− | + | | source link = | |
− | + | | source title= {{nowrap|[[Index:Oplodidaskalia sive Armorvm Tractandorvm Meditatio Alberti Dvreri (MS 26-232)]]}} | |
− | + | | license = copyrighted | |
− | | | + | }} |
− | | | + | {{sourcebox |
− | + | | work = [[Goliath Fechtbuch (MS Germ.Quart.2020)|Krakow Transcription]] | |
− | | | + | | authors = [[Monika Maziarz]] |
− | + | | source link = | |
− | | | + | | source title= [[Index:Goliath Fechtbuch (MS Germ.Quart.2020)]] |
− | + | | license = copyrighted | |
− | | | + | }} |
− | + | {{sourcebox | |
− | + | | work = [[Gregor Erhart Fechtbuch (MS E.1939.65.354)|Glasgow Ⅱ Transcription]] | |
− | + | | authors = [[Michael Chidester]] | |
− | + | | source link = | |
− | + | | source title= [[Index:Gregor Erhart Fechtbuch (MS E.1939.65.354)]] | |
− | + | | license = noncommercial | |
− | + | }} | |
+ | {{sourcebox | ||
+ | | work = [[Wassmannsdorff's Fechtbuch|Wassmannsdorff Transcription]] | ||
+ | | authors = [[Karl Wassmannsdorff]], [[Jay Acutt]], [[Michael Chidester]] | ||
+ | | source link = | ||
+ | | source title= [[Index:Wassmannsdorff's Fechtbuch]] | ||
+ | | license = public domain | ||
+ | }} | ||
+ | {{sourcebox | ||
+ | | work = [[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden (Mair) Transcription]] | ||
+ | | authors = [[Pierre-Henry Bas]] | ||
+ | | source link = | ||
+ | | source title= [[Index:Opus Amplissimum de Arte Athletica (MS Dresd.C.94)]] | ||
+ | | license = copyrighted | ||
+ | }} | ||
+ | {{sourcebox | ||
+ | | work = [[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna (Mair) German Transcription]] | ||
+ | | authors = [[Nicole Brynes]], [[Rebecca Garber]], [[Mark Millman]] | ||
+ | | source link = | ||
+ | | source title= [[Index:Opus Amplissimum de Arte Athletica (Cod.10826)]] | ||
+ | | license = noncommercial | ||
+ | }} | ||
+ | {{sourcebox | ||
+ | | work = [[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna (Mair) Latin Transcription]] | ||
+ | | authors = [[Kendra Brown]], [[Rebecca Garber]] | ||
+ | | source link = | ||
+ | | source title= [[Index:Opus Amplissimum de Arte Athletica (Cod.10826)]] | ||
+ | | license = noncommercial | ||
+ | }} | ||
+ | {{sourcebox | ||
+ | | work = [[Opus Amplissimum de Arte Athletica (Cod.icon. 393)|Munich (Mair) Transcription]] | ||
+ | | authors = Open | ||
+ | | source link = | ||
+ | | source title= [[Index:Opus Amplissimum de Arte Athletica (Cod.icon. 393 I)]] | ||
+ | | license = default | ||
+ | }} | ||
+ | {{sourcebox | ||
+ | | work = [[Maister Liechtenawers Kunstbuech (Cgm 3712)|Munich Ⅱ Transcription]] | ||
+ | | authors = | ||
+ | | source link = | ||
+ | | source title= [[Index:Maister Liechtenawers Kunstbuech (Cgm 3712)]] | ||
+ | | license = | ||
+ | }} | ||
+ | {{sourcebox | ||
+ | | work = [[Talhoffer Fechtbuch (MS 26.236)|New York Transcription]] | ||
+ | | authors = | ||
+ | | source link = | ||
+ | | source title= [[Index:Talhoffer Fechtbuch (MS 26.236)]] | ||
+ | | license = | ||
+ | }} | ||
+ | {{sourcebox | ||
+ | | work = [[Talhoffer Fechtbuch (2º Col.MS.Philos.61)|Göttingen Transcription]] | ||
+ | | authors = | ||
+ | | source link = | ||
+ | | source title= [[Index:Talhoffer Fechtbuch (2º Col.MS.Philos.61)]] | ||
+ | | license = | ||
+ | }} | ||
+ | {{sourcebox | ||
+ | | work = [[Talhoffer Fechtbuch (Cod.icon. 395)|Munich Ⅲ Transcription]] | ||
+ | | authors = | ||
+ | | source link = | ||
+ | | source title= [[Index:Talhoffer Fechtbuch (Cod.icon. 395)]] | ||
+ | | license = | ||
+ | }} | ||
+ | {{sourcebox footer}}<section end="sourcebox"/> | ||
+ | {{master end}} | ||
− | + | == Additional Resources == | |
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Latest revision as of 23:56, 8 March 2025
Ott Jud | |
---|---|
Born | date of birth unknown |
Died | 1448-52 (?) |
Occupation | Wrestling master |
Ethnicity | Jewish |
Patron | princes of Austria |
Movement | Fellowship of Liechtenauer |
Genres | Wrestling manual |
Language | Early New High German |
Manuscript(s) |
|
First printed english edition |
Tobler, 2010 |
Concordance by | Michael Chidester |
Translations |
Ott Jud was a 15th century German wrestling master. His name signifies that he was a Jew, and several versions of his treatise (including the oldest one) state that he was baptized Christian.[1] In 1470, Paulus Kal described him as the wrestling master to the princes of Austria, and included him in the membership of the Fellowship of Liechtenauer.[2] While Ott's precise lifetime is uncertain, he may have still been alive when Hans Talhoffer included the Gotha version in his fencing manual in ca. 1448, but seems to have died some time before the creation of the Rome version in 1452.[3]
Ott's treatise on grappling is repeated throughout all of the early German treatise compilations and seems to have become the dominant work on the subject within the Liechtenauer tradition.
Contents
Textual History
Manuscripts
It is difficult to say when Ott's treatise was written, and the original is certainly lost at present. It is also unclear how much of the material in the existing versions should be attributed to him directly. Jessica Finley has pointed out that the first 31 plays form a coherent progression, whereas the subsequent 38 plays are disorganized. Furthermore, there are a number of copies that are limited to one half or the other, including Vienna and the prose Wassmannsdorff for the first part and Dresden and the poetic Wassmannsdorff for the second; these copies of only the second part make no mention of Ott in their introductions. It's possible that these two halves of the text had separate origins, with the first being written by Ott and the second mistakenly attributed to him early on, a mistake that persisted in the tradition ever after.
The oldest extant copy is the Gotha version, which was included in a manuscript in the 1440s alongside works by Johannes Hartlieb, Hans Talhoffer, and others. The Gotha version appears incomplete compared to other early renditions, which may suggest that Ott was not directly involved despite its proximity to his career. Gotha was copied into several further manuscripts along with the other contents of the manuscript, including the New York (16th century), the Göttingen (17th century), and the third Munich (ca. 1820) versions; since these are all direct copies, they offer little additional help in understanding Ott's work (apart from being evidence of its continued transmission).
Two copies of Ott's work date to the mid-15th century, the Rome (1452) and Augsburg (1460s) versions. These both contain plays not found in Gotha but also show differences from each other, indicating that the textual tradition had already diverged into two branches (though Augsburg is only a fragment of its branch). Of the later 15th century copies, Vienna Ⅰ (1480s) and Ortenburg (late 1400s) follow Rome, and Salzburg (1491) is a complete version of the text appearing in Augsburg—indeed, Rainer Welle describes Salzburg as the most detailed version of the treatise up to that time.[4] Likewise, in the 16th century, Dresden (1504-19), Glasgow (1508), and Kraków (1535-40) follow Rome, while Vienna Ⅱ (1512), Wassmannsdorff (1539), Munich Ⅱ (1556), and the works of Paulus Hector Mair follow Augsburg (Mayr's manuscripts and Munich Ⅱ even have the same gaps as the Augsburg fragment).
Establishing the relationships between these versions is very problematic. The pattern of which plays are present in each of the early versions and which plays are missing doesn't match the later versions in each branch—for example, Vienna Ⅰ has plays not present in Rome, Salzburg has far more than the fragmentary Augsburg, and there are a few plays present in both Vienna and Salzburg that are in neither one of those first versions. Either some later versions were created by combining multiple earlier ones, or there are many missing links in this chain. Furthermore, certain plays have descriptions that gain extra pieces of clarifying text as time passes, especially in the Rome branch.[5] This is especially apparent in Kraków, which has expanded versions of more than half of the plays (and was also intended to be augmented with illustrations for the first time). This expanding text might be evidence that the early copies are all incomplete fragments and the expanded versions are the correct ones, but it may equally suggest that Ott's treatise received additional input and clarifications from other knowledgeable wrestlers over the course of time.
Finally, there were two notable transformations of Ott's treatise in the 16th century. First, Wassmannsdorff's now-lost 1539 manuscript contains two versions of Ott: one a fragment of the first 24 plays, the other covering the final 20 plays (49-69) but also including plays 50-55 recomposed as poems. This rewriting of a core text is otherwise unprecedented in the Liechtenauer tradition, and the author appears to be anonymous. The second transformation of the text occurred in the 1540s, when Mayr had it translated into Latin.
Most texts in the Liechtenauer corpus seem to have ossified immediately and been preserved without any intentional changes after they were initially written. The expansions to Ott's core plays and the poetic rewrite of part of the text both buck this trend, and make his treatise a unique example of a living textual tradition that may mirror a living teaching tradition.
Modern HEMA
Several books related to Ott were published in the 19th century which would be influential once HEMA was established, including Wassmannsdorf's transcription of the Augsburg version (and his own manuscript) in 1870, published as Die Ringkunst des deutschen Mittelalters, and Hergsell's transcription and modernization of the Gotha version in 1889, titled Talhoffers Fechtbuch (Gothaer Codex) aus dem Jahre 1443 (which was then translated to French and published in 1893 and 1901 as Livre d'escrime de Talhoffer (codex Gotha) de l'an 1443.
Ott was likewise represented at the very beginning of HEMA in Martin Wierschin's 1965 opus Meister Johann Liechtenauers Kunst des Fechtens, which included a transcription of the the Dresden manuscript (attributed entirely to Sigmund ain Ringeck, an error that would then persist in HEMA thought for half a century). Wierschin's catalog also includes more than half of the currently-known copies of Ott: Gotha, Rome, Augsburg, Vienna Ⅰ, Salzburg, Dresden, Dresden Ⅱ, Vienna Ⅲ, Munich Ⅱ, and Munich Ⅲ. Of those that were left out, Vienna Ⅱ, Kraków, Munich Ⅰ, and Göttingen were added by Hans-Peter Hils in his 1985 update Meister Johann Liechtenauers Kunst des langen Schwertes.
Of the remaining three known copies, the Glasgow Fechtbuch was identified in Sydney Anglo's 2000 opus as merely "[R. L.] Scott's Liechtenauer MS",[6] but had been fully profiled by 2008 when Rainer Leng published his catalog. The New York version has mostly been left out of scholarly literature, though it was known by many HEMA researchers and was even the subject of an essay by Daniel Jaquet published by the Met in 2018.[7] Finally, the Ortenburg Fechtbuch was discovered by Hils in the 80s, only to be lost again ever after; microfilm scans that Hils bought at the time were finally the subject of an extensive book by Dierk Hagedorn published in 2023 as Das Ortenburger Fechtbuch, including the first transcription, modernization, and other analysis.
The earliest work on Ott is inseparable from work on Ringeck, because of the previously-mentioned attribution of the Dresden manuscript to Ringeck. Thus, the first transcription of any part of the text would be Wierschin's transcription of the Dresden version in 1965, the first German modernization was made by Christoph Kaindel in the 1990s, and the first English translation was authored in 1999 by Alex Kiermayer. Another English translation was produced by Christian Tobler and published in 2001 by Chivalry Bookshelf in Secrets of German Medieval Swordsmanship, and a third English translation was produced by David Lindholm and published in 2005 by Paladin Press as part of Sigmund Ringeck's Knightly Arts of Combat: Sword-and-Buckler Fighting, Wrestling, and Fighting in Armor.
Possibly the first dedicated work on Ott (under his own name) was done by Monika Maziarz, who transcribed the Rome, Augsburg, Salzburg, and Kraków versions between 2002 and 2004 and posted them on the ARMA-PL site.
The first English and Solvenian translations of a complete version of Ott (rather than the Dresden fragment) were created by Gregor Medvešek in 2010.
In 2015, Kendra Brown, Nicole Brynes, Michael Chidester, Rebecca Garber, Mark Millman, members of the Cambridge HEMA Society (CHEMAS), transcribed and translated the German and Latin versions of Ott in Paulus Hector Mair's Vienna Ⅲ. The transcriptions were donated to Wiktenauer but the translation was saved until it could be edited and refined.
In 2017, Laurent Ott completed a new transcription of the Rome version and a French translation, posting it on the Gagschola site.
However, most work on Ott has been done as part of larger projects processing an entire manuscript. In 2006, Carsten Lorbeer, Julia Lorbeer, Andreas Meier, Marita Wiedner, and Johann Heim, working as part of the Gesellschaft für pragmatische Schriftlichkeit, authored a complete transcription of the Vienna Ⅰ manuscript as part of their Paulus Kal project (which was eventually posted on that site). Also in 2006, Dierk Hagedorn authored a new transcription of the entire Rome manuscript as well as a German modernization, posting both on the Hammaborg site. These were subsequently published by VS-Books in Transkription und Übersetzung der Handschrift 44 A 8 in 2008. Over the subsequent decade, Dierk would go on to likewise transcribe the entirety of the manuscripts containing the Gotha, Augsburg, Vienna Ⅰ, Dresden Ⅰ, Glasgow Ⅰ, and Vienna Ⅱ, all of which were likewise released on Hammaborg. In 2012, Pierre-Henry Bas transcribed large sections of the Dresden version of Mair's work for his dissertation and released them on his blog REGHT, including Ott.
In 2010, Christian Henry Tobler's complete English translation of the Rome manuscript was published by Freelance Academy Press as In Saint George's Name: An Anthology of Medieval German Fighting Arts; this translation was also used by Jessica Finley in her 2014 book on Ott, also published by Freelance. In 2017, Rainer Welle published a complete transcription of the Kraków manuscript in Codices manuscripti & impressi (Supp. 12) as "Ein unvollendetes Meisterwerk der Fecht- und Ringkampfliteratur des 16. Jahrhunderts sucht seinen Autor: der Landshuter Holzschneider und Maler Georg Lemberger als Fecht- und Ringbuchillustrator?"
Several of Dierk Hagedorn's transcriptions also turned into books. His Augsburg transcription was published in 2017 by VS-Books in Jude Lew: Das Fechtbuch along with modernizations and English translations by various others; Ott's section was modernized and translated by Anneka Fleischhauer. He combined his Rome transcription with Tobler's English translation to create The Peter von Danzig Fight Book, published by Freelance Academy Press in 2021. His Vienna Ⅱ transcription and German modernization was published by VS-Books as Albrecht Dürer. Das Fechtbuch in 2021, and was published by Greenhill Books along with his English translation as Dürer's Fight Book: The Genius of the German Renaissance and his Combat Treatise in 2022.
Treatise
Teachings of Ott Jud
16th century poetic rendering
Copyright and License Summary
Additional Resources
The following is a list of publications containing scans, transcriptions, and translations relevant to this article, as well as published peer-reviewed research.
- Acutt, Jay (2019). Swords, Science, and Society: German Martial Arts in the Middle Ages. Glasgow: Fallen Rook Publishing. ISBN 978-0-9934216-9-3.
- Ain ringeck, Sigmund (2006). Sigmund Ringeck's Knightly Arts of Combat. Trans. by David Lindholm. Boulder: Paladin Press. ISBN 978-1-58160-499-3.
- Finley, Jessica (2014). Medieval Wrestling: Modern Practice of a 15th-Century Art. Wheaton: Freelance Academy Press. ISBN 978-1-9374391-1-8.
- Hagedorn, Dierk (2008). Transkription und Übersetzung der Handschrift 44 A 8. Herne: VS-Books. ISBN 978-3-932077-34-0.
- Hagedorn, Dierk (2017). Jude Lew: Das Fechtbuch. Herne: VS-Books. ISBN 978-3-932077-46-3.
- Hagedorn, Dierk (2021). Albrecht Dürer. Das Fechtbuch. Herne: VS-Books. ISBN 9783932077500.
- Hagedorn, Dierk; Christian Henry Tobler (2021). The Peter von Danzig Fight Book. Wheaton: Freelance Academy Press. ISBN 978-1-937439-53-8.
- Hagedorn, Dierk; Daniel Jaquet (2022). Dürer's Fight Book: The Genius of the German Renaissance and his Combat Treatise. Barnsley: Greenhill Books. ISBN 978-1-784438-703-7.
- Hagedorn, Dierk (2023). Das Ortenburger Fechtbuch. Herne: VS-Books. ISBN 978-3-932077-53-1.
- Hergsell, Gustav; Hans Talhoffer (1889). Talhoffers Fechtbuch (Gothaer Codex) aus dem Jahre 1443. Prague: J.G. Calve.
- Hergsell, Gustav; Hans Talhoffer (1893, 1901). Livre d'escrime de Talhoffer (codex Gotha) de l'an 1443. Prague: Chez L'Auteur.
- Ott Jud; Nicolaes Petter; Johann Georg Pascha; Fabian von Auerswald; Albrecht Dürer (2003). Chronik alter Kampfkünste: Zeichnungen und Texte aus Schriften alter Meister entstanden 1443-1674. Weinmann. ISBN 978-3878920311.
- Tobler, Christian Henry (2001). Secrets of German Medieval Swordsmanship. Union City: Chivalry Bookshelf. ISBN 978-1-891448-07-2.
- Tobler, Christian Henry (2010). In Saint George's Name: An Anthology of Medieval German Fighting Arts. Wheaton: Freelance Academy Press. ISBN 978-0-9825911-1-6.
- Wassmannsdorff, Karl (1870). Die Ringkunst des deutschen Mittelalters. Liepzig: Priber.
- Welle, Rainer (1993). '…und wisse das alle höbischeit kompt von deme ringen'. Der Ringkampf als adelige Kunst im 15. und 16. Jahrhundert. Pfaffenweiler: Centaurus-Verlagsgesellschaft. ISBN 3-89085-755-8.
- Welle, Rainer (2017). "Ein unvollendetes Meisterwerk der Fecht- und Ringkampfliteratur des 16. Jahrhunderts sucht seinen Autor: der Landshuter Holzschneider und Maler Georg Lemberger als Fecht- und Ringbuchillustrator?." Codices manuscripti & impressi S12. Purkersdorf: Verlag Brüder Hollinek. ISBN 0379-3621.
- Welle, Rainer (2021). Albrecht Dürer und seine Kunst des Zweikampfes: auf den Spuren der Handschrift 26232 in der Albertina Wien. Kumberg: Sublilium Schaffer, Verlag für Geschichte, Kunst & Buchkultur. ISBN 9783950500806.
- Wierschin, Martin (1965). Meister Johann Liechtenauers Kunst des Fechtens. München: C. H. Beck.
References
- ↑ The Gotha version, as well as the Augsburg, Vienna, and Glasgow versions, all use the term tauffter Jud, "baptized Jew".
- ↑ The Fellowship of Liechtenauer is recorded in three versions of Paulus Kal's treatise: MS 1825 (1460s), Cgm 1507 (ca. 1470), and MS KK5126 (1480s).
- ↑ His name lacks the traditional blessing on the dead in Talhoffer, but receives it in the Rome (see folio 100v).
- ↑ Welle 1993, p 44.
- ↑ See, for example, play 4, which has an additional segment added beginning in Rome, and a second additional segment exclusive to Kraków.
- ↑ Sydney Anglo. The Martial Arts of Renaissance Europe. New Haven and London: Yale University Press, 2000. pp 312-315.
- ↑ Daniel Jaquet. "Hans Talhoffer’s Fight Book, a Sixteenth-Century Manuscript about the Art of Fighting." Heilbrunn Timeline of Art History. https://www.metmuseum.org/toah/hd/fight/hd_fight.htm. Retrieved 02 MAY 2023.
- ↑ vor ringen
- ↑ mit ringen
- ↑ nach ringen
- ↑ This column is not a true transcription of the first fragment of Ott in Wassmannsdorff's manuscript. It is, instead, a version of Wassmannsdorff's transcription of the Augsburg version incorporating the differences between the two that he notes in his apparatus. It is placed here to offer a rough idea of the contents of this section in the absence of the actual manuscript or complete transcription. After the 22nd play, the footnotes stop (except for a single note in 66 referring to the poetic portion). This doesn't necessarily mean that the treatise stops there before resuming at 49, since it's possible that there are additional paragraphs which simply have no differences from the Augsburg; without access to the manuscript, there's no way to know.
- ↑ das Wort »auf« ist nachträglich in anderer Handschrift klein über der Zeile zwischen den Wörtern eingefügt worden.
- ↑ Corrected from »deinem«.
- ↑ Corrected from »dein«.
- ↑ Korrigiert aus »rechtenn«.
- ↑ Korrigiert aus »rechtz«.
- ↑ Corrected from »dein«.
- ↑ There is obviously a mistake in the text. This is evident from the von Speyer version of the Ott text, which says to hold his left arm with your right. In the Goliath manuscript the relevant text says: "grab his right arm with your left hand firmly and come with your right hand to help your left". Taking into consideration the subsequent instruction on the direction of the turning through, the last record of Ott’s teaching seems to be the most logical and credible.
- ↑ wendt dich durch
- ↑ German has vallen - may be intended as "speciem".
- ↑ This play is placed before the previous counter in Rome and Krakow, but following Augsburg, it appears to be a second counter to the same action.
- ↑ This is clearly a scribal error for unndter. However, it is also clear that the text reads “vindter”. In this case, note that the following title “Unndten durchfarn” is spelled correctly.
- ↑ The phrase "seinen linngen arm auß, mit deiner rechten hannd, von oben nider, vnnd begreif ime damit" is struck through on MS Dresd.C.94 118r, but this manuscript's scribe seems to have not recognized that.
- ↑ corrected from »sein«
- ↑ nym Im das gewicht
- ↑ The Rome version places this text before the previous play.
- ↑ This is clearly a scribal error for unndter. However, it is also clear that the text reads “vindter”.
- ↑ Ribs.
- ↑ This is the title given in Dresden. Gotha and Rome have Ein pruch wider das schrencken or "a counter to the barrier", while Glasgow gives Ein pruch wider Sterck, "a counter against strength".
- ↑ The words "In sein" are transposed, with marking indicating that they should be reversed.
- ↑ Schranck
- ↑ Should be "his right side" (against your left), which follows the preceding rhyme.
- ↑ Corrected from »seinem«
- ↑ The manuscript only says “vnd”.
- ↑ The above word “reiben” (rub, as in “drehen”, ‘turn’, ‘twist’) is clarified by the word “prechen”.
- ↑ Append: “linken Bein”.
- ↑ “deine”.
- ↑ An dieser Stelle bricht der Text ab.
- ↑ “klein (groβ).”
- ↑ Missing word, error: “Seite”.
- ↑ Dresden differs here
- ↑ Should be "Goller"
- ↑ “kannst du”.
- ↑ Possibly “und erfahe”, or simply “und fahe”.
- ↑ The words "seitten oder" are probably because of carelessness of the scribe.
- ↑ Interpret as “ihn”.
- ↑ Interpret as “Linken”.
- ↑ Read: “oberhalb des”.
- ↑ “Eile ihm”.
- ↑ play
- ↑ Talhoffer mentions “stainwerffen vnd stainschüben” in his list of exercises within his own Vorrede.
- ↑ Possibly: für was (wofür)?
- ↑ ‘ohne’.
- ↑ ‘Stangenwerfen (== schieben) und Steinstoβen’.
- ↑ Could this be a reference to the oldest printed Fightbook, Paurnfeindt’s Ergrundung Ritterlicher kunst der Fechterey (Vienna 1516), whose author concludes with ‘auszug dizer Ritterlichen kunst’?
- ↑ ‘beiwohnt’.
- ↑ Paurenfeindt offers his students his Fechtbuch in the same hope, that “von tag czu tag czu merren vnd bessern” (from day to day, to increase and improve).
- ↑ Auerswald and the Berlin and Munich Ringbücher all begin with this affirmation: “In Sant Jorgen namen heb an. Und schaw zum ersten ob der man hoch oder nider gange das ist des ringens anefang.”
- ↑ Should be "his right side" (against your left), which follows the preceding rhyme.
- ↑ Compare play 50.
- ↑ Missing “umb”, as in “Dich umfangen ist – dich umfängt.”
- ↑ The manuscript only says “vnd”.
- ↑ Compare play 51.
- ↑ Should be read as “Aber”.
- ↑ The above word “reiben” (rub, as in “drehen”, ‘turn’, ‘twist’) is clarified by the word “prechen”.
- ↑ Compare play 52.
- ↑ Should be read as “gan”.
- ↑ Append: “linken Bein”.
- ↑ “deine”.
- ↑ Compare play 53.
- ↑ Compare play 54.
- ↑ That is: ‘durch die seitten’.
- ↑ “Beiten”, is the dialect of the text for “warten”. In Rückert’s Makamen, the Schoolmaster from Hims (Schulmeister von Hims) states “beaten ist ein Wort für weilen, alt und gut; wähle nach Gefallen zwischen beiden”.
- ↑ “können”.
- ↑ “klein (groβ).”
- ↑ Missing word, error: “Seite”.
- ↑ Compare play 55.
- ↑ In the manuscript, the remaining plays of Ott are included without a poetic rendering before this concluding section. It cannot be determined from the transcription whether space was left for those paragraphs to be rendered into verse.
- ↑ Lit: ‘lie down’
- ↑ Should be “denn”.
- ↑ Should be “euch”.
- ↑ “Wollen”.