Difference between revisions of "Johannes Liechtenauer"

Die Zettel
	The Recital
Full Title	A Recital on the Chivalric Art of Fencing
Ascribed to	Johannes Liechtenauer
Illustrated by	Unknown
Date	Fourteenth century (?)
Genre	Fencing manual ; Wrestling manual ;
Language	Early New High German
Archetype(s)	Hypothetical
Principal; Manuscript(s)	MS 3227a (ca. 1390) ; MS Chart.A.558 (1448) ; Cod.44.A.8 (1452) ;
Manuscript(s)	MS Thott.290.2º (1459) ; Cod.Guelf.78.2 Aug.2º (ca. 1465-80) ; Cgm 1507 (ca.1470) [more]
First Printed; English Edition	Tobler, 2010
Concordance by	Michael Chidester
Translations	Traduction française ; Deutsch-Übersetzung ; Magyar fordítás [more]

Latest revision as of 21:31, 25 June 2025

Johannes Liechtenauer (Hans Lichtenauer, Lichtnawer) was a late-14th century German fencing master. The only account of his life was written by the anonymous author of the Pol Hausbuch, arguably the earliest text in the tradition, and he may have been alive at that time.^[1] The text reads:

First and foremost, you should notice and remember that there's only one art of the sword, and it was discovered and developed hundreds of years ago, and it's the foundation and core of all fencing arts. Master Liechtenauer understood and practiced this art completely and correctly; as already written, he did not discover or invent it himself, but rather traveled through many lands and searched for the true and correct art for the sake of experiencing and knowing it.^[2]

Liechtenauer was described by many later masters as the "high master" or "grand master" of the art, and authored a long poem called the Zettel ("Recital"). Later masters in the tradition often wrote extensive glosses (commentaries) on this poem, using it to structure their own martial teachings. Liechtenauer's influence on the German fencing tradition as we currently understand it is almost impossible to overstate. The masters on Paulus Kal's roll of the Fellowship of Liechtenauer were responsible for most of the most significant fencing manuals of the 15th century, and Liechtenauer and his teachings were also the focus of the German fencing guilds that arose in the 15th and 16th centuries, including the Marxbrüder and the Veiterfechter.

Additional facts have sometimes been presumed about Liechtenauer based on secondary evidence. The Pol Hausbuch, which is undated internally but commonly placed around 1390 and also presumed to be written by a direct student of Liechtenauer's (though both of these assertions are disputed and the manuscript could be a 15th century work^[3]), has been treated as evidence placing Liechtenauer's career in the late 1300s. Others point to the earliest internally-dated version of the Recital, recorded by Hans Talhoffer in the MS Chart.A.558 (ca. 1448), to suggest a career in the early 1400s; an earlier version of the Recital on the Long Sword, jumbled and fragmentary, is recorded in MS G.B.f.18a (ca. 1418-28) and apparently attributed to an H. Beringer, which could represent just one of the teachings that Liechtenauer received and compiled over the course of the journeys described in the Pol Hausbuch.

This potential range of dates can be narrowed somewhat by Paulus Kal, who recorded a list of masters associated with Liechtenauer in ca. 1470 which he referred to as the Fellowship of Liechtenauer.^[4] While most of these masters are completely unknown, three of them—Martin Huntsfeld, Andre Lignitzer, and Ott Jud—were already deceased by the time the earliest surviving copies of their treatises were created in 1452 (Cod.44.A.8), which suggests that their careers probably occurred in the early 15th century (if not earlier); likewise, Sigmund Ainring's presumptive student Albrecht III of Bavaria would have required a fencing master as part of his education in the 1410s. These timeframes cohere with the proposed 1390 date of the Pol Hausbuch and with the prospect of Liechtenauer's career beginning in the late 14th century and extending into the early 15th.

Treatise

Liechtenauer's teachings are preserved in a long poem of rhyming couplets called the Zettel ("Recital"), covering fencing with the "long" or extended sword (i.e. with both hands at one end of the sword) and dueling on horseback and on foot using the lance/spear, the "short" or retracted sword (i.e. with one hand at either end), and the dagger. These "obscure and cryptic words" were designed to prevent the uninitiated from learning the techniques they represented; they also seem to have offered a system of mnemonic devices to those who understood their significance. The Recital was treated as the core of the Art by his students, and masters such as Sigmund ain Ringeck, Peter von Danzig zum Ingolstadt, and Lew wrote extensive commentaries (glosses) that sought to clarify and expand upon these teachings.

In addition to the verses on mounted dueling, several treatises in the Liechtenauer tradition include a group of twenty-six "figures" (figuren)—phrases that are shorter than Liechtenauer's couplets and often arranged into the format of a Medieval tree diagram. These figures seem to encode the same teachings as the verses of the mounted fencing, and both are quoted in the mounted glosses. However, figures follow a very different structure than the Zettel does, and seem to present an alternative sequence for studying Liechtenauer's techniques. It is not known why the mounted dueling is the only section of the Recital to receive figures in addition to verse.

Seventeen manuscripts contain a presentation of at least one section of the Recital as a distinct (unglossed) section; there are dozens more presentations of the verse as part of one of the several glosses. The longest version of the Recital by far is actually found in one of these glosses, that of Pseudo-Hans Döbringer, which contains almost twice as many verses as any other; however, given that the additional verses tend to either be repetitions from elsewhere in the Recital or use a very different style from Liechtenauer's work, they are generally treated as additions by the anonymous author or his instructor rather than being part of the original Recital. The other surviving versions of the Recital from all periods show a high degree of consistency in both content and organization, excepting only the much shorter version attributed to H. Beringer (which is also included in the writings of Hans Folz).

The following concordance tables include only those texts that quote Liechtenauer's Recital in an unglossed form.^[5] Most manuscripts present the Recital as prose, and those have had the text separated out into the original verses to offer a consistent view.

Note: This article includes a version of Christian Henry Tobler's translation. It was also published in 2021 by Freelance Academy Press as part of The Peter von Danzig Fight Book; it can be purchased in hardcover.

Featured Translation (from the Rome) (2021) [edit]
by Christian Henry Tobler

[1] Here Begin the Notes on the Knightly Art of Combat That Was Composed and Created by Johannes Liechtenauer, Who Was A Great Master in the Art, God Have Mercy on Him; first with the long sword, then with the lance and sword on horseback, and then with the shortened sword in armoured combat. Because the art belongs to princes and lords, knights and squires, and they should know and learn this art, he has written of this art in hidden and secret words, so that not everyone will grasp and understand it, as you will find described below. And he has done this on account of frivolous fight masters who mistake the art as trivial, so that such masters will not make his art common or open with people who do not hold the art in respect as is its due.

[2] This is the Prologue

1	Young knight, learn to love God and revere women;
2	thus your honor will grow. Practice knighthood and learn
3	the Art that dignifies you, and brings you honor in wars.
4	Be a good grappler in wrestling; lance, spear, sword, and messer
4a GWo
4b GWo
5	handle manfully, and foil them in your opponent's hands.
5a HTG
6	Strike in and hasten forth; rush to, let it hit, or go by.
7	Thus those with wisdom, the ones who are revered, will envy him.
8	This you should grasp: All arts have length and measure.

[3] This is a General Teaching of the Long Sword

9	If you want to behold the art, see that you go on the left and strike with the right.
10	And left to right, is how you strongly want to fight.
11	He who follows the strokes, should rejoice little in his art.
12	Strike close whatever you will, no changer will come into your shield.
13	To the head, to the body do not shun the tag-hits.
14	Fight with the entire body, what you powerfully want to do.
14a HTKo
15	Listen to what is wrong, do not fight above on the left if you are righthanded;
16	and if you are lefthanded, on the right you limp as well.
17	Before and after, these two things, are to all skill a well-spring.
18	Weak and strong, always remember the word meanwhile.
19	So you may learn to work and defend with skill.
20	If you are easily intimidated, no fencing should you learn.

[4]

21	Learn five strokes from the right side against the opposition.
21a HTKo
22	Then we promise that your arts will be rewarded.

[5] This is the text:

23	Wrath stroke, crooked, thwart, squinter and scalper,
24	fool parries chasing, overrunning gives strokes,
24a HTKo
25	change through, pull, run through, slice off, press the hands,
26	hang, wind with the openings; strike, catch, slash, thrust with jabs.

[6] The Wrath Stroke

27	Who strikes at you above, the wrath stroke threatens him with the point.
28	If he becomes aware of it, take it away above without fear.
29	Be strong against it; wind, thrust. If he sees that, take it down.
30	Note this: strike, thrust, posture, soft or hard,
31	meanwhile, and before and after. Your war should not be in haste.
32	Who to the war tends above, gets ashamed below.
33	In all winding learn to find stroke, thrust, and slice.
34	Also you should apply stroke, thrust, or slice,
35	in all encounters, if you want to fool the masters.

[7] The Four Openings

36	Four openings know, aim: so you hit certainly,
37	without any danger without regard for how he acts.

[8] To Counter the Four Openings

38	If you want to avenge yourself, break the four openings with skill:
39	double above, transmute below correctly.
40	I say to you truthfully: no one can defend himself without danger;
40a HTKo
41	if you have correctly learned, he will scarcely manage to strike.

[9] The Crooked Stroke

42	Crooked on him with nimbleness, throw the point on the hands.
43	Who performs the crooked well, with stepping he hinders many a stroke.
44	Strike crooked to the flats of the masters if you want to weaken them.
45	When it clashes above, then move away, that I will praise.
46	Don't do the crooked, strike short, changing through show with this.
47	Strike crooked to who irritates you, the noble war will confuse him,
48	that he will not know truthfully where he can be without danger.

[10] The Thwart Stroke

49	The thwart stroke takes whatever comes from the roof.
50	Thwart with the strong, note your work with this.
51	Thwart to the plow; to the ox hard together.
52	He who thwarts well with springing, he endangers the head.
53	Whoever conducts the failer from below, he hits at his will.
54	The reverser enforces the running through and also brings wrestling.
55	The elbow take certainly, spring into his balance.
56	Double the failer, if you hit, also make the slice.
57	Twice further on, step to the left and do not be slow.

[11] The Squinting Stroke

58	The squinter breaks into whatever a buffalo strikes or thrusts.
59	Who threatens to change through, the squinter robs him of it.
60	Squint when he is short against you, changing through defeats him.
61	Squint to the point, and take the throat without fear.
62	Squint to the head above if you want to damage the hands.
62a HTKo

[12] The Scalp Cut

63	The scalper is a danger to the face,
64	with its turn, very dangerous to the breast.
65	Whatever comes from him, the crown will take it.
66	Slice through the crown, thus you will break it hard through.
67	Press the strokes, with slices pull them away.

[13] The Four Guards

68	Four guards alone hold; and disdain the common.
69	Ox, plow, fool, from the Roof should not be unknown to you.

[14] The Four Oppositions

70	Four are the oppositions that hurt the four guards very much.
71	Beware of parrying. If it happens to you, it troubles you greatly.
72	If you are parried and when that has happened,
73	hear what I advise to you: tear away and strike quickly with surprise.
74	Set upon the four ends. Stay upon them, learn if you want to bring it to an end.

[15] Chasing

75	Learn the chasing twice, or slice into the weapon.
76	Two outer intentions. The work after that begins.
77	And test the attacks if they are soft or hard.
78	Learn the feeling. The word meanwhile slices sharply.
79	Chase twice, if you hit, do the ancient slice as well.

[16] Overrunning

80	Who wants to strike below, overrun him, and he will be shamed.
81	When it clashes above, then strengthen: this I truly do praise.
82	Do your work, or press hard twice.

[17] Setting Aside

83	Learn to set aside, to skillfully hinder stroke and thrust.
84	Who thrusts at you, your point hits and counters his.
85	From both sides hit every time if you want to step.

[18] Changing Through

86	Learn the changing through from both sides, thrust with intent.
87	Whoever binds to you, changing through will find him indeed.

[19] Pulling

88	Step close in binding. The pulling provides good finds.
89	Pull–if he meets, pull more. Find the work that will hurt him.
90	Pull in all encounters against the masters, if you want to fool them.

[20] Running Through

91	Run through, let hang with the pommel. Grasp if you want to wrestle.
92	Who comes strongly at you, the running through then remember.

[21] Slicing Off

93	Slice off the hard ones, from below in both attacks.
94	Four are the slices: two below and two above.

[22] Pressing Hands

95	Turn your edge, press the hands to the flats.
95a
95b

[23] Two Hangings

95c
96	There are two hangings from one side from the ground.
97	In all attacks strike, thrust, posture–soft or hard.

[24] The Speaking Window

98	Do the speaking window, stand blithely and look at his actions.
99	Strike him until he is defeated. When he withdraws from you,
100	I say to you truthfully: no one protects himself without danger.
101	If you have learned this, he can scarcely manage to strike.

[25] This Is the Conclusion of the Notes

102	Who conducts well and breaks properly and finally makes it all right
103	and splits particularly everything into three wounders;
104	who properly well hangs and also executes the windings,
105	and the eight windings views in a righteous way,
106	and each one of those same winds I consider to be triple
107	so they are twenty-four.
108	And count them only, from both sides. Eight windings learn with stepping.
109	And test the bind no more than soft or hard.

[26]

Featured Translation (from the Rome) (2021) [edit] by Christian Henry Tobler	Nuremberg Version Ⅰ (1390) Transcribed by Dierk Hagedorn	Gotha Version (1448) [edit] Transcribed by Dierk Hagedorn	Rome Version (1452) [edit] Transcribed by Dierk Hagedorn	Glasgow Version Ⅰ (1508) [edit] Transcribed by Dierk Hagedorn	Krakow Version (1535-40) [edit] Transcribed by Michael Chidester	Augsburg Version Ⅱ (1553) [edit] Transcribed by Werner Ueberschär
[1]						[165v.1] Figuren des Roßfechtens
[2] Direct your spear etc. If it falls etc. Strike in, don’t pull, etc. Gloss: Pull to his left, grasp in his right, so you catch him there without fencing.			[07v.1] Dein Sper bericht etc Ob es emphal etc Haw dreyn nichtt Zuckch etcettera Glosa lingck zu Im ruck · Greyff in sein rechten · so vechst du In ane vechttenn			[18r.14] Dein sper bericht &c wer es entfalle, den end im abschnalle. Hau drein nicht zuckhe, glest linkh &c vnd fach sein rechte.
[3] The 1st figure: Charge from the breast to his right hand.		[22v.1] Jag võ der prust zu seiner rechtñ hant	[07v.2] Die erst figur Jag von der prust zu seiner rechten hand	[74r.1] 1 Jag von deiner prust zw seiner rechten handt	[165v.2] Jag vonn der rechten brust, zu seinner rechtn hannt.~	[18r.1] Jag von derr prust zu seiner recht handt
[4] The 2nd figure: Turn around with the horse, pull his right hand with your left.	[53r.10] ·begreif seyn were · mit dem ros dich vmbekere /	[22v.2] vmbker mit roß sein rechte hant mit deyner lincken	[07v.3] Die ander figur Vmbkere mitt dem Rozz Zewch sein rechte handt mitt deiner lingken	[74r.2] 2 Vmb ker mit dem roß / zeuch sein rechte handt mit deiner lincken	[165v.23] Umbkere mit dem roß zeuch sein rechte hannt mit deiner lincknn	[18r.2] Vmbker mit dem Roß zeuch sein recht hand mit deiner linkhen
[5] The 3rd figure: Upon the encounter, take the stirrup-strap or the weapon.		[22v.3] mit stechñ satel In oder ver plent	[07v.4] Die dritt figur Mitt strayffen Satel ryem · oder wer nymbe	[74r.3] 3 Mit Straÿffen satel riem / oder wer nymbt	[165v.4] Mit straiffenn sattel ryem oder wer nimpt	[18r.3] Mit streffen satel rien[g] oder were Nymbt,
[6] The 4th figure: Plant upon him high, swing, go through or break the sword.	[53r.8] Hoch an du setze · swenke durchfar wiltu in letzen /	[22v.4] Secz an hoch swenck durch var oder swert pricht	[07v.5] Die vyerdt figur Setz an hoch swing durch var · oder Swert prich	[74r.4] 4 Setz an hoch / schwing / durchfar / oder schwert prich	[165v.5] Setz ann hoch schwing durch var oder schwert prich	[18r.4] Secz an, hoch schwing durch vor oder schwert pricht
[7] The 5th figure: The defense precedes all meetings, striking, or thrusting.		[22v.5] des schute~ vorgeng allen treffenn hawe~ stechen	[07v.6] Die funfft figur Daz schuten vorgenngk allen treffenn hawen vnnd stechen	[74r.5] 5 Das schutten / vor geng allen treffen / hawen stechen	[165v.6] Das schutten vorgenngk allenn treffenn hauenn und stechenn	[18r.5] Das Schutten volg genckh allen treffen hawen vnd stechen
[8] The 6th figure: Take the strong with both hands.		[22v.6] Greiff mit peyde~ henden an dye strick	[07v.7] Die sechst figur Greyff an mitt payden henndten die sterck	[74r.6] 6 Greyff an mit paiden henden die sterck	[165v.7] Greiff ann mit paiden henden die sterck	[18r.6] Greiff an mit baiden, henden, die sterkh,
[9] The 7th figure: Now begin to seek the opponent with the pouch stroke.		[22v.9] Hye hebt mã den tasche~ hawe czu such	[07v.8] Die sybendt figur Hie heb an den mann taschen haw zu suechen	[74r.7] 7 Hie heb an den man taschen haw zw suechen	[165v.8] Hie heb ann dem mann taschenn hau zu suchenn	[18r.7] Hie heb an, den mann dass er fare zu suchen
[10] The 8th figure: Turn his right hand, set the point to his eyes.		[22v.7] Went Im dy recht hant secz dein ort czu seine~ gesicht	[07v.9] Die Achtt figur Wenndt Im die recht hanndt · setze den ortt zu den augen sein	[74r.8] 8 Went im die recht handt setz dein ortt zw seinem gesicht	[165v.9] Wennt im die recht hannt setze den ort zu denn augenn sein	[18r.8] Wend jm die recht hannd secz im den ort zu den augen sein
[11] The 9th figure: Who defends against the thrust, grasp his right hand in your left.		[22v.8] weyl der stich wert den vahe sey~ rechte hant dey~ lincke	[07v.10] Die Newnt figur Wer den stich wertt dem vach sein rechte handt in dein lincken	[74r.9] 9 Wer den stich went dem vach sein rechte handt in dem glincke /	[165v.10] Wer denn stich weret dem vach sein rechte hannt mit deiner linckn	[18r.9] Wer den stich wert dem fach sein rechten hand in dein linckhe,
[12] The 10th figure: Seek the openings: arms, leather, gauntlets, under the eyes.		[22v.11] such dy ploß arm dÿ hant scheuch vnter dÿ auge~	[07v.11] Die Zechent figur Suechee die ploss arm leder hanndtschuech vndtir den augen	[74r.11] 11 Suech die plos arm~ leder handt schuech vndter den augen	[165v.11] Such die plös arm leder handschuh unnther den augenn	[18r.10] Such die ploß arm lert hand stich vnder die augen
[13] The 11th figure: Press hard, push from the reins and seek his Messer.	[55r.13] Drük vast mit stössen · vom zawm / süche messer reme der blossen /	[22v.10] truck vast stoß von czam vnd such sey~ meßer	[07v.12] Die ayndlifft figur Druck vast stoss von tzawm · sueche sein Messer	[74r.10] 10 Drück vast stoß vom zaüm vnd suech sein messer	[165v.12] Druck vast stoß vonn zaum suche sein messerr	[18r.11] Druckh vast stoß vom zaum vnd such sein messer
[14] The 12th figure: With the empty hand learn two strokes against all weapons.		[22v.12] mit lerer hant lere czwen stich gege~ aller wer	[07v.13] Die Zwolfft figur Mitt lerer hanndt lere zwen strich gegen aller were	[74r.12] 12 Mit lerer handt lern straich gegen aller were /	[165v.13] Mit lerer hant lere zwen streich gegn der wer	[18r.12] Mit leerer hand leer zwen straich gen allen wöhr,
[15] The 13th figure: The sheep grip defends against all wrestling grips under the eyes.	[55r.3] Der schofgriff / weret · alle griffe vndern awgen veret / [57v.2] Der schofgrif mit lobe · wert alle griffe vndern ogen /	[22v.13] Der schaff griff weret alle griff rings vnt° augñ etc	[07v.14] Die dreitzechent figur Der schaf grif wertt · alle griff Ringens vndter augenn	[74v.1] 13 Der Schaffgriff werdt alle griff ringes vndter auge~	[165v.14] Der schopfgrif weret alle grif ringenns unnther augenn	[18r.13] Der schaffgriff wört alle griff ringens vnder augen,
[16] The 14th figure: Turn around again to where the horses hasten.		[23r.1] Anderweyt kere vmb so dy roß hin hurtñ	[08r.1] Die viertzendt figur Anderwayd kere vmb · so die Rozz hynn hurtten	[74v.2] 14 An der weidt ker vmb / so die roß hyn hurttñ /	[165v.15] Ann der weit kere umb so die ros hin hurtenn	[18v.1] Ander weit ker vmb so dir Ross hin hurtten,
[17] The 15th figure: Up close, catch the hand, turn over his face to where the nape is.		[23r.2] In der auch so vach dy hant v°ber sein antlicz do der nack ist	[08r.2] Die funfftzend figur In der nech vach die hanndt · verkere sein anttlitz da der nack ist	[74v.3] 15 In der nech fach die handt verker sein antlutz do der nacke ist	[166r.1] Inn der nehe vach die hant verker sein antzlig do der nack ist	[18r.2] Im der nch vach die hand, verker sein antlicz do sein nackh ist,
[18] The 16th figure: Catch the weapon from afar while you ride against him.		[23r.3] dye wer fach in der weyt in dem wider treibñ	[08r.3] Die sechtzechend figur Die were vach in der weytt · In dem wider Reytten	[74v.4] 16 Die weer fach in der weitt in dem wider reÿttñ	[166r.2] Die were vach in der weit in dem widerreittenn	[18r.3] Die wöhr vach jm der weit Im dem wider raiten
[19] The 17th figure: If you charge to the left, then fall to the sword pommel, jab under the eyes.		[23r.7] Jagstu linck so greiff auff des swertes ploß stoß In vntter augenn	[08r.4] Daz sybentzechend figur Jagst du lingk so vall auf Swertes Kloss · stoss vndter augenn	[74v.6] 18 Jagstu linck fall aüfs schwertz knopf stos vndter augen	[166r.3] Jagsts du lingk so vall auf schwerts kloß stos unnther augen	[18r.4] Jagstu linckh so fall auf schwerts Clos, stoß vnder augen,
[20] The 18th figure: Charge to the right side with its skill.		[23r.6] Jag czu seiner rechte~ hant mit Irenn chunstenn	[08r.5] Die achttzechendt figur Jage Zu der rechtten hanndt mitt Iren Kunsten	[74v.5] 17 Jag zw der rechtñ handt / mit irñ kunstñ	[166r.4] Jag zu der rechtenn hannt mit yrenn kunnstn	[18r.5] Jag zu der rechten hand mit jren kunsten
[21] The 19th figure: Plant the point upon him to the face.		[23r.4] Secz Im dein ort gege~ dem gesicht	[08r.6] Die Nëwntzechent figur Setz an den ortt gegen dem gesichtte	[74v.7] 19 Setz an den ortt gegen dem gesicht	[166r.5] Setz ann denn ort gegenn dem gesichterr	[18r.6] Secz an den ort gegen dem gesicht,
[22] The 20th figure: Shatter against all hits that ever happen.		[23r.5] Schut gege~ allenn treffenn dye ÿmer werdenn	[08r.7] Die tzwaintzigist figur Schutt gegen allen treffen · Diee ymmer werdenn	[74v.8] 20 Schutt gegen allen treffen die ym~er werdñ	[166r.6] Schut gegenn allenn treffenn die ÿmer werdenn	[18r.7] Schut gegen allen treffen die jmmer merkch
[23] The 21st figure: The strong in the beginning position yourself therein correctly.		[23r.10] dÿ strich zum anhebñ dar Inn schick dich recht	[08r.8] Die ain vnd tzwayntzigist figur Die sterck in dem anheben · Dar Inn dich rechtt schicke	[74v.9] 21 Die stercke in dem an hebñ daryn dich recht schick /	[166r.7] Die sterck in dem anheben darin dich rest schick	[18r.8] Die sterch jm dem anheben dar jm du dich recht schickh
[24] The 22nd figure: He who rushes the spear to the other is met beneath the eyes.		[23r.11] das ist nwe der sper lauff der de~ andñ begege~t vnt° augñ	[08r.9] Die tzwo vnd tzwaintzigst figur Das ist nun der sper lawff · der dem andern begegendt vndter augen	[74v.10] 22 Das ist nun der sper lauff der dem anderñ begegnet vndter augen /	[166r.8] Das is nunn der sperr lauff der dem anndern begegnet unther augenn	[18r.9] Das ist nun der sper lauf der dem andern begegnet vnder augen,
[25] The 23rd figure: The unnamed grip takes the weapon or fells him.		[23r.8] dye vngnnten griff wer nym oder fell In	[08r.10] Die drey vnd tzwaintzigist figur Der vngenant griff · wer nymbtt oder velt In	[74v.11] 23 Der vngenant griff weer ny~t oder felt in	[166r.9] Der ungenant griff wer nÿmbt oderr velt in	[18r.10] Der vngenant griff wer nymbt oder felt jn,
[26] The 24th figure: If an opponent charges you to both sides, turn around left and thus he rightly comes.		[23r.9] ob mã dich jagt võ peyde~ seÿte~ ker linck vmb so er rech ku~pt	[08r.11] Die vier vnd tzwaintzigist figur ob man dich Jagt zu bayden seytten kere vmb lingk so er rechtte kumbt	[74v.12] 24 Ob man dich jagt von paidñ seÿttñ ker vmb linck so er recht kumbt	[166r.10] Ob mann dich iagt zu peidenn seitenn kere umb linck so er recht kumbt	[18r.11] Ob man dich jagt von baiden seiten, ker umb linkh so er recht kunst
[27] The 25th figure: Be mindful to take and hold the Messer.		[23r.12] Der meßer neme~ vnd behaltñ gedenck	[08r.12] Die funff vnd tzwaintzigist figur Der Mezzer nemenn · vnd behalden gedenck	[75r.1] 25 Der messer nemen vnd behalden gedenck	[166r.11] Der messer nemenn unnd behaltenn gedenck	[18r.12] Der messer nemmen vnd behalten gedenckh,
[28] The 26th figure: Grasp over an opponent who falls upon you or ride against him.		[23r.13] vber greiff wer dich an velt thue In wider treyben	[08r.13] Die sechßvndtzwaintzigist figur vbergreif wer dich anvelet · oder thue Im wider Reyttens	[75r.2] 26 Vber greÿff wer dich an felt oder thue im wider reÿttens /	[166r.12] Ubergreiff werr dich ann vellet oder thue im widerreittenns	[18r.13] Vbergriff wer dich anfellt, oder thue jm vnderreittens
[29] If you want to grasp, you should not fail to ride beside him. Execute the sun pointer to the left sleeve if you want to bend. Who attacks you with that, grasp over against him and he will be shamed. Press the arm to the head. This grip often robs the saddle.			[08r.14] Wild du anfazzen neben reittens nit solt du lasen daz sunnen tzaigen lingk ermel treib wildu naygen Wer dir daz rembt vbergreifft den der wierd beschämbt druck arm zu haubt der griff offt sattel berawbett			[18r.14] Wilt du anfassen, neben raiten nicht soltu lassen, das zum len &c Werr dir das remt &c druck arm zu haubt, der grif oft selten beraubt.

Featured Translation (from the Rome) (2021) [edit]
by Christian Henry Tobler

[1] This is Master Johannes Liechtenauer’s Fighting on Horseback

[2]

1	Direct your spear. Riding against destroys.
2	If it drops, the end undoes him.
3	Strike in, don’t pull. From the scabbard, left to him jerk.
4	Grasp to his right thus you catch him without weapons work.
5	The fighting of lance-thrusting. Learn to counter calmly without haste.

[3]

[4]

6	If it changes so that the sword is used against the sword,
7	truly seize the strong. You seek the Pouch Stroke,
8	And remember: learn well to strongly defend. In all meetings, press him without danger,
9	plant upon without danger. Who grazes, hang to him to the hair.

[5]

10	If you want to calmly charge long, this troubles greatly
11	whoever now defends that. Then wind that hurts also.
12	If he defends against this further, grasp the bridle and do not let it go.
13	Be mindful of the openings, search for the Messer, do not tend to the pommel.

[6]

[7]

14	Learn two strokes with the empty hand against the weapon.
15	The sheep grip fends off him who turns to you with wrestling.
16	While under the eyes, grasp him truly with flying.
17	Who attacks you while riding towards, you will be felled.
18	Hanging to the ground. Grasp over against him truly with conduct.
19	To both sides you should learn to ride against him.

[8]

20	If you want to ride The horse run to the other side.
21	Defend strongly, Plant upon him threaten him with this.
22	Who defends against that, grasp his sword from afar, get to the handle.
23	Or turn around to calmly charge for the weapon
24	with all skill. He who charges, acts to his advantage.
25	If you have charged past him and unintentionally charge to the left,
26	follow his sword upwards and wrestle, push also hard.

[9]

27	If one charges on the right, stop; turn around; tend to the fight.
28	With the arm catch. Thus he cannot manage to harm you.

[10]

29	The Messer take. Hold, learn to shame him.
30	The unnamed, against the strong to turn
31	their strike, their thrust, is being defeated without any fencing.

[11]

32	If you want to grasp, you should not fail to ride beside him.
33	The sun pointer. Take the left sleeve if you want to bend.
34	Touch the forehead. Against the nape of the neck press very hard,
35	so that he sways and rarely makes it up again.
36	Who attacks you with that, grasp over against him and he will be shamed.
37	Press the arm to the head. This grip often robs the saddle.

[12]

38	If you want to retain yourself from seizing,
39	then take him into custody without wrestling, without any rope.
40	The before grip remember, this indeed breaks his strength.

[13] Here Begins the Art with the Short Sword in Dueling, of Master Johannes Liechtenauer, God Have Mercy on Him.

41	Who dismounts, begins fighting on foot.
42	This do with the spear: two positions begin truly.
43	Spear and point, thrust the initial thrust without fear.
44	Spring, wind set truly upon. If he defends pull, that will defeat him.
45	If you want to thrust before, with pulling learn to break his defense.
46	Note: if he wants to pull back from harm and flee,
47	then approach him to surely attend to grasp.

[14] This Is the Wrestling in Dueling

48	If you want to wrestle, learn to spring correctly behind the leg.
49	A bar shoot forth, that skillfully locks the leg.
50	From both sides, if you want to skillfully end.

[15]

51	If it happens that the sword against the spear is drawn,
52	then behold the thrusts. Spring, catch, hasten to him to wrestle.
53	Strike long with the left hand. Spring surely and seize him.
54	If he wants to draw from the scabbard, grasp and press in,
55	so that his openings with the sword point are troubled.
56	Leather and gauntlets, under the eyes, seek the openings correctly.
57	The forbidden wrestling, surely learn to use.
58	To lock your foe, the strong thereby overcome.
59	In all teachings turn the point against the openings.

[16]

60	When one sees that from the scabbard both swords are being drawn,
61	then shall one strengthen. The protection now truly remember.
62	Before and after, these two things, explore surely, learn also to spring away.
63	Follow in all meetings if you want to fool the strong.
64	If he defends, then pull. Thrust, if he defends, move to him.
65	If he fights extended, then be artfully instructed.
66	If he also attacks strongly, the thrusting defeats him.
67	With his striking point he defends himself—hit without fear.
68	With both hands learn to turn your point to the eyes.
69	The forward foot with striking you must protect.

Additional Resources

The following is a list of publications containing scans, transcriptions, and translations relevant to this article, as well as published peer-reviewed research.

Alte Armature und Ringkunst: The Royal Danish Library Ms. Thott 290 2º (2020). Trans. by Rebecca L. R. Garber. Ed. by Michael Chidester; Dieter Bachmann. Somerville: HEMA Bookshelf. ISBN 978-1-953683-04-5.
Kunst und Zettel im Messer: Bavarian State Library Cgm 582 (2021). Ed. by Michael Chidester. Somerville: HEMA Bookshelf. ISBN 978-1-953683-16-8.
Acutt, Jay (2019). Swords, Science, and Society: German Martial Arts in the Middle Ages. Glasgow: Fallen Rook Publishing. ISBN 978-0-9934216-9-3.
Ain ringeck, Sigmund (2003). Sigmund Ringeck's Knightly Art of the Longsword. Trans. by David Lindholm. Boulder: Paladin Press. ISBN 978-1-58160-410-8.
Ain ringeck, Sigmund (2006). Sigmund Ringeck's Knightly Arts of Combat. Trans. by David Lindholm. Boulder: Paladin Press. ISBN 978-1-58160-499-3.
Alderson, Keith (2010). "On the Art of Reading: An Introduction to Using the Medieval German 'Fightbooks'." In the Service of Mars: Proceedings from the Western Martial Arts Workshop, 1999-2009: 251-286. Wheaton: Freelance Academy Press. ISBN 978-0-9825911-5-4.
Alderson, Keith (2014). "Arts and Crafts of War: die Kunst des Schwerts in its Manuscript Context." Can These Bones Come to Life? Insights from Reconstruction, Reenactment, and Re-creation 1: 24-29. Wheaton: Freelance Academy Press. ISBN 978-1-937439-13-2.
Bauer, Matthias Johannes (2014). "Ein Zedel Fechter ich mich ruem/Im Schwert un Messer ungestuem. Fechtmeister als protagonisten und als (fach)literarisches Motiv in den deutschsprachigen Fechtlehren des ittelalters und der frühen Neuzeit." Das Mittelalter 19(2): 302-325. Ed. by Christian Jaser; Uwe Israel. doi:10.1515/mial-2014-0018.
Bauer, Matthias Johannes (2014). "Fechten lehren 'mitt verborgen vnd verdeckten worten'. Fachsprache, Dialekt, Verballhornung und Geheimsprache in frühneuhochdeutschen Zweikampftraktaten." Das Schwert – Symbol und Waffe: 163-172. Ed. by Lisa Deutscher; Mirjam Kaiser; Sixt Wetzler. Rahden: Verlag Marie Leidorf GmbH. ISBN 978-3-89646-795-9.
Bauer, Matthias Johannes (2016). 'Der Alten Fechter gründtliche Kunst' – Das Frankfurter oder Egenolffsche Fechtbuch. Untersuchung und Edition. München: Herbert Utz Verlag. ISBN 978-3-8316-4559-6.
Bergner, Ute; Johannes Gießauf (2006). Würgegriff und Mordschlag. Die Fecht- und Ringlehre des Hans Czynner (1538). Graz: Akademische Druck- u. Verlagsanstalt. ISBN 978-3-201-01855-5.
Burkart, Eric (2016). "The Autograph of an Erudite Martial Artist: A Close Reading of Nuremberg, Germanisches Nationalmuseum, Hs. 3227a." Late Medieval and Early Modern Fight Books. Transmission and Tradition of Martial Arts in Europe: 451-480. Ed. by Daniel Jaquet; Karin Verelst; Timothy Dawson. Leiden and Boston: Brill. doi:10.1163/9789004324725_017. ISBN 978-90-04-31241-8.
Burkart, Eric (2020). "Informationsverarbeitung durch autographe Notizen: Die ältesten Aufzeichnungen zur Kampfkunst des Johannes Liechtenauer als Spuren einer Aneignung praktischen Wissens." Mittelalter. Interdisziplinäre Forschung und Rezeptionsgeschichte S2: 117-158. doi:10.26012/mittelalter-25866.
Cheney, Stephen (2020). Ringeck • Danzig • Lew Longsword. Self-published. ISBN 979-8649845441.
Chidester, Michael (2021). The Long Sword Gloss of GNM Manuscript 3227a. Somerville: HEMA Bookshelf. ISBN 978-1-953683-13-7.
Chidester, Michael; Dierk Hagedorn (2021). 'The Foundation and Core of All the Arts of Fighting': The Long Sword Gloss of GNM Manuscript 3227a. Somerville: HEMA Bookshelf. ISBN 978-1-953683-05-2.
Chidester, Michael; Dierk Hagedorn (2024). Pieces of Ringeck: The Definitive Edition of the Gloss of Sigmund Ainring. Medford: HEMA Bookshelf. ISBN 978-1-953683-41-0.
Finley, Jessica (2021). "'What's in a Name?' A Comparative Analysis of the Nomenclature of Johannes Lecküchner and Johannes Liechtenauer." Kunst und Zettel im Messer: Bavarian State Library Cgm 582: 157-174. Ed. by Michael Chidester. Somerville: HEMA Bookshelf. ISBN 978-1-953683-16-8.
Finley, Jessica; Christian Henry Tobler (2022). "Warp and Weft: The Bauman Fight Book's Place in the Tapestry of German Fechtkunst." Bauman's Fight Book: Augsburg University Library Ⅰ.6.4º 2: 85-102. Ed. by Michael Chidester. Medford: HEMA Bookshelf. ISBN 978-1-953683-27-4.
Gaite, Pierre (2018). "Exercises in Arms: the Physical and Mental Combat Training of Men-at-Arms in the Fourteenth and Fifteenth Centuries." Journal of Medieval Military History XVI. Ed. by Kelly DeVries; John France; Clifford J. Rogers. Woodbridge: Boydell Press. ISBN 9781783273102.
Hagedorn, Dierk (2008). Transkription und Übersetzung der Handschrift 44 A 8. Herne: VS-Books. ISBN 978-3-932077-34-0.
Hagedorn, Dierk (2016). "German Fechtbücher from the Middle Ages to the Renaissance." Late Medieval and Early Modern Fight Books. Transmission and Tradition of Martial Arts in Europe: 247-279. Ed. by Daniel Jaquet; Karin Verelst; Timothy Dawson. Leiden and Boston: Brill. ISBN 978-90-04-31241-8.
Hagedorn, Dierk (2017). Jude Lew: Das Fechtbuch. Herne: VS-Books. ISBN 978-3-932077-46-3.
Hagedorn, Dierk; Helen Hagedorn; Henri Hagedorn (2021). Renaissance Combat. Jörg Wilhalm's Fightbook, 1522-1523. Barnsley: Greenhill Books. ISBN 978-1-78438-656-6.
Hagedorn, Dierk (2021). Albrecht Dürer. Das Fechtbuch. Herne: VS-Books. ISBN 9783932077500.
Hagedorn, Dierk; Christian Henry Tobler (2021). The Peter von Danzig Fight Book. Wheaton: Freelance Academy Press. ISBN 978-1-937439-53-8.
Hagedorn, Dierk; Daniel Jaquet (2022). Dürer's Fight Book: The Genius of the German Renaissance and his Combat Treatise. Barnsley: Greenhill Books. ISBN 978-1-784438-703-7.
Hagedorn, Dierk (2023). Das Ortenburger Fechtbuch. Herne: VS-Books. ISBN 978-3-932077-53-1.
Hergsell, Gustav; Hans Talhoffer (1889). Talhoffers Fechtbuch (Gothaer Codex) aus dem Jahre 1443. Prague: J.G. Calve.
Hergsell, Gustav; Hans Talhoffer (1893, 1901). Livre d'escrime de Talhoffer (codex Gotha) de l'an 1443. Prague: Chez L'Auteur.
Hils, Hans-Peter (1985). Meister Johann Liechtenauers Kunst des langen Schwertes. Frankfurt am Main: P. Lang. ISBN 978-38-204812-9-7.
Hull, Jeffrey; Grzegorz Żabiński; Monika Maziarz (2007). Knightly Dueling: The Fighting Arts of German Chivalry. Boulder: Paladin Press. ISBN 978-1-581606744.
Kellett, Rachel E. (2015). "'...Vnnd schuß im vnder dem schwert den ort lang ein zu der brust': The Placement and Consequences of Sword-blows in Sigmund Ringeck's Fifteenth-Century Fencing Manual." Wounds and wound repair in Medieval culture: 128-150. Ed. by Larissa Tracy; Kelly DeVries. Leiden: Brill. doi:10.1163/9789004306455_007.
Lecküchner, Johannes (2015). The Art of Swordsmanship by Hans Lecküchner. Trans. by Jeffrey L. Forgeng. Woodbridge: Boydell Press. ISBN 9781783270286.
Muhlberger, Steven (2005). Deeds of Arms. Highland Village: Chivalry Bookshelf. ISBN 978-1-891448-44-7.
Muhlberger, Steven; Will McLean (2019). Murder, Rape, and Treason: Judicial Combats in the Late Middle Ages. Wheaton: Freelance Academy Press. ISBN 978-1-937439-41-5.
Muhlberger, Steven (2020). Formal Combats in the Fourteenth Century. Witan Publishing. ISBN 979-8-662749-75-7.
Müller, Jan-Dirk (1992). "Bild – Verse – Prosakommentar am Beispiel von Fechtbüchern. Probleme der Verschriftlichung einer schriftlosen Praxis." Pragmatische Schriftlichkeit im Mittelalter. Erscheinungsformen und Entwicklungsstufen: 251-282. Ed. by Hagen Keller; Klaus Grubmüller; Nikolaus Staubach. München: Fink.
R., Harry (2019). Peter von Danzig. Self-published. ISBN 978-0-36-870245-7.
Tobler, Christian Henry (2001). Secrets of German Medieval Swordsmanship. Union City: Chivalry Bookshelf. ISBN 978-1-891448-07-2.
Tobler, Christian Henry (2006). In Service of the Duke: The 15th Century Fighting Treatise of Paulus Kal. Highland Village: Chivalry Bookshelf. ISBN 978-1-891448-25-6.
Tobler, Christian Henry (2010). In Saint George's Name: An Anthology of Medieval German Fighting Arts. Wheaton: Freelance Academy Press. ISBN 978-0-9825911-1-6.
Tobler, Christian Henry (2011). Captain of the Guild: Master Peter Falkner's Art of Knightly Defense. Wheaton: Freelance Academy Press. ISBN 978-1-937439-09-5.
Verelst, Karin (2016). "Finding a Way through the Labyrinth: Some Methodological Remarks on Critically Editing the Fight Book Corpus." Late Medieval and Early Modern Fight Books. Transmission and Tradition of Martial Arts in Europe: 117-188. Ed. by Daniel Jaquet; Karin Verelst; Timothy Dawson. Leiden and Boston: Brill. doi:10.1163/9789004324725_008. ISBN 978-90-04-31241-8.
Vodička, Ondřej (2019). "Origin of the oldest German Fencing Manual Compilation (GNM Hs. 3227a)." Waffen- und Kostümkunde 61(1): 87-108.
Wallhausen, James (2010). Knightly Martial Arts: An Introduction to Medieval Combat Systems. Self-published. ISBN 978-1-4457-3736-2.
Welle, Rainer (2017). "Ein unvollendetes Meisterwerk der Fecht- und Ringkampfliteratur des 16. Jahrhunderts sucht seinen Autor: der Landshuter Holzschneider und Maler Georg Lemberger als Fecht- und Ringbuchillustrator?." Codices manuscripti & impressi S12. Purkersdorf: Verlag Brüder Hollinek. ISBN 0379-3621.
Welle, Rainer (2021). Albrecht Dürer und seine Kunst des Zweikampfes: auf den Spuren der Handschrift 26232 in der Albertina Wien. Kumberg: Sublilium Schaffer, Verlag für Geschichte, Kunst & Buchkultur. ISBN 9783950500806.
Wierschin, Martin (1965). Meister Johann Liechtenauers Kunst des Fechtens. München: C. H. Beck.
Żabiński, Grzegorz (2008). "Unarmored Longsword Combat by Master Liechtenauer via Priest Döbringer." Masters of Medieval and Renaissance Martial Arts: 59-116. Ed. by John Clements. Boulder: Paladin Press. ISBN 978-1-58160-668-3.
Żabiński, Grzegorz (2010). The Longsword Teachings of Master Liechtenauer. The Early Sixteenth Century Swordsmanship Comments in the 'Goliath' Manuscript. Poland: Adam Marshall. ISBN 978-83-7611-662-4.

References

↑ When German writers were aware that a person was dead, they would add a formulaic blessing after their name (i.e., "God have mercy on him"); this manuscript doesn't, but 15th century manuscripts do.
↑ See folio 13v, trans. by Michael Chidester.
↑ Christian Henry Tobler. "Chicken and Eggs: Which Master Came First?" In Saint George's Name: An Anthology of Medieval German Fighting Arts. Wheaton, IL: Freelance Academy Press, 2010. p6
↑ The Fellowship of Liechtenauer is recorded in three versions of Paulus Kal's treatise: MS 1825 (1460s), Cgm 1507 (ca. 1470), and MS KK5126 (1480s).
↑ The figures are often given as a preamble for the gloss of Lew, and a fragment of the short sword to the teachings of Martin Huntsfeld, but those instances will not be included below and instead treated as part of those treatises.
↑ Zettel is a tricky word to translate. The closest English cognate is “schedule” (both come from the Latin schedula), but only in the more obscure legal sense of a formal list, not the familiar sense of a timetable. It’s commonly used in modern German to denote a short list or a scrap of paper that could hold a list (like a receipt). Zettel is translated as “record” here (and capitalized and italicized as the title of a written work), but other common translations include “epitome”, “notes”, and “recital”.
↑ The literal translation here would be “long sword”, but since it isn’t the sword that’s long and instead it’s holding the sword with both hands on the grip that ‘lengthens’ it, “extended sword” seems clearer. Compare “retracted sword” in the dueling lessons, which refers to placing the left hand on the blade. An alternative interpretation might be that the amount of blade extending in front of the hands is long in the langen Schwert grip and short in the kurtzen Schwert grip.
↑ The spelling Schirmeister is ambiguous. A Schirmmeister is a fencing teacher, using the late medieval term for fencing (schirmen rather than fechten). A Schirrmeister is an aristocrat’s stablemaster, or a logistics officer in a military setting in charge of animals and anything pulled by animals (wagons, cannon, etc.). ‘Schirmeister’ could be a spelling of either one; Hans Medel reads it as the former. The Leichmeistere ridiculed by the author of ms. 3227^a in their introduction, often translated as “dance masters” or “play masters”, might be a shortening of this phrase (leichtfertigen schirmaister).
↑ The individual section headings will mostly be omitted in this translation since they don't seem to be part of Liechtenauer's original Record—or at least, the scribes seem to have treated them as non-authoritative and felt free to expand, contract, modify, or omit them entirely. I also think they distract from the flow of the Record, and would omit them for that reason alone.
↑ This preface to the Record is quoted by the glossators but rarely glossed by them (see the notes below for exceptions).
↑ Jens P. Kleinau has pointed out that in the first couplet, the second line is much longer than most in the Record, while in this second couplet, the version used by the Lew gloss only includes the first line and the version appearing in H. Beringer and Hans Folz only includes the second line. This may be evidence of combining two early proto-Records, each of which mentioned loving god in the first couplet and honoring women as the first line of the second couplet. See his 2020 blog post for more details.
↑ In the same blog post, Jens P. Kleinau points out that the mention of Ehre (rendered “fame" in this line) may be a later addition to the text, since some versions have sehre instead of zu Ehre, which makes the phrase and meter smoother, and the idea of warfare as an avenue of increasing one's honor is mostly absent from contemporary literature. Hofieren is to serve, often in a feudal or courtly sense, so the alternate rhymed version would be “And serve you well in war some day”.
↑ Messer is a term that we often associate with the iconic German machete-like knife taught by Johannes Lecküchner and others, but both historically and today it can refer to any kind of knife; mentions of it in the Record are usually interpreted as referring to daggers by the glossators.
↑ Literally “manly”, not “gallant”, but I've used ungendered language for the most part in this translation because I want readers to be able to more easily see themselves and their training partners in it regardless of their genders.
↑ Bederben and verderben could be read as synonyms in Early New High German, both meaning “to destroy”, but that doesn't make sense in context so we tend to read bederben in its Middle High German definition of “to use”. Beringer uniquely has "bedurfen=need or make use of", which reinforces this reading and could represent an earlier, less ambiguous phrasing.
↑ Jens-Peter sees a division here where the moralistic/inspirational address to the young knight ends and practical advice to a fencing student begins. I disagree, and think couplets 6–9 are still about mindset and morality in fighting.
↑ This couplet is only glossed by the author of ms. 3227^a.
↑ These two terms are translated in all kinds of ways, from the abstract/geometric (dimension and extension) to the colloquial (time and place, weighed and measured) to the fencing-specific (distance and reach). My translation goes with a more moralistic read, outlining two qualities the young knight needs to develop, both of which point to the cardinal virtue of temperance. This line is sort of glossed in sword section of the Augsburg Group manuscripts.
↑ This couplet might instead have been intended to be combined with the previous one as two very long lines of a single couplet: "ettlich biderman in anden hanten veder ben / kunt er chunst er mocht wol eren erwerb".
↑ This couplet might instead have been intended to be combined with the previous one as two very long lines of a single couplet: "ettlich in andern hanten verderben / kündt er kunst er möcht ere erwerben".
↑ First letter almost illegible.
↑ First letter illegible.
↑ With full extension
↑ This couplet seems to replace the first line of couplet 15, leaving the second line of 15 as an orphan.
↑ Text terminates at this point. The leaves with the rest of the text are missing.
↑ kam
↑ deinen
↑ faler
↑ l corrected from t.
↑ Or “crush”
↑ Or “twirl”
↑ Or “This is the about the Wrath cut, which slices apart.”
↑ Or “wind more broadly”
↑ I.e. to the action described next
↑ ^{Jump up to: 35.0} ^35.1 remen => räumen, meaning “to make space, clear away, evacuate”.
↑ Text adds an additional couplet: "hastu es vernomen zu kain / schlag mag er komen".
↑ Text adds an additional couplet: "hast dus vernomen / zu kaim schlag mag er komen".
↑ Text adds an additional couplet: "hastu es vernomen / zu kainen schlag mag er komen."
↑ Or “to the right”
↑ Or “slow”
↑ Text adds an additional line: "das son ich vernomen".
↑ Text adds an additional line: "ha das han ich vernomen".
↑ There is no space between "Dupliere" and "doniden", the "D" was possibly added later.
↑ Text adds an additional line: "dz haw ich vermunen??".
↑ Corrected from »Im«.
↑ The text doubles the title of this section.
↑ Fehler is the opposite of a Treffer, which is something that hits or succeeds. The Fehler is the losing throw in dice, the missed shot in archery and shooting. It is, however, an action that might hit, but it is assumed that it will miss.
↑ This line might instead have been intended to be combined with the previous ones as two lines of a single couplet: "den elenbog nym in der waug / und mach den fäler nit träg".
↑ ^{Jump up to: 49.0} ^49.1 Corrected from »Twir«.
↑ haust
↑ Or “destroy”
↑ Or “skill”
↑ Whatever comes from the Skull cut.
↑ Or “flee”
↑ This line might instead have been intended to be combined with the previous ones as two long lines of a single couplet: "nun lerne in daß / den alten schnit mit macht".
↑ Hier hat der Schreiber offensichtlich ein Häkchen vergessen.
↑ Or “counters”
↑ Or “him”
↑ should be "dreffen"
↑ This section is followed by one titled "Von durchlauffen ab seczen", which repeat the verse on Absetzen.
↑ Or “crushing”
↑ Or “yell”
↑ Text adds an additional couplet: "Das schwertt bind / zu der flöche truckh in die hend".
↑ Text adds an additional couplet: "Das schwertt bind / zu der fleche truck in die hend".
↑ Text adds an additional couplet: "Das schwert binden / zu der flech trukh in die hand"
↑ Or “spraying”, or possibly “speaking”
↑ Text adds an additional couplet: "thutt er sich gegen dir greisen / schlagen das er seisse".
↑ Text adds an additional couplet: "thutt er sich gegen dir greifen / schlagen das er Seise".
↑ Text adds an additional couplet: "thuet er sich gegen dir raisen / schlagen dz er seisse."
↑ Illegible word. Could be read as either ‘zo’ or ‘w’. In the glosses on 37r it says ‘zw’.
↑ A guide letter “w” is visible under the “U” (apparently ignored by the rubricator), making the intended word “Wer”.
↑ Covering a deletion.
↑ Hier ist anscheinend dem Schreiber das Leerzeichen verrutscht.

[1] When German writers were aware that a person was dead, they would add a formulaic blessing after their name (i.e., "God have mercy on him"); this manuscript doesn't, but 15th century manuscripts do.

[2] See folio 13v, trans. by Michael Chidester.

[3] Christian Henry Tobler. "Chicken and Eggs: Which Master Came First?" In Saint George's Name: An Anthology of Medieval German Fighting Arts. Wheaton, IL: Freelance Academy Press, 2010. p6

[4] The Fellowship of Liechtenauer is recorded in three versions of Paulus Kal's treatise: MS 1825 (1460s), Cgm 1507 (ca. 1470), and MS KK5126 (1480s).

[5] The figures are often given as a preamble for the gloss of Lew, and a fragment of the short sword to the teachings of Martin Huntsfeld, but those instances will not be included below and instead treated as part of those treatises.

[6] Zettel is a tricky word to translate. The closest English cognate is “schedule” (both come from the Latin schedula), but only in the more obscure legal sense of a formal list, not the familiar sense of a timetable. It’s commonly used in modern German to denote a short list or a scrap of paper that could hold a list (like a receipt). Zettel is translated as “record” here (and capitalized and italicized as the title of a written work), but other common translations include “epitome”, “notes”, and “recital”.

[7] The literal translation here would be “long sword”, but since it isn’t the sword that’s long and instead it’s holding the sword with both hands on the grip that ‘lengthens’ it, “extended sword” seems clearer. Compare “retracted sword” in the dueling lessons, which refers to placing the left hand on the blade. An alternative interpretation might be that the amount of blade extending in front of the hands is long in the langen Schwert grip and short in the kurtzen Schwert grip.

[8] The spelling Schirmeister is ambiguous. A Schirmmeister is a fencing teacher, using the late medieval term for fencing (schirmen rather than fechten). A Schirrmeister is an aristocrat’s stablemaster, or a logistics officer in a military setting in charge of animals and anything pulled by animals (wagons, cannon, etc.). ‘Schirmeister’ could be a spelling of either one; Hans Medel reads it as the former. The Leichmeistere ridiculed by the author of ms. 3227^a in their introduction, often translated as “dance masters” or “play masters”, might be a shortening of this phrase (leichtfertigen schirmaister).

[9] The individual section headings will mostly be omitted in this translation since they don't seem to be part of Liechtenauer's original Record—or at least, the scribes seem to have treated them as non-authoritative and felt free to expand, contract, modify, or omit them entirely. I also think they distract from the flow of the Record, and would omit them for that reason alone.

[10] This preface to the Record is quoted by the glossators but rarely glossed by them (see the notes below for exceptions).

[11] Jens P. Kleinau has pointed out that in the first couplet, the second line is much longer than most in the Record, while in this second couplet, the version used by the Lew gloss only includes the first line and the version appearing in H. Beringer and Hans Folz only includes the second line. This may be evidence of combining two early proto-Records, each of which mentioned loving god in the first couplet and honoring women as the first line of the second couplet. See his 2020 blog post for more details.

[12] In the same blog post, Jens P. Kleinau points out that the mention of Ehre (rendered “fame" in this line) may be a later addition to the text, since some versions have sehre instead of zu Ehre, which makes the phrase and meter smoother, and the idea of warfare as an avenue of increasing one's honor is mostly absent from contemporary literature. Hofieren is to serve, often in a feudal or courtly sense, so the alternate rhymed version would be “And serve you well in war some day”.

[13] Messer is a term that we often associate with the iconic German machete-like knife taught by Johannes Lecküchner and others, but both historically and today it can refer to any kind of knife; mentions of it in the Record are usually interpreted as referring to daggers by the glossators.

[14] Literally “manly”, not “gallant”, but I've used ungendered language for the most part in this translation because I want readers to be able to more easily see themselves and their training partners in it regardless of their genders.

[15] Bederben and verderben could be read as synonyms in Early New High German, both meaning “to destroy”, but that doesn't make sense in context so we tend to read bederben in its Middle High German definition of “to use”. Beringer uniquely has "bedurfen=need or make use of", which reinforces this reading and could represent an earlier, less ambiguous phrasing.

[16] Jens-Peter sees a division here where the moralistic/inspirational address to the young knight ends and practical advice to a fencing student begins. I disagree, and think couplets 6–9 are still about mindset and morality in fighting.

[17] This couplet is only glossed by the author of ms. 3227^a.

[18] These two terms are translated in all kinds of ways, from the abstract/geometric (dimension and extension) to the colloquial (time and place, weighed and measured) to the fencing-specific (distance and reach). My translation goes with a more moralistic read, outlining two qualities the young knight needs to develop, both of which point to the cardinal virtue of temperance. This line is sort of glossed in sword section of the Augsburg Group manuscripts.

[19] This couplet might instead have been intended to be combined with the previous one as two very long lines of a single couplet: "ettlich biderman in anden hanten veder ben / kunt er chunst er mocht wol eren erwerb".

[20] This couplet might instead have been intended to be combined with the previous one as two very long lines of a single couplet: "ettlich in andern hanten verderben / kündt er kunst er möcht ere erwerben".

[21] First letter almost illegible.

[22] First letter illegible.

[23] With full extension

[24] This couplet seems to replace the first line of couplet 15, leaving the second line of 15 as an orphan.

[25] Text terminates at this point. The leaves with the rest of the text are missing.

[26] ↑ kam

[27] ↑ deinen

[28] r

[29] rrected from t.

[30] Or “crush”

[31] Or “twirl”

[32] Or “This is the about the Wrath cut, which slices apart.”

[33] Or “wind more broadly”

[34] I.e. to the action described next

[HTKremen-35] {Jump up to: 35.0} ^35.1 remen => räumen, meaning “to make space, clear away, evacuate”.

[36] Text adds an additional couplet: "hastu es vernomen zu kain / schlag mag er komen".

[37] Text adds an additional couplet: "hast dus vernomen / zu kaim schlag mag er komen".

[38] Text adds an additional couplet: "hastu es vernomen / zu kainen schlag mag er komen."

[39] Or “to the right”

[40] Or “slow”

[41] Text adds an additional line: "das son ich vernomen".

[42] Text adds an additional line: "ha das han ich vernomen".

[43] There is no space between "Dupliere" and "doniden", the "D" was possibly added later.

[44] Text adds an additional line: "dz haw ich vermunen??".

[45] Corrected from »Im«.

[46] The text doubles the title of this section.

[47] Fehler is the opposite of a Treffer, which is something that hits or succeeds. The Fehler is the losing throw in dice, the missed shot in archery and shooting. It is, however, an action that might hit, but it is assumed that it will miss.

[48] This line might instead have been intended to be combined with the previous ones as two lines of a single couplet: "den elenbog nym in der waug / und mach den fäler nit träg".

[Twir-49] {Jump up to: 49.0} ^49.1 Corrected from »Twir«.

[50] ust

[51] Or “destroy”

[52] Or “skill”

[53] Whatever comes from the Skull cut.

[54] Or “flee”

[55] This line might instead have been intended to be combined with the previous ones as two long lines of a single couplet: "nun lerne in daß / den alten schnit mit macht".

[56] Hier hat der Schreiber offensichtlich ein Häkchen vergessen.

[57] Or “counters”

[58] Or “him”

[59] should be "dreffen"

[60] This section is followed by one titled "Von durchlauffen ab seczen", which repeat the verse on Absetzen.

[61] Or “crushing”

[62] Or “yell”

[63] Text adds an additional couplet: "Das schwertt bind / zu der flöche truckh in die hend".

[64] Text adds an additional couplet: "Das schwertt bind / zu der fleche truck in die hend".

[65] Text adds an additional couplet: "Das schwert binden / zu der flech trukh in die hand"

[66] Or “spraying”, or possibly “speaking”

[67] Text adds an additional couplet: "thutt er sich gegen dir greisen / schlagen das er seisse".

[68] Text adds an additional couplet: "thutt er sich gegen dir greifen / schlagen das er Seise".

[69] Text adds an additional couplet: "thuet er sich gegen dir raisen / schlagen dz er seisse."

[70] Illegible word. Could be read as either ‘zo’ or ‘w’. In the glosses on 37r it says ‘zw’.

[71] A guide letter “w” is visible under the “U” (apparently ignored by the rubricator), making the intended word “Wer”.

[72] Covering a deletion.

[73] Hier ist anscheinend dem Schreiber das Leerzeichen verrutscht.

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Die Zettel
The Recital


Full Title	A Recital on the Chivalric Art of Fencing
Ascribed to	Johannes Liechtenauer
Illustrated by	Unknown
Date	Fourteenth century (?)
Genre	Fencing manual Wrestling manual
Language	Early New High German
Archetype(s)	Hypothetical
Principal Manuscript(s)	MS 3227^a (ca. 1390) MS Chart.A.558 (1448) Cod.44.A.8 (1452)
Manuscript(s)	MS Thott.290.2º (1459) Cod.Guelf.78.2 Aug.2º (ca. 1465-80) Cgm 1507 (ca.1470) [more] MS KK5126 (1480s) MS M.Ⅰ.29 (1491) Ortenburg Fechtbuch (1400s) Pirckh.Papp.353 (ca. 1500) MS Dresd.C.487 (ca. 1504-19) MS 26-232 (ca. 1505) Cgm 3711 (1523) Cod.Ⅰ.6.2º.2 (1523) MS Germ.quart. 2020 (1535-40) Reichsstadt Nr. 82 (1553) Cgm 3712 (1556) MS Var.82 (1563-71) Cod.Guelf.38.21 Aug.2º (1588)
First Printed English Edition	Tobler, 2010
Concordance by	Michael Chidester
Translations	Traduction française Deutsch-Übersetzung Magyar fordítás [more] Slovenski prevod Traducción castellano

Work	Author(s)	Source
Translation	Michael Chidester	Wiktenauer
Translation	Christian Henry Tobler	The Peter von Danzig Fight Book
Translation	Mike Rasmusson	Schielhau.org
Gotha Transcription	Dierk Hagedorn	Index:Talhoffer Fechtbuch (MS Chart.A.558)
Rome Transcription	Dierk Hagedorn	Index:Starhemberg Fechtbuch (Cod.44.A.8)
Copenhagen Transcription	Dieter Bachmann	Index:Talhoffer Fechtbuch (MS Thott.290.2º)
Wolfenbüttel Ⅰ Transcription	Dierk Hagedorn	Index:Wolfenbüttel Picture Book (Cod.Guelf.78.2 Aug.2º)
Bologna Transcription	Dierk Hagedorn	Index:Paulus Kal Fechtbuch (MS 1825)
Munich Ⅰ Transcription	Dierk Hagedorn	Index:Paulus Kal Fechtbuch (Cgm 1507)
Vienna Transcription	Dierk Hagedorn	Index:Paulus Kal Fechtbuch (MS KK5126)
Dresden Transcription	Dierk Hagedorn	Index:Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)
Krakow Transcription	Per Magnus Haaland, Grzegorz Żabiński	Index:Goliath Fechtbuch (MS Germ.Quart.2020)
Munich Ⅱ Transcription	Filip Lampart, Martin Fabian	Index:Jörg Wilhalm Hutters kunst zu Augspurg (Cgm 3711)
Augsburg Ⅰ Transcription	Dierk Hagedorn	Index:Wilhalm/Sollinger Fechtbuch (Cod.I.6.2º.2)
Glasgow Transcription		Index:Gregor Erhart Fechtbuch (MS E.1939.65.354)
Augsburg Ⅱ Transcription	Werner Ueberschär	Index:Rast Fechtbuch (Reichsstadt "Schätze" Nr. 82)
Munich Ⅲ Transcription		Index:Maister Liechtenawers Kunstbuech (Cgm 3712)
Wolfenbüttel Ⅱ Transcription	Kevin Maurer	Index:Künnst zu fechten vonn dem Lienhartt Sollinger (Cod.Guelf.38.21 Aug.2º)
Nuremberg Transcription	Dierk Hagedorn	Index:Pol Hausbuch (MS 3227a)
Salzburg Transcription	Dierk Hagedorn	Index:Codex Speyer (MS M.I.29)
Vienna Transcription Ⅱ	Dierk Hagedorn	Index:Oplodidaskalia sive Armorvm Tractandorvm Meditatio Alberti Dvreri (MS 26-232)
Glasgow Ⅱ Transcription	Dierk Hagedorn	Index:Glasgow Fechtbuch (MS E.1939.65.341)

Difference between revisions of "Johannes Liechtenauer"

Latest revision as of 21:31, 25 June 2025

Contents

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Long sword

Mounted figures

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Long Sword

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@@ Line 1: / Line 1: @@
+{{under construction}}
 {{infobox medieval text
 <!-- --------Name---------->
@@ Line 8: / Line 9: @@
 | caption               =
 <!----------Information---------->
-| full title            = A Recital on the Chivalric<br/>Art of Fencing
+| full title            = A Recital on the Chivalric Art of Fencing
 | also known as         =
 | author(s)             =
@@ Line 18: / Line 19: @@
 | audience              =
 | language              = [[language::Early New High German]]
-| date                  = Fifteenth century (?)
+| date                  = Fourteenth century (?)
 | state of existence    =
 <!----------Manuscript Information---------->
@@ Line 33: / Line 34: @@
   | [[Codex Speyer (MS M.I.29)|MS M.Ⅰ.29]] (1491)
   | [[Ortenburg Fechtbuch]] (1400s)
+ | [[Pirckheimer's Fechtbuch (Pirckh.Papp.353)|Pirckh.Papp.353]] (ca. 1500)
   | [[Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)|MS Dresd.C.487]] (ca. 1504-19)
- | [[Goliath Fechtbuch (MS Germ.Quart.2020)|MS Germ.quart. 2020]] (1535-40)
+  | [[Oplodidaskalia sive Armorvm Tractandorvm Meditatio Alberti Dvreri (MS 26-232)|MS 26-232]] (ca. 1505)
-  | [[Oplodidaskalia sive Armorvm Tractandorvm Meditatio Alberti Dvreri (MS 26-232)|MS 26-232]] (1512)
   | [[Jörg Wilhalm Hutters kunst zu Augspurg (Cgm 3711)|Cgm 3711]] (1523)
   | [[Wilhalm/Sollinger Fechtbuch (Cod.I.6.2º.2)|Cod.Ⅰ.6.2º.2]] (1523)
+ | [[Goliath Fechtbuch (MS Germ.Quart.2020)|MS Germ.quart. 2020]] (1535-40)
   | [[Rast Fechtbuch (Reichsstadt "Schätze" Nr. 82)|Reichsstadt Nr. 82]] (1553)
   | [[Lienhart Sollinger Fechtbuch (Cgm 3712)|Cgm 3712]] (1556)
-  | [[Fechtbuch zu Ross und zu Fuss (MS Var.82)|MS Varia 82]] (1563-71)
+  | [[Fechtbuch zu Ross und zu Fuss (MS Var.82)|MS Var.82]] (1563-71)
   | [[Künnst zu fechten vonn dem Lienhartt Sollinger (Cod.Guelf.38.21 Aug.2º)|Cod.Guelf.38.21 Aug.2º]] (1588)
 }}
 | principal manuscript(s)= {{collapsible list
-  | [[Pol Hausbuch (MS 3227a)|MS 3227<sup>a</sup>]] (ca. 1400)
+  | [[Pol Hausbuch (MS 3227a)|MS 3227<sup>a</sup>]] (ca. 1390)
   | [[Talhoffer Fechtbuch (MS Chart.A.558)|MS Chart.A.558]] (1448)
   | [[Starhemberg Fechtbuch (Cod.44.A.8)|Cod.44.A.8]] (1452)
@@ Line 59: / Line 61: @@
 | below                 =
 }}
-'''Johannes Liechtenauer''' (Hans Lichtenauer, Lichtnawer) was a [[century::15th century]] [[nationality::German]] [[fencing master]]. No direct record of his life or teachings currently exists, and all that we know of both comes from the writings of other masters and scholars. The only account of his life was written by the anonymous author of the [[Pol Hausbuch (MS 3227a)|Pol Hausbuch]], one of the oldest texts in the tradition, who stated that "Master Liechtenauer learnt and mastered the Art in a thorough and rightful way, but he did not invent and put together this Art (as was just stated). Instead, he traveled and searched many countries with the will of learning and mastering this rightful and true Art." He may have been alive at the time of the creation of the fencing treatise contained in the Pol Hausbuch, as that source is the only one to fail to accompany his name with a blessing for the dead.
+'''Johannes Liechtenauer''' (Hans Lichtenauer, Lichtnawer) was a late-[[century::14th century]] [[nationality::German]] [[fencing master]]. The only account of his life was written by the anonymous author of the [[Pol Hausbuch (MS 3227a)|Pol Hausbuch]], arguably the earliest text in the tradition, and he may have been alive at that time.<ref>When German writers were aware that a person was dead, they would add a formulaic blessing after their name (i.e., "God have mercy on him"); this manuscript doesn't, but 15th century manuscripts do.</ref> The text reads:
+{{quote|''First and foremost, you should notice and remember that there's only one art of the sword, and it was discovered and developed hundreds of years ago, and it's the foundation and core of all fencing arts. Master Liechtenauer understood and practiced this art completely and correctly; as already written, he did not discover or invent it himself, but rather traveled through many lands and searched for the true and correct art for the sake of experiencing and knowing it.''<ref>See [[Page:MS 3227a 13v.jpg|folio 13v]], trans. by [[Michael Chidester]].</ref>}}
-Liechtenauer was described by many later masters as the "high master" or "grand master" of the art, and a long poem called the ''Zettel'' ("Recital") is generally attributed to him by these masters. Later masters in the tradition often wrote extensive [[gloss]]es (commentaries) on this poem, using it to structure their own martial teachings. Liechtenauer's influence on the German fencing tradition as we currently understand it is almost impossible to overstate. The masters on [[Paulus Kal]]'s roll of the [[Fellowship of Liechtenauer]] were responsible for most of the most significant fencing manuals of the 15th century, and Liechtenauer and his teachings were also the focus of the German fencing guilds that arose in the 15th and 16th centuries, including the [[Marxbrüder]] and the [[Veiterfechter]].
+Liechtenauer was described by many later masters as the "high master" or "grand master" of the art, and authored a long poem called the ''Zettel'' ("Recital"). Later masters in the tradition often wrote extensive [[gloss]]es (commentaries) on this poem, using it to structure their own martial teachings. Liechtenauer's influence on the German fencing tradition as we currently understand it is almost impossible to overstate. The masters on [[Paulus Kal]]'s roll of the [[Fellowship of Liechtenauer]] were responsible for most of the most significant fencing manuals of the 15th century, and Liechtenauer and his teachings were also the focus of the German fencing guilds that arose in the 15th and 16th centuries, including the [[Marxbrüder]] and the [[Veiterfechter]].
-Additional facts have sometimes been presumed about Liechtenauer based on often-problematic premises. The Pol Hausbuch, often erroneously dated to 1389 and presumed to be written by a direct student of Liechtenauer's, has been treated as evidence placing Liechtenauer's career in the mid-1300s.<ref>[[Christian Henry Tobler]]. "Chicken and Eggs: Which Master Came First?" ''In Saint George's Name: An Anthology of Medieval German Fighting Arts''. Wheaton, IL: [[Freelance Academy Press]], 2010. p6</ref> However, given that the Pol Hausbuch may date as late as 1494 and the earliest records of the identifiable members of his tradition appear in the mid 1400s, it seems more probable that Liechtenauer's career occurred toward the beginning of the 15th century. Ignoring the Pol Hausbuch as being of indeterminate date, the oldest version of the Recital that is attributed to Liechtenauer was recorded by [[Hans Talhoffer]] in the [[Talhoffer Fechtbuch (MS Chart.A.558)|MS Chart.A.558]] (ca. 1448), which further supports this timeline.<ref>There is one version of the Recital that predates Talhoffer's, recorded in [[Modus Dimicandi (MS G.B.f.18a)|MS G.B.f.18a]] (ca. 1418-28) and attributed to an [[H. Beringer]]; this also conforms to a 15th century timeline and suggests the possibility that Liechtenauer was himself an inheritor of the teachings contained in the Zettel rather than its original composer (presentations of the Recital that are entirely unattributed exist in other 15th and 16th century manuscripts). Alternatively, the Beringer verse, which includes only portions of the Recital on the Long Sword, may represent just one of the teachings that Liechtenauer received and compiled over the course of the journeys described in the Pol Hausbuch.</ref>
+Additional facts have sometimes been presumed about Liechtenauer based on secondary evidence. The Pol Hausbuch, which is undated internally but commonly placed around 1390 and also presumed to be written by a direct student of Liechtenauer's (though both of these assertions are disputed and the manuscript could be a 15th century work<ref>[[Christian Henry Tobler]]. "Chicken and Eggs: Which Master Came First?" ''In Saint George's Name: An Anthology of Medieval German Fighting Arts''. Wheaton, IL: [[Freelance Academy Press]], 2010. p6</ref>), has been treated as evidence placing Liechtenauer's career in the late 1300s. Others point to the earliest internally-dated version of the Recital, recorded by [[Hans Talhoffer]] in the [[Talhoffer Fechtbuch (MS Chart.A.558)|MS Chart.A.558]] (ca. 1448), to suggest a career in the early 1400s; an earlier version of the Recital on the Long Sword, jumbled and fragmentary, is recorded in [[Modus Dimicandi (MS G.B.f.18a)|MS G.B.f.18a]] (ca. 1418-28) and apparently attributed to an [[H. Beringer]], which could represent just one of the teachings that Liechtenauer received and compiled over the course of the journeys described in the Pol Hausbuch.
+This potential range of dates can be narrowed somewhat by [[Paulus Kal]], who recorded a list of masters associated with Liechtenauer in ca. 1470 which he referred to as the [[Fellowship of Liechtenauer]].<ref>The Fellowship of Liechtenauer is recorded in three versions of [[Paulus Kal]]'s treatise: [[Paulus Kal Fechtbuch (MS 1825)|MS 1825]] (1460s), [[Paulus Kal Fechtbuch (Cgm 1507)|Cgm 1507]] (ca. 1470), and [[Paulus Kal Fechtbuch (MS KK5126)|MS KK5126]] (1480s).</ref>  While most of these masters are completely unknown, three of them&mdash;[[Martin Huntsfeld]], [[Andre Lignitzer]], and [[Ott Jud]]&mdash;were already deceased by the time the earliest surviving copies of their treatises were created in 1452 ([[Starhemberg Fechtbuch (Cod.44.A.8)|Cod.44.A.8]]), which suggests that their careers probably occurred in the early 15th century (if not earlier); likewise, [[Sigmund Ainring]]'s presumptive student Albrecht III of Bavaria would have required a fencing master as part of his education in the 1410s. These timeframes cohere with the proposed 1390 date of the Pol Hausbuch and with the prospect of Liechtenauer's career beginning in the late 14th century and extending into the early 15th.
 == Treatise ==
-Liechtenauer's teachings are preserved in a long poem of rhyming couplets called the ''Zettel'' ("Recital"), covering fencing with the "long" or extended sword (i.e. with both hands at one end of the sword), the "short" or withdrawn sword (i.e. with one hand at either end), and on horseback. These "obscure and cryptic words" were designed to prevent the uninitiated from learning the techniques they represented; they also seem to have offered a system of mnemonic devices to those who understood their significance. The Recital was treated as the core of the Art by his students, and masters such as [[Sigmund ain Ringeck]], [[Peter von Danzig zum Ingolstadt]], and [[Lew]] wrote extensive [[gloss]]es that sought to clarify and expand upon these teachings.
+Liechtenauer's teachings are preserved in a long poem of rhyming couplets called the ''Zettel'' ("Recital"), covering fencing with the "long" or extended sword (i.e. with both hands at one end of the sword) and dueling on horseback and on foot using the lance/spear, the "short" or retracted sword (i.e. with one hand at either end), and the dagger. These "obscure and cryptic words" were designed to prevent the uninitiated from learning the techniques they represented; they also seem to have offered a system of mnemonic devices to those who understood their significance. The Recital was treated as the core of the Art by his students, and masters such as [[Sigmund ain Ringeck]], [[Peter von Danzig zum Ingolstadt]], and [[Lew]] wrote extensive commentaries ([[gloss]]es) that sought to clarify and expand upon these teachings.
-In addition to the verses on mounted fencing, several treatises in the Liechtenauer tradition include a group of twenty-six "figures" (''figuren'')—phrases that are shorter than Liechtenauer's couplets and often arranged into the format of a Medieval tree diagram. These figures seem to encode the same teachings as the verses of the mounted fencing, and both are quoted in the mounted glosses. However, figures follow a very different structure than the Zettel does, and seem to present an alternative sequence for studying Liechtenauer's techniques. It is not known why the mounted fencing is the only section of the Recital to receive figures in addition to verse.
+In addition to the verses on mounted dueling, several treatises in the Liechtenauer tradition include a group of twenty-six "figures" (''figuren'')—phrases that are shorter than Liechtenauer's couplets and often arranged into the format of a Medieval tree diagram. These figures seem to encode the same teachings as the verses of the mounted fencing, and both are quoted in the mounted glosses. However, figures follow a very different structure than the ''Zettel'' does, and seem to present an alternative sequence for studying Liechtenauer's techniques. It is not known why the mounted dueling is the only section of the Recital to receive figures in addition to verse.
 Seventeen manuscripts contain a presentation of at least one section of the Recital as a distinct (unglossed) section; there are dozens more presentations of the verse as part of one of the several glosses. The longest version of the Recital by far is actually found in one of these glosses, that of [[Pseudo-Hans Döbringer]], which contains almost twice as many verses as any other; however, given that the additional verses tend to either be repetitions from elsewhere in the Recital or use a very different style from Liechtenauer's work, they are generally treated as additions by the anonymous author or his instructor rather than being part of the original Recital. The other surviving versions of the Recital from all periods show a high degree of consistency in both content and organization, excepting only the much shorter version attributed to [[H. Beringer]] (which is also included in the writings of [[Hans Folz]]).
-The following concordance tables include only those texts that quote Liechtenauer's Recital in an unglossed form.<ref>The figures are often given as a preamble for the [[gloss]] of [[Lew]], and a fragment of the short sword to the teachings of [[Martin Huntsfeld]], but those instances will not be included below and instead treated as part of those treatises.</ref> Most manuscripts present the Recital as prose, and those have had the text separated out into the original verses to offer a consistent view. For ease of use, this page breaks the general Wiktenauer rule that column format remain consistent across all tables on a page; the sheer number of Liechtenauer sources made this convention entirely unworkable, with more columns empty than filled, so instead the long sword table uses one layout, the mounted and short sword tables use another, and the figures use a third.
+The following concordance tables include only those texts that quote Liechtenauer's Recital in an unglossed form.<ref>The figures are often given as a preamble for the [[gloss]] of [[Lew]], and a fragment of the short sword to the teachings of [[Martin Huntsfeld]], but those instances will not be included below and instead treated as part of those treatises.</ref> Most manuscripts present the Recital as prose, and those have had the text separated out into the original verses to offer a consistent view.
-''Note: This article includes a prior (2010) version of Christian Tobler's translation. A revised version of the translation was published in 2021 by Freelance Academy Press as part of ''The Peter von Danzig Fight Book''; it can be purchased in [http://www.freelanceacademypress.com/ThePetervonDanzigFightBook.aspx hardcover].''
+''Note: This article includes a version of Christian Henry Tobler's translation. It was also published in 2021 by Freelance Academy Press as part of ''The Peter von Danzig Fight Book''; it can be purchased in [http://www.freelanceacademypress.com/ThePetervonDanzigFightBook.aspx hardcover].''
+{{Special:RunQuery/Johannes Liechtenauer}}
-{{master begin
+<h3 style="display: none;> Long Sword </h3>
-  | title = Long Sword
+<div id="long_sword" style="background:transparent; clear:both; font-weight:normal; padding:3px; text-align:left; width:0em; min-width:0em;">
-  | width = 480em
+<table class="master sortable">
-}}
+ <tr>
-{| class="master"
+  <th id="LSChidester0"><p>{{rating|B|Rhyming Translation (from the Rome)}} (2025){{edit2|Johannes Liechtenauer/Michael Chidester LS 2025}}<br/>by [[Michael Chidester]]</p></th>
-|-
+  <th id="LSTobler0"><p>{{rating|A|Featured Translation (from the Rome)}} (2021){{edit2|Johannes Liechtenauer/Christian Tobler LS 2021}}<br/>by [[Christian Henry Tobler]]</p></th>
-! <p>{{rating|A|Featured Translation (from the Rome)}}<br/>by [[Christian Tobler]]</p>
+  <th id="LSGarber0"><p>{{rating|C|Draft Translation (from the Copenhagen)}} (2020){{edit2|Johannes Liechtenauer/Rebecca L. R. Garber LS 2020}}<br/>by [[Rebecca L. R. Garber]]</p></th>
-! <p>[[Talhoffer Fechtbuch (MS Chart.A.558)|Gotha Version]] (1448){{edit index|Talhoffer Fechtbuch (MS Chart.A.558)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
+  <th id="LSRasmusson0"><p>{{rating|C|Draft Translation (from the Krakow)}} (2005){{edit2|Johannes Liechtenauer/Mike Rasmusson LS 2005}}<br/>by [[Mike Rasmusson]]</p></th>
-! <p>[[Starhemberg Fechtbuch (Cod.44.A.8)|Rome Version]] (1452){{edit index|Starhemberg Fechtbuch (Cod.44.A.8)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
+  <th id="LSGotha0"><p>[[Talhoffer Fechtbuch (MS Chart.A.558)|Gotha Version]] (1448){{edit index|Talhoffer Fechtbuch (MS Chart.A.558)}}<br/>Transcribed by [[Dierk Hagedorn]]</p></th>
-! <p>[[Talhoffer Fechtbuch (MS Thott.290.2º)|Copenhagen Version]] (1459){{edit index|Talhoffer Fechtbuch (MS Thott.290.2º)}}<br/>Transcribed by [[Dieter Bachmann]]</p>
+  <th id="LSRome0"><p>[[Starhemberg Fechtbuch (Cod.44.A.8)|Rome Version]] (1452){{edit index|Starhemberg Fechtbuch (Cod.44.A.8)}}<br/>Transcribed by [[Dierk Hagedorn]]</p></th>
-! <p>[[Wolfenbüttel Picture Book (Cod.Guelf.78.2 Aug.2º)|Wolfenbüttel Ⅰ Version]] (ca. 1465-80){{edit index|Wolfenbüttel Picture Book (Cod.Guelf.78.2 Aug.2º)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
+  <th id="LSCopenhagen0"><p>[[Talhoffer Fechtbuch (MS Thott.290.2º)|Copenhagen Version]] (1459){{edit index|Talhoffer Fechtbuch (MS Thott.290.2º)}}<br/>Transcribed by [[Dieter Bachmann]]</p></th>
-! <p>[[Paulus Kal Fechtbuch (Cgm 1507)|Munich Ⅰ Version]] (ca. 1470){{edit index|Paulus Kal Fechtbuch (Cgm 1507)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
+  <th id="LSWolfenbuttela0"><p>[[Wolfenbüttel Picture Book (Cod.Guelf.78.2 Aug.2º)|Wolfenbüttel Version Ⅰ]] (ca. 1465-80){{edit index|Wolfenbüttel Picture Book (Cod.Guelf.78.2 Aug.2º)}}<br/>Transcribed by [[Dierk Hagedorn]]</p></th>
-! <p>[[Paulus Kal Fechtbuch (MS KK5126)|Vienna Version]] (1480s){{edit index|Paulus Kal Fechtbuch (MS KK5126)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
+  <th id="LSBologna0"><p>[[Paulus Kal Fechtbuch (MS 1825)|Bologna Version]] (ca. 1470){{edit index|Paulus Kal Fechtbuch (MS 1825)}}<br/>Transcribed by [[Dierk Hagedorn]]</p></th>
-! <p>[[Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)|Dresden Version]] A (ca. 1504-19){{edit index|Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
+  <th id="LSMunicha0"><p>[[Paulus Kal Fechtbuch (Cgm 1507)|Munich Version Ⅰ]] (ca. 1470){{edit index|Paulus Kal Fechtbuch (Cgm 1507)}}<br/>Transcribed by [[Dierk Hagedorn]]</p></th>
-! <p>[[Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)|Dresden Version]] B (ca. 1504-19){{edit index|Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
+  <th id="LSViennaa0"><p>[[Paulus Kal Fechtbuch (MS KK5126)|Vienna Version Ⅰ]] (1480s){{edit index|Paulus Kal Fechtbuch (MS KK5126)}}<br/>Transcribed by [[Dierk Hagedorn]]</p></th>
-! <p>[[Goliath Fechtbuch (MS Germ.Quart.2020)|Krakow Version]] (1535-40){{edit index|Goliath Fechtbuch (MS Germ.Quart.2020)}}<br/>Transcribed by [[Grzegorz Żabiński]]</p>
+  <th id="LSOrtenburg0"><p>[[Ortenburg Fechtbuch|Ortenburg Version]] (1400s){{edit index|Ortenburg Fechtbuch}}<br/></p></th>
-! <p>[[Jörg Wilhalm Hutters kunst zu Augspurg (Cgm 3711)|Munich Ⅱ Version]] (1523){{edit index|Jörg Wilhalm Hutters kunst zu Augspurg (Cgm 3711)}}<br/>Transcribed by [[Filip Lampart]] and [[Martin Fabian]]</p>
+  <th id="LSNurembergb0"><p>[[Pirckheimer's Fechtbuch (Pirckh.Papp.353)|Nuremberg Version Ⅱ]] (ca. 1500){{edit index|Pirckheimer's Fechtbuch (Pirckh.Papp.353)}}<br/></p>
-! <p>[[Wilhalm/Sollinger Fechtbuch (Cod.I.6.2º.2)|Augsburg Ⅰ Version]] (1523){{edit index|Wilhalm/Sollinger Fechtbuch (Cod.I.6.2º.2)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
+  <th id="LSDresdena0"><p>[[Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)|Dresden Version]] A (ca. 1504-19){{edit index|Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)}}<br/>Transcribed by [[Dierk Hagedorn]]</p></th>
-! <p>[[Gregor Erhart Fechtbuch (MS E.1939.65.354)|Glasgow Version]] (1533){{edit index|Gregor Erhart Fechtbuch (MS E.1939.65.354)}}<br/></p>
+  <th id="LSDresdenb0"><p>[[Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)|Dresden Version]] B (ca. 1504-19){{edit index|Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)}}<br/>Transcribed by [[Dierk Hagedorn]]</p></th>
-! <p>[[Rast Fechtbuch (Reichsstadt "Schätze" Nr. 82)|Augsburg Ⅱ Version]] (1553){{edit index|Rast Fechtbuch (Reichsstadt "Schätze" Nr. 82)}}<br/>Transcribed by [[Werner Ueberschär]]</p>
+  <th id="LSMunichb0"><p>[[Jörg Wilhalm Hutters kunst zu Augspurg (Cgm 3711)|Munich Version Ⅱ]] (1523){{edit index|Jörg Wilhalm Hutters kunst zu Augspurg (Cgm 3711)}}<br/>Transcribed by [[Filip Lampart]] and [[Martin Fabian]]</p></th>
-! <p>[[Maister Liechtenawers Kunstbuech (Cgm 3712)|Munich Ⅲ Version]] (1556){{edit index|Maister Liechtenawers Kunstbuech (Cgm 3712)}}<br/></p><br/>
+  <th id="LSAugsburga0"><p>[[Wilhalm/Sollinger Fechtbuch (Cod.I.6.2º.2)|Augsburg Version Ⅰ]] (1523){{edit index|Wilhalm/Sollinger Fechtbuch (Cod.I.6.2º.2)}}<br/>Transcribed by [[Dierk Hagedorn]]</p></th>
-! <p>[[Künnst zu fechten vonn dem Lienhartt Sollinger (Cod.Guelf.38.21 Aug.2º)|Wolfenbüttel Ⅱ Version]] (ca. 1588){{edit index|Künnst zu fechten vonn dem Lienhartt Sollinger (Cod.Guelf.38.21 Aug.2º)}}<br/>Transcribed by [[Kevin Maurer]]</p>
+  <th id="LSGlasgowb0"><p>[[Gregor Erhart Fechtbuch (MS E.1939.65.354)|Glasgow Version]] (1533){{edit index|Gregor Erhart Fechtbuch (MS E.1939.65.354)}}<br/></p></th>
+  <th id="LSKrakow0"><p>[[Goliath Fechtbuch (MS Germ.Quart.2020)|Krakow Version]] (1535-40){{edit index|Goliath Fechtbuch (MS Germ.Quart.2020)}}<br/>Transcribed by [[Michael Chidester]]</p></th>
-|-
+  <th id="LSAugsburgb0"><p>[[Rast Fechtbuch (Reichsstadt "Schätze" Nr. 82)|Augsburg Version Ⅱ]] (1553){{edit index|Rast Fechtbuch (Reichsstadt "Schätze" Nr. 82)}}<br/>Transcribed by [[Werner Ueberschär]]</p></th>
-| <p>{{red|b=1|Here begins the epitome on the knightly art of combat that was composed and created by Johannes Liechtenauer, who was a great master in the art, God have mercy on him;}}<br/><br/></p>
+  <th id="LSMunichc0"><p>[[Maister Liechtenawers Kunstbuech (Cgm 3712)|Munich Version Ⅲ]] (1556){{edit index|Maister Liechtenawers Kunstbuech (Cgm 3712)}}<br/></p><br/></th>
+  <th id="LSWolfenbuttelb0"><p>[[Künnst zu fechten vonn dem Lienhartt Sollinger (Cod.Guelf.38.21 Aug.2º)|Wolfenbüttel Version Ⅱ]] (ca. 1588){{edit index|Künnst zu fechten vonn dem Lienhartt Sollinger (Cod.Guelf.38.21 Aug.2º)}}<br/>Transcribed by [[Kevin Maurer]]</p></th>
-<p>first with the long sword, then with the lance and sword on horseback, and then with the short sword in armoured combat. Because the art belongs to princes and lords, knights and squires, and they should know and learn this art, he has written of this art in hidden and secret words, so that not everyone will grasp and understand it, as you will find described below. And he has done this on account of frivolous fight masters who mistake the art as trivial, so that such masters will not make his art common or open with people who do not hold the art in respect as is its due.</p>
+ </tr>
-| {{section|Page:MS Chart.A.558 018r.jpg|1|lbl=18r}}
+{{Liechtenauer row LS|1
-| {{section|Page:Cod.44.A.8 003r.jpg|1|lbl=3r}}
+| {{section|Page:MS Chart.A.558 018r.jpg|1|lbl=18r.1}}
+| {{section|Page:Cod.44.A.8 003r.jpg|1|lbl=03r.1}}
+|
+|
+|
+|
+| {{section|Page:MS KK5126 104v.jpg|1|lbl=104v.1}}
 |
 |
+| {{section|Page:MS Dresd.C.487 003r.png|1|lbl=03r.1}}
 |
-| {{section|Page:MS KK5126 104v.jpg|1|lbl=104v}}
-| {{section|Page:MS Dresd.C.487 003r.png|1|lbl=03r}}
 |
 |
@@ Line 119: / Line 130: @@
 |
 |
+}}
-|-
+{{Liechtenauer row LS|2
-| <p>{{red|b=1|This is the Prologue}}</p>
-{| class="zettel"
-|-
-| <small>1</small>
-| Young knight, learn<br/>&emsp;to love god and revere women;
-|-
-| <small>2</small>
-| thus your honor will grow.<br/>&emsp;Practice knighthood and learn
-|-
-| <small>3</small>
-| the Art that dignifies you,<br/>&emsp;and brings you honor in wars.
-|-
-| <small>4</small>
-| Be a good grappler in wrestling;<br/>&emsp;lance, spear, sword, and messer
-|-
-| <small>5</small>
-| handle manfully,<br/>&emsp;and foil them in your opponent's hands.
-|-
-| <small>6</small>
-| Strike in and hasten forth;<br/>&emsp;rush to, let it hit, or go by.
-|-
-| <small>7</small>
-| Thus those with wisdom, the ones who<br/>&emsp;are revered, will envy him.
-|-
-| <small>8</small>
-| This you should grasp:<br/>&emsp;All arts have length and measure.
-|}
 | <p><br/></p>
-{{section|Page:MS Chart.A.558 018r.jpg|2|lbl=-}}
+{{section|Page:MS Chart.A.558 018r.jpg|2|lbl=18r.2}}
 |
-{{section|Page:Cod.44.A.8 003r.jpg|2|lbl=-|p=1}} {{section|Page:Cod.44.A.8 003v.jpg|1|lbl=3v|p=1}}
+{{section|Page:Cod.44.A.8 003r.jpg|2|lbl=03r.2|p=1}} {{section|Page:Cod.44.A.8 003v.jpg|1|lbl=03v.1|p=1}}
 |
 | <p><br/></p>
-{{section|Page:Cod.Guelf.78.2 Aug.2º IIIr.png|1|lbl=Ⅲr}}
+{{section|Page:Cod.Guelf.78.2 Aug.2º IIIr.png|1|lbl=Ⅲr.1}}
 | <p><br/></p>
-{{paget|Page:MS 1825|45r|jpg|p=1}}<br/>{{section|Page:MS 1825 45v.jpg|1|lbl=45v|p=1}}
+{{paget|Page:MS 1825|45r|jpg|p=1}}<br/>{{section|Page:MS 1825 45v.jpg|1|lbl=45v.1|p=1}}
+|
 | <p><br/></p>
-{{section|Page:MS KK5126 104v.jpg|2|lbl=-}}
+{{section|Page:MS KK5126 104v.jpg|2|lbl=104v.2}}
+|
+|
 | <p><br/></p>
-{{section|Page:MS Dresd.C.487 003r.png|2|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 003v.png|1|lbl=03v|p=1}}
+{{section|Page:MS Dresd.C.487 003r.png|2|lbl=03r.2|p=1}} {{section|Page:MS Dresd.C.487 003v.png|1|lbl=03v.1|p=1}}
 |
 |
@@ Line 175: / Line 162: @@
 |
 |
+}}
-|-
+{{Liechtenauer row LS|3
-| <p>{{red|b=1|This is a general teaching of the long sword}}<br/><br/></p>
+|
+{{section|Page:MS Chart.A.558 018r.jpg|3|lbl=18r.3|p=1}} {{section|Page:MS Chart.A.558 018v.jpg|1|lbl=18v.1|p=1}}
+| {{section|Page:Cod.44.A.8 003v.jpg|2|lbl=03v.2}}
+| {{section|Page:MS Thott.290.2º 002r.jpg|1|lbl=02r.1}}
+| <p><br/><br/></p>
-{| class="zettel"
+{{section|Page:Cod.Guelf.78.2 Aug.2º IIIr.png|2|lbl=Ⅲr.2}}
-|-
+| {{section|Page:MS 1825 45v.jpg|2|lbl=45v.2}}
-| <small>9</small>
+|
-| If you want to behold the art,<br/>&emsp;See that you go on the left and strike with the right.
+| {{section|Page:MS KK5126 104v.jpg|3|lbl=104v.3}}
-|-
+|
-| <small>10</small>
+|
-| And left to right,<br/>&emsp;is how you strongly want to fight.
-|-
-| <small>11</small>
-| He who follows the strokes,<br/>&emsp;should rejoice little in his art.
-|-
-| <small>12</small>
-| Strike close whatever you will,<br/>&emsp;no Changer will come into your shield.
-|-
-| <small>13</small>
-| To the head, to the body<br/>&emsp;do not shun the Tag-Hits.
-|-
-| <small>14</small>
-| Fight with the entire body,<br/>&emsp;What you powerfully want to do.
-|-
-| <small>15</small>
-| Listen to what is wrong,<br/>&emsp;do not fight above on the left if you are righthanded;
-|-
-| <small>16</small>
-| and if you are lefthanded,<br/>&emsp;on the right you limp as well.
-|-
-| <small>17</small>
-| Before and After, these two things,<br/>&emsp;are to all skill a well-spring.
-|-
-| <small>18</small>
-| Weak and Strong,<br/>&emsp;Always remember the word Instantly.
-|-
-| <small>19</small>
-| So you may learn<br/>&emsp;To work and defend with skill.
-|-
-| <small>20</small>
-| If you are easily intimidated,<br/>&emsp;no fencing should you learn.
-|-
-| <small>21</small>
-| Learn five strokes<br/>&emsp;from the right side against the opposition.
-|-
-| <small>22</small>
-| Then we promise<br/>&emsp;that your arts will be rewarded.
-|}
 |
-{{section|Page:MS Chart.A.558 018r.jpg|3|lbl=-|p=1}} {{section|Page:MS Chart.A.558 018v.jpg|1|lbl=18v|p=1}}
+{{section|Page:MS Dresd.C.487 003v.png|2|lbl=03v.2|p=1}} {{paget|Page:MS Dresd.C.487|004r|png|lbl=04r|p=1}} {{section|Page:MS Dresd.C.487 004v.png|1|lbl=04v.1|p=1}}
-| {{section|Page:Cod.44.A.8 003v.jpg|2|lbl=-}}
+|
-| {{section|Page:MS Thott.290.2º 002r.jpg|1|lbl=2r}}
+| {{section|Page:Cgm 3711 43r.jpg|1|lbl=43r.1}}
-| <p><br/><br/></p>
+| {{section|Page:Cod.I.6.2º.2 42br.jpg|1|lbl=42br.1}}
+|
+|
+{{paget|Page:MS Germ.Quart.2020|001r|jpg|lbl=01r|p=1}} {{section|Page:MS Germ.Quart.2020 001v.jpg|1|lbl=01v.1|p=1}}
+|
+|
+| {{section|Page:Cod.Guelf.38.21 Aug.2º 048r.jpg|1|lbl=48r.1}}
+}}
+{{Liechtenauer row LS|4
+| <p><br/></p>
+{{section|Page:MS Chart.A.558 018v.jpg|2|lbl=18v.2}}
+| <p><br/></p>
+{{section|Page:Cod.44.A.8 003v.jpg|3|lbl=03v.3}}
+| <p><br/></p>
+{{section|Page:MS Thott.290.2º 002r.jpg|2|lbl=02r.2}}
+| <p><br/></p>
-{{section|Page:Cod.Guelf.78.2 Aug.2º IIIr.png|2|lbl=-}}
+{{section|Page:Cod.Guelf.78.2 Aug.2º IIIr.png|3|lbl=Ⅲr.3}}
-| {{section|Page:MS 1825 45v.jpg|2|lbl=-}}
-| {{section|Page:MS KK5126 104v.jpg|3|lbl=-}}
 |
-{{section|Page:MS Dresd.C.487 003v.png|2|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 004r.png|1|lbl=04r|p=1}} {{section|Page:MS Dresd.C.487 004v.png|1|lbl=04v|p=1}}
 |
+| <p><br/></p>
+{{section|Page:MS KK5126 104v.jpg|4|lbl=104v.4}}
 |
-{{section|Page:MS Germ.Quart.2020 001r.jpg|1|lbl=01r|p=1}} {{section|Page:MS Germ.Quart.2020 001v.jpg|1|lbl=01v|p=1}}
-| {{section|Page:Cgm 3711 43r.jpg|1|lbl=43r}}
-| {{section|Page:Cod.I.6.2º.2 42br.jpg|1|lbl=42br}}
 |
+| <p><br/></p>
+{{section|Page:MS Dresd.C.487 004v.png|2|lbl=04v.2|p=1}}
 |
+| <p><br/></p>
+{{section|Page:Cgm 3711 43r.jpg|2|lbl=43r.2}}
+| <p><br/></p>
+{{section|Page:Cod.I.6.2º.2 42br.jpg|2|lbl=42br.2}}
 |
-| {{section|Page:Cod.Guelf.38.21 Aug.2º 048r.jpg|1|lbl=48r}}
+| <p><br/></p>
-<section begin="Hauptstücke"/>
-|-
-| <p>{{red|b=1|This is the text:}}<br/><br/></p>
-{| class="zettel"
+{{section|Page:MS Germ.Quart.2020 001v.jpg|2|lbl=01v.2}}
-|-
+|
-| <small>23</small>
-| Wrath Stroke, Crooked, Thwart,<br/>&emsp;Squinter and Scalper,
-|-
-| <small>24</small>
-| Fool parries<br/>&emsp;chasing, overrunning gives strokes,
-|-
-| <small>25</small>
-| change through, pull,<br/>&emsp;run through, slice off, press the hands,
-|-
-| <small>26</small>
-| hang, wind with the openings;<br/>&emsp;strike, catch, slash, thrust with jabs.
-|}
-| {{section|Page:MS Chart.A.558 018v.jpg|2|lbl=-}}
 |
-{{section|Page:Cod.44.A.8 003v.jpg|3|lbl=-|p=1}} {{section|Page:Cod.44.A.8 004r.jpg|1|lbl=4r|p=1}}
+| <p><br/></p>
-| {{section|Page:MS Thott.290.2º 002v.jpg|1|lbl=2v}}
+{{section|Page:Cod.Guelf.38.21 Aug.2º 048r.jpg|2|lbl=48r.2}}
+}}
+{{Liechtenauer row LS|5
+| {{section|Page:MS Chart.A.558 018v.jpg|3|lbl=18v.3}}
+|
+{{section|Page:Cod.44.A.8 003v.jpg|4|lbl=03v.4|p=1}} {{section|Page:Cod.44.A.8 004r.jpg|1|lbl=04r.1|p=1}}
+| {{section|Page:MS Thott.290.2º 002v.jpg|1|lbl=02v.1}}
 | <p><br/><br/></p>
-{{section|Page:Cod.Guelf.78.2 Aug.2º IIIr.png|3|lbl=-}}
+{{section|Page:Cod.Guelf.78.2 Aug.2º IIIr.png|4|lbl=Ⅲr.4}}
+|
 |
 | <p><br/><br/></p>
-{{section|Page:MS KK5126 104v.jpg|4|lbl=-}}
+{{section|Page:MS KK5126 104v.jpg|5|lbl=104v.5}}
-| {{section|Page:MS Dresd.C.487 004v.png|2|lbl=-}}
 |
-| {{section|Page:MS Germ.Quart.2020 001v.jpg|2|lbl=-}}
-| {{section|Page:Cgm 3711 43r.jpg|2|lbl=-}}
-| {{section|Page:Cod.I.6.2º.2 42br.jpg|2|lbl=-}}
 |
+| {{section|Page:MS Dresd.C.487 004v.png|3|lbl=04v.3}}
 |
+| {{section|Page:Cgm 3711 43r.jpg|3|lbl=43r.3}}
+| {{section|Page:Cod.I.6.2º.2 42br.jpg|3|lbl=42br.3}}
 |
-| {{section|Page:Cod.Guelf.38.21 Aug.2º 048r.jpg|2|lbl=-}}
+| {{section|Page:MS Germ.Quart.2020 001v.jpg|3|lbl=01v.3}}
-<section end="Hauptstücke"/><section begin="Zornhaw"/><section begin="Krieg"/>
-|-
-| <p>{{red|b=1|The Wrath Stroke}}</p>
-{| class="zettel"
-|-
-| <small>27</small>
-| Who strikes at you above,<br/>&emsp;the Wrath stroke threatens him with the point.
-|-
-| <small>28</small>
-| If he becomes aware of it,<br/>&emsp;take it away above without fear.
-|-
-| <small>29</small>
-| Be strong against it;<br/>&emsp;wind, thrust. If he sees that, take it down.
-|-
-| <small>30</small>
-| Note this:<br/>&emsp;strike, thrust, posture, soft or hard,
-|-
-| <small>31</small>
-| Instantly, and Before and After.<br/>&emsp;Your War should not be in haste.
-|-
-| <small>32</small>
-| Who to the War tends above,<br/>&emsp;gets ashamed below.
-|-
-| <small>33</small>
-| In all winding<br/>&emsp;learn to find stroke, thrust, and slice.
-|-
-| <small>34</small>
-| Also you should<br/>&emsp;Apply stroke, thrust, or slice,
-|-
-| <small>35</small>
-| In all encounters,<br/>&emsp;if you want to fool the masters.
-|}
 |
-{{section|Page:MS Chart.A.558 018v.jpg|3|lbl=-|p=1}}<br/>{{section|Page:MS Chart.A.558 018v.jpg|4|lbl=-|p=1}}
 |
-{{section|Page:Cod.44.A.8 004r.jpg|2|lbl=-|p=1}}<br/>{{section|Page:Cod.44.A.8 004r.jpg|3|lbl=-|p=1}}
+| {{section|Page:Cod.Guelf.38.21 Aug.2º 048r.jpg|3|lbl=48r.3}}
+}}
+{{Liechtenauer row LS|6
+| {{section|Page:MS Chart.A.558 018v.jpg|4|lbl=18v.4}}
+| {{section|Page:Cod.44.A.8 004r.jpg|2|lbl=04r.2}}
 |
-{{section|Page:MS Thott.290.2º 002v.jpg|2|lbl=-|p=1}}<br/>{{section|Page:MS Thott.290.2º 002v.jpg|3|lbl=-|p=1}}
+{{section|Page:MS Thott.290.2º 002v.jpg|2|lbl=02v.2}}
 | <p><br/></p>
-{{section|Page:Cod.Guelf.78.2 Aug.2º IIIr.png|4|lbl=-|p=1}}<br/>{{section|Page:Cod.Guelf.78.2 Aug.2º IIIr.png|5|lbl=-|p=1}}
+{{section|Page:Cod.Guelf.78.2 Aug.2º IIIr.png|5|lbl=Ⅲr.5}}
+|
 | <p><br/></p>
 <br/>{{paget|Page:Cgm 1507|59r|jpg|p=1}}<br/><br/>{{paget|Page:Cgm 1507|59v|jpg|p=1}}<br/><br/>{{paget|Page:Cgm 1507|60r|jpg|p=1}} {{paget|Page:Cgm 1507|60v|jpg|p=1}}
 |
-{{section|Page:MS KK5126 104v.jpg|5|lbl=-|p=1}}<br/>{{section|Page:MS KK5126 104v.jpg|6|lbl=-|p=1}}
+{{section|Page:MS KK5126 104v.jpg|6|lbl=104v.6}}
+|
+|
 |
-{{section|Page:MS Dresd.C.487 004v.png|3|lbl=-|p=1}}<br/>{{section|Page:MS Dresd.C.487 005r.png|1|lbl=05r|p=1}}<br/>{{section|Page:MS Dresd.C.487 005r.png|2|lbl=-|p=1}}
+{{section|Page:MS Dresd.C.487 004v.png|4|lbl=04v.4|p=1}}<br/>{{section|Page:MS Dresd.C.487 005r.png|1|lbl=05r.1|p=1}}
 | <p><br/></p>
-{{section|Page:MS Dresd.C.487 055v.png|3|lbl=55v|p=1}} {{section|Page:MS Dresd.C.487 056r.png|1|lbl=56r|p=1}}<br/><br/><br/><br/><br/>{{section|Page:MS Dresd.C.487 056r.png|2|lbl=-|p=1}}
+{{section|Page:MS Dresd.C.487 055v.png|3|lbl=55v.3|p=1}} {{section|Page:MS Dresd.C.487 056r.png|1|lbl=56r.1|p=1}}
-| {{section|Page:MS Germ.Quart.2020 001v.jpg|3|lbl=-}}
-{{section|Page:MS Germ.Quart.2020 002r.jpg|1|lbl=02r|p=1}}<br/>{{section|Page:MS Germ.Quart.2020 002r.jpg|2|lbl=-|p=1}}
 |
-{{section|Page:Cgm 3711 43r.jpg|3|lbl=-|p=1}}<br/>{{section|Page:Cgm 3711 43r.jpg|4|lbl=-|p=1}} {{section|Page:Cgm 3711 43v.jpg|1|lbl=43v|p=1}}
+{{section|Page:Cgm 3711 43r.jpg|4|lbl=43r.4|p=1}} {{section|Page:Cgm 3711 43v.jpg|1|lbl=43v.1|p=1}}
+| {{section|Page:Cod.I.6.2º.2 42br.jpg|4|lbl=42br.4}}
 |
-{{section|Page:Cod.I.6.2º.2 42br.jpg|3|lbl=-|p=1}}<br/>{{section|Page:Cod.I.6.2º.2 42br.jpg|4|lbl=-|p=1}}
+| {{section|Page:MS Germ.Quart.2020 001v.jpg|4|lbl=01v.4}}
+{{section|Page:MS Germ.Quart.2020 002r.jpg|1|lbl=02r.1}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 015r.jpg|1|lbl=15r.1}}
 |
-|
+| {{section|Page:Cod.Guelf.38.21 Aug.2º 048r.jpg|4|lbl=48r.4}}
-{{section|Page:Reichsstadt "Schätze" Nr. 82 015r.jpg|1|lbl=15r|p=1}}<br/>{{section|Page:Reichsstadt "Schätze" Nr. 82 015r.jpg|2|lbl=-|p=1}}
+}}
-|
-|
-{{section|Page:Cod.Guelf.38.21 Aug.2º 048r.jpg|3|lbl=-|p=1}}<br/>{{section|Page:Cod.Guelf.38.21 Aug.2º 048r.jpg|4|lbl=-|p=1}}
-<section end="Zornhaw"/><section begin="Blossen"/>
-|-
-| <p>{{red|b=1|The Four Openings}}</p>
-{| class="zettel"
+{{Liechtenauer row LS|7
-|-
+| {{section|Page:MS Chart.A.558 019r.jpg|1|lbl=19r.1}}
-| <small>36</small>
+| {{section|Page:Cod.44.A.8 004r.jpg|3|lbl=04r.3}}
-| Four openings know,<br/>&emsp;aim: so you hit certainly,
+| {{section|Page:MS Thott.290.2º 003r.jpg|1|lbl=03r.1}}
-|-
-| <small>37</small>
-| Without any danger<br/>&emsp;without regard for how he acts;
-|}
-| {{section|Page:MS Chart.A.558 019r.jpg|1|lbl=19r}}
-| {{section|Page:Cod.44.A.8 004r.jpg|4|lbl=-}}
-| {{section|Page:MS Thott.290.2º 003r.jpg|1|lbl=3r}}
 | <p><br/></p>
-{{section|Page:Cod.Guelf.78.2 Aug.2º IIIr.png|6|lbl=-}}
+{{section|Page:Cod.Guelf.78.2 Aug.2º IIIr.png|6|lbl=Ⅲr.6}}
+|
 | <p><br/></p>
 {{paget|Page:Cgm 1507|62r|jpg|p=1}} {{paget|Page:Cgm 1507|62v|jpg|p=1}}
-| {{section|Page:MS KK5126 104v.jpg|7|lbl=-}}
+| {{section|Page:MS KK5126 104v.jpg|7|lbl=104v.7}}
+|
+|
 |
-{{section|Page:MS Dresd.C.487 005r.png|3|lbl=-|p=1}}<br/>{{section|Page:MS Dresd.C.487 005v.png|1|lbl=05v|p=1}}
+{{section|Page:MS Dresd.C.487 005r.png|2|lbl=05r.2|p=1}}<br/>{{section|Page:MS Dresd.C.487 005v.png|1|lbl=05v.1|p=1}}
 | <p><br/></p>
-{{section|Page:MS Dresd.C.487 056r.png|3|lbl=-}}
+{{section|Page:MS Dresd.C.487 056r.png|2|lbl=56r.2}}
+| {{section|Page:Cgm 3711 43v.jpg|2|lbl=43v.2}}
+| {{section|Page:Cod.I.6.2º.2 42bv.jpg|1|lbl=42vb.1}}
 |
-{{section|Page:MS Germ.Quart.2020 002r.jpg|3|lbl=-|p=1}} {{section|Page:MS Germ.Quart.2020 002v.jpg|1|lbl=02v|p=1}}
-| {{section|Page:Cgm 3711 43v.jpg|2|lbl=-}}
-| {{section|Page:Cod.I.6.2º.2 42bv.jpg|1|lbl=42vb}}
 |
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 015r.jpg|3|lbl=-}}
+{{section|Page:MS Germ.Quart.2020 002r.jpg|2|lbl=02r.2|p=1}} {{section|Page:MS Germ.Quart.2020 002v.jpg|1|lbl=02v.1|p=1}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 015r.jpg|2|lbl=15r.2}}
 |
-| {{section|Page:Cod.Guelf.38.21 Aug.2º 048r.jpg|5|lbl=-}}
+| {{section|Page:Cod.Guelf.38.21 Aug.2º 048r.jpg|5|lbl=48r.5}}
+}}
-|-
+{{Liechtenauer row LS|8
-| <p>{{red|b=1|To Counter the Four Openings}}</p>
+| {{section|Page:MS Chart.A.558 019r.jpg|2|lbl=19r.2}}
+| {{section|Page:Cod.44.A.8 004r.jpg|4|lbl=04r.4}}
-{| class="zettel"
+| {{section|Page:MS Thott.290.2º 003r.jpg|2|lbl=03r.2}}
-|-
-| <small>38</small>
-| If you want to avenge yourself,<br/>&emsp;break the four openings with skill:
-|-
-| <small>39</small>
-| Double above,<br/>&emsp;transmute below correctly.
-|-
-| <small>40</small>
-| I say to you truthfully:<br/>&emsp;no one can defend himself without danger;
-|-
-| <small>41</small>
-| If you have correctly learned,<br/>&emsp;he will scarcely manage to strike.
-|}
-| {{section|Page:MS Chart.A.558 019r.jpg|2|lbl=-}}
-| {{section|Page:Cod.44.A.8 004r.jpg|5|lbl=-}}
-| {{section|Page:MS Thott.290.2º 003r.jpg|2|lbl=-}}
 | <p><br/></p>
-{{section|Page:Cod.Guelf.78.2 Aug.2º IIIr.png|7|lbl=-}}
+{{section|Page:Cod.Guelf.78.2 Aug.2º IIIr.png|7|lbl=Ⅲr.7}}
+|
 | <p><br/></p>
@@ Line 410: / Line 332: @@
 | <p><br/></p>
-{{section|Page:MS KK5126 104v.jpg|8|lbl=-}}
+{{section|Page:MS KK5126 104v.jpg|8|lbl=104v.8}}
-| {{section|Page:MS Dresd.C.487 005v.png|2|lbl=-}}
+|
+|
+| {{section|Page:MS Dresd.C.487 005v.png|2|lbl=05v.2}}
 | <p><br/></p>
-{{section|Page:MS Dresd.C.487 056r.png|4|lbl=-}}
+{{section|Page:MS Dresd.C.487 056r.png|3|lbl=56r.3}}
-| {{section|Page:MS Germ.Quart.2020 002v.jpg|2|lbl=-}}
+| {{section|Page:Cgm 3711 43v.jpg|3|lbl=43v.3}}
-| {{section|Page:Cgm 3711 43v.jpg|3|lbl=-}}
+| {{section|Page:Cod.I.6.2º.2 42bv.jpg|2|lbl=42bv.2}}
-| {{section|Page:Cod.I.6.2º.2 42bv.jpg|2|lbl=-}}
 |
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 015r.jpg|4|lbl=-}}
+| {{section|Page:MS Germ.Quart.2020 002v.jpg|2|lbl=02v.2}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 015r.jpg|3|lbl=15r.3}}
 |
 |
-{{section|Page:Cod.Guelf.38.21 Aug.2º 048r.jpg|6|lbl=-|p=1}} {{section|Page:Cod.Guelf.38.21 Aug.2º 048v.jpg|1|lbl=48v|p=1}}
+{{section|Page:Cod.Guelf.38.21 Aug.2º 048r.jpg|6|lbl=48r.6|p=1}} {{section|Page:Cod.Guelf.38.21 Aug.2º 048v.jpg|1|lbl=48v.1|p=1}}
-<section end="Blossen"/><section begin="Krumphaw"/>
+}}
-|-
-| <p>{{red|b=1|The Crooked Stroke}}</p>
-{| class="zettel"
+{{Liechtenauer row LS|9
-|-
+| {{section|Page:MS Chart.A.558 019r.jpg|3|lbl=19r.3}}
-| <small>42</small>
-| Crooked on him with nimbleness,<br/>&emsp;throw the point on the hands.
-|-
-| <small>43</small>
-| Who performs the crooked well,<br/>&emsp;with stepping he hinders many a stroke.
-|-
-| <small>44</small>
-| Strike crooked to the flats<br/>&emsp;of the Masters if you want to weaken them.
-|-
-| <small>45</small>
-| When it clashes above,<br/>&emsp;Then move away, that I will praise.
-|-
-| <small>46</small>
-| Don't do the Crooked, strike short,<br/>&emsp;Changing through show with this.
-|-
-| <small>47</small>
-| Strike crooked to who irritates you,<br/>&emsp;the Noble War will confuse him,
-|-
-| <small>48</small>
-| That he will not know truthfully<br/>&emsp;where he can be without danger.
-|}
-| {{section|Page:MS Chart.A.558 019r.jpg|3|lbl=-}}
 |
-{{section|Page:Cod.44.A.8 004r.jpg|6|lbl=-|p=1}}<br/>{{section|Page:Cod.44.A.8 004v.jpg|1|lbl=4v|p=1}}
+{{section|Page:Cod.44.A.8 004r.jpg|5|lbl=04r.5|p=1}}<br/>{{section|Page:Cod.44.A.8 004v.jpg|1|lbl=04v.1|p=1}}
-| {{section|Page:MS Thott.290.2º 003r.jpg|3|lbl=-}}
+| {{section|Page:MS Thott.290.2º 003r.jpg|3|lbl=03r.3}}
 | <p><br/></p>
-{{section|Page:Cod.Guelf.78.2 Aug.2º IIIr.png|8|lbl=-}}
+{{section|Page:Cod.Guelf.78.2 Aug.2º IIIr.png|8|lbl=Ⅲr.8}}
+|
 | <p><br/></p>
@@ Line 462: / Line 363: @@
 | <p><br/></p>
-{{section|Page:MS KK5126 104v.jpg|9|lbl=-}}
+{{section|Page:MS KK5126 104v.jpg|9|lbl=104v.9}}
+|
+|
 |
-{{section|Page:MS Dresd.C.487 005v.png|3|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 006r.png|1|lbl=06r|p=1}}
+{{section|Page:MS Dresd.C.487 005v.png|3|lbl=05v.3|p=1}} {{section|Page:MS Dresd.C.487 006r.png|1|lbl=06r.1|p=1}}
 | <p><br/></p>
-{{section|Page:MS Dresd.C.487 056r.png|5|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 056v.png|1|lbl=56v|p=1}}
+{{section|Page:MS Dresd.C.487 056r.png|4|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 056v.png|1|lbl=56v.1|p=1}}
+| {{section|Page:Cgm 3711 43v.jpg|4|lbl=43v.4}}
+| {{section|Page:Cod.I.6.2º.2 42bv.jpg|3|lbl=42bv.3}}
 |
-{{section|Page:MS Germ.Quart.2020 002v.jpg|3|lbl=-|p=1}} {{section|Page:MS Germ.Quart.2020 003r.jpg|1|lbl=03r|p=1}}
-| {{section|Page:Cgm 3711 43v.jpg|4|lbl=-}}
-| {{section|Page:Cod.I.6.2º.2 42bv.jpg|3|lbl=-}}
 |
+{{section|Page:MS Germ.Quart.2020 002v.jpg|3|lbl=02v.3|p=1}} {{section|Page:MS Germ.Quart.2020 003r.jpg|1|lbl=03r.1|p=1}}
 |
-{{section|Page:Reichsstadt "Schätze" Nr. 82 015r.jpg|5|lbl=-|p=1}}<br/>{{section|Page:Reichsstadt "Schätze" Nr. 82 015v.jpg|1|lbl=15v|p=1}}
+{{section|Page:Reichsstadt "Schätze" Nr. 82 015r.jpg|4|lbl=15r.4|p=1}}<br/>{{section|Page:Reichsstadt "Schätze" Nr. 82 015v.jpg|1|lbl=15v.1|p=1}}
 |
-| {{section|Page:Cod.Guelf.38.21 Aug.2º 048v.jpg|2|lbl=-}}
+| {{section|Page:Cod.Guelf.38.21 Aug.2º 048v.jpg|2|lbl=48v.2}}
-<section end="Krumphaw"/><section begin="Twerhaw"/>
+}}
-|-
-| <p>{{red|b=1|The Thwart Stroke}}<br/><br/></p>
-{| class="zettel"
+{{Liechtenauer row LS|10
-|-
+| {{section|Page:MS Chart.A.558 019r.jpg|4|lbl=19r.4}}
-| <small>49</small>
+| {{section|Page:Cod.44.A.8 004v.jpg|2|lbl=04v.2}}
-| The Thwart Stroke takes<br/>&emsp;whatever comes from the roof.
+| {{section|Page:MS Thott.290.2º 003v.jpg|1|lbl=03v.1}}
-|-
-| <small>50</small>
-| Thwart with the strong,<br/>&emsp;note your work with this.
-|-
-| <small>51</small>
-| Thwart to the Plow;<br/>&emsp;to the Ox hard together.
-|-
-| <small>52</small>
-| He who thwarts well<br/>&emsp;with springing he endangers the head.
-|-
-| <small>53</small>
-| Whoever conducts the Failer<br/>&emsp;from below he hits at his will.
-|-
-| <small>54</small>
-| The Reverser enforces the<br/>&emsp;running through and also brings wrestling.
-|-
-| <small>55</small>
-| The elbow take certainly,<br/>&emsp;spring into his balance.
-|-
-| <small>56</small>
-| Double the Failer,<br/>&emsp;if you hit, also make the slice.
-|-
-| <small>57</small>
-| Twice further on,<br/>&emsp;step to the left and do not be slow.
-|}
-|
-{{section|Page:MS Chart.A.558 019r.jpg|4|lbl=-|p=1}}<br/>{{section|Page:MS Chart.A.558 019r.jpg|5|lbl=-|p=1}}
-|
-{{section|Page:Cod.44.A.8 004v.jpg|2|lbl=-|p=1}}<br/>{{section|Page:Cod.44.A.8 004v.jpg|3|lbl=-|p=1}}
-|
-{{section|Page:MS Thott.290.2º 003v.jpg|1|lbl=3v|p=1}}<br/>{{section|Page:MS Thott.290.2º 003v.jpg|2|lbl=-|p=1}}
 | <p><br/><br/></p>
-{{section|Page:Cod.Guelf.78.2 Aug.2º IIIr.png|9|lbl=-|p=1}}<br/>{{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|1|lbl=Ⅲv|p=1}}<br/>{{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|2|lbl=-|p=1}}
+{{section|Page:Cod.Guelf.78.2 Aug.2º IIIr.png|9|lbl=Ⅲr.9|p=1}}<br/>{{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|1|lbl=Ⅲv.1|p=1}}
+|
 | <p><br/><br/></p>
 <p><br/><br/><br/><br/><br/><br/><br/><br/><br/><br/><br/><br/>{{paget|Page:Cgm 1507|67r|jpg|p=1}}</p>
 |
-{{section|Page:MS KK5126 104v.jpg|10|lbl=-|p=1}}<br/>{{section|Page:MS KK5126 104v.jpg|11|lbl=-|p=1}}<br/>{{section|Page:MS KK5126 105r.jpg|1|lbl=105r|p=1}}
+{{section|Page:MS KK5126 104v.jpg|10|lbl=104v.10|p=1}}<br/>{{section|Page:MS KK5126 105r.jpg|1|lbl=105r.1|p=1}}
+|
+|
 |
-{{section|Page:MS Dresd.C.487 006r.png|2|lbl=-|p=1}}<br/>{{section|Page:MS Dresd.C.487 006r.png|3|lbl=-|p=1}}<br/>{{section|Page:MS Dresd.C.487 006v.png|1|lbl=06v|p=1}}
+{{section|Page:MS Dresd.C.487 006r.png|2|lbl=06r.2|p=1}}<br/>{{section|Page:MS Dresd.C.487 006v.png|1|lbl=06v.1|p=1}}
 | <p><br/><br/></p>
-{{section|Page:MS Dresd.C.487 056v.png|2|lbl=-|p=1}}<br/><br/><br/><br/><br/><br/><br/><br/><br/>{{section|Page:MS Dresd.C.487 056v.png|3|lbl=-|p=1}}
+{{section|Page:MS Dresd.C.487 056v.png|2|lbl=56v.2}}
 |
-{{section|Page:MS Germ.Quart.2020 003r.jpg|2|lbl=-|p=1}}<br/>{{section|Page:MS Germ.Quart.2020 003r.jpg|3|lbl=-|p=1}}<br/>{{section|Page:MS Germ.Quart.2020 003v.jpg|1|lbl=03v|p=1}}
+{{section|Page:Cgm 3711 43v.jpg|5|lbl=43v.5|p=1}}<br/>{{section|Page:Cgm 3711 44r.jpg|1|lbl=44r.1|p=1}}
+| {{section|Page:Cod.I.6.2º.2 42bv.jpg|4|lbl=42bv.4}}
 |
-{{section|Page:Cgm 3711 43v.jpg|5|lbl=-|p=1}}<br/>{{section|Page:Cgm 3711 43v.jpg|6|lbl=-|p=1}}<br/>{{section|Page:Cgm 3711 44r.jpg|1|lbl=44r|p=1}}
 |
-{{section|Page:Cod.I.6.2º.2 42bv.jpg|4|lbl=-|p=1}}<br/>{{section|Page:Cod.I.6.2º.2 42bv.jpg|5|lbl=-|p=1}}
+{{section|Page:MS Germ.Quart.2020 003r.jpg|2|lbl=03r.2|p=1}}<br/>{{section|Page:MS Germ.Quart.2020 003v.jpg|1|lbl=03v.1|p=1}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 015v.jpg|2|lbl=15v.2}}
 |
 |
-{{section|Page:Reichsstadt "Schätze" Nr. 82 015v.jpg|2|lbl=-|p=1}}<br/>{{section|Page:Reichsstadt "Schätze" Nr. 82 015v.jpg|3|lbl=-|p=1}}
+{{section|Page:Cod.Guelf.38.21 Aug.2º 048v.jpg|3|lbl=48v.3}}
-|
+}}
-|
-{{section|Page:Cod.Guelf.38.21 Aug.2º 048v.jpg|3|lbl=-|p=1}}<br/>{{section|Page:Cod.Guelf.38.21 Aug.2º 048v.jpg|4|lbl=-|p=1}}
-<section end="Twerhaw"/><section begin="Schilhaw"/>
-|-
-| <p>{{red|b=1|The Squinting Stroke}}</p>
-{| class="zettel"
+{{Liechtenauer row LS|11
-|-
+| {{section|Page:MS Chart.A.558 019v.jpg|1|lbl=19v.1}}
-| <small>58</small>
+| {{section|Page:Cod.44.A.8 004v.jpg|3|lbl=04v.3}}
-| The Squinter breaks into<br/>&emsp;whatever a buffalo strikes or thrusts.
-|-
-| <small>59</small>
-| Who threatens to change through,<br/>&emsp;the Squinter robs him of it.
-|-
-| <small>60</small>
-| Squint when he is short against you,<br/>&emsp;changing through defeats him.
-|-
-| <small>61</small>
-| Squint to the point,<br/>&emsp;and take the throat without fear.
-|-
-| <small>62</small>
-| Squint to the head above<br/>&emsp;if you want to damage the hands.
-|}
-| {{section|Page:MS Chart.A.558 019v.jpg|1|lbl=19v}}
-| {{section|Page:Cod.44.A.8 004v.jpg|4|lbl=-}}
 |
-{{section|Page:MS Thott.290.2º 003v.jpg|3|lbl=-|p=1}}<ref>Talhoffer adds an additional couplet: {{section|Page:MS Thott.290.2º 004r.jpg|1|lbl=4r|p=1}}</ref>
+{{section|Page:MS Thott.290.2º 003v.jpg|2|lbl=03v.2|p=1}} {{section|Page:MS Thott.290.2º 004r.jpg|1|lbl=04r.1|p=1}}
 | <p><br/></p>
-{{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|3|lbl=-}}
+{{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|2|lbl=Ⅲv.2}}
 |
-| {{section|Page:MS KK5126 105r.jpg|2|lbl=-}}
+|
-| {{section|Page:MS Dresd.C.487 006v.png|2|lbl=-}}
+| {{section|Page:MS KK5126 105r.jpg|2|lbl=105r.2}}
+|
+|
+| {{section|Page:MS Dresd.C.487 006v.png|2|lbl=06v.2}}
 | <p><br/></p>
-{{section|Page:MS Dresd.C.487 056v.png|4|lbl=-}}
+{{section|Page:MS Dresd.C.487 056v.png|3|lbl=56v.3}}
-| {{section|Page:MS Germ.Quart.2020 003v.jpg|2|lbl=-}}
+| {{section|Page:Cgm 3711 44r.jpg|2|lbl=44r.2}}
-| {{section|Page:Cgm 3711 44r.jpg|2|lbl=-}}
+| {{section|Page:Cod.I.6.2º.2 42bv.jpg|5|lbl=42bv.5}}
-| {{section|Page:Cod.I.6.2º.2 42bv.jpg|6|lbl=-}}
 |
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 015v.jpg|4|lbl=-}}
+| {{section|Page:MS Germ.Quart.2020 003v.jpg|2|lbl=03v.2}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 015v.jpg|3|lbl=15v.3}}
 |
-| {{section|Page:Cod.Guelf.38.21 Aug.2º 048v.jpg|5|lbl=-}}
+| {{section|Page:Cod.Guelf.38.21 Aug.2º 048v.jpg|4|lbl=48v.4}}
-<section end="Schilhaw"/><section begin="Scheitelhaw"/>
+}}
-|-
-| <p>{{red|b=1|The Scalp Cut}}</p>
-{| class="zettel"
+{{Liechtenauer row LS|12
-|-
+| {{section|Page:MS Chart.A.558 019v.jpg|2|lbl=19v.2}}
-| <small>63</small>
-| The Scalper<br/>&emsp;is a danger to the face,
-|-
-| <small>64</small>
-| with its turn,<br/>&emsp;very dangerous to the breast.
-|-
-| <small>65</small>
-| Whatever comes from him,<br/>&emsp;the Crown will take it.
-|-
-| <small>66</small>
-| Slice through the Crown,<br/>&emsp;thus you will break it hard through.
-|-
-| <small>67</small>
-| Press the strokes,<br/>&emsp;with slices pull them away.
-|}
-| {{section|Page:MS Chart.A.558 019v.jpg|2|lbl=-}}
 |
-{{section|Page:Cod.44.A.8 004v.jpg|5|lbl=-|p=1}}<br/>{{section|Page:Cod.44.A.8 005r.jpg|1|lbl=5r|p=1}}
+{{section|Page:Cod.44.A.8 004v.jpg|4|lbl=04v.4|p=1}}<br/>{{section|Page:Cod.44.A.8 005r.jpg|1|lbl=05r.1|p=1}}
-| {{section|Page:MS Thott.290.2º 004r.jpg|2|lbl=-}}
+| {{section|Page:MS Thott.290.2º 004r.jpg|2|lbl=04r.2}}
 | <p><br/></p>
-{{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|4|lbl=-}}
+{{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|3|lbl=Ⅲv.3}}
+|
 |
 | <p><br/></p>
-{{section|Page:MS KK5126 105r.jpg|3|lbl=-}}
+{{section|Page:MS KK5126 105r.jpg|3|lbl=105r.3}}
+|
+|
 |
-{{section|Page:MS Dresd.C.487 006v.png|3|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 007r.png|1|lbl=07r|p=1}}
+{{section|Page:MS Dresd.C.487 006v.png|3|lbl=06v.3|p=1}} {{section|Page:MS Dresd.C.487 007r.png|1|lbl=07r.1|p=1}}
 | <p><br/></p>
-{{section|Page:MS Dresd.C.487 056v.png|5|lbl=-}}
+{{section|Page:MS Dresd.C.487 056v.png|4|lbl=56v.4}}
-| {{section|Page:MS Germ.Quart.2020 003v.jpg|3|lbl=-}}
+| {{section|Page:Cgm 3711 44r.jpg|3|lbl=44r.3}}
+| {{section|Page:Cod.I.6.2º.2 43r.jpg|1|lbl=43r.1}}
+|
+| {{section|Page:MS Germ.Quart.2020 003v.jpg|3|lbl=03v.3}}
-{{section|Page:MS Germ.Quart.2020 004r.jpg|1|lbl=04r}}
+{{section|Page:MS Germ.Quart.2020 004r.jpg|1|lbl=04r.1}}
-| {{section|Page:Cgm 3711 44r.jpg|3|lbl=-}}
-| {{section|Page:Cod.I.6.2º.2 43r.jpg|1|lbl=43r}}
 |
+{{section|Page:Reichsstadt "Schätze" Nr. 82 015v.jpg|4|lbl=15v.4|p=1}}<br/>{{section|Page:Reichsstadt "Schätze" Nr. 82 016r.jpg|1|lbl=16r.1|p=1}}
 |
-{{section|Page:Reichsstadt "Schätze" Nr. 82 015v.jpg|5|lbl=-|p=1}}<br/>{{section|Page:Reichsstadt "Schätze" Nr. 82 016r.jpg|1|lbl=16r|p=1}}
+| {{section|Page:Cod.Guelf.38.21 Aug.2º 048v.jpg|5|lbl=48v.5}}
-|
+}}
-| {{section|Page:Cod.Guelf.38.21 Aug.2º 048v.jpg|6|lbl=-}}
-<section end="Scheitelhaw"/><section begin="Leger"/>
-|-
-| <p>{{red|b=1|The Four Guards}}</p>
-{| class="zettel"
+{{Liechtenauer row LS|13
-|-
+| {{section|Page:MS Chart.A.558 019v.jpg|3|lbl=19v.3}}
-| <small>68</small>
+| {{section|Page:Cod.44.A.8 005r.jpg|2|lbl=05r.2}}
-| Four guards alone hold;<br/>&emsp;And disdain the common.
+| {{section|Page:MS Thott.290.2º 004r.jpg|3|lbl=04r.3}}
-|-
-| <small>69</small>
-| Ox, Plow, Fool,<br/>&emsp;From the Roof should not be unknown to you.
-|}
-| {{section|Page:MS Chart.A.558 019v.jpg|3|lbl=-}}
-| {{section|Page:Cod.44.A.8 005r.jpg|2|lbl=-}}
-| {{section|Page:MS Thott.290.2º 004r.jpg|3|lbl=-}}
 | <p><br/></p>
-{{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|5|lbl=-}}
+{{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|4|lbl=Ⅲv.4}}
+|
 | <p><br/></p>
 {{paget|Page:Cgm 1507|58r|jpg|p=1}}<br/>{{paget|Page:Cgm 1507|58v|jpg|p=1}}
-| {{section|Page:MS KK5126 105r.jpg|4|lbl=-}}
+| {{section|Page:MS KK5126 105r.jpg|4|lbl=105r.4}}
-| {{section|Page:MS Dresd.C.487 007r.png|2|lbl=-}}
+|
+|
+| {{section|Page:MS Dresd.C.487 007r.png|2|lbl=07r.2}}
 | <p><br/></p>
-{{section|Page:MS Dresd.C.487 056v.png|6|lbl=-}}
+{{section|Page:MS Dresd.C.487 056v.png|5|lbl=56v.5}}
-| {{section|Page:MS Germ.Quart.2020 004r.jpg|2|lbl=-}}
+| {{section|Page:Cgm 3711 44r.jpg|4|lbl=44r.4}}
-| {{section|Page:Cgm 3711 44r.jpg|4|lbl=-}}
+| {{section|Page:Cod.I.6.2º.2 43r.jpg|2|lbl=43r.2}}
-| {{section|Page:Cod.I.6.2º.2 43r.jpg|2|lbl=-}}
 |
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 016r.jpg|2|lbl=-}}
+| {{section|Page:MS Germ.Quart.2020 004r.jpg|2|lbl=04r.2}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 016r.jpg|2|lbl=16r.2}}
 |
-| {{section|Page:Cod.Guelf.38.21 Aug.2º 048v.jpg|7|lbl=-}}
+| {{section|Page:Cod.Guelf.38.21 Aug.2º 048v.jpg|6|lbl=48v.6}}
-<section end="Leger"/><section begin="Vorsetzen"/>
+}}
-|-
-| <p>{{red|b=1|The Four Oppositions}}</p>
-{| class="zettel"
+{{Liechtenauer row LS|14
-|-
+| {{section|Page:MS Chart.A.558 019v.jpg|4|lbl=19v.4}}
-| <small>70</small>
+| {{section|Page:Cod.44.A.8 005r.jpg|3|lbl=05r.3}}
-| Four are the oppositions<br/>&emsp;that hurt the four guards very much.
+| {{section|Page:MS Thott.290.2º 004r.jpg|4|lbl=04r.4}}
-|-
-| <small>71</small>
-| Beware of parrying.<br/>&emsp;If it happens to you, it troubles you greatly.
-|-
-| <small>72</small>
-| If you are parried<br/>&emsp;and when that has happened,
-|-
-| <small>73</small>
-| Hear what I advise to you:<br/>&emsp;Tear away and strike quickly with surprise.
-|-
-| <small>74</small>
-| Set upon the four ends.<br/>&emsp;Stay upon them, learn if you want to bring it to an end.
-|}
-| {{section|Page:MS Chart.A.558 019v.jpg|4|lbl=-}}
-| {{section|Page:Cod.44.A.8 005r.jpg|3|lbl=-}}
-| {{section|Page:MS Thott.290.2º 004r.jpg|4|lbl=-}}
 | <p><br/></p>
-{{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|6|lbl=-}}
+{{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|5|lbl=Ⅲv.5}}
+|
 |
-| {{section|Page:MS KK5126 105r.jpg|5|lbl=-}}
+| {{section|Page:MS KK5126 105r.jpg|5|lbl=105r.5}}
 |
-{{section|Page:MS Dresd.C.487 007r.png|3|lbl=-|p=1}}<br/>{{section|Page:MS Dresd.C.487 007v.png|1|lbl=07v|p=1}}
+|
+|
+{{section|Page:MS Dresd.C.487 007r.png|3|lbl=07r.3|p=1}}<br/>{{section|Page:MS Dresd.C.487 007v.png|1|lbl=07v.1|p=1}}
 | <p><br/></p>
-{{section|Page:MS Dresd.C.487 056v.png|7|lbl=-|p=1}} {{section|Page:MS Dresd.C.487 057r.png|1|lbl=57r|p=1}}
+{{section|Page:MS Dresd.C.487 056v.png|6|lbl=56v.6|p=1}} {{section|Page:MS Dresd.C.487 057r.png|1|lbl=57r.1|p=1}}
-| {{section|Page:MS Germ.Quart.2020 004r.jpg|3|lbl=-}}
+| {{section|Page:Cgm 3711 44r.jpg|5|lbl=44r.5}}
+| {{section|Page:Cod.I.6.2º.2 43r.jpg|3|lbl=43r.3}}
+|
+| {{section|Page:MS Germ.Quart.2020 004r.jpg|3|lbl=04r.3}}
-{{section|Page:MS Germ.Quart.2020 004v.jpg|1|lbl=04v}}
+{{section|Page:MS Germ.Quart.2020 004v.jpg|1|lbl=04v.1}}
-| {{section|Page:Cgm 3711 44r.jpg|5|lbl=-}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 016r.jpg|3|lbl=16r.3}}
-| {{section|Page:Cod.I.6.2º.2 43r.jpg|3|lbl=-}}
 |
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 016r.jpg|3|lbl=-}}
+| {{section|Page:Cod.Guelf.38.21 Aug.2º 049r.jpg|1|lbl=49r.1}}
-|
+}}
-| {{section|Page:Cod.Guelf.38.21 Aug.2º 049r.jpg|1|lbl=49r}}
-<section end="Vorsetzen"/><section begin="Nachreisen"/>
-|-
-| <p>{{red|b=1|Chasing}}</p>
-{| class="zettel"
+{{Liechtenauer row LS|15
-|-
+| {{section|Page:MS Chart.A.558 019v.jpg|5|lbl=19v.5}}
-| <small>75</small>
+| {{section|Page:Cod.44.A.8 005r.jpg|4|lbl=05r.4}}
-| Learn the chasing<br/>&emsp;twice, or slice into the weapon.
+| {{section|Page:MS Thott.290.2º 004v.jpg|1|lbl=04v.1}}
-|-
-| <small>76</small>
-| Two outer intentions.<br/>&emsp;The work after that begins.
-|-
-| <small>77</small>
-| And test the attacks<br/>&emsp;if they are soft or hard.
-|-
-| <small>78</small>
-| Learn the feeling.<br/>&emsp;The word Instantly slices sharply.
-|-
-| <small>79</small>
-| Chase twice,<br/>&emsp;if you hit, do the Ancient Slice as well.
-|}
-| {{section|Page:MS Chart.A.558 019v.jpg|5|lbl=-}}
-| {{section|Page:Cod.44.A.8 005r.jpg|4|lbl=-}}
-| {{section|Page:MS Thott.290.2º 004v.jpg|1|lbl=4v}}
 | <p><br/></p>
-{{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|7|lbl=-}}
+{{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|6|lbl=Ⅲv.6}}
+|
 | <p><br/></p>
 <br/><br/>{{paget|Page:Cgm 1507|69r|jpg|p=1}}<br/><br/><br/><br/><br/>{{paget|Page:Cgm 1507|65v|jpg|p=1}}
-| {{section|Page:MS KK5126 105r.jpg|6|lbl=-}}
+| {{section|Page:MS KK5126 105r.jpg|6|lbl=105r.6}}
-| {{section|Page:MS Dresd.C.487 007v.png|2|lbl=-}}
+|
+|
+| {{section|Page:MS Dresd.C.487 007v.png|2|lbl=07v.2}}
 | <p><br/></p>
-{{section|Page:MS Dresd.C.487 057r.png|2|lbl=-}}
+{{section|Page:MS Dresd.C.487 057r.png|2|lbl=57r.2}}
+| {{section|Page:Cgm 3711 44r.jpg|6|lbl=44r.6}}
+| {{section|Page:Cod.I.6.2º.2 43r.jpg|4|lbl=43r.4}}
 |
-{{section|Page:MS Germ.Quart.2020 004v.jpg|2|lbl=-|p=1}} {{section|Page:MS Germ.Quart.2020 005r.jpg|1|lbl=05r|p=1}}
-| {{section|Page:Cgm 3711 44r.jpg|6|lbl=-}}
-| {{section|Page:Cod.I.6.2º.2 43r.jpg|4|lbl=-}}
 |
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 016r.jpg|4|lbl=-}}
+{{section|Page:MS Germ.Quart.2020 004v.jpg|2|lbl=04v.2|p=1}} {{section|Page:MS Germ.Quart.2020 005r.jpg|1|lbl=05r.1|p=1}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 016r.jpg|4|lbl=16r.4}}
 |
-| {{section|Page:Cod.Guelf.38.21 Aug.2º 049r.jpg|2|lbl=-}}
+| {{section|Page:Cod.Guelf.38.21 Aug.2º 049r.jpg|2|lbl=49r.2}}
-<section end="Nachreisen"/>
+}}
-|-
-| <p>{{red|b=1|Overrunning}}</p>
-{| class="zettel"
+{{Liechtenauer row LS|16
-|-
+| {{section|Page:MS Chart.A.558 020r.jpg|1|lbl=20r.1}}
-| <small>80</small>
-| Who wants to strike below,<br/>&emsp;overrun him, and he will be shamed.
-|-
-| <small>81</small>
-| When it clashes above,<br/>&emsp;then strengthen: this I truly do praise.
-|-
-| <small>82</small>
-| Do your work,<br/>&emsp;or press hard twice.
-|}
-| {{section|Page:MS Chart.A.558 020r.jpg|1|lbl=20r}}
 |
-{{section|Page:Cod.44.A.8 005r.jpg|5|lbl=-|p=1}}<br/>{{section|Page:Cod.44.A.8 005v.jpg|1|lbl=5v|p=1}}
+{{section|Page:Cod.44.A.8 005r.jpg|5|lbl=05r.5|p=1}}<br/>{{section|Page:Cod.44.A.8 005v.jpg|1|lbl=05v.1|p=1}}
-| {{section|Page:MS Thott.290.2º 004v.jpg|2|lbl=-}}
+| {{section|Page:MS Thott.290.2º 004v.jpg|2|lbl=04v.2}}
 | <p><br/></p>
-{{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|8|lbl=-}}
+{{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|7|lbl=Ⅲv.7}}
 |
-| {{section|Page:MS KK5126 105r.jpg|7|lbl=-}}
+|
-| {{section|Page:MS Dresd.C.487 007v.png|3|lbl=-}}
+| {{section|Page:MS KK5126 105r.jpg|7|lbl=105r.7}}
+|
+|
+| {{section|Page:MS Dresd.C.487 007v.png|3|lbl=07v.3}}
-{{section|Page:MS Dresd.C.487 008r.png|1|lbl=08r}}
+{{section|Page:MS Dresd.C.487 008r.png|1|lbl=08r.1}}
 | <p><br/></p>
-{{section|Page:MS Dresd.C.487 057r.png|3|lbl=-}}
+{{section|Page:MS Dresd.C.487 057r.png|3|lbl=57r.3}}
-| {{section|Page:MS Germ.Quart.2020 005r.jpg|2|lbl=-}}
+| {{section|Page:Cgm 3711 44v.jpg|1|lbl=44v.1}}
-| {{section|Page:Cgm 3711 44v.jpg|1|lbl=44v}}
+| {{section|Page:Cod.I.6.2º.2 43r.jpg|5|lbl=43r.5}}
-| {{section|Page:Cod.I.6.2º.2 43r.jpg|5|lbl=-}}
 |
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 016r.jpg|5|lbl=-}}
+| {{section|Page:MS Germ.Quart.2020 005r.jpg|2|lbl=05r.2}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 016r.jpg|5|lbl=16r.5}}
 |
-| {{section|Page:Cod.Guelf.38.21 Aug.2º 049r.jpg|3|lbl=-}}
+| {{section|Page:Cod.Guelf.38.21 Aug.2º 049r.jpg|3|lbl=49r.3}}
-<section begin="Absetzen"/>
+}}
-|-
-| <p>{{red|b=1|Setting Aside}}</p>
-{| class="zettel"
+{{Liechtenauer row LS|17
-|-
-| <small>83</small>
-| Learn to set aside,<br/>&emsp;To skillfully hinder stroke and thrust.
-|-
-| <small>84</small>
-| Who thrusts at you,<br/>&emsp;your point hits and counters his.
-|-
-| <small>85</small>
-| From both sides<br/>&emsp;hit every time if you want to step.
-|}
 | <p><br/></p>
-{{section|Page:MS Chart.A.558 020r.jpg|2|lbl=-}}
+{{section|Page:MS Chart.A.558 020r.jpg|2|lbl=20r.2}}
-| {{section|Page:Cod.44.A.8 005v.jpg|2|lbl=-}}
+| {{section|Page:Cod.44.A.8 005v.jpg|2|lbl=05v.2}}
-| {{section|Page:MS Thott.290.2º 004v.jpg|3|lbl=-}}
+| {{section|Page:MS Thott.290.2º 004v.jpg|3|lbl=04v.3}}
 | <p><br/></p>
-{{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|9|lbl=-}}
+{{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|8|lbl=Ⅲv.8}}
+|
+|
+| {{section|Page:MS KK5126 105r.jpg|8|lbl=105r.8}}
+|
 |
-| {{section|Page:MS KK5126 105r.jpg|8|lbl=-}}
+| {{section|Page:MS Dresd.C.487 008r.png|2|lbl=08r.2}}
-| {{section|Page:MS Dresd.C.487 008r.png|2|lbl=-}}
 | <p><br/></p>
-{{section|Page:MS Dresd.C.487 057r.png|4|lbl=-}}
+{{section|Page:MS Dresd.C.487 057r.png|4|lbl=57r.4}}
-| {{section|Page:MS Germ.Quart.2020 005r.jpg|3|lbl=-}}
+| {{section|Page:Cgm 3711 44v.jpg|2|lbl=44v.2}}
-| {{section|Page:Cgm 3711 44v.jpg|2|lbl=-}}
+| {{section|Page:Cod.I.6.2º.2 43r.jpg|6|lbl=43r.6}}
-| {{section|Page:Cod.I.6.2º.2 43r.jpg|6|lbl=-}}
 |
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 016v.jpg|1|lbl=16v}}
+| {{section|Page:MS Germ.Quart.2020 005r.jpg|3|lbl=05r.3}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 016v.jpg|1|lbl=16v.1}}
 |
-| {{section|Page:Cod.Guelf.38.21 Aug.2º 049r.jpg|4|lbl=-}}
+| {{section|Page:Cod.Guelf.38.21 Aug.2º 049r.jpg|4|lbl=49r.4}}
-<section end="Absetzen"/><section begin="Durchwechseln"/>
+}}
-|-
-| <p>{{red|b=1|Changing Through}}</p>
-{| class="zettel"
+{{Liechtenauer row LS|18
-|-
+| {{section|Page:MS Chart.A.558 020r.jpg|3|lbl=20r.3}}
-| <small>86</small>
+| {{section|Page:Cod.44.A.8 005v.jpg|3|lbl=05v.3}}
-| Learn the changing through<br/>&emsp;from both sides, thrust with intent.
+| {{section|Page:MS Thott.290.2º 004v.jpg|4|lbl=04v.4}}
-|-
-| <small>87</small>
-| Whoever binds to you,<br/>&emsp;changing through will find him indeed.
-|}
-| {{section|Page:MS Chart.A.558 020r.jpg|3|lbl=-}}
-| {{section|Page:Cod.44.A.8 005v.jpg|3|lbl=-}}
-| {{section|Page:MS Thott.290.2º 004v.jpg|4|lbl=-}}
 | <p><br/></p>
-{{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|10|lbl=-}}
+{{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|9|lbl=Ⅲv.9}}
+|
 | <p><br/></p>
 {{paget|Page:Cgm 1507|66r|jpg}}
-| {{section|Page:MS KK5126 105r.jpg|9|lbl=-}}
+| {{section|Page:MS KK5126 105r.jpg|9|lbl=105r.9}}
-| {{section|Page:MS Dresd.C.487 008r.png|3|lbl=-}}
+|
+|
+| {{section|Page:MS Dresd.C.487 008r.png|3|lbl=08r.3}}
 | <p><br/></p>
-{{section|Page:MS Dresd.C.487 057r.png|5|lbl=-}}
+{{section|Page:MS Dresd.C.487 057r.png|5|lbl=57r.5}}
-| {{section|Page:MS Germ.Quart.2020 005v.jpg|1|lbl=05v}}
+| {{section|Page:Cgm 3711 44v.jpg|3|lbl=44v.3}}
-| {{section|Page:Cgm 3711 44v.jpg|3|lbl=-}}
+| {{section|Page:Cod.I.6.2º.2 43v.jpg|1|lbl=43v.1}}
-| {{section|Page:Cod.I.6.2º.2 43v.jpg|1|lbl=43v}}
 |
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 016v.jpg|2|lbl=-}}
+| {{section|Page:MS Germ.Quart.2020 005v.jpg|1|lbl=05v.1}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 016v.jpg|2|lbl=16v.2}}
 |
-| {{section|Page:Cod.Guelf.38.21 Aug.2º 049r.jpg|5|lbl=-}}
+| {{section|Page:Cod.Guelf.38.21 Aug.2º 049r.jpg|5|lbl=49r.5}}
-<section end="Durchwechseln"/><section begin="Zucken"/>
+}}
-|-
-| <p>{{red|b=1|Pulling}}</p>
-{| class="zettel"
+{{Liechtenauer row LS|19
-|-
+| {{section|Page:MS Chart.A.558 020r.jpg|4|lbl=20r.4}}
-| <small>88</small>
+| {{section|Page:Cod.44.A.8 005v.jpg|4|lbl=05v.4}}
-| Step close in binding.<br/>&emsp;The pulling provides good finds.
-|-
-| <small>89</small>
-| Pull—if he meets, pull more.<br/>&emsp;Find the work that will hurt him.
-|-
-| <small>90</small>
-| Pull in all encounters<br/>&emsp;against the Masters, if you want to fool them.
-|}
-| {{section|Page:MS Chart.A.558 020r.jpg|4|lbl=-}}
-| {{section|Page:Cod.44.A.8 005v.jpg|4|lbl=-}}
 |
-{{section|Page:MS Thott.290.2º 004v.jpg|5|lbl=-|p=1}}<br/>{{section|Page:MS Thott.290.2º 005r.jpg|1|lbl=5r|p=1}}
+{{section|Page:MS Thott.290.2º 004v.jpg|5|lbl=04v.5|p=1}}<br/>{{section|Page:MS Thott.290.2º 005r.jpg|1|lbl=05r.1|p=1}}
 | <p><br/></p>
-{{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|11|lbl=-}}
+{{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|10|lbl=Ⅲv.10}}
+|
+|
+| {{section|Page:MS KK5126 105r.jpg|10|lbl=105r.10}}
+|
 |
-| {{section|Page:MS KK5126 105r.jpg|10|lbl=-}}
+| {{section|Page:MS Dresd.C.487 008v.png|1|lbl=08v.1}}
-| {{section|Page:MS Dresd.C.487 008v.png|1|lbl=08v}}
 | <p><br/></p>
-<p><br/><br/><br/><br/>{{section|Page:MS Dresd.C.487 057r.png|6|lbl=-|p=1}}</p>
+<br/><br/><br/><br/>{{section|Page:MS Dresd.C.487 057r.png|6|lbl=57r.6|p=1}}
-| {{section|Page:MS Germ.Quart.2020 005v.jpg|2|lbl=-}}
+| {{section|Page:Cgm 3711 44v.jpg|4|lbl=44v.4}}
-| {{section|Page:Cgm 3711 44v.jpg|4|lbl=-}}
+| {{section|Page:Cod.I.6.2º.2 43v.jpg|2|lbl=43v.2}}
-| {{section|Page:Cod.I.6.2º.2 43v.jpg|2|lbl=-}}
 |
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 016v.jpg|3|lbl=-}}
+| {{section|Page:MS Germ.Quart.2020 005v.jpg|2|lbl=05v.2}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 016v.jpg|3|lbl=16v.3}}
 |
-| {{section|Page:Cod.Guelf.38.21 Aug.2º 049r.jpg|6|lbl=-}}
+| {{section|Page:Cod.Guelf.38.21 Aug.2º 049r.jpg|6|lbl=49r.6}}
-<section end="Zucken"/><section begin="Durchlaufen"/>
+}}
-|-
-| <p>{{red|b=1|Running Through}}</p>
-{| class="zettel"
+{{Liechtenauer row LS|20
-|-
+| {{section|Page:MS Chart.A.558 020r.jpg|5|lbl=20r.5}}
-| <small>91</small>
+| {{section|Page:Cod.44.A.8 005v.jpg|5|lbl=05v.5}}
-| Run through, let hang<br/>&emsp;with the pommel. Grasp if you want to wrestle.
+| {{section|Page:MS Thott.290.2º 005r.jpg|2|lbl=05r.2}}
-|-
-| <small>92</small>
-| Who comes strongly at you,<br/>&emsp;the running through then remember.
-|}
-| {{section|Page:MS Chart.A.558 020r.jpg|5|lbl=-}}
-| {{section|Page:Cod.44.A.8 005v.jpg|5|lbl=-}}
-| {{section|Page:MS Thott.290.2º 005r.jpg|2|lbl=-}}
 | <p><br/></p>
-{{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|12|lbl=-}}
+{{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|11|lbl=Ⅲv.11}}
 |
-| {{section|Page:MS KK5126 105r.jpg|11|lbl=-}}
+|
-| {{section|Page:MS Dresd.C.487 008v.png|2|lbl=-}}
+| {{section|Page:MS KK5126 105r.jpg|11|lbl=105r.11}}
+|
+|
+| {{section|Page:MS Dresd.C.487 008v.png|2|lbl=08v.2}}
 | <p><br/></p>
-<p><br/><br/>{{section|Page:MS Dresd.C.487 057r.png|7|lbl=-|p=1}}</p>
+<br/><br/>{{section|Page:MS Dresd.C.487 057r.png|7|lbl=57r.7|p=1}}
-| {{section|Page:MS Germ.Quart.2020 005v.jpg|3|lbl=-}}
+| {{section|Page:Cgm 3711 44v.jpg|5|lbl=44v.5}}
+| {{section|Page:Cod.I.6.2º.2 43v.jpg|3|lbl=43v.3}}
+|
+| {{section|Page:MS Germ.Quart.2020 005v.jpg|3|lbl=05v.3}}
-{{section|Page:MS Germ.Quart.2020 006r.jpg|1|lbl=06r}}
+{{section|Page:MS Germ.Quart.2020 006r.jpg|1|lbl=06r.1}}
-| {{section|Page:Cgm 3711 44v.jpg|5|lbl=-}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 016v.jpg|4|lbl=16v.4}}
-| {{section|Page:Cod.I.6.2º.2 43v.jpg|3|lbl=-}}
 |
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 016v.jpg|4|lbl=-}}
+| {{section|Page:Cod.Guelf.38.21 Aug.2º 049r.jpg|7|lbl=49r.7}}
-|
-| {{section|Page:Cod.Guelf.38.21 Aug.2º 049r.jpg|7|lbl=-}}
-{{section|Page:Cod.Guelf.38.21 Aug.2º 049v.jpg|1|lbl=49v}}
+{{section|Page:Cod.Guelf.38.21 Aug.2º 049v.jpg|1|lbl=49v.1}}
-<section end="Durchlaufen"/><section begin="Abschneiden"/>
+}}
-|-
-| <p>{{red|b=1|Slicing Off}}</p>
-{| class="zettel"
+{{Liechtenauer row LS|21
-|-
+| {{section|Page:MS Chart.A.558 020r.jpg|6|lbl=20r.6}}
-| <small>93</small>
+| {{section|Page:Cod.44.A.8 005v.jpg|6|lbl=05v.6}}
-| Slice off the hard ones,<br/>&emsp;from below in both attacks.
+| {{section|Page:MS Thott.290.2º 005r.jpg|3|lbl=05r.3}}
-|-
-| <small>94</small>
-| Four are the slices:<br/>&emsp;two below and two above.
-|}
-| {{section|Page:MS Chart.A.558 020r.jpg|6|lbl=-}}
-| {{section|Page:Cod.44.A.8 005v.jpg|6|lbl=-}}
-| {{section|Page:MS Thott.290.2º 005r.jpg|3|lbl=-}}
 | <p><br/></p>
-{{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|13|lbl=-}}
+{{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|12|lbl=Ⅲv.12}}
+|
 | <p><br/></p>
@@ Line 947: / Line 705: @@
 | <p><br/></p>
-{{section|Page:MS KK5126 105r.jpg|12|lbl=-}}
+{{section|Page:MS KK5126 105r.jpg|12|lbl=105r.12}}
-| {{section|Page:MS Dresd.C.487 008v.png|3|lbl=-}}
+|
+|
+| {{section|Page:MS Dresd.C.487 008v.png|3|lbl=08v.3}}
 | <p><br/></p>
-{{section|Page:MS Dresd.C.487 057r.png|8|lbl=-}}
+{{section|Page:MS Dresd.C.487 057r.png|8|lbl=57r.8}}
-| {{section|Page:MS Germ.Quart.2020 006r.jpg|2|lbl=-}}
+| {{section|Page:Cgm 3711 44v.jpg|6|lbl=44v.6}}
-| {{section|Page:Cgm 3711 44v.jpg|6|lbl=-}}
+| {{section|Page:Cod.I.6.2º.2 43v.jpg|4|lbl=43v.4}}
-| {{section|Page:Cod.I.6.2º.2 43v.jpg|4|lbl=-}}
 |
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 016v.jpg|5|lbl=-}}
+| {{section|Page:MS Germ.Quart.2020 006r.jpg|2|lbl=06r.2}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 016v.jpg|5|lbl=16v.5}}
 |
-| {{section|Page:Cod.Guelf.38.21 Aug.2º 049v.jpg|2|lbl=-}}
+| {{section|Page:Cod.Guelf.38.21 Aug.2º 049v.jpg|2|lbl=49v.2}}
-<section end="Abschneiden"/><section begin="Hande Trucken"/>
+}}
-|-
-| <p>{{red|b=1|Pressing Hands}}</p>
-{| class="zettel"
+{{Liechtenauer row LS|22
-|-
+| {{section|Page:MS Chart.A.558 020r.jpg|7|lbl=20r.7}}
-| <small>95</small>
+| {{section|Page:Cod.44.A.8 005v.jpg|7|lbl=05v.7}}
-| Turn your edge,<br/>&emsp;press the hands to the flats.
-|}
-| {{section|Page:MS Chart.A.558 020r.jpg|7|lbl=-}}
-| {{section|Page:Cod.44.A.8 005v.jpg|7|lbl=-}}
-{{section|Page:Cod.44.A.8 006r.jpg|1|lbl=6r}}
+{{section|Page:Cod.44.A.8 006r.jpg|1|lbl=06r.1}}
-| {{section|Page:MS Thott.290.2º 005r.jpg|4|lbl=-}}
+| {{section|Page:MS Thott.290.2º 005r.jpg|4|lbl=05r.4}}
 | <p><br/></p>
-{{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|14|lbl=-}}
+{{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|13|lbl=Ⅲv.13}}
+|
 |
 | <p><br/></p>
-{{section|Page:MS KK5126 105r.jpg|13|lbl=-}}
+{{section|Page:MS KK5126 105r.jpg|13|lbl=105r.13}}
-| {{section|Page:MS Dresd.C.487 009r.png|1|lbl=09r}}
+|
+|
+| {{section|Page:MS Dresd.C.487 009r.png|1|lbl=09r.1}}
 |
-| {{section|Page:MS Germ.Quart.2020 006r.jpg|3|lbl=-}}
+| {{section|Page:Cgm 3711 44v.jpg|7|lbl=44v.7}}
-| {{section|Page:Cgm 3711 44v.jpg|7|lbl=-}}
+| {{section|Page:Cod.I.6.2º.2 43v.jpg|5|lbl=43v.5}}
-| {{section|Page:Cod.I.6.2º.2 43v.jpg|5|lbl=-}}
 |
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 016v.jpg|6|lbl=-}}
+| {{section|Page:MS Germ.Quart.2020 006r.jpg|3|lbl=06r.3}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 016v.jpg|6|lbl=16v.6}}
 |
-| {{section|Page:Cod.Guelf.38.21 Aug.2º 049v.jpg|3|lbl=-}}
+| {{section|Page:Cod.Guelf.38.21 Aug.2º 049v.jpg|3|lbl=49v.3}}
-<section end="Hande Trucken"/>
+}}
-|-
-| <p>{{red|b=1|Two Hangings}}</p>
-{| class="zettel"
+{{Liechtenauer row LS|23
-|-
+| {{section|Page:MS Chart.A.558 020r.jpg|8|lbl=20r.8}}
-| <small>96</small>
+| {{section|Page:Cod.44.A.8 006r.jpg|2|lbl=06r.2}}
-| There are two hangings<br/>&emsp;from one side from the ground.
+| {{section|Page:MS Thott.290.2º 005r.jpg|5|lbl=05r.5}}
-|-
-| <small>97</small>
-| In all attacks<br/>&emsp;strike, thrust, posture—soft or hard.
-|}
-| {{section|Page:MS Chart.A.558 020r.jpg|8|lbl=-}}
-| {{section|Page:Cod.44.A.8 006r.jpg|2|lbl=-}}
-| {{section|Page:MS Thott.290.2º 005r.jpg|5|lbl=-}}
 | <p><br/></p>
-{{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|15|lbl=-}}
+{{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|14|lbl=Ⅲv.14}}
+|
+|
+| {{section|Page:MS KK5126 105r.jpg|14|lbl=105r.14}}
+|
 |
-| {{section|Page:MS KK5126 105r.jpg|14|lbl=-}}
+| {{section|Page:MS Dresd.C.487 009r.png|2|lbl=09r.2}}
-| {{section|Page:MS Dresd.C.487 009r.png|2|lbl=-}}
 |
-| {{section|Page:MS Germ.Quart.2020 006v.jpg|1|lbl=06v}}
+| {{section|Page:Cgm 3711 44v.jpg|8|lbl=44v.8}}
-| {{section|Page:Cgm 3711 44v.jpg|8|lbl=-}}
+| {{section|Page:Cod.I.6.2º.2 43v.jpg|6|lbl=43v.6}}
-| {{section|Page:Cod.I.6.2º.2 43v.jpg|6|lbl=-}}
 |
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 017r.jpg|1|lbl=17r}}
+| {{section|Page:MS Germ.Quart.2020 006v.jpg|1|lbl=06v.1}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 017r.jpg|1|lbl=17r.1}}
 |
-| {{section|Page:Cod.Guelf.38.21 Aug.2º 049v.jpg|4|lbl=-}}
+| {{section|Page:Cod.Guelf.38.21 Aug.2º 049v.jpg|4|lbl=49v.4}}
+}}
-|-
-| <p>{{red|b=1|The Speaking Window}}</p>
-{| class="zettel"
+{{Liechtenauer row LS|24
-|-
+| {{section|Page:MS Chart.A.558 020v.jpg|1|lbl=20v.1}}
-| <small>98</small>
+| {{section|Page:Cod.44.A.8 006r.jpg|3|lbl=06r.3}}
-| Do the Speaking Window,<br/>&emsp;stand blithely and look at his actions.
-|-
-| <small>99</small>
-| Strike him until he is defeated.<br/>&emsp;When he withdraws from you,
-|-
-| <small>100</small>
-| I say to you truthfully:<br/>&emsp;no one protects himself without danger.
-|-
-| <small>101</small>
-| If you have learned this,<br/>&emsp;he can scarcely manage to strike.
-|}
-| {{section|Page:MS Chart.A.558 020v.jpg|1|lbl=20v}}
-| {{section|Page:Cod.44.A.8 006r.jpg|3|lbl=-}}
 |
-{{section|Page:MS Thott.290.2º 005r.jpg|6|lbl=-|p=1}}<br/>{{section|Page:MS Thott.290.2º 005v.jpg|1|lbl=5v|p=1}}
+{{section|Page:MS Thott.290.2º 005r.jpg|6|lbl=05r.6|p=1}}<br/>{{section|Page:MS Thott.290.2º 005v.jpg|1|lbl=05v.1|p=1}}
 | <p><br/></p>
-{{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|16|lbl=-}}
+{{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|15|lbl=Ⅲv.15}}
+|
 | <p><br/></p>
@@ Line 1,048: / Line 785: @@
 | <p><br/></p>
-{{section|Page:MS KK5126 105r.jpg|15|lbl=-}}
+{{section|Page:MS KK5126 105r.jpg|15|lbl=105r.15}}
-| {{section|Page:MS Dresd.C.487 009r.png|3|lbl=-}}
+|
+|
+| {{section|Page:MS Dresd.C.487 009r.png|3|lbl=09r.3}}
 |
-| {{section|Page:MS Germ.Quart.2020 006v.jpg|2|lbl=-}}
+| {{section|Page:Cgm 3711 45r.jpg|1|lbl=45r.1}}
-| {{section|Page:Cgm 3711 45r.jpg|1|lbl=45r}}
+| {{section|Page:Cod.I.6.2º.2 43v.jpg|7|lbl=43v.7}}
-| {{section|Page:Cod.I.6.2º.2 43v.jpg|7|lbl=-}}
 |
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 017r.jpg|2|lbl=-}}
+| {{section|Page:MS Germ.Quart.2020 006v.jpg|2|lbl=06v.2}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 017r.jpg|2|lbl=17r.2}}
 |
-| {{section|Page:Cod.Guelf.38.21 Aug.2º 049v.jpg|5|lbl=-}}
+| {{section|Page:Cod.Guelf.38.21 Aug.2º 049v.jpg|5|lbl=49v.5}}
+}}
-|-
-| <p>{{red|b=1|This is the Conclusion of the Epitome}}<br/><br/></p>
-{| class="zettel"
+{{Liechtenauer row LS|25
-|-
+| {{section|Page:MS Chart.A.558 020v.jpg|2|lbl=20v.2}}
-| <small>102</small>
+| {{section|Page:Cod.44.A.8 006r.jpg|4|lbl=06r.4}}
-| Who conducts well and breaks properly<br/>&emsp;and finally makes it all right
+| {{section|Page:MS Thott.290.2º 005v.jpg|2|lbl=05v.2}}
-|-
-| <small>103</small>
-| And splits particularly<br/>&emsp;everything into three wounders
-|-
-| <small>104</small>
-| Who properly well hangs<br/>&emsp;and also executes the windings,
-|-
-| <small>105</small>
-| And the eight windings<br/>&emsp;views in a righteous way,
-|-
-| <small>106</small>
-| And each one of<br/>&emsp;those same winds I consider to be triple
-|-
-| <small>107</small>
-| So they are<br/>&emsp;twenty-four.
-|-
-| <small>108</small>
-| And count them only, from both sides.<br/>&emsp;Eight windings learn with stepping.
-|-
-| <small>109</small>
-| And test the bind<br/>&emsp;no more than soft or hard.
-|}
-| {{section|Page:MS Chart.A.558 020v.jpg|2|lbl=-}}
-| {{section|Page:Cod.44.A.8 006r.jpg|4|lbl=-}}
-| {{section|Page:MS Thott.290.2º 005v.jpg|2|lbl=-}}
 | <p><br/><br/></p>
-{{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|17|lbl=-}}
+{{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|16|lbl=Ⅲv.16}}
-| <p>'''{{section|Page:Cgm 1507 70v.jpg|2|lbl=-|p=1}}'''</p>
+|
-| {{section|Page:MS KK5126 105r.jpg|16|lbl=-}}
+| {{section|Page:Cgm 1507 70v.jpg|2|lbl=-}}
-| {{section|Page:MS Dresd.C.487 009v.png|1|lbl=09v}}
+| {{section|Page:MS KK5126 105r.jpg|16|lbl=105r.16}}
 |
 |
-{{section|Page:MS Germ.Quart.2020 006v.jpg|3|lbl=-|p=1}} {{section|Page:MS Germ.Quart.2020 007r.jpg|1|lbl=07r|p=1}}
+| {{section|Page:MS Dresd.C.487 009v.png|1|lbl=09v.1}}
-| {{section|Page:Cgm 3711 45r.jpg|2|lbl=-}}
 |
-{{section|Page:Cod.I.6.2º.2 43v.jpg|8|lbl=-|p=1}} {{section|Page:Cod.I.6.2º.2 44r.jpg|1|lbl=44r|p=1}}
+| {{section|Page:Cgm 3711 45r.jpg|2|lbl=45r.2}}
 |
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 017r.jpg|3|lbl=-}}
+{{section|Page:Cod.I.6.2º.2 43v.jpg|8|lbl=43v.8|p=1}} {{section|Page:Cod.I.6.2º.2 44r.jpg|1|lbl=44r.1|p=1}}
 |
-| {{section|Page:Cod.Guelf.38.21 Aug.2º 049v.jpg|6|lbl=-}}
+|
+{{section|Page:MS Germ.Quart.2020 006v.jpg|3|lbl=06v.3|p=1}} {{section|Page:MS Germ.Quart.2020 007r.jpg|1|lbl=07r.1|p=1}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 017r.jpg|3|lbl=17r.3}}
+|
+| {{section|Page:Cod.Guelf.38.21 Aug.2º 049v.jpg|6|lbl=49v.6}}
+}}
-|-
+{{Liechtenauer row LS|26
-| class="noline" | Thus ends Master Liechtenauer's Art of the Long Sword
+|
-| class="noline" |
+|
-| class="noline" |
+| {{section|Page:MS Thott.290.2º 005v.jpg|3|lbl=05v.3}}
-| class="noline" | {{section|Page:MS Thott.290.2º 005v.jpg|3|lbl=-}}
+| {{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|17|lbl=Ⅲv.17}}
-| class="noline" | {{section|Page:Cod.Guelf.78.2 Aug.2º IIIv.png|18|lbl=-}}
+|
-| class="noline" |
+|
-| class="noline" |
+|
-| class="noline" |
+|
-| class="noline" |
+|
-| class="noline" | {{section|Page:MS Germ.Quart.2020 007r.jpg|2|lbl=-}}
+|
-| class="noline" | {{section|Page:Cgm 3711 45r.jpg|3|lbl=-}}
+|
-| class="noline" | {{section|Page:Cod.I.6.2º.2 44r.jpg|2|lbl=-}}
+| {{section|Page:Cgm 3711 45r.jpg|3|lbl=45r.3}}
-| class="noline" |
+| {{section|Page:Cod.I.6.2º.2 44r.jpg|2|lbl=44r.2}}
-| class="noline" |
+|
-| class="noline" |
+| {{section|Page:MS Germ.Quart.2020 007r.jpg|2|lbl=07r.2}}
-| class="noline" | {{section|Page:Cod.Guelf.38.21 Aug.2º 049v.jpg|7|lbl=-}}
+|
+|
+| {{section|Page:Cod.Guelf.38.21 Aug.2º 049v.jpg|7|lbl=49v.7}}
+}}
+</table>
+</div>
+<h3 style="display: none;> Mounted figures </h3>
+ <div id="figures" style="background:transparent; clear:both; font-weight:normal; padding:3px; text-align:left; width:0em; min-width:0em;">
+ <div style="width: 190em;">
+  <div id="FGothaI" style="float:left">
+{{double page|MS Chart.A.558 022v.jpg|MS Chart.A.558 023r.jpg|x300px|x300px|caption=[[Talhoffer Fechtbuch (MS Chart.A.558)|Gotha Version]] (1448)}}
+  </div>
+  <div id="FRomeI" style="float:left">
+{{double page|Cod.44.A.8 7v.jpg|Cod.44.A.8 8r.jpg|x300px|x300px|caption=[[Starhemberg Fechtbuch (Cod.44.A.8)|Rome Version]] (1452)}}
+  </div>
+  <div id="FGlasgowaI" style="float:left">
+    <table border="0" cellpadding="0" cellspacing="0" style="border-collapse:collapse; margin-right:auto; margin-left:auto; caption-side:bottom;">
+      <tr>
+        <td style="width:33%; padding: 0 0.5em;">[[File:MS E.1939.65.341 074r.jpg|x300px]]</td>
+        <td style="width:33%; padding: 0 0.5em;">[[File:MS E.1939.65.341 074v.jpg|x300px]]</td>
+        <td style="width:33%; padding: 0 0.5em;">[[File:MS E.1939.65.341 075r.jpg|x300px]]</td>
+      </tr>
+      <caption style="font-size:95%; font-weight:normal;">[[Glasgow Fechtbuch (MS E.1939.65.341)|Glasgow Version]] (1508)</caption>
+    </table>
+  </div>
+  <div id="FKrakowI" style="float:left">
+{{double page|MS Germ.Quart.2020 165v.jpg|MS Germ.Quart.2020 166r.jpg|x300px|x300px|caption=[[Goliath Fechtbuch (MS Germ.Quart.2020)|Krakow Version]] (1535-40)}}
+  </div>
+  <div id="FAugsburgbI" style="float:left">
+    <table border="0" cellpadding="0" cellspacing="0" style="border-collapse:collapse; margin-right:auto; margin-left:auto; caption-side:bottom;">
+      <tr style="vertical-align:bottom;">
+        <td style="width:50%; padding: 0 0.5em;">[[File:Reichsstadt "Schätze" Nr. 82 018r.jpg|x300px|right]]</td>
+        <td style="width:50%; padding: 0 0.5em;">[[File:Reichsstadt "Schätze" Nr. 82 018v.jpg|x300px|left]]</td>
+      </tr>
+      <caption style="font-size:95%; font-weight:normal;">[[Rast Fechtbuch (Reichsstadt "Schätze" Nr. 82)|Augsburg Ⅱ Version]] (1553)</caption>
+    </table>
+  </div>
+ </div>
+{{-}}
+<table class="master sortable">
+ <tr>
+  <th id="FTobler0"><p>{{rating|A|Featured Translation (from the Rome)}} (2021){{edit2|Johannes Liechtenauer/Christian Tobler F 2021}}<br/>by [[Christian Henry Tobler]]</p></th>
+  <th id="FNuremberga0"><p>[[Pol Hausbuch (MS 3227a)|Nuremberg Version Ⅰ]] (1390)<br/>Transcribed by [[Dierk Hagedorn]]</p></th>
+  <th id="FGotha0"><p>[[Talhoffer Fechtbuch (MS Chart.A.558)|Gotha Version]] (1448){{edit index|Talhoffer Fechtbuch (MS Chart.A.558)}}<br/>Transcribed by [[Dierk Hagedorn]]</p></th>
+  <th id="FRome0"><p>[[Starhemberg Fechtbuch (Cod.44.A.8)|Rome Version]] (1452){{edit index|Starhemberg Fechtbuch (Cod.44.A.8)}}<br/>Transcribed by [[Dierk Hagedorn]]</p></th>
+  <th id="FGlasgowa0"><p>[[Glasgow Fechtbuch (MS E.1939.65.341)|Glasgow Version Ⅰ]] (1508){{edit index|Glasgow Fechtbuch (MS E.1939.65.341)}}<br/>Transcribed by [[Dierk Hagedorn]]</p></th>
+  <th id="FKrakow0"><p>[[Goliath Fechtbuch (MS Germ.Quart.2020)|Krakow Version]] (1535-40){{edit index|Goliath Fechtbuch (MS Germ.Quart.2020)}}<br/>Transcribed by [[Michael Chidester]]</p></th>
+  <th id="FAugsburgb0"><p>[[Rast Fechtbuch (Reichsstadt "Schätze" Nr. 82)|Augsburg Version Ⅱ]] (1553){{edit index|Rast Fechtbuch (Reichsstadt "Schätze" Nr. 82)}}<br/>Transcribed by [[Werner Ueberschär]]</p></th>
+ </tr>
-|}
+{{Liechtenauer row F|1
-{{master end}}
+|
-{{master begin
+|
-  | title = Mounted Fencing
+|
-  | width = 300em
+|
+|
+| {{section|Page:MS Germ.Quart.2020 165v.jpg|1|lbl=165v.1}}
+|
 }}
-{| class="master"
-|-
-! <p>{{rating|A|Featured Translation (from the Rome)}}<br/>by [[Christian Tobler]]</p>
-! <p>[[Pol Hausbuch (MS 3227a)|Nuremberg Version]] (1400s){{edit index|Pol Hausbuch (MS 3227a)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
-! <p>[[Talhoffer Fechtbuch (MS Chart.A.558)|Gotha Version]] (1448){{edit index|Talhoffer Fechtbuch (MS Chart.A.558)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
-! <p>[[Starhemberg Fechtbuch (Cod.44.A.8)|Rome Version]] (1452){{edit index|Starhemberg Fechtbuch (Cod.44.A.8)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
-! <p>[[Paulus Kal Fechtbuch (MS KK5126)|Vienna Ⅰ Version]] (1480s){{edit index|Paulus Kal Fechtbuch (MS KK5126)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
-! <p>[[Codex Speyer (MS M.I.29)|Salzburg Version]] (1491){{edit index|Codex Speyer (MS M.I.29)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
-! <p>[[Goliath Fechtbuch (MS Germ.Quart.2020)|Krakow Version]] (1535-40){{edit index|Goliath Fechtbuch (MS Germ.Quart.2020)}}<br/>Transcribed by [[Per Magnus Haaland]]</p>
-! <p>[[Oplodidaskalia sive Armorvm Tractandorvm Meditatio Alberti Dvreri (MS 26-232)|Vienna Ⅱ Version]] (1512){{edit index|Oplodidaskalia sive Armorvm Tractandorvm Meditatio Alberti Dvreri (MS 26-232)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
-! <p>[[Rast Fechtbuch (Reichsstadt "Schätze" Nr. 82)|Augsburg Ⅱ Version]] (1553){{edit index|Rast Fechtbuch (Reichsstadt "Schätze" Nr. 82)}}<br/>Transcribed by [[Werner Ueberschär]]</p>
-! <p>[[Fechtbuch zu Ross und zu Fuss (MS Var.82)|Rostock Version]] (1570-71){{edit index|Fechtbuch zu Ross und zu Fuss (MS Var.82)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
-|-
+{{Liechtenauer row F|2
-| {{red|b=1|This is Master Johannes Liechtenauer’s Fighting on Horseback}}
-| {{section|Page:MS 3227a 53r.jpg|1|lbl=53r}}
-| {{section|Page:MS Chart.A.558 021av.jpg|1|lbl=21Av}}
-| {{section|Page:Cod.44.A.8 006r.jpg|5|lbl=06r}}
-| {{section|Page:MS KK5126 105r.jpg|17|lbl=105r}}
 |
 |
+| {{section|Page:Cod.44.A.8 007v.jpg|14|lbl=07v.1}}
 |
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 017r.jpg|4|lbl=17r}}
 |
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 018r.jpg|16|lbl=18r.14}}
+}}
-|-
+{{Liechtenauer row F|3
 |
-{| class="zettel"
+| {{section|Page:MS Chart.A.558 022v.jpg|1|lbl=22v.1}}
-|-
+| {{section|Page:Cod.44.A.8 007v.jpg|1|lbl=07v.2}}
-| <small>1</small>
+| {{section|Page:MS E.1939.65.341 074r.jpg|1|lbl=74r.1}}
-| Direct your spear<br/>&emsp;Riding against destroys
+| {{section|Page:MS Germ.Quart.2020 165v.jpg|2|lbl=165v.2}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 018r.jpg|3|lbl=18r.1}}
+}}
-|-
+{{Liechtenauer row F|4
-| <small>2</small>
+| {{section|Page:MS 3227a 53r.jpg|10|lbl=53r.10}}
-| If it drops<br/>&emsp;The end undoes him
+| {{section|Page:MS Chart.A.558 022v.jpg|2|lbl=22v.2}}
+| {{section|Page:Cod.44.A.8 007v.jpg|2|lbl=07v.3}}
+| {{section|Page:MS E.1939.65.341 074r.jpg|2|lbl=74r.2}}
+| {{section|Page:MS Germ.Quart.2020 165v.jpg|3|lbl=165v.23}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 018r.jpg|4|lbl=18r.2}}
+}}
-|-
+{{Liechtenauer row F|5
-| &nbsp;
+|
-| &nbsp;<br/>&nbsp;
+| {{section|Page:MS Chart.A.558 022v.jpg|3|lbl=22v.3}}
+| {{section|Page:Cod.44.A.8 007v.jpg|3|lbl=07v.4}}
+| {{section|Page:MS E.1939.65.341 074r.jpg|3|lbl=74r.3}}
+| {{section|Page:MS Germ.Quart.2020 165v.jpg|4|lbl=165v.4}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 018r.jpg|5|lbl=18r.3}}
+}}
-|-
+{{Liechtenauer row F|6
-| &nbsp;
+| {{section|Page:MS 3227a 53r.jpg|8|lbl=53r.8}}
-| &nbsp;<br/>&nbsp;
+| {{section|Page:MS Chart.A.558 022v.jpg|4|lbl=22v.4}}
+| {{section|Page:Cod.44.A.8 007v.jpg|4|lbl=07v.5}}
+| {{section|Page:MS E.1939.65.341 074r.jpg|4|lbl=74r.4}}
+| {{section|Page:MS Germ.Quart.2020 165v.jpg|5|lbl=165v.5}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 018r.jpg|6|lbl=18r.4}}
+}}
-|-
+{{Liechtenauer row F|7
-| &nbsp;
+|
-| &nbsp;<br/>&nbsp;
+| {{section|Page:MS Chart.A.558 022v.jpg|5|lbl=22v.5}}
+| {{section|Page:Cod.44.A.8 007v.jpg|5|lbl=07v.6}}
+| {{section|Page:MS E.1939.65.341 074r.jpg|5|lbl=74r.5}}
+| {{section|Page:MS Germ.Quart.2020 165v.jpg|6|lbl=165v.6}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 018r.jpg|7|lbl=18r.5}}
+}}
-|-
+{{Liechtenauer row F|8
-| &nbsp;
+|
-| &nbsp;<br/>&nbsp;
+| {{section|Page:MS Chart.A.558 022v.jpg|6|lbl=22v.6}}
+| {{section|Page:Cod.44.A.8 007v.jpg|6|lbl=07v.7}}
+| {{section|Page:MS E.1939.65.341 074r.jpg|6|lbl=74r.6}}
+| {{section|Page:MS Germ.Quart.2020 165v.jpg|7|lbl=165v.7}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 018r.jpg|8|lbl=18r.6}}
+}}
-|-
+{{Liechtenauer row F|9
-| &nbsp;
+|
-| &nbsp;<br/>&nbsp;
+| {{section|Page:MS Chart.A.558 022v.jpg|9|lbl=22v.9}}
+| {{section|Page:Cod.44.A.8 007v.jpg|7|lbl=07v.8}}
+| {{section|Page:MS E.1939.65.341 074r.jpg|7|lbl=74r.7}}
+| {{section|Page:MS Germ.Quart.2020 165v.jpg|8|lbl=165v.8}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 018r.jpg|9|lbl=18r.7}}
+}}
-|-
+{{Liechtenauer row F|10
-| <small>3</small>
+|
-| Strike in, don’t pull<br/>&emsp;From the scabbard, left to him jerk
+| {{section|Page:MS Chart.A.558 022v.jpg|7|lbl=22v.7}}
+| {{section|Page:Cod.44.A.8 007v.jpg|8|lbl=07v.9}}
+| {{section|Page:MS E.1939.65.341 074r.jpg|8|lbl=74r.8}}
+| {{section|Page:MS Germ.Quart.2020 165v.jpg|9|lbl=165v.9}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 018r.jpg|10|lbl=18r.8}}
+}}
-|-
+{{Liechtenauer row F|11
-| &nbsp;
+|
-| &nbsp;<br/>&nbsp;
+| {{section|Page:MS Chart.A.558 022v.jpg|8|lbl=22v.8}}
+| {{section|Page:Cod.44.A.8 007v.jpg|9|lbl=07v.10}}
+| {{section|Page:MS E.1939.65.341 074r.jpg|9|lbl=74r.9}}
+| {{section|Page:MS Germ.Quart.2020 165v.jpg|10|lbl=165v.10}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 018r.jpg|11|lbl=18r.9}}
+}}
-|-
+{{Liechtenauer row F|12
-| &nbsp;
+|
-| &nbsp;<br/>&nbsp;
+| {{section|Page:MS Chart.A.558 022v.jpg|11|lbl=22v.11}}
+| {{section|Page:Cod.44.A.8 007v.jpg|10|lbl=07v.11}}
+| {{section|Page:MS E.1939.65.341 074r.jpg|11|lbl=74r.11}}
+| {{section|Page:MS Germ.Quart.2020 165v.jpg|11|lbl=165v.11}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 018r.jpg|12|lbl=18r.10}}
+}}
-|-
+{{Liechtenauer row F|13
-| &nbsp;
+| {{section|Page:MS 3227a 55r.jpg|13|lbl=55r.13}}
-| &nbsp;<br/>&nbsp;
+| {{section|Page:MS Chart.A.558 022v.jpg|10|lbl=22v.10}}
+| {{section|Page:Cod.44.A.8 007v.jpg|11|lbl=07v.12}}
+| {{section|Page:MS E.1939.65.341 074r.jpg|10|lbl=74r.10}}
+| {{section|Page:MS Germ.Quart.2020 165v.jpg|12|lbl=165v.12}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 018r.jpg|13|lbl=18r.11}}
+}}
-|-
+{{Liechtenauer row F|14
-| &nbsp;
+|
-| &nbsp;<br/>&nbsp;
+| {{section|Page:MS Chart.A.558 022v.jpg|12|lbl=22v.12}}
+| {{section|Page:Cod.44.A.8 007v.jpg|12|lbl=07v.13}}
+| {{section|Page:MS E.1939.65.341 074r.jpg|12|lbl=74r.12}}
+| {{section|Page:MS Germ.Quart.2020 165v.jpg|13|lbl=165v.13}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 018r.jpg|14|lbl=18r.12}}
+}}
-|-
+{{Liechtenauer row F|15
-| <small>4</small>
+| {{section|Page:MS 3227a 55r.jpg|3|lbl=55r.3}}
-| Grasp to his right<br/>&emsp;Thus you catch him without weapons work
-|-
+{{section|Page:MS 3227a 57v.jpg|2|lbl=57v.2}}
-| <small>5</small>
+| {{section|Page:MS Chart.A.558 022v.jpg|13|lbl=22v.13}}
-| The fighting of lance-thrusting<br/>&emsp;Learn to counter calmly without haste
+| {{section|Page:Cod.44.A.8 007v.jpg|13|lbl=07v.14}}
+| {{section|Page:MS E.1939.65.341 074v.jpg|1|lbl=74v.1}}
+| {{section|Page:MS Germ.Quart.2020 165v.jpg|14|lbl=165v.14}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 018r.jpg|15|lbl=18r.13}}
+}}
-|}
+{{Liechtenauer row F|16
-| {{section|Page:MS 3227a 53r.jpg|2|lbl=-}}
-| {{section|Page:MS Chart.A.558 021av.jpg|2|lbl=-}}
-| {{section|Page:Cod.44.A.8 006v.jpg|1|lbl=06v}}
-| {{section|Page:MS KK5126 105v.jpg|1|lbl=105v}}
 |
-| {{section|Page:MS Germ.Quart.2020 163r.jpg|1|lbl=163r}}
+| {{section|Page:MS Chart.A.558 023r.jpg|1|lbl=23r.1}}
+| {{section|Page:Cod.44.A.8 008r.jpg|1|lbl=08r.1}}
+| {{section|Page:MS E.1939.65.341 074v.jpg|2|lbl=74v.2}}
+| {{section|Page:MS Germ.Quart.2020 165v.jpg|15|lbl=165v.15}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 018v.jpg|1|lbl=18v.1}}
+}}
+{{Liechtenauer row F|17
 |
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 017r.jpg|5|lbl=-}}
+| {{section|Page:MS Chart.A.558 023r.jpg|2|lbl=23r.2}}
+| {{section|Page:Cod.44.A.8 008r.jpg|2|lbl=08r.2}}
+| {{section|Page:MS E.1939.65.341 074v.jpg|3|lbl=74v.3}}
+| {{section|Page:MS Germ.Quart.2020 166r.jpg|1|lbl=166r.1}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 018v.jpg|2|lbl=18r.2}}
+}}
+{{Liechtenauer row F|18
 |
+| {{section|Page:MS Chart.A.558 023r.jpg|3|lbl=23r.3}}
+| {{section|Page:Cod.44.A.8 008r.jpg|3|lbl=08r.3}}
+| {{section|Page:MS E.1939.65.341 074v.jpg|4|lbl=74v.4}}
+| {{section|Page:MS Germ.Quart.2020 166r.jpg|2|lbl=166r.2}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 018v.jpg|3|lbl=18r.3}}
+}}
-|-
+{{Liechtenauer row F|19
 |
-| {{paget|Page:MS 3227a|53v|jpg}}
+| {{section|Page:MS Chart.A.558 023r.jpg|7|lbl=23r.7}}
+| {{section|Page:Cod.44.A.8 008r.jpg|4|lbl=08r.4}}
+| {{section|Page:MS E.1939.65.341 074v.jpg|6|lbl=74v.6}}
+| {{section|Page:MS Germ.Quart.2020 166r.jpg|3|lbl=166r.3}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 018v.jpg|4|lbl=18r.4}}
+}}
+{{Liechtenauer row F|20
 |
+| {{section|Page:MS Chart.A.558 023r.jpg|6|lbl=23r.6}}
+| {{section|Page:Cod.44.A.8 008r.jpg|5|lbl=08r.5}}
+| {{section|Page:MS E.1939.65.341 074v.jpg|5|lbl=74v.5}}
+| {{section|Page:MS Germ.Quart.2020 166r.jpg|4|lbl=166r.4}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 018v.jpg|5|lbl=18r.5}}
+}}
+{{Liechtenauer row F|21
 |
+| {{section|Page:MS Chart.A.558 023r.jpg|4|lbl=23r.4}}
+| {{section|Page:Cod.44.A.8 008r.jpg|6|lbl=08r.6}}
+| {{section|Page:MS E.1939.65.341 074v.jpg|7|lbl=74v.7}}
+| {{section|Page:MS Germ.Quart.2020 166r.jpg|5|lbl=166r.5}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 018v.jpg|6|lbl=18r.6}}
+}}
+{{Liechtenauer row F|22
 |
+| {{section|Page:MS Chart.A.558 023r.jpg|5|lbl=23r.5}}
+| {{section|Page:Cod.44.A.8 008r.jpg|7|lbl=08r.7}}
+| {{section|Page:MS E.1939.65.341 074v.jpg|8|lbl=74v.8}}
+| {{section|Page:MS Germ.Quart.2020 166r.jpg|6|lbl=166r.6}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 018v.jpg|7|lbl=18r.7}}
+}}
+{{Liechtenauer row F|23
 |
+| {{section|Page:MS Chart.A.558 023r.jpg|10|lbl=23r.10}}
+| {{section|Page:Cod.44.A.8 008r.jpg|8|lbl=08r.8}}
+| {{section|Page:MS E.1939.65.341 074v.jpg|9|lbl=74v.9}}
+| {{section|Page:MS Germ.Quart.2020 166r.jpg|7|lbl=166r.7}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 018v.jpg|8|lbl=18r.8}}
+}}
+{{Liechtenauer row F|24
 |
+| {{section|Page:MS Chart.A.558 023r.jpg|11|lbl=23r.11}}
+| {{section|Page:Cod.44.A.8 008r.jpg|9|lbl=08r.9}}
+| {{section|Page:MS E.1939.65.341 074v.jpg|10|lbl=74v.10}}
+| {{section|Page:MS Germ.Quart.2020 166r.jpg|8|lbl=166r.8}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 018v.jpg|9|lbl=18r.9}}
+}}
+{{Liechtenauer row F|25
 |
+| {{section|Page:MS Chart.A.558 023r.jpg|8|lbl=23r.8}}
+| {{section|Page:Cod.44.A.8 008r.jpg|10|lbl=08r.10}}
+| {{section|Page:MS E.1939.65.341 074v.jpg|11|lbl=74v.11}}
+| {{section|Page:MS Germ.Quart.2020 166r.jpg|9|lbl=166r.9}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 018v.jpg|10|lbl=18r.10}}
+}}
+{{Liechtenauer row F|26
 |
+| {{section|Page:MS Chart.A.558 023r.jpg|9|lbl=23r.9}}
+| {{section|Page:Cod.44.A.8 008r.jpg|11|lbl=08r.11}}
+| {{section|Page:MS E.1939.65.341 074v.jpg|12|lbl=74v.12}}
+| {{section|Page:MS Germ.Quart.2020 166r.jpg|10|lbl=166r.10}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 018v.jpg|11|lbl=18r.11}}
+}}
+{{Liechtenauer row F|27
 |
+| {{section|Page:MS Chart.A.558 023r.jpg|12|lbl=23r.12}}
+| {{section|Page:Cod.44.A.8 008r.jpg|12|lbl=08r.12}}
+| {{section|Page:MS E.1939.65.341 075r.jpg|1|lbl=75r.1}}
+| {{section|Page:MS Germ.Quart.2020 166r.jpg|11|lbl=166r.11}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 018v.jpg|12|lbl=18r.12}}
+}}
-|-
+{{Liechtenauer row F|28
 |
-{| class="zettel"
+| {{section|Page:MS Chart.A.558 023r.jpg|13|lbl=23r.13}}
-|-
+| {{section|Page:Cod.44.A.8 008r.jpg|13|lbl=08r.13}}
-| <small>6</small>
+| {{section|Page:MS E.1939.65.341 075r.jpg|2|lbl=75r.2}}
-| If it changes<br/>&emsp;So that the sword is used against the sword
+| {{section|Page:MS Germ.Quart.2020 166r.jpg|12|lbl=166r.12}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 018v.jpg|13|lbl=18r.13}}
+}}
-|-
+{{Liechtenauer row F|29
-| <small>7</small>
+|
-| Truly seize the strong<br/>&emsp;You seek the Slapping Stroke
+|
+| {{section|Page:Cod.44.A.8 008r.jpg|14|lbl=08r.14}}
+|
+|
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 018v.jpg|14|lbl=18r.14}}
+}}
+</table>
+</div>
-|-
+<h3 style="display: none;> Mounted and dismounted dueling </h3>
-| <small>8</small>
+<div id="dueling" style="background:transparent; clear:both; font-weight:normal; padding:3px; text-align:left; width:0em; min-width:0em;">
-| And remember: learn well to strongly defend<br/>&emsp;In all meetings, press him without danger
+<table class="master sortable">
+ <tr>
+  <th id="DChidester0"><p>{{rating|B|Rhyming Translation (from the Rome)}} (2025){{edit2|Johannes Liechtenauer/Michael Chidester D 2025}}<br/>by [[Michael Chidester]]</p></th>
+  <th id="DTobler0"><p>{{rating|A|Featured Translation (from the Rome)}} (2021){{edit2|Johannes Liechtenauer/Christian Tobler D 2021}}<br/>by [[Christian Henry Tobler]]</p></th>
+  <th id="DNuremberga0"><p>[[Pol Hausbuch (MS 3227a)|Nuremberg Version Ⅰ]] (1390){{edit index|Pol Hausbuch (MS 3227a)}}<br/>Transcribed by [[Dierk Hagedorn]]</p></th>
+  <th id="DGotha0"><p>[[Talhoffer Fechtbuch (MS Chart.A.558)|Gotha Version]] (1448){{edit index|Talhoffer Fechtbuch (MS Chart.A.558)}}<br/>Transcribed by [[Dierk Hagedorn]]</p></th>
+  <th id="DRome0"><p>[[Starhemberg Fechtbuch (Cod.44.A.8)|Rome Version]] (1452){{edit index|Starhemberg Fechtbuch (Cod.44.A.8)}}<br/>Transcribed by [[Dierk Hagedorn]]</p></th>
+  <th id="DViennaa0"><p>[[Paulus Kal Fechtbuch (MS KK5126)|Vienna Version Ⅰ]] (1480s){{edit index|Paulus Kal Fechtbuch (MS KK5126)}}<br/>Transcribed by [[Dierk Hagedorn]]</p></th>
+  <th id="DSalzburg0"><p>[[Codex Speyer (MS M.I.29)|Salzburg Version]] (1491){{edit index|Codex Speyer (MS M.I.29)}}<br/>Transcribed by [[Dierk Hagedorn]]</p></th>
+  <th id="DOrtenburg0"><p>[[Ortenburg Fechtbuch|Ortenburg Version]] (1400s){{edit index|Ortenburg Fechtbuch}}<br/></p></th>
+  <th id="DNurembergb0"><p>[[Pirckheimer's Fechtbuch (Pirckh.Papp.353)|Nuremberg Version Ⅱ]] (ca. 1500){{edit index|Pirckheimer's Fechtbuch (Pirckh.Papp.353)}}<br/></p>
+  <th id="DViennab0"><p>[[Oplodidaskalia sive Armorvm Tractandorvm Meditatio Alberti Dvreri (MS 26-232)|Vienna Version Ⅱ]] (1505){{edit index|Oplodidaskalia sive Armorvm Tractandorvm Meditatio Alberti Dvreri (MS 26-232)}}<br/>Transcribed by [[Dierk Hagedorn]]</p></th>
+  <th id="DKrakow0"><p>[[Goliath Fechtbuch (MS Germ.Quart.2020)|Krakow Version]] (1535-40){{edit index|Goliath Fechtbuch (MS Germ.Quart.2020)}}<br/>Transcribed by [[Michael Chidester]]</p></th>
+  <th id="DAugsburgb0"><p>[[Rast Fechtbuch (Reichsstadt "Schätze" Nr. 82)|Augsburg Version Ⅱ]] (1553){{edit index|Rast Fechtbuch (Reichsstadt "Schätze" Nr. 82)}}<br/>Transcribed by [[Werner Ueberschär]]</p></th>
+  <th id="DRostock0"><p>[[Fechtbuch zu Ross und zu Fuss (MS Var.82)|Rostock Version]] (1570-71){{edit index|Fechtbuch zu Ross und zu Fuss (MS Var.82)}}<br/>Transcribed by [[Dierk Hagedorn]]</p></th>
+ </tr>
-|}
+{{Liechtenauer row D|1
-| {{section|Page:MS 3227a 55r.jpg|1|lbl=55r}}
+| {{section|Page:MS 3227a 53r.jpg|1|lbl=53r.1}}
-| {{section|Page:MS Chart.A.558 021av.jpg|3|lbl=-}}
+| {{section|Page:MS Chart.A.558 021av.jpg|1|lbl=21Av.1}}
-| {{section|Page:Cod.44.A.8 006v.jpg|2|lbl=-}}
+| {{section|Page:Cod.44.A.8 006r.jpg|5|lbl=06r}}
-| {{section|Page:MS KK5126 105v.jpg|2|lbl=-}}
+| {{section|Page:MS KK5126 105r.jpg|17|lbl=105r}}
 |
 |
-{{section|Page:MS Germ.Quart.2020 163r.jpg|2|lbl=-|p=1}} {{section|Page:MS Germ.Quart.2020 163v.jpg|1|lbl=163v|p=1}}
 |
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 017v.jpg|1|lbl=17v}}
 |
-|-
 |
-{| class="zettel"
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 017r.jpg|4|lbl=17r.1}}
-|-
+|
-| <small>9</small>
+}}
-| Plant upon without danger<br/>&emsp;Who grazes, hang to him to the hair
-|-
+{{Liechtenauer row D|2
-| <small>10</small>
+| <p><br/></p>
-| If you want to calmly<br/>&emsp;Charge long, this troubles greatly
-|-
+{{section|Page:MS 3227a 53r.jpg|2|lbl=53r.2|p=1}}<br/>
-| <small>11</small>
+<br/>
-| Whoever now defends that<br/>&emsp;Then wind that hurts also
+<br/>
+{{section|Page:MS 3227a 53r.jpg|5|lbl=53r.5|p=1}}<br/>
+{{section|Page:MS 3227a 53r.jpg|9|lbl=53r.9|p=1}}<br/>
+<br/>
+<br/>
+{{section|Page:MS 3227a 53r.jpg|12|lbl=53r.12|p=1}}
+| <p><br/></p>
-|-
+{{section|Page:MS Chart.A.558 021av.jpg|2|lbl=21Av.2}}
-| <small>12</small>
+| <p><br/></p>
-| If he defends against this further<br/>&emsp;Grasp the bridle and do not let it go
-|-
+{{section|Page:Cod.44.A.8 006v.jpg|1|lbl=06v.1}}
-| <small>13</small>
+| <p><br/></p>
-| Be mindful of the openings<br/>&emsp;Search for the Messer, do not tend to the pommel
-|-
+{{section|Page:MS KK5126 105v.jpg|1|lbl=105v.1}}
-| &nbsp;
+|
-| &nbsp;<br/>&nbsp;
+|
+|
+|
+| <p><br/></p>
-|-
+{{section|Page:MS Germ.Quart.2020 163r.jpg|1|lbl=163r.1}}
-| <small>14</small>
+| <p><br/></p>
-| Learn two strokes<br/>&emsp;With the empty hand against the weapon
-|}
+{{section|Page:Reichsstadt "Schätze" Nr. 82 017r.jpg|5|lbl=17r.2}}
-| {{section|Page:MS 3227a 55r.jpg|2|lbl=-}}
-| {{section|Page:MS Chart.A.558 021av.jpg|4|lbl=-}}
-| {{section|Page:Cod.44.A.8 006v.jpg|3|lbl=-}}
-| {{section|Page:MS KK5126 105v.jpg|3|lbl=-}}
 |
-| {{section|Page:MS Germ.Quart.2020 163v.jpg|2|lbl=-}}
+}}
+{{Liechtenauer row D|3
+| <p><br/></p>
+{{paget|Page:MS 3227a|53v|jpg}}
 |
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 017v.jpg|2|lbl=-}}
 |
-|-
-|
-| {{section|Page:MS 3227a 55r.jpg|3|lbl=-}}
 |
 |
@@ Line 1,319: / Line 1,237: @@
 |
 |
+}}
+{{Liechtenauer row D|4
+| <p><br/></p>
+{{section|Page:MS 3227a 55r.jpg|1|lbl=55r.1}}
+| <p><br/></p>
+{{section|Page:MS Chart.A.558 021av.jpg|3|lbl=21Av.3}}
+| <p><br/></p>
+{{section|Page:Cod.44.A.8 006v.jpg|2|lbl=06v.2}}
+| <p><br/></p>
-|-
+{{section|Page:MS KK5126 105v.jpg|2|lbl=105v.2}}
 |
-| {{section|Page:MS 3227a 55r.jpg|4|lbl=-}}
 |
 |
 |
+| <p><br/></p>
+{{section|Page:MS Germ.Quart.2020 163r.jpg|2|lbl=163r.2|p=1}} {{section|Page:MS Germ.Quart.2020 163v.jpg|1|lbl=163v.1|p=1}}
+| <p><br/></p>
+{{section|Page:Reichsstadt "Schätze" Nr. 82 017v.jpg|1|lbl=17v.1}}
 |
+}}
+{{Liechtenauer row D|5
+| <p><br/></p>
+{{section|Page:MS 3227a 55r.jpg|2|lbl=55r.2}}
+| <p><br/></p>
+{{section|Page:MS Chart.A.558 021av.jpg|4|lbl=21Av.4}}
+| <p><br/></p>
+{{section|Page:Cod.44.A.8 006v.jpg|3|lbl=06v.3}}
+| <p><br/></p>
+{{section|Page:MS KK5126 105v.jpg|3|lbl=105v.3}}
 |
 |
 |
 |
+| <p><br/></p>
+{{section|Page:MS Germ.Quart.2020 163v.jpg|2|lbl=163v.2}}
+| <p><br/></p>
+{{section|Page:Reichsstadt "Schätze" Nr. 82 017v.jpg|2|lbl=17v.2}}
+|
+}}
-|-
+{{Liechtenauer row D|6
+| <p><br/></p>
+{{section|Page:MS 3227a 55r.jpg|7|lbl=55r.7|p=1}}<br/>
+{{section|Page:MS 3227a 55r.jpg|9|lbl=55r.9|p=1}}<br/>
+{{section|Page:MS 3227a 55r.jpg|14|lbl=55r.14|p=1}}
 |
-| {{section|Page:MS 3227a 55r.jpg|5|lbl=-}}
 |
 |
@@ Line 1,343: / Line 1,306: @@
 |
 |
-|-
 |
-{| class="zettel"
+}}
-|-
-| <small>15</small>
-| The Sheep Grip fends off<br/>&emsp;Him who turns to you with wrestling.
-|-
+{{Liechtenauer row D|7
-| <small>16</small>
+| <p><br/></p>
-| While under the eyes<br/>&emsp;Grasp him truly with flying
-|-
+{{section|Page:MS 3227a 55r.jpg|2.5|lbl=55r.3|p=1}}<br/>
-| <small>17</small>
+{{section|Page:MS 3227a 57v.jpg|1|lbl=57v|p=1}}
-| Who attacks you<br/>&emsp;While riding towards you will be felled
+| <p><br/></p>
-|-
+{{section|Page:MS Chart.A.558 021av.jpg|5|lbl=21Av.5}}
-| <small>18</small>
+| <p><br/></p>
-| Hanging to the ground<br/>&emsp;Grasp over against him truly with conduct
-|-
+{{section|Page:Cod.44.A.8 006v.jpg|4|lbl=06v.4}}
-| <small>19</small>
+| <p><br/></p>
-| To both sides<br/>&emsp;You should learn to ride against him
-|}
+{{section|Page:MS KK5126 105v.jpg|4|lbl=105v.4}}
-| {{section|Page:MS 3227a 57v.jpg|1|lbl=57v}}
-| {{section|Page:MS Chart.A.558 021av.jpg|5|lbl=-}}
-| {{section|Page:Cod.44.A.8 006v.jpg|4|lbl=-}}
-| {{section|Page:MS KK5126 105v.jpg|4|lbl=-}}
 |
 |
-{{section|Page:MS Germ.Quart.2020 163v.jpg|3|lbl=-|p=1}} {{section|Page:MS Germ.Quart.2020 164r.jpg|1|lbl=164r|p=1}}
 |
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 017v.jpg|3|lbl=-}}
 |
+| <p><br/></p>
-|-
+{{section|Page:MS Germ.Quart.2020 163v.jpg|3|lbl=163v.3|p=1}} {{section|Page:MS Germ.Quart.2020 164r.jpg|1|lbl=164r.1|p=1}}
+| <p><br/></p>
+{{section|Page:Reichsstadt "Schätze" Nr. 82 017v.jpg|3|lbl=17v.3}}
 |
-{| class="zettel"
+}}
-|-
-| <small>20</small>
-| If you want to ride<br/>&emsp;The horse run to the other side
-|-
+{{Liechtenauer row D|8
-| <small>21</small>
+| <p><br/></p>
-| Defend strongly<br/>&emsp;Plant upon him threaten him with this
-|-
+{{paget|Page:MS 3227a|58r|jpg}}
-| <small>22</small>
+| <p><br/></p>
-| Who defends against that<br/>&emsp;Grasp his sword from afar, get to the handle
-|-
+{{section|Page:MS Chart.A.558 021av.jpg|6|lbl=21Av.6}}
-| <small>23</small>
+| <p><br/></p>
-| Or turn around<br/>&emsp;To calmly charge for the weapon
-|-
+{{section|Page:Cod.44.A.8 006v.jpg|5|lbl=06v.5|p=1}} {{section|Page:Cod.44.A.8 007r.jpg|1|lbl=07r.1|p=1}}
-| <small>24</small>
+| <p><br/></p>
-| With all skill<br/>&emsp;He who charges acts to his advantage
-|-
-| <small>25</small>
-| If you have charged past him<br/>&emsp;And unintentionally charge to the left
-|-
-| <small>26</small>
-| Follow his sword upwards<br/>&emsp;And wrestle, push also hard
-|}
+{{section|Page:MS KK5126 105v.jpg|5|lbl=105v.5}}
-| {{section|Page:MS 3227a 58r.jpg|1|lbl=58r}}
-| {{section|Page:MS Chart.A.558 021av.jpg|6|lbl=-}}
 |
-{{section|Page:Cod.44.A.8 006v.jpg|5|lbl=-|p=1}} {{section|Page:Cod.44.A.8 007r.jpg|1|lbl=07r|p=1}}
-| {{section|Page:MS KK5126 105v.jpg|5|lbl=-}}
 |
 |
-{{section|Page:MS Germ.Quart.2020 164r.jpg|2|lbl=-|p=1}} {{section|Page:MS Germ.Quart.2020 164v.jpg|1|lbl=164v|p=1}}
-|
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 017v.jpg|4|lbl=-}}
 |
+| <p><br/></p>
+{{section|Page:MS Germ.Quart.2020 164r.jpg|2|lbl=164r.2|p=1}} {{section|Page:MS Germ.Quart.2020 164v.jpg|1|lbl=164v.1|p=1}}
+| <p><br/></p>
-|-
+{{section|Page:Reichsstadt "Schätze" Nr. 82 017v.jpg|4|lbl=17v.4}}
 |
-{| class="zettel"
+}}
-|-
+{{Liechtenauer row D|9
-| <small>27</small>
+| <p><br/></p>
-| If one charges on the right<br/>&emsp;Stop; turn around; tend to the fight
-|-
+{{section|Page:MS 3227a 58v.jpg|1|lbl=58v}}
-| <small>28</small>
+| <p><br/></p>
-| With the arm catch<br/>&emsp;Thus he cannot manage to harm you
-|}
+{{section|Page:MS Chart.A.558 021av.jpg|7|lbl=21Av.7}}
-| {{section|Page:MS 3227a 58v.jpg|1|lbl=58v}}
+| <p><br/></p>
-| {{section|Page:MS Chart.A.558 021av.jpg|7|lbl=-}}
-| {{section|Page:Cod.44.A.8 007r.jpg|2|lbl=-}}
-| {{section|Page:MS KK5126 105v.jpg|6|lbl=-}}
-|
-| {{section|Page:MS Germ.Quart.2020 164v.jpg|2|lbl=-}}
-|
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 017v.jpg|5|lbl=-}}
-|
-|-
+{{section|Page:Cod.44.A.8 007r.jpg|2|lbl=07r.2}}
-|
+| <p><br/></p>
-{| class="zettel"
-|-
-| <small>29</small>
-| The messer take<br/>&emsp;Hold, learn to shame him
-|-
-| <small>30</small>
-| The Unnamed<br/>&emsp;Against the strong to turn
-|-
+{{section|Page:MS KK5126 105v.jpg|6|lbl=105v.6}}
-| <small>31</small>
-| Their strike, their thrust<br/>&emsp;Is being defeated without any fencing
-|}
-| {{section|Page:MS 3227a 58v.jpg|2|lbl=-}}
 |
-{{section|Page:MS Chart.A.558 021av.jpg|8|lbl=-|p=1}} {{section|Page:MS Chart.A.558 022r.jpg|1|lbl=22r|p=1}}
-| {{section|Page:Cod.44.A.8 007r.jpg|3|lbl=-}}
-| {{section|Page:MS KK5126 105v.jpg|7|lbl=-}}
 |
-| {{section|Page:MS Germ.Quart.2020 164v.jpg|3|lbl=-}}
 |
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 017v.jpg|6|lbl=-}}
 |
+| <p><br/></p>
-|-
+{{section|Page:MS Germ.Quart.2020 164v.jpg|2|lbl=164v.2}}
+| <p><br/></p>
+{{section|Page:Reichsstadt "Schätze" Nr. 82 017v.jpg|5|lbl=17v.5}}
 |
-{| class="zettel"
+}}
-|-
-| <small>32</small>
-| If you want to grasp<br/>&emsp;You should not fail to ride beside him
-|-
+{{Liechtenauer row D|10
-| <small>33</small>
+| <p><br/></p>
-| The Sun Pointer<br/>&emsp;Take the left sleeve if you want to bend
-|-
+{{section|Page:MS 3227a 58v.jpg|2|lbl=-}}
-| <small>34</small>
+| <p><br/></p>
-| Touch the forehead<br/>&emsp;Against the nape of the neck press very hard
-|-
+{{section|Page:MS Chart.A.558 021av.jpg|8|lbl=21Av.8|p=1}} {{section|Page:MS Chart.A.558 022r.jpg|1|lbl=22r.1|p=1}}
-| <small>35</small>
+| <p><br/></p>
-| So that he sways<br/>&emsp;And rarely makes it up again.
-|-
+{{section|Page:Cod.44.A.8 007r.jpg|3|lbl=07r.3}}
-| <small>36</small>
+| <p><br/></p>
-| Who attacks you with that<br/>&emsp;Grasp over against him and he will be shamed
-|-
+{{section|Page:MS KK5126 105v.jpg|7|lbl=105v.7}}
-| <small>37</small>
-| Press the arm to the head<br/>&emsp;This grip often robs the saddle
-|}
-| {{section|Page:MS 3227a 59r.jpg|1|lbl=59r}}
-| {{section|Page:MS Chart.A.558 022r.jpg|2|lbl=-}}
-| {{section|Page:Cod.44.A.8 007r.jpg|4|lbl=-}}
-| {{section|Page:MS KK5126 105v.jpg|8|lbl=-}}
 |
 |
-{{section|Page:MS Germ.Quart.2020 164v.jpg|4|lbl=-|p=1}} {{section|Page:MS Germ.Quart.2020 165r.jpg|1|lbl=165r|p=1}}
 |
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 018r.jpg|1|lbl=18r}}
 |
+| <p><br/></p>
-|-
+{{section|Page:MS Germ.Quart.2020 164v.jpg|3|lbl=164v.3}}
-| class="noline" |
+| <p><br/></p>
-{| class="zettel"
-|-
-| <small>38</small>
-| If you want to retain yourself<br/>&emsp;From seizing
-|-
-| <small>39</small>
-| Then take him into custody without wrestling<br/>&emsp;Without any rope
-|-
-| <small>40</small>
-| The Before Grip remember<br/>&emsp;This indeed breaks his strength
-|}
-| class="noline" | {{section|Page:MS 3227a 59r.jpg|2|lbl=-}}
-| class="noline" | {{section|Page:MS Chart.A.558 022r.jpg|3|lbl=-}}
-| class="noline" | {{section|Page:Cod.44.A.8 007r.jpg|5|lbl=-}}
-| class="noline" | {{section|Page:MS KK5126 105v.jpg|9|lbl=-}}
-| class="noline" |
-| class="noline" | {{section|Page:MS Germ.Quart.2020 165r.jpg|2|lbl=-}}
-| class="noline" |
-| class="noline" | {{section|Page:Reichsstadt "Schätze" Nr. 82 018r.jpg|2|lbl=-}}
-| class="noline" |
-|}
+{{section|Page:Reichsstadt "Schätze" Nr. 82 017v.jpg|6|lbl=17v.6}}
-{{master end}}
+|
-{{master begin
-  | title = Short Sword
-  | width = 300em
 }}
-{| class="master"
-|-
-! <p>{{rating|A|Featured Translation (from the Rome)}}<br/>by [[Christian Tobler]]</p>
-! <p>[[Pol Hausbuch (MS 3227a)|Nuremberg Version]] (1400s){{edit index|Pol Hausbuch (MS 3227a)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
-! <p>[[Talhoffer Fechtbuch (MS Chart.A.558)|Gotha Version]] (1448){{edit index|Talhoffer Fechtbuch (MS Chart.A.558)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
-! <p>[[Starhemberg Fechtbuch (Cod.44.A.8)|Rome Version]] (1452){{edit index|Starhemberg Fechtbuch (Cod.44.A.8)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
-! <p>[[Paulus Kal Fechtbuch (MS KK5126)|Vienna Ⅰ Version]] (1480s){{edit index|Paulus Kal Fechtbuch (MS KK5126)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
-! <p>[[Codex Speyer (MS M.I.29)|Salzburg Version]] (1491){{edit index|Codex Speyer (MS M.I.29)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
-! <p>[[Goliath Fechtbuch (MS Germ.Quart.2020)|Krakow Version]] (1535-40){{edit index|Goliath Fechtbuch (MS Germ.Quart.2020)}}<br/>Transcribed by [[Michael Chidester]]</p>
-! <p>[[Oplodidaskalia sive Armorvm Tractandorvm Meditatio Alberti Dvreri (MS 26-232)|Vienna Ⅱ Version]] (1512){{edit index|Oplodidaskalia sive Armorvm Tractandorvm Meditatio Alberti Dvreri (MS 26-232)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
-! <p>[[Rast Fechtbuch (Reichsstadt "Schätze" Nr. 82)|Augsburg Ⅱ Version]] (1553){{edit index|Rast Fechtbuch (Reichsstadt "Schätze" Nr. 82)}}<br/>Transcribed by [[Werner Ueberschär]]</p>
-! <p>[[Fechtbuch zu Ross und zu Fuss (MS Var.82)|Rostock Version]] (1570-71){{edit index|Fechtbuch zu Ross und zu Fuss (MS Var.82)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
-|-
+{{Liechtenauer row D|11
-| <p>{{red|b=1|Here begins the Art with the Short Sword in Dueling, of Master Johannes Liechtenauer, God have mercy on him,}}</p>
+| <p><br/></p>
-<p><br/></p>
+{{section|Page:MS 3227a 59r.jpg|1|lbl=59r}}
+| <p><br/></p>
-{| class="zettel"
+{{section|Page:MS Chart.A.558 022r.jpg|2|lbl=22r.2}}
-|-
+| <p><br/></p>
-| <small>1</small>
-| Who dismounts<br/>&emsp;Fighting on foot begins
-|-
-| <small>2</small>
-| This do with the spear<br/>&emsp;Two positions to begin truly
-|-
-| <small>3</small>
-| Spear and point<br/>&emsp;Thrust the initial thrust without fear
-|-
-| <small>4</small>
-| Spring, wind set truly upon<br/>&emsp;If he defends pull, that will defeat him
-|-
-| <small>5</small>
-| If you want to thrust before<br/>&emsp;With pulling learn to break his defense
-|-
-| <small>6</small>
-| Note if he wants to pull back<br/>&emsp;From harm and flee
-|-
-| <small>7</small>
-| Then approach him<br/>&emsp;To surely attend to grasp
-|}
-| <p><br/><br/></p>
-<p><br/></p>
+{{section|Page:Cod.44.A.8 007r.jpg|4|lbl=07r.4}}
+| <p><br/></p>
-{{paget|Page:MS 3227a|60r|jpg|p=1}}
+{{section|Page:MS KK5126 105v.jpg|8|lbl=105v.8}}
-| {{section|Page:MS Chart.A.558 048v.jpg|1|lbl=48v}}
-| {{section|Page:Cod.44.A.8 008v.jpg|1|lbl=08v}}
-| {{section|Page:MS KK5126 105v.jpg|10|lbl=105v}}
 |
 |
-{{paget|Page:MS Germ.Quart.2020|199r|jpg|p=1}} {{section|Page:MS Germ.Quart.2020 199v.jpg|1|lbl=199v|p=1}}
 |
 |
-{{section|Page:Reichsstadt "Schätze" Nr. 82 018v.jpg|15|lbl=18v|p=1}} {{section|Page:Reichsstadt "Schätze" Nr. 82 019r.jpg|1|lbl=19r|p=1}}
+| <p><br/></p>
+{{section|Page:MS Germ.Quart.2020 164v.jpg|4|lbl=164v.4|p=1}} {{section|Page:MS Germ.Quart.2020 165r.jpg|1|lbl=165r.1|p=1}}
+| <p><br/></p>
+{{section|Page:Reichsstadt "Schätze" Nr. 82 018r.jpg|1|lbl=18r.1}}
 |
+}}
-|-
+{{Liechtenauer row D|12
-| <p>{{red|b=1|This is the wrestling in dueling}}</p>
+| <p><br/></p>
-{| class="zettel"
+{{section|Page:MS 3227a 59r.jpg|2|lbl=-}}
-|-
-| <small>8</small>
-| If you want to wrestle<br/>&emsp;learn to spring correctly behind the leg
-|-
-| <small>9</small>
-| A bar shoot forth<br/>&emsp;That skillfully locks the leg
-|-
-| <small>10</small>
-| From both sides<br/>&emsp;If you want to skillfully end
-|}
-| {{paget|Page:MS 3227a|61v|jpg}}
 | <p><br/></p>
-{{section|Page:MS Chart.A.558 048v.jpg|2|lbl=-}}
+{{section|Page:MS Chart.A.558 022r.jpg|3|lbl=22r.3}}
-| {{section|Page:Cod.44.A.8 008v.jpg|2|lbl=-}}
-| {{section|Page:MS KK5126 105v.jpg|11|lbl=105v}}
-| {{section|Page:MS M.I.29 129r.jpg|1|lbl=129r}}
-|
-{{section|Page:MS Germ.Quart.2020 199v.jpg|2|lbl=-|p=1}}<br/>{{section|Page:MS Germ.Quart.2020 200r.jpg|1|lbl=200r|p=1}}
-| {{section|Page:MS 26-232 100v.png|4|lbl=100v}}
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 019r.jpg|2|lbl=-}}
 | <p><br/></p>
-{{section|Page:MS Var.82 074v.png|5|lbl=74v|p=1}} {{section|Page:MS Var.82 075r.png|1|lbl=75r|p=1}}
+{{section|Page:Cod.44.A.8 007r.jpg|5|lbl=07r.5}}
+| <p><br/></p>
-|-
+{{section|Page:MS KK5126 105v.jpg|9|lbl=105v.9}}
+|
 |
-{| class="zettel"
-|-
-| <small>11</small>
-| If it happens that<br/>&emsp;The sword against the spear is drawn
-|-
-| <small>12</small>
-| Then behold the thrusts.<br/>&emsp;Spring, catch, hasten to him to wrestle
-|-
-| <small>13</small>
-| Strike long with the left hand<br/>&emsp;Spring wisely and seize him
-|-
-| <small>14</small>
-| If he wants to draw<br/>&emsp;from the scabbard, grasp and press in
-|-
-| <small>15</small>
-| So that his openings<br/>&emsp;With the sword point are troubled
-|-
-| <small>16</small>
-| Leather and gauntlets<br/>&emsp;Under the eyes seek the openings correctly
-|-
-| <small>17</small>
-| The forbidden wrestling<br/>&emsp;surely learn to use
-|-
-| <small>18</small>
-| To lock your foe<br/>&emsp;The strong thereby overcome
-|-
-| <small>19</small>
-| In all teachings<br/>&emsp;Turn the point against the openings
-|}
-| {{paget|Page:MS 3227a|59v|jpg}}
-| {{section|Page:MS Chart.A.558 048v.jpg|3|lbl=-}}
-| {{section|Page:Cod.44.A.8 008v.jpg|3|lbl=-}}
-| {{section|Page:MS KK5126 105v.jpg|12|lbl=-}}
 |
-{{section|Page:MS M.I.29 129r.jpg|2|lbl=-|p=1}}<br/>{{section|Page:MS M.I.29 129v.jpg|1|lbl=129v|p=1}}
 |
-{{section|Page:MS Germ.Quart.2020 200r.jpg|2|lbl=-|p=1}} {{section|Page:MS Germ.Quart.2020 200v.jpg|1|lbl=200v|p=1}}
+| <p><br/></p>
-| {{section|Page:MS 26-232 100v.png|5|lbl=100v}}
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 019r.jpg|3|lbl=-}}
-| {{section|Page:MS Var.82 075r.png|2|lbl=-}}
-|-
+{{section|Page:MS Germ.Quart.2020 165r.jpg|2|lbl=165r.2}}
-| class="noline" |
+| <p><br/></p>
-{| class="zettel"
-|-
-| <small>20</small>
-| When one sees that from the scabbard<br/>&emsp;Both swords are being drawn
-|-
-| <small>21</small>
-| Then shall one strengthen<br/>&emsp;The protection now truly remember
-|-
-| <small>22</small>
-| Before and After, these two things<br/>&emsp;Explore surely, learn also to spring away
-|-
-| <small>23</small>
-| Follow in all meetings<br/>&emsp;If you want to fool the strong.
-|-
-| <small>24</small>
-| If he defends, then pull<br/>&emsp;Thrust, if he defends, move to him
-|-
-| <small>25</small>
-| If he fights extended<br/>&emsp;Then be artfully instructed
-|-
-| <small>26</small>
-| If he also attacks strongly<br/>&emsp;The thrusting defeats him
-|-
-| <small>27</small>
-| With his battering point<br/>&emsp;He defends himself—hit without fear
-|-
-| <small>28</small>
-| With both hands<br/>&emsp;Learn to turn your point to the eyes
-|-
-| <small>29</small>
-| The forward foot<br/>&emsp;With striking you must protect.
-|}
-| class="noline" | {{paget|Page:MS 3227a|60v|jpg}}
-| class="noline" | {{section|Page:MS Chart.A.558 048v.jpg|4|lbl=-}}
-| class="noline" |
-{{section|Page:Cod.44.A.8 008v.jpg|4|lbl=-|p=1}} {{paget|Page:Cod.44.A.8|009r|jpg|1|lbl=09r|p=1}}
-| class="noline" |
-{{section|Page:MS KK5126 105v.jpg|13|lbl=-|p=1}} {{section|Page:MS KK5126 106r.jpg|1|lbl=106r|p=1}}
-| class="noline" |
-{{section|Page:MS M.I.29 129v.jpg|2|lbl=-|p=1}}<br/>{{section|Page:MS M.I.29 130r.jpg|1|lbl=130r|p=1}}
-| class="noline" |
-{{section|Page:MS Germ.Quart.2020 200v.jpg|2|lbl=-|p=1}} {{section|Page:MS Germ.Quart.2020 201r.jpg|1|lbl=201r|p=1}}
-| class="noline" | {{section|Page:MS 26-232 100v.png|6|lbl=-}}
-| class="noline" |
-{{section|Page:Reichsstadt "Schätze" Nr. 82 019r.jpg|4|lbl=-|p=1}}<br/>{{section|Page:Reichsstadt "Schätze" Nr. 82 019v.jpg|1|lbl=19v|p=1}}
-| class="noline" | {{section|Page:MS Var.82 075r.png|3|lbl=-}}
-|}
+{{section|Page:Reichsstadt "Schätze" Nr. 82 018r.jpg|2|lbl=18r.2}}
-{{master end}}
+|
+}}
-{{master begin
+{{Liechtenauer row D|13
-  | title = Figures
+| <p><br/><br/></p>
-  | width = 210em
-}}
-{| class="master"
-|-
-! <p>Images<br/>from the [[Starhemberg Fechtbuch (Cod.44.A.8)|Rome Version]]</p>
-! <p>{{rating|A|Featured Translation (from the Rome)}}<br/>by [[Christian Tobler]]</p>
-! <p>[[Talhoffer Fechtbuch (MS Chart.A.558)|Gotha Version]] (1448){{edit index|Talhoffer Fechtbuch (MS Chart.A.558)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
-! <p>[[Starhemberg Fechtbuch (Cod.44.A.8)|Rome Version]] (1452){{edit index|Starhemberg Fechtbuch (Cod.44.A.8)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
-! <p>[[Glasgow Fechtbuch (MS E.1939.65.341)|Glasgow Version]] (1508){{edit index|Glasgow Fechtbuch (MS E.1939.65.341)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
-! <p>[[Goliath Fechtbuch (MS Germ.Quart.2020)|Krakow Version]] (1535-40){{edit index|Goliath Fechtbuch (MS Germ.Quart.2020)}}<br/>Transcribed by [[Per Magnus Haaland]]</p>
-! <p>[[Rast Fechtbuch (Reichsstadt "Schätze" Nr. 82)|Augsburg Ⅱ Version]] (1553){{edit index|Rast Fechtbuch (Reichsstadt "Schätze" Nr. 82)}}<br/>Transcribed by [[Werner Ueberschär]]</p>
-|-
+<p><br/></p>
-| class="noline" rowspan="29" | {{double page|Cod.44.A.8 7v.jpg|Cod.44.A.8 8r.jpg|x288px|x288px}}
-{{double page|MS Chart.A.558 022v.jpg|MS Chart.A.558 023r.jpg|200px|200px}}
+{{paget|Page:MS 3227a|60r|jpg|p=1}}
-| <p>'''Figures of the Fight on Horseback'''</p>
+| {{section|Page:MS Chart.A.558 048v.jpg|1|lbl=48v.1}}
+| {{section|Page:Cod.44.A.8 008v.jpg|1|lbl=08v.1}}
+| {{section|Page:MS KK5126 105v.jpg|10|lbl=105v.10}}
 |
 |
 |
-| {{section|Page:MS Germ.Quart.2020 165v.jpg|1|lbl=165v}}
 |
+|
+{{paget|Page:MS Germ.Quart.2020|199r|jpg|p=1}} {{section|Page:MS Germ.Quart.2020 199v.jpg|1|lbl=199v.1|p=1}}
+|
+{{section|Page:Reichsstadt "Schätze" Nr. 82 018v.jpg|15|lbl=18v|p=1}} {{section|Page:Reichsstadt "Schätze" Nr. 82 019r.jpg|1|lbl=19r.1|p=1}}
+|
+}}
-|-
+{{Liechtenauer row D|14
-| <p>{{red|Direct your spear etc, If it falls etc, Strike in, don't pull, etc.}}<br/><br/></p>
+| {{paget|Page:MS 3227a|61v|jpg}}
+| <p><br/></p>
-<p>Gloss: Pull to his left, grasp in his right, so you catch him there without fencing.</p>
+{{section|Page:MS Chart.A.558 048v.jpg|2|lbl=48v.2}}
+| {{section|Page:Cod.44.A.8 008v.jpg|2|lbl=08v.2}}
+| {{section|Page:MS KK5126 105v.jpg|11|lbl=105v.11}}
+| {{section|Page:MS M.I.29 129r.jpg|1|lbl=129r.1}}
 |
-| {{section|Page:Cod.44.A.8 007v.jpg|14|lbl=07v}}
 |
+| {{section|Page:MS 26-232 100v.png|4|lbl=100v.1}}
 |
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 018r.jpg|4|lbl=18r}}
+{{section|Page:MS Germ.Quart.2020 199v.jpg|2|lbl=199v.2|p=1}}<br/>{{section|Page:MS Germ.Quart.2020 200r.jpg|1|lbl=200r.1|p=1}}
+| {{section|Page:Reichsstadt "Schätze" Nr. 82 019r.jpg|2|lbl=19r.2}}
+| <p><br/></p>
-|-
+{{section|Page:MS Var.82 074v.png|5|lbl=74v|p=1}} {{section|Page:MS Var.82 075r.png|1|lbl=75r.1|p=1}}
-| <p>The 1st Figure: {{red|Charge from the breast to his right hand.}}</p>
+}}
-| {{section|Page:MS Chart.A.558 022v.jpg|1|lbl=22v}}
-| {{section|Page:Cod.44.A.8 007v.jpg|1|lbl=-}}
-| {{section|Page:MS E.1939.65.341 074r.jpg|1|lbl=74r}}
-| {{section|Page:MS Germ.Quart.2020 165v.jpg|2|lbl=-}}
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 018r.jpg|3|lbl=-}}
-|-
+{{Liechtenauer row D|15
-| <p>{{red|The 2nd Figure:}} Turn around with the horse, pull his right hand with your left.</p>
+| <p><br/></p>
-| {{section|Page:MS Chart.A.558 022v.jpg|2|lbl=-}}
-| {{section|Page:Cod.44.A.8 007v.jpg|2|lbl=-}}
-| {{section|Page:MS E.1939.65.341 074r.jpg|2|lbl=-}}
-| {{section|Page:MS Germ.Quart.2020 165v.jpg|3|lbl=-}}
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 018r.jpg|5|lbl=-}}
-|-
+{{paget|Page:MS 3227a|59v|jpg}}
-| <p>The 3rd Figure: {{red|Upon the encounter, take the stirrup-strap or the weapon.}}</p>
+| <p><br/></p>
-| {{section|Page:MS Chart.A.558 022v.jpg|3|lbl=-}}
-| {{section|Page:Cod.44.A.8 007v.jpg|3|lbl=-}}
-| {{section|Page:MS E.1939.65.341 074r.jpg|3|lbl=-}}
-| {{section|Page:MS Germ.Quart.2020 165v.jpg|4|lbl=-}}
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 018r.jpg|6|lbl=-}}
-|-
+{{section|Page:MS Chart.A.558 048v.jpg|3|lbl=48v.3}}
-| <p>{{red|The 4th Figure:}} Plant upon him high, swing, go through or break the sword.</p>
+| <p><br/></p>
-| {{section|Page:MS Chart.A.558 022v.jpg|4|lbl=-}}
-| {{section|Page:Cod.44.A.8 007v.jpg|4|lbl=-}}
-| {{section|Page:MS E.1939.65.341 074r.jpg|4|lbl=-}}
-| {{section|Page:MS Germ.Quart.2020 165v.jpg|5|lbl=-}}
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 018r.jpg|7|lbl=-}}
-|-
+{{section|Page:Cod.44.A.8 008v.jpg|3|lbl=08v.3}}
-| <p>The 5th Figure: {{red|The defense precedes all meetings, striking, or thrusting.}}</p>
+| <p><br/></p>
-| {{section|Page:MS Chart.A.558 022v.jpg|5|lbl=-}}
-| {{section|Page:Cod.44.A.8 007v.jpg|5|lbl=-}}
-| {{section|Page:MS E.1939.65.341 074r.jpg|5|lbl=-}}
-| {{section|Page:MS Germ.Quart.2020 165v.jpg|6|lbl=-}}
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 018r.jpg|8|lbl=-}}
-|-
+{{section|Page:MS KK5126 105v.jpg|12|lbl=105v.12}}
-| <p>{{red|The 6th Figure:}} Take the strong with both hands.</p>
+| <p><br/></p>
-| {{section|Page:MS Chart.A.558 022v.jpg|6|lbl=-}}
-| {{section|Page:Cod.44.A.8 007v.jpg|6|lbl=-}}
-| {{section|Page:MS E.1939.65.341 074r.jpg|6|lbl=-}}
-| {{section|Page:MS Germ.Quart.2020 165v.jpg|7|lbl=-}}
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 018r.jpg|9|lbl=-}}
-|-
+{{section|Page:MS M.I.29 129r.jpg|2|lbl=129r.2|p=1}}<br/>{{section|Page:MS M.I.29 129v.jpg|1|lbl=129v.1|p=1}}
-| <p>The 7th Figure: {{red|Now begin to seek the opponent with the Slapping Stroke.}}</p>
+|
-| {{section|Page:MS Chart.A.558 022v.jpg|9|lbl=-}}
+|
-| {{section|Page:Cod.44.A.8 007v.jpg|7|lbl=-}}
+| <p><br/></p>
-| {{section|Page:MS E.1939.65.341 074r.jpg|7|lbl=-}}
-| {{section|Page:MS Germ.Quart.2020 165v.jpg|8|lbl=-}}
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 018r.jpg|10|lbl=-}}
-|-
+{{section|Page:MS 26-232 100v.png|5|lbl=100v.2}}
-| <p>{{red|The 8th Figure:}} Turn his right hand, set the point to his eyes.</p>
+| <p><br/></p>
-| {{section|Page:MS Chart.A.558 022v.jpg|7|lbl=-}}
-| {{section|Page:Cod.44.A.8 007v.jpg|8|lbl=-}}
-| {{section|Page:MS E.1939.65.341 074r.jpg|8|lbl=-}}
-| {{section|Page:MS Germ.Quart.2020 165v.jpg|9|lbl=-}}
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 018r.jpg|11|lbl=-}}
-|-
+{{section|Page:MS Germ.Quart.2020 200r.jpg|2|lbl=200r.2|p=1}} {{section|Page:MS Germ.Quart.2020 200v.jpg|1|lbl=200v.1|p=1}}
-| <p>The 9th Figure: {{red|Who defends against the thrust, grasp his right hand in your left.}}</p>
+| <p><br/></p>
-| {{section|Page:MS Chart.A.558 022v.jpg|8|lbl=-}}
-| {{section|Page:Cod.44.A.8 007v.jpg|9|lbl=-}}
-| {{section|Page:MS E.1939.65.341 074r.jpg|9|lbl=-}}
-| {{section|Page:MS Germ.Quart.2020 165v.jpg|10|lbl=-}}
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 018r.jpg|12|lbl=-}}
-|-
+{{section|Page:Reichsstadt "Schätze" Nr. 82 019r.jpg|3|lbl=19r.3}}
-| <p>{{red|The 10th Figure:}} Seek the openings: arms, leather, gauntlets, under the eyes.</p>
+| <p><br/></p>
-| {{section|Page:MS Chart.A.558 022v.jpg|11|lbl=-}}
-| {{section|Page:Cod.44.A.8 007v.jpg|10|lbl=-}}
-| {{section|Page:MS E.1939.65.341 074r.jpg|11|lbl=-}}
-| {{section|Page:MS Germ.Quart.2020 165v.jpg|11|lbl=-}}
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 018r.jpg|13|lbl=-}}
-|-
+{{section|Page:MS Var.82 075r.png|2|lbl=75r.2}}
-| <p>The 11th Figure: {{red|Press hard, push from the reins and seek his messer.}}</p>
+}}
-| {{section|Page:MS Chart.A.558 022v.jpg|10|lbl=-}}
-| {{section|Page:Cod.44.A.8 007v.jpg|11|lbl=-}}
-| {{section|Page:MS E.1939.65.341 074r.jpg|10|lbl=-}}
-| {{section|Page:MS Germ.Quart.2020 165v.jpg|12|lbl=-}}
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 018r.jpg|14|lbl=-}}
-|-
+{{Liechtenauer row D|16
-| <p>{{red|The 12th Figure:}} With the empty hand learn two strokes against all weapons.</p>
+| <p><br/></p>
-| {{section|Page:MS Chart.A.558 022v.jpg|12|lbl=-}}
-| {{section|Page:Cod.44.A.8 007v.jpg|12|lbl=-}}
-| {{section|Page:MS E.1939.65.341 074r.jpg|12|lbl=-}}
-| {{section|Page:MS Germ.Quart.2020 165v.jpg|13|lbl=-}}
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 018r.jpg|15|lbl=-}}
-|-
+{{paget|Page:MS 3227a|60v|jpg}}
-| <p>The 13th Figure: {{red|The Sheep Grip defends against all wrestling grips under the eyes.}}</p>
+| <p><br/></p>
-| {{section|Page:MS Chart.A.558 022v.jpg|13|lbl=-}}
-| {{section|Page:Cod.44.A.8 007v.jpg|13|lbl=-}}
-| {{section|Page:MS E.1939.65.341 074v.jpg|1|lbl=74v}}
-| {{section|Page:MS Germ.Quart.2020 165v.jpg|14|lbl=-}}
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 018r.jpg|16|lbl=-}}
-|-
+{{section|Page:MS Chart.A.558 048v.jpg|4|lbl=48v.4}}
-| <p>{{red|The 14th Figure:}} Turn around again to where the horses hasten.</p>
+| <p><br/></p>
-| {{section|Page:MS Chart.A.558 023r.jpg|1|lbl=23r}}
-| {{section|Page:Cod.44.A.8 008r.jpg|1|lbl=-}}
-| {{section|Page:MS E.1939.65.341 074v.jpg|2|lbl=-}}
-| {{section|Page:MS Germ.Quart.2020 165v.jpg|15|lbl=-}}
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 018v.jpg|1|lbl=18v}}
-|-
+{{section|Page:Cod.44.A.8 008v.jpg|4|lbl=08v.4|p=1}} {{paget|Page:Cod.44.A.8|009r|jpg|1|lbl=09r|p=1}}
-| <p>The 15th Figure: {{red|Up close, catch the hand, turn over his face to where the nape is.}}</p>
+| <p><br/></p>
-| {{section|Page:MS Chart.A.558 023r.jpg|2|lbl=-}}
-| {{section|Page:Cod.44.A.8 008r.jpg|2|lbl=-}}
-| {{section|Page:MS E.1939.65.341 074v.jpg|3|lbl=-}}
-| {{section|Page:MS Germ.Quart.2020 166r.jpg|1|lbl=166r}}
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 018v.jpg|2|lbl=-}}
-|-
+{{section|Page:MS KK5126 105v.jpg|13|lbl=105v.13|p=1}} {{section|Page:MS KK5126 106r.jpg|1|lbl=106r|p=1}}
-| <p>{{red|The 16th Figure:}} Catch the weapon from afar while you ride against him.</p>
+|
-| {{section|Page:MS Chart.A.558 023r.jpg|3|lbl=-}}
+|
-| {{section|Page:Cod.44.A.8 008r.jpg|3|lbl=-}}
+| <p><br/></p>
-| {{section|Page:MS E.1939.65.341 074v.jpg|4|lbl=-}}
-| {{section|Page:MS Germ.Quart.2020 166r.jpg|2|lbl=-}}
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 018v.jpg|3|lbl=-}}
-|-
+{{section|Page:MS M.I.29 129v.jpg|2|lbl=129v.2|p=1}}<br/>{{section|Page:MS M.I.29 130r.jpg|1|lbl=130r|p=1}}
-| <p>The 17th Figure: {{red|If you charge to the left, then fall to the sword pommel, jab under the eyes.}}</p>
+| <p><br/></p>
-| {{section|Page:MS Chart.A.558 023r.jpg|7|lbl=-}}
-| {{section|Page:Cod.44.A.8 008r.jpg|4|lbl=-}}
-| {{section|Page:MS E.1939.65.341 074v.jpg|6|lbl=-}}
-| {{section|Page:MS Germ.Quart.2020 166r.jpg|3|lbl=-}}
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 018v.jpg|4|lbl=-}}
-|-
+{{section|Page:MS 26-232 100v.png|6|lbl=100v.3}}
-| <p>{{red|The 18th Figure:}} Charge to the right side with its skill.</p>
+| <p><br/></p>
-| {{section|Page:MS Chart.A.558 023r.jpg|6|lbl=-}}
-| {{section|Page:Cod.44.A.8 008r.jpg|5|lbl=-}}
-| {{section|Page:MS E.1939.65.341 074v.jpg|5|lbl=-}}
-| {{section|Page:MS Germ.Quart.2020 166r.jpg|4|lbl=-}}
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 018v.jpg|5|lbl=-}}
-|-
+{{section|Page:MS Germ.Quart.2020 200v.jpg|2|lbl=200v.2|p=1}} {{paget|Page:MS Germ.Quart.2020|201r|jpg|p=1}}
-| <p>The 19th Figure: {{red|Plant the point upon him to the face.}}</p>
+| <p><br/></p>
-| {{section|Page:MS Chart.A.558 023r.jpg|4|lbl=-}}
-| {{section|Page:Cod.44.A.8 008r.jpg|6|lbl=-}}
-| {{section|Page:MS E.1939.65.341 074v.jpg|7|lbl=-}}
-| {{section|Page:MS Germ.Quart.2020 166r.jpg|5|lbl=-}}
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 018v.jpg|6|lbl=-}}
-|-
+{{section|Page:Reichsstadt "Schätze" Nr. 82 019r.jpg|4|lbl=19r.4|p=1}}<br/>{{section|Page:Reichsstadt "Schätze" Nr. 82 019v.jpg|1|lbl=19v|p=1}}
-| <p>{{red|The 20th Figure:}} Shatter against all hits that ever happen.</p>
+| <p><br/></p>
-| {{section|Page:MS Chart.A.558 023r.jpg|5|lbl=-}}
-| {{section|Page:Cod.44.A.8 008r.jpg|7|lbl=-}}
-| {{section|Page:MS E.1939.65.341 074v.jpg|8|lbl=-}}
-| {{section|Page:MS Germ.Quart.2020 166r.jpg|6|lbl=-}}
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 018v.jpg|7|lbl=-}}
-|-
+{{section|Page:MS Var.82 075r.png|3|lbl=75r.3}}
-| <p>The 21st Figure: {{red|The strong in the beginning position yourself therein correctly.}}</p>
+}}
-| {{section|Page:MS Chart.A.558 023r.jpg|10|lbl=-}}
+</table>
-| {{section|Page:Cod.44.A.8 008r.jpg|8|lbl=-}}
+</div>
-| {{section|Page:MS E.1939.65.341 074v.jpg|9|lbl=-}}
-| {{section|Page:MS Germ.Quart.2020 166r.jpg|7|lbl=-}}
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 018v.jpg|8|lbl=-}}
-|-
-| <p>{{red|The 22nd Figure:}} He who rushes the spear to the other is met beneath the eyes.</p>
-| {{section|Page:MS Chart.A.558 023r.jpg|11|lbl=-}}
-| {{section|Page:Cod.44.A.8 008r.jpg|9|lbl=-}}
-| {{section|Page:MS E.1939.65.341 074v.jpg|10|lbl=-}}
-| {{section|Page:MS Germ.Quart.2020 166r.jpg|8|lbl=-}}
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 018v.jpg|9|lbl=-}}
-|-
-| <p>The 23rd Figure: {{red|The Unnamed Grip takes the weapon or fells him.}}</p>
-| {{section|Page:MS Chart.A.558 023r.jpg|8|lbl=-}}
-| {{section|Page:Cod.44.A.8 008r.jpg|10|lbl=-}}
-| {{section|Page:MS E.1939.65.341 074v.jpg|11|lbl=-}}
-| {{section|Page:MS Germ.Quart.2020 166r.jpg|9|lbl=-}}
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 018v.jpg|10|lbl=-}}
-|-
-| <p>{{red|The 24th Figure:}} If an opponent charges you to both sides, turn around left and thus he rightly comes.</p>
-| {{section|Page:MS Chart.A.558 023r.jpg|9|lbl=-}}
-| {{section|Page:Cod.44.A.8 008r.jpg|11|lbl=-}}
-| {{section|Page:MS E.1939.65.341 074v.jpg|12|lbl=-}}
-| {{section|Page:MS Germ.Quart.2020 166r.jpg|10|lbl=-}}
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 018v.jpg|11|lbl=-}}
-|-
-| <p>The 25th Figure: {{red|Be mindful to take and hold the messer.}}</p>
-| {{section|Page:MS Chart.A.558 023r.jpg|12|lbl=-}}
-| {{section|Page:Cod.44.A.8 008r.jpg|12|lbl=-}}
-| {{section|Page:MS E.1939.65.341 075r.jpg|1|lbl=75r}}
-| {{section|Page:MS Germ.Quart.2020 166r.jpg|11|lbl=-}}
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 018v.jpg|12|lbl=-}}
-|-
-| <p>{{red|The 26th Figure:}} Grasp over an opponent who falls upon you or ride against him.</p>
-| {{section|Page:MS Chart.A.558 023r.jpg|13|lbl=-}}
-| {{section|Page:Cod.44.A.8 008r.jpg|13|lbl=-}}
-| {{section|Page:MS E.1939.65.341 075r.jpg|2|lbl=-}}
-| {{section|Page:MS Germ.Quart.2020 166r.jpg|12|lbl=-}}
-| {{section|Page:Reichsstadt "Schätze" Nr. 82 018v.jpg|13|lbl=-}}
-|-
-| class="noline" | <p>{{red|If you want to grasp, you should not fail to ride beside him. Execute the Sun Pointer to the left sleeve if you want to bend.}}</p>
-<p>Who attacks you with that, grasp over against him and he will be shamed. Press the arm to the head. This grip often robs the saddle.</p>
-| class="noline" |
-| class="noline" | {{section|Page:Cod.44.A.8 008r.jpg|14|lbl=08r}}
-| class="noline" |
-| class="noline" |
-| class="noline" | {{section|Page:Reichsstadt "Schätze" Nr. 82 018v.jpg|14|lbl=-}}
-|}
-{{master end}}
 {{master begin
@@ Line 1,988: / Line 1,580: @@
 {{sourcebox
 | work        = Translation
-| authors     = [[translator::Christian Tobler]]
+| authors     = [[translator::Michael Chidester]]
-| source link = http://www.freelanceacademypress.com/insaintgeorgesname.aspx
+| source link = https://wiktenauer.com/images/e/e8/Rhyming_Zettel_Translation_(Chidester).pdf
-| source title= ''In Saint George's Name: An Anthology of Medieval German Fighting Arts''
+| source title= Wiktenauer
+| license     = noncommercial
+}}
+{{sourcebox
+| work        = Translation
+| authors     = [[translator::Christian Henry Tobler]]
+| source link = https://www.freelanceacademypress.com/ThePetervonDanzigFightBook.aspx
+| source title= ''The Peter von Danzig Fight Book''
 | license     = copyrighted
+}}
+{{sourcebox
+| work        = Translation
+| authors     = [[translator::Mike Rasmusson]]
+| source link = https://schielhau.org/goliath.p1-20.html
+| source title= Schielhau.org
+ | license     = GNU
 }}
 {{sourcebox
@@ Line 2,098: / Line 1,704: @@
   | license     = noncommercial
 }}
 {{sourcebox
   | work        = [[Pol Hausbuch (MS 3227a)|Nuremberg Transcription]]
@@ Line 2,117: / Line 1,722: @@
   | authors     = [[Dierk Hagedorn]]
   | source link =
-  | source title= [[Index:Oplodidaskalia sive Armorvm Tractandorvm Meditatio Alberti Dvreri (MS 26-232)]]
+  | source title= {{nowrap|[[Index:Oplodidaskalia sive Armorvm Tractandorvm Meditatio Alberti Dvreri (MS 26-232)]]}}
   | license     = copyrighted
 }}