Difference between revisions of "Johannes Liechtenauer"

Die Zettel
	The Recital
Full Title	A Recital on the Chivalric Art of Fencing
Ascribed to	Johannes Liechtenauer
Illustrated by	Unknown
Date	Fourteenth century (?)
Genre	Fencing manual ; Wrestling manual ;
Language	Early New High German
Archetype(s)	Hypothetical
Principal; Manuscript(s)	MS 3227a (ca. 1390) ; MS Chart.A.558 (1448) ; Cod.44.A.8 (1452) ;
Manuscript(s)	MS Thott.290.2º (1459) ; Cod.Guelf.78.2 Aug.2º (ca. 1465-80) ; Cgm 1507 (ca.1470) [more]
First Printed; English Edition	Tobler, 2010
Concordance by	Michael Chidester
Translations	Traduction française ; Deutsch-Übersetzung ; Magyar fordítás [more]

Latest revision as of 21:31, 25 June 2025

Johannes Liechtenauer (Hans Lichtenauer, Lichtnawer) was a late-14th century German fencing master. The only account of his life was written by the anonymous author of the Pol Hausbuch, arguably the earliest text in the tradition, and he may have been alive at that time.^[1] The text reads:

First and foremost, you should notice and remember that there's only one art of the sword, and it was discovered and developed hundreds of years ago, and it's the foundation and core of all fencing arts. Master Liechtenauer understood and practiced this art completely and correctly; as already written, he did not discover or invent it himself, but rather traveled through many lands and searched for the true and correct art for the sake of experiencing and knowing it.^[2]

Liechtenauer was described by many later masters as the "high master" or "grand master" of the art, and authored a long poem called the Zettel ("Recital"). Later masters in the tradition often wrote extensive glosses (commentaries) on this poem, using it to structure their own martial teachings. Liechtenauer's influence on the German fencing tradition as we currently understand it is almost impossible to overstate. The masters on Paulus Kal's roll of the Fellowship of Liechtenauer were responsible for most of the most significant fencing manuals of the 15th century, and Liechtenauer and his teachings were also the focus of the German fencing guilds that arose in the 15th and 16th centuries, including the Marxbrüder and the Veiterfechter.

Additional facts have sometimes been presumed about Liechtenauer based on secondary evidence. The Pol Hausbuch, which is undated internally but commonly placed around 1390 and also presumed to be written by a direct student of Liechtenauer's (though both of these assertions are disputed and the manuscript could be a 15th century work^[3]), has been treated as evidence placing Liechtenauer's career in the late 1300s. Others point to the earliest internally-dated version of the Recital, recorded by Hans Talhoffer in the MS Chart.A.558 (ca. 1448), to suggest a career in the early 1400s; an earlier version of the Recital on the Long Sword, jumbled and fragmentary, is recorded in MS G.B.f.18a (ca. 1418-28) and apparently attributed to an H. Beringer, which could represent just one of the teachings that Liechtenauer received and compiled over the course of the journeys described in the Pol Hausbuch.

This potential range of dates can be narrowed somewhat by Paulus Kal, who recorded a list of masters associated with Liechtenauer in ca. 1470 which he referred to as the Fellowship of Liechtenauer.^[4] While most of these masters are completely unknown, three of them—Martin Huntsfeld, Andre Lignitzer, and Ott Jud—were already deceased by the time the earliest surviving copies of their treatises were created in 1452 (Cod.44.A.8), which suggests that their careers probably occurred in the early 15th century (if not earlier); likewise, Sigmund Ainring's presumptive student Albrecht III of Bavaria would have required a fencing master as part of his education in the 1410s. These timeframes cohere with the proposed 1390 date of the Pol Hausbuch and with the prospect of Liechtenauer's career beginning in the late 14th century and extending into the early 15th.

Treatise

Liechtenauer's teachings are preserved in a long poem of rhyming couplets called the Zettel ("Recital"), covering fencing with the "long" or extended sword (i.e. with both hands at one end of the sword) and dueling on horseback and on foot using the lance/spear, the "short" or retracted sword (i.e. with one hand at either end), and the dagger. These "obscure and cryptic words" were designed to prevent the uninitiated from learning the techniques they represented; they also seem to have offered a system of mnemonic devices to those who understood their significance. The Recital was treated as the core of the Art by his students, and masters such as Sigmund ain Ringeck, Peter von Danzig zum Ingolstadt, and Lew wrote extensive commentaries (glosses) that sought to clarify and expand upon these teachings.

In addition to the verses on mounted dueling, several treatises in the Liechtenauer tradition include a group of twenty-six "figures" (figuren)—phrases that are shorter than Liechtenauer's couplets and often arranged into the format of a Medieval tree diagram. These figures seem to encode the same teachings as the verses of the mounted fencing, and both are quoted in the mounted glosses. However, figures follow a very different structure than the Zettel does, and seem to present an alternative sequence for studying Liechtenauer's techniques. It is not known why the mounted dueling is the only section of the Recital to receive figures in addition to verse.

Seventeen manuscripts contain a presentation of at least one section of the Recital as a distinct (unglossed) section; there are dozens more presentations of the verse as part of one of the several glosses. The longest version of the Recital by far is actually found in one of these glosses, that of Pseudo-Hans Döbringer, which contains almost twice as many verses as any other; however, given that the additional verses tend to either be repetitions from elsewhere in the Recital or use a very different style from Liechtenauer's work, they are generally treated as additions by the anonymous author or his instructor rather than being part of the original Recital. The other surviving versions of the Recital from all periods show a high degree of consistency in both content and organization, excepting only the much shorter version attributed to H. Beringer (which is also included in the writings of Hans Folz).

The following concordance tables include only those texts that quote Liechtenauer's Recital in an unglossed form.^[5] Most manuscripts present the Recital as prose, and those have had the text separated out into the original verses to offer a consistent view.

Note: This article includes a version of Christian Henry Tobler's translation. It was also published in 2021 by Freelance Academy Press as part of The Peter von Danzig Fight Book; it can be purchased in hardcover.

Rhyming Translation (from the Rome) (2025) [edit]
by Michael Chidester

Featured Translation (from the Rome) (2021) [edit]
by Christian Henry Tobler

Draft Translation (from the Copenhagen) (2020) [edit]
by Rebecca L. R. Garber

Draft Translation (from the Krakow) (2005) [edit]
by Mike Rasmusson

Gotha Version (1448) [edit]
Transcribed by Dierk Hagedorn

Rome Version (1452) [edit]
Transcribed by Dierk Hagedorn

Copenhagen Version (1459) [edit]
Transcribed by Dieter Bachmann

Wolfenbüttel Version Ⅰ (ca. 1465-80) [edit]
Transcribed by Dierk Hagedorn

Bologna Version (ca. 1470) [edit]
Transcribed by Dierk Hagedorn

Munich Version Ⅰ (ca. 1470) [edit]
Transcribed by Dierk Hagedorn

Vienna Version Ⅰ (1480s) [edit]
Transcribed by Dierk Hagedorn

Ortenburg Version (1400s) [edit]

Nuremberg Version Ⅱ (ca. 1500) [edit]

Dresden Version A (ca. 1504-19) [edit]
Transcribed by Dierk Hagedorn

Dresden Version B (ca. 1504-19) [edit]
Transcribed by Dierk Hagedorn

Munich Version Ⅱ (1523) [edit]
Transcribed by Filip Lampart and Martin Fabian

Augsburg Version Ⅰ (1523) [edit]
Transcribed by Dierk Hagedorn

Glasgow Version (1533) [edit]

Krakow Version (1535-40) [edit]
Transcribed by Michael Chidester

Augsburg Version Ⅱ (1553) [edit]
Transcribed by Werner Ueberschär

Munich Version Ⅲ (1556) [edit]

Wolfenbüttel Version Ⅱ (ca. 1588) [edit]
Transcribed by Kevin Maurer

[1] The Record of the chivalric art of fighting, which was composed and created by Johannes Liechtenauer (God rest his soul), grand master of the art, begins here: first with the extended sword, then with the lance and sword on horseback and with the retracted sword in the duel. Since the art belongs to princes, lords, knights, and soldiers, and they should learn and know it, he allowed this art to be written down. But because of frivolous fencing masters who would trivialize the art, it's written in obscure and cryptic words (as you'll find written below) so that not just anyone will learn or understand it, and that way those masters can't make his art common or open among people who won't treat it with proper respect.

[1] Here Begin the Notes on the Knightly Art of Combat That Was Composed and Created by Johannes Liechtenauer, Who Was A Great Master in the Art, God Have Mercy on Him; first with the long sword, then with the lance and sword on horseback, and then with the shortened sword in armoured combat. Because the art belongs to princes and lords, knights and squires, and they should know and learn this art, he has written of this art in hidden and secret words, so that not everyone will grasp and understand it, as you will find described below. And he has done this on account of frivolous fight masters who mistake the art as trivial, so that such masters will not make his art common or open with people who do not hold the art in respect as is its due.

[1]

[18r.1] Hye hebt sich an meister liechtenawers chunst Deß lengen swerts Anno domini xlviij Jar etc

[03r.1] Alhÿe hebt sich an dye zedel der Ritterlichen kunst des fechtens dye do geticht vnd gemacht hat Johans Liechtenawer der ain hocher maister In den künsten gewesen ist dem got genadig seÿ
Des ersten mit dem langen swert Dar nach mit der glefen vnd mit dem swert zw roß Dar nach mit dem kürzen swert zw champf vnd dar umb dÿ kunnst furrsten vnd herren Ritter vnd knechten zw gehört das sy dy wissen vnd lernen sullen So hat er die selbig kunst igleich besunder lassen schreiben mit verporgen vnd verdackten worten Dar umb das sÿ nit yderman vernemen noch versteen sol als du sÿ her nach geschriben wirst vinden vnd hat das getan durch der leichtfertigen schirmaister willen Dÿe Irr kunst gering wegen das sein kunst von den selbigen maisteren nicht gemain noch geoffenwart sol werden solichen lewten die dye kunst In wirden nicht behalten als an^dann der kunst zw gehört ~

[104v.1] [A]lhie hebt sich an die zetl der ritterlichen chunst des fechtens die geticht vnd gemacht hat hanns liechtenauer der ein hocher maister in den künsten gewessenn ist dem got genadig sey des ersten mit dem lanngen swert darnach mit dem spies vnd darnach mit dem swert zw ross vnd darnach mit dem kurczen swert zw ross kampf vnd dar vmb das die kunnst fürsten vnd herrenn rittern vnd chnechten zw gehort das sy wissenn vnd lernen sullenn so hat er die ritterlichen chunst yedleich pesunder lassen schreibenn mit verporgen vnd verdackten worten dar vmb das Sy yeder man nit versten müg vnd hat das getan durch der schirmmaister willen die ir chunst ring wegen das von den selbm sein chunst nit geoffenwart werd lewtten die die chunst nicht in wierden chünen haldenn als den chunnsten zue gehört

[03r.1] JN sant Jörgen namen höbt an die kunst deß fechtens die gedicht vnd gemacht hat Johanns liechtnawer der ain hocher maister In den kunste~ gewesen ist dem gott genädig sÿ Deß ersten mitt dem langen schwert Dar nach mitt dem spieß Vnnd dem schwert zu° roß Vnnd och mitt dem kurczen schwert zu° dem kampf als her nach geschriben stat ~ ~ ~ ~ ~~

[2]

1	Young knight, learn first: have love for god, And honor women—that I laud.
2	So that your honor great may grow, Practice chivalry and know
3	Arts that adorn you well in play And bring you fame in war some day.
4	Gain wrestling's artful holds with might; With lance, spear, sword, and knife do fight,
4a GWo
4b GWo
5	And wield them all with gallant hand, So that against you none may stand.
5a HTG
6	Cut here and there and close with this; Charge through and you will hit or miss.
7	The wise ones hate and will disdain All those who praise themselves in vain;
8	So grasp when all is said and done: All art needs measure, moderation.

[2] This is the Prologue

1	Young knight, learn to love God and revere women;
2	thus your honor will grow. Practice knighthood and learn
3	the Art that dignifies you, and brings you honor in wars.
4	Be a good grappler in wrestling; lance, spear, sword, and messer
4a GWo
4b GWo
5	handle manfully, and foil them in your opponent's hands.
5a HTG
6	Strike in and hasten forth; rush to, let it hit, or go by.
7	Thus those with wisdom, the ones who are revered, will envy him.
8	This you should grasp: All arts have length and measure.

[2]

[18r.2] Junck ritter lere
got lieb habenn Jo frawen ere
so wechst deyn ere
Vber ritterschafft vnd lere
kunst dye dich cziret
vnd in krigenn czu eren hoffiret
ringenn iß gut beßer
gleunen sper swert vnd meßer

ettlich biderman
in anden hanten veder ben
kunt er chunst
er mocht wol eren erwerben^[6]
hawe dreyn
oder laß faren
das In dy weyßen
hassen dy man sicht preisen
dar auff dich czihe
alle chunst leng vnd maß

[03r.2] Das ist dy vor red

Junck ritter lere
Got lieb haben frawen Jo ere
So wechst dein ere
Vbe ritterschafft vnd lere
kunst dye dich zyret
vnd In kriegen zu eren hofiret
Ringes guet fesser
Glefen sper swert vnd messer

Mandleich bederben
vnd In anderen henden verderben

Haw drein vnd hurrt [03v.1] dar
Rausch hin trif oder la faren
Das yn die weyssen
Hassen dye mann sicht preysen
Dar auff dich fasse
Alle kunst haben leng vnd masse

[Ⅲr.1] Junck ritt° leren
got leiff han vñ vroe~ eren
So wesset dyn ere
vber rut°schaff vñ lere
kunst dy dych syret
vnd i~ krich ser hoffet°

Dagge swert stãge lãse schon
Messer bockler has vñ rõken
Taegñ darde vnd schilt
Miden allen zu ringe~ uff du wilt
Och ku~stlich vñ me~lich boderue~
vnd eyne~ i~ syne~^hute~vñ hãde~ vorderue~

¶ haw vrisch dar i~ vñ harren
Dar dorch rusch driff lat varre~
Das dich dei wissen
hassen dei me~ sicht p°sen
Dar uff dich lasse
alle dinck hat lenge vñ masse

[45r] Junger Ritter lern
got lieb haben Vnd frawen Ir ere
So wächst dein ere
über alle Ritterschaft, Vnd lern
kunst dye dich ziernndt
Vnd In kriegen zu Ernn hofiernndt
Ringen ist guet, pesser
spies Swerrt vnd messer

ettlich
in andern hanten verderben
[45v.1] kündt er kunst
er möcht ere erwerben^[7]

[104v.2] Junger ritter lern
got lieb habenn vnd frauen io^[8] ere
so [?]ächst^[9] dein ere
vber alle Ritterschafft vnd lern
chunst die dich ziern
vnd in kriegen ser hoffieret
ringen /^ist guet die pesser
sper swert /^vnd messer

degenn mandlich zw peberben
vnd in andern henden zu ver derbenn

[03r.2] Jüngk ritte~ lere /
gott liebhaben frowen ja eere~
so wechst dein ere
über ritterschafft vnd lere
kunst die dich ziert
Vnnd in kriegen zu° eren hofiert
Ringes gu°tt [03v.1] fesset
glefen sper schwert vnnd messer

Manlich bederben
Vnnd In andern henden verdörben

Haw dren vnnd hart dar
Rau°schen treffen ode~ la farn
Das in die wÿsen
hassen die man sicht brÿsen
daruff dich fasse
Alle kunst haben leng~ vnd masse /

[3]

9	If you would bring the art to light, See left advance and strike with right,
10	For you will find that left with right Is how you may most strongly fight.
11	Who chases after blow and bind, Will little joy in this art find.
12	Cut close to them; your will revealed, No changer comes to breach your shield;
13	Toward head and body, forth you race, The skirmish you should then embrace.
14	And always fight with all your strength, Your body tight at any length.
14a HTKo
15	A simple rule you should not slight: Fence not from left when you are right.
16	If on your left is how you fight, You'll be quite clumsy on the right.
17	Before and After, these two things: The font from which all true art springs.
18	With Strong and Weak, you'll rule the bind; The word “Within” bear well in mind.
19	Learn onward in this art until You can defend and work with skill.
20	But if you easily get spooked, Then fencing is a poor pursuit.

[3] This is a General Teaching of the Long Sword

9	If you want to behold the art, see that you go on the left and strike with the right.
10	And left to right, is how you strongly want to fight.
11	He who follows the strokes, should rejoice little in his art.
12	Strike close whatever you will, no changer will come into your shield.
13	To the head, to the body do not shun the tag-hits.
14	Fight with the entire body, what you powerfully want to do.
14a HTKo
15	Listen to what is wrong, do not fight above on the left if you are righthanded;
16	and if you are lefthanded, on the right you limp as well.
17	Before and after, these two things, are to all skill a well-spring.
18	Weak and strong, always remember the word meanwhile.
19	So you may learn to work and defend with skill.
20	If you are easily intimidated, no fencing should you learn.

[3] Talhoffer teaches here a general teaching about the long sword from the Zettel, etc.

9	If you want to behold the art, Then fight to the left, with cuts from the right,
10	And to the left against the right If you want to fight strongly.
11	Whoever follows after with poor cuts May find little joy in the art.
12	Cut close to what you want, Do not allow a Changer on your shield,
13	At your head, at the body Do not neglect/avoid Tag hits
14	Now fight widely^[10] with the whole body Whatever you strongly want to do
14a HTKo	However, additionally remember and also Understand it correctly
15	Do not fight above left if you are right

17	Before/after, two things [that] Are an origin for all art
18	Remember your weak and your strong Likewise your work therein
19	Thus you can learn To defend yourself with fighting
20	Whoever is thus easily frightened Should never learn any fighting.

[3] A general lesson in the Long Sword.

9	If you will show art, send yourself to Left and Right in striking,
10	and left with right is how you fence correctly and strongly.
11	He who strikes after deserves a joyless art.
12	Strike closely at him as you will, that nothing comes unto your hilt,
13	head, or body, you allow no attack.
14	With your entire body fence as you strongly can drive:
14a HTKo
15	Hear what is bad, fight not to left, if you are right,
16	and if you are left, the right is very limiting;
17	Before and After, the two things, all things come from one spring.
18	Weak and Strong, Immediately: do mark this word,
19	thus you will learn the work and weapon with art,
20	know well that no fencing is never learned,

[18r.3] Das ist eyn gemeine ler des swertz etc

wiltu kunst schawen
sich linck gehen vnd recht mit hewen
vnd linck mit rechten
ist das du starck gerest vechtenn
wer nach get hawen
der darff sich chunst wenig frewenn
Hawen nahet was du wilt
kein wechßler kumpt an deinen schilt
czu kopff czu leib
der czeck nit vormeyd
mit ganczem leib
vicht waß du starck gerest czu treyben

Hor was da slecht ist
vicht nicht obenn linck so du recht bist
Vnd ob du linck bist
Im rechten auch sere hinckest
Var vnd nach dy czwey [18v.1] ding
sint aller chunst ey~ vrspru~g
swech vnd sterck
in deß das wort da mit merck
so magstu chunst lerne~
mit chunst ayrbete~ vnd were~
Er schrickstu gñ
kein vechtñ ny~mer gelern

[03v.2] Das Ist ein gemaine ler des langen Swerttes

·:~Wildu kunst schauen
Sich linck gen und recht mit hawen
Vnd linck mit rechten
Ist das du starck gerest vechten
wer nach get hauen
Der darff sich kunst wenig fräwen
Haw nahent was du wild
kain wechslär kumpt an deinen schilt
zw kopff zu leib
dÿe zegt nicht vermeÿd
Mit ganzem leib
vicht was du starck gerest treÿben

Hör was da slecht ist
Vicht nicht oben linck So du recht pist
Vnd ab dw linck pist
Im rechten aug sere hinckes
Vor und nach dy zway ding
Sind aller kunst ain vrsprinck
Swech vnd sterck
Inndes Das wort do mit mit merck
So magstu lernen
Mit kunst arbaitten vnd weren
Erschrickstu gern
kain vechten nÿmmer geleren

[02r.1] Hie lert der talhofer ain gemaine ler in dem langen Schwert von der zetel etc.

Wiltu kunst schowen
So vicht gelinggg^gen recht mit howen
und lingt gen Rechten
Ist daz du starck wilt fechten
wer nach gaut slechten höwen
Der tarff sich kunst wenig fröwen
how nahnt waß du wilt
lauß kain wechsel an din schilt
zu dem koppf und zu dem lib
Die zick ruorn ouch nit vermyd
Nun ficht wyt mit gantzen liben
waß du starck wollest triben
Nun merck aber furbaß
und verstand ouch gar rechte daz^[11]

ficht nit obnen lingg so du recht bist

far nach zwayen dingen
sind aller kunst ain ursprung
din schwöch und din sterck
din arbait darby eben merck
So machstu lern
Mit fechten dich erwern
wer also erschricket gern
der sol kain fechten nymer lernen

[Ⅲr.2] ¶ Wiltu kunst schawe~
So saltu linck^geinsein vñ recht howe~
vnd linck mid rechte~
Is dastu recht gerest vechten
¶ wer na geit hauwe~
Der darff sich kunst clein frowe~
haw nacht was du wilt
keyn weissel vber kom dine~ schilt
Tho coppe oder to lebe
Dey tzucke du nicht myde
Mid gãse~ luiewe
fycht wes du gerst driue~
har was dar sclicht ist
vicht nicht lick so du recht bist
vnd ob du linck bist
vñ i~ dem linken biske hi~kest
vor vñ nach dei tze dinck
sint aller kunst ey~ orsprunck
Swache vñ sterke
Indes das mede merke
So machstu leren
Mid kunsten arbeide~ vñ were~
Er strickestu geren
keyn vechten nu~mer leren

[45v.2] Ain gemaine lere

Wildw kunst schawn
siech linck geen vnd recht mit mit [!] hawn
vnd linck mit rechtem,
Ist das du starck gerest zw vechten
Wer nach get hawn
der bedarf sich kunst wenig^[12]

[104v.3] Das ist ein gemaine ler des langenn Swercz vnnd ist das die vor redt

[W]Ild dw chunnst schauen
sich tenncken vnd recht mit hauen
vnd tennck mit gerechten
Ist das dw starck gerst zw fechten
wer nach get hewen
der darf sich der chunst wenig freien
haw nachet was dw wild
chain wechsler chumbt an deinen schilt
zw ch?op zw leyb
die zeck nit vermeid
Mit ganczem leib
ficht was was [!] dw starck gerest zw treibenn
hor was da slecht ist
ficht nicht oben lingk yst das dw recht pist
vnd ob dw linck pist
Im rechten auch ser hinckest
vor vnd nach die zwai ding
Sind aller ding ein vrsprung
Swech vnd sterch
Inndes das wort da mit merck
so magstu lernen
mit chunst arbatten [!] vnd wern
erschrickest dw gern
chain fechten nymer lern

[03v.2] Das ist ain gemain lere des langen schwerts

Wilt du kunst schawen
sich linckgen vñ recht mitt hawen /
vñ linck mitt rechtem
Ist dz du starck gerest fechten
Wer nach gät hawen
der darff [04r] sich kunst wenig fröwen
Häw nahent waß du wilt ·
kain wechßler kompt in dinen schilt /
zu° kopff zu° lÿbe
die recke nitt ver mÿde /
mitt ganczem leÿbe
fechten · waß du starck gerest trÿben
Höre waß da schlecht ist /
ficht nitt oben linck so du recht bist

Im rechte~ och sere hinckest
Vor vñ nach die zwaÿ ding
sind alle~ kunst ain vrspring
Schwech vñ störck
In des da daß wort damitt mörck
So magst du lörnen
mitt künst arbetten vñ weren
Erschrickstu geren
kain fechten nÿme~ mer [04v.1] lern

[43r.1] Ein gutt gemain for des langen schwerts

Wilstu kunst schawen
so bis lingks und rechts hawen
und lingk mit Rechten
ist das du starck begerest zu vechten
wer nach geitt hawen
der darff sich kunst wenig frawen
haw im nachentt nach was du wiltt
kain^[13] durchwechsel kummpt an demen^[14] schiltt
zu kopff zu leib
vicht nit vernied
mit ganzen lieb
vicht was du starckg begerest [trei]ben
hernach was du schlechst
vicht nitt oben Lingks so du rechtts bist
und ob du glingks
[g]ist im Rechten auch ser hinckst
vor und nach die zwai ding
und aller kunst ein ursprung
schwech und sterckh
Indes wartt dein arwaitt damit merckg
so magstu lernen
mit kunst arwaitten und wer
erschrichkt gern
kain vechten saler^[15] lernen

[42br.1] Ein gutt gemain ler des langen schwertz

Wilttu kunst schawen
so biss lingks vnd Rechts hawen
vn[d] lingk mit Rechtem
ist das du starckh begerest zuvechten
we[r] nach geitt hawen
der darff sich kunst wenig frawen
haw im nachent nach was du wilt
kain durchwechsler kum an deinen schiltt
zu kopff zu leib
vicht nit verwend
mit g[a]ntzem leib
vicht was du starckh begerest zutreiben
hernach was du schlechst
vicht nit oben lingks so du Rechts bist
vnd ob du glingk bist
im Rechtñ auch ser hinckst
vor vnd nach die zwaÿ ding
sind aller kunst ein vrsprung
schwech vnd sterckh
indes wortt deiner arwait damit d merckh
so magstu lernen
mit kunst arwaÿtten vnd wer
erschrickt gern
kain vechten er nimer sol lernen

[01r] Ein gemayne ler des lanngen Schwertz

Wildu kunst schauen,
Sich linck gen und recht mit hawen,
Und linck mit rechtenn,
Ist das du starck gerest vechten;
Wer nach get hauen,
der darff sich kunst wenig fräuen,
Hau nahent was du wilt,
kain wechsler kumpt an deinen schilt,
zu kopff, zu leib,
die Zegt nicht vermeid,
Mit gantzem leib,
ficht, was du starck gerest treÿben:
Hör was da schlecht^[16] ist,
Ficht nitht[!] oben linck So du recht pist,
Und ob du linck pist,
Im rechten auch sere hinckest;
Vor und nach, die zwei ding
Seind aller ding ein ursprunck,
Schwech und sterck,
Inn des das wort donnt[!] mit merck,
So magstu lernen
Mit kunst arbaiten und weren;
Erschrickstu [01v.1] Gern
kain fechtenn nimmer gelernn

[48r.1] Ein gutte gemaine lesr des langen schwerts

Wiltu kunst schauwen
so bis lingkhs und rechts hauwen,
und lingks mit rechten
ist, das du starcke begerst zu fechten.
Wer nach giet mit hauwen
oder darauff sich kunst wenig frauwen,
hauw im nachent nach was du wilt,
kain durchwechsel kompt an dein schilt.
Zu kopff und leib
fechte nit vermeindt
mit ganztem leib
ficht was du starkh begerst zu treiben
hernach was du schlechts
ficht nit oben lingh so du rechts bist,
und ob du glinckhs bist
in rechten auch sehr hinekeit
vor und nach die zwai ding
seind aller kunst ein ursprung
schwech und starkh
in des wart dein arbait damit merkh
so magstu lehrnen
mit kunst arbaiten und wehren
Wer erschrikht gern
kain fechten soll er lehrnen,

[4]

21	Five strikes you must now learn to heed, Perform them with your right hand’s speed;
21a HTKo
22	Those fencers skilled whose art we vow To reward well will show us how:

[4]

21	Learn five strokes from the right side against the opposition.
21a HTKo
22	Then we promise that your arts will be rewarded.

[4]

21	The cuts are five and are called five vowels Learn them correctly and remember them well
21a HTKo	The correct foundation comes to us from them Which is known to very few fighters.

[4]

21	learn Five strikes from the right hand,
21a HTKo
22	so the weapon will be exalted by a praiseworthy art.

[18v.2] funf hew leren
võ der rechtñ hant wid° dye were

dar vmb wir glawbñ
in chunst geren czu lone~

[03v.3] ffünff häw lere
von der rechten hant wer dy were

denn wir geloben
In kunsten geren zw lon

[02r.2] der höw sind fünff und haissent funff focal
die lern recht und mercks fürwär
und darvon komet unß der rechte grund
daz ist lützeln fechtern kund

[Ⅲr.3] ¶ ffunff haw dei leren
van der rechten hant zo weren
Dei wi geloben
In kunsten ser zo loben

[104v.4] funff hew lern
von der rechten hand wider die were
den wir in chunsten geloben
gern zu lonen

[04v.2] Fünff hew lere
võ der rechten hand wide~ wider die were /
dann wir geloben
in kunsten gern zu° lonen ~ ·:

[43r.2] funnf haw lernen
von der Rechten hand [ ]erne
wider die gewere wie glauben
zu kunsten gern zu kumen

[42br.2] funnff hew lernen
von der Rechten handt gerne
wider die gewere wir glauben
zu künsten gern zu kumen

[01v.2] Funff hewe lere
von der rechten hant Wer
die weret dem wir geloben
In kunsten gern zu lonen

[48r.2] und 5 hauw lehrnen,
von der rechten hand gehn
wider die gewerne wir glauben
zu kunsten gerenerkomen.

[5]

23	The wrathful one hates crook and cross; So cock your eye and parting cause.
24	A fool will parry all strikes, so Pursue, run down, and set the blow.
24a HTKo
25	Change it through, pull your point back, Run through, slice off, or hands attack.
26	Then hang and wind, expose them more, Strike, catch, sweep, and push your point fore.

[5] This is the text:

23	Wrath stroke, crooked, thwart, squinter and scalper,
24	fool parries chasing, overrunning gives strokes,
24a HTKo
25	change through, pull, run through, slice off, press the hands,
26	hang, wind with the openings; strike, catch, slash, thrust with jabs.

[5] The division of the art according to the text the nearest path to strike or to thrust at the man

23	You Wrath cut, Crooked weapon Cut, Squinter with Skull
24	Fool, Counteract Chasing, cut damage,
24a HTKo	Overrunning, bind on well, Do not stand, look at what he is capable of
25	Change through, Pulling Run through, Press^[17] hands,
26	Wind^[18] into the exposures. Hit catch slash thrust with jabs.

[5] Text on the recital's parts

23	Wrathful strike, Arc, Cross, Glance, Vertex,
24	Fool displaces, Following After, Overrun lets strike,
24a HTKo
25	Change through, Twitch, Run Through, Cut Away, Hand Impact,
26	Hang, Bind with openings, Hit trap strike, Stab with thrusting.

[18v.3] Das ist der text an dy außlegu~g

Zoren hawe kru~p twirg
hat schiler mit scheitler
alber vorseczet
nach reyßen vber lauff haw leczet

durch wechseln Zuck
durch lauff ab sneyd hende truck
lae hengñ wint mit ploßenn
slag vach streich stich mit stoßenn

[03v.4] Das Ist der text

Zoren haw krump twer
hat schiler mitt schaitlar
Alber vorsetzt
Nach reysen über lauff häw setzt

Durch wechsel zuck
durchlauff Abschneid hende druck
heng wind mit [04r.1] plösen
Schlach vach streich stich mit stössen

[02v.1] Die tailung der kunst nach dem text den nähsten weg zuo dem mann zuo schlahen oder zuo stossen

Zorn how du krumo wer
how schihler mit schaitler
aulber versetzt
nachraissen höw letzt
überlouffen bind wol an
nit stand luog waß er kan
durchwechsel zuck
durchlouff hendtruck
wind in die blössin
Slachfach straich stich mit stössen

[Ⅲr.4] Tarnhaw kru~phaw thwere
Dar und schiller vñ scheitlere
An allen vorsatz
nach reis vberlauff haw letz
Dorch wessel tzut
Dorch loffer aff snit he~de druck
henge van wyd mid blossen
Slach vanck stich stich mid stotze~

[104v.5] [Z]orn haw twer
schilcher mit schaitler
alwer verseczt
nachraisen vberlauf haw leczt
durch wechsel zuck
durch lauff ab sneyd hennd druck
heng windt mit plossem
fach streich stich mit stössenn

[04v.3] Das ist der texte

Zorn hawe krumpt were
Hawt schiller mit schattel schetteler /
Alber ver seczt
Nachraÿsen über lauff ha~et secz
durch wechsel zu°g
du°rch la~ff abschnitt hendru°g
henge wind mitt blosem
schlaghch fäch schich mitt stossenn ~ :·

[43r.3] Das ist der text und die auslagung der schaittler

Zornhaw krumphaw zwerch
durch haw schilchr

nach raisen uberlauffen haw setst
durch wechsel auff
alber abschnide hend drucken
heng winden mit blosen
schwertt schlachen striech stich mitt stössen

[42br.3] + Das ist der text vnd die auslegung der schaitler

Zornhaw krumphaw zwerch
durch haw schilchr~

nachraisen vberlauffen haw setzt
durchwechsel
auff alber abschnidt hendtrucken
heng winden mit blosem
Schwertt schlachen streich stich mit stössen

[01v.3] Text von denn Stucken der Zetl

Zornnhaw, Krump, Twir,
Schiler, Schaiter[!]
Alber Versetzt
Nachreisen Uberlauff hau letzt
Durchwechsel Zuck
Durchlauff Abschneid Hende druck
Heng Wind mit plösen
Schlach vach straich stich mit stossen

[48r.3] Das ist der tex und die aus richtung der schaitter

Zornhauw, krumhauw, Zwerch
durch hauw, schileher,

nachraisen, uberlauffen hauw setzt
durchwechsel
auf alber abschnit, handtruken,
heng winden mit blosen,
schwert schlagen straich, stich mit stosen

[6]

27	When from above they cut in near, The point of wrath makes danger clear.
28	If they should sense the threat and shove, Care not, just take it off above.
29	Or if they're strong, then more strength show And thrust—if seen, take it below.
30	Bear this in mind once in the fray: Cut, thrust, then Hard or Soft you lay,
31	“Within”, and then drive after more, But calmly—do not rush to war;
32	If at the war above they aim, Go down below and bring them shame.
33	Down every path that you may wind, Cut, thrust, and slice you'll learn to find;
34	You also must learn to assess Which one of them would serve you best,
35	So that, whenever steel meets steel, The masters you'll confound with zeal.

[6] The Wrath Stroke

27	Who strikes at you above, the wrath stroke threatens him with the point.
28	If he becomes aware of it, take it away above without fear.
29	Be strong against it; wind, thrust. If he sees that, take it down.
30	Note this: strike, thrust, posture, soft or hard,
31	meanwhile, and before and after. Your war should not be in haste.
32	Who to the war tends above, gets ashamed below.
33	In all winding learn to find stroke, thrust, and slice.
34	Also you should apply stroke, thrust, or slice,
35	in all encounters, if you want to fool the masters.

[6] This is the distinction about the Wrath cut^[19]

27	Whoever cuts at you from above Wrath cut threatens that one with the point
28	And if he becomes aware of it Take it away above and move to the end
29	Be stronger, wind against it^[20] Thrust, if he sees it, take it down
30	Likewise note this: Whether his guard is soft or hard.
31	Move afterward simultaneously^[21] If the war begins, do not be quick
32	Whatever the war makes room for^[22] He who is above becomes ashamed below
33	You can wind into all strikes Learn to find the thrust within the cut
34	Also you should consider with [that] Thrust or slice
35	In all meetings If you want to ape/imitate the masters.

[6] -Zornhau Follows-

27	He who strikes you from above, Wrathful Strike point concludes,
28	Would he first ward, Take off high without driving.
29	To the strong again, Wind stab stab first, take it farther.
30	Mark this well, strike stab stance, light or hard.
31	Immediately and After truly onward the fight will not be awkward.
32	Should the fight roam above, below will he be shamed.
33	In all windings, Strike, stab, cut, learn to find,
34	also should you not test, strike stab or slice,
35	in all engagements, you will lose the mastery.

[18v.4] Das ist võ czorn hawe dÿ außrichtu~g

Wer dir obñ hawt
czorn haw ort Im drvet
Wirt er eß gewar
ny~ obñ ab anefar
biß starck hin wider
wint stich sicht erß ny~ eß nÿder
das ebñ merck
haw stich leger weich oder hert
In deß vnd var vnd nach
an hurt den krieck sey nicht czu gahe etc

Das ist der krieck

Was der krieck remet
obñ nyder wird beschemet
In allñ winte~
hawe stich snytt ler winde~
auch soltu mit
prufe~ haw stuch oder snyt
In allm~ treffen
dÿe meister wiltu sye effñ

[04r.2] Der zoren haw

·W·er dir öberhäwt
zorenhaw ort dem drawt
wirt er es gewar
Nÿm oben ab öne far
Piß starck her wider
wind stich sicht leger waich oder hers nÿm es nyder
Das eben merck
haw stich leger waich oder hert
Inndes vnd var nach
an hürt Dein krieg sey nicht gach

Wes der krieg Rempt
oben nÿden wirt er beschempt
In allen winden
Haw stich schnÿdt lere vinden
Auch soltu mit
prufen Haw stich oder schnÿd
In allen treffen
den maisteren wiltu sy effen ~

[02v.2] Das ist von dem zornhow der underschid

wer dier uberhowt
zornhow ortt dem trowt
und wirt erß gewar
Nymß obnen ab vnd folfar
biß stercker wind wÿder
stich sicht erß // so nymß nider
daz also eben merck
Ob sin leger sy waich oder hört
Jn dem far nach
hört an krieg sy dir nit gauch

waß der krieg rempt
der wirt obnen nider geschempt
du machst in allen hewen winden
Im how ler stich vinden
ouch soltu mit
mercken stich oder schnit
In allen treffen
wiltu den maister effen

[Ⅲr.5] wen dir oben hauwz
Tzoharnort em drowz
wert er es gewar
Nym es oben ane var
wys starck wid° en
wir° stich schicher ny~ es nyden
Das eben merke vñ warte
haw stich s leg° weich od° harte
— Indes far nach
An hurt dein krig sey nich gach

Wes der krig Rempt
Obin nider wirt veschempt
¶ In allen winden
hau stich ler en vinde~

In allen zu dreffen
Dey meisters wiltu sey effen

[59r] zorn hauwe ort yme dratt

[59v] Nym oben abe one fare

[60r] Wynde stich [60v] Sicht Er es nimbs nider

[104v.6] Zorn haw

Wer dier oberhaut
zorn ort dem trät
wirt er es gewar
nym oben ab ame [!] far
pis stercker wider
windt stich sicht ers nym es nyder
das eben merck
haw stich leger waich oder hert
Inndes vnd far nach
an hurt dein krieg sey nit gach

wes der krieg remet
oben nyden wirt es verschemet
in allen winden
Haw stich schnit lere finden
auch sold dw nit [!]
prüffen hew stich schnit
in allenn treffen
den maistern wildw sy affenn

[04v.4] Der zorn haw°

Wer dir ober haw°et
Zorn haw° ort Im dräwet /
wirt er es gewar
[05r.1] Nÿm oben ab an far /
biß störcks storckñ wider
wennde sthich / sicht er es nÿm es nider
Daß eben mörcke
Haw° sthich leger waich ode~ hörte
In des Vnnd far nach
an herte dein krieg sÿ mⁿitt gach

Weß der krieg remet
oben In den wirt er beschemet
In allen treffen
den maister wilt du sÿ effenn
In allen winden
Hew° st stich schnitt lern finden
Auch solt du mitt
briefn brieffe hew stich oder schnitt ~ ·:· ~

[55v.3] Wer dir aber haw°et
Zornhaw° Im [56r.1] drawet
Wirt er daß gewar /
nims oben ab vnd far
Biß störcker wider /
wind such sicht ers so nÿms wider
Das eben mörck /
hew° stich / leger / waÿch oder hert

In allen winden /
hew° / stich / lern finden

[43r.4] Das ist die ausrichtung vom Zornhaw

Wilstu merckhen wer dir oberhawtt
Zornortt ein darott

Ser wider
wind stich sichters so nim es nider
das eben merckh
haw stich legr waich oder hörtt
Indes vor und nach
dem krieg seÿ dir nit gach

wer das kriegs unden bremett
der wirtt oben ösche[ ]tt
In allen winden
haw und f[ ] stich [43v.1] Schneide finden
auch so soltt du nit
nieden hau stich schneide zuckg
in alem treffen
wiltu den maister Effen

[42br.4] + Das ist die ausrichtung vom zornhaw

Wilttu merckhen wer dir oberhawtt
zornortt ein dratt

herwider
wind stich sicht ers so nim es wider
das eben merckh
haw stich legr~ waich oder hörtt
Indes vor vnd nach
dein krieg seÿ dir nit gach

wer des kriegs vnden beremett
der wirtt oben bschemett
In allen winden
haw vnd stich schneide finden
auch so soltt du nit
meiden haw stich schneide zuckh
in allem treffen
wilttu den maistr~ Effen

[01v.4] ~ Zornhaw Volgt ~

[02r.1] Wer dir oberhaut
Zonhau[!] ort dem drawt,
Wirt er es gewar
Nim oben ab öne far
Piß starck herwider
Wind stich sicht ers nim es wider
Das ebenn merck
Hau stich leger waich oder hert
Inndes und var nach
an hurt dein krig sei nich gach

Wes der krig rempt
oben niden wirt er beschempt
In alln winden.
Haw stich schnidt lerre finden,
auch soltu mit
prüsen[!] hau stich oder schnÿd
in alln treffen
den maistern wiltu sie effen

[15r.1] Der zornhaw

Wer dir vberhaut,
zornhaw, ort dem traw,
wirt er es gewar
nym oben ab ane vor,
bis sterckher wieder
wind stich sicht er es, nym es nyder,
das oben merckh,
haw stich beger weich oder hert
jm des, vnnd vor nach
an hurt dem krieg sey nit gach,

wer der krieg Remet,
oben Nider wirt er beschemet,
jn allen winden,
haw stich schnite leere winden,
auch soltu Brrueffen,
mit hawe stich oder schnite,
jm allem treffen,
den maistern wilt du si treff Effen,

[48r.4] Das ist die ausrichtung vom Zornhauw

Wiltu merckhen wan dir oben haut
zornortt, im tritt

herwider
windt sticht sicht was so nim es wider
dz eben merkh
hauw. stich leger waich oder hart
in dz vor und nach
dem krieg sei dir nit gach

wer das kriegs oben bremt(?)
der wirt oben beschemet
in allem windt
hauwe und stich schneidt finden
auch so soltu nit meiden,
hauw stich schneiden
zuckh in allen trefen
wiltu dem maister essen.

[7]

36	Know there are but four exposures; Clear your path and aim for closure,
37	In every threat, in each attack, Without regard for how they act.

[7] The Four Openings

36	Four openings know, aim: so you hit certainly,
37	without any danger without regard for how he acts.

[7] About the four exposures

36	Know the four exposures Pay attention to them so you will certainly strike
37	Do not strike imprecisely Watch likewise how he acts.

[7] The Four Openings

36	Know four openings to roam to, thus you hit wisely,
37	in all drives double where he is wary.

[19r.1] Das ist võ den vier ploßenn

Vier ploß wiß
czu reme~ so schlegstu gewiß
an alle val
an czweiuel wie er gepar

[04r.3] Dÿe vier plossen

Vier plössen wisse
Reme so schlestu gewisse
An alle vare
An zweÿfel wie er geparr

[03r.1] von den vir plößen

vier plöß wisse
der hab acht so schlechtu gewisse
nit slach ungefar
lug eben wie er gebar~

[Ⅲr.6] ¶ Veyr blos dey wisse
Tho reme~ so slastu gewisse
an alle gevare
antzwyuel wy er gebae~

[62r] Vier blosse wisze
zú remen [62v] So slegstú gewisse
anefare

[104v.7] die vier plossenn

[V]Ier plosse wisse
zu rämen so slechstu gewisse
an alle far
ann zweyffl

[05r.2] Die vier blossen zu° breche~

Vier blossen wisse
reme so schlechstu gewÿsse
An alle far
[05v.1] on zwifel wie er gebar ~~~~

[56r.2] Vier blöß wiß
dich zu° remen So schlechst du gewiß
on fär
on zwifel wie er gebar

[43v.2] Das ist von den vier blössen

Die einer blöss wis
zu Remen so schlechst gwiss
on alle far
on alle zweiuel wie er gebar^[23]

[42vb.1] Das ist von den 4 blösen +

Die vier blöss wisse
zu Remen so schlechst gwis
on alle far
on alle zweiffel wie er gebar^[24]

[02r.2] Die vir Ples

Vier Plössen wisse
zuramen, so schlechstu ge= [02v.1] wisse
an alle var
an zweifel wie er geparr

[15r.2] Die vier plössen,

Vier plösse,,^,,wisse
Remen, so schlechstu gewise,
an alle var
Der Zweifel wirt er gewar,

[48r.5] Das ist von den 4 blossen

Die 4 blos wiss
zu renen so schlecht gewis
in alle gefahr
on zweiffel wie er gefar^[25]

[8]

38	If first they strike, revenge is sweet; Exploit these four exposures neat:
39	To strike above you should redouble; Transmute below to cause them trouble.
40	Now let me make this plain and clear: No one defends without some fear,
40a HTKo
41	And if this truth one learns and knows, Then scarcely can they come to blows.

[8] To Counter the Four Openings

38	If you want to avenge yourself, break the four openings with skill:
39	double above, transmute below correctly.
40	I say to you truthfully: no one can defend himself without danger;
40a HTKo
41	if you have correctly learned, he will scarcely manage to strike.

[8] Breaking the four exposures

38	If you want to avenge yourself Break the four exposures with skill
39	Double above Transmute below correctly^[26]
40	I also say to you with emphasis Stand firmly and do not be tired^[27]
40a HTKo	And jump back in fear from no man Stand and observe him seriously
41	If you have correctly comprehended He will not be able to come to the strike.

[8] Breaking the four Openings

38	If you will reckon to break the four openings with art,
39	double above, transform below right.
40	I say to you be aware onward, you shoot no man without driving,
40a HTKo
41	should you strive to hit, then he won't come forth.

[19r.2] Das ist wie mã dÿ vier ploßenn sol prechñ

Wiltu dich rechenn
die vier ploß chunstigliche~ prechenn
obñ doplir
vndenn recht mudier
ich sag fur war
sÿ schutzt kein man aneuar

hastu eß vernome~
czu slag mag er klein chume~

[04r.4] Dye vier plossen zw prechen

Wildu dich rechen
Dye vier plöss kunstlich prechen
Oben duplir
Nyden recht mutir
Ich sag fur war
Sich schützt kein man ane far

Hastu vernomen
zu slag mag er klain kummen

[03r.2] Die vier plöß brechen

wiltu dich rechen
die vier ploß künstlich brechen
obnen toplir
unden recht mutir
So sag ich ouch dier fürbaß
stand vest und biß nit laß
und erschrick ab kainem man
stand und sich in ernstlich an
hastuß denn recht vernomen
zuo dem slag mag er nit kumen

[Ⅲr.7] wiltu dich rechen
veir bloß ku~stichlike~ breche~
Oben dupple~
Dar neden rechte mude~
Ich sages dy vorwar
Dich schutzet nemãt anevar
hastu es vornomen
Tho slage mach er claine kom

[61r] oben duplir
[61v] Niden mútier

[104v.8] wild dich rechen
die vier plossen kunstlich prechen
Obenn duplier
in dem recht mutier
Ich sag fur war
sich schäczt [!] kain man ane far
Hastu vernumen
zu slag mag er klain chumen

[05v.2] Die vier blossen zu° brechen

Wilt du dich rechen
die für vier blossen künstlichen brechen
Oben duplir
vnden recht ~ mutiern
Ich sage dir für war
Sich schit kain man an far
Hast du recht vernom~en
zu° schläge mag er clain kum~eñ ~~~

[56r.3] Wilt du dich rechen /
vier bloß künstlichen brechen
Oben duplier
daniden recht mutier etc

[43v.3] Das ist wie man die vier blöss brechne sol

Wilstu dich Rechen
die vier blöss kunstlich brechne
du oben dupplier
unden zu Recht muttier
ich sags dir vi[ ] war
sich bschust kain man one far
hastu vernomen
zu schlagen mag ir kainer komen^[28]

[42bv.2] + Das ist wie man die 4 blöss brechen sol

Wilttu dich Rechen
die vier blöss kunstlichen brechen
du oben dupplier
vnden zu recht muttier
ich sags dir virwar
sich bschitzt kain man one far
hastu vernomen
zu schlagen mag ir kainer komen^[29]

[02v.2] Die vir Plössen zu prechen

Wildu dich rechen
die vier plös kunstlich prechen,
Oben duplir
niden recht mutirr
Ich sag fur war
sich schutzt kam man one far
Hastu vernomen
zu schlag mag er nit wol komen

[15r.3] Die vier plössen zubrechen

Wiltdu dich rechen
vier plösse kunstlich brechen.
obenn Dupliere^[30]
doniden rechte mutiere,
jch sag für war,
sich Schucz kain mann an vare,
hastu vernomen,
zu, schlagen mag er Cleine khumen kumen

[48r.6] Das ist wie man die 4 blos brechen soll.

Wiltu dich rechen,
die 4 blos kunstlich brechen
du oben dupplier
under zu mutier
ich [48v.1] sags dir fürwar
sich beschrikt kain man on gefahr
hastu vernemen
zu schlagen mag er kainer kumen^[31]

[9]

42	Throw a curve with crooked grace; Onto their hands your point will race.
43	Curve in to set aside down low, And step to hinder many blows.
44	Cut crookedly up toward the flat, Subvert the masters' strength with that.
45	When steel on steel above should spark, Stand fast and I will praise your art.
46	Curve not: cut short, your plan concealed, Then with it, changing through reveal.
47	Who crookedly leads you astray, The noble war will them dismay;
48	They'll truly have no way to know Where they'd be safe from any blow.

[9] The Crooked Stroke

42	Crooked on him with nimbleness, throw the point on the hands.
43	Who performs the crooked well, with stepping he hinders many a stroke.
44	Strike crooked to the flats of the masters if you want to weaken them.
45	When it clashes above, then move away, that I will praise.
46	Don't do the crooked, strike short, changing through show with this.
47	Strike crooked to who irritates you, the noble war will confuse him,
48	that he will not know truthfully where he can be without danger.

[9] About the Crooked [cut]; how the slices come from there

42	Throw. Crooked [cut] onto his hands Hit the point at his loin/haunch
43	And thereby counter act well With Skull [cut], allow many cuts
44	Cut at his flat So that you weaken him
45	When it clashes above Then take away, I will praise that
46	And whoever Crooked cuts at you, Change through, YOU look at him
47	If he wants to lead you astray The war misleads him
48	So that he does not perceive Where he is not exposed to danger.

[9] Arc Strike

42	Arc out nimbly, throw your point to the hands,
43	Arc to whom would attack, striding much allows strikes.
44	Arc strike to the flat and you will weaken the master.
45	When it clashes above then stand off so will I praise it.
46	Strike an arc not a short, show changes through with it.
47	Arc to him who attacks the noble war will be in the Before.
48	Thus he does not know where the before is without driving.

[19r.3] Das ist vom chrump haw dÿ außrichtu~g

chru~p auff behendt
wirff den ort auff dÿ hent
chru~p wer wol seczet
mit schrite~ vil hew leczet
haw chru~p czu Im slahenn
den meistern wiltu sy swechñ
wenn eß gliczet obñ
stant ab das wil ich lobñ
chru~p ficht kurcz haw
durch wechßel da mit schaw
chru~p wer dich Irt
der edel krieck In^[32] vor wirt
das er nicht weiß vor war
wue er ist aneuar

[04r.5] Der krump haw

Krump auff behende
wirff dein ort auff dye hende
krump wer wol setzt ~
[04v.1] ·M·it schriten vil haw letzt
Haw krump zu flechen
Den maisteren wiltu sy swechen
wenn es glizst oben
So stand ab das wil ich loben
krump nit ku kurz haw
Durch wechsel do mit schaw
krump wer dich Irret
Der edel kriegk in vor wirret
Das er nicht weiß vor war
wo er sey ane far

[03r.3] von krumen // wie die schnyd da kummen

werff. krum uff sin hende
Slach den ort nach sinr lende
und darby wol versetz
Mit schaitler vil höw letst
how uff sin fleche
so tuostu in schwechen
wenn eß knilt obnen
So nym ab daz wilich loben
und wer krum zu dir how
Durch wechsel du in schow
wil er dich Irren
Der krieg in verfieret
Daz er nit nympt war
wa er ist ungefar

[Ⅲr.8] ¶ krum uff bohe~de
wirff den art uff dei hende
krum wer wol setz
In strite~ er vil hauve letz
haw krüm tzom flechen
Dey meiste~ wiltu sey swechen
wem es glist oben
Der sta abe das ger ich loben
kru~ nicht kortze hauwe
Dorch wessel dar mede schauwe
krum wer dich irre
Den edelen krich du fulvore
Das er nicht wisse vorwar
war er bolerpt ane var

[66v] krumpf auf Behende
werf den ort auf die hennde

[104v.9] [K]rump auf Behende
wurf den ort auf die hennde
chrump wer wol siczet
mit sch/reiten vil Hew lecz
haw chrump mit flechen
den maistern wild dw sy swechen
wenn es gliczt oben
so stand ab das wil ich dich loben
chrump nicht churcz haw
durch wechsel da mit schaw
chrump wer dich irret
der edl krieg in ver wiret
das er nit wais fur war
wo er sey Inen [!] far

[05v.3] Der Km Krumphaw°

Krump vff behende
wirff den ort vff die hende

Haw krump zu° den flöchen
den maÿstern wilt sÿ schaw schwöchen
Wenn er blitzt klitzt oben
so stand ab dz will ich loben
krüme nitt [06r.1] ? kurcz haw~e
durch wechsel do mitt schowe
kumpt krumpt wer dich Ir°et
der edel krieg In In verwirret
daß er nitt waist für war
wo er sÿ one far ~ :·

Kr^ump vff behende /
wirff din ort vff sin hende /
krump wer wolt seczt

Haw° krump zu° den flechen /
den maistern wilt du sÿ schwechen /

krump kurcz haw°
durch wechsel domitt schow°
Wer [56v.1] dich Irrt /
der edel krieg dz verwirt
Daß er nitt waist für war /
wa er sÿ on far

[43v.4] Das ist die ausrichtung vom krumphaw

Krumphaw auff behend
wirff den ortt auff die hend
wer wol versecht
mit schreitten er vil haw lest
haw krumb zu der vlechen
wilstu den maistr schwechen
wan es glist oben
so sets ab das wil ich loben
kum und schlecht und kurts haw
dein durchwechsel damit schaw
haw krumb wer dich erett
der edel kriegs in verwirett
das er nit waist vir war
wie er gebar

[42bv.3] + Das ist die ausrichtung vom krumphaw

Krumphaw auff behend
wirff den ortt auff die hend
wer wo[l] versetzt
mit schreitten er vil hew letzt
haw krumb zu de[n] flöchen
wilttu den maister schwechen
wan es glitzt ob[ñ]
so setz ab das wil ich loben
krump vnd schlecht vnd kur[tz] haw
dein durchwechsel damit schaw haw
krumb wer dich Irret
der edel krieg in vorwirrett
das er nÿt waist virwar
wo er ist on alle far wie er gebar

[02v.3] Krumphau

Krump auff behende
wirff dein ort auff die hende
Krump wer wol setzt
mit schriten vil [03r.1] hau letzt
Haw krump zu flechn
den maisternn wildu sie schwechen
Wan es glitzt oben
so stand ab das wil ich loben.
Krump nicht kurtz haw
Durchwechsel domit schaw
Krump wer dich irret
der edel krigk in vorwirret
Das er nicht weiß vor war
wo er seÿ ane far

[15r.4] Der krumbhaw

Krumb auff behende
wirff deinen ort auff die hende,
krumb wher wol seczt,
mit schriten vil hew leczt,
haw krumb zuflech[en]
[15v.1] den maistern wiltdu si schwechen,
wen es kliczt ob,
so stannd ab, das will jch loben,
krumb mit kurcz hau,
durchwechsel damit schaw,
krumb wer dich jrret,
der Edl krieg verwirrret,
das er nicht waiß fur war,
wo er sey one var,

[48v.2] Das ist die ausrichtung vom krummhauw^[33]

Krum hauw auf behend,
wirff den ort auff die hend,
wer wol versetz
mit schreitten ?? vil hauw letzt
hauw krum hauw zu der flechen
wiltu den maister schwechen,
wan es glitz oben,
so setz ab, dz will ich loben
und krumb und schlecht und kurtz haue
dein durchwechsel, damit schauw hauw
krumb wer dich in??
der edel krieg in verwilet,
dz er nit traist ???
wie er geben

[10]

49	The cross takes what from sky comes down, Rewarding all with glory's crown.
50	The cross in Strength performed its deed, Your work remains, take careful heed.
51	When to the plow you drive across, Yoke it hard then to the ox.
52	Cross yourself and take a leap, And threaten heads while yours you keep.
53	Mislead by missing skillfully; Go low and harry willfully.
54	Inversion forces and constrains; Run through and wrestling holds you'll gain:
55	Their elbow take; be sure, then leap; Done right, their balance you will reap.
56	Now then, miss twice, and when you hit, Just make a classic slice with it.
57	The second time you miss, I say To step in left, and don't delay.

[10] The Thwart Stroke

49	The thwart stroke takes whatever comes from the roof.
50	Thwart with the strong, note your work with this.
51	Thwart to the plow; to the ox hard together.
52	He who thwarts well with springing, he endangers the head.
53	Whoever conducts the failer from below, he hits at his will.
54	The reverser enforces the running through and also brings wrestling.
55	The elbow take certainly, spring into his balance.
56	Double the failer, if you hit, also make the slice.
57	Twice further on, step to the left and do not be slow.

[10] The division of the art according to the text about the right way, and the instruction about the Cross-wise cuts

49	The Crosswise takes away Whatever comes from the Day.
50	And the Crosswise with the strong. Be aware of your work with that.
51	Crosswise to the Plow With great skill to the Ox
52	Whoever strikes crosswise well with springing May also succeed very well
53	To guide the Deceit^[34] with [the Crosswise] From below upward to touch at will
54	Reverse with force Running through also with wrestling
55	Take the elbow in the scales
56	And do not carry out the Deceit slowly
57	Continue doubled Slice long inward and do not be slow.

[10] Cross Strike

49	Cross takes what comes from the Roof,
50	Cross with the strong, mark your work with it.
51	Cross to the Plough, fly hard to the Ox.
52	That is you cross to the head with a spring.
53	Feints mislead from below against his intent to move
54	Inverting forces running through with grappling too,
55	know to take the elbow and spring on the way.
56	Feinting twice hits with a slice,
57	step forward to the left and allow nothing

[19r.4] Das ist võ twi°g haw dye außrichtu~g

Twirg benymet
waß võ dem tag he^r|chomet
twirg mit sterck
dein ayrbeyt da mit merck
twirg czu dem pflug
czu dem ochßenn hartt gefug
waß sich wol twirgt
mit spru~genn dem hawet vast gevar
welch° ver furet
von vndenn nach wunsch er ruret
vor ker twinget
durch lauff var auff mit ringenn
den elnbogñ gewiß ny~
spring in dÿ wag
vel er czwifach
triff mey~ den snyt mit mach
czwifach eß fur baß
schreit in den tag vnd biß nicht laß etc

[04v.2] Der twer haw

Twer benympt
was vom tag her chümpt
Twer mit der sterck
Dein arbait do mit merck
Twer zw dem pflueg
zw dem ochsen hart gefüg
Was sich wol twert
mit sprüngen dem haupt gevert
Veler wer fürt
Von vnden nach wünscher rurt
Vekerrer twingt
Durchläuffer auch mit ringt
den elpogen Gewiß nÿm
spring im in die wage
Veler zwifach
Trifft mann den schnit mit mach
Zwifach es fürpas
Scheitt in linck vnd pis nicht las ~

[03v.1] Die tailung der kunst nach dem text den Rechten weg und die uß richtung der zwierhin

Die zwierh benympt
waß von dem tag her kympt
und die zwierh mit der stercke
Din arbait darby mercke
zwierh zuo dem pfluog
zuo dem ochsen hart gefuog
waß sich wol zwircht mit springen
Dem mag ouch gar wol gelingen
den fäler darmit fiern
unden uff mit wunsch her rieren
verkere mit zwingen
Durch louff ouch mit ringen
den elenbog nym
in der waug

und mach den fäler nit träg^[35]
zwifachß fürbaß
schnid lingg yn und biß nit laß

[Ⅲr.9] Twirch bonimpt
was van dage kumpt
Twirch mid der sterck
Den arbeit dar mede merck
Twirch tzo dem ploch
[Ⅲv.1] Tho dem ossen hart gevoch
waz sich wol weret
Mit sprunck dem houede geueret
wilcher wer voret
Nach wusch er vnden roret
vorkerer trwingen
Dorch loffer mid ringet
Mid dyne~ ellebogen Gewys
sprinck i~ dei wagen
¶ Den feller tzwwachen
Driff man den snyd mid mache
Dzwiuachen is vorbas
Strit i~ linx wes nicht las

[67r] Nimb den Elnbogen
in die wage

Schrýt in den tag bis nit zülas

[104v.10] Der twer haw

[T]wer^[36] benimpt
was vom tag her chumbt
twer mit der sterck
dein arbait damit mercke
Twer^[36] zu dem pflueg
zw dem ochsen hart gefueg
was sich wol twert
mit sprungenn dem haubt gefert
feler wer füeret
nach wunnsch er ruret
Verkerer twinget
durchlauf ser auch mit ringet
den elpogenn gewis nym
spring in die wage
[105r.1] feler zwifach
trift man den schnit mit macht
zwifach es furwas
schreit in linck vnd pis nit los

[06r.2] Der zwerchhaw°

Zwerch benimpt
was vmtag her kunpt kumpt
Zwer mitt der störck
dein arbait da mitt mörck
Zwer zu° dem pflüg
zu° dem ochsen hart gefüg
Waß sich wol zwert /
mitt spring~ dem haüpt gefert
Welcher vor füret
von vndenn nach wunsch rüret
Ver kerer st zwinget
Durch lauffer auch mitt ringet
Den el elnpogen gwÿß nÿm
springe eine In die wäge
weler zwifach
[06v.1] trifft man den schnit mit mach
zwifach fürbaß
schreÿt In linck vñ bÿß nit las ~ :·

[56v.2] Zwerch benimpt /
was vom tag dar kümpt

Zwirch zu° dem pflu°g
zu° dem ochsen hart gefu~g

Den selben zwifach /
t trifft man den mitt macht

[43v.5] Die ausrichtung vom Zwerchhaw

Die Zwerchhaw benimptt
was vom tag herkompt
die Zwerch mit der sterckhe
dein arwait damitt mercke
ochs pflug alber
vom tag ist wol sein fug
was sich wol Zwercht
mit springen dein haubt^[37] geferet
was veler verfier[ ]itt
unden nach wunsch hervierett
verkerer Zwingr
durchlauffr damit Ringett
nim dein elenpagen gewiss
[44r.1] Spring im wol in dir wage
nim den glingken ellen pogen

Zwifach mit macht virbas
schreitt in lingkn und bis nit lass

[42bv.4] + Die ausrichtung vom zwerchhaw

Die zwerchhaw benimpt
was vom tag herkompt
die zwerch mit der sterckhe
dein arwait damit merckhe
ochs pflug alber
vom tag ist wol sein fug
was sich wol zwerchtt
mit springem deim haupt geferett
was veler verfiern
vnden nach wunsch heruerent [?]
verkerer zwinger
durchlauffer damit Ringett
nim dein ellenpogen gewiss
sprin[g] Im wol in die wage
nim den glingken elenpogen

zwische[n] mit macht virbas
schreitt in lingken vnd bis nit lass

[03r.2] Twerhaw

Twer benimpt
was vom tag her kumpt
Twer mit der sterck
dain arbait do mit merck
Twer zu dem Pflug
zu dem Ochsen hart gefug
Was sich wol twert
mit sprüngen dem haupt gevert
Feler wer furt
von unden nach wunsch|er rürt
[03v.1] Verkerrer zwingt
Durchlauffer auch mit ringt
den elpogen
gewis nim spring in die wage
Feler zwifach
trift mann den schnit mit mach
zwifach es furpas
schreit in linck und pis nicht laß

[15v.2] Der Twer haw

Twer benymbt,
was von dem tag darkumbt,
were mit der sterckhe,
dein arbait derh mit merckhe,
twere zu dem pluge,
zu dem ochsen hart gefuge,
was sich wol tweret,
mit springen dem haubt gefert,
veller verfüret,
von vnden nach wunsche, er ruret,
verkert zwinget,
durch lauffen Ouch mit Ringet,
den elenbogen gewis nym,
spring jn[n] die wage,
veller zwifach,
drifft man den snit mit mache,
zwie/fachs furbas
schret jn linckh vnd bes nicht laß,

[48v.3] Die ausrichtung vom zwerchauw

Die zwerchauw nimpt
was von tag kompt
die zwerch mit der sterkhe
dein arbait das mit merkh
ochs pflug alber
von tag ist wol sein fueg,
was sich wol zwercht
mit ?? dem haubt gefar
was veler vor fürtrit
unden nach winsch herwert
verkern zwingen
durchlauffen damit ringet
nim dein elenbogen gneid,
spring im wol in die wag
nim dein lingkhen elenbogen

zwifach mit nechst rucfass
schreit im lingkhen und bis nit las??

[11]

58	When buffalo will cut or thrust, The cockeye breaks and enters thus.
59	If, with the changer, threat they lay, The cockeye robs them anyway.
60	If you see that they're shorting you, Take your revenge by changing through.
61	Down to their point you cock your eye, But, fearless, take their neck up high.
62	Or cock your eye up to their part, If you would spoil their hands with art.
62a HTKo

[11] The Squinting Stroke

58	The squinter breaks into whatever a buffalo strikes or thrusts.
59	Who threatens to change through, the squinter robs him of it.
60	Squint when he is short against you, changing through defeats him.
61	Squint to the point, and take the throat without fear.
62	Squint to the head above if you want to damage the hands.
62a HTKo

[11] This is the instruction about the Squinter cuts

58	Squinter breaks into Whatever a buffalo strikes or thrusts
59	Whoever threatens from a Changeover cut Squinter robs him of it
60	If he strikes short and that is of little importance to you Change-through defeats him
61	Squint to the point Take the throat without fear
62	Squint to the top of the skull, Strike strongly if he wants to delay yours.
62a HTKo	Thus you can deafen^[38] him, [And] steal the deceptive art.^[39]

[11] Glance Strike

58	Glancing breaks what the buffalo strikes or stabs.
59
60	Strike shortly where he changes through facing him on.
61	Glance to the point and take his throat without force.
62	Glance above to his head, your leading hand above.
62a HTKo

[19v.1] Das ist võ schilhaw dy außrichtu~g

Schiler enpricht
waß puffler slecht oder sticht
wer wechseln drat
schiler da auß In berawbt
schil kurcz Er dich an

schil czu dem ort
ny~ den hals anevorcht
schil czu den o^eer
wiltu bey dy orenn etc

[04v.3] Der schilhaw

Schiler ain pricht
was püffel slecht oder sticht
wer wechsel drawt
schiler dar aus Inn beraubt
Schil kürtzt er dich an
Durch wechsel gesigt im an
Schill zw dem ort
vnd nym den hals ane vorcht
Schill zw dem öberen
haubt hend wild du bedöberen ~

[03v.2] Daz ist die uß richtung von der schillherin

Schylher ain bricht
waß püfler schlecht oder sticht
wer von wechselhow drowt
Schilher daruß in beroubt
Schlecht er kurtz und ist dir gran
durchwechsel so gesigest im an
Schilh zu dem ortte
Nym den halß ane forchte
Schilh zu der obern schaittel
Schlach starck wil er din baitten [04r.1]
So machst du in wol betöwben
Die fallerin kunst berowben

[Ⅲv.2] Scheller ein bricht
was puffel slät od° sticht
wer wessel drauwz
Scheller em dar i~ borouz
¶ Schilt er kort dich an
Dorsch wessel gesicht em an
Schilt tzu dem arte
ny~ den hals ane varte
Schil zo dem obeñ
hobt hende wiltu bodobeñ

[105r.2] der schilhaw

[Sch]ilcher ein pricht
was püffel slecht oder sticht
wer wechsel drawt
schilcher dar aus peraubt
schil kürczt er dichk ann
vnd durch wechsel gesigt im an
schilch zu dem ort
vnd nym den hals anne forcht
schilch dem obern
haupt hennd wild dw bederbenn

[06v.2] Der schilhaw°

Schiller In bricht
waß buffel schlöcht oder sch sticht /
wer wechsel drawet
Schiller in daruß beraubet
Schill körczt er dich / an
durchwechsel gesigst Im an /
Schill zu° dem ort
vñ nÿm den halß on forcht
Schill zu° dem obern
ho~upt hend wilt du bedebern ~ ~:·

[56v.3] Schiller bricht /
waß buffler schlecht oder sticht

Schill in den ober haw° behend
blÿb daruff wilt du end /

[44r.2] Die ausrichtung vom schilthaw

Schilchr ein bricht
was buffel schlecht oder sticht
wer wechsol treibt
mit schilchr wirtt er daraus beraubt
schilcht er dich kurzan
dein durchwechsel gsigt Im an
schilch zu dem ortt
und nim den halss on vorcht
schilch zu dem haubt oben
wilstu in betoben

[42bv.5] + Die ausrichtung vom schilthaw

Schilcher enibricht
was buffel schlecht oder sticht
wer wechsel treibt
mit schilcher wirtt er darauß beraubt
schilcht er dich kurtz an
dein durchwechsel gsigt Im an
schilch zu dem ortt
vnd nim den hals one vorchtt
schilch zu dem haubtt oben
wiltu in betoben

[03v.2] Schilhaw

Schiler am[!] pricht
was püffel schlecht oder sticht
wer Wechsel drawt
Schiler daraus er inn berabt[!]
Schil kurtzt er dich an
Durch wechsel gesigt im an,
schill zu dem ort
und nim den hals ane vorcht
Schil zu dem öbern
haupt hend wiltu bedöbern

[15v.3] Der von schilhaw

Schiller einpricht,
was puffel [sc]hlecht oder sticht,
wer wechsel draut,
schiller darumb in beraut,
[sc]hil kurczt er dich an,
durchwechsel, das sigt jm an,
[sc]hil zu dem ort,
vnd nym den hals one forcht,
[sc]hill zu dem [o?]ben[?]
haubt vnd hende, wilt du bedobern,

[48v.4] Die ausrichtung vom schilthauw

Scheleher einbricht
was biffle schlegt oder sticht
wer wechsel treibt
mit schileher wirt er daran beraut
schileher dich kurtzen,
dein durchwechsel gsingt im an
schileher zu dem ort,
und ?? den hals an fercht
schileher zu dem haubt
oben wiltu im betaben????

[12]

63	Cut from your part to seek your prize And threaten them under the eyes.
64	Then turn and take it down below, And threats against their heart bestow.
65	Whatever from your part descends, Their lofty crown can well defend.
66	Slice through their crown, refuse to kneel, Its glory broken by your steel.
67	With sweeping cuts press your attack; Slice through and then pull yourself back.

[12] The Scalp Cut

63	The scalper is a danger to the face,
64	with its turn, very dangerous to the breast.
65	Whatever comes from him, the crown will take it.
66	Slice through the crown, thus you will break it hard through.
67	Press the strokes, with slices pull them away.

[12] This is the instruction about the Skull [cut], etc.

63	The Skull cut is dangerous to the face
64	With its curve, strongly dangerous to the chest
65	Whatever comes from it.^[40] The Crown takes away
66	Slice through the Crown Then you break it already
67	Press the strokes Pull away with slices.

[12] Vertex Strike

63	The top of the face is endangered
64	with your turn, the purpose is
65	to take what comes from the Crown,
66	cut through the crown then break hard
67	as the strike hits his, withdraw with a slice.

[19v.2] Das ist võ dem schilthaw dy außrichtu~g

Der scheÿtler
dem antlicz ist geuar
mit seiner ka^er
der prust vast gevar
waß võ Im chömet
dy kron das abnymet
sneyt durch dÿ kro^en
so prichstu sye hart schon
dye sterck druck
mit synne~ sÿ ab ruck

[04v.4] Der schaittelhaw

Der scheitlar
dem antlützt ist gevar
Mit seiner kar
der prüst vast gefer
[05r.1] was von ÿm kümpt
Dÿ kron das abnympt
Schneid durch dye kron
So prichstu sye hart schon
Dÿe striche druck
Mit schnÿtten sÿ ab zuck ~

[04r.2] Daz ist von dem schaittler Die ussrichtung etc.

Der schaittler
dem anttlüt ist gefar
Mit siner kur
Der prust vast gefar
waß vom im da kumpt
Die kron daz ab nympt
Schnyd durch die kron
So brichstu sie gar schon
Die straich truck
Mit schniden ab zuck

[Ⅲv.3] Der scheitler
Dem antlat is gar geitler
An syner kare
Der brust vast gewae~
¶ was von em kumpt
Dey kron das abe nympt
Snyt dorch dey cron
So brichstu sey hart vñ schon
Dey sterke drucke
Mit sniten sey abe rucke

[105r.3] [D]er schaitler
ist dem antlucz geuar
mit seiner kär
der prust geuar

was von im chumbt die kron
so prichstu sy hart schon
die stucke druck
mit sniten sy abruck //

[06v.3] Der schaittelhaw°

Der schille~
ist dem antlitz ge/ [07r.1] fere
mitt seine~ kere
Der brust fast geu~er /
waß võ im kunpt kumpt
die krone daß abnÿmpt
schy schnÿde de^der doch die krone
so brichst du sÿ hart schone
Die stich druck
mitt schnitt~ sÿ ab zuch zeüch ~ :· ~

[56v.4] Der schaittler
dem antil antlitz ist gefär

die krön daß abnimet /
schnid Schnÿd durch die kron /
so brichst du sÿ hart schon

[44r.3] Die ausrichtung von dem schaitelhaw

Der schaitler
dem antlis ist gefar
mit seiner kar
der brist vast unewar
was von im kumpt
dar die kron das abnimpt
schneid durch die kron
so brichstu sÿ hartt und schon
die straich druckg
durch mitt schniedn Sÿ ab zuckg

[43r.1] + Die ausrichtung von dem schaitelhaw

Der schaitler
dem antlitz ist gefar
mit seiner kar
der brust vas[t] virwar
was von im kumptt
dar die kron das abnimpt
schneid durch die kron
so brichstu sÿ hartt vnd schon
die straich druckh
durch mit schneiden sÿ abzuckh

[03v.3] Schaittelhau

[04r.1] Der scheitler
dem antlützt ist gevär
mit seiner kar
der prust ist gefer
was von im kumpt
die Kron das abnimpt,
schneid durch die kron
so prichstu sie hart schon
die strich druck
mit schnÿtten sÿ ab Zuck

[15v.4] Der scheitler

Der [sc]heitler
dem antlicz ist gever,
[sc]heitler mit seiner kar
der Brust vast gewer,
was [sc]heitler von jm kumbt,
[16r.1] Die [E?]ron das abnymbt,
schneid durch die [E?]ron,
so prichstu si gar schon,
die straich drucke,
mit schneiden si abzuckhe,

[48v.5] Die ausrichtung vom schaitelhauw.

Der schaitler
dem angsicht ist gefar
mit seiner kar?
oder brust vast fürwar,
was von im kompt
das die kron dz abnimpt,
schneid durch die kron
so brichstu sei haut und schon
die straich druckh?
durch mit schneiden sie abzukh.

[13]

68	In four lairs only should you lie; Hold there and vulgar guards decry.
69	The ox that plows, the foolish one, And from the day you should not shun.

[13] The Four Guards

68	Four guards alone hold; and disdain the common.
69	Ox, plow, fool, from the Roof should not be unknown to you.

[13] About the four guards

68	Hold only to the four guards And curse^[41] the common
69	Ox, Plow, Fool, From the Day should not be unknown to you

[13] Four stances

68	There are only four stances to hold and show in general,
69	Ox, Plough, Fool, from the Roof. You show nothing more.

[19v.3] Das ist von den vier leger dÿ außrichtung

Vier leger alben
da võ helt vnd fleucht dye gemey~
ochß pflug alber
võ tag dir nit vn mer ~

[05r.2] Dÿe vier leger

Vier leger allain
Da von halt vnd fleuch dye gemain
Ochs pflueg alber
vom tag sey dir nicht unmär ~

[04r.3] von den vier leger

Vier leger alain
Davon halt und flûch die gemain
ochß pfluog aulber
vom tag sindz dir nit unmer

[Ⅲv.4] ¶ veir leger alleyn
Dar vã halt fluch de gemey~
¶ osse pluch alle veir // allebeir
van dage sy dy nicht vmer

[58r] Die erste hute haist der ochse
Die annder hute haisst der pflueg
[58v] Die dritte hute haisst der Alber
Die vierde haisst vom tage

[105r.4] Die vier leger

[V]ier leger allain
da von halt vnd fleuch die gemain
ochs pflueg alber
vom tag sey dier nit vnmär

[07r.2] Die vier leger

Vier leger allain
da von halt vnnd fleüch de gmain
Ochß pflu°g alber
vom tag sÿ dir nitt vnmer ~ :· ~

[56v.5] Vier leger alain
da von halt vñ flüch die gemain
Ochß vñ pflu°g alber
vom tag sÿ dir nicht vmmer vnmer

[44r.4] Die ausrichtung von den vier legern

Die vier leger allain
durinen heltt man und fleuchts die gemain
ochs pflug alber
vom tag ist wol sein fug

[43r.2] + Die ausrichtung von den vier legern

Die vier leger allain
daruon heltt man vnd fleuchts die gemain
ochss pflug alber
vom tag ist wol sein fug

[04r.2] Vir leger

Vir leger allain
da von halt und fleuch die gemain
Ogs.[!] ~.Pflug. ~.Alber.
.Vomtag. seÿ dir nit unmer

[16r.2] Die vier leger

Vier Leger allein,
davon halt vnd fleuch die gemain,
ochs pflug alber,
vom tag sein dir nicht vnmer,

[48v.6] Die ausrichtung von den 4 legern

Die 4 leger allain
darvon helt man und fleuchts die gemain
ochs pflug alber
von tag ist wol sein flug.

[14]

70	Now four displacements learn with care, Which also flush them from their lair.
71	Be mindful of displacement's game, It guards you well or brings you shame.
72	Should you become displaced at last, However this has come to pass,
73	Then listen now to what I say: Wrench off, cut in, and don't delay.
74	Set on to four extremities, Learn to remain and end with ease.

[14] The Four Oppositions

70	Four are the oppositions that hurt the four guards very much.
71	Beware of parrying. If it happens to you, it troubles you greatly.
72	If you are parried and when that has happened,
73	hear what I advise to you: tear away and strike quickly with surprise.
74	Set upon the four ends. Stay upon them, learn if you want to bring it to an end.

[14] About the four counteractions

70	[There] are four counteractions That also greatly damage the guards
71	Guard/Protect yourself from counteractions If this plight happens to you, it will repay you,
72	If you are counteracted, How that this has happened
73	Thus note what I advise you: Slash up, strike fast and quickly
74	Apply [it] to the four ends Remain standing and visibly study the man.

[14] Four displacements

70	Four are the displacements the four stances allow.
71	Before displacing guard yourself, also place it to your best advantage.
72	If you are displaced so that he comes forth,
73	Hear what I pronounce to you, strike off quick
74	with a direct attack to four endings, stay there and will you learn to conclude.

[19v.4] Das ist võ den vier versetze~ dy außrichtung

Vier sint der vor seczen
dye de leger auch sere lecze~
vor ver seczenn hut dich
geschicht das auch ser mutig
ob dir vor seczt ist
vnd wie das dar chome~ ist
hor waß ich rat
streich ab haw snell mit drat
an vier enden
pleib dar auff ler wiltu enden ~

[05r.3] Dye vier vor Setzen

Vier sind vor setzen
dye dÿ leger auch sere letzen
Vor fursetzen hüett dich
Geschicht das auch ser es müt dich
Ob dir vor setzt ist
vnd wie das dar chömen ist
Hör was ich dir ratte
Reiß ab haw schnell mit drate
Setz an vier enden
pleib dar auff lere wildu enden

[04r.4] von den vir versetzen

vier sind versetzen
die die leger ouch ser letzen
vor versetzen hiet dich
gschichtz dir nott eß miet dich
ob dir versetzt ist
wie daz dar komen ist
So merck waß ich dir raute
strych ab haw schnell und draute
setz an vier enden an
blyb stan und besicht den man

[Ⅲv.5] ¶ veir sint vorsetzen
De dey leger sere letzen
¶ vor vorsetzen wae~ dich
Geschicht es dy not es magz dich
Off dir vor sat ist
Off wijt dar vm gekom ist
har wes ich di rate
Tuch aff slach snel mid drate
Setze an veir ende
Dar uff bliff wistu we~den

[105r.5] Die vier verseczenn

[V]Ier seind der verseczen
die die leger auch ser leczenn
vor verseczen huet dich
geschicht das auch ser micz dich
ob dir verseczt ist
vnd wie das dar chumen ist
hor was ich dir rate
reis ab haw snel mit trate
secz an vier enden
beleib dar auf wildw wenndenn

[07r.3] Die vier verseczen

Vier sind verseczten
die die lege~ ser leczen
Vor verseczten hiet dich
geschicht es ser es müt dich
[07v.1] Ob dir s verseczt ist
vñ wie daß komen ist
Hör waß ich dir rate
raÿß abhaw~ schnell mitt drate
Setz an vier enden
belÿb daruff ler wilt du° wennden ~ :·

[56v.6] Vier sÿnd der vorseczen /
die die leger ser [57r.1] leczen

[44r.5] Die ausrichtung von den vier versetsen

Vier sind der versetsen
und die legr auch serr letsen
doch vor versetsen hiett dich
gschuht es dir nott es miett dich
ab dir versetst ist
und wie das darkumen ist
her was ich die Rast
kum frie und nit zu spott striech auff haw schnel mit dritten
selban vier enden
und bleib darumff so lernestu Enden

[43r.3] + Die ausrichtung von den vier versetzenn

Vier sind der versetzen
vnd die leger auch serr letzen
doch vor versetzen hiett dich
gschicht es dir nott es miett dich
ob dir versetzt ist
vnd wie das dar kumen ist
hör was ich dir Ratt
kum frie vnd nitt zu spatt streich auff haw schnel mit dritten
selb an vier enden
vnd bleib darauff so lernestu Enden

[04r.3] Vier vörsetzen

[04v.1] Vir seind vörsetzen
die dÿ leger auch sere letzen
Vor fursetzen hüet dich
geschicht das auch sere es müt dich
Ob dir vorsetzt ist
und wie das dar kömen ist
Hör was ich dir ratte
raiß ab hau schnel mit drate
Setz an vir enden
pleib darauff lere wildu enden

[16r.3] Die vier versecz[en]

Vier sind verseczen,
die di leger auch seer Leczen,
vor versecz[en] Huet dich,
geschicht das auch seer Nücz dicht,
ob dir verseczt ist,
vnd wie das dar kumen ist,
Hör was jch dir Rate
streich ab Haw [sc]hnel mit drate,
secz an vier enden,
bleib darauff ´lere wiltu enden,

[49r.1] Die ausrichtung von den 4 versetzen

Vier seind der versetzen,
und die leger auch sehr letzen,
doch vor versetzen hurt dich,
gschicht es dir net es mueth dich,
ob er dir versetzt ist,
und im dz herkomen ist,
hör was ich dir rath,
kam frue und nit spat straich auff hauw schnell, mit tritten
schauw an 4 enden
und bleib darauff so lehrestu enden.

[15]

75	Learn to pursue, then learn it twice; Or into their defenses slice.
76	When they're outside, there take them on In two forms; start what work you want.
77	Then gauge each threat with hand and blade: If pushing Hard or Softly laid;
78	For this you must learn how to feel; The word “Within” cuts deep as steel.
79	Pursue again, and if you hit, Then make the same old slice with it.

[15] Chasing

75	Learn the chasing twice, or slice into the weapon.
76	Two outer intentions. The work after that begins.
77	And test the attacks if they are soft or hard.
78	Learn the feeling. The word meanwhile slices sharply.
79	Chase twice, if you hit, do the ancient slice as well.

[15] This is about the chasing

75	Learn about the Chasing Do not strike too much, too often
76	Correctly identify his strike Your work begins afterward
77	and check/test his movement whether they are soft or hard
78	now learn in that
79	carry out the old slice with [that].

[15] Following After

75	Following After learn twice or slice with the weapon.
76	Take the work two ways and thereafter begin
77	to test if the threat is light or hard.
78	Learn to feel Immediately if it would be cut hard.
79	Traveling after hits one twice done with the old slice

[19v.5] Das ist võ dem nach reÿse~ dÿ außrichtu~g

Nach reyßenn lere
czwiuach oder sneÿd in dÿ were
Zwey außere main
dein ayrbeit darnach begnn [!]
vnd pruff dye geuert
ob sye synt weych oder hertt
das fule~ ler In
deß tas das vor sneÿd sere
nach reisen czwiuach
trifft man den altñ snyt mit macht ~

[05r.4] Von Nach Reÿsen

N·ach raisen lere
zwifach oder scheneid in die were
zway ewssere mynne
der arbait dar nach begÿnne
vnd prüff dÿe gefert
Ob sÿ sind waich oder hert
Das fulen lere
Inndes das wort schneidet sere
Nach raÿsen zwifach
Trifft mann den alten schnit mit mach ~

[04v.1] Daz ist von dem nach raisen

Nach raisen lere
verhow dich nit zusere
Sin höw recht vernymmp
Din arbaitt dar nach beginn
und brüff sin geferte
ob sie syent waich oder hörte
nun lerne
in daß

den alten schnit mit macht^[42]

[Ⅲv.6] nachreisen lere
Twizvachen snit i~ de were

vn pruff syn geuerte
Off hei sy weich od° harte
das fulle~ lere~ //
Indes das snidz sere~
Reisen tzwiuachen
Den alden snid mid mache

[69r] Die Vszer myne
dem arbait damit beg ynne

[65v] Nachreýsen zwýfacht

[105r.6] von nachraisen

nach raissenn lern
zwifach oder sneyd im die were
zwai aussere nyme
der arbait dar nach pegine
vnd prüß [!] die geferte
ob sy hert sein oder waiche
das fulen lare /
Inndes das wort sneydet sere
nach raisen zwifach
trifft man den alten snit da mit mach

[07v.2] Von Nachraÿsen

Nachraÿsen lere /
zwifach ode~ schnitt die were /
Zwaÿ ausser nÿm /
der der arbait darnach begim^[43]
Vñ brüff die geferte
Ob sÿ sind waich oder herte
Daß fulen lere
In des / daß wort schnidet sere
Nachraisen zwifach
trifft man den alten schnidet man mitt macht ~ :·

[57r.2] Nachraÿsen lere /
zwifach schnid in die were

[44r.6] Von dem Nachraisenn

Nachraisen lere
Zwiuach scheneidett in der were
zway darauss nim
dein arwaitt darauss begine
und brieff sein gfert
sein leger weich oder hertt
das selbug lere
Indes das wortt schniedett sere
nach raisen zwaiuach
nim du den altten schnid mit [ ]acht

[43r.4] + Von dem nachRaisen

Nachraisen lere
zwifach schneidet in der were
zwaÿ darau[ß] nim
dein arwaitt darauß begine
vnd brieff sein gfertt
sein leger waich oder hertt
das selbig lere
Indes das wortt schneidett sere
nachraisen zwiuach
nim du den altten schnidt mitt macht

[04v.2] Nachraisen

Nachraisen lere
zwifach oder schneid in die were
Zweÿ ewssere minne
der arbeit dar nach begÿnne
unnd pruff die gefert
ob sie sind waich oder hert
Das fulenn lerre
Inndes das wort [05r.1] schneidet sere
Nachraisen zwifach
trifft man den alten schnit mit mach

[16r.4] Von Nachraisen,

Nachraisen Leere,
zwifach oder, schneid Jnn die wehre,
zway außre nyme,
der arbait darnach beginne,
vnd pruff die gefertte,
ob si waich sind oder herte,
das [fe?]llen Leere,
Jnndas wort findet seere,
Nachraysen zwifach,
Trifft man den alten schnit mit mache

[49r.2] Von dem nachraisen

Nachraisen lehren
zwifach schnidt in der were
zwai daraus nim
dem arbait daraus begine,
und brief sein gfert
sein leger waich oder hart,
dasselbig lehrne
in dz dzwert schneidet sehr
nachraisen zwifach
nim du den alten schnidt wie macht.

[16]

80	If down below your sword they aim, Flow over them and bring them shame.
81	When steel on steel above should spark, Stay strong and I will praise your art.
82	Work onward then with skill and ardor, Or press them hard and press them harder.

[16] Overrunning

80	Who wants to strike below, overrun him, and he will be shamed.
81	When it clashes above, then strengthen: this I truly do praise.
82	Do your work, or press hard twice.

[16] About the overrunning

80	Whoever clears away^[22] the body from below Overrun him, he will be shamed downward from above
81	When it sparks above strengthen it, I desire to praise that
82	and do your work or press it twofold.

[16] Overrunning

80	He who roams under, run over then he will be shamed.
81	When it clashes above then stay strong so I praise it,
82	make your work or hit hard twice.

[20r.1] Von vber lauff dy außrichtu~g

~Wer vndenn remet
vberlauff den der wirt beschemet
wenn eß gliczet obenn
so sterck das ger ich lobñ
dein ayrbayt mach
oder hertt truck czwiuach

[05r.5] von überlauffen

·W·er vnnden rempt
vber lauff denn der wirt beschempt
wenn es klitzst oben
So sterck das ger ich loben ~
[05v.1] Dein arbait mache
Oder herte druck zwifache

[04v.2] von dem überlouffen

wer des lybß unden remet
Den uber louff der wirt obnen nider geschemet
wenn eß plitzt oben
sterck eß daz ger ich loben
und din arbaitt mache
oder truck eß zwifache

[Ⅲv.7] wer vnde~ ramz //
ober lauffen schamz //
wem es glist obe~ //
der sta abe das ich lobe
Dyne~ arbeit machen
Od° hart druck tzwi vachen

[105r.7] Von vberlauffenn

^{er vnden rempt}
vberlauffen den da wiert beschembt
wenn es gliczt oben
so sterck das ger ich lobe
dein arbait mach
hert oder waich durch zwifach

[07v.3] Von v°berlauffen ~

[08r.1] Wer vnden rempt /
überlaüff den der wirt beschempt
Wenn er gliczt oben /
so sterck gar ich loben
Dein arbait mach /
oder hört drück fast zwifach ~ :·

[57r.3] Wer vnden remet /
üblauff den der wirt beschemet

[44v.1] Das die ausrichtung von dem uberlauffen

Der unden Remet
und uberlauft der wirtt eben gschemett
wan es glitzt oben
so setz ab das wil ich leben
dein arwait mach
waich oder hertt und druckh das zwiuach

[43r.5] Die ausrichtung von dem l vberlauffen

Der vnden Römett
vnd vberlaufft der wirtt oben gschemet[t]
wan es glitzt oben
so setz das ab das wil ich lobñ
dein arwait mach
waich oder hertt vnd druckh das zwifach

[05r.2] Uberlauffen

Wer unden rempt
uberlauff denn der wirt beschempt
Wan es glitzt oben
so sterck das gere ich loben
dein arbait mache
oder hert d^ruck zwifache

[16r.5] Von vberlauffen,

Wer vnnden remet
vberlauffen den der wirt beschemet,
wen es gliczt oben,
so truckst das gerich loben
dein arbait schwache,
oder hört druckh zwifache

[49r.3] Die ausrichtung von dem uberlauffen

Der unden renet
und uberlaufft der wirt oben geschauwet,
wann es glitzt oben,
so setz ab dz will ich loben,
dein arbait mach
hart oder waich, und trukh dz zwifach.

[17]

83	Learn how to set aside, and thus, With art you'll hinder cut and thrust.
84	Whoever tries to stab at you, Your point meets theirs and breaks on through.
85	From either side, both left and right, Your swords will meet if forth you stride.

[17] Setting Aside

83	Learn to set aside, to skillfully hinder stroke and thrust.
84	Who thrusts at you, your point hits and counters his.
85	From both sides hit every time if you want to step.

[17] About the setting aside

83	If you know them correctly, use setting aside [For] all strikes and thrusts which are impeding you
84	Whoever thrusts at you Hit the point that breaks^[44] it^[45]
85	From both sides Hit every time, step for this purpose.

[17] Parrying

83	Teach to parry artfully stabbed strikes.
84	He who stabs to you meets your point and his breaks,
85	always hit from both sides if you will advance.

[20r.2] leren abseczenn
hawe stich chunstiglichenn leczenn
wer auff dich bindet sticht
dein ort trifft vnd seine~ bricht
von beydenn seyten
triff alle mal wildu streÿtenn

[05v.2] Von absetzen

Lere absetzen
haw stich kunstlich letzen
wer auff dich sticht
Dein ort trifft vnd seinen pricht
Von paiden seitten
Triff alle mal wiltu schreiten

[04v.3] vom absetzen

kanstu die rechtn absetzen
All höw und stich sie dir letzen
der uff dich sticht
driff den ort daz im bricht
von baiden sitten
triff allemal darzu schritten

[Ⅲv.8] ler aff setze~ //
hav stich ku~stich letze~ /
wer uff dich sticht
Syne~ art driff myd dyne~ brich
van beiden syden
Driff almal wultu striden

[105r.8] von abseczenn

Lern ab seczenn
haw stich chunnstlich leczen
wer auf dich sticht
dein ort trifft vnnd seinen trift
von paiden seytten
trif alle wol schreitenn

[08r.2] Von abseczen

Lere abseczen
haw sch stich kunstlichen
wer vff dich sch sticht /
dein ort trifft vnnd sein an pricht
Von baiden saiten sÿtten /
triff all mal wilt du schrÿtten ~ ~:·

[57r.4] Lern abseczen /
hew° stich künstlich leczen
Wer vff dich sticht
sin ort bricht / der din trifft

[44v.2] Die ausrichtung von dem absetsen

Lere absetsen
haw stich krum schnielgkeichen letzen
wer auff dich sticht
so lug das dein ortt [ ]riff und den seinen bricht
von baiden seitten
briff alln mal wilstu schreitten

[43r.6] + Die ausrichtung von dem absetzen

Lere absetzen
haw stich krum schneligklichen letzen
wer auff dich sticht
so lug das dein ortt drift vnd dem seinen bricht
von baiden seiten
driff alle mal wilttu schreitten

[05r.3] Absetzen

Lere absetzen
haw stich kunstlich letzen
Wer auf dich sticht
dein ort trifft und seinen pricht
von paiden seytn
triff allemal wiltu schreÿten

[16v.1] Von abseczen,

Leere abseczen,
haw stich kunstlichen leczen,
wer auff dich sticht,
dein orte Trifft, vnd seiner pricht,
von baiden syten,
triff alle mal wilu schreiten

[49r.4] Die ausrichtung von dem absetzen

Lehren absetzen
hauw stich krum schneligkhlichen legen
wer auff dich sticht,
so lug dz dein ortt trifft, und sein seuckh? bricht
von baiden seitten
triff also nach? wiltu schreitten.

[18]

86	Learn to change through, your sword untied, Then thrust sharply from either side.
87	Whomever tries to bind on you You'll swiftly find by changing through.

[18] Changing Through

86	Learn the changing through from both sides, thrust with intent.
87	Whoever binds to you, changing through will find him indeed.

[18] About the changing through

86	Learn the Changing through From both sides, do not thrust hard
87	The one who binds you above Changing through finds him quickly.

[18] Changing Through

86	Learn to Change Through from both sides with stabs hard
87	on your bind. Change through in finding the blade

[20r.3] Das ist võ durch wechsel dy außrichtu~g

Durch wechsel lere
võ paydenn seytenn stich mit sere
wer auff dich bindet
durch wechslñ in schier vindet

[05v.3] Von durchwechselen

Durchwechsel lere
von paiden seitten stich mit sere
Wer auff dich pindet
durchwechsel In schier vindet

[04v.4] vom durch wechsel

Durchwechsel lere
von baiden siten stich nit sere
Der uff dich bindet
Durch wechsel in schier findet

[Ⅲv.9] Dorch wessel lere
van beiden siden stich und se°
wer uff dy windz
Dorch wessel em schire vindz

[66r] Dúrchwechsel lere
von baiden seytten

[105r.9] Vom durchwechsl

Durch wechsel lere
von paiden seyten stich mit sere
wer auf dich pindet
durchwechsel In schier findet

[08r.3] Von durchwechslen

Durchwechslen lere /
von baÿden sÿten strich stich mitt söre
Wer vff dich bindet
durch wechsel In schier findet ~ :·

[57r.5] Durchwechsel lere /
zu° baiden sÿtte~ stich mitt were

[44v.3] Von dem durchwechsell

Der durchwechsel lere
von baiden seitten stich mitt Sere
und wer auff dich sticht bÿndett
durchwechsel in schier windett

[43v.1] + Von dem durchwechsel

Der durchwechsel lere
von baiden seitten stich mit serre
vnd wer auff dich sticht bindett
durchwechsell in schie[r] windett

[05v.1] Durchwechseln

Durchwechsell lerre
von paiden seitten stich mit sere
wer auff dich pint
Durchwechsel in schir findt

[16v.2] Von Durchwechsel,

Durchwechsel Leere,
von baiden seiten stich mit seere
wer auf dich bindet,
durchwechsel jn schier findet,

[49r.5] Von dem durchwechsel

Der durchwechsel lehren
von baiden seitten, stich nit sert?
und wer auf dich sticht bindet
durchwechsel in schrir? windet.

[19]

88	Now step in close, engage the bind, Then pull, and what you seek you'll find.
89	Pull back; if sword you meet, pull more; Devise a work that hurts them sore.
90	Pull back whenever steel meets steel And masters you’ll confound with zeal.

[19] Pulling

88	Step close in binding. The pulling provides good finds.
89	Pull–if he meets, pull more. Find the work that will hurt him.
90	Pull in all encounters against the masters, if you want to fool them.

[19] About pulling all hits

88	Do the Pulls close to the binding on End well to find
89	[The] Pull, if he hits it, pull more If he works, find him, injure him
90	Pull all hits If you want to ape the masters.

[19] Disengaging

88	Step close in binding that disengaging gives good finding.
89	Disengaging to meet his disengage finds more work, do this always as
90	disengaging all hits will attain you the mastery.

[20r.4] Das ist võ zuckenn dy außrichtu~g

Trit nahent In bunde
das czuckenn geyt gut funde
Zuck triff er zuck mer
ayrbeyt er vindet das thu°t Im we
czuck alle treffñ
den meistern wiltu effen

[05v.4] von zucken

Trit nahent Inn pinden
Das zucken gibt gute fünde
Zuck trifft er zuck mer
Arbait erfinde Das tut ym we
Zuck allen treffen
den maisteren wiltu sÿ effen

[04v.5] vom zucken alle treffen

tuo nahet eyn binden
die zucken gend gut finden
[05r.1] zuck trift erß tzuck mer
arbait er find in dut im we
zuck alle treffen
den maistern wiltu sie effen

[Ⅲv.10] Drit nachet i~ binden
Dei tzucke geue~ gude fu~de
Tzuch driff er so tzucke mer
Arbeit wint so dostu em we
Tzucke alle dressen [!]^[46]
Dey meiste~ wiltu sey effen

[105r.10] Von zuckenn

drit nachet in punndenn
das zucken gibt guet fünde
zuck trifft er zuck mer
arbait er vinde das thuet im we
zuck allenn treffen
den maistern wild dw sy äffenn^[47]

[08v.1] von Zucken

Tritt nahent Inbinden /
dz zucken gÿt gu°t fünde
Zeuch truft er zeuch mer /
arbait wind dz tu°t Im we
Zuck allen treffenn /
den maistern wilt du sÿ effen ~ :·

[57r.6] Zucke alle treffen /
den maistern wilt du sÿ effen

[44v.4] Die ausrichtung von dem Treffn und Zuckn

Dritt mein die binden
Zucken geitt gutte vinden
drist er so zuckh mer

zuckh aus allen treffen
wilstu den maistr Effen

[43v.2] Die ausrichtung von dem treffen vnd zuckhe[n]

Dritt nein die binden
zuckhe geit gütte vinden
dri[ft] er so zuckh mer

zuckh auß allen treffenn
wilttu den maister Äffen

[05v.2] Zucken

Trit nahent in pinden
das Zucken gibt gut funde
Zuck trift er Zuck mer
arbait erfinde das thut ime we
Zuck allen treffen
den maistern wiltu sÿ effen

[16v.3] Von zucken,

Trit nahendt in pinde,
das zuckhen gibt guet fünde,
zuckht trifft er,
zuckht mer arbaitere, vnnd das met jm wee,
zuckht aller treffen,
den maistern wilt du sy äff[en]

[49r.6] Die ausrichtung von treffen, treffe und zukhen

Tritt man die binden
zukhen geit guten friden,
trifft er so zukh mer

aus, allain
wiltu den Maister essen.

[20]

91	Hold pommel high, let blade hang down, Run through and wrestling abounds.
92	When strength would press and oppress you, Remember this: just run on through.

[20] Running Through

91	Run through, let hang with the pommel. Grasp if you want to wrestle.
92	Who comes strongly at you, the running through then remember.

[20] About the running through

91	Run through, let hang You want to wrestle with the pommel grip
92	Whoever [comes] strongly against you Remember the Running through with that.

[20] Charging Through

91	Let Charging Through hang with the pommel attack if you would wrestle.
92	He who would charge through strongly against you, you mark with it.

[20r.5] Das ist võ Durch lauffung dy außrichtu~g

Truck^durch//lauffñ
laß hangenn mit dem knopff greÿff wiltu ringñ
wer gege~ dir sterckt
durch wechslñ damit merck ~

[05v.5] von Durchlauffen

Durchlauff las hangen
Mit dein knopff greiff wiltu rangen
Wer gegen dir sterckt
durchlauff do mit merck

[05r.2] vom durch louff

Durch louff lauß hengen
Mit dem knopf griff wilt ringen
wer gegen die stercke
durch louff damit mercke

[Ⅲv.11] Dorloff das hange~
Mid dem knoff driff wiltu rãge~
¶ Twer jege~ de sterke
Dorch loff dar mede m°ke

[105r.11] von durchlauffenn

durchlauf laß hangen
mit dem knauf greif wildw ringen
wer gegen dir sterchk
durch lauff da mit merck

[08v.2] von durchlau°ffen

Durchlauff laß hangen
mitt dem knopf greÿff wilt du ?? rangen
Wer gege~ dir sterckt
durchlauff damitt mörck ~ :··

[57r.7] Wer gegen g dir sterckt /
durchlauff damitt mörck

[44v.5] Die ausrichtung von dem durchlauffen

Durchlauff las hengen
mit dem knopff und greiff wilstu Ringen
und wer gegen dir stricht ster[kh]e
durch lauff damitt merckhe

[43v.3] + Die ausrichtung von dem durchlauffen

Durchlaüff lass hengen
mit dem knopff vnd greiff wi[l?] Ringen
vnd wer gegen dir streicht sterckhe
durchlauff wilttu damit merckhen

[05v.3] Durchlauffen

[06r.1] Durchlauffen las hangen
mit dem knopff greiff wiltu rangen
Wer gegen dir sterckt
durchlauff do mit merck

[16v.4] Von Durchlauffen,

Durchlauff laß hangen,
mit dem knopff greiff wiltdu reng[en]
wer gegen dir sterckh,
durchlauff damit merckh,

[49r.7] Die ausrichtung von dem durchlauffen

[49v.1] Durchlauffen las langen
mit dem hengen mit dem kopff und greiff wiltu ringen
und wer gegen dir streicht sterkhe
durchlauffen damit merkh.

[21]

93	Whenever hardness blocks your plays, Slice off from underneath both ways.
94	There are four slices you must know: Two falling high, two rising low.

[21] Slicing Off

93	Slice off the hard ones, from below in both attacks.
94	Four are the slices: two below and two above.

[21] About the slicing off

93	Slice off the hard ones From below in both movements
94	The Slices are four With two below and two above.

[21] Cutting Off

93	Cut off hard, from below ward in both.
94	Four are the cuts. Two below, two above.

[20r.6] Das ist võ ab sneydenn dÿe außrichtu~g

Sneyd ab dy hertt
võ vnde~ In beyden gevert
vier sint der snit
czwen vnd czwen obñ mit

[05v.6] von abschneiden

Schneid ab dÿ herten
von vnden in baiden geferten
Vier sind der schnÿdt
Zwen vnden zwen oben mit

[05r.3] vom abschniden

Schnid ab die hörte
von unden in baiden geferte
vier sind der schnit
zwen unden zwen obnen mit

[Ⅲv.12] Snid aff dei hertzen
van vnden i~ beiden geu°te~
ver so sint snytze
tzwen vnde~ tzwe~ obe~ nutze

[69v] der vnderschniet [70r] der oberschniet

[105r.12] sneid ab die herten
von vnden In paiden geferten
vier sind der snidt
zwen vnden zwen oben mit

[08v.3] von abschnÿden

Schnid ab die hertt~ /
von vnde~ vñ baiden geferten /
vier sind der schnitt /
zwen vnde~ vñ zwen oben mitt ~ ~ :·

[57r.8] Schnÿd ab die hört
von vñ vff baÿde gefert ~

[44v.6] Die ausrichtung von dem abschneiden

Sschneidt ab die hertte
von unden yn baiden gsertte
vier send der schnidt
zwen unden zwen oben mitt

[43v.4] Die ausrichtung von dem abschneiden

Schneid ab die hörtte
von vnden in baiden gfertte
vier sind der schnidt
zwen vnden zwen oben mit

[06r.2] Abschneiden

Schneit ab die Hertten,
Von unnden in baiden geferten.
Vier seinn der schnit.
Zwen Unden, Zwen oben mit

[16v.5] Von abschneiden

Schneid ab die hannd,
von vnden jnn baiden gewerten,
vier sind der [sc]hnit,
zwen vnden zwen oben mit,

[49v.2] Die ausrichtung von dem abschneiden

Schneid die hänte
von unden baiden gfert
4 seindt der schnidt
2 unden 2 oben mit.

[22]

95	Turn every slice to serve your end, Their hands to press and arms to bend.
95a
95b

[22] Pressing Hands

95	Turn your edge, press the hands to the flats.
95a
95b

[22] About pressing^[48] hands

95	Reverse your edge Very quickly into the Crosswise
95a	And move close to the man Jab already with the hilt
95b	If you don’t want to scream^[49] Then you have two attacks.

[22] Hand hitting

95	Your cuts twisted to flat hit the hands.
95a
95b

[20r.7] Das ist võ hent truckñ dy außrichtu~g

Den snyt wint
zu slahñ truck dÿe hant

[05v.7] von hend drucken

[06r.1] Dein schneid wende
zw flechen druck dÿe hende

[05r.4] vom hennd trucken

Din schnyd ver wende
in die zwierh gar behende
und gang nach an den man
stoss mit dem ghiltz schon
wiltu denn nit schallen
so hastu zway eynfallen

[Ⅲv.13] Dyne snyden went
zu den vlechen drucke de hent

[105r.13] dein snidt wend
zu fliehen [!] durch die hennde

[09r.1] von hende trucken

Dein schnÿde wende
zu° flechenn drück dein hende ~ :·

[44v.7] Von dem hend truckhen

^[50]von die dein schneid wend
zu der flech durch die hend

[43v.5] + Von dem hendt truckhen

^[51]von di[r] dein schneid wend
zu der flech durch die hend

[06r.3] Hend druckhen.

Dein schneiden Wennt
zu flechen, druckh die hennde ~

[16v.6] Von hennd truckhen,

Dein schneid wennde
zuflechen druckh die hende,

[49v.3] Von den hend trucken

^[52]von dir dein schneid wend
zu der flech durch die handt.

[23]

95c
96	Two hangers rise upon command, Up from the earth, out of your hand.
97	In every threat, in each foray, Cut, thrust, then Hard or Soft you lay.

[23] Two Hangings

95c
96	There are two hangings from one side from the ground.
97	In all attacks strike, thrust, posture–soft or hard.

[23] About the two hangings

95c	Whoever wants to be too strong for you Hang, attack him from above
96	Two hangings arise From one hand from the ground
97	Yet in all movements You can thus be soft or hard.

[23] Two Hangings

95c
96	There are two hangings from each hand, From the ground,
97	ward in all. Strike to stab stances soft or hard.

[20r.8] Das ist võ czweÿen henge~ dy außrichtu~g

Czweÿ hengñ werdenn
auß einer hant võ der erdenn
In allem gevert
haw stich leger weich oder hertt

[06r.2] von tzwaien hengen

Zwaÿ hengen werden
Aus einer hant von der erden
In allem geferte
Haw stich leger waich oder herte

[05r.5] von den zwain hengen

wer dir zestarck welle sin
heng fall im oben eyn
zwey hengen werden
uß ainer hand von der erden
Doch in allem geferte
So machstu sin waich oder hörte

[Ⅲv.14] Tzwe~ hengen w°den
van yed° hant uff dey erden
In allem geuerte
haw stiht leg° weich od° harte

[105r.14] von zwain hengen von durchlauffen

[Z]wai henngen wern
aus einer hannd von der erdenn
in allem geferte
Haw stich leger waich oder herte

[09r.2] von zwaÿen hengen

Zwaÿ hengen werden /
vß aine~ handt võ der erden
In alle~ Gefärte /
haw stich leger waich oder herte ~ ~:·

[44v.8] Von den Zwaien hengen die ausrichtung

Zway hengen werden
auff einer hand von der andern
in allem gfertt
haw stich leger waich oder hörtt In irem gfertt

[43v.6] Von den zwaien hengen die ausrichtung

Zwaÿ hengen werden
auss einer hand von der andern
in alem gfertt
haw stich läger waich oder hörtt in Irem gfertt

[06v.1] Zwei henngen

Zwey henngen werden
aus ainer hannt, Von der erden
In allem geferte,
Hau stich leger waich ader Herte

[17r.1] Von zwayen hengen

Zway hengen werden,
aus ainer hannd von der erd[en]
Jn allen gevert,
haw stich leger waich oder hert,

[49v.4] Von den 2 hengen die ausrichtung

Zwai hengen werden
auf ainer hand von der andern
in allen gfert
hauw, stich, leger waich oder hart in dem? gfert.

[24]

98	Spread windows wide that speech may flow; Stand cheerful and hear their case so;
99	But snap the windows shut upon Whoever tries to cut and run.
100	Now let me make this plain and clear: No one defends without some fear,
101	And if this truth one learns and knows, Then scarcely can they come to blows.

[24] The Speaking Window

98	Do the speaking window, stand blithely and look at his actions.
99	Strike him until he is defeated. When he withdraws from you,
100	I say to you truthfully: no one protects himself without danger.
101	If you have learned this, he can scarcely manage to strike.

[24] About the spreading^[53] window

98	To conduct the spreading window Stand joyfully, observe his actions
99	Whoever moves himself at you, pull away Strike him on top so that it snaps
100	Look and shoo away no man It does not damage whatever he can
101	If you have correctly understood this He cannot come to the strike.

[24] Window Breaker

98	Breaking windows is thus made. Stand gladly showing your intent,
99	hit just as he snaps. He who would swipe you away.
100	I say to you be wary, you shoot no man without driving.
101

[20v.1] Das ist võ sprech fenster dy außrichtu~g

Sprech venster mach
stand freylich besich sein sach
slag In das eß snapt
wer sich võ dir czihet ab
ich sag vor war
sich schuczt kein mã aneuar
hastu eß v°nome~
zu slag mag er klein kome~

[06r.3] von sprechfenster

Sprechfenster mach
Stant freileich besich sein sache
Slach in das er schnobe
wer sich fur dir zeuhet abe
Ich sag dir für war
Sich schütz kain man ane far
Hastu vernummen
zu slag mag er clain kummen

[05r.6] von sprech venster

Sprechfenster mache
stand frolich besich sin sache
wer sich var dir zühet abe
Slah uff in daz eß schnape
[05v.1] luog und schüch kain man
eß schatt nit waß er kan
hastuß recht vernomen
zu dem slag lauß in nit komen

[Ⅲv.15] ¶ Spreck vinster mache
stat vrolich bosich syn sake
Slach en das er snabe
wer sich vor dy tzukz abe
Ich sag~ dyr vorwar //
di schutzet nemãt ane^var
hastu es var name~ //
tho slage mach er clain kom

[70v] Sprechfinster[!] mach
stand frýlich besiech sein sach

[105r.15] sprechfenster mache
stand freylich besich sein sache
slach in das er snabe
wer sich von dir zeucht abe
ich sag dir fur ware
sich schüczt kain man anne far
hast dw es vernomen
zw slag mag er chlaine chomen

[09r.3] von sprechfenster

Sprechfenste~ mach
Ste frölich besich sein sach
Schlach nider dz er erßnab
Wer sich võ dir zücht ab
Ich sag dir für war /
sich schiczt kain man on far
Hastu es vernom~en
zu° schlachen mag es clain kum~en etc

[45r.1] Von dem sprechfenstr die ausrichtung

Das sprechfenster machen
sten frolich und sich sein sache
wer sich vor dir zichett abe
schlachen das er schnabe^[54]

[43v.7] Von dem sprechfenstr~ die ausrichtgung

Das sprechfenster machen
stee frölich vnd sich sein sache
wer sich vor dir ziechett abe
schlachen das er schnabe^[55]

[06v.2] Sprechfennster

Sprechfennster mach.
stannt frölich besich sein sach
schlag in das er schnabe,
~Wer sich von dir zeucht abe.
Ich sag dir fur war,
sich schutzt kein man on far,
Hastu vernumen
zu schlag mag er klainn kumen

[17r.2] Von Sprechvenster

Sprechvenster machen,
stannd Freilichen, besich sein sachen,
schlag jn das er schnabe,
wehr sich vor der zeucht abe,
Jch sag furwar,
sich schucz kain mann on var,
hast du es vernomen
zu schlageen mag er clein khumen

[49v.5] Von den sprechfenster die ausrichtung

Das sprechfenster mach
stehe frolich und sich sein sach
wer sich von dir ziechet abget
schlagen dz er schnabe^[56]

[25]

102	If you lead well and break through right, To this end you may guide the fight,
103	And breaking in with flashing steel, Three wonders of the sword reveal.
104	Hang your point in straight and true, And wind your sword to follow through.
105	Now eight winds note with thoughtful mind, And weigh the paths that each may find:
106	In each and every wind of sword, Three wonders wait to be explored.
107	They thus expand to twenty-four Count one by one, you won't need more.
108	From either side, both left and right, Learn these eight winds when forth you'd stride.
109	Then gauge each threat with hand and blade: But pushing Hard or Softly laid.

[25] This Is the Conclusion of the Notes

102	Who conducts well and breaks properly and finally makes it all right
103	and splits particularly everything into three wounders;
104	who properly well hangs and also executes the windings,
105	and the eight windings views in a righteous way,
106	and each one of those same winds I consider to be triple
107	so they are twenty-four.
108	And count them only, from both sides. Eight windings learn with stepping.
109	And test the bind no more than soft or hard.

[25] The conclusion of the Zettel

102	Whoever breaks well And finally narrates/informs
103	And breaks it especially Everything into three windings
104	Whoever hangs well And adds windings to that
105	And gains with eight With correct consideration
106	So that each one, [Of] the windings themselves I consider to be triple
107	Thus, their numbers are twenty- And-four singularly counted
108	From both sides Eight windings with steps.

[25] Closing the verses.

102	He who would direct and counter rightly, and would make an end will aim
103	and specifically counter with only three wisdoms.
104	He who would rightly hang and wind takes
105	and heeds winding to conclude properly.
106	Indeed one in the same windings
107	would step through my twenty-four verses
108	the same on both sides. Learn eight windings with lessons
109	and tests, driving not more, only light or hard;

[20v.2] Das ist dy beslißu~g der gancze~ kunst

Wer wol pricht
vnd endelich gar bericht
besunder
yedlich man In drae wunder
wer recht wol henget
vnd windet da mit bericht
vnd vmd enpfindet acht
mit rechtenn wagenn betrachtet
vnd sye Ir aine
der winden selb dritt ich mein
so sin ir czwenczig
vnd vier Zal Zel sÿ eynczig
von beÿden seytenn
acht winden ler mit schritte~
vnd prueff dye gevert
nit mer nwe weich oder hertt

[06r.4] Das ist die beschliessung der zedel

Wer wol fürt vnd recht pricht
vnd endlich gar bericht
vnd pricht besunder
Igleichs in dreÿ wunder
wer recht wol henget
vnd winden do mit pringet
Vnd winden acht
Mit rechten wegen betracht
vnd ^[57] ir eine
Der selben winden selbdritt ich meine
So sind ir zwaintzigk
vnd vier zell sÿ antzigk
von paiden seitten
Acht winden lere mit schreiten
Vnd pruef dÿe gefert
Nicht mer nür waich oder hert

[05v.2] Die besliessung der zetel

wer wol bricht
und endlich gar bericht
und brichz besunder
Jeglichß in drü winden
wer wol hengt
und winden dar mit bringt
und wint mit achte
mit rechter betrachte
Darmit ir aine
Die winden selb dritt ich maine
so sind ir zwaintzig
und vier zel sie aintzig
von baiden siten
Acht winden mit schriten

[Ⅲv.16] wer wol bricht //
vñ endelich boricht
vñ bringz bi su~der
Itlyches i~ drey wu~d°
wer wol recht he~gz
vñ wi~de~ dar mid bre~gz
vñ wi~de~ achte //
Mit rechte~ sine~ betrachte
vñ ie er ane //
Der wi~de~ selff dritte mane
So sint er //
Andtzich [?] vñ ver
vã beiden siden //
Ach wi~de~ sint dar mid ler^striden
vñ pruff dei geuerte
off sey syn weich od° harte

besliessúnge der gantzen zettel

[105r.16] der zetl pesliessung

[W]er wol fueret vnd recht pricht
vnd entlich gar pericht
vnd pricht besunnder
yedlichs in trew wunder

da mit sprenget
vnd winden achte
mit rechtem wege betrachte
vnd ir aine
der winden selb drit ich maine
so sind ir zwainczig
vnd vier zelt sy ainczig
von paiden seytenn
acht winden lere mit schritenn
vnd prüff die geferte
nicht mer nur waich oder herte

[09v.1] Die beschliessung der zedel

Wer wol füret Vñ recht bricht
Vnd entlich gar bericht
Vnd bricht besunder
ÿegclicheß / in drÿ wü~der
Wer recht wol hengett
vnd windet do mitt bringet /
vnd winde~t acht~
mitt rechten weg betrachten
Vnd ir aine /
der Winde salb drette Ich gemaine
so sein die zwen züg /
vñ fur zelt sie anzig
von baÿden sÿtten
Acht vnden lerrn mitt schrÿtten
vñ brüff die gefört
nicht mer newe weich oder hert ~:·

[45r.2] Das ist die ausrichtung und die beschliesung der grunsn kunst

wer vol sicht
und endlich bricht
es bricht
ettlchr in dreien vinden
wer Recht wol hengett
und windett da mit es bringett
wachett
mit rechtem betrachten
und einer
der da windett
und 24 sind
der winden und vierzal mitt versatsung
von baiden seitten
acht winden vere mit schreitten
tritt und brieff das gfertte
ob sÿ Sind waich oder hertte

[43v.8] Das ist die ausrichtung vnd bschliesung der gantzen kunst

wer wol sicht
vnd endlich bricht
es bricht
ettlichr~ in dre[i] vinden
wer Recht wol hengett
vnd windett damit [44r.1] bringett
wachett
mit Rechtñ betrachten
vnd einer
der da windett
vnd 24 sind
der winden vnd viertzal mit versatzung
von baiden seiten
acht winden fer mit schreitten
tritt vnd brieff des gfertts
ob sÿ sind waich oder hörtte

[06v.3] .Bßießung[!] der Zetl.

Wer woll furt, unnd recht bricht
Unnd ennd= [07r.1] lich gar bericht
und pricht besunder
ÿglichs in dreÿ wunder
Wer recht wol hengt
und winden do mit pringt
und winden acht
mit rechten wegen betracht
und ÿe ir eine
der selben winden selb dritt ich meine
so seind ir Zwentzig
und vier Zel sÿe eintzig
von paiden seiten
Acht winden lere mit schreiten
unnd prüff die gefert
nicht mer nur waich oder hert &c

[17r.3] Das ist die beschliessung der zetl

Wer wol furet vnd recht bricht,
vnd mitlich gar bericht
bricht besunder,
jeczlichs jm dren wunder,
wer recht wol hawet
do bringet
vnd winden achten,
mit rechte[n] wegen betrechten,
vnd so jr eine,
der winden selbtrit ich meine,
so sind jr zwainczig,
vnd vier, zele si ainczig,
von baiden seiten,
acht winden lerne mit schreiten,
vnd pruff die gefert,
nicht mer nur waich oder hert,

[49v.6] Das ist die ausrustung und die beschliessung de gantzen kunst,

wer wol ficht
und ernstlich bei??

etlichen in derien
wer recht wol langen
und windet, damit es bringet
marhor?
?? rechten bewachten,
und ainer
der da windet,
und 23 seind
der winden, und 4 zal mit versetzung,
von baiden seitten
oder winden vermit schreitten
tritt, und brieff das gfertr
ob sei seind waich oder hart,

[26]

[26] So says Hans Talhoffer,
God keep us all from perjury/bodily injury.

[26] end of the fencing verses text.

[05v.3] spricht hannß talhofer
got lauß unnß aller schwer

[Ⅲv.17] Et[c] & finis

[45r.3] also endett sich maister Liechtnauers kunst des langen schwertts

[44r.2] also endett sich maistr~ liechtnauers kunst des langen Schwertz

[07r.2] ennd des text der Fechtzetl.

[49v.7] also ender sich Maister Liechtenauers kunst des langen schwerts.

Gotha Version (1448)

Rome Version (1452)

Glasgow Version (1508)

Krakow Version (1535-40)

Augsburg Ⅱ Version (1553)

Featured Translation (from the Rome) (2021) [edit] by Christian Henry Tobler	Nuremberg Version Ⅰ (1390) Transcribed by Dierk Hagedorn	Gotha Version (1448) [edit] Transcribed by Dierk Hagedorn	Rome Version (1452) [edit] Transcribed by Dierk Hagedorn	Glasgow Version Ⅰ (1508) [edit] Transcribed by Dierk Hagedorn	Krakow Version (1535-40) [edit] Transcribed by Michael Chidester	Augsburg Version Ⅱ (1553) [edit] Transcribed by Werner Ueberschär
[1]						[165v.1] Figuren des Roßfechtens
[2] Direct your spear etc. If it falls etc. Strike in, don’t pull, etc. Gloss: Pull to his left, grasp in his right, so you catch him there without fencing.			[07v.1] Dein Sper bericht etc Ob es emphal etc Haw dreyn nichtt Zuckch etcettera Glosa lingck zu Im ruck · Greyff in sein rechten · so vechst du In ane vechttenn			[18r.14] Dein sper bericht &c wer es entfalle, den end im abschnalle. Hau drein nicht zuckhe, glest linkh &c vnd fach sein rechte.
[3] The 1st figure: Charge from the breast to his right hand.		[22v.1] Jag võ der prust zu seiner rechtñ hant	[07v.2] Die erst figur Jag von der prust zu seiner rechten hand	[74r.1] 1 Jag von deiner prust zw seiner rechten handt	[165v.2] Jag vonn der rechten brust, zu seinner rechtn hannt.~	[18r.1] Jag von derr prust zu seiner recht handt
[4] The 2nd figure: Turn around with the horse, pull his right hand with your left.	[53r.10] ·begreif seyn were · mit dem ros dich vmbekere /	[22v.2] vmbker mit roß sein rechte hant mit deyner lincken	[07v.3] Die ander figur Vmbkere mitt dem Rozz Zewch sein rechte handt mitt deiner lingken	[74r.2] 2 Vmb ker mit dem roß / zeuch sein rechte handt mit deiner lincken	[165v.23] Umbkere mit dem roß zeuch sein rechte hannt mit deiner lincknn	[18r.2] Vmbker mit dem Roß zeuch sein recht hand mit deiner linkhen
[5] The 3rd figure: Upon the encounter, take the stirrup-strap or the weapon.		[22v.3] mit stechñ satel In oder ver plent	[07v.4] Die dritt figur Mitt strayffen Satel ryem · oder wer nymbe	[74r.3] 3 Mit Straÿffen satel riem / oder wer nymbt	[165v.4] Mit straiffenn sattel ryem oder wer nimpt	[18r.3] Mit streffen satel rien[g] oder were Nymbt,
[6] The 4th figure: Plant upon him high, swing, go through or break the sword.	[53r.8] Hoch an du setze · swenke durchfar wiltu in letzen /	[22v.4] Secz an hoch swenck durch var oder swert pricht	[07v.5] Die vyerdt figur Setz an hoch swing durch var · oder Swert prich	[74r.4] 4 Setz an hoch / schwing / durchfar / oder schwert prich	[165v.5] Setz ann hoch schwing durch var oder schwert prich	[18r.4] Secz an, hoch schwing durch vor oder schwert pricht
[7] The 5th figure: The defense precedes all meetings, striking, or thrusting.		[22v.5] des schute~ vorgeng allen treffenn hawe~ stechen	[07v.6] Die funfft figur Daz schuten vorgenngk allen treffenn hawen vnnd stechen	[74r.5] 5 Das schutten / vor geng allen treffen / hawen stechen	[165v.6] Das schutten vorgenngk allenn treffenn hauenn und stechenn	[18r.5] Das Schutten volg genckh allen treffen hawen vnd stechen
[8] The 6th figure: Take the strong with both hands.		[22v.6] Greiff mit peyde~ henden an dye strick	[07v.7] Die sechst figur Greyff an mitt payden henndten die sterck	[74r.6] 6 Greyff an mit paiden henden die sterck	[165v.7] Greiff ann mit paiden henden die sterck	[18r.6] Greiff an mit baiden, henden, die sterkh,
[9] The 7th figure: Now begin to seek the opponent with the pouch stroke.		[22v.9] Hye hebt mã den tasche~ hawe czu such	[07v.8] Die sybendt figur Hie heb an den mann taschen haw zu suechen	[74r.7] 7 Hie heb an den man taschen haw zw suechen	[165v.8] Hie heb ann dem mann taschenn hau zu suchenn	[18r.7] Hie heb an, den mann dass er fare zu suchen
[10] The 8th figure: Turn his right hand, set the point to his eyes.		[22v.7] Went Im dy recht hant secz dein ort czu seine~ gesicht	[07v.9] Die Achtt figur Wenndt Im die recht hanndt · setze den ortt zu den augen sein	[74r.8] 8 Went im die recht handt setz dein ortt zw seinem gesicht	[165v.9] Wennt im die recht hannt setze den ort zu denn augenn sein	[18r.8] Wend jm die recht hannd secz im den ort zu den augen sein
[11] The 9th figure: Who defends against the thrust, grasp his right hand in your left.		[22v.8] weyl der stich wert den vahe sey~ rechte hant dey~ lincke	[07v.10] Die Newnt figur Wer den stich wertt dem vach sein rechte handt in dein lincken	[74r.9] 9 Wer den stich went dem vach sein rechte handt in dem glincke /	[165v.10] Wer denn stich weret dem vach sein rechte hannt mit deiner linckn	[18r.9] Wer den stich wert dem fach sein rechten hand in dein linckhe,
[12] The 10th figure: Seek the openings: arms, leather, gauntlets, under the eyes.		[22v.11] such dy ploß arm dÿ hant scheuch vnter dÿ auge~	[07v.11] Die Zechent figur Suechee die ploss arm leder hanndtschuech vndtir den augen	[74r.11] 11 Suech die plos arm~ leder handt schuech vndter den augen	[165v.11] Such die plös arm leder handschuh unnther den augenn	[18r.10] Such die ploß arm lert hand stich vnder die augen
[13] The 11th figure: Press hard, push from the reins and seek his Messer.	[55r.13] Drük vast mit stössen · vom zawm / süche messer reme der blossen /	[22v.10] truck vast stoß von czam vnd such sey~ meßer	[07v.12] Die ayndlifft figur Druck vast stoss von tzawm · sueche sein Messer	[74r.10] 10 Drück vast stoß vom zaüm vnd suech sein messer	[165v.12] Druck vast stoß vonn zaum suche sein messerr	[18r.11] Druckh vast stoß vom zaum vnd such sein messer
[14] The 12th figure: With the empty hand learn two strokes against all weapons.		[22v.12] mit lerer hant lere czwen stich gege~ aller wer	[07v.13] Die Zwolfft figur Mitt lerer hanndt lere zwen strich gegen aller were	[74r.12] 12 Mit lerer handt lern straich gegen aller were /	[165v.13] Mit lerer hant lere zwen streich gegn der wer	[18r.12] Mit leerer hand leer zwen straich gen allen wöhr,
[15] The 13th figure: The sheep grip defends against all wrestling grips under the eyes.	[55r.3] Der schofgriff / weret · alle griffe vndern awgen veret / [57v.2] Der schofgrif mit lobe · wert alle griffe vndern ogen /	[22v.13] Der schaff griff weret alle griff rings vnt° augñ etc	[07v.14] Die dreitzechent figur Der schaf grif wertt · alle griff Ringens vndter augenn	[74v.1] 13 Der Schaffgriff werdt alle griff ringes vndter auge~	[165v.14] Der schopfgrif weret alle grif ringenns unnther augenn	[18r.13] Der schaffgriff wört alle griff ringens vnder augen,
[16] The 14th figure: Turn around again to where the horses hasten.		[23r.1] Anderweyt kere vmb so dy roß hin hurtñ	[08r.1] Die viertzendt figur Anderwayd kere vmb · so die Rozz hynn hurtten	[74v.2] 14 An der weidt ker vmb / so die roß hyn hurttñ /	[165v.15] Ann der weit kere umb so die ros hin hurtenn	[18v.1] Ander weit ker vmb so dir Ross hin hurtten,
[17] The 15th figure: Up close, catch the hand, turn over his face to where the nape is.		[23r.2] In der auch so vach dy hant v°ber sein antlicz do der nack ist	[08r.2] Die funfftzend figur In der nech vach die hanndt · verkere sein anttlitz da der nack ist	[74v.3] 15 In der nech fach die handt verker sein antlutz do der nacke ist	[166r.1] Inn der nehe vach die hant verker sein antzlig do der nack ist	[18r.2] Im der nch vach die hand, verker sein antlicz do sein nackh ist,
[18] The 16th figure: Catch the weapon from afar while you ride against him.		[23r.3] dye wer fach in der weyt in dem wider treibñ	[08r.3] Die sechtzechend figur Die were vach in der weytt · In dem wider Reytten	[74v.4] 16 Die weer fach in der weitt in dem wider reÿttñ	[166r.2] Die were vach in der weit in dem widerreittenn	[18r.3] Die wöhr vach jm der weit Im dem wider raiten
[19] The 17th figure: If you charge to the left, then fall to the sword pommel, jab under the eyes.		[23r.7] Jagstu linck so greiff auff des swertes ploß stoß In vntter augenn	[08r.4] Daz sybentzechend figur Jagst du lingk so vall auf Swertes Kloss · stoss vndter augenn	[74v.6] 18 Jagstu linck fall aüfs schwertz knopf stos vndter augen	[166r.3] Jagsts du lingk so vall auf schwerts kloß stos unnther augen	[18r.4] Jagstu linckh so fall auf schwerts Clos, stoß vnder augen,
[20] The 18th figure: Charge to the right side with its skill.		[23r.6] Jag czu seiner rechte~ hant mit Irenn chunstenn	[08r.5] Die achttzechendt figur Jage Zu der rechtten hanndt mitt Iren Kunsten	[74v.5] 17 Jag zw der rechtñ handt / mit irñ kunstñ	[166r.4] Jag zu der rechtenn hannt mit yrenn kunnstn	[18r.5] Jag zu der rechten hand mit jren kunsten
[21] The 19th figure: Plant the point upon him to the face.		[23r.4] Secz Im dein ort gege~ dem gesicht	[08r.6] Die Nëwntzechent figur Setz an den ortt gegen dem gesichtte	[74v.7] 19 Setz an den ortt gegen dem gesicht	[166r.5] Setz ann denn ort gegenn dem gesichterr	[18r.6] Secz an den ort gegen dem gesicht,
[22] The 20th figure: Shatter against all hits that ever happen.		[23r.5] Schut gege~ allenn treffenn dye ÿmer werdenn	[08r.7] Die tzwaintzigist figur Schutt gegen allen treffen · Diee ymmer werdenn	[74v.8] 20 Schutt gegen allen treffen die ym~er werdñ	[166r.6] Schut gegenn allenn treffenn die ÿmer werdenn	[18r.7] Schut gegen allen treffen die jmmer merkch
[23] The 21st figure: The strong in the beginning position yourself therein correctly.		[23r.10] dÿ strich zum anhebñ dar Inn schick dich recht	[08r.8] Die ain vnd tzwayntzigist figur Die sterck in dem anheben · Dar Inn dich rechtt schicke	[74v.9] 21 Die stercke in dem an hebñ daryn dich recht schick /	[166r.7] Die sterck in dem anheben darin dich rest schick	[18r.8] Die sterch jm dem anheben dar jm du dich recht schickh
[24] The 22nd figure: He who rushes the spear to the other is met beneath the eyes.		[23r.11] das ist nwe der sper lauff der de~ andñ begege~t vnt° augñ	[08r.9] Die tzwo vnd tzwaintzigst figur Das ist nun der sper lawff · der dem andern begegendt vndter augen	[74v.10] 22 Das ist nun der sper lauff der dem anderñ begegnet vndter augen /	[166r.8] Das is nunn der sperr lauff der dem anndern begegnet unther augenn	[18r.9] Das ist nun der sper lauf der dem andern begegnet vnder augen,
[25] The 23rd figure: The unnamed grip takes the weapon or fells him.		[23r.8] dye vngnnten griff wer nym oder fell In	[08r.10] Die drey vnd tzwaintzigist figur Der vngenant griff · wer nymbtt oder velt In	[74v.11] 23 Der vngenant griff weer ny~t oder felt in	[166r.9] Der ungenant griff wer nÿmbt oderr velt in	[18r.10] Der vngenant griff wer nymbt oder felt jn,
[26] The 24th figure: If an opponent charges you to both sides, turn around left and thus he rightly comes.		[23r.9] ob mã dich jagt võ peyde~ seÿte~ ker linck vmb so er rech ku~pt	[08r.11] Die vier vnd tzwaintzigist figur ob man dich Jagt zu bayden seytten kere vmb lingk so er rechtte kumbt	[74v.12] 24 Ob man dich jagt von paidñ seÿttñ ker vmb linck so er recht kumbt	[166r.10] Ob mann dich iagt zu peidenn seitenn kere umb linck so er recht kumbt	[18r.11] Ob man dich jagt von baiden seiten, ker umb linkh so er recht kunst
[27] The 25th figure: Be mindful to take and hold the Messer.		[23r.12] Der meßer neme~ vnd behaltñ gedenck	[08r.12] Die funff vnd tzwaintzigist figur Der Mezzer nemenn · vnd behalden gedenck	[75r.1] 25 Der messer nemen vnd behalden gedenck	[166r.11] Der messer nemenn unnd behaltenn gedenck	[18r.12] Der messer nemmen vnd behalten gedenckh,
[28] The 26th figure: Grasp over an opponent who falls upon you or ride against him.		[23r.13] vber greiff wer dich an velt thue In wider treyben	[08r.13] Die sechßvndtzwaintzigist figur vbergreif wer dich anvelet · oder thue Im wider Reyttens	[75r.2] 26 Vber greÿff wer dich an felt oder thue im wider reÿttens /	[166r.12] Ubergreiff werr dich ann vellet oder thue im widerreittenns	[18r.13] Vbergriff wer dich anfellt, oder thue jm vnderreittens
[29] If you want to grasp, you should not fail to ride beside him. Execute the sun pointer to the left sleeve if you want to bend. Who attacks you with that, grasp over against him and he will be shamed. Press the arm to the head. This grip often robs the saddle.			[08r.14] Wild du anfazzen neben reittens nit solt du lasen daz sunnen tzaigen lingk ermel treib wildu naygen Wer dir daz rembt vbergreifft den der wierd beschämbt druck arm zu haubt der griff offt sattel berawbett			[18r.14] Wilt du anfassen, neben raiten nicht soltu lassen, das zum len &c Werr dir das remt &c druck arm zu haubt, der grif oft selten beraubt.

Rhyming Translation (from the Rome) (2025) [edit]
by Michael Chidester

Featured Translation (from the Rome) (2021) [edit]
by Christian Henry Tobler

Nuremberg Version Ⅰ (1390) [edit]
Transcribed by Dierk Hagedorn

Gotha Version (1448) [edit]
Transcribed by Dierk Hagedorn

Rome Version (1452) [edit]
Transcribed by Dierk Hagedorn

Vienna Version Ⅰ (1480s) [edit]
Transcribed by Dierk Hagedorn

Salzburg Version (1491) [edit]
Transcribed by Dierk Hagedorn

Ortenburg Version (1400s) [edit]

Nuremberg Version Ⅱ (ca. 1500) [edit]

Vienna Version Ⅱ (1505) [edit]
Transcribed by Dierk Hagedorn

Krakow Version (1535-40) [edit]
Transcribed by Michael Chidester

Augsburg Version Ⅱ (1553) [edit]
Transcribed by Werner Ueberschär

Rostock Version (1570-71) [edit]
Transcribed by Dierk Hagedorn

[1]

[1] This is Master Johannes Liechtenauer’s Fighting on Horseback

[53r.1] Hie hebt sich nu an das fechten zu Rosse in harnüsche / mit sper vnd swerte etc~

JVng / Ritter lere ·
got lib haben frawen io ere /
So wechst deyn ere ·
übe ritterschaft vnd lere ·
kunst / dy dich ziret ·
vnd in krigen etc~
ut supra In praeambulo etc~

[21Av.1] Alhye hebt sich an dy chunst deß langñ swerts deß Roß vechtenn

[06r] Das Ist Maister Johansen liechtenäwer ross vechten

[105r] Maister hannsen liechtenauers ross fechtenn

[17r.1] Das ist das Ross fechten

das junger Ritter leern

[2]

1	Direct your lance with honor plain; Against you all will ride in vain.
2	If from the path you'd fall away, The end will see great disarray.
3	Strike here and there as you close in; Draw not your blade from scabbard then,
4	But pull them left and seize them right— You need not fence to win the fight.
5	Learn this to joust or fence with lance: Break calmly through in your advance.

[2]

1	Direct your spear. Riding against destroys.
2	If it drops, the end undoes him.
3	Strike in, don’t pull. From the scabbard, left to him jerk.
4	Grasp to his right thus you catch him without weapons work.
5	The fighting of lance-thrusting. Learn to counter calmly without haste.

[53r.2] ~:DEyn sper berichte ·
kegen reiten mache zu nichte /

[53r.5] Haw dreyn nicht zücke ·
von scheiden / link zu im rücke /
[53r.9] ·greif im seyn rechte ·
zo vestu in ane fechten /

[53r.12] Wiltu aber vorflien ·
zo schicke deyn pfert czu vmbeczihen /
Dornoch abesetcze ·
mit winden in sere letcze /
aber schicke dich vmbe ·
daz ^du sitzt ynder krümbe /

[21Av.2] Dein sper bericht
gege~ reytñ mach czu nicht
ab eß enpfalle
dein end Im ab snelle
hawe drey~ nicht czucke
von schayden linck czu Im rucke
greiff In sey~ rechten
so vechstu du In an vechten
das gleuen vechtenn
sitlich an hurt ler were brechenn

[06v.1] Dein sper bericht
Gegen reiten mach zu nicht
Ob es empfalle
Dein end ÿm ab schnalle
Haw drein nicht zucke
Von schaiden link zw ÿm rucke
Greiff in sein rechten
So fechstu in ane fechten
Das gleffen stechen
fechten Sittigklich an hurt lere prechen

[105v.1] dein Sper bericht
gegen reẅten mi^ach zw v nicht
ob es enpfalle
dein ennde im absnalle
haw drein nicht zuck
von schaidenn linck zw im ruck
Greyff Im sein rechte
so fächestu in ane fechtenn
das gläfney stechen
fechten sitikleich an hurt lern prechenn

[163r.1] Dein sper bericht,
Gegenreiten mach zu nicht
ob es empfalle
dein end im abschnalle
haw drein nicht zuck,
von schneiden linck zu im rucke.
Greif im sein rechten,
so fechstu in one fechtn
das glefen stechn,
fechtn sittiglich an hurt lere prechen.

[17r.2] Dein sper berichte,
gegen reitten mach zu nichten,
ob es empfallet,
dein ende Im absnalle,
haw drein nit zukh
von schaiden linckh zu Im ruckh,
greiff in sein rechten
so vechstu in on fechten,
d[as] glefen fechten
[stech(en)] sitiglich on hurt leere brechen,
so er si [vech(en)?] leerr weislich [s]ahen,

[3]

[53v] ¶ Vör allen sachen ·
saltu mit fleysse achten /
Der edlen leren /
dy im blozfechten ist geschreben ·
Indes · vnd · vor · noch ·
saltu hie wol merken och /
Rischeit vnd kunheit /
vorsichtikeit list vnd klugheit /

[4]

6	If sudden shift the fight then shows And swords begin to trade their blows,
7	With yours in right hand strongly held, Cut toward the pouch behind their belt.
8	Now learn to cover, strength displayed, And then whenever blade meets blade,
9	Be fearless, set upon your foe, Hang in at them from head to toe.

[4]

6	If it changes so that the sword is used against the sword,
7	truly seize the strong. You seek the Pouch Stroke,
8	And remember: learn well to strongly defend. In all meetings, press him without danger,
9	plant upon without danger. Who grazes, hang to him to the hair.

[55r.1] Ab sichs vorwandelt ·
das swert keyn swerte wit wirt gehandelt /
Recht fasse dy sterke ·
taschenhawe du in süchen merke /
lere wol stark schoten ·
alle treffen ane var / mit nöten /
An setze ane vare ·
wer stroiff heng in zu dem hare /

[21Av.3] ab sich verwandelt
das swert gege~ swert wirt gehandelt
recht vaß dy sterck
taschen hawe du such In merck
lere wol stercke schawen
^allen treffenn an da mit no^ete
An secz anevare
wer stauff heng Im zu dem hare

[06v.2] Ob es es sich vor wandelt
Das swert gegen swert wirt gehandelt
Recht vaß dÿ sterck
taschen haw tü süch vnd merck
ler wol starck schütten
Allen treffen an far do mit nött in
An setz an far
wer straifft heng im zu dem har

[105v.2] ob sich verwandelt
das swert gegen swert wiert gewandlt
recht fasse die sterck
daschenhaw dw suech vnd mercke
lern wol // schutten starch //
allenn treffenn anne far da mit in net
secz an fare
wer scheußet hing im zue dem hare

[163r.2] ob es sich vorwandelt,
das schwert gegen schwert wirt gehandelt,
recht vas die sterck,
taschen hau du such und merck,
lere woll starch schutten
allen treffen an far do [163v.1] mit nöt in
Ansetz anfar
wers straifft heng im zu dem har

[17v.1] Ob sich verwanndlt,
das schwert gegenn schwert wirt gehandlt
Recht fassen, die sterkh
tasten, haw du jm suczhe vnd morchk
Lere wol starrkh schitten
allen treffen, on vor damit [v]otier jn,
Ansecz on vare,
strafft heng jm zu dem hare,

[5]

10	Or if you'd harry and distress, Then hunt them long and grant no rest.
11	Whoever to defense will rise, Your wind of sword will hurt their eyes.
12	If they will yet defend at bay, Catch well the reins and don't delay.
13	Consider where they are exposed; Your knife, not pommel, finds them most.

[5]

10	If you want to calmly charge long, this troubles greatly
11	whoever now defends that. Then wind that hurts also.
12	If he defends against this further, grasp the bridle and do not let it go.
13	Be mindful of the openings, search for the Messer, do not tend to the pommel.

[55r.2] Wiltu geruet ·
lang iagen sere müet /
wer das nü weret ·
zo wind das selbe awge vorseret /
Wert her das vörbas ·
vach den zawm weze nicht las /
Bedenke dy bloßen ·
suche messer nicht warte klößen /
In aller were ·
deyn ort / keyn der bloßen kere /

[21Av.4] Wiltu mit Im
lang Jagñ das ser muet
wer das nw° weret
so wind das aug verseret
wert er das furbaß
vach czawm vnd vest nit hab
bedenck dÿ ploß
such meßer Nit wart claffenn

[06v.3] wiltu gerüt
lanck jagen das sere müt
wer das nu wert
So wind das aug vorsert
wert ers fürpas
Vach zawm vnd wes nicht las
Bedenck die plöß
Suech plöss messer nicht wartt klöss

[105v.3] wildw geruet
lang jagen das es ser muet
wer das im wert
so wind das aug versert
wert er im nu fur pas
fach zaum vnd bese nicht las
pedenck die plöß
suech meser nicht ward kosse [!]

[163v.2] wiltu gerüt
lanck iagn das sere müt
wer das nu wert
so windt das aug ver sert
wert er das furvas[!]
vach zaum und wes nicht las
Bedenck die plös
suech messer nicht wart klöß

[17v.2] wiltdu gerürt,
lang jagen, das sere muet,
wer das im wört.
so wind das augen verzort,
wört er das furbas,
fach zaum vnd roß nit laß,
bedenkh die plossen,
zeuch messer nit, wart Glossen

[6]

[55r.7] Wen du erst windest ·
ruche ansetzen / etwas du vindest
[55r.9] Dy link seite merke ·
deyn erbeit auch mete sterke /
[55r.14] ¶ Übe dy kunst zu vorne ·
in schimpf · zo gedenkstu ir in zorne /

[7]

14	Two sweeps now learn so you may stand Against all arms with empty hands.
15	And when to wrestling they would hasten, Learn to hold them like a basin.
16	When underneath their very nose, Correctly grab as you fly close.
17	Whoever falls on you with might, When riding ’gainst you: hold them tight,
18	And let yourself hang toward the earth While gripping over—show your worth.
19	On either side, both left and right, Against them learn to ride and fight.

[7]

14	Learn two strokes with the empty hand against the weapon.
15	The sheep grip fends off him who turns to you with wrestling.
16	While under the eyes, grasp him truly with flying.
17	Who attacks you while riding towards, you will be felled.
18	Hanging to the ground. Grasp over against him truly with conduct.
19	To both sides you should learn to ride against him.

[55r.3] Zwene striche lere ·
mit lerer hant keyn der were /
[57v] DEr schofgrif weret ·
wer ringens sich zu dir keret /
Als vndern awgen ·
ane greife lere mete flawgen /
Wer dich an fellet /
weder reitens der wirt gefellet /
Hangens zur erden ·
öbergreif in recht mit geberden /
Zu beiden seiten ·
du in an ler dich al weder reiten /

[21Av.5] czwenfach lere
mit lerer hãt gegen der were
Der Schaff griff weret
der stich weichens czu dir keret
als vntter augñ
an greifft In recht nit fleuch in
wer dich an vellet
wider reittenß der wirt gesellet
hangens czu der erden
vber greiff In recht mit geberdenn
zu beyden seytñ
du In an were dich al wider reytñ

[06v.4] Zwen strich ler
Mit lärer hant gegen di der wer
Der schaff grif weret
wer sich ringens Zu dir keret
Als vnder augen
Angreif in recht mit flaugen
wer dich an felt
wider reittens der wirt gefelt
Hangens zw der erden
über greiff in recht mit geperden
Zw paiden seitten
Dw in an ler dich alle wider reitten

[105v.4] zwen strich lere
mit larer hant gegen der were
der schafgriff weret
sich ringen zu dir keret
als vnder augen
angriff in recht mit mit [!] ringen
wer dich an strecket
wider reytens der wiert geuellet
zu der erdenn hangens
vber greiff in recht mit geparden
zu paiden seyten
dw in an ler dich alle wider rewten

[163v.3] zwen strich lere
mit lerer hand gegen der wer,der schaffgriff weret,
wer sich ringens zu dir keret,
als under augen
angreif im recht mit flaugen,
wer [164r.1] dich an felt
widerreittens der wirt gefelt
Hangens zu der erden
u^bergreif in recht mit geperden
zu peiden seittn
dw in an ler dich alle widerreiten,

[17v.3] z[wen] strichen leere,
nit lerer hannd geg(en) der wöhre,
Der schaffgriff wöhret,
wer sich Ringens zu dir keret,
als vnnder augen,
angreiff in recht mit schlaen,
wer dich anfeltet
wieder reittens der wirt geföllet
hangens zu der erden,
vbergreiff in recht mit geprech
zubaid seiten,
du an jn ler dich all widerreiten,

[8]

20	If you should choose to charge and ride Your horse onto the other side,
21	First cover strongly and suppress, Then set upon and cause distress.
22	When you defend, their sword catch wide And carry near, their handle tied.
23	Or wheel about to hunt again, Prepared to harry and restrain;
24	With every skill that hunters learn, Seek your advantage as you turn.
25	Should you ride forth without relent But end up left without intent,
26	Then worry not, but their sword find, And wrestle well: push hard and bind.

[8]

20	If you want to ride The horse run to the other side.
21	Defend strongly, Plant upon him threaten him with this.
22	Who defends against that, grasp his sword from afar, get to the handle.
23	Or turn around to calmly charge for the weapon
24	with all skill. He who charges, acts to his advantage.
25	If you have charged past him and unintentionally charge to the left,
26	follow his sword upwards and wrestle, push also hard.

[58r] Ab du wilt reiten ·
roslawfens zur andern seiten /
der sterke schote ·
ane setze do mete nöte /
wer weret dir das ·
weite swert vach natrag der handlas /
Ader vmbe kere ·
ruet zu iagen der were /
Mit allen künsten ·
der iagt den schicke noch günsten /
Ab du voriagest ·
vnd ane danke linke iagst /
Seyn swert auf taste /
vnd rangen stoz sere mete vaste /

[21Av.6] ab du wilt reytñ
roß lauffens zu der andern seytenn
dÿ stercke schute
an secz do mit not
In wer wert das
weÿt swert vahenn tragenn oder hant hals
oder vmb ker
gerut zu jagñ der wer
mit allen chunstenn
schick dich nach chunsten
ob Du veriagest
vnd andacht linck Jagest
kein swert auß taste
Vnd ring stoß nicht vaste

[06v.5] Ab du wilt reiten
Ross lauffs zw der anderen seÿten
Dÿe sterck schütte
An setz da mit in nöte
wer wert dir das
weit swert vach trag na der handt haß
Oder vmb ker
geruet zu jagen der were
Mit allen künsten
Der jagt der schick nach günsten
Ab dw ver jagst
vnd an danck linck iagst
Sein swert auff taste
vnd ring stös mit [07r.1] faste

[105v.5] ob dw wild rewten
roslaufs zu den andern seyten
die sterck schütt
an secz da mit nott in
wer wert dir das
weit swert fach no der hannd has [!]
oder vmb kere

mit allen chünsten
der Jagt der schick
ob dw verjagest
vnd an dannck linck tagest [!]
sein swert auf taste
nd ring stos mit faste

[164r.2] ab du wilt reitn
roßlauffs zu der andern seitn,
die sterck schutte
ansetz domit in note
wer wert dir das
weit schwert vach trag na der hant haß
oder umb ker
geruet zu iagen der were
mit allen kunsten
der iagt der schick nach gunsten
Ab du veriagst
und an danck [164v.1] linck iagst,
sein schwert auff taste
und ring stos mit faste

[17v.4] ob du wilt Reitten,
Ros lauffens zu der anndern seiten,
die sterckh schütt
an secz domit, Neten
wer wört dir das,
weit schwert fach trag nach der hannd Haß
oder vmker
gerütt zu jag(en) der wer
mit allen Kunsten
der jagt, der sickh nach gunsten
vnd ob [v]er jagest,
vnd on dankh linkh jagest,
dem schwert auff Taste,
vnd fangen stoß serr mit faste

[9]

27	If someone hunts you on the right, Turn halfway ’round, prepare to fight.
28	With arms to catch and drive away, No harm can reach you in the fray.

[9]

27	If one charges on the right, stop; turn around; tend to the fight.
28	With the arm catch. Thus he cannot manage to harm you.

[58v] Iagt man rechtens ·
halb kere link / warte vechtens /
Mit armen vahen ·
zo mag dir· keyn schade nahen /
kere anderweit vmbe /
ab dy roz nü hin sprüngen /

[21Av.7] iagt man rechtens=
halb ker vmb wart vest vechtens
mit eine~ vahen
so mag dir key~ schad nahñ

[07r.2] Jagt man rechtens
Halt ker vmb wart vechtens
Mit armen vahen
So mag dir kain schad nachen

[105v.6] Jagt man rechtens
halbm ker vmb wart rechtens
halb mit armen fachen
so mag dir kain schad nachen

[164v.2] iagt man rechtens,
halt ker umb wart vechtens,
mit armen vohen,
so mag dir kein schad nahen

[17v.5] Jait man rechtens,
halb ker [vnmir] linckhe warte fechtens,
mit armen fahen,
so mag dir kain schad nahen,

[10]

29	Take sword away like it's a knife And learn the holds that cause them strife:
30	Apply the hold that has no name To turn the strong and bring them shame.
31	Spoil strikes and thrusts with this defense; Have your revenge—no need to fence.

[10]

29	The Messer take. Hold, learn to shame him.
30	The unnamed, against the strong to turn
31	their strike, their thrust, is being defeated without any fencing.

Dy messer nemen ·
behalden ler ane schemen /
den vngenanten ·
dy starken in io vorwanten /
Irslaen irstechin /
vorterbet an alle fechten /

[21Av.8] dÿ [22r.1] messer neme~
behalten lere an schame
dem vngnⁿten
dem starckenn in jo ver wante
Ir slagñ Ir stechenn
verderbt in alles vechtñ

[07r.3] Dÿe messer nemen
Behalten ler an schomen
Den vngenatten
den starcken In verwant
Ir slacher ir stechen
verdirbt an als vechten

[105v.7] die messer nemen
pehaltn lere an schemen
den vngenant
der starcken Ja verbant
ir slachenn Ir stechen
verdirbt an alles fechtenn

[164v.3] Die messer nemen,
behalten lere an schomen
den ungenanten
den starcken in verwant
ir schlacher ir stechn
verdirbt an als vechtn

[17v.6] Die messer nehmen,
behalten lerre an schemen,
den ungenant
die starck(en) ja verwand(en)
jr schla[g(en)] jr stech(en)
verderbt an allen fecht(en)

[11]

32	If you would grab them as they ride, Don't fail to ride up alongside.
33	To show the sun and make them bow: Take first their left sleeve firmly now,
34	Then grab their head in front with skill, And press it upward hard until
35	They sink down low and show respect (And then might never stand erect).
36	If taking you down low's their aim, Then grab them high and bring them shame;
37	Press arm to head, their grip defeat— This often robs them of their seat.

[11]

32	If you want to grasp, you should not fail to ride beside him.
33	The sun pointer. Take the left sleeve if you want to bend.
34	Touch the forehead. Against the nape of the neck press very hard,
35	so that he sways and rarely makes it up again.
36	Who attacks you with that, grasp over against him and he will be shamed.
37	Press the arm to the head. This grip often robs the saddle.

[59r] UIltu^[58] an fassen ·
neben reitens nicht saltu lassen /
Das zunne zeigen ·
linke ermel treib wiltu neigen /
Das vorhawp taste ·
kegen nacken drük zere vaste /
das her sich swenket ·
selten weder auf/sich gelenket /
wer dir do remet ·
öbirgreif den der X^[59] wirt beschemet /
Druk arm an hawpt ·
der grif ofte zatel rawbet /

[22r.2] wiltu amⁿ vaßenn
neben reÿtens nicht soltu loßen
das sonne~ czeigñ
linck ermel I treibt wiltu neig
das võ hewbt dast
gege~ nack truck ser vast
das er sich swencket
vnd selten wider auff lencket
wer dir das remet
vber greiff den der wirt beschemet
truck an czu heubt
der greifft offt satell raw~pt

[07r.4] wiltu anfassen
Neben reittens soltu nicht lassen
Das sunnen zaigen
linck ermel treib wiltu naigen
Das vor haubt taste
Gegen nack drvck sere faste
Das er sich swencket
vnd selden wider auff gelencket
wer dir das rempt
vber greiff den der wirt beschempt
Druck arem zw haubt
Der griff offt satel beraupt

[105v.8] wildw an wassenn
neben rewtens nicht soltu lassenn
das sunnen zaigenn
linck erml treib wild dw naigen
das vorhaubt taste
gegen nach truck sere veste
das er sich swencket
vnd selten wider auf gelencket
Wer dir das rempt
vber greys [!] den der wirt geschämpt
druck arm zw haubt
der greiff offt satel peraubt

[164v.4] wiltu ann fassen
neben reittens soltu nicht lassen
Das sunnen zeigen
linck ermel treib wiltu naign
das vorhaupt taste
gegen nack druck sere faste
das er sich sch= [165r.1] wencket
und selden wider auff gelencket
wer dir das rempt
ubergreiff den der wirt beschempt
druck arm zu haupt
der griff offt sattle beraupt

[18r.1] Wilt du ane fassen,
neben Reittens nicht solt du lassen,
das [Zo]nne zaigen,
linckh ermel wilt du naigen,
das vor haupt Taste,
gegen [r]ackh truckh seer vast,
das er sich schwenkhet
selten auff wieder sich gelenckhet,
wer dir da ramet,
vb greff den der wirt beschemet,
druckh arm an haupt,
der griff offt selten beraubt,

[12]

38	But should you seek a measured course To catch and hold them on their horse,
39	Then with this wrestling they'll be found, And without ropes they will be bound.
40	Remember well the grip that leads, To break through strength and work great deeds.

[12]

38	If you want to retain yourself from seizing,
39	then take him into custody without wrestling, without any rope.
40	The before grip remember, this indeed breaks his strength.

Wilt aber dy masen ·
des vahens leicht von dir lasen /
Ringens den fure ·
gevangen hin ane snüre /
Den vorgrif merke ·
der bricht vörbas syne sterke /

[22r.3] wiltu aber dich maßenn
deß vahens leich von dir laßenn
lãgens den fur
gefangenn hin ane var
den vor griff merck
der pricht fur pas sein sterck

[07r.5] wiltu aber dich massen
des vahens liecht von dir lassen
Ringens den
gefangen hin ane schnure
Den vor griff merck
Der pricht furpas sein sterck ~~~~

[105v.9] wild dw dich aber massen
des fachens becht von dir lassen
ringens den fure
gefangen an der snüre
den vor griff merck
der pricht fur was sein sterck

[165r.2] wiltu aber dich massen
das vahens liecht von dir lassen
ringens den
gefangen hin ane schnure
Dein vorgriff merck,
der pricht fürpas sein sterck.

[18r.2] Wiltdu aber die maassen,
des fahens recht von dir lassen,
Rang, aus den
[h]ergefangen hin on schnuer,
den vorgrif merckh,
der bricht furbas sein sterckh,

[13]

41	When you dismount or are unhorsed, The fight on foot must take its course.
42	Take up your spear in steady hands And face your foe in proper stance;
43	Its sharpened point will serve your needs, So boldly throw the thrust that leads,
44	Then leap and wind and set upon— If they defend, pull and you've won.
45	If you would make the leading thrust, Then pull and break through guards you must.
46	Now if your foe fears injury And backs away and wants to flee,
47	Then close with them and seek your chance To catch and hold as you advance.

[13] Here Begins the Art with the Short Sword in Dueling, of Master Johannes Liechtenauer, God Have Mercy on Him.

41	Who dismounts, begins fighting on foot.
42	This do with the spear: two positions begin truly.
43	Spear and point, thrust the initial thrust without fear.
44	Spring, wind set truly upon. If he defends pull, that will defeat him.
45	If you want to thrust before, with pulling learn to break his defense.
46	Note: if he wants to pull back from harm and flee,
47	then approach him to surely attend to grasp.

[60r] WEr abesynnet ·
vechtens zu fuße begynnet /
Der schicke syn sper ·
zwey sten am anheben rechte wer /
Sper vnd orte ·
den vorstich ane vorchte /
Sprink vnd setz recht an ·
wert her ·zuk· das sigt ym an /
Wiltu vorstechen ·
mit zücken lere were brechen /
Merk wil her zihen ·
·von scheiden vnd wil her flyen /
So salt im nahen ·
·y· warte weislich des vahen /

[48v.1] Kampffechten hebt sich Hye an

Wer absynnet
vechtens czu fueß beginnet
der sterck sein sper
czu sten am an hebñ reich vber
sper vnd ort
dem verstich ane vorcht
spring ^wind vnd recht secz an
wer erß czuck du gesiest In an
wiltu vor streichen
mit czucken ler were prechñ
merck wil er preche~
von schaÿde~ vñ wil er flihñ
so soltu Im nahen
ye weislicher wart deß vahñ

[08v.1] Hye hebt sich an Maister Johansen Liechtenawers kunst Dem got genädig sey mit dem kurtzen swert zu kampff

Wer absynt
ffechtens zu fuess begint
Der schick sein sper
zway sten An heben recht wer
Sper vnd ort
den vorstich stich an vorcht
Spring wind setz recht an
wert er zuckt das gesigt im an
wiltu vor stechen
mit zucken lere wer prechen
Merck wil er zÿhen
von schaiden vnd wil er er fliechen
So soltu im nahen
zu weißleich wart des vahen

[105v.10] Das seind maister hansen liechtenauers fechtenn im harnasch zum champf

wer absinnet
fechtens zw roß peginet
der schick sein sper
zwen sten an heben rechte wer
sper vnnd ort
den vorstich / an stich // vorcht
spring wind secz recht an
wer ee zuckt das gesigt im an
wild dw verstechen
mit zuckenn lere wer prechen
merck wil er zuckenn
von schaidenn vnd wil er fliechen
so solt dw im nachen
Ja weyslich ward des fachens

[199r] Hie hebt sich an der Text unnd die Auslegung des Kampffechtn

Text

Wer absinet
Fechtenns zu fues beginnet,
Der schickh sein Sper,
Zwai sten, anheben recht wer,
Sper und ort,
Den vorstich, stich an vorcht,
Spring, wint, setz recht an,
Wert er, zuck, das gesigt im an,
Wildu vor [199v.1] stechen
nit zucken lernne wer prechen,
Merck wil er ziehen,
von schaiden und will er fliehen,
So soltu im nehen,
Zu Weislich, Wart des vahen.

[18v] Fechten Im Harnasch zu fussen

Wer aber synnet
fechtens zu fuß begynnet,
der schickh sein sper
[g?]waisten an anheben recht wert
sper vnd [19r.1] Ort,
den vorstich stich on forcht,
spring vnd secz recht an,
wert er zuckh das sigt jm an,
wilt du vorstechen,
mit zuckhen, lere wöhr brechen
mörckh will er ziehen
von schaiden, vnd will er fliehen,
so solt jm jahen
weislich war des fahen,

[14]

48	And should you wrestle, learn to leap, Your foot behind their front leg sweep,
49	Or deftly lock the leg you catch Just like the closing of a latch.
50	From either hand, both left and right, Perform your art and end the fight.

[14] This Is the Wrestling in Dueling

48	If you want to wrestle, learn to spring correctly behind the leg.
49	A bar shoot forth, that skillfully locks the leg.
50	From both sides, if you want to skillfully end.

[61v] Das ist nü von Ringen / etc~ ~

AB du wilt ringen ·
hinder beyne recht lere springen /
Regel vörschißen ·
das vorbeyn künstlichen slyßen /
Von beiden henden ·
ab du mit kunst gerest enden /

[48v.2] ab du wilt ringñ
hinter In lern recht springe
rigel vorschissen
das vor beyn chunstlich slißenn
võ beyden henden
ab du mit chunst gerst czu enden

[08v.2] Das sind dye ringen zu champff

Ob dw wild ringen
hinder pain recht lere springen
Rigel für schiessen
das vor pain künstlich schliessen
von paiden henden
ob du mit kunst gerest enden

[105v.11] Das seind die Ringen zu dem champf

[O]b dw wild ringenn
Hinder pain recht lere springen
rigel fur schiessenn
das vorpain kunstleichen sliessenn
von paidenn hennden
ob dw mit chunst gerest zu enden

[129r.1] Die zÿttel weist ringen züm kanff zu fuß

Ob du wilt ringen
hinter beyn recht ler springen
Rigel Schiessenn
daß vor beyn recht schlissenn
von beden henden
Ob du mit künst gerest enden

[100v.1] Ein anders

Ob du wilt ringen
hinder beyn ler springen
Rigel ler schiessen
das vor bein recht schliessen
Von beyden henden
ob du mit kunst gerest enden

[199v.2] Das sein die Ringenn zu Kampf.

Ob du willt ringen,
hinter pain recht lern springen,
Rigel fur schiessen,
das vor pain kunstlich schliessen
[200r.1] Von paiden hennden
ob du mit künst gerest enden,

[19r.2] Von Ringen,

Ob du wilt ringen,
hinder pain recht lere springen,
Rigel von stiessen,
das vor pain künstlich(en) verschliessen,
von baiden henden,
ob du mit kost gerst enden,

[74v] Ob du wilt ringenn,
hinter pain Recht lernn springenn,
Rigelschliessenn,
das vorpain recht schliessenn,
von beden henden,
ob du mit kunst [75r.1] gerst endenn,

[15]

51	Should it come to pass that here The sword is drawn against the spear,
52	Observe the way they thrust, then leap And catch and wrestle as you sweep.
53	What they extend, your left hand beats; Leap surely in, catch what you meet.
54	Should they again fear harm and pull Back from your catch and your control,
55	Then you will find them all exposed, Your point harassing unopposed.
56	And leather, gauntlets, and the eyes: Toward these exposures you should rise.
57	Forbidden arts of wrestling learn And bring them forth in battle's churn;
58	Find ways to lock and take control, Surmount the strong to reach your goal.
59	In every lesson that you learn, Your point toward the exposure turn.

[15]

51	If it happens that the sword against the spear is drawn,
52	then behold the thrusts. Spring, catch, hasten to him to wrestle.
53	Strike long with the left hand. Spring surely and seize him.
54	If he wants to draw from the scabbard, grasp and press in,
55	so that his openings with the sword point are troubled.
56	Leather and gauntlets, under the eyes, seek the openings correctly.
57	The forbidden wrestling, surely learn to use.
58	To lock your foe, the strong thereby overcome.
59	In all teachings turn the point against the openings.

[59v] Ab sich vorrukt ·
das swert keyn sper wirt gezukt /
Der strich io war nym ·
sprink vach ringens yle zu ym /
link lang von hant slach ·
sprink weislich vnd den vach /
Ab her wil zücken ·
von scheiden vach vnd drük in /
das her dy blöße
mit swertes orte vordröße /
leder vnde hantschuch ·
vnder dy awgen dy bloße recht zuch /
Vorboten ringen ·
weislichen zu lere brengen /
Zu fleißen vinde ·dy
dy starken do mete vinde /
In aller lere ·
den ort kegen der bloßen kere /

[48v.3] ab sich verruckt
das sper gege~ sper wirt geczuckt
der stich Jo võ Im
spri~g Jach ringens eil czu Im
linck lang võ hant slahe
spring weißlich vnd den vach
v ob er wil czuckñ
võ schaÿd~ vahe vnd truck In
das er dÿ ploße
mit swerteß ort vor droße
leder vñ hantschuch
vnd augñ dÿ ploß recht suech
vechtñ ringen
weißlich czu lere springñ
czu schlissenn findenn
dy starckenn do mit findenn
In aller ler
den ort gege~ der ploße kere

[08v.3] Ob es sich vor ruckt
Das swert gegen sper wirt gezuckt
Der stich Jü war nÿm
Spring vach ringens eil zu ÿm
linck lanck von hant slach
Spring weisleich vnd denn vach
Aber wil zucken
von schaiden vach vnd druck In
das er dy plöss
Mit swertes ort verdroß
leder vnd hantschuech
vnder augen dÿ plöss recht suech
Verpotne ringen
Weisleich zu lere pringen
Zu schliessen viende
Die starken do mit vber winde
In aller lere
Dein ort gegen der plöss kere

[105v.12] ob es sich ver ruckt
das swert gegen sper wiert gezuckt
der stich Ja wer nym
spring vach ringens eyl zw im
linck lannck von hanndt slach
spring weislich vnd den stich
ob er wil zuckenn
von schaiden stich vnd druck in
das er die plöß
mit swertes ort verdrosse
leder vnd hantschuech
vnd augen die plöß recht suech
verpotne ringen
weyslich zw lere pringenn
zw sliessenn winde
die sterck da mit vber winde
in aller
den ort gegenn der ploß cher

[129r.2] Ab es sich ver rucket
das schwert genyn [?] wurt gezu^eckett
der stich vernÿm
Spring vach ringes eyl zu Im
Linck lang von hant schlag
Spring weyßlichen dem vach
Ob er wil zu^ecken
von scheiden vach vnd dru^eckenn
das er die ploß
Mit schwertz ort ver droß
Leder vnd hantschuch
vnder augen bloß recht su^ech
[129v.1] Verborgen ringen
Weyßlich ler zu springenn
Ernstlichen wendte
dÿ starcken do mit vber windt
In aller lere
den ort gen dem gesicht kere

[100v.2] Ob es sich verruckest
dz schwert h(?) wirt gezücket
Den stich ver von Im /
spring vach riges eyl zů Im
linck lang von hand schlag /
spring weylich den vach
Ober wil zucken /
von scheyden vach zů trucken
Das er die ploß /
mit schwertes ortt verdrieß
leder vnd hendschůch /
vnder augen bloß rech sůch
verborgen ringen /
weyslich ler zu springen
Ernstlichen wenden /
die starck do mit vberwinden
In aller ler /
dein ortt gegen dem gesicht ler [!]

[200r.2] ob es sich verruckht,
Das schwert gegen schwert wirt gezuckht,
Der stich ia war nimb,
Spring vach ringenns eill, zu Im
linckh lanng, von hant schlag,
Spring weislich und den vach,
Aber will zucken
von schaiden vach, Und druckh in,
das er die plos,
Mit schwerts ort verdros
Leder unnd hanntschuch
unnder augen plös recht [200v.1] such,
Verp^otne ringen,
Weislich zu lernne Springen,
zu schliessen viennde,
die Starckhen damit ÿberwinde,
in aller lere,
Dein ort gegen der plös kere,

[19r.3] Ob sich verruckht
das schwert bey sper, wirt ge[z]uckht,
wo wer nym, spring,
fach ringens leeres eil zu im linckh,
lanckh von, hannd schlach
spring weislich vnd den fach,
aber will zuckhen
von schaiden fach, druckhen,
das er die plossen,
mit schwertes ort verdrossen,
leder vnd handschue[c]h
vnder die augen, die plössen recht such,
verboden ringen,
weislich zu leere bringen,
zuschliessen vinde
die starckhen, domit vberwinde
jnn aller lere,
den ort gegen derr plöß kere,

[75r.2] Ob es sich verrucket,
das schwert gegenn schwert würd getzuckett,
die sach Je vernim,
spring fahe ringes al tzu im,
linck lanck von hant schlag,
Spring weislich dem fach,
Ob er wil tzuckenn,
von schaidenn vach tzu truckenn,
das er die ploß,
mit schwertes ort verdroß,
Leder vnnd hantschuch,
vnter augenn ploß recht such,
verporgenn Ringen,
weislich ler tzu springenn,
zu schliessenn finde,
die starckenn damit vberwinde,
In aller ler,
den ort gen dem gesicht ker,

[16]

60	When each from scabbard draws their sword And both face off with one accord,
61	Then you should strengthen in the fight And bear in mind to cover right.
62	Before and After: these two things Learn well to gauge with backward spring.
63	Pursue whenever steel meets steel, And you’ll confound the strong with zeal.
64	If they defend, pull back and thrust; If they defend, rush in you must.
65	If they should fight you long and wide, Then artfully their fate decide.
66	If they attack you fierce and strong, Defeat them when you shoot in long.
67	The other point can guard and smite, So meet their sword and don't take fright.
68	With either hand, both left and right, Turn then your point to piece their sight.
69	With strikes, your forward foot defend, That you may fight on to the end.

[16]

60	When one sees that from the scabbard both swords are being drawn,
61	then shall one strengthen. The protection now truly remember.
62	Before and after, these two things, explore surely, learn also to spring away.
63	Follow in all meetings if you want to fool the strong.
64	If he defends, then pull. Thrust, if he defends, move to him.
65	If he fights extended, then be artfully instructed.
66	If he also attacks strongly, the thrusting defeats him.
67	With his striking point he defends himself—hit without fear.
68	With both hands learn to turn your point to the eyes.
69	The forward foot with striking you must protect.

[60v] WO man von scheiden ·
swert zücken siet von in beiden /
Do sal man sterken ·
dy schrete eben mete merken /
Vor · noch · dy zwey dink ·
sint alle/ prüfe mit lere abesprink /
Volge allen treffen ·
den starken wiltu sye / effen /
Wert her zo zücke ·
stich · wert her ia zu ym rücke /
Ab her lank fichtet ·
zo bistu künslich berichtet /
greift her · auch sterke an ·
das sciße schißen sigt ym an /
Mit synem slaen · harte ·
schützt her sich · trif ane forte /
Mit beiden henden ·
zum awgen ort lere brengen ·
Des fürdern fußes ·
mit slegen du hüten müsest /

[48v.4] wo mã võ scheyden
wirt czuckñ sich võ In beydenn
do sol mã stercke~
den schadenn recht obñ merckenn
vor vnd nach dye czwey ding
prueff weißlich ler mit abspringñ
volg alle treffen
den starckenn wiltu sye effenn
wert er so zucke
wert er io zu Im winck
ab er lang vichtet
so bistu chunstlichen berichtet
greifft er auch sterck an
das schiessñ sigt Im an
mit deine~ lindenn ort
schuczt er sich triff ane vorcht
mit peÿd~ hend~
czum auge~ ort lere bre~gen
des vorder fußes
mit slegenn huten maßest etc ~

[08v.4] Wo man von schaiden
swert zuck sicht von in paiden
So sol man stercken
Die schütten recht eben mercken
Vor vnd [09r] nach dÿe zway dingk
Prueff weysleich lere mit ob spring
volg allen treffen
den starcken wiltu sÿ effen
Wert er so zuck
Stich wert er Jü zu ÿm ruck
Ob er lanck vichtet
So pistu kunstlich berichtet
Greift er auch sterck an
Das schiessen gesigt ÿm an
Mit seinem slahenden ort
Schützt er sich triff anne vorcht
Mit paiden henden
Dein ort zu den augen lere wenden
Des vorderen fuess
Mit slegen du hütten müest

[105v.13] wo man von schaiden
swert zucken sicht von in paidenn
So sol man streckenn
die schutten von in paiden mercken
vor nach die zwai ding
prüff weyslich lere mit ab springen
volg allenn treffen
den starcken wildw / äffen sy //
wert es zuck
stich werd es Ja zu im ruck
ob er lannck ficht
so pist dw künstleich [106r] berichtet
greifft er mit sterck an
die sliessung gesigt im an
mit seinem slachenn dem ort
schuczt er sich triff ane vorcht
mit paidenn hennden
den ort zu den augen kere wenden
des vodern fuess
mit slegenn zw hüetten muesst

[129v.2] Wie man von scheydenn
Swert zucken sich von ÿn beydenn
So sol man sterckenn
die schutten eben recht mercken
vor vnd noch dÿ zweÿ ding
Bruff weyßlich ler mit ab spring
Volg allem treffenn
den starckenn wiltu sie effenn
Werter so zu^eck
Stich / wert er / zu ym ru^eck
Ob er lang vicht
So bistü künstig bericht
Griff er auch starck an
daß schiessenn gie sich ym an
Mit sinem schliechendenn ortt
Schutz er sich trifft on vorcht
[130r] Mit beden hendenn
dein ort zu den ougen lere wendenn
des vorderenn fusses
Mit schlegenn du hueten mu^est

[100v.3] wie man von scheiden /
schwert czucken von In beyden
so sal man strecken /
die schwerter oben mercken
Vor vnd nach die zwey ding /
brieff weislich domit spring
Volg allem treffer /
den starcken wiltu sein effen
wert er so zuck /
stich wert er zu Im truck
ob er lang ficht /
so bistu kunstlich bericht
grift er auch starck an /
das gesich Im an
mit seynem schlachenden ortt /
stichitzt [!] er sich trift an forcht
mit beyden henden /
den ortt zů den augen ler wenden
Des forderen stossen [!] /
mit schlegen du dich hieten můsest

[200v.2] ~Wo man von der schaiden,
schwert zucken sicht von in baiden,
so sol man stercken,
die schutn eben mercken,
Vor und nach die zwai ding,
Prief weislich lere mit ob spring
Volg ~Allen trefen
Den Starcken ~Wil= [201r] tu sÿ effn
wert er so Zuck
stÿch wert er ia zu im ruck
ob er lanck vÿchtet
so bistu kunstlich berichtet
grift er auch sterck an
das schiessen gesigt im an
mit seinem schlahenden ort
schutzt er sich triff anne vorcht
mit paÿden hendn
dein ort zu den augen lere wenden
des vordern vues
mit schlegen du huten muest

[19r.4] Wo man von schaiden,
schwert ruckhen sicht von in baiden
do solt man streckhen,
die schutten recht eben mörckh(en)
vor nach die zway ding,
prüff weislich leer mit abspring
vol gallen^[60] treffen,
den starckhen wilt du si effen,
wert er so zuckh,
stich wört er so zu jm ruckh,
[19v] Ob er linkh ficht,
so bistu kunstlich bericht,
greifft er auch sterch an
das schissen, das sichst jm an,
mit seinem schlan, den ort,
schuczt er sich [t]riff on forcht,
mit baiden henden,
der ort zu augen leere wenden,
des fordern fueß,
mit schlegen du huetten muest,

[75r.3] wie man von schaiden,
vntertzuckenn vonn In baidenn,
So sol man sterckenn,
die schuttẽ ebenn recht merckenn,
Vor Nach die tzway dingk,
bruf weislich ler mit abspring,
Volg allen treffen,
den starckenn wiltu sie effenn,
Wert er so tzucke,

ob er langk vicht,
so bistu künstig bericht,
reift er auch starck an,
das schliessen gesigt im an,
mit seinem schleichendenn [!] ort,
schützt er sich one forcht,
mit beden henden,
dein ort tzu den Augen ler wenden,
des vordern fusses,
mit schlegẽ du hutẽ mussest.

Additional Resources

The following is a list of publications containing scans, transcriptions, and translations relevant to this article, as well as published peer-reviewed research.

Alte Armature und Ringkunst: The Royal Danish Library Ms. Thott 290 2º (2020). Trans. by Rebecca L. R. Garber. Ed. by Michael Chidester; Dieter Bachmann. Somerville: HEMA Bookshelf. ISBN 978-1-953683-04-5.
Kunst und Zettel im Messer: Bavarian State Library Cgm 582 (2021). Ed. by Michael Chidester. Somerville: HEMA Bookshelf. ISBN 978-1-953683-16-8.
Acutt, Jay (2019). Swords, Science, and Society: German Martial Arts in the Middle Ages. Glasgow: Fallen Rook Publishing. ISBN 978-0-9934216-9-3.
Ain ringeck, Sigmund (2003). Sigmund Ringeck's Knightly Art of the Longsword. Trans. by David Lindholm. Boulder: Paladin Press. ISBN 978-1-58160-410-8.
Ain ringeck, Sigmund (2006). Sigmund Ringeck's Knightly Arts of Combat. Trans. by David Lindholm. Boulder: Paladin Press. ISBN 978-1-58160-499-3.
Alderson, Keith (2010). "On the Art of Reading: An Introduction to Using the Medieval German 'Fightbooks'." In the Service of Mars: Proceedings from the Western Martial Arts Workshop, 1999-2009: 251-286. Wheaton: Freelance Academy Press. ISBN 978-0-9825911-5-4.
Alderson, Keith (2014). "Arts and Crafts of War: die Kunst des Schwerts in its Manuscript Context." Can These Bones Come to Life? Insights from Reconstruction, Reenactment, and Re-creation 1: 24-29. Wheaton: Freelance Academy Press. ISBN 978-1-937439-13-2.
Bauer, Matthias Johannes (2014). "Ein Zedel Fechter ich mich ruem/Im Schwert un Messer ungestuem. Fechtmeister als protagonisten und als (fach)literarisches Motiv in den deutschsprachigen Fechtlehren des ittelalters und der frühen Neuzeit." Das Mittelalter 19(2): 302-325. Ed. by Christian Jaser; Uwe Israel. doi:10.1515/mial-2014-0018.
Bauer, Matthias Johannes (2014). "Fechten lehren 'mitt verborgen vnd verdeckten worten'. Fachsprache, Dialekt, Verballhornung und Geheimsprache in frühneuhochdeutschen Zweikampftraktaten." Das Schwert – Symbol und Waffe: 163-172. Ed. by Lisa Deutscher; Mirjam Kaiser; Sixt Wetzler. Rahden: Verlag Marie Leidorf GmbH. ISBN 978-3-89646-795-9.
Bauer, Matthias Johannes (2016). 'Der Alten Fechter gründtliche Kunst' – Das Frankfurter oder Egenolffsche Fechtbuch. Untersuchung und Edition. München: Herbert Utz Verlag. ISBN 978-3-8316-4559-6.
Bergner, Ute; Johannes Gießauf (2006). Würgegriff und Mordschlag. Die Fecht- und Ringlehre des Hans Czynner (1538). Graz: Akademische Druck- u. Verlagsanstalt. ISBN 978-3-201-01855-5.
Burkart, Eric (2016). "The Autograph of an Erudite Martial Artist: A Close Reading of Nuremberg, Germanisches Nationalmuseum, Hs. 3227a." Late Medieval and Early Modern Fight Books. Transmission and Tradition of Martial Arts in Europe: 451-480. Ed. by Daniel Jaquet; Karin Verelst; Timothy Dawson. Leiden and Boston: Brill. doi:10.1163/9789004324725_017. ISBN 978-90-04-31241-8.
Burkart, Eric (2020). "Informationsverarbeitung durch autographe Notizen: Die ältesten Aufzeichnungen zur Kampfkunst des Johannes Liechtenauer als Spuren einer Aneignung praktischen Wissens." Mittelalter. Interdisziplinäre Forschung und Rezeptionsgeschichte S2: 117-158. doi:10.26012/mittelalter-25866.
Cheney, Stephen (2020). Ringeck • Danzig • Lew Longsword. Self-published. ISBN 979-8649845441.
Chidester, Michael (2021). The Long Sword Gloss of GNM Manuscript 3227a. Somerville: HEMA Bookshelf. ISBN 978-1-953683-13-7.
Chidester, Michael; Dierk Hagedorn (2021). 'The Foundation and Core of All the Arts of Fighting': The Long Sword Gloss of GNM Manuscript 3227a. Somerville: HEMA Bookshelf. ISBN 978-1-953683-05-2.
Chidester, Michael; Dierk Hagedorn (2024). Pieces of Ringeck: The Definitive Edition of the Gloss of Sigmund Ainring. Medford: HEMA Bookshelf. ISBN 978-1-953683-41-0.
Finley, Jessica (2021). "'What's in a Name?' A Comparative Analysis of the Nomenclature of Johannes Lecküchner and Johannes Liechtenauer." Kunst und Zettel im Messer: Bavarian State Library Cgm 582: 157-174. Ed. by Michael Chidester. Somerville: HEMA Bookshelf. ISBN 978-1-953683-16-8.
Finley, Jessica; Christian Henry Tobler (2022). "Warp and Weft: The Bauman Fight Book's Place in the Tapestry of German Fechtkunst." Bauman's Fight Book: Augsburg University Library Ⅰ.6.4º 2: 85-102. Ed. by Michael Chidester. Medford: HEMA Bookshelf. ISBN 978-1-953683-27-4.
Gaite, Pierre (2018). "Exercises in Arms: the Physical and Mental Combat Training of Men-at-Arms in the Fourteenth and Fifteenth Centuries." Journal of Medieval Military History XVI. Ed. by Kelly DeVries; John France; Clifford J. Rogers. Woodbridge: Boydell Press. ISBN 9781783273102.
Hagedorn, Dierk (2008). Transkription und Übersetzung der Handschrift 44 A 8. Herne: VS-Books. ISBN 978-3-932077-34-0.
Hagedorn, Dierk (2016). "German Fechtbücher from the Middle Ages to the Renaissance." Late Medieval and Early Modern Fight Books. Transmission and Tradition of Martial Arts in Europe: 247-279. Ed. by Daniel Jaquet; Karin Verelst; Timothy Dawson. Leiden and Boston: Brill. ISBN 978-90-04-31241-8.
Hagedorn, Dierk (2017). Jude Lew: Das Fechtbuch. Herne: VS-Books. ISBN 978-3-932077-46-3.
Hagedorn, Dierk; Helen Hagedorn; Henri Hagedorn (2021). Renaissance Combat. Jörg Wilhalm's Fightbook, 1522-1523. Barnsley: Greenhill Books. ISBN 978-1-78438-656-6.
Hagedorn, Dierk (2021). Albrecht Dürer. Das Fechtbuch. Herne: VS-Books. ISBN 9783932077500.
Hagedorn, Dierk; Christian Henry Tobler (2021). The Peter von Danzig Fight Book. Wheaton: Freelance Academy Press. ISBN 978-1-937439-53-8.
Hagedorn, Dierk; Daniel Jaquet (2022). Dürer's Fight Book: The Genius of the German Renaissance and his Combat Treatise. Barnsley: Greenhill Books. ISBN 978-1-784438-703-7.
Hagedorn, Dierk (2023). Das Ortenburger Fechtbuch. Herne: VS-Books. ISBN 978-3-932077-53-1.
Hergsell, Gustav; Hans Talhoffer (1889). Talhoffers Fechtbuch (Gothaer Codex) aus dem Jahre 1443. Prague: J.G. Calve.
Hergsell, Gustav; Hans Talhoffer (1893, 1901). Livre d'escrime de Talhoffer (codex Gotha) de l'an 1443. Prague: Chez L'Auteur.
Hils, Hans-Peter (1985). Meister Johann Liechtenauers Kunst des langen Schwertes. Frankfurt am Main: P. Lang. ISBN 978-38-204812-9-7.
Hull, Jeffrey; Grzegorz Żabiński; Monika Maziarz (2007). Knightly Dueling: The Fighting Arts of German Chivalry. Boulder: Paladin Press. ISBN 978-1-581606744.
Kellett, Rachel E. (2015). "'...Vnnd schuß im vnder dem schwert den ort lang ein zu der brust': The Placement and Consequences of Sword-blows in Sigmund Ringeck's Fifteenth-Century Fencing Manual." Wounds and wound repair in Medieval culture: 128-150. Ed. by Larissa Tracy; Kelly DeVries. Leiden: Brill. doi:10.1163/9789004306455_007.
Lecküchner, Johannes (2015). The Art of Swordsmanship by Hans Lecküchner. Trans. by Jeffrey L. Forgeng. Woodbridge: Boydell Press. ISBN 9781783270286.
Muhlberger, Steven (2005). Deeds of Arms. Highland Village: Chivalry Bookshelf. ISBN 978-1-891448-44-7.
Muhlberger, Steven; Will McLean (2019). Murder, Rape, and Treason: Judicial Combats in the Late Middle Ages. Wheaton: Freelance Academy Press. ISBN 978-1-937439-41-5.
Muhlberger, Steven (2020). Formal Combats in the Fourteenth Century. Witan Publishing. ISBN 979-8-662749-75-7.
Müller, Jan-Dirk (1992). "Bild – Verse – Prosakommentar am Beispiel von Fechtbüchern. Probleme der Verschriftlichung einer schriftlosen Praxis." Pragmatische Schriftlichkeit im Mittelalter. Erscheinungsformen und Entwicklungsstufen: 251-282. Ed. by Hagen Keller; Klaus Grubmüller; Nikolaus Staubach. München: Fink.
R., Harry (2019). Peter von Danzig. Self-published. ISBN 978-0-36-870245-7.
Tobler, Christian Henry (2001). Secrets of German Medieval Swordsmanship. Union City: Chivalry Bookshelf. ISBN 978-1-891448-07-2.
Tobler, Christian Henry (2006). In Service of the Duke: The 15th Century Fighting Treatise of Paulus Kal. Highland Village: Chivalry Bookshelf. ISBN 978-1-891448-25-6.
Tobler, Christian Henry (2010). In Saint George's Name: An Anthology of Medieval German Fighting Arts. Wheaton: Freelance Academy Press. ISBN 978-0-9825911-1-6.
Tobler, Christian Henry (2011). Captain of the Guild: Master Peter Falkner's Art of Knightly Defense. Wheaton: Freelance Academy Press. ISBN 978-1-937439-09-5.
Verelst, Karin (2016). "Finding a Way through the Labyrinth: Some Methodological Remarks on Critically Editing the Fight Book Corpus." Late Medieval and Early Modern Fight Books. Transmission and Tradition of Martial Arts in Europe: 117-188. Ed. by Daniel Jaquet; Karin Verelst; Timothy Dawson. Leiden and Boston: Brill. doi:10.1163/9789004324725_008. ISBN 978-90-04-31241-8.
Vodička, Ondřej (2019). "Origin of the oldest German Fencing Manual Compilation (GNM Hs. 3227a)." Waffen- und Kostümkunde 61(1): 87-108.
Wallhausen, James (2010). Knightly Martial Arts: An Introduction to Medieval Combat Systems. Self-published. ISBN 978-1-4457-3736-2.
Welle, Rainer (2017). "Ein unvollendetes Meisterwerk der Fecht- und Ringkampfliteratur des 16. Jahrhunderts sucht seinen Autor: der Landshuter Holzschneider und Maler Georg Lemberger als Fecht- und Ringbuchillustrator?." Codices manuscripti & impressi S12. Purkersdorf: Verlag Brüder Hollinek. ISBN 0379-3621.
Welle, Rainer (2021). Albrecht Dürer und seine Kunst des Zweikampfes: auf den Spuren der Handschrift 26232 in der Albertina Wien. Kumberg: Sublilium Schaffer, Verlag für Geschichte, Kunst & Buchkultur. ISBN 9783950500806.
Wierschin, Martin (1965). Meister Johann Liechtenauers Kunst des Fechtens. München: C. H. Beck.
Żabiński, Grzegorz (2008). "Unarmored Longsword Combat by Master Liechtenauer via Priest Döbringer." Masters of Medieval and Renaissance Martial Arts: 59-116. Ed. by John Clements. Boulder: Paladin Press. ISBN 978-1-58160-668-3.
Żabiński, Grzegorz (2010). The Longsword Teachings of Master Liechtenauer. The Early Sixteenth Century Swordsmanship Comments in the 'Goliath' Manuscript. Poland: Adam Marshall. ISBN 978-83-7611-662-4.

References

↑ When German writers were aware that a person was dead, they would add a formulaic blessing after their name (i.e., "God have mercy on him"); this manuscript doesn't, but 15th century manuscripts do.
↑ See folio 13v, trans. by Michael Chidester.
↑ Christian Henry Tobler. "Chicken and Eggs: Which Master Came First?" In Saint George's Name: An Anthology of Medieval German Fighting Arts. Wheaton, IL: Freelance Academy Press, 2010. p6
↑ The Fellowship of Liechtenauer is recorded in three versions of Paulus Kal's treatise: MS 1825 (1460s), Cgm 1507 (ca. 1470), and MS KK5126 (1480s).
↑ The figures are often given as a preamble for the gloss of Lew, and a fragment of the short sword to the teachings of Martin Huntsfeld, but those instances will not be included below and instead treated as part of those treatises.
↑ This couplet might instead have been intended to be combined with the previous one as two very long lines of a single couplet: "ettlich biderman in anden hanten veder ben / kunt er chunst er mocht wol eren erwerb".
↑ This couplet might instead have been intended to be combined with the previous one as two very long lines of a single couplet: "ettlich in andern hanten verderben / kündt er kunst er möcht ere erwerben".
↑ First letter almost illegible.
↑ First letter illegible.
↑ With full extension
↑ This couplet seems to replace the first line of couplet 15, leaving the second line of 15 as an orphan.
↑ Text terminates at this point. The leaves with the rest of the text are missing.
↑ kam
↑ deinen
↑ faler
↑ l corrected from t.
↑ Or “crush”
↑ Or “twirl”
↑ Or “This is the about the Wrath cut, which slices apart.”
↑ Or “wind more broadly”
↑ I.e. to the action described next
↑ ^{Jump up to: 22.0} ^22.1 remen => räumen, meaning “to make space, clear away, evacuate”.
↑ Text adds an additional couplet: "hastu es vernomen zu kain / schlag mag er komen".
↑ Text adds an additional couplet: "hast dus vernomen / zu kaim schlag mag er komen".
↑ Text adds an additional couplet: "hastu es vernomen / zu kainen schlag mag er komen."
↑ Or “to the right”
↑ Or “slow”
↑ Text adds an additional line: "das son ich vernomen".
↑ Text adds an additional line: "ha das han ich vernomen".
↑ There is no space between "Dupliere" and "doniden", the "D" was possibly added later.
↑ Text adds an additional line: "dz haw ich vermunen??".
↑ Corrected from »Im«.
↑ The text doubles the title of this section.
↑ Fehler is the opposite of a Treffer, which is something that hits or succeeds. The Fehler is the losing throw in dice, the missed shot in archery and shooting. It is, however, an action that might hit, but it is assumed that it will miss.
↑ This line might instead have been intended to be combined with the previous ones as two lines of a single couplet: "den elenbog nym in der waug / und mach den fäler nit träg".
↑ ^{Jump up to: 36.0} ^36.1 Corrected from »Twir«.
↑ haust
↑ Or “destroy”
↑ Or “skill”
↑ Whatever comes from the Skull cut.
↑ Or “flee”
↑ This line might instead have been intended to be combined with the previous ones as two long lines of a single couplet: "nun lerne in daß / den alten schnit mit macht".
↑ Hier hat der Schreiber offensichtlich ein Häkchen vergessen.
↑ Or “counters”
↑ Or “him”
↑ should be "dreffen"
↑ This section is followed by one titled "Von durchlauffen ab seczen", which repeat the verse on Absetzen.
↑ Or “crushing”
↑ Or “yell”
↑ Text adds an additional couplet: "Das schwertt bind / zu der flöche truckh in die hend".
↑ Text adds an additional couplet: "Das schwertt bind / zu der fleche truck in die hend".
↑ Text adds an additional couplet: "Das schwert binden / zu der flech trukh in die hand"
↑ Or “spraying”, or possibly “speaking”
↑ Text adds an additional couplet: "thutt er sich gegen dir greisen / schlagen das er seisse".
↑ Text adds an additional couplet: "thutt er sich gegen dir greifen / schlagen das er Seise".
↑ Text adds an additional couplet: "thuet er sich gegen dir raisen / schlagen dz er seisse."
↑ Illegible word. Could be read as either ‘zo’ or ‘w’. In the glosses on 37r it says ‘zw’.
↑ A guide letter “w” is visible under the “U” (apparently ignored by the rubricator), making the intended word “Wer”.
↑ Covering a deletion.
↑ Hier ist anscheinend dem Schreiber das Leerzeichen verrutscht.

[1] When German writers were aware that a person was dead, they would add a formulaic blessing after their name (i.e., "God have mercy on him"); this manuscript doesn't, but 15th century manuscripts do.

[2] See folio 13v, trans. by Michael Chidester.

[3] Christian Henry Tobler. "Chicken and Eggs: Which Master Came First?" In Saint George's Name: An Anthology of Medieval German Fighting Arts. Wheaton, IL: Freelance Academy Press, 2010. p6

[4] The Fellowship of Liechtenauer is recorded in three versions of Paulus Kal's treatise: MS 1825 (1460s), Cgm 1507 (ca. 1470), and MS KK5126 (1480s).

[5] The figures are often given as a preamble for the gloss of Lew, and a fragment of the short sword to the teachings of Martin Huntsfeld, but those instances will not be included below and instead treated as part of those treatises.

[6] This couplet might instead have been intended to be combined with the previous one as two very long lines of a single couplet: "ettlich biderman in anden hanten veder ben / kunt er chunst er mocht wol eren erwerb".

[7] This couplet might instead have been intended to be combined with the previous one as two very long lines of a single couplet: "ettlich in andern hanten verderben / kündt er kunst er möcht ere erwerben".

[8] First letter almost illegible.

[9] First letter illegible.

[10] With full extension

[11] This couplet seems to replace the first line of couplet 15, leaving the second line of 15 as an orphan.

[12] Text terminates at this point. The leaves with the rest of the text are missing.

[13] ↑ kam

[14] ↑ deinen

[15] r

[16] rrected from t.

[17] Or “crush”

[18] Or “twirl”

[19] Or “This is the about the Wrath cut, which slices apart.”

[20] Or “wind more broadly”

[21] I.e. to the action described next

[HTKremen-22] {Jump up to: 22.0} ^22.1 remen => räumen, meaning “to make space, clear away, evacuate”.

[23] Text adds an additional couplet: "hastu es vernomen zu kain / schlag mag er komen".

[24] Text adds an additional couplet: "hast dus vernomen / zu kaim schlag mag er komen".

[25] Text adds an additional couplet: "hastu es vernomen / zu kainen schlag mag er komen."

[26] Or “to the right”

[27] Or “slow”

[28] Text adds an additional line: "das son ich vernomen".

[29] Text adds an additional line: "ha das han ich vernomen".

[30] There is no space between "Dupliere" and "doniden", the "D" was possibly added later.

[31] Text adds an additional line: "dz haw ich vermunen??".

[32] Corrected from »Im«.

[33] The text doubles the title of this section.

[34] Fehler is the opposite of a Treffer, which is something that hits or succeeds. The Fehler is the losing throw in dice, the missed shot in archery and shooting. It is, however, an action that might hit, but it is assumed that it will miss.

[35] This line might instead have been intended to be combined with the previous ones as two lines of a single couplet: "den elenbog nym in der waug / und mach den fäler nit träg".

[Twir-36] {Jump up to: 36.0} ^36.1 Corrected from »Twir«.

[37] ust

[38] Or “destroy”

[39] Or “skill”

[40] Whatever comes from the Skull cut.

[41] Or “flee”

[42] This line might instead have been intended to be combined with the previous ones as two long lines of a single couplet: "nun lerne in daß / den alten schnit mit macht".

[43] Hier hat der Schreiber offensichtlich ein Häkchen vergessen.

[44] Or “counters”

[45] Or “him”

[46] should be "dreffen"

[47] This section is followed by one titled "Von durchlauffen ab seczen", which repeat the verse on Absetzen.

[48] Or “crushing”

[49] Or “yell”

[50] Text adds an additional couplet: "Das schwertt bind / zu der flöche truckh in die hend".

[51] Text adds an additional couplet: "Das schwertt bind / zu der fleche truck in die hend".

[52] Text adds an additional couplet: "Das schwert binden / zu der flech trukh in die hand"

[53] Or “spraying”, or possibly “speaking”

[54] Text adds an additional couplet: "thutt er sich gegen dir greisen / schlagen das er seisse".

[55] Text adds an additional couplet: "thutt er sich gegen dir greifen / schlagen das er Seise".

[56] Text adds an additional couplet: "thuet er sich gegen dir raisen / schlagen dz er seisse."

[57] Illegible word. Could be read as either ‘zo’ or ‘w’. In the glosses on 37r it says ‘zw’.

[58] A guide letter “w” is visible under the “U” (apparently ignored by the rubricator), making the intended word “Wer”.

[59] Covering a deletion.

[60] Hier ist anscheinend dem Schreiber das Leerzeichen verrutscht.

[1]

[2]

[3]

[4]

[5]

[6]

[7]

[8]

[9]

[10]

[11]

[12]

[13]

[14]

[15]

[16]

[17]

[18]

[19]

[20]

[21]

[22]

[23]

[24]

[25]

[26]

[27]

[28]

[29]

[30]

[31]

[32]

[33]

[34]

[35]

[36]

[37]

[38]

[39]

[40]

[41]

[42]

[43]

[44]

[45]

[46]

[47]

[48]

[49]

[50]

[51]

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[60]

Die Zettel
The Recital


Full Title	A Recital on the Chivalric Art of Fencing
Ascribed to	Johannes Liechtenauer
Illustrated by	Unknown
Date	Fourteenth century (?)
Genre	Fencing manual Wrestling manual
Language	Early New High German
Archetype(s)	Hypothetical
Principal Manuscript(s)	MS 3227^a (ca. 1390) MS Chart.A.558 (1448) Cod.44.A.8 (1452)
Manuscript(s)	MS Thott.290.2º (1459) Cod.Guelf.78.2 Aug.2º (ca. 1465-80) Cgm 1507 (ca.1470) [more] MS KK5126 (1480s) MS M.Ⅰ.29 (1491) Ortenburg Fechtbuch (1400s) Pirckh.Papp.353 (ca. 1500) MS Dresd.C.487 (ca. 1504-19) MS 26-232 (ca. 1505) Cgm 3711 (1523) Cod.Ⅰ.6.2º.2 (1523) MS Germ.quart. 2020 (1535-40) Reichsstadt Nr. 82 (1553) Cgm 3712 (1556) MS Var.82 (1563-71) Cod.Guelf.38.21 Aug.2º (1588)
First Printed English Edition	Tobler, 2010
Concordance by	Michael Chidester
Translations	Traduction française Deutsch-Übersetzung Magyar fordítás [more] Slovenski prevod Traducción castellano

Work	Author(s)	Source
Translation	Michael Chidester	Wiktenauer
Translation	Christian Henry Tobler	The Peter von Danzig Fight Book
Translation	Mike Rasmusson	Schielhau.org
Gotha Transcription	Dierk Hagedorn	Index:Talhoffer Fechtbuch (MS Chart.A.558)
Rome Transcription	Dierk Hagedorn	Index:Starhemberg Fechtbuch (Cod.44.A.8)
Copenhagen Transcription	Dieter Bachmann	Index:Talhoffer Fechtbuch (MS Thott.290.2º)
Wolfenbüttel Ⅰ Transcription	Dierk Hagedorn	Index:Wolfenbüttel Picture Book (Cod.Guelf.78.2 Aug.2º)
Bologna Transcription	Dierk Hagedorn	Index:Paulus Kal Fechtbuch (MS 1825)
Munich Ⅰ Transcription	Dierk Hagedorn	Index:Paulus Kal Fechtbuch (Cgm 1507)
Vienna Transcription	Dierk Hagedorn	Index:Paulus Kal Fechtbuch (MS KK5126)
Dresden Transcription	Dierk Hagedorn	Index:Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)
Krakow Transcription	Per Magnus Haaland, Grzegorz Żabiński	Index:Goliath Fechtbuch (MS Germ.Quart.2020)
Munich Ⅱ Transcription	Filip Lampart, Martin Fabian	Index:Jörg Wilhalm Hutters kunst zu Augspurg (Cgm 3711)
Augsburg Ⅰ Transcription	Dierk Hagedorn	Index:Wilhalm/Sollinger Fechtbuch (Cod.I.6.2º.2)
Glasgow Transcription		Index:Gregor Erhart Fechtbuch (MS E.1939.65.354)
Augsburg Ⅱ Transcription	Werner Ueberschär	Index:Rast Fechtbuch (Reichsstadt "Schätze" Nr. 82)
Munich Ⅲ Transcription		Index:Maister Liechtenawers Kunstbuech (Cgm 3712)
Wolfenbüttel Ⅱ Transcription	Kevin Maurer	Index:Künnst zu fechten vonn dem Lienhartt Sollinger (Cod.Guelf.38.21 Aug.2º)
Nuremberg Transcription	Dierk Hagedorn	Index:Pol Hausbuch (MS 3227a)
Salzburg Transcription	Dierk Hagedorn	Index:Codex Speyer (MS M.I.29)
Vienna Transcription Ⅱ	Dierk Hagedorn	Index:Oplodidaskalia sive Armorvm Tractandorvm Meditatio Alberti Dvreri (MS 26-232)
Glasgow Ⅱ Transcription	Dierk Hagedorn	Index:Glasgow Fechtbuch (MS E.1939.65.341)

Difference between revisions of "Johannes Liechtenauer"

Latest revision as of 21:31, 25 June 2025

Contents

Treatise

Long sword

Mounted figures

Mounted and dismounted dueling

Long Sword

Mounted figures

Mounted and dismounted dueling

Copyright and License Summary

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@@ Line 1: / Line 1: @@
+{{under construction}}
 {{infobox medieval text
 <!-- --------Name---------->
@@ Line 8: / Line 9: @@
 | caption               =
 <!----------Information---------->
-| full title            = A Recital on the Chivalric<br/>Art of Fencing
+| full title            = A Recital on the Chivalric Art of Fencing
 | also known as         =
 | author(s)             =
@@ Line 18: / Line 19: @@
 | audience              =
 | language              = [[language::Early New High German]]
-| date                  = Fifteenth century (?)
+| date                  = Fourteenth century (?)
 | state of existence    =
 <!----------Manuscript Information---------->
@@ Line 27: / Line 28: @@
 | archetype(s)          = Hypothetical
 | manuscript(s)         = {{collapsible list
- | [[Pol Hausbuch (MS 3227a)|MS 3227a]] (ca. 1400s)
- | [[Talhoffer Fechtbuch (MS Chart.A.558)|MS Chart.A.558]] (1448)
- | [[Starhemberg Fechtbuch (Cod.44.A.8)|Cod.44.A.8]] (1452)
   | [[Talhoffer Fechtbuch (MS Thott.290.2º)|MS Thott.290.2º]] (1459)
   | [[Wolfenbüttel Picture Book (Cod.Guelf.78.2 Aug.2º)|Cod.Guelf.78.2 Aug.2º]] (ca. 1465-80)
@@ Line 36: / Line 34: @@
   | [[Codex Speyer (MS M.I.29)|MS M.Ⅰ.29]] (1491)
   | [[Ortenburg Fechtbuch]] (1400s)
+ | [[Pirckheimer's Fechtbuch (Pirckh.Papp.353)|Pirckh.Papp.353]] (ca. 1500)
   | [[Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)|MS Dresd.C.487]] (ca. 1504-19)
- | [[Goliath Fechtbuch (MS Germ.Quart.2020)|MS Germ.quart. 2020]] (1535-40)
+  | [[Oplodidaskalia sive Armorvm Tractandorvm Meditatio Alberti Dvreri (MS 26-232)|MS 26-232]] (ca. 1505)
-  | [[Oplodidaskalia sive Armorvm Tractandorvm Meditatio Alberti Dvreri (MS 26-232)|MS 26-232]] (1512)
   | [[Jörg Wilhalm Hutters kunst zu Augspurg (Cgm 3711)|Cgm 3711]] (1523)
   | [[Wilhalm/Sollinger Fechtbuch (Cod.I.6.2º.2)|Cod.Ⅰ.6.2º.2]] (1523)
+ | [[Goliath Fechtbuch (MS Germ.Quart.2020)|MS Germ.quart. 2020]] (1535-40)
   | [[Rast Fechtbuch (Reichsstadt "Schätze" Nr. 82)|Reichsstadt Nr. 82]] (1553)
   | [[Lienhart Sollinger Fechtbuch (Cgm 3712)|Cgm 3712]] (1556)
-  | [[Fechtbuch zu Ross und zu Fuss (MS Var.82)|MS Varia 82]] (1563-71)
+  | [[Fechtbuch zu Ross und zu Fuss (MS Var.82)|MS Var.82]] (1563-71)
   | [[Künnst zu fechten vonn dem Lienhartt Sollinger (Cod.Guelf.38.21 Aug.2º)|Cod.Guelf.38.21 Aug.2º]] (1588)
 }}
-| principal manuscript(s)=
+| principal manuscript(s)= {{collapsible list
+ | [[Pol Hausbuch (MS 3227a)|MS 3227<sup>a</sup>]] (ca. 1390)
+ | [[Talhoffer Fechtbuch (MS Chart.A.558)|MS Chart.A.558]] (1448)
+ | [[Starhemberg Fechtbuch (Cod.44.A.8)|Cod.44.A.8]] (1452)
+}}
 | first printed edition = [[Christian Henry Tobler|Tobler]], 2010
 | wiktenauer compilation by=[[Michael Chidester]]
@@ Line 58: / Line 61: @@
 | below                 =
 }}
-'''Johannes Liechtenauer''' (Hans Lichtenauer, Lichtnawer) was a [[century::15th century]] [[nationality::German]] [[fencing master]]. No direct record of his life or teachings currently exists, and all that we know of both comes from the writings of other masters and scholars. The only account of his life was written by the anonymous author of the [[Pol Hausbuch (MS 3227a)|Pol Hausbuch]], one of the oldest texts in the tradition, who stated that "Master Liechtenauer learnt and mastered the Art in a thorough and rightful way, but he did not invent and put together this Art (as was just stated). Instead, he traveled and searched many countries with the will of learning and mastering this rightful and true Art." He may have been alive at the time of the creation of the fencing treatise contained in the Pol Hausbuch, as that source is the only one to fail to accompany his name with a blessing for the dead.
+'''Johannes Liechtenauer''' (Hans Lichtenauer, Lichtnawer) was a late-[[century::14th century]] [[nationality::German]] [[fencing master]]. The only account of his life was written by the anonymous author of the [[Pol Hausbuch (MS 3227a)|Pol Hausbuch]], arguably the earliest text in the tradition, and he may have been alive at that time.<ref>When German writers were aware that a person was dead, they would add a formulaic blessing after their name (i.e., "God have mercy on him"); this manuscript doesn't, but 15th century manuscripts do.</ref> The text reads:
-Liechtenauer was described by many later masters as the "high master" or "grand master" of the art, and a long poem called the ''Zettel'' ("Recital") is generally attributed to him by these masters. Later masters in the tradition often wrote extensive [[gloss]]es (commentaries) on this poem, using it to structure their own martial teachings. Liechtenauer's influence on the German fencing tradition as we currently understand it is almost impossible to overstate. The masters on [[Paulus Kal]]'s roll of the [[Fellowship of Liechtenauer]] were responsible for most of the most significant fencing manuals of the 15th century, and Liechtenauer and his teachings were also the focus of the German fencing guilds that arose in the 15th and 16th centuries, including the [[Marxbrüder]] and the [[Veiterfechter]].
+{{quote|''First and foremost, you should notice and remember that there's only one art of the sword, and it was discovered and developed hundreds of years ago, and it's the foundation and core of all fencing arts. Master Liechtenauer understood and practiced this art completely and correctly; as already written, he did not discover or invent it himself, but rather traveled through many lands and searched for the true and correct art for the sake of experiencing and knowing it.''<ref>See [[Page:MS 3227a 13v.jpg|folio 13v]], trans. by [[Michael Chidester]].</ref>}}
-Additional facts have sometimes been presumed about Liechtenauer based on often-problematic premises. The Pol Hausbuch, often erroneously dated to 1389 and presumed to be written by a direct student of Liechtenauer's, has been treated as evidence placing Liechtenauer's career in the mid-1300s.<ref>[[Christian Henry Tobler]]. "Chicken and Eggs: Which Master Came First?" ''In Saint George's Name: An Anthology of Medieval German Fighting Arts''. Wheaton, IL: [[Freelance Academy Press]], 2010. p6</ref> However, given that the Pol Hausbuch may date as late as 1494 and the earliest records of the identifiable members of his tradition appear in the mid 1400s, it seems more probable that Liechtenauer's career occurred toward the beginning of the 15th century. Ignoring the Pol Hausbuch as being of indeterminate date, the oldest version of the Recital that is attributed to Liechtenauer was recorded by [[Hans Talhoffer]] in the [[Talhoffer Fechtbuch (MS Chart.A.558)|MS Chart.A.558]] (ca. 1448), which further supports this timeline.<ref>There is one version of the Recital that predates Talhoffer's, recorded in [[Modus Dimicandi (MS G.B.f.18a)|MS G.B.f.18a]] (ca. 1418-28) and attributed to an [[H. Beringer]]; this also conforms to a 15th century timeline and suggests the possibility that Liechtenauer was himself an inheritor of the teachings contained in the Zettel rather than its original composer (presentations of the Recital that are entirely unattributed exist in other 15th and 16th century manuscripts). Alternatively, the Beringer verse, which includes only portions of the Recital on the Long Sword, may represent just one of the teachings that Liechtenauer received and compiled over the course of the journeys described in 3227a.</ref>
+Liechtenauer was described by many later masters as the "high master" or "grand master" of the art, and authored a long poem called the ''Zettel'' ("Recital"). Later masters in the tradition often wrote extensive [[gloss]]es (commentaries) on this poem, using it to structure their own martial teachings. Liechtenauer's influence on the German fencing tradition as we currently understand it is almost impossible to overstate. The masters on [[Paulus Kal]]'s roll of the [[Fellowship of Liechtenauer]] were responsible for most of the most significant fencing manuals of the 15th century, and Liechtenauer and his teachings were also the focus of the German fencing guilds that arose in the 15th and 16th centuries, including the [[Marxbrüder]] and the [[Veiterfechter]].
+Additional facts have sometimes been presumed about Liechtenauer based on secondary evidence. The Pol Hausbuch, which is undated internally but commonly placed around 1390 and also presumed to be written by a direct student of Liechtenauer's (though both of these assertions are disputed and the manuscript could be a 15th century work<ref>[[Christian Henry Tobler]]. "Chicken and Eggs: Which Master Came First?" ''In Saint George's Name: An Anthology of Medieval German Fighting Arts''. Wheaton, IL: [[Freelance Academy Press]], 2010. p6</ref>), has been treated as evidence placing Liechtenauer's career in the late 1300s. Others point to the earliest internally-dated version of the Recital, recorded by [[Hans Talhoffer]] in the [[Talhoffer Fechtbuch (MS Chart.A.558)|MS Chart.A.558]] (ca. 1448), to suggest a career in the early 1400s; an earlier version of the Recital on the Long Sword, jumbled and fragmentary, is recorded in [[Modus Dimicandi (MS G.B.f.18a)|MS G.B.f.18a]] (ca. 1418-28) and apparently attributed to an [[H. Beringer]], which could represent just one of the teachings that Liechtenauer received and compiled over the course of the journeys described in the Pol Hausbuch.
+This potential range of dates can be narrowed somewhat by [[Paulus Kal]], who recorded a list of masters associated with Liechtenauer in ca. 1470 which he referred to as the [[Fellowship of Liechtenauer]].<ref>The Fellowship of Liechtenauer is recorded in three versions of [[Paulus Kal]]'s treatise: [[Paulus Kal Fechtbuch (MS 1825)|MS 1825]] (1460s), [[Paulus Kal Fechtbuch (Cgm 1507)|Cgm 1507]] (ca. 1470), and [[Paulus Kal Fechtbuch (MS KK5126)|MS KK5126]] (1480s).</ref>  While most of these masters are completely unknown, three of them&mdash;[[Martin Huntsfeld]], [[Andre Lignitzer]], and [[Ott Jud]]&mdash;were already deceased by the time the earliest surviving copies of their treatises were created in 1452 ([[Starhemberg Fechtbuch (Cod.44.A.8)|Cod.44.A.8]]), which suggests that their careers probably occurred in the early 15th century (if not earlier); likewise, [[Sigmund Ainring]]'s presumptive student Albrecht III of Bavaria would have required a fencing master as part of his education in the 1410s. These timeframes cohere with the proposed 1390 date of the Pol Hausbuch and with the prospect of Liechtenauer's career beginning in the late 14th century and extending into the early 15th.
 == Treatise ==
-Liechtenauer's teachings are preserved in a long poem of rhyming couplets called the ''Zettel'' ("Recital"), covering fencing with the "long" or extended sword (i.e. with both hands at one end of the sword), the "short" or withdrawn sword (i.e. with one hand at either end), and on horseback. These "obscure and cryptic words" were designed to prevent the uninitiated from learning the techniques they represented; they also seem to have offered a system of mnemonic devices to those who understood their significance. The Recital was treated as the core of the Art by his students, and masters such as [[Sigmund ain Ringeck]], [[Peter von Danzig zum Ingolstadt]], and [[Lew]] wrote extensive [[gloss]]es that sought to clarify and expand upon these teachings.
+Liechtenauer's teachings are preserved in a long poem of rhyming couplets called the ''Zettel'' ("Recital"), covering fencing with the "long" or extended sword (i.e. with both hands at one end of the sword) and dueling on horseback and on foot using the lance/spear, the "short" or retracted sword (i.e. with one hand at either end), and the dagger. These "obscure and cryptic words" were designed to prevent the uninitiated from learning the techniques they represented; they also seem to have offered a system of mnemonic devices to those who understood their significance. The Recital was treated as the core of the Art by his students, and masters such as [[Sigmund ain Ringeck]], [[Peter von Danzig zum Ingolstadt]], and [[Lew]] wrote extensive commentaries ([[gloss]]es) that sought to clarify and expand upon these teachings.
-In addition to the verses on mounted fencing, several treatises in the Liechtenauer tradition include a group of twenty-six "figures" (''figuren'')—phrases that are shorter than Liechtenauer's couplets and often arranged into the format of a Medieval tree diagram. These figures seem to encode the same teachings as the verses of the mounted fencing, and both are quoted in the mounted glosses. However, figures follow a very different structure than the Zettel does, and seem to present an alternative sequence for studying Liechtenauer's techniques. It is not known why the mounted fencing is the only section of the Recital to receive figures in addition to verse.
+In addition to the verses on mounted dueling, several treatises in the Liechtenauer tradition include a group of twenty-six "figures" (''figuren'')—phrases that are shorter than Liechtenauer's couplets and often arranged into the format of a Medieval tree diagram. These figures seem to encode the same teachings as the verses of the mounted fencing, and both are quoted in the mounted glosses. However, figures follow a very different structure than the ''Zettel'' does, and seem to present an alternative sequence for studying Liechtenauer's techniques. It is not known why the mounted dueling is the only section of the Recital to receive figures in addition to verse.
-Seventeen manuscripts contain a presentation of at least one section of the Recital as a distinct (unglossed) section; there are dozens more presentations of the verse as part of one of the several glosses. The longest version of the Recital by far is actually found in one of these glosses, that of [[Pseudo-Hans Döbringer]], which contains almost twice as many verses as any other; however, given that the additional verses tend to either be repetitions from elsewhere in the Recital or use a very different style from Liechtenauer's work, they are generally treated as additions by the anonymous author or his instructor rather than being part of the original Recital. The other surviving versions of the Recital from all periods show a high degree of consistency in both content and organization, excepting only that attributed to [[H. Beringer]] (which is also included in the writings of [[Hans Folz]]).
+Seventeen manuscripts contain a presentation of at least one section of the Recital as a distinct (unglossed) section; there are dozens more presentations of the verse as part of one of the several glosses. The longest version of the Recital by far is actually found in one of these glosses, that of [[Pseudo-Hans Döbringer]], which contains almost twice as many verses as any other; however, given that the additional verses tend to either be repetitions from elsewhere in the Recital or use a very different style from Liechtenauer's work, they are generally treated as additions by the anonymous author or his instructor rather than being part of the original Recital. The other surviving versions of the Recital from all periods show a high degree of consistency in both content and organization, excepting only the much shorter version attributed to [[H. Beringer]] (which is also included in the writings of [[Hans Folz]]).
-The following concordance tables include only those texts that quote Liechtenauer's Recital in an unglossed form.<ref>The figures are often given as a preamble for the [[gloss]] of [[Lew]], and a fragment of the short sword to the teachings of [[Martin Huntsfeld]], but those instances will not be included below and instead treated as part of those treatises.</ref> Most manuscripts present the Recital as prose, and those have had the text separated out into the original verses to offer a consistent view. For ease of use, this page breaks the general Wiktenauer rule that column format remain consistent across all tables on a page; the sheer number of Liechtenauer sources made this convention entirely unworkable, with more columns empty than filled, so instead the long sword table uses one layout, the mounted and short sword tables use another, and the figures use a third.
+The following concordance tables include only those texts that quote Liechtenauer's Recital in an unglossed form.<ref>The figures are often given as a preamble for the [[gloss]] of [[Lew]], and a fragment of the short sword to the teachings of [[Martin Huntsfeld]], but those instances will not be included below and instead treated as part of those treatises.</ref> Most manuscripts present the Recital as prose, and those have had the text separated out into the original verses to offer a consistent view.
-{{master begin
+''Note: This article includes a version of Christian Henry Tobler's translation. It was also published in 2021 by Freelance Academy Press as part of ''The Peter von Danzig Fight Book''; it can be purchased in [http://www.freelanceacademypress.com/ThePetervonDanzigFightBook.aspx hardcover].''
-  | title = Long Sword
+{{Special:RunQuery/Johannes Liechtenauer}}
-  | width = 480em
+<h3 style="display: none;> Long Sword </h3>
-}}
+<div id="long_sword" style="background:transparent; clear:both; font-weight:normal; padding:3px; text-align:left; width:0em; min-width:0em;">
-<section begin="credits"/>
+<table class="master sortable">
-{| class="master"
+ <tr>
-|-
+  <th id="LSChidester0"><p>{{rating|B|Rhyming Translation (from the Rome)}} (2025){{edit2|Johannes Liechtenauer/Michael Chidester LS 2025}}<br/>by [[Michael Chidester]]</p></th>
-! <p>{{rating|A|Featured Translation (from the Rome)}}<br/>by [[Christian Tobler]]</p>
+  <th id="LSTobler0"><p>{{rating|A|Featured Translation (from the Rome)}} (2021){{edit2|Johannes Liechtenauer/Christian Tobler LS 2021}}<br/>by [[Christian Henry Tobler]]</p></th>
-! <p>[[Talhoffer Fechtbuch (MS Chart.A.558)|Gotha Version]] (1448){{edit index|Talhoffer Fechtbuch (MS Chart.A.558)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
+  <th id="LSGarber0"><p>{{rating|C|Draft Translation (from the Copenhagen)}} (2020){{edit2|Johannes Liechtenauer/Rebecca L. R. Garber LS 2020}}<br/>by [[Rebecca L. R. Garber]]</p></th>
-! <p>[[Starhemberg Fechtbuch (Cod.44.A.8)|Rome Version]] (1452){{edit index|Starhemberg Fechtbuch (Cod.44.A.8)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
+  <th id="LSRasmusson0"><p>{{rating|C|Draft Translation (from the Krakow)}} (2005){{edit2|Johannes Liechtenauer/Mike Rasmusson LS 2005}}<br/>by [[Mike Rasmusson]]</p></th>
-! <p>[[Talhoffer Fechtbuch (MS Thott.290.2º)|Copenhagen Version]] (1459){{edit index|Talhoffer Fechtbuch (MS Thott.290.2º)}}<br/>Transcribed by [[Dieter Bachmann]]</p>
+  <th id="LSGotha0"><p>[[Talhoffer Fechtbuch (MS Chart.A.558)|Gotha Version]] (1448){{edit index|Talhoffer Fechtbuch (MS Chart.A.558)}}<br/>Transcribed by [[Dierk Hagedorn]]</p></th>
-! <p>[[Wolfenbüttel Picture Book (Cod.Guelf.78.2 Aug.2º)|Wolfenbüttel Ⅰ Version]] (ca. 1465-80){{edit index|Wolfenbüttel Picture Book (Cod.Guelf.78.2 Aug.2º)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
+  <th id="LSRome0"><p>[[Starhemberg Fechtbuch (Cod.44.A.8)|Rome Version]] (1452){{edit index|Starhemberg Fechtbuch (Cod.44.A.8)}}<br/>Transcribed by [[Dierk Hagedorn]]</p></th>
-! <p>[[Paulus Kal Fechtbuch (Cgm 1507)|Munich Ⅰ Version]] (ca. 1470){{edit index|Paulus Kal Fechtbuch (Cgm 1507)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
+  <th id="LSCopenhagen0"><p>[[Talhoffer Fechtbuch (MS Thott.290.2º)|Copenhagen Version]] (1459){{edit index|Talhoffer Fechtbuch (MS Thott.290.2º)}}<br/>Transcribed by [[Dieter Bachmann]]</p></th>
-! <p>[[Paulus Kal Fechtbuch (MS KK5126)|Vienna Version]] (1480s){{edit index|Paulus Kal Fechtbuch (MS KK5126)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
+  <th id="LSWolfenbuttela0"><p>[[Wolfenbüttel Picture Book (Cod.Guelf.78.2 Aug.2º)|Wolfenbüttel Version Ⅰ]] (ca. 1465-80){{edit index|Wolfenbüttel Picture Book (Cod.Guelf.78.2 Aug.2º)}}<br/>Transcribed by [[Dierk Hagedorn]]</p></th>
-! <p>[[Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)|Dresden Version]] A (ca. 1504-19){{edit index|Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
+  <th id="LSBologna0"><p>[[Paulus Kal Fechtbuch (MS 1825)|Bologna Version]] (ca. 1470){{edit index|Paulus Kal Fechtbuch (MS 1825)}}<br/>Transcribed by [[Dierk Hagedorn]]</p></th>
-! <p>[[Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)|Dresden Version]] B (ca. 1504-19){{edit index|Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
+  <th id="LSMunicha0"><p>[[Paulus Kal Fechtbuch (Cgm 1507)|Munich Version Ⅰ]] (ca. 1470){{edit index|Paulus Kal Fechtbuch (Cgm 1507)}}<br/>Transcribed by [[Dierk Hagedorn]]</p></th>
-! <p>[[Goliath Fechtbuch (MS Germ.Quart.2020)|Krakow Version]] (1535-40){{edit index|Goliath Fechtbuch (MS Germ.Quart.2020)}}<br/>Transcribed by [[Grzegorz Żabiński]]</p>
+  <th id="LSViennaa0"><p>[[Paulus Kal Fechtbuch (MS KK5126)|Vienna Version Ⅰ]] (1480s){{edit index|Paulus Kal Fechtbuch (MS KK5126)}}<br/>Transcribed by [[Dierk Hagedorn]]</p></th>
-! <p>[[Jörg Wilhalm Hutters kunst zu Augspurg (Cgm 3711)|Munich Ⅱ Version]] (1523){{edit index|Jörg Wilhalm Hutters kunst zu Augspurg (Cgm 3711)}}<br/>Transcribed by [[Filip Lampart]] and [[Martin Fabian]]</p>
+  <th id="LSOrtenburg0"><p>[[Ortenburg Fechtbuch|Ortenburg Version]] (1400s){{edit index|Ortenburg Fechtbuch}}<br/></p></th>
-! <p>[[Wilhalm/Sollinger Fechtbuch (Cod.I.6.2º.2)|Augsburg Ⅰ Version]] (1523){{edit index|Wilhalm/Sollinger Fechtbuch (Cod.I.6.2º.2)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
+  <th id="LSNurembergb0"><p>[[Pirckheimer's Fechtbuch (Pirckh.Papp.353)|Nuremberg Version Ⅱ]] (ca. 1500){{edit index|Pirckheimer's Fechtbuch (Pirckh.Papp.353)}}<br/></p>
-! <p>[[Gregor Erhart Fechtbuch (MS E.1939.65.354)|Glasgow Version]] (1533){{edit index|Gregor Erhart Fechtbuch (MS E.1939.65.354)}}<br/></p>
+  <th id="LSDresdena0"><p>[[Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)|Dresden Version]] A (ca. 1504-19){{edit index|Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)}}<br/>Transcribed by [[Dierk Hagedorn]]</p></th>
-! <p>[[Rast Fechtbuch (Reichsstadt "Schätze" Nr. 82)|Augsburg Ⅱ Version]] (1553){{edit index|Rast Fechtbuch (Reichsstadt "Schätze" Nr. 82)}}<br/>Transcribed by [[Werner Ueberschär]]</p>
+  <th id="LSDresdenb0"><p>[[Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)|Dresden Version]] B (ca. 1504-19){{edit index|Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)}}<br/>Transcribed by [[Dierk Hagedorn]]</p></th>
-! <p>[[Maister Liechtenawers Kunstbuech (Cgm 3712)|Munich Ⅲ Version]] (1556){{edit index|Maister Liechtenawers Kunstbuech (Cgm 3712)}}<br/></p><br/>
+  <th id="LSMunichb0"><p>[[Jörg Wilhalm Hutters kunst zu Augspurg (Cgm 3711)|Munich Version Ⅱ]] (1523){{edit index|Jörg Wilhalm Hutters kunst zu Augspurg (Cgm 3711)}}<br/>Transcribed by [[Filip Lampart]] and [[Martin Fabian]]</p></th>
-! <p>[[Künnst zu fechten vonn dem Lienhartt Sollinger (Cod.Guelf.38.21 Aug.2º)|Wolfenbüttel Ⅱ Version]] (ca. 1588){{edit index|Künnst zu fechten vonn dem Lienhartt Sollinger (Cod.Guelf.38.21 Aug.2º)}}<br/>Transcribed by [[Kevin Maurer]]</p>
+  <th id="LSAugsburga0"><p>[[Wilhalm/Sollinger Fechtbuch (Cod.I.6.2º.2)|Augsburg Version Ⅰ]] (1523){{edit index|Wilhalm/Sollinger Fechtbuch (Cod.I.6.2º.2)}}<br/>Transcribed by [[Dierk Hagedorn]]</p></th>
-<section end="credits"/>
+  <th id="LSGlasgowb0"><p>[[Gregor Erhart Fechtbuch (MS E.1939.65.354)|Glasgow Version]] (1533){{edit index|Gregor Erhart Fechtbuch (MS E.1939.65.354)}}<br/></p></th>
-|-
+  <th id="LSKrakow0"><p>[[Goliath Fechtbuch (MS Germ.Quart.2020)|Krakow Version]] (1535-40){{edit index|Goliath Fechtbuch (MS Germ.Quart.2020)}}<br/>Transcribed by [[Michael Chidester]]</p></th>
-| <p>{{red|b=1|Here begins the epitome on the knightly art of combat that was composed and created by Johannes Liechtenauer, who was a great master in the art, God have mercy on him;}}<br/><br/></p>
+  <th id="LSAugsburgb0"><p>[[Rast Fechtbuch (Reichsstadt "Schätze" Nr. 82)|Augsburg Version Ⅱ]] (1553){{edit index|Rast Fechtbuch (Reichsstadt "Schätze" Nr. 82)}}<br/>Transcribed by [[Werner Ueberschär]]</p></th>
+  <th id="LSMunichc0"><p>[[Maister Liechtenawers Kunstbuech (Cgm 3712)|Munich Version Ⅲ]] (1556){{edit index|Maister Liechtenawers Kunstbuech (Cgm 3712)}}<br/></p><br/></th>
-<p>first with the long sword, then with the lance and sword on horseback, and then with the short sword in armoured combat. Because the art belongs to princes and lords, knights and squires, and they should know and learn this art, he has written of this art in hidden and secret words, so that not everyone will grasp and understand it, as you will find described below. And he has done this on account of frivolous fight masters who mistake the art as trivial, so that such masters will not make his art common or open with people who do not hold the art in respect as is its due.</p>
+  <th id="LSWolfenbuttelb0"><p>[[Künnst zu fechten vonn dem Lienhartt Sollinger (Cod.Guelf.38.21 Aug.2º)|Wolfenbüttel Version Ⅱ]] (ca. 1588){{edit index|Künnst zu fechten vonn dem Lienhartt Sollinger (Cod.Guelf.38.21 Aug.2º)}}<br/>Transcribed by [[Kevin Maurer]]</p></th>
-| {{section|Page:MS Chart.A.558 018r.jpg|1|lbl=18r}}
+ </tr>
-| {{section|Page:Cod.44.A.8 003r.jpg|1|lbl=3r}}
+{{Liechtenauer row LS|1
+| {{section|Page:MS Chart.A.558 018r.jpg|1|lbl=18r.1}}
+| {{section|Page:Cod.44.A.8 003r.jpg|1|lbl=03r.1}}
+|
+|
+|
+|
+| {{section|Page:MS KK5126 104v.jpg|1|lbl=104v.1}}
 |
 |
+| {{section|Page:MS Dresd.C.487 003r.png|1|lbl=03r.1}}
 |
-| {{section|Page:MS KK5126 104v.jpg|1|lbl=104v}}
-| {{section|Page:MS Dresd.C.487 003r.png|1|lbl=03r}}
 |
 |
@@ Line 117: / Line 130: @@
 |
 |
+}}
-|-
+{{Liechtenauer row LS|2
-| <p>{{red|b=1|This is the Prologue}}</p>
-{| class="zettel"
-|-
-| <small>1</small>
-| Young knight, learn<br/>&emsp;to love god and revere women;
-|-
-| <small>2</small>
-| thus your honor will grow.<br/>&emsp;Practice knighthood and learn
-|-
-| <small>3</small>
-| the Art that dignifies you,<br/>&emsp;and brings you honor in wars.
-|-
-| <small>4</small>
-| Be a good grappler in wrestling;<br/>&emsp;lance, spear, sword, and messer
-|-
-| <small>5</small>
-| handle manfully,<br/>&emsp;and foil them in your opponent's hands.
-|-
-| <small>6</small>
-| Strike in and hasten forth;<br/>&emsp;rush to, let it hit, or go by.
-|-
-| <small>7</small>
-| Thus those with wisdom, the ones who<br/>&emsp;are revered, will envy him.
-|-
-| <small>8</small>
-| This you should grasp:<br/>&emsp;All arts have length and measure.
-|}
 | <p><br/></p>
-{{section|Page:MS Chart.A.558 018r.jpg|2|lbl=-}}
+{{section|Page:MS Chart.A.558 018r.jpg|2|lbl=18r.2}}
 |
-{{section|Page:Cod.44.A.8 003r.jpg|2|lbl=-|p=1}} {{section|Page:Cod.44.A.8 003v.jpg|1|lbl=3v|p=1}}
+{{section|Page:Cod.44.A.8 003r.jpg|2|lbl=03r.2|p=1}} {{section|Page:Cod.44.A.8 003v.jpg|1|lbl=03v.1|p=1}}
 |
 | <p><br/></p>
-{{section|Page:Cod.Guelf.78.2 Aug.2º IIIr.png|1|lbl=Ⅲr}}
+{{section|Page:Cod.Guelf.78.2 Aug.2º IIIr.png|1|lbl=Ⅲr.1}}
 | <p><br/></p>
-{{paget|Page:MS 1825|45r|jpg|p=1}}<br/>{{section|Page:MS 1825 45v.jpg|1|lbl=45v|p=1}}
+{{paget|Page:MS 1825|45r|jpg|p=1}}<br/>{{section|Page:MS 1825 45v.jpg|1|lbl=45v.1|p=1}}
+|
 | <p><br/></p>
-{{section|Page:MS KK5126 104v.jpg|2|lbl=-}}
+{{section|Page:MS KK5126 104v.jpg|2|lbl=104v.2}}
+|
+|
 | <p><br/></p>
-{{section|Page:MS Dresd.C.487 003r.png|2|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 003v.png|1|lbl=03v|p=1}}
+{{section|Page:MS Dresd.C.487 003r.png|2|lbl=03r.2|p=1}} {{section|Page:MS Dresd.C.487 003v.png|1|lbl=03v.1|p=1}}
 |
 |
@@ Line 173: / Line 162: @@
 |
 |
+}}
-|-
+{{Liechtenauer row LS|3
-| <p>{{red|b=1|This is a general teaching of the long sword}}<br/><br/></p>
+|
+{{section|Page:MS Chart.A.558 018r.jpg|3|lbl=18r.3|p=1}} {{section|Page:MS Chart.A.558 018v.jpg|1|lbl=18v.1|p=1}}
+| {{section|Page:Cod.44.A.8 003v.jpg|2|lbl=03v.2}}
+| {{section|Page:MS Thott.290.2º 002r.jpg|1|lbl=02r.1}}
+| <p><br/><br/></p>
-{| class="zettel"
+{{section|Page:Cod.Guelf.78.2 Aug.2º IIIr.png|2|lbl=Ⅲr.2}}
-|-
+| {{section|Page:MS 1825 45v.jpg|2|lbl=45v.2}}
-| <small>9</small>
+|
-| If you want to behold the art,<br/>&emsp;See that you go on the left and strike with the right.
+| {{section|Page:MS KK5126 104v.jpg|3|lbl=104v.3}}
-|-
+|
-| <small>10</small>
+|
-| And left to right,<br/>&emsp;is how you strongly want to fight.
+|
-|-
+{{section|Page:MS Dresd.C.487 003v.png|2|lbl=03v.2|p=1}} {{paget|Page:MS Dresd.C.487|004r|png|lbl=04r|p=1}} {{section|Page:MS Dresd.C.487 004v.png|1|lbl=04v.1|p=1}}
-| <small>11</small>
+|
-| He who follows the strokes,<br/>&emsp;should rejoice little in his art.
+| {{section|Page:Cgm 3711 43r.jpg|1|lbl=43r.1}}
-|-
+| {{section|Page:Cod.I.6.2º.2 42br.jpg|1|lbl=42br.1}}
-| <small>12</small>
-| Strike close whatever you will,<br/>&emsp;no Changer will come into your shield.
-|-
-| <small>13</small>
-| To the head, to the body<br/>&emsp;do not shun the Tag-Hits.
-|-
-| <small>14</small>
-| Fight with the entire body,<br/>&emsp;What you powerfully want to do.
-|-
-| <small>15</small>
-| Listen to what is wrong,<br/>&emsp;do not fight above on the left if you are righthanded;
-|-
-| <small>16</small>
-| and if you are lefthanded,<br/>&emsp;on the right you limp as well.
-|-
-| <small>17</small>
-| Before and After, these two things,<br/>&emsp;are to all skill a well-spring.
-|-
-| <small>18</small>
-| Weak and Strong,<br/>&emsp;Always remember the word Instantly.
-|-
-| <small>19</small>
-| So you may learn<br/>&emsp;To work and defend with skill.
-|-
-| <small>20</small>
-| If you are easily intimidated,<br/>&emsp;no fencing should you learn.
-|-
-| <small>21</small>
-| Learn five strokes<br/>&emsp;from the right side against the opposition.
-|-
-| <small>22</small>
-| Then we promise<br/>&emsp;that your arts will be rewarded.
-|}
 |
-{{section|Page:MS Chart.A.558 018r.jpg|3|lbl=-|p=1}} {{section|Page:MS Chart.A.558 018v.jpg|1|lbl=18v|p=1}}
+|
-| {{section|Page:Cod.44.A.8 003v.jpg|2|lbl=-}}
+{{paget|Page:MS Germ.Quart.2020|001r|jpg|lbl=01r|p=1}} {{section|Page:MS Germ.Quart.2020 001v.jpg|1|lbl=01v.1|p=1}}
-| {{section|Page:MS Thott.290.2º 002r.jpg|1|lbl=2r}}
+|
-| <p><br/><br/></p>
+|
+| {{section|Page:Cod.Guelf.38.21 Aug.2º 048r.jpg|1|lbl=48r.1}}
+}}
+{{Liechtenauer row LS|4
+| <p><br/></p>
+{{section|Page:MS Chart.A.558 018v.jpg|2|lbl=18v.2}}
+| <p><br/></p>
+{{section|Page:Cod.44.A.8 003v.jpg|3|lbl=03v.3}}
+| <p><br/></p>
+{{section|Page:MS Thott.290.2º 002r.jpg|2|lbl=02r.2}}
+| <p><br/></p>
-{{section|Page:Cod.Guelf.78.2 Aug.2º IIIr.png|2|lbl=-}}
+{{section|Page:Cod.Guelf.78.2 Aug.2º IIIr.png|3|lbl=Ⅲr.3}}
-| {{section|Page:MS 1825 45v.jpg|2|lbl=-}}
-| {{section|Page:MS KK5126 104v.jpg|3|lbl=-}}
 |
-{{section|Page:MS Dresd.C.487 003v.png|2|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 004r.png|1|lbl=04r|p=1}} {{section|Page:MS Dresd.C.487 004v.png|1|lbl=04v|p=1}}
 |
+| <p><br/></p>
+{{section|Page:MS KK5126 104v.jpg|4|lbl=104v.4}}
 |
-{{section|Page:MS Germ.Quart.2020 001r.jpg|1|lbl=01r|p=1}} {{section|Page:MS Germ.Quart.2020 001v.jpg|1|lbl=01v|p=1}}
-| {{section|Page:Cgm 3711 43r.jpg|1|lbl=43r}}
-| {{section|Page:Cod.I.6.2º.2 42br.jpg|1|lbl=42br}}
 |
+| <p><br/></p>
+{{section|Page:MS Dresd.C.487 004v.png|2|lbl=04v.2|p=1}}
 |
+| <p><br/></p>
+{{section|Page:Cgm 3711 43r.jpg|2|lbl=43r.2}}
+| <p><br/></p>
+{{section|Page:Cod.I.6.2º.2 42br.jpg|2|lbl=42br.2}}
 |
-| {{section|Page:Cod.Guelf.38.21 Aug.2º 048r.jpg|1|lbl=48r}}
+| <p><br/></p>
-<section begin="Hauptstücke"/>
-|-
-| <p>{{red|b=1|This is the text:}}<br/><br/></p>
-{| class="zettel"
+{{section|Page:MS Germ.Quart.2020 001v.jpg|2|lbl=01v.2}}
-|-
-| <small>23</small>
-| Wrath Stroke, Crooked, Thwart,<br/>&emsp;Squinter and Scalper,
-|-
-| <small>24</small>
-| Fool parries<br/>&emsp;chasing, overrunning gives strokes,
-|-
-| <small>25</small>
-| change through, pull,<br/>&emsp;run through, slice off, press the hands,
-|-
-| <small>26</small>
-| hang, wind with the openings;<br/>&emsp;strike, catch, slash, thrust with jabs.
-|}
-| {{section|Page:MS Chart.A.558 018v.jpg|2|lbl=-}}
 |
-{{section|Page:Cod.44.A.8 003v.jpg|3|lbl=-|p=1}} {{section|Page:Cod.44.A.8 004r.jpg|1|lbl=4r|p=1}}
+|
-| {{section|Page:MS Thott.290.2º 002v.jpg|1|lbl=2v}}
+| <p><br/></p>
+{{section|Page:Cod.Guelf.38.21 Aug.2º 048r.jpg|2|lbl=48r.2}}
+}}
+{{Liechtenauer row LS|5
+| {{section|Page:MS Chart.A.558 018v.jpg|3|lbl=18v.3}}
+|
+{{section|Page:Cod.44.A.8 003v.jpg|4|lbl=03v.4|p=1}} {{section|Page:Cod.44.A.8 004r.jpg|1|lbl=04r.1|p=1}}
+| {{section|Page:MS Thott.290.2º 002v.jpg|1|lbl=02v.1}}
 | <p><br/><br/></p>
-{{section|Page:Cod.Guelf.78.2 Aug.2º IIIr.png|3|lbl=-}}
+{{section|Page:Cod.Guelf.78.2 Aug.2º IIIr.png|4|lbl=Ⅲr.4}}
+|
 |
 | <p><br/><br/></p>
-{{section|Page:MS KK5126 104v.jpg|4|lbl=-}}
+{{section|Page:MS KK5126 104v.jpg|5|lbl=104v.5}}
-| {{section|Page:MS Dresd.C.487 004v.png|2|lbl=-}}
 |
-| {{section|Page:MS Germ.Quart.2020 001v.jpg|2|lbl=-}}
-| {{section|Page:Cgm 3711 43r.jpg|2|lbl=-}}
-| {{section|Page:Cod.I.6.2º.2 42br.jpg|2|lbl=-}}
 |
+| {{section|Page:MS Dresd.C.487 004v.png|3|lbl=04v.3}}
 |
+| {{section|Page:Cgm 3711 43r.jpg|3|lbl=43r.3}}
+| {{section|Page:Cod.I.6.2º.2 42br.jpg|3|lbl=42br.3}}
 |
-| {{section|Page:Cod.Guelf.38.21 Aug.2º 048r.jpg|2|lbl=-}}
+| {{section|Page:MS Germ.Quart.2020 001v.jpg|3|lbl=01v.3}}
-<section end="Hauptstücke"/><section begin="Zornhaw"/><section begin="Krieg"/>
-|-
-| <p>{{red|b=1|The Wrath Stroke}}</p>
-{| class="zettel"
-|-
-| <small>27</small>
-| Who strikes at you above,<br/>&emsp;the Wrath stroke threatens him with the point.
-|-
-| <small>28</small>
-| If he becomes aware of it,<br/>&emsp;take it away above without fear.
-|-
-| <small>29</small>
-| Be strong against it;<br/>&emsp;wind, thrust. If he sees that, take it down.
-|-
-| <small>30</small>
-| Note this:<br/>&emsp;strike, thrust, posture, soft or hard,
-|-
-| <small>31</small>
-| Instantly, and Before and After.<br/>&emsp;Your War should not be in haste.
-|-
-| <small>32</small>
-| Who to the War tends above,<br/>&emsp;gets ashamed below.
-|-
-| <small>33</small>
-| In all winding<br/>&emsp;learn to find stroke, thrust, and slice.
-|-
-| <small>34</small>
-| Also you should<br/>&emsp;Apply stroke, thrust, or slice,
-|-
-| <small>35</small>
-| In all encounters,<br/>&emsp;if you want to fool the masters.
-|}
 |
-{{section|Page:MS Chart.A.558 018v.jpg|3|lbl=-|p=1}}<br/>{{section|Page:MS Chart.A.558 018v.jpg|4|lbl=-|p=1}}
 |
-{{section|Page:Cod.44.A.8 004r.jpg|2|lbl=-|p=1}}<br/>{{section|Page:Cod.44.A.8 004r.jpg|3|lbl=-|p=1}}
+| {{section|Page:Cod.Guelf.38.21 Aug.2º 048r.jpg|3|lbl=48r.3}}
+}}
+{{Liechtenauer row LS|6
+| {{section|Page:MS Chart.A.558 018v.jpg|4|lbl=18v.4}}
+| {{section|Page:Cod.44.A.8 004r.jpg|2|lbl=04r.2}}
 |
-{{section|Page:MS Thott.290.2º 002v.jpg|2|lbl=-|p=1}}<br/>{{section|Page:MS Thott.290.2º 002v.jpg|3|lbl=-|p=1}}
+{{section|Page:MS Thott.290.2º 002v.jpg|2|lbl=02v.2}}
 | <p><br/></p>
-{{section|Page:Cod.Guelf.78.2 Aug.2º IIIr.png|4|lbl=-|p=1}}<br/>{{section|Page:Cod.Guelf.78.2 Aug.2º IIIr.png|5|lbl=-|p=1}}
+{{section|Page:Cod.Guelf.78.2 Aug.2º IIIr.png|5|lbl=Ⅲr.5}}
+|
 | <p><br/></p>
-<br/>{{paget|Page:Cgm 1507|59r|jpg|p=1}}<br/><br/>{{paget|Page:Cgm 1507|59v|jpg|p=1}}<br/><br/>{{paget|Page:Cgm 1507|60r|jpg|p=1}} {{paget|Page:Cgm 1507|60v|jpg|p=1|p=1}}
+<br/>{{paget|Page:Cgm 1507|59r|jpg|p=1}}<br/><br/>{{paget|Page:Cgm 1507|59v|jpg|p=1}}<br/><br/>{{paget|Page:Cgm 1507|60r|jpg|p=1}} {{paget|Page:Cgm 1507|60v|jpg|p=1}}
+|
+{{section|Page:MS KK5126 104v.jpg|6|lbl=104v.6}}
 |
-{{section|Page:MS KK5126 104v.jpg|5|lbl=-|p=1}}<br/>{{section|Page:MS KK5126 104v.jpg|6|lbl=-|p=1}}
 |
-{{section|Page:MS Dresd.C.487 004v.png|3|lbl=-|p=1}}<br/>{{section|Page:MS Dresd.C.487 005r.png|1|lbl=05r|p=1}}<br/>{{section|Page:MS Dresd.C.487 005r.png|2|lbl=-|p=1}}
+|
+{{section|Page:MS Dresd.C.487 004v.png|4|lbl=04v.4|p=1}}<br/>{{section|Page:MS Dresd.C.487 005r.png|1|lbl=05r.1|p=1}}
 | <p><br/></p>
-{{section|Page:MS Dresd.C.487 055v.png|3|lbl=55v|p=1}} {{section|Page:MS Dresd.C.487 056r.png|1|lbl=56r|p=1}}<br/><br/><br/><br/><br/>{{section|Page:MS Dresd.C.487 056r.png|2|lbl=-|p=1}}
+{{section|Page:MS Dresd.C.487 055v.png|3|lbl=55v.3|p=1}} {{section|Page:MS Dresd.C.487 056r.png|1|lbl=56r.1|p=1}}
-| {{section|Page:MS Germ.Quart.2020 001v.jpg|3|lbl=-}}
-{{section|Page:MS Germ.Quart.2020 002r.jpg|1|lbl=02r|p=1}}<br/>{{section|Page:MS Germ.Quart.2020 002r.jpg|2|lbl=-|p=1}}
 |
-{{section|Page:Cgm 3711 43r.jpg|3|lbl=-|p=1}}<br/>{{section|Page:Cgm 3711 43r.jpg|4|lbl=-|p=1}} {{section|Page:Cgm 3711 43v.jpg|1|lbl=43v|p=1}}
+{{section|Page:Cgm 3711 43r.jpg|4|lbl=43r.4|p=1}} {{section|Page:Cgm 3711 43v.jpg|1|lbl=43v.1|p=1}}
+| {{section|Page:Cod.I.6.2º.2 42br.jpg|4|lbl=42br.4}}
 |
-{{section|Page:Cod.I.6.2º.2 42br.jpg|3|lbl=-|p=1}}<br/>{{section|Page:Cod.I.6.2º.2 42br.jpg|4|lbl=-|p=1}}
+| {{section|Page:MS Germ.Quart.2020 001v.jpg|4|lbl=01v.4}}
+{{section|Page:MS Germ.Quart.2020 002r.jpg|1|lbl=02r.1}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 015r.jpg|1|lbl=15r.1}}
 |
-|
+| {{section|Page:Cod.Guelf.38.21 Aug.2º 048r.jpg|4|lbl=48r.4}}
-{{section|Page:Reichsstadt "Schätze" Nr. 82 015r.jpg|1|lbl=15r|p=1}}<br/>{{section|Page:Reichsstadt "Schätze" Nr. 82 015r.jpg|2|lbl=-|p=1}}
+}}
-|
-|
-{{section|Page:Cod.Guelf.38.21 Aug.2º 048r.jpg|3|lbl=-|p=1}}<br/>{{section|Page:Cod.Guelf.38.21 Aug.2º 048r.jpg|4|lbl=-|p=1}}
-<section begin="Blossen"/>
-|-
-| <p>{{red|b=1|The Four Openings}}</p>
-{| class="zettel"
+{{Liechtenauer row LS|7
-|-
+| {{section|Page:MS Chart.A.558 019r.jpg|1|lbl=19r.1}}
-| <small>36</small>
+| {{section|Page:Cod.44.A.8 004r.jpg|3|lbl=04r.3}}
-| Four openings know,<br/>&emsp;aim: so you hit certainly,
+| {{section|Page:MS Thott.290.2º 003r.jpg|1|lbl=03r.1}}
-|-
-| <small>37</small>
-| Without any danger<br/>&emsp;without regard for how he acts;
-|}
-| {{section|Page:MS Chart.A.558 019r.jpg|1|lbl=19r}}
-| {{section|Page:Cod.44.A.8 004r.jpg|4|lbl=-}}
-| {{section|Page:MS Thott.290.2º 003r.jpg|1|lbl=3r}}
 | <p><br/></p>
-{{section|Page:Cod.Guelf.78.2 Aug.2º IIIr.png|6|lbl=-}}
+{{section|Page:Cod.Guelf.78.2 Aug.2º IIIr.png|6|lbl=Ⅲr.6}}
+|
 | <p><br/></p>
 {{paget|Page:Cgm 1507|62r|jpg|p=1}} {{paget|Page:Cgm 1507|62v|jpg|p=1}}
-| {{section|Page:MS KK5126 104v.jpg|7|lbl=-}}
+| {{section|Page:MS KK5126 104v.jpg|7|lbl=104v.7}}
 |
-{{section|Page:MS Dresd.C.487 005r.png|3|lbl=-|p=1}}<br/>{{section|Page:MS Dresd.C.487 005v.png|1|lbl=05v|p=1}}
+|
+|
+{{section|Page:MS Dresd.C.487 005r.png|2|lbl=05r.2|p=1}}<br/>{{section|Page:MS Dresd.C.487 005v.png|1|lbl=05v.1|p=1}}
 | <p><br/></p>
-{{section|Page:MS Dresd.C.487 056r.png|3|lbl=-}}
+{{section|Page:MS Dresd.C.487 056r.png|2|lbl=56r.2}}
+| {{section|Page:Cgm 3711 43v.jpg|2|lbl=43v.2}}
+| {{section|Page:Cod.I.6.2º.2 42bv.jpg|1|lbl=42vb.1}}
 |
-{{section|Page:MS Germ.Quart.2020 002r.jpg|3|lbl=-|p=1}} {{section|Page:MS Germ.Quart.2020 002v.jpg|1|lbl=02v|p=1}}
-| {{section|Page:Cgm 3711 43v.jpg|2|lbl=-}}
-| {{section|Page:Cod.I.6.2º.2 42bv.jpg|1|lbl=42vb}}
 |
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 015r.jpg|3|lbl=-}}
+{{section|Page:MS Germ.Quart.2020 002r.jpg|2|lbl=02r.2|p=1}} {{section|Page:MS Germ.Quart.2020 002v.jpg|1|lbl=02v.1|p=1}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 015r.jpg|2|lbl=15r.2}}
 |
-| {{section|Page:Cod.Guelf.38.21 Aug.2º 048r.jpg|5|lbl=-}}
+| {{section|Page:Cod.Guelf.38.21 Aug.2º 048r.jpg|5|lbl=48r.5}}
+}}
-|-
-| <p>{{red|b=1|To Counter the Four Openings}}</p>
-{| class="zettel"
+{{Liechtenauer row LS|8
-|-
+| {{section|Page:MS Chart.A.558 019r.jpg|2|lbl=19r.2}}
-| <small>38</small>
+| {{section|Page:Cod.44.A.8 004r.jpg|4|lbl=04r.4}}
-| If you want to avenge yourself,<br/>&emsp;break the four openings with skill:
+| {{section|Page:MS Thott.290.2º 003r.jpg|2|lbl=03r.2}}
-|-
-| <small>39</small>
-| Double above,<br/>&emsp;transmute below correctly.
-|-
-| <small>40</small>
-| I say to you truthfully:<br/>&emsp;no one can defend himself without danger;
-|-
-| <small>41</small>
-| If you have correctly learned,<br/>&emsp;he will scarcely manage to strike.
-|}
-| {{section|Page:MS Chart.A.558 019r.jpg|2|lbl=-}}
-| {{section|Page:Cod.44.A.8 004r.jpg|5|lbl=-}}
-| {{section|Page:MS Thott.290.2º 003r.jpg|2|lbl=-}}
 | <p><br/></p>
-{{section|Page:Cod.Guelf.78.2 Aug.2º IIIr.png|7|lbl=-}}
+{{section|Page:Cod.Guelf.78.2 Aug.2º IIIr.png|7|lbl=Ⅲr.7}}
+|
 | <p><br/></p>
@@ Line 408: / Line 332: @@
 | <p><br/></p>
-{{section|Page:MS KK5126 104v.jpg|8|lbl=-}}
+{{section|Page:MS KK5126 104v.jpg|8|lbl=104v.8}}
-| {{section|Page:MS Dresd.C.487 005v.png|2|lbl=-}}
+|
+|
+| {{section|Page:MS Dresd.C.487 005v.png|2|lbl=05v.2}}
 | <p><br/></p>
-{{section|Page:MS Dresd.C.487 056r.png|4|lbl=-}}
+{{section|Page:MS Dresd.C.487 056r.png|3|lbl=56r.3}}
-| {{section|Page:MS Germ.Quart.2020 002v.jpg|2|lbl=-}}
+| {{section|Page:Cgm 3711 43v.jpg|3|lbl=43v.3}}
-| {{section|Page:Cgm 3711 43v.jpg|3|lbl=-}}
+| {{section|Page:Cod.I.6.2º.2 42bv.jpg|2|lbl=42bv.2}}
-| {{section|Page:Cod.I.6.2º.2 42bv.jpg|2|lbl=-}}
 |
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 015r.jpg|4|lbl=-}}
+| {{section|Page:MS Germ.Quart.2020 002v.jpg|2|lbl=02v.2}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 015r.jpg|3|lbl=15r.3}}
 |
 |
-{{section|Page:Cod.Guelf.38.21 Aug.2º 048r.jpg|6|lbl=-|p=1}} {{section|Page:Cod.Guelf.38.21 Aug.2º 048v.jpg|1|lbl=48v|p=1}}
+{{section|Page:Cod.Guelf.38.21 Aug.2º 048r.jpg|6|lbl=48r.6|p=1}} {{section|Page:Cod.Guelf.38.21 Aug.2º 048v.jpg|1|lbl=48v.1|p=1}}
-<section end="Blossen"/><section begin="Krumphaw"/>
+}}
-|-
-| <p>{{red|b=1|The Crooked Stroke}}</p>
-{| class="zettel"
+{{Liechtenauer row LS|9
-|-
+| {{section|Page:MS Chart.A.558 019r.jpg|3|lbl=19r.3}}
-| <small>42</small>
-| Crooked on him with nimbleness,<br/>&emsp;throw the point on the hands.
-|-
-| <small>43</small>
-| Who performs the crooked well,<br/>&emsp;with stepping he hinders many a stroke.
-|-
-| <small>44</small>
-| Strike crooked to the flats<br/>&emsp;of the Masters if you want to weaken them.
-|-
-| <small>45</small>
-| When it clashes above,<br/>&emsp;Then move away, that I will praise.
-|-
-| <small>46</small>
-| Don't do the Crooked, strike short,<br/>&emsp;Changing through show with this.
-|-
-| <small>47</small>
-| Strike crooked to who irritates you,<br/>&emsp;the Noble War will confuse him,
-|-
-| <small>48</small>
-| That he will not know truthfully<br/>&emsp;where he can be without danger.
-|}
-| {{section|Page:MS Chart.A.558 019r.jpg|3|lbl=-}}
 |
-{{section|Page:Cod.44.A.8 004r.jpg|6|lbl=-|p=1}}<br/>{{section|Page:Cod.44.A.8 004v.jpg|1|lbl=4v|p=1}}
+{{section|Page:Cod.44.A.8 004r.jpg|5|lbl=04r.5|p=1}}<br/>{{section|Page:Cod.44.A.8 004v.jpg|1|lbl=04v.1|p=1}}
-| {{section|Page:MS Thott.290.2º 003r.jpg|3|lbl=-}}
+| {{section|Page:MS Thott.290.2º 003r.jpg|3|lbl=03r.3}}
 | <p><br/></p>
-{{section|Page:Cod.Guelf.78.2 Aug.2º IIIr.png|8|lbl=-}}
+{{section|Page:Cod.Guelf.78.2 Aug.2º IIIr.png|8|lbl=Ⅲr.8}}
+|
 | <p><br/></p>
@@ Line 460: / Line 363: @@
 | <p><br/></p>
-{{section|Page:MS KK5126 104v.jpg|9|lbl=-}}
+{{section|Page:MS KK5126 104v.jpg|9|lbl=104v.9}}
+|
 |
-{{section|Page:MS Dresd.C.487 005v.png|3|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 006r.png|1|lbl=06r|p=1}}
+|
+{{section|Page:MS Dresd.C.487 005v.png|3|lbl=05v.3|p=1}} {{section|Page:MS Dresd.C.487 006r.png|1|lbl=06r.1|p=1}}
 | <p><br/></p>
-{{section|Page:MS Dresd.C.487 056r.png|5|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 056v.png|1|lbl=56v|p=1}}
+{{section|Page:MS Dresd.C.487 056r.png|4|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 056v.png|1|lbl=56v.1|p=1}}
+| {{section|Page:Cgm 3711 43v.jpg|4|lbl=43v.4}}
+| {{section|Page:Cod.I.6.2º.2 42bv.jpg|3|lbl=42bv.3}}
 |
-{{section|Page:MS Germ.Quart.2020 002v.jpg|3|lbl=-|p=1}} {{section|Page:MS Germ.Quart.2020 003r.jpg|1|lbl=03r|p=1}}
-| {{section|Page:Cgm 3711 43v.jpg|4|lbl=-}}
-| {{section|Page:Cod.I.6.2º.2 42bv.jpg|3|lbl=-}}
 |
+{{section|Page:MS Germ.Quart.2020 002v.jpg|3|lbl=02v.3|p=1}} {{section|Page:MS Germ.Quart.2020 003r.jpg|1|lbl=03r.1|p=1}}
 |
-{{section|Page:Reichsstadt "Schätze" Nr. 82 015r.jpg|5|lbl=-|p=1}}<br/>{{section|Page:Reichsstadt "Schätze" Nr. 82 015v.jpg|1|lbl=15v|p=1}}
+{{section|Page:Reichsstadt "Schätze" Nr. 82 015r.jpg|4|lbl=15r.4|p=1}}<br/>{{section|Page:Reichsstadt "Schätze" Nr. 82 015v.jpg|1|lbl=15v.1|p=1}}
 |
-| {{section|Page:Cod.Guelf.38.21 Aug.2º 048v.jpg|2|lbl=-}}
+| {{section|Page:Cod.Guelf.38.21 Aug.2º 048v.jpg|2|lbl=48v.2}}
-<section end="Krumphaw"/><section begin="Twerhaw"/>
+}}
-|-
-| <p>{{red|b=1|The Thwart Stroke}}<br/><br/></p>
-{| class="zettel"
+{{Liechtenauer row LS|10
-|-
+| {{section|Page:MS Chart.A.558 019r.jpg|4|lbl=19r.4}}
-| <small>49</small>
+| {{section|Page:Cod.44.A.8 004v.jpg|2|lbl=04v.2}}
-| The Thwart Stroke takes<br/>&emsp;whatever comes from the roof.
+| {{section|Page:MS Thott.290.2º 003v.jpg|1|lbl=03v.1}}
-|-
-| <small>50</small>
-| Thwart with the strong,<br/>&emsp;note your work with this.
-|-
-| <small>51</small>
-| Thwart to the Plow;<br/>&emsp;to the Ox hard together.
-|-
-| <small>52</small>
-| He who thwarts well<br/>&emsp;with springing he endangers the head.
-|-
-| <small>53</small>
-| Whoever conducts the Failer<br/>&emsp;from below he hits at his will.
-|-
-| <small>54</small>
-| The Reverser enforces the<br/>&emsp;running through and also brings wrestling.
-|-
-| <small>55</small>
-| The elbow take certainly,<br/>&emsp;spring into his balance.
-|-
-| <small>56</small>
-| Double the Failer,<br/>&emsp;if you hit, also make the slice.
-|-
-| <small>57</small>
-| Twice further on,<br/>&emsp;step to the left and do not be slow.
-|}
-|
-{{section|Page:MS Chart.A.558 019r.jpg|4|lbl=-|p=1}}<br/>{{section|Page:MS Chart.A.558 019r.jpg|5|lbl=-|p=1}}
-|
-{{section|Page:Cod.44.A.8 004v.jpg|2|lbl=-|p=1}}<br/>{{section|Page:Cod.44.A.8 004v.jpg|3|lbl=-|p=1}}
-|
-{{section|Page:MS Thott.290.2º 003v.jpg|1|lbl=3v|p=1}}<br/>{{section|Page:MS Thott.290.2º 003v.jpg|2|lbl=-|p=1}}
 | <p><br/><br/></p>
-{{section|Page:Cod.Guelf.78.2 Aug.2º IIIr.png|9|lbl=-|p=1}}<br/>{{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|1|lbl=Ⅲv|p=1}}<br/>{{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|2|lbl=-|p=1}}
+{{section|Page:Cod.Guelf.78.2 Aug.2º IIIr.png|9|lbl=Ⅲr.9|p=1}}<br/>{{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|1|lbl=Ⅲv.1|p=1}}
+|
 | <p><br/><br/></p>
 <p><br/><br/><br/><br/><br/><br/><br/><br/><br/><br/><br/><br/>{{paget|Page:Cgm 1507|67r|jpg|p=1}}</p>
 |
-{{section|Page:MS KK5126 104v.jpg|10|lbl=-|p=1}}<br/>{{section|Page:MS KK5126 104v.jpg|11|lbl=-|p=1}}<br/>{{section|Page:MS KK5126 105r.jpg|1|lbl=105r|p=1}}
+{{section|Page:MS KK5126 104v.jpg|10|lbl=104v.10|p=1}}<br/>{{section|Page:MS KK5126 105r.jpg|1|lbl=105r.1|p=1}}
+|
+|
 |
-{{section|Page:MS Dresd.C.487 006r.png|2|lbl=-|p=1}}<br/>{{section|Page:MS Dresd.C.487 006r.png|3|lbl=-|p=1}}<br/>{{section|Page:MS Dresd.C.487 006v.png|1|lbl=06v|p=1}}
+{{section|Page:MS Dresd.C.487 006r.png|2|lbl=06r.2|p=1}}<br/>{{section|Page:MS Dresd.C.487 006v.png|1|lbl=06v.1|p=1}}
 | <p><br/><br/></p>
-{{section|Page:MS Dresd.C.487 056v.png|2|lbl=-|p=1}}<br/><br/><br/><br/><br/><br/><br/><br/><br/>{{section|Page:MS Dresd.C.487 056v.png|3|lbl=-|p=1}}
+{{section|Page:MS Dresd.C.487 056v.png|2|lbl=56v.2}}
 |
-{{section|Page:MS Germ.Quart.2020 003r.jpg|2|lbl=-|p=1}}<br/>{{section|Page:MS Germ.Quart.2020 003r.jpg|3|lbl=-|p=1}}<br/>{{section|Page:MS Germ.Quart.2020 003v.jpg|1|lbl=03v|p=1}}
+{{section|Page:Cgm 3711 43v.jpg|5|lbl=43v.5|p=1}}<br/>{{section|Page:Cgm 3711 44r.jpg|1|lbl=44r.1|p=1}}
+| {{section|Page:Cod.I.6.2º.2 42bv.jpg|4|lbl=42bv.4}}
 |
-{{section|Page:Cgm 3711 43v.jpg|5|lbl=-|p=1}}<br/>{{section|Page:Cgm 3711 43v.jpg|6|lbl=-|p=1}}<br/>{{section|Page:Cgm 3711 44r.jpg|1|lbl=44r|p=1}}
 |
-{{section|Page:Cod.I.6.2º.2 42bv.jpg|4|lbl=-|p=1}}<br/>{{section|Page:Cod.I.6.2º.2 42bv.jpg|5|lbl=-|p=1}}
+{{section|Page:MS Germ.Quart.2020 003r.jpg|2|lbl=03r.2|p=1}}<br/>{{section|Page:MS Germ.Quart.2020 003v.jpg|1|lbl=03v.1|p=1}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 015v.jpg|2|lbl=15v.2}}
 |
 |
-{{section|Page:Reichsstadt "Schätze" Nr. 82 015v.jpg|2|lbl=-|p=1}}<br/>{{section|Page:Reichsstadt "Schätze" Nr. 82 015v.jpg|3|lbl=-|p=1}}
+{{section|Page:Cod.Guelf.38.21 Aug.2º 048v.jpg|3|lbl=48v.3}}
-|
+}}
-|
-{{section|Page:Cod.Guelf.38.21 Aug.2º 048v.jpg|3|lbl=-|p=1}}<br/>{{section|Page:Cod.Guelf.38.21 Aug.2º 048v.jpg|4|lbl=-|p=1}}
-<section end="Twerhaw"/><section begin="Schilhaw"/>
-|-
-| <p>{{red|b=1|The Squinting Stroke}}</p>
-{| class="zettel"
+{{Liechtenauer row LS|11
-|-
+| {{section|Page:MS Chart.A.558 019v.jpg|1|lbl=19v.1}}
-| <small>58</small>
+| {{section|Page:Cod.44.A.8 004v.jpg|3|lbl=04v.3}}
-| The Squinter breaks into<br/>&emsp;whatever a buffalo strikes or thrusts.
-|-
-| <small>59</small>
-| Who threatens to change through,<br/>&emsp;the Squinter robs him of it.
-|-
-| <small>60</small>
-| Squint when he is short against you,<br/>&emsp;changing through defeats him.
-|-
-| <small>61</small>
-| Squint to the point,<br/>&emsp;and take the throat without fear.
-|-
-| <small>62</small>
-| Squint to the head above<br/>&emsp;if you want to damage the hands.
-|}
-| {{section|Page:MS Chart.A.558 019v.jpg|1|lbl=19v}}
-| {{section|Page:Cod.44.A.8 004v.jpg|4|lbl=-}}
 |
-{{section|Page:MS Thott.290.2º 003v.jpg|3|lbl=-|p=1}}<ref>Talhoffer adds an additional couplet: {{section|Page:MS Thott.290.2º 004r.jpg|1|lbl=4r|p=1}}</ref>
+{{section|Page:MS Thott.290.2º 003v.jpg|2|lbl=03v.2|p=1}} {{section|Page:MS Thott.290.2º 004r.jpg|1|lbl=04r.1|p=1}}
 | <p><br/></p>
-{{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|3|lbl=-}}
+{{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|2|lbl=Ⅲv.2}}
+|
+|
+| {{section|Page:MS KK5126 105r.jpg|2|lbl=105r.2}}
+|
 |
-| {{section|Page:MS KK5126 105r.jpg|2|lbl=-}}
+| {{section|Page:MS Dresd.C.487 006v.png|2|lbl=06v.2}}
-| {{section|Page:MS Dresd.C.487 006v.png|2|lbl=-}}
 | <p><br/></p>
-{{section|Page:MS Dresd.C.487 056v.png|4|lbl=-}}
+{{section|Page:MS Dresd.C.487 056v.png|3|lbl=56v.3}}
-| {{section|Page:MS Germ.Quart.2020 003v.jpg|2|lbl=-}}
+| {{section|Page:Cgm 3711 44r.jpg|2|lbl=44r.2}}
-| {{section|Page:Cgm 3711 44r.jpg|2|lbl=-}}
+| {{section|Page:Cod.I.6.2º.2 42bv.jpg|5|lbl=42bv.5}}
-| {{section|Page:Cod.I.6.2º.2 42bv.jpg|6|lbl=-}}
 |
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 015v.jpg|4|lbl=-}}
+| {{section|Page:MS Germ.Quart.2020 003v.jpg|2|lbl=03v.2}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 015v.jpg|3|lbl=15v.3}}
 |
-| {{section|Page:Cod.Guelf.38.21 Aug.2º 048v.jpg|5|lbl=-}}
+| {{section|Page:Cod.Guelf.38.21 Aug.2º 048v.jpg|4|lbl=48v.4}}
-<section end="Schilhaw"/><section begin="Scheitelhaw"/>
+}}
-|-
-| <p>{{red|b=1|The Scalp Cut}}</p>
-{| class="zettel"
+{{Liechtenauer row LS|12
-|-
+| {{section|Page:MS Chart.A.558 019v.jpg|2|lbl=19v.2}}
-| <small>63</small>
-| The Scalper<br/>&emsp;is a danger to the face,
-|-
-| <small>64</small>
-| with its turn,<br/>&emsp;very dangerous to the breast.
-|-
-| <small>65</small>
-| Whatever comes from him,<br/>&emsp;the Crown will take it.
-|-
-| <small>66</small>
-| Slice through the Crown,<br/>&emsp;thus you will break it hard through.
-|-
-| <small>67</small>
-| Press the strokes,<br/>&emsp;with slices pull them away.
-|}
-| {{section|Page:MS Chart.A.558 019v.jpg|2|lbl=-}}
 |
-{{section|Page:Cod.44.A.8 004v.jpg|5|lbl=-|p=1}}<br/>{{section|Page:Cod.44.A.8 005r.jpg|1|lbl=5r|p=1}}
+{{section|Page:Cod.44.A.8 004v.jpg|4|lbl=04v.4|p=1}}<br/>{{section|Page:Cod.44.A.8 005r.jpg|1|lbl=05r.1|p=1}}
-| {{section|Page:MS Thott.290.2º 004r.jpg|2|lbl=-}}
+| {{section|Page:MS Thott.290.2º 004r.jpg|2|lbl=04r.2}}
 | <p><br/></p>
-{{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|4|lbl=-}}
+{{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|3|lbl=Ⅲv.3}}
+|
 |
 | <p><br/></p>
-{{section|Page:MS KK5126 105r.jpg|3|lbl=-}}
+{{section|Page:MS KK5126 105r.jpg|3|lbl=105r.3}}
+|
 |
-{{section|Page:MS Dresd.C.487 006v.png|3|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 007r.png|1|lbl=07r|p=1}}
+|
+{{section|Page:MS Dresd.C.487 006v.png|3|lbl=06v.3|p=1}} {{section|Page:MS Dresd.C.487 007r.png|1|lbl=07r.1|p=1}}
 | <p><br/></p>
-{{section|Page:MS Dresd.C.487 056v.png|5|lbl=-}}
+{{section|Page:MS Dresd.C.487 056v.png|4|lbl=56v.4}}
-| {{section|Page:MS Germ.Quart.2020 003v.jpg|3|lbl=-}}
+| {{section|Page:Cgm 3711 44r.jpg|3|lbl=44r.3}}
+| {{section|Page:Cod.I.6.2º.2 43r.jpg|1|lbl=43r.1}}
+|
+| {{section|Page:MS Germ.Quart.2020 003v.jpg|3|lbl=03v.3}}
-{{section|Page:MS Germ.Quart.2020 004r.jpg|1|lbl=04r}}
+{{section|Page:MS Germ.Quart.2020 004r.jpg|1|lbl=04r.1}}
-| {{section|Page:Cgm 3711 44r.jpg|3|lbl=-}}
-| {{section|Page:Cod.I.6.2º.2 43r.jpg|1|lbl=43r}}
 |
+{{section|Page:Reichsstadt "Schätze" Nr. 82 015v.jpg|4|lbl=15v.4|p=1}}<br/>{{section|Page:Reichsstadt "Schätze" Nr. 82 016r.jpg|1|lbl=16r.1|p=1}}
 |
-{{section|Page:Reichsstadt "Schätze" Nr. 82 015v.jpg|5|lbl=-|p=1}}<br/>{{section|Page:Reichsstadt "Schätze" Nr. 82 016r.jpg|1|lbl=16r|p=1}}
+| {{section|Page:Cod.Guelf.38.21 Aug.2º 048v.jpg|5|lbl=48v.5}}
-|
+}}
-| {{section|Page:Cod.Guelf.38.21 Aug.2º 048v.jpg|6|lbl=-}}
-<section end="Scheitelhaw"/><section begin="Leger"/>
-|-
-| <p>{{red|b=1|The Four Guards}}</p>
-{| class="zettel"
+{{Liechtenauer row LS|13
-|-
+| {{section|Page:MS Chart.A.558 019v.jpg|3|lbl=19v.3}}
-| <small>68</small>
+| {{section|Page:Cod.44.A.8 005r.jpg|2|lbl=05r.2}}
-| Four guards alone hold;<br/>&emsp;And disdain the common.
+| {{section|Page:MS Thott.290.2º 004r.jpg|3|lbl=04r.3}}
-|-
-| <small>69</small>
-| Ox, Plow, Fool,<br/>&emsp;From the Roof should not be unknown to you.
-|}
-| {{section|Page:MS Chart.A.558 019v.jpg|3|lbl=-}}
-| {{section|Page:Cod.44.A.8 005r.jpg|2|lbl=-}}
-| {{section|Page:MS Thott.290.2º 004r.jpg|3|lbl=-}}
 | <p><br/></p>
-{{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|5|lbl=-}}
+{{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|4|lbl=Ⅲv.4}}
+|
 | <p><br/></p>
 {{paget|Page:Cgm 1507|58r|jpg|p=1}}<br/>{{paget|Page:Cgm 1507|58v|jpg|p=1}}
-| {{section|Page:MS KK5126 105r.jpg|4|lbl=-}}
+| {{section|Page:MS KK5126 105r.jpg|4|lbl=105r.4}}
-| {{section|Page:MS Dresd.C.487 007r.png|2|lbl=-}}
+|
+|
+| {{section|Page:MS Dresd.C.487 007r.png|2|lbl=07r.2}}
 | <p><br/></p>
-{{section|Page:MS Dresd.C.487 056v.png|6|lbl=-}}
+{{section|Page:MS Dresd.C.487 056v.png|5|lbl=56v.5}}
-| {{section|Page:MS Germ.Quart.2020 004r.jpg|2|lbl=-}}
+| {{section|Page:Cgm 3711 44r.jpg|4|lbl=44r.4}}
-| {{section|Page:Cgm 3711 44r.jpg|4|lbl=-}}
+| {{section|Page:Cod.I.6.2º.2 43r.jpg|2|lbl=43r.2}}
-| {{section|Page:Cod.I.6.2º.2 43r.jpg|2|lbl=-}}
 |
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 016r.jpg|2|lbl=-}}
+| {{section|Page:MS Germ.Quart.2020 004r.jpg|2|lbl=04r.2}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 016r.jpg|2|lbl=16r.2}}
 |
-| {{section|Page:Cod.Guelf.38.21 Aug.2º 048v.jpg|7|lbl=-}}
+| {{section|Page:Cod.Guelf.38.21 Aug.2º 048v.jpg|6|lbl=48v.6}}
-<section end="Leger"/><section begin="Vorsetzen"/>
+}}
-|-
-| <p>{{red|b=1|The Four Oppositions}}</p>
-{| class="zettel"
+{{Liechtenauer row LS|14
-|-
+| {{section|Page:MS Chart.A.558 019v.jpg|4|lbl=19v.4}}
-| <small>70</small>
+| {{section|Page:Cod.44.A.8 005r.jpg|3|lbl=05r.3}}
-| Four are the oppositions<br/>&emsp;that hurt the four guards very much.
+| {{section|Page:MS Thott.290.2º 004r.jpg|4|lbl=04r.4}}
-|-
-| <small>71</small>
-| Beware of parrying.<br/>&emsp;If it happens to you, it troubles you greatly.
-|-
-| <small>72</small>
-| If you are parried<br/>&emsp;and when that has happened,
-|-
-| <small>73</small>
-| Hear what I advise to you:<br/>&emsp;Tear away and strike quickly with surprise.
-|-
-| <small>74</small>
-| Set upon the four ends.<br/>&emsp;Stay upon them, learn if you want to bring it to an end.
-|}
-| {{section|Page:MS Chart.A.558 019v.jpg|4|lbl=-}}
-| {{section|Page:Cod.44.A.8 005r.jpg|3|lbl=-}}
-| {{section|Page:MS Thott.290.2º 004r.jpg|4|lbl=-}}
 | <p><br/></p>
-{{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|6|lbl=-}}
+{{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|5|lbl=Ⅲv.5}}
 |
-| {{section|Page:MS KK5126 105r.jpg|5|lbl=-}}
 |
-{{section|Page:MS Dresd.C.487 007r.png|3|lbl=-|p=1}}<br/>{{section|Page:MS Dresd.C.487 007v.png|1|lbl=07v|p=1}}
+| {{section|Page:MS KK5126 105r.jpg|5|lbl=105r.5}}
+|
+|
+|
+{{section|Page:MS Dresd.C.487 007r.png|3|lbl=07r.3|p=1}}<br/>{{section|Page:MS Dresd.C.487 007v.png|1|lbl=07v.1|p=1}}
 | <p><br/></p>
-{{section|Page:MS Dresd.C.487 056v.png|7|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 057r.png|1|lbl=57r|p=1}}
+{{section|Page:MS Dresd.C.487 056v.png|6|lbl=56v.6|p=1}} {{section|Page:MS Dresd.C.487 057r.png|1|lbl=57r.1|p=1}}
-| {{section|Page:MS Germ.Quart.2020 004r.jpg|3|lbl=-}}
+| {{section|Page:Cgm 3711 44r.jpg|5|lbl=44r.5}}
+| {{section|Page:Cod.I.6.2º.2 43r.jpg|3|lbl=43r.3}}
+|
+| {{section|Page:MS Germ.Quart.2020 004r.jpg|3|lbl=04r.3}}
-{{section|Page:MS Germ.Quart.2020 004v.jpg|1|lbl=04v}}
+{{section|Page:MS Germ.Quart.2020 004v.jpg|1|lbl=04v.1}}
-| {{section|Page:Cgm 3711 44r.jpg|5|lbl=-}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 016r.jpg|3|lbl=16r.3}}
-| {{section|Page:Cod.I.6.2º.2 43r.jpg|3|lbl=-}}
 |
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 016r.jpg|3|lbl=-}}
+| {{section|Page:Cod.Guelf.38.21 Aug.2º 049r.jpg|1|lbl=49r.1}}
-|
+}}
-| {{section|Page:Cod.Guelf.38.21 Aug.2º 049r.jpg|1|lbl=49r}}
-<section end="Vorsetzen"/><section begin="Nachreisen"/>
-|-
-| <p>{{red|b=1|Chasing}}</p>
-{| class="zettel"
+{{Liechtenauer row LS|15
-|-
+| {{section|Page:MS Chart.A.558 019v.jpg|5|lbl=19v.5}}
-| <small>75</small>
+| {{section|Page:Cod.44.A.8 005r.jpg|4|lbl=05r.4}}
-| Learn the chasing<br/>&emsp;twice, or slice into the weapon.
+| {{section|Page:MS Thott.290.2º 004v.jpg|1|lbl=04v.1}}
-|-
-| <small>76</small>
-| Two outer intentions.<br/>&emsp;The work after that begins.
-|-
-| <small>77</small>
-| And test the attacks<br/>&emsp;if they are soft or hard.
-|-
-| <small>78</small>
-| Learn the feeling.<br/>&emsp;The word Instantly slices sharply.
-|-
-| <small>79</small>
-| Chase twice,<br/>&emsp;if you hit, do the Ancient Slice as well.
-|}
-| {{section|Page:MS Chart.A.558 019v.jpg|5|lbl=-}}
-| {{section|Page:Cod.44.A.8 005r.jpg|4|lbl=-}}
-| {{section|Page:MS Thott.290.2º 004v.jpg|1|lbl=4v}}
 | <p><br/></p>
-{{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|7|lbl=-}}
+{{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|6|lbl=Ⅲv.6}}
+|
 | <p><br/></p>
 <br/><br/>{{paget|Page:Cgm 1507|69r|jpg|p=1}}<br/><br/><br/><br/><br/>{{paget|Page:Cgm 1507|65v|jpg|p=1}}
-| {{section|Page:MS KK5126 105r.jpg|6|lbl=-}}
+| {{section|Page:MS KK5126 105r.jpg|6|lbl=105r.6}}
-| {{section|Page:MS Dresd.C.487 007v.png|2|lbl=-}}
+|
+|
+| {{section|Page:MS Dresd.C.487 007v.png|2|lbl=07v.2}}
 | <p><br/></p>
-{{section|Page:MS Dresd.C.487 057r.png|2|lbl=-}}
+{{section|Page:MS Dresd.C.487 057r.png|2|lbl=57r.2}}
+| {{section|Page:Cgm 3711 44r.jpg|6|lbl=44r.6}}
+| {{section|Page:Cod.I.6.2º.2 43r.jpg|4|lbl=43r.4}}
 |
-{{section|Page:MS Germ.Quart.2020 004v.jpg|2|lbl=-|p=1}} {{section|Page:MS Germ.Quart.2020 005r.jpg|1|lbl=05r|p=1}}
-| {{section|Page:Cgm 3711 44r.jpg|6|lbl=-}}
-| {{section|Page:Cod.I.6.2º.2 43r.jpg|4|lbl=-}}
 |
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 016r.jpg|4|lbl=-}}
+{{section|Page:MS Germ.Quart.2020 004v.jpg|2|lbl=04v.2|p=1}} {{section|Page:MS Germ.Quart.2020 005r.jpg|1|lbl=05r.1|p=1}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 016r.jpg|4|lbl=16r.4}}
 |
-| {{section|Page:Cod.Guelf.38.21 Aug.2º 049r.jpg|2|lbl=-}}
+| {{section|Page:Cod.Guelf.38.21 Aug.2º 049r.jpg|2|lbl=49r.2}}
-<section end="Nachreisen"/>
+}}
-|-
-| <p>{{red|b=1|Overrunning}}</p>
-{| class="zettel"
+{{Liechtenauer row LS|16
-|-
+| {{section|Page:MS Chart.A.558 020r.jpg|1|lbl=20r.1}}
-| <small>80</small>
-| Who wants to strike below,<br/>&emsp;overrun him, and he will be shamed.
-|-
-| <small>81</small>
-| When it clashes above,<br/>&emsp;then strengthen: this I truly do praise.
-|-
-| <small>82</small>
-| Do your work,<br/>&emsp;or press hard twice.
-|}
-| {{section|Page:MS Chart.A.558 020r.jpg|1|lbl=20r}}
 |
-{{section|Page:Cod.44.A.8 005r.jpg|5|lbl=-|p=1}}<br/>{{section|Page:Cod.44.A.8 005v.jpg|1|lbl=5v|p=1}}
+{{section|Page:Cod.44.A.8 005r.jpg|5|lbl=05r.5|p=1}}<br/>{{section|Page:Cod.44.A.8 005v.jpg|1|lbl=05v.1|p=1}}
-| {{section|Page:MS Thott.290.2º 004v.jpg|2|lbl=-}}
+| {{section|Page:MS Thott.290.2º 004v.jpg|2|lbl=04v.2}}
 | <p><br/></p>
-{{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|8|lbl=-}}
+{{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|7|lbl=Ⅲv.7}}
+|
+|
+| {{section|Page:MS KK5126 105r.jpg|7|lbl=105r.7}}
+|
 |
-| {{section|Page:MS KK5126 105r.jpg|7|lbl=-}}
+| {{section|Page:MS Dresd.C.487 007v.png|3|lbl=07v.3}}
-| {{section|Page:MS Dresd.C.487 007v.png|3|lbl=-}}
-{{section|Page:MS Dresd.C.487 008r.png|1|lbl=08r}}
+{{section|Page:MS Dresd.C.487 008r.png|1|lbl=08r.1}}
 | <p><br/></p>
-{{section|Page:MS Dresd.C.487 057r.png|3|lbl=-}}
+{{section|Page:MS Dresd.C.487 057r.png|3|lbl=57r.3}}
-| {{section|Page:MS Germ.Quart.2020 005r.jpg|2|lbl=-}}
+| {{section|Page:Cgm 3711 44v.jpg|1|lbl=44v.1}}
-| {{section|Page:Cgm 3711 44v.jpg|1|lbl=44v}}
+| {{section|Page:Cod.I.6.2º.2 43r.jpg|5|lbl=43r.5}}
-| {{section|Page:Cod.I.6.2º.2 43r.jpg|5|lbl=-}}
 |
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 016r.jpg|5|lbl=-}}
+| {{section|Page:MS Germ.Quart.2020 005r.jpg|2|lbl=05r.2}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 016r.jpg|5|lbl=16r.5}}
 |
-| {{section|Page:Cod.Guelf.38.21 Aug.2º 049r.jpg|3|lbl=-}}
+| {{section|Page:Cod.Guelf.38.21 Aug.2º 049r.jpg|3|lbl=49r.3}}
-<section begin="Absetzen"/>
+}}
-|-
-| <p>{{red|b=1|Setting Aside}}</p>
-{| class="zettel"
+{{Liechtenauer row LS|17
-|-
-| <small>83</small>
-| Learn to set aside,<br/>&emsp;To skillfully hinder stroke and thrust.
-|-
-| <small>84</small>
-| Who thrusts at you,<br/>&emsp;your point hits and counters his.
-|-
-| <small>85</small>
-| From both sides<br/>&emsp;hit every time if you want to step.
-|}
 | <p><br/></p>
-{{section|Page:MS Chart.A.558 020r.jpg|2|lbl=-}}
+{{section|Page:MS Chart.A.558 020r.jpg|2|lbl=20r.2}}
-| {{section|Page:Cod.44.A.8 005v.jpg|2|lbl=-}}
+| {{section|Page:Cod.44.A.8 005v.jpg|2|lbl=05v.2}}
-| {{section|Page:MS Thott.290.2º 004v.jpg|3|lbl=-}}
+| {{section|Page:MS Thott.290.2º 004v.jpg|3|lbl=04v.3}}
 | <p><br/></p>
-{{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|9|lbl=-}}
+{{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|8|lbl=Ⅲv.8}}
 |
-| {{section|Page:MS KK5126 105r.jpg|8|lbl=-}}
+|
-| {{section|Page:MS Dresd.C.487 008r.png|2|lbl=-}}
+| {{section|Page:MS KK5126 105r.jpg|8|lbl=105r.8}}
+|
+|
+| {{section|Page:MS Dresd.C.487 008r.png|2|lbl=08r.2}}
 | <p><br/></p>
-{{section|Page:MS Dresd.C.487 057r.png|4|lbl=-}}
+{{section|Page:MS Dresd.C.487 057r.png|4|lbl=57r.4}}
-| {{section|Page:MS Germ.Quart.2020 005r.jpg|3|lbl=-}}
+| {{section|Page:Cgm 3711 44v.jpg|2|lbl=44v.2}}
-| {{section|Page:Cgm 3711 44v.jpg|2|lbl=-}}
+| {{section|Page:Cod.I.6.2º.2 43r.jpg|6|lbl=43r.6}}
-| {{section|Page:Cod.I.6.2º.2 43r.jpg|6|lbl=-}}
 |
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 016v.jpg|1|lbl=16v}}
+| {{section|Page:MS Germ.Quart.2020 005r.jpg|3|lbl=05r.3}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 016v.jpg|1|lbl=16v.1}}
 |
-| {{section|Page:Cod.Guelf.38.21 Aug.2º 049r.jpg|4|lbl=-}}
+| {{section|Page:Cod.Guelf.38.21 Aug.2º 049r.jpg|4|lbl=49r.4}}
-<section end="Absetzen"/><section begin="Durchwechseln"/>
+}}
-|-
-| <p>{{red|b=1|Changing Through}}</p>
-{| class="zettel"
+{{Liechtenauer row LS|18
-|-
+| {{section|Page:MS Chart.A.558 020r.jpg|3|lbl=20r.3}}
-| <small>86</small>
+| {{section|Page:Cod.44.A.8 005v.jpg|3|lbl=05v.3}}
-| Learn the changing through<br/>&emsp;from both sides, thrust with intent.
+| {{section|Page:MS Thott.290.2º 004v.jpg|4|lbl=04v.4}}
-|-
-| <small>87</small>
-| Whoever binds to you,<br/>&emsp;changing through will find him indeed.
-|}
-| {{section|Page:MS Chart.A.558 020r.jpg|3|lbl=-}}
-| {{section|Page:Cod.44.A.8 005v.jpg|3|lbl=-}}
-| {{section|Page:MS Thott.290.2º 004v.jpg|4|lbl=-}}
 | <p><br/></p>
-{{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|10|lbl=-}}
+{{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|9|lbl=Ⅲv.9}}
+|
 | <p><br/></p>
 {{paget|Page:Cgm 1507|66r|jpg}}
-| {{section|Page:MS KK5126 105r.jpg|9|lbl=-}}
+| {{section|Page:MS KK5126 105r.jpg|9|lbl=105r.9}}
-| {{section|Page:MS Dresd.C.487 008r.png|3|lbl=-}}
+|
+|
+| {{section|Page:MS Dresd.C.487 008r.png|3|lbl=08r.3}}
 | <p><br/></p>
-{{section|Page:MS Dresd.C.487 057r.png|5|lbl=-}}
+{{section|Page:MS Dresd.C.487 057r.png|5|lbl=57r.5}}
-| {{section|Page:MS Germ.Quart.2020 005v.jpg|1|lbl=05v}}
+| {{section|Page:Cgm 3711 44v.jpg|3|lbl=44v.3}}
-| {{section|Page:Cgm 3711 44v.jpg|3|lbl=-}}
+| {{section|Page:Cod.I.6.2º.2 43v.jpg|1|lbl=43v.1}}
-| {{section|Page:Cod.I.6.2º.2 43v.jpg|1|lbl=43v}}
 |
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 016v.jpg|2|lbl=-}}
+| {{section|Page:MS Germ.Quart.2020 005v.jpg|1|lbl=05v.1}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 016v.jpg|2|lbl=16v.2}}
 |
-| {{section|Page:Cod.Guelf.38.21 Aug.2º 049r.jpg|5|lbl=-}}
+| {{section|Page:Cod.Guelf.38.21 Aug.2º 049r.jpg|5|lbl=49r.5}}
-<section end="Durchwechseln"/><section begin="Zucken"/>
+}}
-|-
-| <p>{{red|b=1|Pulling}}</p>
-{| class="zettel"
+{{Liechtenauer row LS|19
-|-
+| {{section|Page:MS Chart.A.558 020r.jpg|4|lbl=20r.4}}
-| <small>88</small>
+| {{section|Page:Cod.44.A.8 005v.jpg|4|lbl=05v.4}}
-| Step close in binding.<br/>&emsp;The pulling provides good finds.
-|-
-| <small>89</small>
-| Pull—if he meets, pull more.<br/>&emsp;Find the work that will hurt him.
-|-
-| <small>90</small>
-| Pull in all encounters<br/>&emsp;against the Masters, if you want to fool them.
-|}
-| {{section|Page:MS Chart.A.558 020r.jpg|4|lbl=-}}
-| {{section|Page:Cod.44.A.8 005v.jpg|4|lbl=-}}
 |
-{{section|Page:MS Thott.290.2º 004v.jpg|5|lbl=-|p=1}}<br/>{{section|Page:MS Thott.290.2º 005r.jpg|1|lbl=5r|p=1}}
+{{section|Page:MS Thott.290.2º 004v.jpg|5|lbl=04v.5|p=1}}<br/>{{section|Page:MS Thott.290.2º 005r.jpg|1|lbl=05r.1|p=1}}
 | <p><br/></p>
-{{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|11|lbl=-}}
+{{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|10|lbl=Ⅲv.10}}
 |
-| {{section|Page:MS KK5126 105r.jpg|10|lbl=-}}
+|
-| {{section|Page:MS Dresd.C.487 008v.png|1|lbl=08v}}
+| {{section|Page:MS KK5126 105r.jpg|10|lbl=105r.10}}
+|
+|
+| {{section|Page:MS Dresd.C.487 008v.png|1|lbl=08v.1}}
 | <p><br/></p>
-<p><br/><br/><br/><br/>{{section|Page:MS Dresd.C.487 057r.png|6|lbl=-|p=1}}</p>
+<br/><br/><br/><br/>{{section|Page:MS Dresd.C.487 057r.png|6|lbl=57r.6|p=1}}
-| {{section|Page:MS Germ.Quart.2020 005v.jpg|2|lbl=-}}
+| {{section|Page:Cgm 3711 44v.jpg|4|lbl=44v.4}}
-| {{section|Page:Cgm 3711 44v.jpg|4|lbl=-}}
+| {{section|Page:Cod.I.6.2º.2 43v.jpg|2|lbl=43v.2}}
-| {{section|Page:Cod.I.6.2º.2 43v.jpg|2|lbl=-}}
 |
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 016v.jpg|3|lbl=-}}
+| {{section|Page:MS Germ.Quart.2020 005v.jpg|2|lbl=05v.2}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 016v.jpg|3|lbl=16v.3}}
 |
-| {{section|Page:Cod.Guelf.38.21 Aug.2º 049r.jpg|6|lbl=-}}
+| {{section|Page:Cod.Guelf.38.21 Aug.2º 049r.jpg|6|lbl=49r.6}}
-<section end="Zucken"/><section begin="Durchlaufen"/>
+}}
-|-
-| <p>{{red|b=1|Running Through}}</p>
-{| class="zettel"
+{{Liechtenauer row LS|20
-|-
+| {{section|Page:MS Chart.A.558 020r.jpg|5|lbl=20r.5}}
-| <small>91</small>
+| {{section|Page:Cod.44.A.8 005v.jpg|5|lbl=05v.5}}
-| Run through, let hang<br/>&emsp;with the pommel. Grasp if you want to wrestle.
+| {{section|Page:MS Thott.290.2º 005r.jpg|2|lbl=05r.2}}
-|-
-| <small>92</small>
-| Who comes strongly at you,<br/>&emsp;the running through then remember.
-|}
-| {{section|Page:MS Chart.A.558 020r.jpg|5|lbl=-}}
-| {{section|Page:Cod.44.A.8 005v.jpg|5|lbl=-}}
-| {{section|Page:MS Thott.290.2º 005r.jpg|2|lbl=-}}
 | <p><br/></p>
-{{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|12|lbl=-}}
+{{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|11|lbl=Ⅲv.11}}
 |
-| {{section|Page:MS KK5126 105r.jpg|11|lbl=-}}
+|
-| {{section|Page:MS Dresd.C.487 008v.png|2|lbl=-}}
+| {{section|Page:MS KK5126 105r.jpg|11|lbl=105r.11}}
+|
+|
+| {{section|Page:MS Dresd.C.487 008v.png|2|lbl=08v.2}}
 | <p><br/></p>
-<p><br/><br/>{{section|Page:MS Dresd.C.487 057r.png|7|lbl=-|p=1}}</p>
+<br/><br/>{{section|Page:MS Dresd.C.487 057r.png|7|lbl=57r.7|p=1}}
-| {{section|Page:MS Germ.Quart.2020 005v.jpg|3|lbl=-}}
+| {{section|Page:Cgm 3711 44v.jpg|5|lbl=44v.5}}
+| {{section|Page:Cod.I.6.2º.2 43v.jpg|3|lbl=43v.3}}
+|
+| {{section|Page:MS Germ.Quart.2020 005v.jpg|3|lbl=05v.3}}
-{{section|Page:MS Germ.Quart.2020 006r.jpg|1|lbl=06r}}
+{{section|Page:MS Germ.Quart.2020 006r.jpg|1|lbl=06r.1}}
-| {{section|Page:Cgm 3711 44v.jpg|5|lbl=-}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 016v.jpg|4|lbl=16v.4}}
-| {{section|Page:Cod.I.6.2º.2 43v.jpg|3|lbl=-}}
 |
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 016v.jpg|4|lbl=-}}
+| {{section|Page:Cod.Guelf.38.21 Aug.2º 049r.jpg|7|lbl=49r.7}}
-|
-| {{section|Page:Cod.Guelf.38.21 Aug.2º 049r.jpg|7|lbl=-}}
-{{section|Page:Cod.Guelf.38.21 Aug.2º 049v.jpg|1|lbl=49v}}
+{{section|Page:Cod.Guelf.38.21 Aug.2º 049v.jpg|1|lbl=49v.1}}
-<section end="Durchlaufen"/><section begin="Abschneiden"/>
+}}
-|-
-| <p>{{red|b=1|Slicing Off}}</p>
-{| class="zettel"
+{{Liechtenauer row LS|21
-|-
+| {{section|Page:MS Chart.A.558 020r.jpg|6|lbl=20r.6}}
-| <small>93</small>
+| {{section|Page:Cod.44.A.8 005v.jpg|6|lbl=05v.6}}
-| Slice off the hard ones,<br/>&emsp;from below in both attacks.
+| {{section|Page:MS Thott.290.2º 005r.jpg|3|lbl=05r.3}}
-|-
-| <small>94</small>
-| Four are the slices:<br/>&emsp;two below and two above.
-|}
-| {{section|Page:MS Chart.A.558 020r.jpg|6|lbl=-}}
-| {{section|Page:Cod.44.A.8 005v.jpg|6|lbl=-}}
-| {{section|Page:MS Thott.290.2º 005r.jpg|3|lbl=-}}
 | <p><br/></p>
-{{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|13|lbl=-}}
+{{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|12|lbl=Ⅲv.12}}
+|
 | <p><br/></p>
@@ Line 945: / Line 705: @@
 | <p><br/></p>
-{{section|Page:MS KK5126 105r.jpg|12|lbl=-}}
+{{section|Page:MS KK5126 105r.jpg|12|lbl=105r.12}}
-| {{section|Page:MS Dresd.C.487 008v.png|3|lbl=-}}
+|
+|
+| {{section|Page:MS Dresd.C.487 008v.png|3|lbl=08v.3}}
 | <p><br/></p>
-{{section|Page:MS Dresd.C.487 057r.png|8|lbl=-}}
+{{section|Page:MS Dresd.C.487 057r.png|8|lbl=57r.8}}
-| {{section|Page:MS Germ.Quart.2020 006r.jpg|2|lbl=-}}
+| {{section|Page:Cgm 3711 44v.jpg|6|lbl=44v.6}}
-| {{section|Page:Cgm 3711 44v.jpg|6|lbl=-}}
+| {{section|Page:Cod.I.6.2º.2 43v.jpg|4|lbl=43v.4}}
-| {{section|Page:Cod.I.6.2º.2 43v.jpg|4|lbl=-}}
 |
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 016v.jpg|5|lbl=-}}
+| {{section|Page:MS Germ.Quart.2020 006r.jpg|2|lbl=06r.2}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 016v.jpg|5|lbl=16v.5}}
 |
-| {{section|Page:Cod.Guelf.38.21 Aug.2º 049v.jpg|2|lbl=-}}
+| {{section|Page:Cod.Guelf.38.21 Aug.2º 049v.jpg|2|lbl=49v.2}}
-<section end="Abschneiden"/><section begin="Hande Trucken"/>
+}}
-|-
-| <p>{{red|b=1|Pressing Hands}}</p>
-{| class="zettel"
+{{Liechtenauer row LS|22
-|-
+| {{section|Page:MS Chart.A.558 020r.jpg|7|lbl=20r.7}}
-| <small>95</small>
+| {{section|Page:Cod.44.A.8 005v.jpg|7|lbl=05v.7}}
-| Turn your edge,<br/>&emsp;press the hands to the flats.
-|}
-| {{section|Page:MS Chart.A.558 020r.jpg|7|lbl=-}}
-| {{section|Page:Cod.44.A.8 005v.jpg|7|lbl=-}}
-{{section|Page:Cod.44.A.8 006r.jpg|1|lbl=6r}}
+{{section|Page:Cod.44.A.8 006r.jpg|1|lbl=06r.1}}
-| {{section|Page:MS Thott.290.2º 005r.jpg|4|lbl=-}}
+| {{section|Page:MS Thott.290.2º 005r.jpg|4|lbl=05r.4}}
 | <p><br/></p>
-{{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|14|lbl=-}}
+{{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|13|lbl=Ⅲv.13}}
+|
 |
 | <p><br/></p>
-{{section|Page:MS KK5126 105r.jpg|13|lbl=-}}
+{{section|Page:MS KK5126 105r.jpg|13|lbl=105r.13}}
-| {{section|Page:MS Dresd.C.487 009r.png|1|lbl=09r}}
+|
+|
+| {{section|Page:MS Dresd.C.487 009r.png|1|lbl=09r.1}}
 |
-| {{section|Page:MS Germ.Quart.2020 006r.jpg|3|lbl=-}}
+| {{section|Page:Cgm 3711 44v.jpg|7|lbl=44v.7}}
-| {{section|Page:Cgm 3711 44v.jpg|7|lbl=-}}
+| {{section|Page:Cod.I.6.2º.2 43v.jpg|5|lbl=43v.5}}
-| {{section|Page:Cod.I.6.2º.2 43v.jpg|5|lbl=-}}
 |
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 016v.jpg|6|lbl=-}}
+| {{section|Page:MS Germ.Quart.2020 006r.jpg|3|lbl=06r.3}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 016v.jpg|6|lbl=16v.6}}
 |
-| {{section|Page:Cod.Guelf.38.21 Aug.2º 049v.jpg|3|lbl=-}}
+| {{section|Page:Cod.Guelf.38.21 Aug.2º 049v.jpg|3|lbl=49v.3}}
-<section end="Hande Trucken"/>
+}}
-|-
-| <p>{{red|b=1|Two Hangings}}</p>
-{| class="zettel"
+{{Liechtenauer row LS|23
-|-
+| {{section|Page:MS Chart.A.558 020r.jpg|8|lbl=20r.8}}
-| <small>96</small>
+| {{section|Page:Cod.44.A.8 006r.jpg|2|lbl=06r.2}}
-| There are two hangings<br/>&emsp;from one side from the ground.
+| {{section|Page:MS Thott.290.2º 005r.jpg|5|lbl=05r.5}}
-|-
-| <small>97</small>
-| In all attacks<br/>&emsp;strike, thrust, posture—soft or hard.
-|}
-| {{section|Page:MS Chart.A.558 020r.jpg|8|lbl=-}}
-| {{section|Page:Cod.44.A.8 006r.jpg|2|lbl=-}}
-| {{section|Page:MS Thott.290.2º 005r.jpg|5|lbl=-}}
 | <p><br/></p>
-{{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|15|lbl=-}}
+{{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|14|lbl=Ⅲv.14}}
+|
+|
+| {{section|Page:MS KK5126 105r.jpg|14|lbl=105r.14}}
+|
 |
-| {{section|Page:MS KK5126 105r.jpg|14|lbl=-}}
+| {{section|Page:MS Dresd.C.487 009r.png|2|lbl=09r.2}}
-| {{section|Page:MS Dresd.C.487 009r.png|2|lbl=-}}
 |
-| {{section|Page:MS Germ.Quart.2020 006v.jpg|1|lbl=06v}}
+| {{section|Page:Cgm 3711 44v.jpg|8|lbl=44v.8}}
-| {{section|Page:Cgm 3711 44v.jpg|8|lbl=-}}
+| {{section|Page:Cod.I.6.2º.2 43v.jpg|6|lbl=43v.6}}
-| {{section|Page:Cod.I.6.2º.2 43v.jpg|6|lbl=-}}
 |
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 017r.jpg|1|lbl=17r}}
+| {{section|Page:MS Germ.Quart.2020 006v.jpg|1|lbl=06v.1}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 017r.jpg|1|lbl=17r.1}}
 |
-| {{section|Page:Cod.Guelf.38.21 Aug.2º 049v.jpg|4|lbl=-}}
+| {{section|Page:Cod.Guelf.38.21 Aug.2º 049v.jpg|4|lbl=49v.4}}
+}}
-|-
-| <p>{{red|b=1|The Speaking Window}}</p>
-{| class="zettel"
+{{Liechtenauer row LS|24
-|-
+| {{section|Page:MS Chart.A.558 020v.jpg|1|lbl=20v.1}}
-| <small>98</small>
+| {{section|Page:Cod.44.A.8 006r.jpg|3|lbl=06r.3}}
-| Do the Speaking Window,<br/>&emsp;stand blithely and look at his actions.
-|-
-| <small>99</small>
-| Strike him until he is defeated.<br/>&emsp;When he withdraws from you,
-|-
-| <small>100</small>
-| I say to you truthfully:<br/>&emsp;no one protects himself without danger.
-|-
-| <small>101</small>
-| If you have learned this,<br/>&emsp;he can scarcely manage to strike.
-|}
-| {{section|Page:MS Chart.A.558 020v.jpg|1|lbl=20v}}
-| {{section|Page:Cod.44.A.8 006r.jpg|3|lbl=-}}
 |
-{{section|Page:MS Thott.290.2º 005r.jpg|6|lbl=-|p=1}}<br/>{{section|Page:MS Thott.290.2º 005v.jpg|1|lbl=5v|p=1}}
+{{section|Page:MS Thott.290.2º 005r.jpg|6|lbl=05r.6|p=1}}<br/>{{section|Page:MS Thott.290.2º 005v.jpg|1|lbl=05v.1|p=1}}
 | <p><br/></p>
-{{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|16|lbl=-}}
+{{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|15|lbl=Ⅲv.15}}
+|
 | <p><br/></p>
@@ Line 1,046: / Line 785: @@
 | <p><br/></p>
-{{section|Page:MS KK5126 105r.jpg|15|lbl=-}}
+{{section|Page:MS KK5126 105r.jpg|15|lbl=105r.15}}
-| {{section|Page:MS Dresd.C.487 009r.png|3|lbl=-}}
+|
+|
+| {{section|Page:MS Dresd.C.487 009r.png|3|lbl=09r.3}}
 |
-| {{section|Page:MS Germ.Quart.2020 006v.jpg|2|lbl=-}}
+| {{section|Page:Cgm 3711 45r.jpg|1|lbl=45r.1}}
-| {{section|Page:Cgm 3711 45r.jpg|1|lbl=45r}}
+| {{section|Page:Cod.I.6.2º.2 43v.jpg|7|lbl=43v.7}}
-| {{section|Page:Cod.I.6.2º.2 43v.jpg|7|lbl=-}}
 |
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 017r.jpg|2|lbl=-}}
+| {{section|Page:MS Germ.Quart.2020 006v.jpg|2|lbl=06v.2}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 017r.jpg|2|lbl=17r.2}}
 |
-| {{section|Page:Cod.Guelf.38.21 Aug.2º 049v.jpg|5|lbl=-}}
+| {{section|Page:Cod.Guelf.38.21 Aug.2º 049v.jpg|5|lbl=49v.5}}
+}}
-|-
+{{Liechtenauer row LS|25
-| <p>{{red|b=1|This is the Conclusion of the Epitome}}<br/><br/></p>
+| {{section|Page:MS Chart.A.558 020v.jpg|2|lbl=20v.2}}
+| {{section|Page:Cod.44.A.8 006r.jpg|4|lbl=06r.4}}
+| {{section|Page:MS Thott.290.2º 005v.jpg|2|lbl=05v.2}}
+| <p><br/><br/></p>
-{| class="zettel"
+{{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|16|lbl=Ⅲv.16}}
-|-
+|
-| <small>102</small>
+| {{section|Page:Cgm 1507 70v.jpg|2|lbl=-}}
-| Who conducts well and breaks properly<br/>&emsp;and finally makes it all right
+| {{section|Page:MS KK5126 105r.jpg|16|lbl=105r.16}}
-|-
+|
-| <small>103</small>
+|
-| And splits particularly<br/>&emsp;everything into three wounders
+| {{section|Page:MS Dresd.C.487 009v.png|1|lbl=09v.1}}
-|-
+|
-| <small>104</small>
+| {{section|Page:Cgm 3711 45r.jpg|2|lbl=45r.2}}
-| Who properly well hangs<br/>&emsp;and also executes the windings,
+|
-|-
+{{section|Page:Cod.I.6.2º.2 43v.jpg|8|lbl=43v.8|p=1}} {{section|Page:Cod.I.6.2º.2 44r.jpg|1|lbl=44r.1|p=1}}
-| <small>105</small>
+|
-| And the eight windings<br/>&emsp;views in a righteous way,
+|
-|-
+{{section|Page:MS Germ.Quart.2020 006v.jpg|3|lbl=06v.3|p=1}} {{section|Page:MS Germ.Quart.2020 007r.jpg|1|lbl=07r.1|p=1}}
-| <small>106</small>
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 017r.jpg|3|lbl=17r.3}}
-| And each one of<br/>&emsp;those same winds I consider to be triple
+|
-|-
+| {{section|Page:Cod.Guelf.38.21 Aug.2º 049v.jpg|6|lbl=49v.6}}
-| <small>107</small>
+}}
-| So they are<br/>&emsp;twenty-four.
-|-
-| <small>108</small>
-| And count them only, from both sides.<br/>&emsp;Eight windings learn with stepping.
-|-
-| <small>109</small>
-| And test the bind<br/>&emsp;no more than soft or hard.
-|}
-| {{section|Page:MS Chart.A.558 020v.jpg|2|lbl=-}}
-| {{section|Page:Cod.44.A.8 006r.jpg|4|lbl=-}}
-| {{section|Page:MS Thott.290.2º 005v.jpg|2|lbl=-}}
-| <p><br/><br/></p>
-{{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|17|lbl=-}}
+{{Liechtenauer row LS|26
-| <p>'''{{section|Page:Cgm 1507 70v.jpg|2|lbl=-|p=1}}'''</p>
+|
-| {{section|Page:MS KK5126 105r.jpg|16|lbl=-}}
+|
-| {{section|Page:MS Dresd.C.487 009v.png|1|lbl=09v}}
+| {{section|Page:MS Thott.290.2º 005v.jpg|3|lbl=05v.3}}
+| {{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|17|lbl=Ⅲv.17}}
+|
+|
 |
 |
-{{section|Page:MS Germ.Quart.2020 006v.jpg|3|lbl=-|p=1}} {{section|Page:MS Germ.Quart.2020 007r.jpg|1|lbl=07r|p=1}}
-| {{section|Page:Cgm 3711 45r.jpg|2|lbl=-}}
 |
-{{section|Page:Cod.I.6.2º.2 43v.jpg|8|lbl=-|p=1}} {{section|Page:Cod.I.6.2º.2 44r.jpg|1|lbl=44r|p=1}}
 |
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 017r.jpg|3|lbl=-}}
 |
-| {{section|Page:Cod.Guelf.38.21 Aug.2º 049v.jpg|6|lbl=-}}
+| {{section|Page:Cgm 3711 45r.jpg|3|lbl=45r.3}}
+| {{section|Page:Cod.I.6.2º.2 44r.jpg|2|lbl=44r.2}}
+|
+| {{section|Page:MS Germ.Quart.2020 007r.jpg|2|lbl=07r.2}}
+|
+|
+| {{section|Page:Cod.Guelf.38.21 Aug.2º 049v.jpg|7|lbl=49v.7}}
+}}
+</table>
+</div>
-|-
+<h3 style="display: none;> Mounted figures </h3>
-| class="noline" | Thus ends Master Liechtenauer's Art of the Long Sword
+ <div id="figures" style="background:transparent; clear:both; font-weight:normal; padding:3px; text-align:left; width:0em; min-width:0em;">
-| class="noline" |
+ <div style="width: 190em;">
-| class="noline" |
+  <div id="FGothaI" style="float:left">
-| class="noline" | {{section|Page:MS Thott.290.2º 005v.jpg|3|lbl=-}}
+{{double page|MS Chart.A.558 022v.jpg|MS Chart.A.558 023r.jpg|x300px|x300px|caption=[[Talhoffer Fechtbuch (MS Chart.A.558)|Gotha Version]] (1448)}}
-| class="noline" | {{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|18|lbl=-}}
+  </div>
-| class="noline" |
+  <div id="FRomeI" style="float:left">
-| class="noline" |
+{{double page|Cod.44.A.8 7v.jpg|Cod.44.A.8 8r.jpg|x300px|x300px|caption=[[Starhemberg Fechtbuch (Cod.44.A.8)|Rome Version]] (1452)}}
-| class="noline" |
+  </div>
-| class="noline" |
+  <div id="FGlasgowaI" style="float:left">
-| class="noline" | {{section|Page:MS Germ.Quart.2020 007r.jpg|2|lbl=-}}
+    <table border="0" cellpadding="0" cellspacing="0" style="border-collapse:collapse; margin-right:auto; margin-left:auto; caption-side:bottom;">
-| class="noline" | {{section|Page:Cgm 3711 45r.jpg|3|lbl=-}}
+      <tr>
-| class="noline" | {{section|Page:Cod.I.6.2º.2 44r.jpg|2|lbl=-}}
+        <td style="width:33%; padding: 0 0.5em;">[[File:MS E.1939.65.341 074r.jpg|x300px]]</td>
-| class="noline" |
+        <td style="width:33%; padding: 0 0.5em;">[[File:MS E.1939.65.341 074v.jpg|x300px]]</td>
-| class="noline" |
+        <td style="width:33%; padding: 0 0.5em;">[[File:MS E.1939.65.341 075r.jpg|x300px]]</td>
-| class="noline" |
+      </tr>
-| class="noline" | {{section|Page:Cod.Guelf.38.21 Aug.2º 049v.jpg|7|lbl=-}}
+      <caption style="font-size:95%; font-weight:normal;">[[Glasgow Fechtbuch (MS E.1939.65.341)|Glasgow Version]] (1508)</caption>
+    </table>
+  </div>
+  <div id="FKrakowI" style="float:left">
+{{double page|MS Germ.Quart.2020 165v.jpg|MS Germ.Quart.2020 166r.jpg|x300px|x300px|caption=[[Goliath Fechtbuch (MS Germ.Quart.2020)|Krakow Version]] (1535-40)}}
+  </div>
+  <div id="FAugsburgbI" style="float:left">
+    <table border="0" cellpadding="0" cellspacing="0" style="border-collapse:collapse; margin-right:auto; margin-left:auto; caption-side:bottom;">
+      <tr style="vertical-align:bottom;">
+        <td style="width:50%; padding: 0 0.5em;">[[File:Reichsstadt "Schätze" Nr. 82 018r.jpg|x300px|right]]</td>
+        <td style="width:50%; padding: 0 0.5em;">[[File:Reichsstadt "Schätze" Nr. 82 018v.jpg|x300px|left]]</td>
+      </tr>
+      <caption style="font-size:95%; font-weight:normal;">[[Rast Fechtbuch (Reichsstadt "Schätze" Nr. 82)|Augsburg Ⅱ Version]] (1553)</caption>
+    </table>
+  </div>
+ </div>
+{{-}}
+<table class="master sortable">
+ <tr>
+  <th id="FTobler0"><p>{{rating|A|Featured Translation (from the Rome)}} (2021){{edit2|Johannes Liechtenauer/Christian Tobler F 2021}}<br/>by [[Christian Henry Tobler]]</p></th>
+  <th id="FNuremberga0"><p>[[Pol Hausbuch (MS 3227a)|Nuremberg Version Ⅰ]] (1390)<br/>Transcribed by [[Dierk Hagedorn]]</p></th>
+  <th id="FGotha0"><p>[[Talhoffer Fechtbuch (MS Chart.A.558)|Gotha Version]] (1448){{edit index|Talhoffer Fechtbuch (MS Chart.A.558)}}<br/>Transcribed by [[Dierk Hagedorn]]</p></th>
+  <th id="FRome0"><p>[[Starhemberg Fechtbuch (Cod.44.A.8)|Rome Version]] (1452){{edit index|Starhemberg Fechtbuch (Cod.44.A.8)}}<br/>Transcribed by [[Dierk Hagedorn]]</p></th>
+  <th id="FGlasgowa0"><p>[[Glasgow Fechtbuch (MS E.1939.65.341)|Glasgow Version Ⅰ]] (1508){{edit index|Glasgow Fechtbuch (MS E.1939.65.341)}}<br/>Transcribed by [[Dierk Hagedorn]]</p></th>
+  <th id="FKrakow0"><p>[[Goliath Fechtbuch (MS Germ.Quart.2020)|Krakow Version]] (1535-40){{edit index|Goliath Fechtbuch (MS Germ.Quart.2020)}}<br/>Transcribed by [[Michael Chidester]]</p></th>
+  <th id="FAugsburgb0"><p>[[Rast Fechtbuch (Reichsstadt "Schätze" Nr. 82)|Augsburg Version Ⅱ]] (1553){{edit index|Rast Fechtbuch (Reichsstadt "Schätze" Nr. 82)}}<br/>Transcribed by [[Werner Ueberschär]]</p></th>
+ </tr>
-|}
+{{Liechtenauer row F|1
-{{master end}}
+|
-{{master begin
+|
-  | title = Mounted Fencing
+|
-  | width = 300em
+|
+|
+| {{section|Page:MS Germ.Quart.2020 165v.jpg|1|lbl=165v.1}}
+|
 }}
-{| class="master"
-|-
-! <p>{{rating|A|Featured Translation (from the Rome)}}<br/>by [[Christian Tobler]]</p>
-! <p>[[Pol Hausbuch (MS 3227a)|Nuremberg Version]] (1400s){{edit index|Pol Hausbuch (MS 3227a)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
-! <p>[[Talhoffer Fechtbuch (MS Chart.A.558)|Gotha Version]] (1448){{edit index|Talhoffer Fechtbuch (MS Chart.A.558)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
-! <p>[[Starhemberg Fechtbuch (Cod.44.A.8)|Rome Version]] (1452){{edit index|Starhemberg Fechtbuch (Cod.44.A.8)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
-! <p>[[Paulus Kal Fechtbuch (MS KK5126)|Vienna Ⅰ Version]] (1480s){{edit index|Paulus Kal Fechtbuch (MS KK5126)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
-! <p>[[Codex Speyer (MS M.I.29)|Salzburg Version]] (1491){{edit index|Codex Speyer (MS M.I.29)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
-! <p>[[Goliath Fechtbuch (MS Germ.Quart.2020)|Krakow Version]] (1535-40){{edit index|Goliath Fechtbuch (MS Germ.Quart.2020)}}<br/>Transcribed by [[Per Magnus Haaland]]</p>
-! <p>[[Oplodidaskalia sive Armorvm Tractandorvm Meditatio Alberti Dvreri (MS 26-232)|Vienna Ⅱ Version]] (1512){{edit index|Oplodidaskalia sive Armorvm Tractandorvm Meditatio Alberti Dvreri (MS 26-232)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
-! <p>[[Rast Fechtbuch (Reichsstadt "Schätze" Nr. 82)|Augsburg Ⅱ Version]] (1553){{edit index|Rast Fechtbuch (Reichsstadt "Schätze" Nr. 82)}}<br/>Transcribed by [[Werner Ueberschär]]</p>
-! <p>[[Fechtbuch zu Ross und zu Fuss (MS Var.82)|Rostock Version]] (1570-71){{edit index|Fechtbuch zu Ross und zu Fuss (MS Var.82)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
-|-
+{{Liechtenauer row F|2
-| {{red|b=1|This is Master Johannes Liechtenauer’s Fighting on Horseback}}
-| {{section|Page:MS 3227a 53r.jpg|1|lbl=53r}}
-| {{section|Page:MS Chart.A.558 021av.jpg|1|lbl=21Av}}
-| {{section|Page:Cod.44.A.8 006r.jpg|5|lbl=06r}}
-| {{section|Page:MS KK5126 105r.jpg|17|lbl=105r}}
 |
 |
+| {{section|Page:Cod.44.A.8 007v.jpg|14|lbl=07v.1}}
 |
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 017r.jpg|4|lbl=17r}}
 |
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 018r.jpg|16|lbl=18r.14}}
+}}
-|-
+{{Liechtenauer row F|3
 |
-{| class="zettel"
+| {{section|Page:MS Chart.A.558 022v.jpg|1|lbl=22v.1}}
-|-
+| {{section|Page:Cod.44.A.8 007v.jpg|1|lbl=07v.2}}
-| <small>1</small>
+| {{section|Page:MS E.1939.65.341 074r.jpg|1|lbl=74r.1}}
-| Direct your spear<br/>&emsp;Riding against destroys
+| {{section|Page:MS Germ.Quart.2020 165v.jpg|2|lbl=165v.2}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 018r.jpg|3|lbl=18r.1}}
+}}
-|-
+{{Liechtenauer row F|4
-| <small>2</small>
+| {{section|Page:MS 3227a 53r.jpg|10|lbl=53r.10}}
-| If it drops<br/>&emsp;The end undoes him
+| {{section|Page:MS Chart.A.558 022v.jpg|2|lbl=22v.2}}
+| {{section|Page:Cod.44.A.8 007v.jpg|2|lbl=07v.3}}
+| {{section|Page:MS E.1939.65.341 074r.jpg|2|lbl=74r.2}}
+| {{section|Page:MS Germ.Quart.2020 165v.jpg|3|lbl=165v.23}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 018r.jpg|4|lbl=18r.2}}
+}}
-|-
+{{Liechtenauer row F|5
-| &nbsp;
+|
-| &nbsp;<br/>&nbsp;
+| {{section|Page:MS Chart.A.558 022v.jpg|3|lbl=22v.3}}
+| {{section|Page:Cod.44.A.8 007v.jpg|3|lbl=07v.4}}
+| {{section|Page:MS E.1939.65.341 074r.jpg|3|lbl=74r.3}}
+| {{section|Page:MS Germ.Quart.2020 165v.jpg|4|lbl=165v.4}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 018r.jpg|5|lbl=18r.3}}
+}}
-|-
+{{Liechtenauer row F|6
-| &nbsp;
+| {{section|Page:MS 3227a 53r.jpg|8|lbl=53r.8}}
-| &nbsp;<br/>&nbsp;
+| {{section|Page:MS Chart.A.558 022v.jpg|4|lbl=22v.4}}
+| {{section|Page:Cod.44.A.8 007v.jpg|4|lbl=07v.5}}
+| {{section|Page:MS E.1939.65.341 074r.jpg|4|lbl=74r.4}}
+| {{section|Page:MS Germ.Quart.2020 165v.jpg|5|lbl=165v.5}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 018r.jpg|6|lbl=18r.4}}
+}}
-|-
+{{Liechtenauer row F|7
-| &nbsp;
+|
-| &nbsp;<br/>&nbsp;
+| {{section|Page:MS Chart.A.558 022v.jpg|5|lbl=22v.5}}
+| {{section|Page:Cod.44.A.8 007v.jpg|5|lbl=07v.6}}
+| {{section|Page:MS E.1939.65.341 074r.jpg|5|lbl=74r.5}}
+| {{section|Page:MS Germ.Quart.2020 165v.jpg|6|lbl=165v.6}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 018r.jpg|7|lbl=18r.5}}
+}}
-|-
+{{Liechtenauer row F|8
-| &nbsp;
+|
-| &nbsp;<br/>&nbsp;
+| {{section|Page:MS Chart.A.558 022v.jpg|6|lbl=22v.6}}
+| {{section|Page:Cod.44.A.8 007v.jpg|6|lbl=07v.7}}
+| {{section|Page:MS E.1939.65.341 074r.jpg|6|lbl=74r.6}}
+| {{section|Page:MS Germ.Quart.2020 165v.jpg|7|lbl=165v.7}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 018r.jpg|8|lbl=18r.6}}
+}}
-|-
+{{Liechtenauer row F|9
-| &nbsp;
+|
-| &nbsp;<br/>&nbsp;
+| {{section|Page:MS Chart.A.558 022v.jpg|9|lbl=22v.9}}
+| {{section|Page:Cod.44.A.8 007v.jpg|7|lbl=07v.8}}
+| {{section|Page:MS E.1939.65.341 074r.jpg|7|lbl=74r.7}}
+| {{section|Page:MS Germ.Quart.2020 165v.jpg|8|lbl=165v.8}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 018r.jpg|9|lbl=18r.7}}
+}}
-|-
+{{Liechtenauer row F|10
-| <small>3</small>
+|
-| Strike in, don’t pull<br/>&emsp;From the scabbard, left to him jerk
+| {{section|Page:MS Chart.A.558 022v.jpg|7|lbl=22v.7}}
+| {{section|Page:Cod.44.A.8 007v.jpg|8|lbl=07v.9}}
+| {{section|Page:MS E.1939.65.341 074r.jpg|8|lbl=74r.8}}
+| {{section|Page:MS Germ.Quart.2020 165v.jpg|9|lbl=165v.9}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 018r.jpg|10|lbl=18r.8}}
+}}
-|-
+{{Liechtenauer row F|11
-| &nbsp;
+|
-| &nbsp;<br/>&nbsp;
+| {{section|Page:MS Chart.A.558 022v.jpg|8|lbl=22v.8}}
+| {{section|Page:Cod.44.A.8 007v.jpg|9|lbl=07v.10}}
+| {{section|Page:MS E.1939.65.341 074r.jpg|9|lbl=74r.9}}
+| {{section|Page:MS Germ.Quart.2020 165v.jpg|10|lbl=165v.10}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 018r.jpg|11|lbl=18r.9}}
+}}
-|-
+{{Liechtenauer row F|12
-| &nbsp;
+|
-| &nbsp;<br/>&nbsp;
+| {{section|Page:MS Chart.A.558 022v.jpg|11|lbl=22v.11}}
+| {{section|Page:Cod.44.A.8 007v.jpg|10|lbl=07v.11}}
+| {{section|Page:MS E.1939.65.341 074r.jpg|11|lbl=74r.11}}
+| {{section|Page:MS Germ.Quart.2020 165v.jpg|11|lbl=165v.11}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 018r.jpg|12|lbl=18r.10}}
+}}
-|-
+{{Liechtenauer row F|13
-| &nbsp;
+| {{section|Page:MS 3227a 55r.jpg|13|lbl=55r.13}}
-| &nbsp;<br/>&nbsp;
+| {{section|Page:MS Chart.A.558 022v.jpg|10|lbl=22v.10}}
+| {{section|Page:Cod.44.A.8 007v.jpg|11|lbl=07v.12}}
+| {{section|Page:MS E.1939.65.341 074r.jpg|10|lbl=74r.10}}
+| {{section|Page:MS Germ.Quart.2020 165v.jpg|12|lbl=165v.12}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 018r.jpg|13|lbl=18r.11}}
+}}
-|-
+{{Liechtenauer row F|14
-| &nbsp;
+|
-| &nbsp;<br/>&nbsp;
+| {{section|Page:MS Chart.A.558 022v.jpg|12|lbl=22v.12}}
+| {{section|Page:Cod.44.A.8 007v.jpg|12|lbl=07v.13}}
+| {{section|Page:MS E.1939.65.341 074r.jpg|12|lbl=74r.12}}
+| {{section|Page:MS Germ.Quart.2020 165v.jpg|13|lbl=165v.13}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 018r.jpg|14|lbl=18r.12}}
+}}
-|-
+{{Liechtenauer row F|15
-| <small>4</small>
+| {{section|Page:MS 3227a 55r.jpg|3|lbl=55r.3}}
-| Grasp to his right<br/>&emsp;Thus you catch him without weapons work
-|-
+{{section|Page:MS 3227a 57v.jpg|2|lbl=57v.2}}
-| <small>5</small>
+| {{section|Page:MS Chart.A.558 022v.jpg|13|lbl=22v.13}}
-| The fighting of lance-thrusting<br/>&emsp;Learn to counter calmly without haste
+| {{section|Page:Cod.44.A.8 007v.jpg|13|lbl=07v.14}}
+| {{section|Page:MS E.1939.65.341 074v.jpg|1|lbl=74v.1}}
+| {{section|Page:MS Germ.Quart.2020 165v.jpg|14|lbl=165v.14}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 018r.jpg|15|lbl=18r.13}}
+}}
-|}
+{{Liechtenauer row F|16
-| {{section|Page:MS 3227a 53r.jpg|2|lbl=-}}
-| {{section|Page:MS Chart.A.558 021av.jpg|2|lbl=-}}
-| {{section|Page:Cod.44.A.8 006v.jpg|1|lbl=06v}}
-| {{section|Page:MS KK5126 105v.jpg|1|lbl=105v}}
 |
-| {{section|Page:MS Germ.Quart.2020 163r.jpg|1|lbl=163r}}
+| {{section|Page:MS Chart.A.558 023r.jpg|1|lbl=23r.1}}
+| {{section|Page:Cod.44.A.8 008r.jpg|1|lbl=08r.1}}
+| {{section|Page:MS E.1939.65.341 074v.jpg|2|lbl=74v.2}}
+| {{section|Page:MS Germ.Quart.2020 165v.jpg|15|lbl=165v.15}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 018v.jpg|1|lbl=18v.1}}
+}}
+{{Liechtenauer row F|17
 |
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 017r.jpg|5|lbl=-}}
+| {{section|Page:MS Chart.A.558 023r.jpg|2|lbl=23r.2}}
+| {{section|Page:Cod.44.A.8 008r.jpg|2|lbl=08r.2}}
+| {{section|Page:MS E.1939.65.341 074v.jpg|3|lbl=74v.3}}
+| {{section|Page:MS Germ.Quart.2020 166r.jpg|1|lbl=166r.1}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 018v.jpg|2|lbl=18r.2}}
+}}
+{{Liechtenauer row F|18
 |
+| {{section|Page:MS Chart.A.558 023r.jpg|3|lbl=23r.3}}
+| {{section|Page:Cod.44.A.8 008r.jpg|3|lbl=08r.3}}
+| {{section|Page:MS E.1939.65.341 074v.jpg|4|lbl=74v.4}}
+| {{section|Page:MS Germ.Quart.2020 166r.jpg|2|lbl=166r.2}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 018v.jpg|3|lbl=18r.3}}
+}}
-|-
+{{Liechtenauer row F|19
 |
-| {{paget|Page:MS 3227a|53v|jpg}}
+| {{section|Page:MS Chart.A.558 023r.jpg|7|lbl=23r.7}}
+| {{section|Page:Cod.44.A.8 008r.jpg|4|lbl=08r.4}}
+| {{section|Page:MS E.1939.65.341 074v.jpg|6|lbl=74v.6}}
+| {{section|Page:MS Germ.Quart.2020 166r.jpg|3|lbl=166r.3}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 018v.jpg|4|lbl=18r.4}}
+}}
+{{Liechtenauer row F|20
 |
+| {{section|Page:MS Chart.A.558 023r.jpg|6|lbl=23r.6}}
+| {{section|Page:Cod.44.A.8 008r.jpg|5|lbl=08r.5}}
+| {{section|Page:MS E.1939.65.341 074v.jpg|5|lbl=74v.5}}
+| {{section|Page:MS Germ.Quart.2020 166r.jpg|4|lbl=166r.4}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 018v.jpg|5|lbl=18r.5}}
+}}
+{{Liechtenauer row F|21
 |
+| {{section|Page:MS Chart.A.558 023r.jpg|4|lbl=23r.4}}
+| {{section|Page:Cod.44.A.8 008r.jpg|6|lbl=08r.6}}
+| {{section|Page:MS E.1939.65.341 074v.jpg|7|lbl=74v.7}}
+| {{section|Page:MS Germ.Quart.2020 166r.jpg|5|lbl=166r.5}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 018v.jpg|6|lbl=18r.6}}
+}}
+{{Liechtenauer row F|22
 |
+| {{section|Page:MS Chart.A.558 023r.jpg|5|lbl=23r.5}}
+| {{section|Page:Cod.44.A.8 008r.jpg|7|lbl=08r.7}}
+| {{section|Page:MS E.1939.65.341 074v.jpg|8|lbl=74v.8}}
+| {{section|Page:MS Germ.Quart.2020 166r.jpg|6|lbl=166r.6}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 018v.jpg|7|lbl=18r.7}}
+}}
+{{Liechtenauer row F|23
 |
+| {{section|Page:MS Chart.A.558 023r.jpg|10|lbl=23r.10}}
+| {{section|Page:Cod.44.A.8 008r.jpg|8|lbl=08r.8}}
+| {{section|Page:MS E.1939.65.341 074v.jpg|9|lbl=74v.9}}
+| {{section|Page:MS Germ.Quart.2020 166r.jpg|7|lbl=166r.7}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 018v.jpg|8|lbl=18r.8}}
+}}
+{{Liechtenauer row F|24
 |
+| {{section|Page:MS Chart.A.558 023r.jpg|11|lbl=23r.11}}
+| {{section|Page:Cod.44.A.8 008r.jpg|9|lbl=08r.9}}
+| {{section|Page:MS E.1939.65.341 074v.jpg|10|lbl=74v.10}}
+| {{section|Page:MS Germ.Quart.2020 166r.jpg|8|lbl=166r.8}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 018v.jpg|9|lbl=18r.9}}
+}}
+{{Liechtenauer row F|25
 |
+| {{section|Page:MS Chart.A.558 023r.jpg|8|lbl=23r.8}}
+| {{section|Page:Cod.44.A.8 008r.jpg|10|lbl=08r.10}}
+| {{section|Page:MS E.1939.65.341 074v.jpg|11|lbl=74v.11}}
+| {{section|Page:MS Germ.Quart.2020 166r.jpg|9|lbl=166r.9}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 018v.jpg|10|lbl=18r.10}}
+}}
+{{Liechtenauer row F|26
 |
+| {{section|Page:MS Chart.A.558 023r.jpg|9|lbl=23r.9}}
+| {{section|Page:Cod.44.A.8 008r.jpg|11|lbl=08r.11}}
+| {{section|Page:MS E.1939.65.341 074v.jpg|12|lbl=74v.12}}
+| {{section|Page:MS Germ.Quart.2020 166r.jpg|10|lbl=166r.10}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 018v.jpg|11|lbl=18r.11}}
+}}
+{{Liechtenauer row F|27
 |
+| {{section|Page:MS Chart.A.558 023r.jpg|12|lbl=23r.12}}
+| {{section|Page:Cod.44.A.8 008r.jpg|12|lbl=08r.12}}
+| {{section|Page:MS E.1939.65.341 075r.jpg|1|lbl=75r.1}}
+| {{section|Page:MS Germ.Quart.2020 166r.jpg|11|lbl=166r.11}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 018v.jpg|12|lbl=18r.12}}
+}}
-|-
+{{Liechtenauer row F|28
 |
-{| class="zettel"
+| {{section|Page:MS Chart.A.558 023r.jpg|13|lbl=23r.13}}
-|-
+| {{section|Page:Cod.44.A.8 008r.jpg|13|lbl=08r.13}}
-| <small>6</small>
+| {{section|Page:MS E.1939.65.341 075r.jpg|2|lbl=75r.2}}
-| If it changes<br/>&emsp;So that the sword is used against the sword
+| {{section|Page:MS Germ.Quart.2020 166r.jpg|12|lbl=166r.12}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 018v.jpg|13|lbl=18r.13}}
+}}
-|-
+{{Liechtenauer row F|29
-| <small>7</small>
+|
-| Truly seize the strong<br/>&emsp;You seek the Slapping Stroke
+|
+| {{section|Page:Cod.44.A.8 008r.jpg|14|lbl=08r.14}}
+|
+|
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 018v.jpg|14|lbl=18r.14}}
+}}
+</table>
+</div>
-|-
+<h3 style="display: none;> Mounted and dismounted dueling </h3>
-| <small>8</small>
+<div id="dueling" style="background:transparent; clear:both; font-weight:normal; padding:3px; text-align:left; width:0em; min-width:0em;">
-| And remember: learn well to strongly defend<br/>&emsp;In all meetings, press him without danger
+<table class="master sortable">
+ <tr>
+  <th id="DChidester0"><p>{{rating|B|Rhyming Translation (from the Rome)}} (2025){{edit2|Johannes Liechtenauer/Michael Chidester D 2025}}<br/>by [[Michael Chidester]]</p></th>
+  <th id="DTobler0"><p>{{rating|A|Featured Translation (from the Rome)}} (2021){{edit2|Johannes Liechtenauer/Christian Tobler D 2021}}<br/>by [[Christian Henry Tobler]]</p></th>
+  <th id="DNuremberga0"><p>[[Pol Hausbuch (MS 3227a)|Nuremberg Version Ⅰ]] (1390){{edit index|Pol Hausbuch (MS 3227a)}}<br/>Transcribed by [[Dierk Hagedorn]]</p></th>
+  <th id="DGotha0"><p>[[Talhoffer Fechtbuch (MS Chart.A.558)|Gotha Version]] (1448){{edit index|Talhoffer Fechtbuch (MS Chart.A.558)}}<br/>Transcribed by [[Dierk Hagedorn]]</p></th>
+  <th id="DRome0"><p>[[Starhemberg Fechtbuch (Cod.44.A.8)|Rome Version]] (1452){{edit index|Starhemberg Fechtbuch (Cod.44.A.8)}}<br/>Transcribed by [[Dierk Hagedorn]]</p></th>
+  <th id="DViennaa0"><p>[[Paulus Kal Fechtbuch (MS KK5126)|Vienna Version Ⅰ]] (1480s){{edit index|Paulus Kal Fechtbuch (MS KK5126)}}<br/>Transcribed by [[Dierk Hagedorn]]</p></th>
+  <th id="DSalzburg0"><p>[[Codex Speyer (MS M.I.29)|Salzburg Version]] (1491){{edit index|Codex Speyer (MS M.I.29)}}<br/>Transcribed by [[Dierk Hagedorn]]</p></th>
+  <th id="DOrtenburg0"><p>[[Ortenburg Fechtbuch|Ortenburg Version]] (1400s){{edit index|Ortenburg Fechtbuch}}<br/></p></th>
+  <th id="DNurembergb0"><p>[[Pirckheimer's Fechtbuch (Pirckh.Papp.353)|Nuremberg Version Ⅱ]] (ca. 1500){{edit index|Pirckheimer's Fechtbuch (Pirckh.Papp.353)}}<br/></p>
+  <th id="DViennab0"><p>[[Oplodidaskalia sive Armorvm Tractandorvm Meditatio Alberti Dvreri (MS 26-232)|Vienna Version Ⅱ]] (1505){{edit index|Oplodidaskalia sive Armorvm Tractandorvm Meditatio Alberti Dvreri (MS 26-232)}}<br/>Transcribed by [[Dierk Hagedorn]]</p></th>
+  <th id="DKrakow0"><p>[[Goliath Fechtbuch (MS Germ.Quart.2020)|Krakow Version]] (1535-40){{edit index|Goliath Fechtbuch (MS Germ.Quart.2020)}}<br/>Transcribed by [[Michael Chidester]]</p></th>
+  <th id="DAugsburgb0"><p>[[Rast Fechtbuch (Reichsstadt "Schätze" Nr. 82)|Augsburg Version Ⅱ]] (1553){{edit index|Rast Fechtbuch (Reichsstadt "Schätze" Nr. 82)}}<br/>Transcribed by [[Werner Ueberschär]]</p></th>
+  <th id="DRostock0"><p>[[Fechtbuch zu Ross und zu Fuss (MS Var.82)|Rostock Version]] (1570-71){{edit index|Fechtbuch zu Ross und zu Fuss (MS Var.82)}}<br/>Transcribed by [[Dierk Hagedorn]]</p></th>
+ </tr>
-|}
+{{Liechtenauer row D|1
-| {{section|Page:MS 3227a 55r.jpg|1|lbl=55r}}
+| {{section|Page:MS 3227a 53r.jpg|1|lbl=53r.1}}
-| {{section|Page:MS Chart.A.558 021av.jpg|3|lbl=-}}
+| {{section|Page:MS Chart.A.558 021av.jpg|1|lbl=21Av.1}}
-| {{section|Page:Cod.44.A.8 006v.jpg|2|lbl=-}}
+| {{section|Page:Cod.44.A.8 006r.jpg|5|lbl=06r}}
-| {{section|Page:MS KK5126 105v.jpg|2|lbl=-}}
+| {{section|Page:MS KK5126 105r.jpg|17|lbl=105r}}
 |
 |
-{{section|Page:MS Germ.Quart.2020 163r.jpg|2|lbl=-|p=1}} {{section|Page:MS Germ.Quart.2020 163v.jpg|1|lbl=163v|p=1}}
 |
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 017v.jpg|1|lbl=17v}}
 |
-|-
 |
-{| class="zettel"
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 017r.jpg|4|lbl=17r.1}}
-|-
+|
-| <small>9</small>
+}}
-| Plant upon without danger<br/>&emsp;Who grazes, hang to him to the hair
-|-
+{{Liechtenauer row D|2
-| <small>10</small>
+| <p><br/></p>
-| If you want to calmly<br/>&emsp;Charge long, this troubles greatly
-|-
+{{section|Page:MS 3227a 53r.jpg|2|lbl=53r.2|p=1}}<br/>
-| <small>11</small>
+<br/>
-| Whoever now defends that<br/>&emsp;Then wind that hurts also
+<br/>
+{{section|Page:MS 3227a 53r.jpg|5|lbl=53r.5|p=1}}<br/>
+{{section|Page:MS 3227a 53r.jpg|9|lbl=53r.9|p=1}}<br/>
+<br/>
+<br/>
+{{section|Page:MS 3227a 53r.jpg|12|lbl=53r.12|p=1}}
+| <p><br/></p>
-|-
+{{section|Page:MS Chart.A.558 021av.jpg|2|lbl=21Av.2}}
-| <small>12</small>
+| <p><br/></p>
-| If he defends against this further<br/>&emsp;Grasp the bridle and do not let it go
-|-
+{{section|Page:Cod.44.A.8 006v.jpg|1|lbl=06v.1}}
-| <small>13</small>
+| <p><br/></p>
-| Be mindful of the openings<br/>&emsp;Search for the Messer, do not tend to the pommel
-|-
+{{section|Page:MS KK5126 105v.jpg|1|lbl=105v.1}}
-| &nbsp;
+|
-| &nbsp;<br/>&nbsp;
+|
+|
+|
+| <p><br/></p>
-|-
+{{section|Page:MS Germ.Quart.2020 163r.jpg|1|lbl=163r.1}}
-| <small>14</small>
+| <p><br/></p>
-| Learn two strokes<br/>&emsp;With the empty hand against the weapon
-|}
+{{section|Page:Reichsstadt "Schätze" Nr. 82 017r.jpg|5|lbl=17r.2}}
-| {{section|Page:MS 3227a 55r.jpg|2|lbl=-}}
-| {{section|Page:MS Chart.A.558 021av.jpg|4|lbl=-}}
-| {{section|Page:Cod.44.A.8 006v.jpg|3|lbl=-}}
-| {{section|Page:MS KK5126 105v.jpg|3|lbl=-}}
 |
-| {{section|Page:MS Germ.Quart.2020 163v.jpg|2|lbl=-}}
+}}
+{{Liechtenauer row D|3
+| <p><br/></p>
+{{paget|Page:MS 3227a|53v|jpg}}
 |
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 017v.jpg|2|lbl=-}}
 |
-|-
-|
-| {{section|Page:MS 3227a 55r.jpg|3|lbl=-}}
 |
 |
@@ Line 1,317: / Line 1,237: @@
 |
 |
+}}
+{{Liechtenauer row D|4
+| <p><br/></p>
+{{section|Page:MS 3227a 55r.jpg|1|lbl=55r.1}}
+| <p><br/></p>
+{{section|Page:MS Chart.A.558 021av.jpg|3|lbl=21Av.3}}
+| <p><br/></p>
+{{section|Page:Cod.44.A.8 006v.jpg|2|lbl=06v.2}}
+| <p><br/></p>
-|-
+{{section|Page:MS KK5126 105v.jpg|2|lbl=105v.2}}
 |
-| {{section|Page:MS 3227a 55r.jpg|4|lbl=-}}
 |
 |
 |
+| <p><br/></p>
+{{section|Page:MS Germ.Quart.2020 163r.jpg|2|lbl=163r.2|p=1}} {{section|Page:MS Germ.Quart.2020 163v.jpg|1|lbl=163v.1|p=1}}
+| <p><br/></p>
+{{section|Page:Reichsstadt "Schätze" Nr. 82 017v.jpg|1|lbl=17v.1}}
 |
+}}
+{{Liechtenauer row D|5
+| <p><br/></p>
+{{section|Page:MS 3227a 55r.jpg|2|lbl=55r.2}}
+| <p><br/></p>
+{{section|Page:MS Chart.A.558 021av.jpg|4|lbl=21Av.4}}
+| <p><br/></p>
+{{section|Page:Cod.44.A.8 006v.jpg|3|lbl=06v.3}}
+| <p><br/></p>
+{{section|Page:MS KK5126 105v.jpg|3|lbl=105v.3}}
 |
 |
 |
 |
+| <p><br/></p>
+{{section|Page:MS Germ.Quart.2020 163v.jpg|2|lbl=163v.2}}
+| <p><br/></p>
-|-
+{{section|Page:Reichsstadt "Schätze" Nr. 82 017v.jpg|2|lbl=17v.2}}
+|
+}}
+{{Liechtenauer row D|6
+| <p><br/></p>
+{{section|Page:MS 3227a 55r.jpg|7|lbl=55r.7|p=1}}<br/>
+{{section|Page:MS 3227a 55r.jpg|9|lbl=55r.9|p=1}}<br/>
+{{section|Page:MS 3227a 55r.jpg|14|lbl=55r.14|p=1}}
 |
-| {{section|Page:MS 3227a 55r.jpg|5|lbl=-}}
 |
 |
@@ Line 1,341: / Line 1,306: @@
 |
 |
-|-
 |
-{| class="zettel"
+}}
-|-
-| <small>15</small>
-| The Sheep Grip fends off<br/>&emsp;Him who turns to you with wrestling.
-|-
+{{Liechtenauer row D|7
-| <small>16</small>
+| <p><br/></p>
-| While under the eyes<br/>&emsp;Grasp him truly with flying
-|-
+{{section|Page:MS 3227a 55r.jpg|2.5|lbl=55r.3|p=1}}<br/>
-| <small>17</small>
+{{section|Page:MS 3227a 57v.jpg|1|lbl=57v|p=1}}
-| Who attacks you<br/>&emsp;While riding towards you will be felled
+| <p><br/></p>
-|-
+{{section|Page:MS Chart.A.558 021av.jpg|5|lbl=21Av.5}}
-| <small>18</small>
+| <p><br/></p>
-| Hanging to the ground<br/>&emsp;Grasp over against him truly with conduct
-|-
+{{section|Page:Cod.44.A.8 006v.jpg|4|lbl=06v.4}}
-| <small>19</small>
+| <p><br/></p>
-| To both sides<br/>&emsp;You should learn to ride against him
-|}
+{{section|Page:MS KK5126 105v.jpg|4|lbl=105v.4}}
-| {{section|Page:MS 3227a 57v.jpg|1|lbl=57v}}
-| {{section|Page:MS Chart.A.558 021av.jpg|5|lbl=-}}
-| {{section|Page:Cod.44.A.8 006v.jpg|4|lbl=-}}
-| {{section|Page:MS KK5126 105v.jpg|4|lbl=-}}
 |
 |
-{{section|Page:MS Germ.Quart.2020 163v.jpg|3|lbl=-|p=1}} {{section|Page:MS Germ.Quart.2020 164r.jpg|1|lbl=164r|p=1}}
 |
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 017v.jpg|3|lbl=-}}
 |
+| <p><br/></p>
-|-
+{{section|Page:MS Germ.Quart.2020 163v.jpg|3|lbl=163v.3|p=1}} {{section|Page:MS Germ.Quart.2020 164r.jpg|1|lbl=164r.1|p=1}}
+| <p><br/></p>
+{{section|Page:Reichsstadt "Schätze" Nr. 82 017v.jpg|3|lbl=17v.3}}
 |
-{| class="zettel"
+}}
-|-
-| <small>20</small>
-| If you want to ride<br/>&emsp;The horse run to the other side
-|-
+{{Liechtenauer row D|8
-| <small>21</small>
+| <p><br/></p>
-| Defend strongly<br/>&emsp;Plant upon him threaten him with this
-|-
+{{paget|Page:MS 3227a|58r|jpg}}
-| <small>22</small>
+| <p><br/></p>
-| Who defends against that<br/>&emsp;Grasp his sword from afar, get to the handle
-|-
+{{section|Page:MS Chart.A.558 021av.jpg|6|lbl=21Av.6}}
-| <small>23</small>
+| <p><br/></p>
-| Or turn around<br/>&emsp;To calmly charge for the weapon
-|-
+{{section|Page:Cod.44.A.8 006v.jpg|5|lbl=06v.5|p=1}} {{section|Page:Cod.44.A.8 007r.jpg|1|lbl=07r.1|p=1}}
-| <small>24</small>
+| <p><br/></p>
-| With all skill<br/>&emsp;He who charges acts to his advantage
-|-
-| <small>25</small>
-| If you have charged past him<br/>&emsp;And unintentionally charge to the left
-|-
-| <small>26</small>
-| Follow his sword upwards<br/>&emsp;And wrestle, push also hard
-|}
+{{section|Page:MS KK5126 105v.jpg|5|lbl=105v.5}}
-| {{section|Page:MS 3227a 58r.jpg|1|lbl=58r}}
-| {{section|Page:MS Chart.A.558 021av.jpg|6|lbl=-}}
 |
-{{section|Page:Cod.44.A.8 006v.jpg|5|lbl=-|p=1}} {{section|Page:Cod.44.A.8 007r.jpg|1|lbl=07r|p=1}}
-| {{section|Page:MS KK5126 105v.jpg|5|lbl=-}}
 |
 |
-{{section|Page:MS Germ.Quart.2020 164r.jpg|2|lbl=-|p=1}} {{section|Page:MS Germ.Quart.2020 164v.jpg|1|lbl=164v|p=1}}
 |
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 017v.jpg|4|lbl=-}}
+| <p><br/></p>
+{{section|Page:MS Germ.Quart.2020 164r.jpg|2|lbl=164r.2|p=1}} {{section|Page:MS Germ.Quart.2020 164v.jpg|1|lbl=164v.1|p=1}}
+| <p><br/></p>
+{{section|Page:Reichsstadt "Schätze" Nr. 82 017v.jpg|4|lbl=17v.4}}
 |
+}}
-|-
+{{Liechtenauer row D|9
-|
+| <p><br/></p>
-{| class="zettel"
-|-
+{{section|Page:MS 3227a 58v.jpg|1|lbl=58v}}
-| <small>27</small>
+| <p><br/></p>
-| If one charges on the right<br/>&emsp;Stop; turn around; tend to the fight
-|-
+{{section|Page:MS Chart.A.558 021av.jpg|7|lbl=21Av.7}}
-| <small>28</small>
+| <p><br/></p>
-| With the arm catch<br/>&emsp;Thus he cannot manage to harm you
-|}
+{{section|Page:Cod.44.A.8 007r.jpg|2|lbl=07r.2}}
-| {{section|Page:MS 3227a 58v.jpg|1|lbl=58v}}
+| <p><br/></p>
-| {{section|Page:MS Chart.A.558 021av.jpg|7|lbl=-}}
-| {{section|Page:Cod.44.A.8 007r.jpg|2|lbl=-}}
+{{section|Page:MS KK5126 105v.jpg|6|lbl=105v.6}}
-| {{section|Page:MS KK5126 105v.jpg|6|lbl=-}}
 |
-| {{section|Page:MS Germ.Quart.2020 164v.jpg|2|lbl=-}}
 |
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 017v.jpg|5|lbl=-}}
 |
+|
+| <p><br/></p>
+{{section|Page:MS Germ.Quart.2020 164v.jpg|2|lbl=164v.2}}
+| <p><br/></p>
-|-
+{{section|Page:Reichsstadt "Schätze" Nr. 82 017v.jpg|5|lbl=17v.5}}
 |
-{| class="zettel"
+}}
-|-
-| <small>29</small>
+{{Liechtenauer row D|10
-| The messer take<br/>&emsp;Hold, learn to shame him
+| <p><br/></p>
+{{section|Page:MS 3227a 58v.jpg|2|lbl=-}}
+| <p><br/></p>
-|-
+{{section|Page:MS Chart.A.558 021av.jpg|8|lbl=21Av.8|p=1}} {{section|Page:MS Chart.A.558 022r.jpg|1|lbl=22r.1|p=1}}
-| <small>30</small>
+| <p><br/></p>
-| The Unnamed<br/>&emsp;Against the strong to turn
-|-
+{{section|Page:Cod.44.A.8 007r.jpg|3|lbl=07r.3}}
-| <small>31</small>
+| <p><br/></p>
-| Their strike, their thrust<br/>&emsp;Is being defeated without any fencing
-|}
+{{section|Page:MS KK5126 105v.jpg|7|lbl=105v.7}}
-| {{section|Page:MS 3227a 58v.jpg|2|lbl=-}}
 |
-{{section|Page:MS Chart.A.558 021av.jpg|8|lbl=-|p=1}} {{section|Page:MS Chart.A.558 022r.jpg|1|lbl=22r|p=1}}
-| {{section|Page:Cod.44.A.8 007r.jpg|3|lbl=-}}
-| {{section|Page:MS KK5126 105v.jpg|7|lbl=-}}
 |
-| {{section|Page:MS Germ.Quart.2020 164v.jpg|3|lbl=-}}
 |
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 017v.jpg|6|lbl=-}}
 |
+| <p><br/></p>
-|-
+{{section|Page:MS Germ.Quart.2020 164v.jpg|3|lbl=164v.3}}
+| <p><br/></p>
+{{section|Page:Reichsstadt "Schätze" Nr. 82 017v.jpg|6|lbl=17v.6}}
 |
-{| class="zettel"
+}}
-|-
-| <small>32</small>
-| If you want to grasp<br/>&emsp;You should not fail to ride beside him
-|-
+{{Liechtenauer row D|11
-| <small>33</small>
+| <p><br/></p>
-| The Sun Pointer<br/>&emsp;Take the left sleeve if you want to bend
-|-
+{{section|Page:MS 3227a 59r.jpg|1|lbl=59r}}
-| <small>34</small>
+| <p><br/></p>
-| Touch the forehead<br/>&emsp;Against the nape of the neck press very hard
-|-
+{{section|Page:MS Chart.A.558 022r.jpg|2|lbl=22r.2}}
-| <small>35</small>
+| <p><br/></p>
-| So that he sways<br/>&emsp;And rarely makes it up again.
-|-
+{{section|Page:Cod.44.A.8 007r.jpg|4|lbl=07r.4}}
-| <small>36</small>
+| <p><br/></p>
-| Who attacks you with that<br/>&emsp;Grasp over against him and he will be shamed
-|-
+{{section|Page:MS KK5126 105v.jpg|8|lbl=105v.8}}
-| <small>37</small>
-| Press the arm to the head<br/>&emsp;This grip often robs the saddle
-|}
-| {{section|Page:MS 3227a 59r.jpg|1|lbl=59r}}
-| {{section|Page:MS Chart.A.558 022r.jpg|2|lbl=-}}
-| {{section|Page:Cod.44.A.8 007r.jpg|4|lbl=-}}
-| {{section|Page:MS KK5126 105v.jpg|8|lbl=-}}
 |
 |
-{{section|Page:MS Germ.Quart.2020 164v.jpg|4|lbl=-|p=1}} {{section|Page:MS Germ.Quart.2020 165r.jpg|1|lbl=165r|p=1}}
 |
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 018r.jpg|1|lbl=18r}}
 |
+| <p><br/></p>
-|-
+{{section|Page:MS Germ.Quart.2020 164v.jpg|4|lbl=164v.4|p=1}} {{section|Page:MS Germ.Quart.2020 165r.jpg|1|lbl=165r.1|p=1}}
-| class="noline" |
+| <p><br/></p>
-{| class="zettel"
-|-
-| <small>38</small>
-| If you want to retain yourself<br/>&emsp;From seizing
-|-
-| <small>39</small>
-| Then take him into custody without wrestling<br/>&emsp;Without any rope
-|-
-| <small>40</small>
-| The Before Grip remember<br/>&emsp;This indeed breaks his strength
-|}
-| class="noline" | {{section|Page:MS 3227a 59r.jpg|2|lbl=-}}
-| class="noline" | {{section|Page:MS Chart.A.558 022r.jpg|3|lbl=-}}
-| class="noline" | {{section|Page:Cod.44.A.8 007r.jpg|5|lbl=-}}
-| class="noline" | {{section|Page:MS KK5126 105v.jpg|9|lbl=-}}
-| class="noline" |
-| class="noline" | {{section|Page:MS Germ.Quart.2020 165r.jpg|2|lbl=-}}
-| class="noline" |
-| class="noline" | {{section|Page:Reichsstadt "Schätze" Nr. 82 018r.jpg|2|lbl=-}}
-| class="noline" |
-|}
+{{section|Page:Reichsstadt "Schätze" Nr. 82 018r.jpg|1|lbl=18r.1}}
-{{master end}}
+|
-{{master begin
-  | title = Short Sword
-  | width = 300em
 }}
-{| class="master"
-|-
-! <p>{{rating|A|Featured Translation (from the Rome)}}<br/>by [[Christian Tobler]]</p>
-! <p>[[Pol Hausbuch (MS 3227a)|Nuremberg Version]] (1400s){{edit index|Pol Hausbuch (MS 3227a)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
-! <p>[[Talhoffer Fechtbuch (MS Chart.A.558)|Gotha Version]] (1448){{edit index|Talhoffer Fechtbuch (MS Chart.A.558)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
-! <p>[[Starhemberg Fechtbuch (Cod.44.A.8)|Rome Version]] (1452){{edit index|Starhemberg Fechtbuch (Cod.44.A.8)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
-! <p>[[Paulus Kal Fechtbuch (MS KK5126)|Vienna Ⅰ Version]] (1480s){{edit index|Paulus Kal Fechtbuch (MS KK5126)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
-! <p>[[Codex Speyer (MS M.I.29)|Salzburg Version]] (1491){{edit index|Codex Speyer (MS M.I.29)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
-! <p>[[Goliath Fechtbuch (MS Germ.Quart.2020)|Krakow Version]] (1535-40){{edit index|Goliath Fechtbuch (MS Germ.Quart.2020)}}<br/>Transcribed by [[Michael Chidester]]</p>
-! <p>[[Oplodidaskalia sive Armorvm Tractandorvm Meditatio Alberti Dvreri (MS 26-232)|Vienna Ⅱ Version]] (1512){{edit index|Oplodidaskalia sive Armorvm Tractandorvm Meditatio Alberti Dvreri (MS 26-232)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
-! <p>[[Rast Fechtbuch (Reichsstadt "Schätze" Nr. 82)|Augsburg Ⅱ Version]] (1553){{edit index|Rast Fechtbuch (Reichsstadt "Schätze" Nr. 82)}}<br/>Transcribed by [[Werner Ueberschär]]</p>
-! <p>[[Fechtbuch zu Ross und zu Fuss (MS Var.82)|Rostock Version]] (1570-71){{edit index|Fechtbuch zu Ross und zu Fuss (MS Var.82)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
-|-
+{{Liechtenauer row D|12
-| <p>{{red|b=1|Here begins the Art with the Short Sword in Dueling, of Master Johannes Liechtenauer, God have mercy on him,}}</p>
+| <p><br/></p>
-<p><br/></p>
+{{section|Page:MS 3227a 59r.jpg|2|lbl=-}}
+| <p><br/></p>
-{| class="zettel"
+{{section|Page:MS Chart.A.558 022r.jpg|3|lbl=22r.3}}
-|-
+| <p><br/></p>
-| <small>1</small>
-| Who dismounts<br/>&emsp;Fighting on foot begins
-|-
-| <small>2</small>
-| This do with the spear<br/>&emsp;Two positions to begin truly
-|-
-| <small>3</small>
-| Spear and point<br/>&emsp;Thrust the initial thrust without fear
-|-
-| <small>4</small>
-| Spring, wind set truly upon<br/>&emsp;If he defends pull, that will defeat him
-|-
-| <small>5</small>
-| If you want to thrust before<br/>&emsp;With pulling learn to break his defense
-|-
-| <small>6</small>
-| Note if he wants to pull back<br/>&emsp;From harm and flee
-|-
-| <small>7</small>
-| Then approach him<br/>&emsp;To surely attend to grasp
-|}
-| <p><br/><br/></p>
-<p><br/></p>
+{{section|Page:Cod.44.A.8 007r.jpg|5|lbl=07r.5}}
+| <p><br/></p>
-{{paget|Page:MS 3227a|60r|jpg|p=1}}
+{{section|Page:MS KK5126 105v.jpg|9|lbl=105v.9}}
-| {{section|Page:MS Chart.A.558 048v.jpg|1|lbl=48v}}
-| {{section|Page:Cod.44.A.8 008v.jpg|1|lbl=08v}}
-| {{section|Page:MS KK5126 105v.jpg|10|lbl=105v}}
 |
 |
-{{paget|Page:MS Germ.Quart.2020|199r|jpg|p=1}} {{section|Page:MS Germ.Quart.2020 199v.jpg|1|lbl=199v|p=1}}
 |
 |
-{{section|Page:Reichsstadt "Schätze" Nr. 82 018v.jpg|15|lbl=18v|p=1}} {{section|Page:Reichsstadt "Schätze" Nr. 82 019r.jpg|1|lbl=19r|p=1}}
+| <p><br/></p>
-|
-|-
-| <p>{{red|b=1|This is the wrestling in dueling}}</p>
-{| class="zettel"
+{{section|Page:MS Germ.Quart.2020 165r.jpg|2|lbl=165r.2}}
-|-
-| <small>8</small>
-| If you want to wrestle<br/>&emsp;learn to spring correctly behind the leg
-|-
-| <small>9</small>
-| A bar shoot forth<br/>&emsp;That skillfully locks the leg
-|-
-| <small>10</small>
-| From both sides<br/>&emsp;If you want to skillfully end
-|}
-| {{paget|Page:MS 3227a|61v|jpg}}
 | <p><br/></p>
-{{section|Page:MS Chart.A.558 048v.jpg|2|lbl=-}}
+{{section|Page:Reichsstadt "Schätze" Nr. 82 018r.jpg|2|lbl=18r.2}}
-| {{section|Page:Cod.44.A.8 008v.jpg|2|lbl=-}}
-| {{section|Page:MS KK5126 105v.jpg|11|lbl=105v}}
-| {{section|Page:MS M.I.29 129r.jpg|1|lbl=129r}}
 |
-{{section|Page:MS Germ.Quart.2020 199v.jpg|2|lbl=-|p=1}}<br/>{{section|Page:MS Germ.Quart.2020 200r.jpg|1|lbl=200r|p=1}}
+}}
-| {{section|Page:MS 26-232 100v.png|4|lbl=100v}}
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 019r.jpg|2|lbl=-}}
+{{Liechtenauer row D|13
-| <p><br/></p>
+| <p><br/><br/></p>
-{{section|Page:MS Var.82 074v.png|5|lbl=74v|p=1}} {{section|Page:MS Var.82 075r.png|1|lbl=75r|p=1}}
+<p><br/></p>
-|-
+{{paget|Page:MS 3227a|60r|jpg|p=1}}
+| {{section|Page:MS Chart.A.558 048v.jpg|1|lbl=48v.1}}
+| {{section|Page:Cod.44.A.8 008v.jpg|1|lbl=08v.1}}
+| {{section|Page:MS KK5126 105v.jpg|10|lbl=105v.10}}
 |
-{| class="zettel"
-|-
-| <small>11</small>
-| If it happens that<br/>&emsp;The sword against the spear is drawn
-|-
-| <small>12</small>
-| Then behold the thrusts.<br/>&emsp;Spring, catch, hasten to him to wrestle
-|-
-| <small>13</small>
-| Strike long with the left hand<br/>&emsp;Spring wisely and seize him
-|-
-| <small>14</small>
-| If he wants to draw<br/>&emsp;from the scabbard, grasp and press in
-|-
-| <small>15</small>
-| So that his openings<br/>&emsp;With the sword point are troubled
-|-
-| <small>16</small>
-| Leather and gauntlets<br/>&emsp;Under the eyes seek the openings correctly
-|-
-| <small>17</small>
-| The forbidden wrestling<br/>&emsp;surely learn to use
-|-
-| <small>18</small>
-| To lock your foe<br/>&emsp;The strong thereby overcome
-|-
-| <small>19</small>
-| In all teachings<br/>&emsp;Turn the point against the openings
-|}
-| {{paget|Page:MS 3227a|59v|jpg}}
-| {{section|Page:MS Chart.A.558 048v.jpg|3|lbl=-}}
-| {{section|Page:Cod.44.A.8 008v.jpg|3|lbl=-}}
-| {{section|Page:MS KK5126 105v.jpg|12|lbl=-}}
 |
-{{section|Page:MS M.I.29 129r.jpg|2|lbl=-|p=1}}<br/>{{section|Page:MS M.I.29 129v.jpg|1|lbl=129v|p=1}}
 |
-{{section|Page:MS Germ.Quart.2020 200r.jpg|2|lbl=-|p=1}} {{section|Page:MS Germ.Quart.2020 200v.jpg|1|lbl=200v|p=1}}
-| {{section|Page:MS 26-232 100v.png|5|lbl=100v}}
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 019r.jpg|3|lbl=-}}
-| {{section|Page:MS Var.82 075r.png|2|lbl=-}}
-|-
-| class="noline" |
-{| class="zettel"
-|-
-| <small>20</small>
-| When one sees that from the scabbard<br/>&emsp;Both swords are being drawn
-|-
-| <small>21</small>
-| Then shall one strengthen<br/>&emsp;The protection now truly remember
-|-
-| <small>22</small>
-| Before and After, these two things<br/>&emsp;Explore surely, learn also to spring away
-|-
-| <small>23</small>
-| Follow in all meetings<br/>&emsp;If you want to fool the strong.
-|-
-| <small>24</small>
-| If he defends, then pull<br/>&emsp;Thrust, if he defends, move to him
-|-
-| <small>25</small>
-| If he fights extended<br/>&emsp;Then be artfully instructed
-|-
-| <small>26</small>
-| If he also attacks strongly<br/>&emsp;The thrusting defeats him
-|-
-| <small>27</small>
-| With his battering point<br/>&emsp;He defends himself—hit without fear
-|-
-| <small>28</small>
-| With both hands<br/>&emsp;Learn to turn your point to the eyes
-|-
-| <small>29</small>
-| The forward foot<br/>&emsp;With striking you must protect.
-|}
-| class="noline" | {{paget|Page:MS 3227a|60v|jpg}}
-| class="noline" | {{section|Page:MS Chart.A.558 048v.jpg|4|lbl=-}}
-| class="noline" |
-{{section|Page:Cod.44.A.8 008v.jpg|4|lbl=-|p=1}} {{paget|Page:Cod.44.A.8|009r|jpg|1|lbl=09r|p=1}}
-| class="noline" |
-{{section|Page:MS KK5126 105v.jpg|13|lbl=-|p=1}} {{section|Page:MS KK5126 106r.jpg|1|lbl=106r|p=1}}
-| class="noline" |
-{{section|Page:MS M.I.29 129v.jpg|2|lbl=-|p=1}}<br/>{{section|Page:MS M.I.29 130r.jpg|1|lbl=130r|p=1}}
-| class="noline" |
-{{section|Page:MS Germ.Quart.2020 200v.jpg|2|lbl=-|p=1}} {{section|Page:MS Germ.Quart.2020 201r.jpg|1|lbl=201r|p=1}}
-| class="noline" | {{section|Page:MS 26-232 100v.png|6|lbl=-}}
-| class="noline" |
-{{section|Page:Reichsstadt "Schätze" Nr. 82 019r.jpg|4|lbl=-|p=1}}<br/>{{section|Page:Reichsstadt "Schätze" Nr. 82 019v.jpg|1|lbl=-|p=1}}
-| class="noline" | {{section|Page:MS Var.82 075r.png|3|lbl=-}}
-|}
-{{master end}}
-{{master begin
-  | title = Figures
-  | width = 210em
-}}
-{| class="master"
-|-
-! <p>Images<br/>from the [[Starhemberg Fechtbuch (Cod.44.A.8)|Rome Version]]</p>
-! <p>{{rating|A|Featured Translation (from the Rome)}}<br/>by [[Christian Tobler]]</p>
-! <p>[[Talhoffer Fechtbuch (MS Chart.A.558)|Gotha Version]] (1448){{edit index|Talhoffer Fechtbuch (MS Chart.A.558)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
-! <p>[[Starhemberg Fechtbuch (Cod.44.A.8)|Rome Version]] (1452){{edit index|Starhemberg Fechtbuch (Cod.44.A.8)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
-! <p>[[Glasgow Fechtbuch (MS E.1939.65.341)|Glasgow Version]] (1508){{edit index|Glasgow Fechtbuch (MS E.1939.65.341)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
-! <p>[[Goliath Fechtbuch (MS Germ.Quart.2020)|Krakow Version]] (1535-40){{edit index|Goliath Fechtbuch (MS Germ.Quart.2020)}}<br/>Transcribed by [[Per Magnus Haaland]]</p>
-! <p>[[Rast Fechtbuch (Reichsstadt "Schätze" Nr. 82)|Augsburg Ⅱ Version]] (1553){{edit index|Rast Fechtbuch (Reichsstadt "Schätze" Nr. 82)}}<br/>Transcribed by [[Werner Ueberschär]]</p>
-|-
-| rowspan="15" | [[File:Cod.44.A.8 7v.jpg|300px|center]]
-| <p>'''Figures of the Fight on Horseback'''</p>
 |
 |
+{{paget|Page:MS Germ.Quart.2020|199r|jpg|p=1}} {{section|Page:MS Germ.Quart.2020 199v.jpg|1|lbl=199v.1|p=1}}
 |
-| {{section|Page:MS Germ.Quart.2020 165v.jpg|1|lbl=165v}}
+{{section|Page:Reichsstadt "Schätze" Nr. 82 018v.jpg|15|lbl=18v|p=1}} {{section|Page:Reichsstadt "Schätze" Nr. 82 019r.jpg|1|lbl=19r.1|p=1}}
 |
+}}
-|-
+{{Liechtenauer row D|14
-| <p>{{red|Direct your spear etc, If it falls etc, Strike in, don't pull, etc.}}<br/><br/></p>
+| {{paget|Page:MS 3227a|61v|jpg}}
+| <p><br/></p>
-<p>Gloss: Pull to his left, grasp in his right, so you catch him there without fencing.</p>
+{{section|Page:MS Chart.A.558 048v.jpg|2|lbl=48v.2}}
+| {{section|Page:Cod.44.A.8 008v.jpg|2|lbl=08v.2}}
+| {{section|Page:MS KK5126 105v.jpg|11|lbl=105v.11}}
+| {{section|Page:MS M.I.29 129r.jpg|1|lbl=129r.1}}
 |
-| {{section|Page:Cod.44.A.8 007v.jpg|14|lbl=07v}}
 |
+| {{section|Page:MS 26-232 100v.png|4|lbl=100v.1}}
 |
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 018r.jpg|4|lbl=18r}}
+{{section|Page:MS Germ.Quart.2020 199v.jpg|2|lbl=199v.2|p=1}}<br/>{{section|Page:MS Germ.Quart.2020 200r.jpg|1|lbl=200r.1|p=1}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 019r.jpg|2|lbl=19r.2}}
+| <p><br/></p>
-|-
+{{section|Page:MS Var.82 074v.png|5|lbl=74v|p=1}} {{section|Page:MS Var.82 075r.png|1|lbl=75r.1|p=1}}
-| <p>The 1st Figure: {{red|Charge from the breast to his right hand.}}</p>
+}}
-| {{section|Page:MS Chart.A.558 022v.jpg|1|lbl=22v}}
-| {{section|Page:Cod.44.A.8 007v.jpg|1|lbl=-}}
-| {{section|Page:MS E.1939.65.341 074r.jpg|1|lbl=74r}}
-| {{section|Page:MS Germ.Quart.2020 165v.jpg|2|lbl=-}}
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 018r.jpg|3|lbl=-}}
-|-
+{{Liechtenauer row D|15
-| <p>{{red|The 2nd Figure:}} Turn around with the horse, pull his right hand with your left.</p>
+| <p><br/></p>
-| {{section|Page:MS Chart.A.558 022v.jpg|2|lbl=-}}
-| {{section|Page:Cod.44.A.8 007v.jpg|2|lbl=-}}
-| {{section|Page:MS E.1939.65.341 074r.jpg|2|lbl=-}}
-| {{section|Page:MS Germ.Quart.2020 165v.jpg|3|lbl=-}}
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 018r.jpg|5|lbl=-}}
-|-
+{{paget|Page:MS 3227a|59v|jpg}}
-| <p>The 3rd Figure: {{red|Upon the encounter, take the stirrup-strap or the weapon.}}</p>
+| <p><br/></p>
-| {{section|Page:MS Chart.A.558 022v.jpg|3|lbl=-}}
-| {{section|Page:Cod.44.A.8 007v.jpg|3|lbl=-}}
-| {{section|Page:MS E.1939.65.341 074r.jpg|3|lbl=-}}
-| {{section|Page:MS Germ.Quart.2020 165v.jpg|4|lbl=-}}
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 018r.jpg|6|lbl=-}}
-|-
+{{section|Page:MS Chart.A.558 048v.jpg|3|lbl=48v.3}}
-| <p>{{red|The 4th Figure:}} Plant upon him high, swing, go through or break the sword.</p>
+| <p><br/></p>
-| {{section|Page:MS Chart.A.558 022v.jpg|4|lbl=-}}
-| {{section|Page:Cod.44.A.8 007v.jpg|4|lbl=-}}
-| {{section|Page:MS E.1939.65.341 074r.jpg|4|lbl=-}}
-| {{section|Page:MS Germ.Quart.2020 165v.jpg|5|lbl=-}}
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 018r.jpg|7|lbl=-}}
-|-
+{{section|Page:Cod.44.A.8 008v.jpg|3|lbl=08v.3}}
-| <p>The 5th Figure: {{red|The defense precedes all meetings, striking, or thrusting.}}</p>
+| <p><br/></p>
-| {{section|Page:MS Chart.A.558 022v.jpg|5|lbl=-}}
-| {{section|Page:Cod.44.A.8 007v.jpg|5|lbl=-}}
-| {{section|Page:MS E.1939.65.341 074r.jpg|5|lbl=-}}
-| {{section|Page:MS Germ.Quart.2020 165v.jpg|6|lbl=-}}
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 018r.jpg|8|lbl=-}}
-|-
+{{section|Page:MS KK5126 105v.jpg|12|lbl=105v.12}}
-| <p>{{red|The 6th Figure:}} Take the strong with both hands.</p>
+| <p><br/></p>
-| {{section|Page:MS Chart.A.558 022v.jpg|6|lbl=-}}
-| {{section|Page:Cod.44.A.8 007v.jpg|6|lbl=-}}
-| {{section|Page:MS E.1939.65.341 074r.jpg|6|lbl=-}}
-| {{section|Page:MS Germ.Quart.2020 165v.jpg|7|lbl=-}}
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 018r.jpg|9|lbl=-}}
-|-
+{{section|Page:MS M.I.29 129r.jpg|2|lbl=129r.2|p=1}}<br/>{{section|Page:MS M.I.29 129v.jpg|1|lbl=129v.1|p=1}}
-| <p>The 7th Figure: {{red|Now begin to seek the opponent with the Slapping Stroke.}}</p>
+|
-| {{section|Page:MS Chart.A.558 022v.jpg|9|lbl=-}}
+|
-| {{section|Page:Cod.44.A.8 007v.jpg|7|lbl=-}}
+| <p><br/></p>
-| {{section|Page:MS E.1939.65.341 074r.jpg|7|lbl=-}}
-| {{section|Page:MS Germ.Quart.2020 165v.jpg|8|lbl=-}}
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 018r.jpg|10|lbl=-}}
-|-
+{{section|Page:MS 26-232 100v.png|5|lbl=100v.2}}
-| <p>{{red|The 8th Figure:}} Turn his right hand, set the point to his eyes.</p>
+| <p><br/></p>
-| {{section|Page:MS Chart.A.558 022v.jpg|7|lbl=-}}
-| {{section|Page:Cod.44.A.8 007v.jpg|8|lbl=-}}
-| {{section|Page:MS E.1939.65.341 074r.jpg|8|lbl=-}}
-| {{section|Page:MS Germ.Quart.2020 165v.jpg|9|lbl=-}}
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 018r.jpg|11|lbl=-}}
-|-
+{{section|Page:MS Germ.Quart.2020 200r.jpg|2|lbl=200r.2|p=1}} {{section|Page:MS Germ.Quart.2020 200v.jpg|1|lbl=200v.1|p=1}}
-| <p>The 9th Figure: {{red|Who defends against the thrust, grasp his right hand in your left.}}</p>
+| <p><br/></p>
-| {{section|Page:MS Chart.A.558 022v.jpg|8|lbl=-}}
-| {{section|Page:Cod.44.A.8 007v.jpg|9|lbl=-}}
-| {{section|Page:MS E.1939.65.341 074r.jpg|9|lbl=-}}
-| {{section|Page:MS Germ.Quart.2020 165v.jpg|10|lbl=-}}
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 018r.jpg|12|lbl=-}}
-|-
+{{section|Page:Reichsstadt "Schätze" Nr. 82 019r.jpg|3|lbl=19r.3}}
-| <p>{{red|The 10th Figure:}} Seek the openings: arms, leather, gauntlets, under the eyes.</p>
+| <p><br/></p>
-| {{section|Page:MS Chart.A.558 022v.jpg|11|lbl=-}}
-| {{section|Page:Cod.44.A.8 007v.jpg|10|lbl=-}}
-| {{section|Page:MS E.1939.65.341 074r.jpg|11|lbl=-}}
-| {{section|Page:MS Germ.Quart.2020 165v.jpg|11|lbl=-}}
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 018r.jpg|13|lbl=-}}
-|-
+{{section|Page:MS Var.82 075r.png|2|lbl=75r.2}}
-| <p>The 11th Figure: {{red|Press hard, push from the reins and seek his messer.}}</p>
+}}
-| {{section|Page:MS Chart.A.558 022v.jpg|10|lbl=-}}
-| {{section|Page:Cod.44.A.8 007v.jpg|11|lbl=-}}
-| {{section|Page:MS E.1939.65.341 074r.jpg|10|lbl=-}}
-| {{section|Page:MS Germ.Quart.2020 165v.jpg|12|lbl=-}}
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 018r.jpg|14|lbl=-}}
-|-
+{{Liechtenauer row D|16
-| <p>{{red|The 12th Figure:}} With the empty hand learn two strokes against all weapons.</p>
+| <p><br/></p>
-| {{section|Page:MS Chart.A.558 022v.jpg|12|lbl=-}}
-| {{section|Page:Cod.44.A.8 007v.jpg|12|lbl=-}}
-| {{section|Page:MS E.1939.65.341 074r.jpg|12|lbl=-}}
-| {{section|Page:MS Germ.Quart.2020 165v.jpg|13|lbl=-}}
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 018r.jpg|15|lbl=-}}
-|-
+{{paget|Page:MS 3227a|60v|jpg}}
-| <p>The 13th Figure: {{red|The Sheep Grip defends against all wrestling grips under the eyes.}}</p>
+| <p><br/></p>
-| {{section|Page:MS Chart.A.558 022v.jpg|13|lbl=-}}
-| {{section|Page:Cod.44.A.8 007v.jpg|13|lbl=-}}
-| {{section|Page:MS E.1939.65.341 074v.jpg|1|lbl=74v}}
-| {{section|Page:MS Germ.Quart.2020 165v.jpg|14|lbl=-}}
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 018r.jpg|16|lbl=-}}
-|-
+{{section|Page:MS Chart.A.558 048v.jpg|4|lbl=48v.4}}
-| class="noline" rowspan="14" | [[File:Cod.44.A.8 8r.jpg|300px|center]]
+| <p><br/></p>
-| <p>{{red|The 14th Figure:}} Turn around again to where the horses hasten.</p>
-| {{section|Page:MS Chart.A.558 023r.jpg|1|lbl=23r}}
-| {{section|Page:Cod.44.A.8 008r.jpg|1|lbl=-}}
-| {{section|Page:MS E.1939.65.341 074v.jpg|2|lbl=-}}
-| {{section|Page:MS Germ.Quart.2020 165v.jpg|15|lbl=-}}
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 018v.jpg|1|lbl=18v}}
-|-
+{{section|Page:Cod.44.A.8 008v.jpg|4|lbl=08v.4|p=1}} {{paget|Page:Cod.44.A.8|009r|jpg|1|lbl=09r|p=1}}
-| <p>The 15th Figure: {{red|Up close, catch the hand, turn over his face to where the nape is.}}</p>
+| <p><br/></p>
-| {{section|Page:MS Chart.A.558 023r.jpg|2|lbl=-}}
-| {{section|Page:Cod.44.A.8 008r.jpg|2|lbl=-}}
-| {{section|Page:MS E.1939.65.341 074v.jpg|3|lbl=-}}
-| {{section|Page:MS Germ.Quart.2020 166r.jpg|1|lbl=166r}}
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 018v.jpg|2|lbl=-}}
-|-
+{{section|Page:MS KK5126 105v.jpg|13|lbl=105v.13|p=1}} {{section|Page:MS KK5126 106r.jpg|1|lbl=106r|p=1}}
-| <p>{{red|The 16th Figure:}} Catch the weapon from afar while you ride against him.</p>
+|
-| {{section|Page:MS Chart.A.558 023r.jpg|3|lbl=-}}
+|
-| {{section|Page:Cod.44.A.8 008r.jpg|3|lbl=-}}
+| <p><br/></p>
-| {{section|Page:MS E.1939.65.341 074v.jpg|4|lbl=-}}
-| {{section|Page:MS Germ.Quart.2020 166r.jpg|2|lbl=-}}
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 018v.jpg|3|lbl=-}}
-|-
+{{section|Page:MS M.I.29 129v.jpg|2|lbl=129v.2|p=1}}<br/>{{section|Page:MS M.I.29 130r.jpg|1|lbl=130r|p=1}}
-| <p>The 17th Figure: {{red|If you charge to the left, then fall to the sword pommel, jab under the eyes.}}</p>
+| <p><br/></p>
-| {{section|Page:MS Chart.A.558 023r.jpg|7|lbl=-}}
-| {{section|Page:Cod.44.A.8 008r.jpg|4|lbl=-}}
-| {{section|Page:MS E.1939.65.341 074v.jpg|6|lbl=-}}
-| {{section|Page:MS Germ.Quart.2020 166r.jpg|3|lbl=-}}
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 018v.jpg|4|lbl=-}}
-|-
+{{section|Page:MS 26-232 100v.png|6|lbl=100v.3}}
-| <p>{{red|The 18th Figure:}} Charge to the right side with its skill.</p>
+| <p><br/></p>
-| {{section|Page:MS Chart.A.558 023r.jpg|6|lbl=-}}
-| {{section|Page:Cod.44.A.8 008r.jpg|5|lbl=-}}
-| {{section|Page:MS E.1939.65.341 074v.jpg|5|lbl=-}}
-| {{section|Page:MS Germ.Quart.2020 166r.jpg|4|lbl=-}}
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 018v.jpg|5|lbl=-}}
-|-
+{{section|Page:MS Germ.Quart.2020 200v.jpg|2|lbl=200v.2|p=1}} {{paget|Page:MS Germ.Quart.2020|201r|jpg|p=1}}
-| <p>The 19th Figure: {{red|Plant the point upon him to the face.}}</p>
+| <p><br/></p>
-| {{section|Page:MS Chart.A.558 023r.jpg|4|lbl=-}}
-| {{section|Page:Cod.44.A.8 008r.jpg|6|lbl=-}}
-| {{section|Page:MS E.1939.65.341 074v.jpg|7|lbl=-}}
-| {{section|Page:MS Germ.Quart.2020 166r.jpg|5|lbl=-}}
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 018v.jpg|6|lbl=-}}
-|-
+{{section|Page:Reichsstadt "Schätze" Nr. 82 019r.jpg|4|lbl=19r.4|p=1}}<br/>{{section|Page:Reichsstadt "Schätze" Nr. 82 019v.jpg|1|lbl=19v|p=1}}
-| <p>{{red|The 20th Figure:}} Shatter against all hits that ever happen.</p>
+| <p><br/></p>
-| {{section|Page:MS Chart.A.558 023r.jpg|5|lbl=-}}
-| {{section|Page:Cod.44.A.8 008r.jpg|7|lbl=-}}
-| {{section|Page:MS E.1939.65.341 074v.jpg|8|lbl=-}}
-| {{section|Page:MS Germ.Quart.2020 166r.jpg|6|lbl=-}}
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 018v.jpg|7|lbl=-}}
-|-
+{{section|Page:MS Var.82 075r.png|3|lbl=75r.3}}
-| <p>The 21st Figure: {{red|The strong in the beginning position yourself therein correctly.}}</p>
+}}
-| {{section|Page:MS Chart.A.558 023r.jpg|10|lbl=-}}
+</table>
-| {{section|Page:Cod.44.A.8 008r.jpg|8|lbl=-}}
+</div>
-| {{section|Page:MS E.1939.65.341 074v.jpg|9|lbl=-}}
-| {{section|Page:MS Germ.Quart.2020 166r.jpg|7|lbl=-}}
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 018v.jpg|8|lbl=-}}
-|-
-| <p>{{red|The 22nd Figure:}} He who rushes the spear to the other is met beneath the eyes.</p>
-| {{section|Page:MS Chart.A.558 023r.jpg|11|lbl=-}}
-| {{section|Page:Cod.44.A.8 008r.jpg|9|lbl=-}}
-| {{section|Page:MS E.1939.65.341 074v.jpg|10|lbl=-}}
-| {{section|Page:MS Germ.Quart.2020 166r.jpg|8|lbl=-}}
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 018v.jpg|9|lbl=-}}
-|-
-| <p>The 23rd Figure: {{red|The Unnamed Grip takes the weapon or fells him.}}</p>
-| {{section|Page:MS Chart.A.558 023r.jpg|8|lbl=-}}
-| {{section|Page:Cod.44.A.8 008r.jpg|10|lbl=-}}
-| {{section|Page:MS E.1939.65.341 074v.jpg|11|lbl=-}}
-| {{section|Page:MS Germ.Quart.2020 166r.jpg|9|lbl=-}}
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 018v.jpg|10|lbl=-}}
-|-
-| <p>{{red|The 24th Figure:}} If an opponent charges you to both sides, turn around left and thus he rightly comes.</p>
-| {{section|Page:MS Chart.A.558 023r.jpg|9|lbl=-}}
-| {{section|Page:Cod.44.A.8 008r.jpg|11|lbl=-}}
-| {{section|Page:MS E.1939.65.341 074v.jpg|12|lbl=-}}
-| {{section|Page:MS Germ.Quart.2020 166r.jpg|10|lbl=-}}
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 018v.jpg|11|lbl=-}}
-|-
-| <p>The 25th Figure: {{red|Be mindful to take and hold the messer.}}</p>
-| {{section|Page:MS Chart.A.558 023r.jpg|12|lbl=-}}
-| {{section|Page:Cod.44.A.8 008r.jpg|12|lbl=-}}
-| {{section|Page:MS E.1939.65.341 075r.jpg|1|lbl=75r}}
-| {{section|Page:MS Germ.Quart.2020 166r.jpg|11|lbl=-}}
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 018v.jpg|12|lbl=-}}
-|-
-| <p>{{red|The 26th Figure:}} Grasp over an opponent who falls upon you or ride against him.</p>
-| {{section|Page:MS Chart.A.558 023r.jpg|13|lbl=-}}
-| {{section|Page:Cod.44.A.8 008r.jpg|13|lbl=-}}
-| {{section|Page:MS E.1939.65.341 075r.jpg|2|lbl=-}}
-| {{section|Page:MS Germ.Quart.2020 166r.jpg|12|lbl=-}}
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 018v.jpg|13|lbl=-}}
-|-
-| class="noline" | <p>{{red|If you want to grasp, you should not fail to ride beside him. Execute the Sun Pointer to the left sleeve if you want to bend.}}</p>
-<p>Who attacks you with that, grasp over against him and he will be shamed. Press the arm to the head. This grip often robs the saddle.</p>
-| class="noline" |
-| class="noline" | {{section|Page:Cod.44.A.8 008r.jpg|14|lbl=08r}}
-| class="noline" |
-| class="noline" |
-| class="noline" | {{section|Page:Reichsstadt "Schätze" Nr. 82 018v.jpg|14|lbl=-}}
-|}
-{{master end}}
 {{master begin
@@ Line 1,985: / Line 1,580: @@
 {{sourcebox
 | work        = Translation
-| authors     = [[translator::Christian Tobler]]
+| authors     = [[translator::Michael Chidester]]
-| source link = http://www.freelanceacademypress.com/insaintgeorgesname.aspx
+| source link = https://wiktenauer.com/images/e/e8/Rhyming_Zettel_Translation_(Chidester).pdf
-| source title= ''In Saint George's Name: An Anthology of Medieval German Fighting Arts''
+| source title= Wiktenauer
+| license     = noncommercial
+}}
+{{sourcebox
+| work        = Translation
+| authors     = [[translator::Christian Henry Tobler]]
+| source link = https://www.freelanceacademypress.com/ThePetervonDanzigFightBook.aspx
+| source title= ''The Peter von Danzig Fight Book''
 | license     = copyrighted
+}}
+{{sourcebox
+| work        = Translation
+| authors     = [[translator::Mike Rasmusson]]
+| source link = https://schielhau.org/goliath.p1-20.html
+| source title= Schielhau.org
+ | license     = GNU
 }}
 {{sourcebox
@@ Line 2,095: / Line 1,704: @@
   | license     = noncommercial
 }}
 {{sourcebox
   | work        = [[Pol Hausbuch (MS 3227a)|Nuremberg Transcription]]
@@ Line 2,114: / Line 1,722: @@
   | authors     = [[Dierk Hagedorn]]
   | source link =
-  | source title= [[Index:Oplodidaskalia sive Armorvm Tractandorvm Meditatio Alberti Dvreri (MS 26-232)]]
+  | source title= {{nowrap|[[Index:Oplodidaskalia sive Armorvm Tractandorvm Meditatio Alberti Dvreri (MS 26-232)]]}}
   | license     = copyrighted
 }}
@@ Line 2,149: / Line 1,757: @@
 [[Category:New format]]
+[[Category:Modular display candidate]]