Wiktenauer logo.png

Difference between revisions of "Andre Lignitzer"

From Wiktenauer
Jump to navigation Jump to search
 
(76 intermediate revisions by 2 users not shown)
Line 1: Line 1:
 
{{Infobox writer
 
{{Infobox writer
| name                = [[name::Andre Liegniczer]]
+
| name                = [[name::Andre Lignitzer]]
 
| image                =  
 
| image                =  
 
| imagesize            =  
 
| imagesize            =  
Line 29: Line 29:
 
| movement            = [[Fellowship of Liechtenauer]]
 
| movement            = [[Fellowship of Liechtenauer]]
 
| notableworks        =  
 
| notableworks        =  
| manuscript(s)        =
 
 
| manuscript(s)        = {{collapsible list
 
| manuscript(s)        = {{collapsible list
  | [[Codex Danzig (Cod.44.A.8)|Cod.44.A.8]] (1452)
+
  | [[Starhemberg Fechtbuch (Cod.44.A.8)|Cod. 44.A.8]] (1452)
  | [[Codex Lew (Cod.I.6.4º.3)|Cod.I.6.4º.3]] (1460s)
+
  | [[Codex Lew (Cod.I.6.4º.3)|Cod. I.6.4º.3]] (1460s)
 
  | [[Paulus Kal Fechtbuch (MS KK5126)|MS KK5126]] (1480s)
 
  | [[Paulus Kal Fechtbuch (MS KK5126)|MS KK5126]] (1480s)
 
  | [[Codex Speyer (MS M.I.29)|MS M.I.29]] (1491)
 
  | [[Codex Speyer (MS M.I.29)|MS M.I.29]] (1491)
  | [[Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)|MS Dresd.C.487]] (ca.1500s)
+
| [[Ortenburg Fechtbuch]] (1400s)
 +
  | [[Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)|MS Dresd. C.487]] (1504-19)
 
  | [[Glasgow Fechtbuch (MS E.1939.65.341)|MS E.1939.65.341]] (1508)
 
  | [[Glasgow Fechtbuch (MS E.1939.65.341)|MS E.1939.65.341]] (1508)
  | [[Goliath Fechtbuch (MS Germ.Quart.2020)|MS Germ.Quart.2020]] (1510s)
+
  | [[Goliath Fechtbuch (MS Germ.Quart.2020)|MS Germ.Quart.2020]] (1535-40)
  | [[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|MSS Dresden C.93/94]] (1542)
+
| [[Über die Fechtkunst und den Ringkampf (MS 963)|MS 963]] (1539)
  | [[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Codex 10825/10826]] (1550s)
+
  | [[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|MSS Dresd. C.93/94]] (1542)
  | [[Opus Amplissimum de Arte Athletica (Cod.icon. 393)|Codex Icon 393 I & II]] (1550s)
+
  | [[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Cod. 10825/10826]] (1550s)
  | [[Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)|Cod.I.6.2º.2]] (1564)
+
  | [[Opus Amplissimum de Arte Athletica (Cod.icon. 393)|Cod.icon. 393]] (1550s)
 +
  | [[Maister Liechtenawers Kunstbuech (Cgm 3712)|Cgm 3712]] (1556)
 +
| [[Wilhalm/Sollinger Fechtbuch (Cod.I.6.2º.2)|Cod. I.6.2º.2]] (1564)
 
}}
 
}}
 
| principal manuscript(s)=
 
| principal manuscript(s)=
Line 50: Line 52:
 
| partner              =  
 
| partner              =  
 
| children            =  
 
| children            =  
| relatives            = Jacob Liegniczer (brother)
+
| relatives            = Jacob Lignitzer (brother)
 
| influences          =  
 
| influences          =  
 
| influenced          =  
 
| influenced          =  
Line 57: Line 59:
 
| website              =  
 
| website              =  
 
| translations        = {{collapsible list
 
| translations        = {{collapsible list
  | {{German translation|http://www.hammaborg.de/en/transkriptionen/peter_von_danzig/index.php|1}}
+
  | {{German translation|http://www.hammaborg.de/de/transkriptionen/peter_von_danzig/index.php|1}}
 
  | {{Hungarian translation|http://www.middleages.hu/magyar/harcmuveszet/vivokonyvek/vondanzig.php|1}}
 
  | {{Hungarian translation|http://www.middleages.hu/magyar/harcmuveszet/vivokonyvek/vondanzig.php|1}}
 
  | {{Italian translation|http://www.septemcustodie.it/wp/?p{{=}}2239|1}}
 
  | {{Italian translation|http://www.septemcustodie.it/wp/?p{{=}}2239|1}}
  | {{Slovenian translation|Andre Liegniczer/Slovenian|2}}
+
| {{Polish translation|http://feder.org.pl/images/pdfs/MS_DRESD_C_487-puklerz.pdf|1}}
 +
  | {{Slovenian translation|Andre Lignitzer/Slovenian|2}}
 
  | {{Swedish translation|http://www.historical-academy.co.uk/files/research/keith-farrell/Lignitzer%20Sword%20and%20Buckler.pdf|1}}
 
  | {{Swedish translation|http://www.historical-academy.co.uk/files/research/keith-farrell/Lignitzer%20Sword%20and%20Buckler.pdf|1}}
 
}}
 
}}
 
| below                =  
 
| below                =  
 
}}
 
}}
'''Andre Liegniczer''' (Andres Lignitzer) was a late 14th or early [[century::15th century]] [[nationality::German]] fencing master. His name might signify that he came from Legnica, Poland. While Liegniczer's precise lifetime is uncertain, he seems to have died some time before the creation of [[Codex Danzig (Cod.44.A.8)|Codex Danzig]] in 1452.<ref>He is given the traditional blessing on the dead on [[Page:Cod.44.A.8 073r.jpg|folio 73r]].</ref> He had a brother named '''Jacob Liegniczer''' who was also a fencing master,<ref name="Kal">The Fellowship of Liechtenauer is recorded in three versions of [[Paulus Kal]]'s treatise: [[Paulus Kal Fechtbuch (MS 1825)|MS 1825]] (1460s), [[Paulus Kal Fechtbuch (Cgm 1507)|Cgm 1570]] (ca. 1470), and [[Paulus Kal Fechtbuch (MS KK5126)|MS KK5126]] (1480s).</ref> but there is no record of any treatise Jacob may have authored. The only other fact that can be determined about Liegniczer's life is that his renown as a master was sufficient for [[Paulus Kal]] to include him, along with his brother, in his list of members of the [[Fellowship of Liechtenauer]] in 1470.<ref name="Kal"/>
+
'''Andre Lignitzer''' (Andres Liegniczer) was a late 14th or early [[century::15th century]] [[nationality::German]] fencing master. His name might signify that he came from Legnica, Poland (German: Lignitz). While Lignitzer's precise lifetime is uncertain, he seems to have died some time before the creation of the [[Starhemberg Fechtbuch (Cod.44.A.8)|Starhemberg Fechtbuch]] in 1452.<ref>He is given the traditional blessing on the dead on [[Page:Cod.44.A.8 073r.jpg|folio 73r]].</ref> He had a brother named '''Jacob Lignitzer''' who was also a fencing master,<ref name="Kal">The Fellowship of Liechtenauer is recorded in three versions of [[Paulus Kal]]'s treatise: [[Paulus Kal Fechtbuch (MS 1825)|MS 1825]] (1460s), [[Paulus Kal Fechtbuch (Cgm 1507)|Cgm 1507]] (ca. 1470), and [[Paulus Kal Fechtbuch (MS KK5126)|MS KK5126]] (1480s).</ref> but there is no record of any treatise Jacob may have authored. The only other fact that can be determined about Lignitzer's life is that his renown as a master was sufficient for [[Paulus Kal]] to include him, along with his brother, in his list of members of the [[Fellowship of Liechtenauer]] in 1470.<ref name="Kal"/>
  
An Andres Juden (Andres the Jew) is mentioned as a master associated with Liechtenauer in [[Pol Hausbuch (MS 3227a)|Pol Hausbuch]],<ref name="Döbringer">Anonymous. Untitled [manuscript]. [[Pol Hausbuch (MS 3227a)|MS 3227a]]. Nuremberg, Germany: [[Germanisches Nationalmuseum]], ca.1389.</ref> and [[Codex Speyer (MS M.I.29)|Codex Speyer]] contains a guide to converting between [[long sword]] and [[Messer]] techniques written by a "Magister [[Andreas]]",<ref name="Speyer">[[Hans von Speyer|von Speyer, Hans]]. Untitled [manuscript]. [[Codex Speyer (MS M.I.29)|MS M.I.29]]. Salzburg, Austria: [[Universitätsbibliothek Salzburg]], 1491.</ref> but it is not currently known whether either of these masters is Liegniczer.
+
An [[Andres Juden]] (Andres the Jew) is mentioned as a master associated with Liechtenauer in [[Pol Hausbuch (MS 3227a)|Pol Hausbuch]],<ref name="Döbringer">Anonymous. Untitled [manuscript]. [[Pol Hausbuch (MS 3227a)|MS 3227a]]. Nuremberg, Germany: [[Germanisches Nationalmuseum]], ca.1389.</ref> and [[Codex Speyer (MS M.I.29)|Codex Speyer]] contains a guide to converting between [[sword]] and [[Messer]] techniques written by a "Magister [[Andreas]]",<ref name="Speyer">[[Hans von Speyer|von Speyer, Hans]]. Untitled [manuscript]. [[Codex Speyer (MS M.I.29)|MS M.I.29]]. Salzburg, Austria: [[Universitätsbibliothek Salzburg]], 1491.</ref> but it is not currently known whether either of these masters is Lignitzer.
  
Andre Liegniczer is best known for his teachings on [[Arming sword|sword]] and [[buckler]], and some variation on this brief treatise is included in many compilation texts in the Liechtenauer tradition. He also authored treatises on fencing with the [[short sword]], [[dagger]], and [[grappling]], though these appear less frequently. Liegniczer's sword and buckler teachings are sometimes attributed to [[Sigmund ain Ringeck]] due to their unattributed inclusion in the [[Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)|MS Dresden C.487]], but this is clearly incorrect.
+
Andre Lignitzer is best known for his teachings on [[Arming sword|sword]] and [[buckler]], and some variation on this brief treatise is included in many compilation texts in the Liechtenauer tradition. He also authored treatises on fencing with the [[short sword]], [[dagger]], and [[grappling]], though these appear less frequently. Lignitzer's sword and buckler teachings are sometimes attributed to [[Sigmund ain Ringeck]] due to their unattributed inclusion in the [[Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)|MS Dresden C.487]], but this is clearly incorrect.
  
 
== Treatises ==
 
== Treatises ==
  
Note that the [[Codex Lew (Cod.I.6.4º.3)|Augsburg]] and [[Codex Speyer (MS M.I.29)|Salzburg]] versions of Liegniczer's treatise on short sword fencing are erroneously credited to [[Martin Huntfeltz]].
+
Note that the [[Codex Lew (Cod.I.6.4º.3)|Augsburg]], [[Codex Speyer (MS M.I.29)|Salzburg]], [[Über die Fechtkunst und den Ringkampf (MS 963)|Graz]], and [[Fechtbuch zu Ross und zu Fuss (MS Var.82)|Rostock]] versions of Lignitzer's treatise on short sword fencing are erroneously credited to [[Martin Huntsfeld]], while Huntsfeld's own treatise on the subject is credited to [[Lew]].<ref>Jaquet and Walczak 2014.</ref>
 +
 
 +
The text of the [[Goliath Fechtbuch (MS Germ.Quart.2020)|Krakow]] version of Lignitzer frequently refers to intended illustrations that were never added to the manuscript. The appropriate blank pages are included in the illustration column as placeholders. It's possible (though not likely, given what we know about its origins) that this manuscript was replicating another one with a complete set of illustrations; if this ever surfaces, the illustrations will be replaced.
  
 
{{master begin
 
{{master begin
  | title = Short sword
+
  | title = Short Sword
 
  | width = 420em
 
  | width = 420em
 
}}
 
}}
{| class="floated master" style="clear:both;"
+
{| class="master"
 
|-  
 
|-  
! <p>Images</p>
+
! <p>Illustrations</p>
 
! <p>{{rating|C|Draft Translation (from the Rome)}}<br/>by [[Mike Rasmusson]]</p>
 
! <p>{{rating|C|Draft Translation (from the Rome)}}<br/>by [[Mike Rasmusson]]</p>
! <p>[[Codex Danzig (Cod.44.A.8)|Rome Transcription]] (1452){{edit index|Codex Danzig (Cod.44.A.8)}}<br/>by [[Dierk Hagedorn]]</p>
+
! <p>[[Starhemberg Fechtbuch (Cod.44.A.8)|Rome Version]] (1452){{edit index|Starhemberg Fechtbuch (Cod.44.A.8)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
! <p>[[Codex Lew (Cod.I.6.4º.3)|Augsburg Transcription]] (1460s){{edit index|Codex Lew (Cod.I.6.4º.3)}}<br/>by [[Dierk Hagedorn]]</p>
+
! <p>[[Codex Lew (Cod.I.6.4º.3)|Augsburg Version]] (1460s){{edit index|Codex Lew (Cod.I.6.4º.3)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
! <p>[[Paulus Kal Fechtbuch (MS KK5126)|Vienna Transcription]] (1480s){{edit index|Paulus Kal Fechtbuch (MS KK5126)}}<br/>by [[Dierk Hagedorn]]</p>
+
! <p>[[Paulus Kal Fechtbuch (MS KK5126)|Vienna Version]] (1480s){{edit index|Paulus Kal Fechtbuch (MS KK5126)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
! <p>[[Codex Speyer (MS M.I.29)|Salzburg Transcription]] (1491){{edit index|Codex Speyer (MS M.I.29)}}<br/>by [[Dierk Hagedorn]]</p>
+
! <p>[[Codex Speyer (MS M.I.29)|Salzburg Version]] (1491){{edit index|Codex Speyer (MS M.I.29)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
! <p>[[Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)|Dresden Transcription]] (1504-1519){{edit index|Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)}}<br/>by [[Dierk Hagedorn]]</p>
+
! <p>[[Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)|Dresden Version]] (1504-1519){{edit index|Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
! <p>[[Glasgow Fechtbuch (MS E.1939.65.341)|Glasgow Transcription]] (1508){{edit index|Glasgow Fechtbuch (MS E.1939.65.341)}}<br/>by [[Dierk Hagedorn]]</p>
+
! <p>[[Glasgow Fechtbuch (MS E.1939.65.341)|Glasgow Version]] (1508){{edit index|Glasgow Fechtbuch (MS E.1939.65.341)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
! <p>[[Goliath Fechtbuch (MS Germ.Quart.2020)|Krakow Transcription]] (1535-40){{edit index|Goliath Fechtbuch (MS Germ.Quart.2020)}}<br/>by [[Bartłomiej Walczak]]</p>
+
! <p>[[Goliath Fechtbuch (MS Germ.Quart.2020)|Krakow Version]] (1535-40){{edit index|Goliath Fechtbuch (MS Germ.Quart.2020)}}<br/>Transcribed by [[Bartłomiej Walczak]]</p>
! <p>[[Über die Fechtkunst und den Ringkampf (MS 963)|Graz Transcription]] (1539){{edit index|Über die Fechtkunst und den Ringkampf (MS 963)}}<br/></p>
+
! <p>[[Über die Fechtkunst und den Ringkampf (MS 963)|Graz Version]] (1539){{edit index|Über die Fechtkunst und den Ringkampf (MS 963)}}<br/></p>
! <p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden (Mair) II Transcription]] (1542){{edit index|Opus Amplissimum de Arte Athletica (MS Dresd.C.94)}}<br/>by [[Bartłomiej Walczak]]</p>
+
! <p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden (Mair) Ⅱ Version]] (1542){{edit index|Opus Amplissimum de Arte Athletica (MS Dresd.C.94)}}<br/>Transcribed by [[Bartłomiej Walczak]]</p>
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna (Mair) II German Transcription]] (1550s){{edit index|Opus Amplissimum de Arte Athletica (Cod.10826)}}</p>
+
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna (Mair) German Version]] (1550s){{edit index|Opus Amplissimum de Arte Athletica (Cod.10826)}}</p>
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna (Mair) II Latin Transcription]] (1550s){{edit index|Opus Amplissimum de Arte Athletica (Cod.10826)}}</p>
+
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna (Mair) Latin Version]] (1550s){{edit index|Opus Amplissimum de Arte Athletica (Cod.10826)}}</p>
! <p>[[Opus Amplissimum de Arte Athletica (Cod.icon. 393)|Munich (Mair) I Transcription]] (1550s){{edit index|Opus Amplissimum de Arte Athletica (Cod.icon. 393 I)}}</p>
+
! <p>[[Opus Amplissimum de Arte Athletica (Cod.icon. 393)|Munich (Mair) Ⅰ Version]] (1550s){{edit index|Opus Amplissimum de Arte Athletica (Cod.icon. 393 I)}}</p>
 +
! <p>[[Fechtbuch zu Ross und zu Fuss (MS Var.82)|Rostock Version]] (1570){{edit index| Fechtbuch zu Ross und zu Fuss (MS Var.82)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
  
 
|-  
 
|-  
 
|  
 
|  
| <p>[1] {{red|b=1|Here you rise to the art of Master Andres, known as the Lignitzer and well respected, in the shortened sword in the ready hand as an effective knightly weapon.}}</p>
+
| <p>{{red|b=1|Here you rise to the art of Master Andres, known as the Lignitzer and well respected, in the shortened sword in the ready hand as an effective knightly weapon.}}</p>
 
 
<p>Note: take the sword with the right hand on the grip, and with the left grasp the middle of the blade, and go strongly to the man, so he must stab or strike. Indeed, come before to quickly engage forcefully and stay close.</p>
 
 
| {{section|Page:Cod.44.A.8 073r.jpg|1|lbl=73r}}
 
| {{section|Page:Cod.44.A.8 073r.jpg|1|lbl=73r}}
 
|  
 
|  
{{section|Page:Cod.I.6.4º.3 070r.jpg|2|lbl=70r|p=1}} {{section|Page:Cod.I.6.4º.3 070v.jpg|1|lbl=70v|p=1}}
+
{{section|Page:Cod.I.6.4º.3 070r.jpg|2|lbl=70r}}
 
|  
 
|  
| '''[137r] {{red|Hie heb sich an das kürtz swert in dem kanpff als es meinster mertein hündsfelder gesait hatt ~}}
+
| <p>[137r] {{red|b=1|Hie heb sich an das kürtz swert in dem kanpff als es meinster mertein hündsfelder gesait hatt ~}}</p>
<br/>
 
{{red|Item}} NIn das swertt bÿ der rechte~ hant bÿ dem beÿn vnd mit der lincken griff mitten in die clingen vnd ge vast zu dem man So müß er schlagen oder stechen do küm vor vnd biß rechs pleÿb sollichenn vnd griff nohenn ~
 
 
|  
 
|  
 
|  
 
|  
 
| {{section|Page:MS Germ.Quart.2020 252v.jpg|1|lbl=252v}}
 
| {{section|Page:MS Germ.Quart.2020 252v.jpg|1|lbl=252v}}
 +
|
 +
| {{section|Page:MS Dresd.C.94 244r.png|1|lbl=244r}}
 +
|
 +
|
 +
|
 +
| {{section|Page:MS Var.82 067r.png|3|lbl=67r.3}}
  
{{section|Page:MS Germ.Quart.2020 253r.jpg|1|lbl=253r}}
+
|-
 
|  
 
|  
| {{section|Page:MS Dresd.C.94 244r.png|1|lbl=244r}}
+
| <p>[1] Note: take the sword with the right hand on the grip, and with the left grasp the middle of the blade, and go strongly to the man, so he must stab or strike. Indeed come before to quickly engage forcefully and stay close.</p>
 +
| {{section|Page:Cod.44.A.8 073r.jpg|2|lbl=73r}}
 +
|
 +
{{section|Page:Cod.I.6.4º.3 070r.jpg|3|lbl=-|p=1}} {{section|Page:Cod.I.6.4º.3 070v.jpg|1|lbl=70v|p=1}}
 +
|
 +
| <p>{{red|b=1|Item}} NIn das swertt bÿ der rechte~ hant bÿ dem beÿn vnd mit der lincken griff mitten in die clingen vnd ge vast zu dem man So müß er schlagen oder stechen do küm vor vnd biß rechs pleÿb sollichenn vnd griff nohenn ~</p>
 +
|
 +
|
 +
| {{section|Page:MS Germ.Quart.2020 253r.jpg|1|lbl=253r}}
 +
|
 +
| {{section|Page:MS Dresd.C.94 244r.png|2|lbl=-}}
 
|  
 
|  
 
|  
 
|  
 
|  
 
|  
 +
| {{section|Page:MS Var.82 067r.png|4|lbl=67r.4}}
  
 
|-  
 
|-  
 
| rowspan="2" | [[file:MS Germ.Quart.2020 253v.jpg|400x400px|center]]
 
| rowspan="2" | [[file:MS Germ.Quart.2020 253v.jpg|400x400px|center]]
| <p>[2] {{red|b=1|The First Play.}}</p>
+
| <p>[2] {{red|b=1|The First Play}}</p>
  
 
<p>Note: stab him inward to his face, when he wards you, then drive through and attack him outward to his face. If he wards you again, and so strikes your point off, then twist with your pommel around over his right shoulder, and spring with your right leg behind his left, and throw him back over.</p>
 
<p>Note: stab him inward to his face, when he wards you, then drive through and attack him outward to his face. If he wards you again, and so strikes your point off, then twist with your pommel around over his right shoulder, and spring with your right leg behind his left, and throw him back over.</p>
| {{section|Page:Cod.44.A.8 073r.jpg|2|lbl=-}}
+
| {{section|Page:Cod.44.A.8 073r.jpg|3|lbl=-}}
 
| <p><br/></p>
 
| <p><br/></p>
  
 
{{section|Page:Cod.I.6.4º.3 070v.jpg|2|lbl=-}}
 
{{section|Page:Cod.I.6.4º.3 070v.jpg|2|lbl=-}}
 
|  
 
|  
| {{red|b=1|Das erst stuck}}
+
| <p>{{red|b=1|Das erst stuck}}</p>
{{red|Itm~}} Stich Im Inwendig zu synen gesicht wirt er dir daß So far durch vnd setz im an außwendig an sin gesicht wirtt er daß furbaß vnd stichet dir den ort ab so wind mit dine~ knopff in vber sin rechte achsell vnd spring mit dine~ rechte~ peyn hinder sin linckes vnd wurff in vber ruck ~
+
 
 +
<p>{{red|b=1|Itm~}} Stich Im Inwendig zu synen gesicht wirt er dir daß So far durch vnd setz im an außwendig an sin gesicht wirtt er daß furbaß vnd stichet dir den ort ab so wind mit dine~ knopff in vber sin rechte achsell vnd spring mit dine~ rechte~ peyn hinder sin linckes vnd wurff in vber ruck ~</p>
 
|  
 
|  
 
|  
 
|  
Line 137: Line 157:
 
| <p><br/></p>
 
| <p><br/></p>
  
{{section|Page:MS Dresd.C.94 244r.png|2|lbl=-}}
+
{{section|Page:MS Dresd.C.94 244r.png|3|lbl=-}}
 
|  
 
|  
 
|  
 
|  
 
|  
 
|  
 +
| <p><br/></p>
 +
 +
{{section|Page:MS Var.82 067r.png|5|lbl=67r.5}}
  
 
|-  
 
|-  
Line 146: Line 169:
  
 
<p>Note: as one does this to you and has thrust the pommel onto your neck, then from below drive up with the left hand between both his arms, and grab him by his right arm, and force yourself from him on your right side, and throw him over the hip.</p>
 
<p>Note: as one does this to you and has thrust the pommel onto your neck, then from below drive up with the left hand between both his arms, and grab him by his right arm, and force yourself from him on your right side, and throw him over the hip.</p>
| {{section|Page:Cod.44.A.8 073r.jpg|3|lbl=-}}
+
| {{section|Page:Cod.44.A.8 073r.jpg|4|lbl=-}}
 
| <p><br/></p>
 
| <p><br/></p>
  
 
{{section|Page:Cod.I.6.4º.3 070v.jpg|3|lbl=-|p=1}} {{section|Page:Cod.I.6.4º.3 071r.jpg|1|lbl=71r|p=1}}
 
{{section|Page:Cod.I.6.4º.3 070v.jpg|3|lbl=-|p=1}} {{section|Page:Cod.I.6.4º.3 071r.jpg|1|lbl=71r|p=1}}
 
|  
 
|  
| {{red|b=1|Ein bruch}}
+
| <p>{{red|b=1|Ein bruch}}</p>
{{red|Item}} wer dir daß thut vnd hat dir den knaupff an den hals geworffen so far mit dine~ lincke~ hant von vnte~ avff zwischen sinen peynde~ arme~ vnd schwing dich dan von Im auff din rechte~ site~ vnd wurff yn vber die hueff ~
+
 
 +
<p>{{red|b=1|Item}} wer dir daß thut vnd hat dir den knaupff an den hals geworffen so far mit dine~ lincke~ hant von vnte~ avff zwischen sinen peynde~ arme~ vnd schwing dich dan von Im auff din rechte~ site~ vnd wurff yn vber die hueff ~</p>
 
|  
 
|  
 
|  
 
|  
Line 159: Line 183:
 
| <p><br/></p>
 
| <p><br/></p>
  
{{section|Page:MS Dresd.C.94 244r.png|3|lbl=-}}
+
{{section|Page:MS Dresd.C.94 244r.png|4|lbl=-}}
 
|  
 
|  
 
|  
 
|  
 
|  
 
|  
 +
| <p><br/></p>
 +
 +
{{section|Page:MS Var.82 067r.png|6|lbl=67r.6|p=1}} {{section|Page:MS Var.82 067v.png|1|lbl=67v.1|p=1}}
  
 
|-  
 
|-  
Line 169: Line 196:
  
 
<p>Note: when he would thrust his pommel around your neck, then grasp forward with the left hand, and grab behind his right hand onto the grip and take the pommel, and shove it below, and attack him where you wish with your sword.</p>
 
<p>Note: when he would thrust his pommel around your neck, then grasp forward with the left hand, and grab behind his right hand onto the grip and take the pommel, and shove it below, and attack him where you wish with your sword.</p>
| {{section|Page:Cod.44.A.8 073r.jpg|4|lbl=-}}
+
| {{section|Page:Cod.44.A.8 073r.jpg|5|lbl=-}}
  
 
{{section|Page:Cod.44.A.8 073v.jpg|1|lbl=73v}}
 
{{section|Page:Cod.44.A.8 073v.jpg|1|lbl=73v}}
Line 176: Line 203:
 
{{section|Page:Cod.I.6.4º.3 071r.jpg|2|lbl=-}}
 
{{section|Page:Cod.I.6.4º.3 071r.jpg|2|lbl=-}}
 
|  
 
|  
| <br/>
+
| <p><br/></p>
Item wan er dir den knopff vmb den hals will werffen So griff mit der lincken hant von dir vñ griff vnter sin rechte hant an daß pntt vnd an den knapff vnd züch den vnder sich vnd setz ÿm an mit dyn schwertt wo dü willt ~  
+
 
 +
<p>Item wan er dir den knopff vmb den hals will werffen So griff mit der lincken hant von dir vñ griff vnter sin rechte hant an daß pntt vnd an den knapff vnd züch den vnder sich vnd setz ÿm an mit dyn schwertt wo dü willt ~</p>
 
|  
 
|  
 
|  
 
|  
Line 188: Line 216:
 
|  
 
|  
 
|  
 
|  
 +
| <p><br/></p>
 +
 +
{{section|Page:MS Var.82 067v.png|2|lbl=67v.2}}
  
 
|-  
 
|-  
Line 199: Line 230:
 
{{section|Page:Cod.I.6.4º.3 071r.jpg|3|lbl=-|p=1}} {{section|Page:Cod.I.6.4º.3 071v.jpg|1|lbl=71v|p=1}}
 
{{section|Page:Cod.I.6.4º.3 071r.jpg|3|lbl=-|p=1}} {{section|Page:Cod.I.6.4º.3 071v.jpg|1|lbl=71v|p=1}}
 
|  
 
|  
| <br/>
+
| <p><br/></p>
'''[137v]''' Item wen er dir den knaupff begriffen hat So wind mit dine~ knaupff von vnde~ auff außwendig vmb sin lincke hant vnd schub mit dine~ rechte~ pÿn fursich vnd stoß in mit diner clinge~ an sin lincke~ arm
+
 
 +
<p>[137v] Item wen er dir den knaupff begriffen hat So wind mit dine~ knaupff von vnde~ auff außwendig vmb sin lincke hant vnd schub mit dine~ rechte~ pÿn fursich vnd stoß in mit diner clinge~ an sin lincke~ arm</p>
 
|  
 
|  
 
|  
 
|  
Line 211: Line 243:
 
|  
 
|  
 
|  
 
|  
 +
| <p><br/></p>
 +
 +
{{section|Page:MS Var.82 067v.png|3|lbl=67v.3}}
  
 
|-  
 
|-  
Line 220: Line 255:
 
| {{section|Page:Cod.I.6.4º.3 071v.jpg|2|lbl=-}}
 
| {{section|Page:Cod.I.6.4º.3 071v.jpg|2|lbl=-}}
 
|  
 
|  
| {{red|b=1|Das ander stueck}}
+
| <p>{{red|b=1|Das ander stueck}}</p>
{{red|Item}} Stich ÿn vber den ersten stich inwendig zu sin gesicht vnd thün zu dem andern mall als du ÿm aber zu dem gesichtt stechen wilt Indes far durch vnd satz ÿm vswendig zu sine~ gesicht wen er dir dz werett so schrit mit dine~ rechte~ pey~ hinder sine~ lincks vnd stos ÿn mit dem gehultz in sin lincke vchschen vnd stoß inwendig so felt er ~
+
 
 +
<p>{{red|b=1|Item}} Stich ÿn vber den ersten stich inwendig zu sin gesicht vnd thün zu dem andern mall als du ÿm aber zu dem gesichtt stechen wilt Indes far durch vnd satz ÿm vswendig zu sine~ gesicht wen er dir dz werett so schrit mit dine~ rechte~ pey~ hinder sine~ lincks vnd stos ÿn mit dem gehultz in sin lincke vchschen vnd stoß inwendig so felt er ~</p>
 
|  
 
|  
 
|  
 
|  
Line 227: Line 263:
 
|  
 
|  
 
| {{section|Page:MS Dresd.C.94 244v.png|3|lbl=-}}
 
| {{section|Page:MS Dresd.C.94 244v.png|3|lbl=-}}
 +
|
 
|  
 
|  
 
|  
 
|  
 
|  
 
|  
 +
 +
{{section|Page:MS Var.82 067v.png|4|lbl=67v.4|p=1}} {{section|Page:MS Var.82 068r.png|1|lbl=68r.1|p=1}}
  
 
|-  
 
|-  
Line 241: Line 280:
 
{{section|Page:Cod.I.6.4º.3 071v.jpg|3|lbl=-|p=1}} {{section|Page:Cod.I.6.4º.3 072r.jpg|1|lbl=72r|p=1}}
 
{{section|Page:Cod.I.6.4º.3 071v.jpg|3|lbl=-|p=1}} {{section|Page:Cod.I.6.4º.3 072r.jpg|1|lbl=72r|p=1}}
 
|  
 
|  
| <br/>
+
| <p><br/></p>
Item wo er dir daß thutt so schrit mit dine~ lincke~ peyn hinder dich vnd vohe den stoß zwüschen din beyde hant in die clingen vnd wind mit dem knaupff von <sup>vnde~</sup> auff zwischen vber sin lincke hant vnd spring mit dine~ linck peyn hintter sin rechtes vnd stoß ÿm beÿde swertt vber sin hals so hastu ÿm den rueck an gewunen ~
+
 
 +
<p>Item wo er dir daß thutt so schrit mit dine~ lincke~ peyn hinder dich vnd vohe den stoß zwüschen din beyde hant in die clingen vnd wind mit dem knaupff von <sup>vnde~</sup> auff zwischen vber sin lincke hant vnd spring mit dine~ linck peyn hintter sin rechtes vnd stoß ÿm beÿde swertt vber sin hals so hastu ÿm den rueck an gewunen ~</p>
 
|  
 
|  
 
|  
 
|  
Line 251: Line 291:
 
|  
 
|  
 
|  
 
|  
 +
| {{section|Page:MS Var.82 068r.png|2|lbl=68r.2}}
  
 
|-  
 
|-  
Line 269: Line 310:
 
|  
 
|  
 
|  
 
|  
 +
| <p><br/></p>
 +
 +
{{section|Page:MS Var.82 068r.png|3|lbl=68r.3}}
  
 
|-  
 
|-  
Line 278: Line 322:
 
| {{section|Page:Cod.I.6.4º.3 072v.jpg|1|lbl=72v}}
 
| {{section|Page:Cod.I.6.4º.3 072v.jpg|1|lbl=72v}}
 
|  
 
|  
| {{red|b=1|Das drÿtt stuck}}
+
| <p>{{red|b=1|Das drÿtt stuck}}</p>
{{red|Item}} Stich im aber zu sinem gesicht in wenig vnd far in den andern vnd stich ÿm vßwendig zu sine~ gesicht wirtt er dir daß aber So schub mit dem lincken peyn zwueschen sin beÿde hende vnd griff mit dine~ knaupff außen vber sin linckes peyn in sin knÿepug vnd leg dich mit diner lincke~ achsell oben fast vmb yn vnd hebe vnt fast auff vnd truck auff sinen lincke sytenn ~  
+
 
 +
<p>{{red|b=1|Item}} Stich im aber zu sinem gesicht in wenig vnd far in den andern vnd stich ÿm vßwendig zu sine~ gesicht wirtt er dir daß aber So schub mit dem lincken peyn zwueschen sin beÿde hende vnd griff mit dine~ knaupff außen vber sin linckes peyn in sin knÿepug vnd leg dich mit diner lincke~ achsell oben fast vmb yn vnd hebe vnt fast auff vnd truck auff sinen lincke sytenn ~</p>
 
|  
 
|  
 
|  
 
|  
Line 288: Line 333:
 
|  
 
|  
 
|  
 
|  
 +
|
 +
{{section|Page:MS Var.82 068r.png|4|lbl=68r.4|p=1}} {{section|Page:MS Var.82 068v.png|1|lbl=68v.1|p=1}}
  
 
|-  
 
|-  
Line 299: Line 346:
 
{{section|Page:Cod.I.6.4º.3 072v.jpg|2|lbl=-|p=1}} {{section|Page:Cod.I.6.4º.3 073r.jpg|1|lbl=73r|p=1}}
 
{{section|Page:Cod.I.6.4º.3 072v.jpg|2|lbl=-|p=1}} {{section|Page:Cod.I.6.4º.3 073r.jpg|1|lbl=73r|p=1}}
 
|  
 
|  
| <br/>
+
| <p><br/></p>
'''[138r]''' Item Wer dir mit dem knaupff will faren in die knÿebug dem griff mit diner lincken hant hintter sin lincke hant bÿ dem arm vnd griff mit diner rechte~ von vnte~ auff ÿm an den elnboge~ vnd das din finger oben sten so wuerfftü ÿnauff daz antlutz
+
 
 +
<p>[138r] Item Wer dir mit dem knaupff will faren in die knÿebug dem griff mit diner lincken hant hintter sin lincke hant bÿ dem arm vnd griff mit diner rechte~ von vnte~ auff ÿm an den elnboge~ vnd das din finger oben sten so wuerfftü ÿnauff daz antlutz</p>
 
|  
 
|  
 
|  
 
|  
Line 311: Line 359:
 
|  
 
|  
 
|  
 
|  
 +
| <p><br/></p>
 +
 +
{{section|Page:MS Var.82 068v.png|2|lbl=68v.2}}
  
 
|-  
 
|-  
Line 320: Line 371:
 
| {{section|Page:Cod.I.6.4º.3 073r.jpg|2|lbl=-}}
 
| {{section|Page:Cod.I.6.4º.3 073r.jpg|2|lbl=-}}
 
|  
 
|  
| {{red|b=1|Die vierde stuck}}
+
| <p>{{red|b=1|Die vierde stuck}}</p>
Item Wen dü ÿm Inwendig zu dem gesicht stichest vnd er dir wider so gang oben auff sin swertt vnd begriff sin schwertt py der clinge~ in die hãt vnd setz Indes den ort an vnter sin lincke vchsen Wertt er dir daß vnd begrifft din swertt auch als du das syn hast so arbeÿtt auß eyne~ riessen als hernach geschriben statt ~
+
 
 +
<p>Item Wen dü ÿm Inwendig zu dem gesicht stichest vnd er dir wider so gang oben auff sin swertt vnd begriff sin schwertt py der clinge~ in die hãt vnd setz Indes den ort an vnter sin lincke vchsen Wertt er dir daß vnd begrifft din swertt auch als du das syn hast so arbeÿtt auß eyne~ riessen als hernach geschriben statt ~</p>
 
|  
 
|  
 
|  
 
|  
Line 330: Line 382:
 
|  
 
|  
 
|  
 
|  
 +
|
 +
{{section|Page:MS Var.82 068v.png|3|lbl=68v.3|p=1}} {{section|Page:MS Var.82 069r.png|1|lbl=69r.1|p=1}}
  
 
|-  
 
|-  
Line 339: Line 393:
 
| {{section|Page:Cod.I.6.4º.3 073v.jpg|1|lbl=73v}}
 
| {{section|Page:Cod.I.6.4º.3 073v.jpg|1|lbl=73v}}
 
|  
 
|  
| '''*[138v] {{red|Das ander reissen}}
+
| <p>*[138v] {{red|b=1|Das ander reissen}}</p>
{{red|Item}} Stich ÿm Inwendig zu dem gesicht wirtt er dir dz vnd setz dir den stich ab So wind mit dine~ knaupff von vnden auff din lincke site~ von oben nider in sin swertz clingen zwische~ sin beyde~ hende~ vnd rüßt an dich So rieß im sin lincke hant von der clingen vnd stich ÿm dan zu dem gemecht ist er dir zü starck dz du ÿm die hant vom dem swert nit geriessen magst So wind mit dine~ knaupff aber von vnden auff / auff din rechte site~ vber sin lincke hant vnd stos yn mit der clingenn in sin lincke site~ haulb von dir dan ~
+
 
 +
<p>{{red|b=1|Item}} Stich ÿm Inwendig zu dem gesicht wirtt er dir dz vnd setz dir den stich ab So wind mit dine~ knaupff von vnden auff din lincke site~ von oben nider in sin swertz clingen zwische~ sin beyde~ hende~ vnd rüßt an dich So rieß im sin lincke hant von der clingen vnd stich ÿm dan zu dem gemecht ist er dir zü starck dz du ÿm die hant vom dem swert nit geriessen magst So wind mit dine~ knaupff aber von vnden auff / auff din rechte site~ vber sin lincke hant vnd stos yn mit der clingenn in sin lincke site~ haulb von dir dan ~</p>
 
|  
 
|  
 
|  
 
|  
Line 349: Line 404:
 
|  
 
|  
 
|  
 
|  
 +
| {{section|Page:MS Var.82 069r.png|2|lbl=69r.2}}
  
 
|-  
 
|-  
Line 359: Line 415:
 
| {{section|Page:Cod.I.6.4º.3 074r.jpg|1|lbl=74r}}
 
| {{section|Page:Cod.I.6.4º.3 074r.jpg|1|lbl=74r}}
 
|  
 
|  
| '''*[138r] {{red|Das erst reissen}}
+
| <p>*[138r] {{red|b=1|Das erst reissen}}</p>
{{red|It~}} Stich Im Inwendig zu sine~ gesicht vnd wind aber mit dem knaupff auff din lincke siten von vnden auff vber sin clingen zwischen siner hant / reisß aber vast an dich stich ÿm zü syne~ gemecht wertt er dir dz vnd fach dir dz schwe~t vnd du daß sin dz beÿd swe~t gefange~ syn So würff din swert mit dem knaupff ym In sin rechte site~ vnd spring mit dine~ rechte~ peyn vnder sin linckes vnd nÿm den rueck vnd heb ÿn hoch auff von der erden vnd schlag In mit dinem rechte~ fuß außwendig an / an sine~ rechte~ enckel vnd wurff ÿn auff sin rechte syte~ ~
 
  
Sr das and~ riessen
+
<p>{{red|b=1|It~}} Stich Im Inwendig zu sine~ gesicht vnd wind aber mit dem knaupff auff din lincke siten von vnden auff vber sin clingen zwischen siner hant / reisß aber vast an dich stich ÿm zü syne~ gemecht wertt er dir dz vnd fach dir dz schwe~t vnd du daß sin dz beÿd swe~t gefange~ syn So würff din swert mit dem knaupff ym In sin rechte site~ vnd spring mit dine~ rechte~ peyn vnder sin linckes vnd nÿm den rueck vnd heb ÿn hoch auff von der erden vnd schlag In mit dinem rechte~ fuß außwendig an / an sine~ rechte~ enckel vnd wurff ÿn auff sin rechte syte~ ~</p>
 
|  
 
|  
 
|  
 
|  
Line 371: Line 426:
 
|  
 
|  
 
|  
 
|  
 +
|
 +
{{section|Page:MS Var.82 069r.png|3|lbl=69r.3|p=1}} {{section|Page:MS Var.82 069v.png|1|lbl=69v.1|p=1}}
  
 
|-  
 
|-  
Line 380: Line 437:
 
| {{section|Page:Cod.I.6.4º.3 074v.jpg|1|lbl=74v}}
 
| {{section|Page:Cod.I.6.4º.3 074v.jpg|1|lbl=74v}}
 
|  
 
|  
| '''[138v] {{red|Das tritt reissenn}}
+
| <p>[138v] {{red|b=1|Das tritt reissenn}}</p>
{{red|Item}} Dün im glich als oben geschreben stott vnd ob beÿde swert gefangen wer So würff ÿm aber sÿn knaupff in sin rechte site~ vnd spring mit dine~ rechte~ peÿn hinder sin lincke vnd griff im mit diner rechte~ hant in sÿn peÿde ars backen vnd grif mit diner lincken hant von vnte~ auff ÿm an sin kÿnbacken vnd zuch vnden an dich vnd stos oben von dir so felt er an den rueck ~
+
 
 +
<p>{{red|b=1|Item}} Dün im glich als oben geschreben stott vnd ob beÿde swert gefangen wer So würff ÿm aber sÿn knaupff in sin rechte site~ vnd spring mit dine~ rechte~ peÿn hinder sin lincke vnd griff im mit diner rechte~ hant in sÿn peÿde ars backen vnd grif mit diner lincken hant von vnte~ auff ÿm an sin kÿnbacken vnd zuch vnden an dich vnd stos oben von dir so felt er an den rueck ~</p>
 
|  
 
|  
 
|  
 
|  
Line 390: Line 448:
 
|  
 
|  
 
|  
 
|  
 +
| {{section|Page:MS Var.82 069v.png|2|lbl=69v.2}}
  
 
|-  
 
|-  
Line 401: Line 460:
 
{{section|Page:Cod.I.6.4º.3 074v.jpg|2|lbl=-|p=1}} {{section|Page:Cod.I.6.4º.3 075r.jpg|1|lbl=75r|p=1}}
 
{{section|Page:Cod.I.6.4º.3 074v.jpg|2|lbl=-|p=1}} {{section|Page:Cod.I.6.4º.3 075r.jpg|1|lbl=75r|p=1}}
 
|  
 
|  
| {{red|b=1|Der vierde bruch}}
+
| <p>{{red|b=1|Der vierde bruch}}</p>
'''Itm~''' Wer dir mit der lincken hant fert vnder din kÿnbacken vnd nÿmpt dich mit diner rechte~ hant peÿ dem lincken arsbacken vnd wil dich vber rueck werffen So griff mit diner lincken hant ÿm auff sin lincke vnd griff In bÿ den fingern vnd prich ÿm die hant auff din lincke site~ vnd var mit dsiner rechte~ hant an sin lincken elnboge~ vnd nÿm ÿm dz gewiechtt ~
+
 
 +
<p>Itm~ Wer dir mit der lincken hant fert vnder din kÿnbacken vnd nÿmpt dich mit diner rechte~ hant peÿ dem lincken arsbacken vnd wil dich vber rueck werffen So griff mit diner lincken hant ÿm auff sin lincke vnd griff In bÿ den fingern vnd prich ÿm die hant auff din lincke site~ vnd var mit dsiner rechte~ hant an sin lincken elnboge~ vnd nÿm ÿm dz gewiechtt ~</p>
 
|  
 
|  
 
|  
 
|  
Line 411: Line 471:
 
|  
 
|  
 
|  
 
|  
 +
|
 +
{{section|Page:MS Var.82 069v.png|3|lbl=69v.3|p=1}} {{section|Page:MS Var.82 070r.png|1|lbl=70r.1|p=1}}
  
 
|-  
 
|-  
Line 421: Line 483:
 
{{section|Page:Cod.I.6.4º.3 075r.jpg|2|lbl=-|p=1}} {{section|Page:Cod.I.6.4º.3 075v.jpg|1|lbl=75v|p=1}}
 
{{section|Page:Cod.I.6.4º.3 075r.jpg|2|lbl=-|p=1}} {{section|Page:Cod.I.6.4º.3 075v.jpg|1|lbl=75v|p=1}}
 
|  
 
|  
| '''[139r] {{red|Daß vierd reÿssen}}
+
| <p>[139r] {{red|b=1|Daß vierd reÿssen}}</p>
{{red|Item}} Ist aber das peÿd schwertt gefange~ sin würff ÿm aber din knaupff in sin rechte site~ vnd spring ÿm mit dinem rechte~ peyn hintter sin linckes vnd begriff ÿn mit diner lincken hant peÿ dem arm vnd griff mit diner rechte~ hant ÿn beÿ sinem elnboge~ vnd nÿm Im daß gewiecht ~
+
 
 +
<p>{{red|b=1|Item}} Ist aber das peÿd schwertt gefange~ sin würff ÿm aber din knaupff in sin rechte site~ vnd spring ÿm mit dinem rechte~ peyn hintter sin linckes vnd begriff ÿn mit diner lincken hant peÿ dem arm vnd griff mit diner rechte~ hant ÿn beÿ sinem elnboge~ vnd nÿm Im daß gewiecht ~</p>
 
|  
 
|  
 
|  
 
|  
Line 431: Line 494:
 
|  
 
|  
 
|  
 
|  
 +
| {{section|Page:MS Var.82 070r.png|2|lbl=70r.2}}
  
 
|-  
 
|-  
Line 442: Line 506:
 
{{section|Page:Cod.I.6.4º.3 075v.jpg|2|lbl=-|p=1}} {{section|Page:Cod.I.6.4º.3 076r.jpg|1|lbl=76r|p=1}}
 
{{section|Page:Cod.I.6.4º.3 075v.jpg|2|lbl=-|p=1}} {{section|Page:Cod.I.6.4º.3 076r.jpg|1|lbl=76r|p=1}}
 
|  
 
|  
| {{red|b=1|Das fünfft reyssenn}}
+
| <p>{{red|b=1|Das fünfft reyssenn}}</p>
{{red|Itm~}} Wan er din swertt gefangen hat vnd du dz sin so ge durch beyde swert auff din lincke site~ So gewinestü ÿ~ sin swert auß dz ers dir also loßen müß behelt er dan sin swertt vnd lest dir dz din So tün sam dü ÿm zu dem gemecht stechen wolst wertt er dir dz vnd griff mit siner lincke~ hant noch dem swertt So stich vnte~ durch durch sin swert auff sin rechte sitenn ÿm vber sin rechte~ arm an sin rechte prust So prichstu ÿm sin swe~t auß siner hant So wurff sin swert mit dem ortt gegen ÿm vnd mit dine~ swertt vall in die obern huett
+
 
 +
<p>{{red|b=1|Itm~}} Wan er din swertt gefangen hat vnd du dz sin so ge durch beyde swert auff din lincke site~ So gewinestü ÿ~ sin swert auß dz ers dir also loßen müß behelt er dan sin swertt vnd lest dir dz din So tün sam dü ÿm zu dem gemecht stechen wolst wertt er dir dz vnd griff mit siner lincke~ hant noch dem swertt So stich vnte~ durch durch sin swert auff sin rechte sitenn ÿm vber sin rechte~ arm an sin rechte prust So prichstu ÿm sin swe~t auß siner hant So wurff sin swert mit dem ortt gegen ÿm vnd mit dine~ swertt vall in die obern huett</p>
 
|  
 
|  
 
|  
 
|  
Line 452: Line 517:
 
|  
 
|  
 
|  
 
|  
 +
|
 +
{{section|Page:MS Var.82 070r.png|3|lbl=70r.3|p=1}} {{section|Page:MS Var.82 070v.png|1|lbl=70v.1|p=1}}
  
 
|-  
 
|-  
Line 461: Line 528:
 
| {{section|Page:Cod.I.6.4º.3 076r.jpg|2|lbl=-}}
 
| {{section|Page:Cod.I.6.4º.3 076r.jpg|2|lbl=-}}
 
|  
 
|  
| {{red|b=1|Ein bruch}}
+
| <p>{{red|b=1|Ein bruch}}</p>
{{red|Item}} wer dir dz thuett vnd dir dürch peÿde~ swertt lauffen will / Stoß ÿm beyde swertt vber den hals vnd mach die scher ~
+
 
 +
<p>{{red|b=1|Item}} wer dir dz thuett vnd dir dürch peÿde~ swertt lauffen will / Stoß ÿm beyde swertt vber den hals vnd mach die scher ~</p>
 
|  
 
|  
 
|  
 
|  
Line 471: Line 539:
 
|  
 
|  
 
|  
 
|  
 +
| {{section|Page:MS Var.82 070v.png|2|lbl=70v.2}}
  
 
|-  
 
|-  
Line 482: Line 551:
 
|  
 
|  
 
| {{section|Page:MS Germ.Quart.2020 260v.jpg|2|lbl=-}}
 
| {{section|Page:MS Germ.Quart.2020 260v.jpg|2|lbl=-}}
 +
|
 
|  
 
|  
 
|  
 
|  
Line 497: Line 567:
 
{{section|Page:Cod.I.6.4º.3 076r.jpg|3|lbl=-|p=1}} {{section|Page:Cod.I.6.4º.3 076v.jpg|1|lbl=76v|p=1}}
 
{{section|Page:Cod.I.6.4º.3 076r.jpg|3|lbl=-|p=1}} {{section|Page:Cod.I.6.4º.3 076v.jpg|1|lbl=76v|p=1}}
 
|  
 
|  
| {{red|b=1|Ein wider brüch}}
+
| <p>{{red|b=1|Ein wider brüch}}</p>
{{red|Item}} Wer dir die scher hat gemacht so griff mit diner rechte~ hant von vntte~ auff hintter sin rechte~ in daß peÿn / daß den negell vnd den fingern '''[139v]''' oben sten vnd würff den din swertt fast von dir auff din lincke site~ vnd ker dich gegen ÿm auch auff din lincke site~ vnd wend mit dine~ knopff aussen vber sin rechte hant vnd schlag ÿn mit dem knaupff vnd mit dem gehultz wo dü willtt
+
 
 +
<p>{{red|b=1|Item}} Wer dir die scher hat gemacht so griff mit diner rechte~ hant von vntte~ auff hintter sin rechte~ in daß peÿn / daß den negell vnd den fingern [139v] oben sten vnd würff den din swertt fast von dir auff din lincke site~ vnd ker dich gegen ÿm auch auff din lincke site~ vnd wend mit dine~ knopff aussen vber sin rechte hant vnd schlag ÿn mit dem knaupff vnd mit dem gehultz wo dü willtt</p>
 
|  
 
|  
 
|  
 
|  
Line 507: Line 578:
 
|  
 
|  
 
|  
 
|  
 +
| {{section|Page:MS Var.82 070v.png|3|lbl=70v.3}}
 +
  
 
|-  
 
|-  
Line 516: Line 589:
 
| {{section|Page:Cod.I.6.4º.3 076v.jpg|2|lbl=-}}
 
| {{section|Page:Cod.I.6.4º.3 076v.jpg|2|lbl=-}}
 
|  
 
|  
| {{red|b=1|Das sechst reÿssenn}}
+
| <p>{{red|b=1|Das sechst reÿssenn}}</p>
{{red|Itm~}} Wen die schwertt beyd gefange~ sint so wurff den knoupff fast von dir auff dine rechte site~ vnd auff sin lincke site~ vnd spring mit dine~ rechte~ peyn hinter sein linckes vnd griff mit diner hant von vnte~ auff ÿm In sein rechte vchsen vnd heb mit dine~ swertt vber sich So wurfstu ÿn auff sein rechte syten dz ist dz best vnd dz lest vnder den reÿssen ~
+
 
 +
<p>{{red|b=1|Itm~}} Wen die schwertt beyd gefange~ sint so wurff den knoupff fast von dir auff dine rechte site~ vnd auff sin lincke site~ vnd spring mit dine~ rechte~ peyn hinter sein linckes vnd griff mit diner hant von vnte~ auff ÿm In sein rechte vchsen vnd heb mit dine~ swertt vber sich So wurfstu ÿn auff sein rechte syten dz ist dz best vnd dz lest vnder den reÿssen ~</p>
 
|  
 
|  
 
|  
 
|  
Line 526: Line 600:
 
|  
 
|  
 
|  
 
|  
 +
|
 +
{{section|Page:MS Var.82 070v.png|4|lbl=70v.4|p=1}} {{section|Page:MS Var.82 071r.png|1|lbl=71r.1|p=1}}
  
 
|-  
 
|-  
Line 535: Line 611:
 
| {{section|Page:Cod.I.6.4º.3 077r.jpg|1|lbl=77r}}
 
| {{section|Page:Cod.I.6.4º.3 077r.jpg|1|lbl=77r}}
 
|  
 
|  
| {{red|b=1|Das ist ein stück}}
+
| <p>{{red|b=1|Das ist ein stück}}</p>
{{red|Item}} Sticht dir eyner zu der gemecht so stich ÿm auch zu dem gemecht eine~ stich den andern stich von oben nider auff sin lincke hant zwischen sein beyde~ armen vnd wind mit dem knopff von vnte~ auff ÿn sin rechte site~ / Schrit mit dine~ rechten peyn hinter sine~ linckes vnd wurff in vber de~ rueck
+
 
 +
<p>{{red|b=1|Item}} Sticht dir eyner zu der gemecht so stich ÿm auch zu dem gemecht eine~ stich den andern stich von oben nider auff sin lincke hant zwischen sein beyde~ armen vnd wind mit dem knopff von vnte~ auff ÿn sin rechte site~ / Schrit mit dine~ rechten peyn hinter sine~ linckes vnd wurff in vber de~ rueck</p>
 
|  
 
|  
 
|  
 
|  
Line 545: Line 622:
 
|  
 
|  
 
|  
 
|  
 +
| <p><br/></p>
 +
 +
{{section|Page:MS Var.82 071r.png|2|lbl=71r.2}}
  
 
|-  
 
|-  
Line 550: Line 630:
 
| <p>[23] {{red|b=1|The counter against}}</p>
 
| <p>[23] {{red|b=1|The counter against}}</p>
  
<p>Note, if one does this to you then let your sword go from the blade, and grasp with your left hand behind and over his shoulder, and grab your sword once again by the blade, and pull him close to you, and swing yourself from him on your right side</p>
+
<p>Note, if one does this to you then let your sword go from the blade, and grasp with your left hand behind and over his shoulder, and grab your sword once again by the blade, and pull him close to you, and swing yourself from him on your right side.</p>
 
| {{section|Page:Cod.44.A.8 076v.jpg|2|lbl=-}}
 
| {{section|Page:Cod.44.A.8 076v.jpg|2|lbl=-}}
 
|  
 
|  
 
{{section|Page:Cod.I.6.4º.3 077r.jpg|2|lbl=-|p=1}} {{section|Page:Cod.I.6.4º.3 077v.jpg|1|lbl=77v|p=1}}
 
{{section|Page:Cod.I.6.4º.3 077r.jpg|2|lbl=-|p=1}} {{section|Page:Cod.I.6.4º.3 077v.jpg|1|lbl=77v|p=1}}
 
|  
 
|  
| {{red|b=1|Ein brüch}}
+
| <p>{{red|b=1|Ein brüch}}</p>
{{red|Item}} wer dir thutt so loß din swertt gen peÿ der clinge~ vnd begriff mit diner lincken hant hinten vber sin schultern vnd begriff din swe~t wider bÿ der clinge~ vnd druck ÿn vast zu dir vnd schwing dich von ÿm auff din rechte sÿtenn ~
+
 
 +
<p>{{red|b=1|Item}} wer dir thutt so loß din swertt gen peÿ der clinge~ vnd begriff mit diner lincken hant hinten vber sin schultern vnd begriff din swe~t wider bÿ der clinge~ vnd druck ÿn vast zu dir vnd schwing dich von ÿm auff din rechte sÿtenn ~</p>
 
|  
 
|  
 
|  
 
|  
Line 565: Line 646:
 
|  
 
|  
 
|  
 
|  
 +
|
 +
{{section|Page:MS Var.82 071r.png|3|lbl=71r.3|p=1}} {{section|Page:MS Var.82 071v.png|1|lbl=71v.1|p=1}}
  
 
|-  
 
|-  
Line 574: Line 657:
 
| {{section|Page:Cod.I.6.4º.3 077v.jpg|2|lbl=77v}}
 
| {{section|Page:Cod.I.6.4º.3 077v.jpg|2|lbl=77v}}
 
|  
 
|  
| '''[140r] {{red|Ein stueck}}
+
| <p>[140r] {{red|b=1|Ein stueck}}</p>
{{red|Item}} Arbeÿt er mit dir hoch vnd stich dir zu dem gesicht so stich von vnte~ auff zwischen sine~ beÿde~ armen vnd vber sin lincke achsell / begriff ÿm mit diner hant hintter seyne lincke vnd wurff din schwe~t mit dem pÿntt auff din lincke achsell vnd griff mit diner rechte~ ym yn sin rechte~ elnboge~ / stoß vast von vnte~ auff vnd nim dz gewichtt so plybt dz swe~t vnder seyne~ lincken arm zwüschen uwer peÿde~ ~
+
 
 +
<p>{{red|b=1|Item}} Arbeÿt er mit dir hoch vnd stich dir zu dem gesicht so stich von vnte~ auff zwischen sine~ beÿde~ armen vnd vber sin lincke achsell / begriff ÿm mit diner hant hintter seyne lincke vnd wurff din schwe~t mit dem pÿntt auff din lincke achsell vnd griff mit diner rechte~ ym yn sin rechte~ elnboge~ / stoß vast von vnte~ auff vnd nim dz gewichtt so plybt dz swe~t vnder seyne~ lincken arm zwüschen uwer peÿde~ ~</p>
 
|  
 
|  
 
|  
 
|  
Line 584: Line 668:
 
|  
 
|  
 
|  
 
|  
 +
| {{section|Page:MS Var.82 071v.png|2|lbl=71v.2}}
  
 
|-  
 
|-  
Line 595: Line 680:
 
| {{section|Page:Cod.I.6.4º.3 078r.jpg|1|lbl=78r}}
 
| {{section|Page:Cod.I.6.4º.3 078r.jpg|1|lbl=78r}}
 
|  
 
|  
| {{red|b=1|Aber ein stück}}
+
| <p>{{red|b=1|Aber ein stück}}</p>
{{red|Item}} Arbeit er aber hoch mit dir so stich aber vnte~ auff zwuschen sine~ beÿde~ armen vnd loß din lincke hant varn von der clingen vnd griff obñ zu vber din swertt riesch vnd begriff din swe~t wider bÿ der clinge~ vnd stos ÿm beÿde swertt vber den hals hinten vber sin ruck gar ab hÿn ÿn sein beÿd knÿebug vnd reiß vast untte~ an dich vnd mit dem haupt stoß vast von dir so wurfstu ÿn auff den ruck ~
+
 
 +
<p>{{red|b=1|Item}} Arbeit er aber hoch mit dir so stich aber vnte~ auff zwuschen sine~ beÿde~ armen vnd loß din lincke hant varn von der clingen vnd griff obñ zu vber din swertt riesch vnd begriff din swe~t wider bÿ der clinge~ vnd stos ÿm beÿde swertt vber den hals hinten vber sin ruck gar ab hÿn ÿn sein beÿd knÿebug vnd reiß vast untte~ an dich vnd mit dem haupt stoß vast von dir so wurfstu ÿn auff den ruck ~</p>
 
|  
 
|  
 
|  
 
|  
Line 605: Line 691:
 
|  
 
|  
 
|  
 
|  
 +
|
 +
{{section|Page:MS Var.82 071v.png|3|lbl=71v.3|p=1}} {{section|Page:MS Var.82 072r.png|1|lbl=72r.1|p=1}}
  
 
|-  
 
|-  
Line 615: Line 703:
 
{{section|Page:Cod.I.6.4º.3 078r.jpg|2|lbl=-|p=1}} {{section|Page:Cod.I.6.4º.3 078v.jpg|1|lbl=78v|p=1}}
 
{{section|Page:Cod.I.6.4º.3 078r.jpg|2|lbl=-|p=1}} {{section|Page:Cod.I.6.4º.3 078v.jpg|1|lbl=78v|p=1}}
 
|  
 
|  
| {{red|b=1|Ein bruch dar wider}}
+
| <p>{{red|b=1|Ein bruch dar wider}}</p>
{{red|Itm~}} Wer dir dz thün will vnd will dir die beÿde swe~t vber den hals stoßen so far mit diner rechtenn hant in sein lincke site~ vber sin ruck vnd schrit mit dine~ rechte~ peÿn vorn fur sein linckes peÿn vnd würff yn vber die hueff der bruch gett zu beÿden site~ zu° ~  
+
 
 +
<p>{{red|b=1|Itm~}} Wer dir dz thün will vnd will dir die beÿde swe~t vber den hals stoßen so far mit diner rechtenn hant in sein lincke site~ vber sin ruck vnd schrit mit dine~ rechte~ peÿn vorn fur sein linckes peÿn vnd würff yn vber die hueff der bruch gett zu beÿden site~ zu° ~</p>
 
|  
 
|  
 
|  
 
|  
Line 625: Line 714:
 
|  
 
|  
 
|  
 
|  
 +
| {{section|Page:MS Var.82 072r.png|2|lbl=72r.2}}
  
 
|-  
 
|-  
Line 634: Line 724:
 
| {{section|Page:Cod.I.6.4º.3 078v.jpg|-|lbl=-}}
 
| {{section|Page:Cod.I.6.4º.3 078v.jpg|-|lbl=-}}
 
|  
 
|  
| '''[140v] {{red|Ein stueck}}
+
| <p>[140v] {{red|b=1|Ein stueck}}</p>
{{red|Item}} Stich ÿm Inwendig zu dem gesicht vnd begriff dan syn swert peÿ der clinge~ zu deinem swertt in din lincke hant vnd windt mit dine~ knaupff von vnte~ auff vber sin rechte hant vnd heb dan vast vber sich vnd reiß den auff din rechte~ site~ So blytt dir din swe~t auff dem rechte~ arm das ist dz swert nemen
+
 
 +
<p>{{red|b=1|Item}} Stich ÿm Inwendig zu dem gesicht vnd begriff dan syn swert peÿ der clinge~ zu deinem swertt in din lincke hant vnd windt mit dine~ knaupff von vnte~ auff vber sin rechte hant vnd heb dan vast vber sich vnd reiß den auff din rechte~ site~ So blytt dir din swe~t auff dem rechte~ arm das ist dz swert nemen</p>
 
|  
 
|  
 
|  
 
|  
Line 644: Line 735:
 
|  
 
|  
 
|  
 
|  
 +
| {{section|Page:MS Var.82 072r.png|3|lbl=72r.3}}
  
 
|-  
 
|-  
Line 655: Line 747:
 
| {{section|Page:Cod.I.6.4º.3 079r.jpg|1|lbl=79r}}
 
| {{section|Page:Cod.I.6.4º.3 079r.jpg|1|lbl=79r}}
 
|  
 
|  
| {{red|b=1|Aber ein stueck}}
+
| <p>{{red|b=1|Aber ein stueck}}</p>
{{red|Itm~}} Wan dü ÿm ÿn lauffest so stich ÿm vßwendig zu° sinem gesicht vnd griff mit dÿner lincken hant ÿm zwuschen sin <del>peyn</del> peyd hend in sin swe~tz clingen vnd loß dan din swert vallen vnd griff mit diner rechte~ hant hintter sin rechte auch in syn swt clingen vnd druck mit diner rechte~ hant sein swert vast zu dir in din rechte syte~ So griff dan mit diner lincken hant von oben nÿder zwischen sin beyde~ arm sy nÿmpstu Im dz schwert ~
+
 
 +
<p>{{red|b=1|Itm~}} Wan dü ÿm ÿn lauffest so stich ÿm vßwendig zu° sinem gesicht vnd griff mit dÿner lincken hant ÿm zwuschen sin <del>peyn</del> peyd hend in sin swe~tz clingen vnd loß dan din swert vallen vnd griff mit diner rechte~ hant hintter sin rechte auch in syn swt clingen vnd druck mit diner rechte~ hant sein swert vast zu dir in din rechte syte~ So griff dan mit diner lincken hant von oben nÿder zwischen sin beyde~ arm sy nÿmpstu Im dz schwert ~</p>
 
|  
 
|  
 
|  
 
|  
Line 665: Line 758:
 
|  
 
|  
 
|  
 
|  
 +
|
 +
{{section|Page:MS Var.82 072r.png|4|lbl=72r.4|p=1}} {{section|Page:MS Var.82 072v.png|1|lbl=72v.1|p=1}}
  
 
|-  
 
|-  
Line 670: Line 765:
 
| <p>[29] {{red|b=1|A counter against}}</p>
 
| <p>[29] {{red|b=1|A counter against}}</p>
  
<p>Note, if one does this to you, and takes your sword, and would twist out, Then grasp with your right hand behind his right, and your left hand behind his right elbow, then you have him around his back.</p>
+
<p>Note, if one does this to you, and takes your sword, and would twist out. Then grasp with your right hand behind his right, and your left hand behind his right elbow, then you have him around his back.</p>
 
| {{section|Page:Cod.44.A.8 077v.jpg|2|lbl=-}}
 
| {{section|Page:Cod.44.A.8 077v.jpg|2|lbl=-}}
 
|  
 
|  
 
{{section|Page:Cod.I.6.4º.3 079r.jpg|2|lbl=-|p=1}} {{section|Page:Cod.I.6.4º.3 079v.jpg|1|lbl=79v|p=1}}
 
{{section|Page:Cod.I.6.4º.3 079r.jpg|2|lbl=-|p=1}} {{section|Page:Cod.I.6.4º.3 079v.jpg|1|lbl=79v|p=1}}
 
|  
 
|  
| {{red|b=1|Ein wider brüch}}
+
| <p>{{red|b=1|Ein wider brüch}}</p>
{{red|Item}} Wer dir daß thutt vnd dir dz swert will nemen vnd auß winden will mit dyner rechten hant sin rechte vnd mit dÿner hintter sin rechten elnbogen So gewinstu Im den ruck ann
+
 
 +
<p>{{red|b=1|Item}} Wer dir daß thutt vnd dir dz swert will nemen vnd auß winden will mit dyner rechten hant sin rechte vnd mit dÿner hintter sin rechten elnbogen So gewinstu Im den ruck ann</p>
 
|  
 
|  
 
|  
 
|  
Line 685: Line 781:
 
|  
 
|  
 
|  
 
|  
 +
| {{section|Page:MS Var.82 072v.png|2|lbl=72v.2}}
  
 
|-  
 
|-  
Line 696: Line 793:
 
{{section|Page:Cod.I.6.4º.3 079v.jpg|2|lbl=-|p=1}} {{section|Page:Cod.I.6.4º.3 080r.jpg|1|lbl=80r|p=1}}
 
{{section|Page:Cod.I.6.4º.3 079v.jpg|2|lbl=-|p=1}} {{section|Page:Cod.I.6.4º.3 080r.jpg|1|lbl=80r|p=1}}
 
|  
 
|  
| {{red|b=1|Aber ein stuck}}
+
| <p>{{red|b=1|Aber ein stuck}}</p>
{{red|Itm~}} Wan ir beyde vmb ey swert vmb ein schwert kryegt So tracht dz dü chabpst din lincke hant hintter '''[141r]''' sÿner rechten in sÿnem bÿndt Vnd din rechte hantt zwueschen seinen beÿden hende~ in sÿns schwerts clingen So begriff ÿn dan mit dÿner lincken hant yn syne rechte vnd griff dan mit dÿner rechte~ von vnte~ auff sein rechte~ arm vnd schrytt mÿt dyne~ rechte~ peÿn hÿnder synen lÿnckes / zueck er das pein hindersich So schrÿtt zwueschen sÿn beyde peyn vnd stos ÿn dan sÿn arm mit diner lincken hant von dir auff din lincke sytenn vnd zuch ÿn mit der recht / sÿn rechte~ arm vast an dich vnd ein wenig vber sich vff din rechte sÿtenn
+
 
 +
<p>{{red|b=1|Itm~}} Wan ir beyde vmb ey swert vmb ein schwert kryegt So tracht dz dü chabpst din lincke hant hintter [141r] sÿner rechten in sÿnem bÿndt Vnd din rechte hantt zwueschen seinen beÿden hende~ in sÿns schwerts clingen So begriff ÿn dan mit dÿner lincken hant yn syne rechte vnd griff dan mit dÿner rechte~ von vnte~ auff sein rechte~ arm vnd schrytt mÿt dyne~ rechte~ peÿn hÿnder synen lÿnckes / zueck er das pein hindersich So schrÿtt zwueschen sÿn beyde peyn vnd stos ÿn dan sÿn arm mit diner lincken hant von dir auff din lincke sytenn vnd zuch ÿn mit der recht / sÿn rechte~ arm vast an dich vnd ein wenig vber sich vff din rechte sÿtenn</p>
 
|  
 
|  
 
|  
 
|  
Line 706: Line 804:
 
|  
 
|  
 
|  
 
|  
 +
|
 +
{{section|Page:MS Var.82 072v.png|3|lbl=72v.3|p=1}} {{section|Page:MS Var.82 073r.png|1|lbl=73r.1|p=1}}
  
 
|-  
 
|-  
 
|  
 
|  
| <p>[31] {{red|b=1|Here you rise to the mortal strike}}</p>
+
| <p>[31] </p>
 +
 
 +
<p>{{red|b=1|Here you rise to the mortal strike}}</p>
  
 
<p>The first mortal strike: step close to him, and do as if you would stab him inward to the face, and then let your right hand drive from the grip, and thereby come to help the left hand on the sword's blade, and strike him with the pommel or with the hilt, or with the grip to his head.</p>
 
<p>The first mortal strike: step close to him, and do as if you would stab him inward to the face, and then let your right hand drive from the grip, and thereby come to help the left hand on the sword's blade, and strike him with the pommel or with the hilt, or with the grip to his head.</p>
| {{section|Page:Cod.44.A.8 078r.jpg|2|lbl=-}}
+
| <p><br/></p>
|  
+
 
 +
{{section|Page:Cod.44.A.8 078r.jpg|2|lbl=-}}
 +
| <p><br/></p>
 +
 
 
{{section|Page:Cod.I.6.4º.3 080r.jpg|2|lbl=-|p=1}} {{section|Page:Cod.I.6.4º.3 080v.jpg|1|lbl=80v|p=1}}
 
{{section|Page:Cod.I.6.4º.3 080r.jpg|2|lbl=-|p=1}} {{section|Page:Cod.I.6.4º.3 080v.jpg|1|lbl=80v|p=1}}
 
|  
 
|  
Line 719: Line 824:
 
|  
 
|  
 
|  
 
|  
| {{section|Page:MS Germ.Quart.2020 265v.jpg|1|lbl=265v}}
+
| <p><br/></p>
 +
 
 +
{{section|Page:MS Germ.Quart.2020 265v.jpg|1|lbl=265v}}
 
|  
 
|  
 
| {{section|Page:MS Dresd.C.94 251r.png|1|lbl=251r}}
 
| {{section|Page:MS Dresd.C.94 251r.png|1|lbl=251r}}
Line 725: Line 832:
 
|  
 
|  
 
|  
 
|  
 +
| {{section|Page:MS Var.82 073r.png|2|lbl=73r.2}}
  
 
|-  
 
|-  
Line 743: Line 851:
 
|  
 
|  
 
|  
 
|  
 +
| {{section|Page:MS Var.82 073r.png|3|lbl=73r.3}}
  
 
|-  
 
|-  
Line 748: Line 857:
 
| <p>[33] {{red|b=1|The second mortal strike}}</p>
 
| <p>[33] {{red|b=1|The second mortal strike}}</p>
  
<pNote, stab him inward to his face, but let your sword drive with the grip, and now grasp your sword with both hands on the blade, and strike him with the pommel to the left shoulder.</p>
+
<p>Note, stab him inward to his face, but let your sword drive with the grip, and now grasp your sword with both hands on the blade, and strike him with the pommel to the left shoulder.</p>
 
|  
 
|  
 
{{section|Page:Cod.44.A.8 078r.jpg|4|lbl=-|p=1}} {{section|Page:Cod.44.A.8 078v.jpg|1|lbl=78v|p=1}}
 
{{section|Page:Cod.44.A.8 078r.jpg|4|lbl=-|p=1}} {{section|Page:Cod.44.A.8 078v.jpg|1|lbl=78v|p=1}}
Line 766: Line 875:
 
|  
 
|  
 
|  
 
|  
 +
| <p><br/></p>
 +
 +
{{section|Page:MS Var.82 073r.png|4|lbl=73r.4}}
  
 
|-  
 
|-  
Line 785: Line 897:
 
|  
 
|  
 
|  
 
|  
 +
| {{section|Page:MS Var.82 073v.png|1|lbl=73v.1}}
  
 
|-  
 
|-  
Line 804: Line 917:
 
|  
 
|  
 
|  
 
|  
 +
| {{section|Page:MS Var.82 073v.png|2|lbl=73v.2}}
  
 
|-  
 
|-  
Line 822: Line 936:
 
|  
 
|  
 
|  
 
|  
 +
| {{section|Page:MS Var.82 073v.png|3|lbl=73v.3}}
  
 
|-  
 
|-  
Line 841: Line 956:
 
|  
 
|  
 
|  
 
|  
 +
| {{section|Page:MS Var.82 073v.png|4|lbl=73v.4}}
  
 
|-  
 
|-  
Line 860: Line 976:
 
|  
 
|  
 
|  
 
|  
 +
| {{section|Page:MS Var.82 073v.png|5|lbl=73v.5}}
  
 
|-  
 
|-  
Line 878: Line 995:
 
|  
 
|  
 
|  
 
|  
 +
| {{section|Page:MS Var.82 074r.png|1|lbl=74r.1}}
  
 
|-  
 
|-  
Line 896: Line 1,014:
 
|  
 
|  
 
|  
 
|  
 +
| {{section|Page:MS Var.82 074r.png|2|lbl=74r.2}}
  
 
|-  
 
|-  
Line 916: Line 1,035:
 
|  
 
|  
 
|  
 
|  
 +
| {{section|Page:MS Var.82 074r.png|3|lbl=74r.3}}
  
 
|-  
 
|-  
Line 939: Line 1,059:
 
|  
 
|  
 
|  
 
|  
 +
| <p><br/></p>
 +
 +
{{section|Page:MS Var.82 074r.png|4|lbl=74r.4|p=1}} {{section|Page:MS Var.82 074v.png|1|lbl=74v.1|p=1}}
  
 
|-  
 
|-  
Line 957: Line 1,080:
 
|  
 
|  
 
|  
 
|  
 +
| {{section|Page:MS Var.82 074v.png|2|lbl=74v.2}}
  
 
|-  
 
|-  
Line 978: Line 1,102:
 
|  
 
|  
 
|  
 
|  
 +
| {{section|Page:MS Var.82 074v.png|3|lbl=74v.3}}
  
 
|-  
 
|-  
Line 996: Line 1,121:
 
|  
 
|  
 
|  
 
|  
 +
| {{section|Page:MS Var.82 074v.png|4|lbl=74v.4}}
  
 
|-  
 
|-  
|  
+
| class="noline" |  
| <p>{{red|b=1|The End.}}</p>
+
| class="noline" | <p>{{red|b=1|The End.}}</p>
  
 
<p>{{red|b=1|Upon the Eve of Mary Magdalene in 1491.}}</p>
 
<p>{{red|b=1|Upon the Eve of Mary Magdalene in 1491.}}</p>
|  
+
| class="noline" |  
|  
+
| class="noline" |  
|  
+
| class="noline" |  
| {{red|b=1|Fimis (!)}}
+
| class="noline" | <p>{{red|b=1|Fimis (!)}}</p>
{{red|b=1|In vigilia maria magdaglena 1491}}
+
 
|  
+
<p>{{red|b=1|In vigilia maria magdaglena 1491}}</p>
|  
+
| class="noline" |  
|  
+
| class="noline" |  
|  
+
| class="noline" |  
|  
+
| class="noline" |  
|  
+
| class="noline" |
|  
+
| class="noline" |  
|  
+
| class="noline" |  
 +
| class="noline" |  
 +
| class="noline" |  
  
 
|}
 
|}
Line 1,023: Line 1,151:
 
  | width = 540em
 
  | width = 540em
 
}}
 
}}
{| class="floated master"
+
{| class="master"
 
|-  
 
|-  
! <p>Images</p>
+
! <p>Illustrations</p>
! <p>{{rating|B|Completed Translation (from the Rome)}}<br/>by [[Keith Farrell]]</p>
+
! <p>{{rating|B|Complete Translation (from Rome and Dresden)}}<br/>by [[Keith Farrell]]</p>
! <p>[[Codex Danzig (Cod.44.A.8)|Rome Transcription]] (1452){{edit index|Codex Danzig (Cod.44.A.8)}}<br/>by [[Dierk Hagedorn]]</p>
+
! <p>{{rating|C|Draft Translation (from the French)}}<br/>by [[John Tse]]</p>
! <p>[[Codex Lew (Cod.I.6.4º.3)|Augsburg Transcription]] (1460s){{edit index|Codex Lew (Cod.I.6.4º.3)}}<br/>by [[Dierk Hagedorn]]</p>
+
! <p>[[Starhemberg Fechtbuch (Cod.44.A.8)|Rome Version]] (1452){{edit index|Starhemberg Fechtbuch (Cod.44.A.8)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
! <p>[[Paulus Kal Fechtbuch (MS KK5126)|Vienna Transcription]] (1480s){{edit index|Paulus Kal Fechtbuch (MS KK5126)}}<br/>by [[Dierk Hagedorn]]</p>
+
! <p>[[Codex Lew (Cod.I.6.4º.3)|Augsburg Version]] (1460s){{edit index|Codex Lew (Cod.I.6.4º.3)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
! <p>[[Codex Speyer (MS M.I.29)|Salzburg Transcription]] (1491){{edit index|Codex Speyer (MS M.I.29)}}<br/>by [[Dierk Hagedorn]]</p>
+
! <p>[[Paulus Kal Fechtbuch (MS KK5126)|Vienna Version]] (1480s){{edit index|Paulus Kal Fechtbuch (MS KK5126)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
! <p>[[Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)|Dresden Transcription]] (1504-1519){{edit index|Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)}}<br/>by [[Dierk Hagedorn]]</p>
+
! <p>[[Codex Speyer (MS M.I.29)|Salzburg Version]] (1491){{edit index|Codex Speyer (MS M.I.29)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
! <p>[[Glasgow Fechtbuch (MS E.1939.65.341)|Glasgow Transcription]] (1508){{edit index|Glasgow Fechtbuch (MS E.1939.65.341)}}<br/>by [[Dierk Hagedorn]]</p>
+
! <p>[[Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)|Dresden Version]] (1504-1519){{edit index|Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
! <p>[[Goliath Fechtbuch (MS Germ.Quart.2020)|Krakow Transcription]] (1535-40){{edit index|Goliath Fechtbuch (MS Germ.Quart.2020)}}<br/>by [[Bartłomiej Walczak]]</p>
+
! <p>[[Glasgow Fechtbuch (MS E.1939.65.341)|Glasgow Version]] (1508){{edit index|Glasgow Fechtbuch (MS E.1939.65.341)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
! <p>[[Über die Fechtkunst und den Ringkampf (MS 963)|Graz Transcription]] (1539){{edit index|Über die Fechtkunst und den Ringkampf (MS 963)}}<br/></p>
+
! <p>[[Goliath Fechtbuch (MS Germ.Quart.2020)|Krakow Version]] (1535-40){{edit index|Goliath Fechtbuch (MS Germ.Quart.2020)}}<br/>Transcribed by [[Bartłomiej Walczak]]</p>
! <p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden (Mair) II Transcription]] (1542){{edit index|Opus Amplissimum de Arte Athletica (MS Dresd.C.94)}}<br/>by [[Bartłomiej Walczak]]</p>
+
! <p>[[Über die Fechtkunst und den Ringkampf (MS 963)|Graz Version]] (1539){{edit index|Über die Fechtkunst und den Ringkampf (MS 963)}}<br/></p>
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna (Mair) II German Transcription]] (1550s){{edit index|Opus Amplissimum de Arte Athletica (Cod.10826)}}</p>
+
! <p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden (Mair) Ⅱ Version]] (1542){{edit index|Opus Amplissimum de Arte Athletica (MS Dresd.C.94)}}<br/>Transcribed by [[Bartłomiej Walczak]]</p>
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna (Mair) II Latin Transcription]] (1550s){{edit index|Opus Amplissimum de Arte Athletica (Cod.10826)}}</p>
+
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna (Mair) German Version]] (1550s){{edit index|Opus Amplissimum de Arte Athletica (Cod.10826)}}</p>
! <p>[[Opus Amplissimum de Arte Athletica (Cod.icon. 393)|Munich (Mair) I Transcription]] (1550s){{edit index|Opus Amplissimum de Arte Athletica (Cod.icon. 393 I)}}</p>
+
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna (Mair) Latin Version]] (1550s){{edit index|Opus Amplissimum de Arte Athletica (Cod.10826)}}</p>
! <p>''[[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurñfeyndt)|Ergrundung Ritterlicher Kunst der Fechterey]]'' (1516){{edit index|Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurñfeyndt) 1516.pdf}}<br/>by [[Michael Chidester]]</p>
+
! <p>[[Opus Amplissimum de Arte Athletica (Cod.icon. 393)|Munich (Mair) Ⅰ Version]] (1550s){{edit index|Opus Amplissimum de Arte Athletica (Cod.icon. 393 I)}}</p>
! <p>''[[Der Altenn Fechter anfengliche kunst (Christian Egenolff)‎‎|Der Altenn Fechter anfengliche kunst]]'' (1530s){{edit index|Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf}}<br/>by [[Alex Kiermayer]]</p>
+
! <p>[[Fechtbuch zu Ross und zu Fuss (MS Var.82)|Rostock Version]] (1570){{edit index| Fechtbuch zu Ross und zu Fuss (MS Var.82)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
! <p>''[[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurñfeyndt)|La Noble Science des Ioueurs Despee]]'' (1538){{edit index|La noble science des ioueurs d%27espee (Andre Paur%C3%B1feyndt) 1538.pdf}}<br/>by [[Olivier&nbsp;Dupuis]], [[Didier&nbsp;de&nbsp;Grenier]], [[Michael&nbsp;Huber]]</p>
+
! <p>[[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt)|Paurenfeyndt's Edition]] (1516){{edit index|Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf}}<br/>Transcribed by [[Michael Chidester]]</p>
! <p>[[Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)|Sollinger Fechtbuch]] (1564){{edit index|Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)}}<br/>by [[Dierk Hagedorn]]</p>
+
! <p>[[Der Allten Fechter gründtliche Kunst (Christian Egenolff)|Egenolff's Edition]] (ca. 1531){{edit index|Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf}}<br/>Transcribed by [[Michael Chidester]]</p>
 +
! <p>[[Wilhalm/Sollinger Fechtbuch (Cod.I.6.2º.2)|Augsburg Manuscript]] (1564){{edit index|Wilhalm/Sollinger Fechtbuch (Cod.I.6.2º.2)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
 +
! <p>[[La noble science des ioueurs d'espee (Andre Paurenfeyndt)|French Translation]] (1538){{edit index|La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf}}<br/>Transcribed by [[Olivier Dupuis]], [[Didier de Grenier]], and [[Michaël&nbsp;Huber]]</p>
  
 
|-  
 
|-  
 
|  
 
|  
| <p>[1] {{red|b=1|Here start the plays with the buckler as written by the master Andre Lignitzer.}}<br/><br/></p>
+
| <p>{{red|b=1|Hereafter stand written the pieces with the buckler}}<ref>The Rome version says: “Here begin the pieces with the buckler that the master Andre Lignitzer has written hereafter”.</ref></p>
 
+
| <p>'''Here begins then or now the manner of fencing with the buckler.'''</p>
<p>The first play with the buckler from the Oberhaw. Mark when you drive the Oberhaw (over strike / strike from above) to the man: with the pommel go inwards, your sword close to the buckler and your thumb, and thrust in from beneath to his face. Wind against his sword and then go with a snap over and around. This works on both sides.</p>
 
 
| {{section|Page:Cod.44.A.8 080r.jpg|1|lbl=80r}}
 
| {{section|Page:Cod.44.A.8 080r.jpg|1|lbl=80r}}
 
| {{section|Page:Cod.I.6.4º.3 084r.jpg|1|lbl=84r}}
 
| {{section|Page:Cod.I.6.4º.3 084r.jpg|1|lbl=84r}}
 
| {{section|Page:MS KK5126 127v.jpg|2|lbl=127v}}
 
| {{section|Page:MS KK5126 127v.jpg|2|lbl=127v}}
 
|  
 
|  
| '''[54r] {{red|Her nach stond geschriben die stuck mitt dem buckler}}<br/><br/>
+
| <p>[54r] {{red|b=1|Her nach stond geschriben die stuck mitt dem buckler}}</p>
Das erst stuck mit dem buckler vß dem oberhaw° wen du den oberhaw trÿbst zu dem mañe So secz mitt dem knopffe din schwert inwendig vff dine~ bückler zu dine~ <del>dawmen</del> dav~men Vñ stich in von vnde~ auff zu sine~ gesichte vñ wind gege~ sine~ schwert vñ lauß überschnappen dz gät zu võ baÿden sÿtten ~
+
| <p>[105r] Hie heben sich ann die stugk mit dem Bugler die Maister andre lignizer gesazt hat in vj stuck alls hernach gemalt statt</p>
| '''[105r] Hie heben sich ann die stugk mit dem Bugler die Maister andre lignizer gesazt hat in vj stuck alls hernach gemalt statt'''
+
|
Das Erst stuck mit dem pu~gler auß dem oberchaw dreÿbest tzue dem mane So setz mit dem knofp dein Sswertt in wendig auff deinenn pu~gler zue deinem dawmen vnd stich ÿm von vnden auff zue seinem gesicht vnd windt gegen seinem Schwert vnd las vber schnappen das get zue padn seyden
 
 
|  
 
|  
 
|  
 
|  
Line 1,063: Line 1,191:
 
|  
 
|  
 
|  
 
|  
| '''[K3r] VECHTEN Im Pucklier oder Rodelñ'''<br/><br/><br/>
+
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/83|1|lbl=76}}
Item das erſt ſtuck mit dempucklier aus dem oberhaw / wan du den ober haw treibſt ʒv dem mañ / ſo ſetʒ deinen knopf ynwendig auf den ſchilt cʒu deinem daumñ / vnd ſtich ym von vnden auf ʒu ſeim gſicht / vñ windt gegñ ſeinem ſchwert vnd laß vber ſchnappen daſʒ get ʒu paiden ſeitñ
+
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/62|3|lbl=31r}}
| '''[XXXIr] Fechten im Bucklier oder Rodeln.'''<br/><br/><br/>
+
| {{section|Page:Cod.I.6..2 70v.jpg|4|lbl=70v}}
Die Erst Regel mit dem Bucklier / auß dem oberhaw. Wann du den oberhaw treibst zu dem man / so setze deinen knopff innwendig auff deinn schilt zu deinem daumen / und stich ihm vonn unden auff zu seinem gsicht / und wind gegen seinem schwerdt / unn laß überschnappen. Das geht zu beden seitten.  
+
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/80|3|lbl=67}}
| '''Icy commenche lors ou maintenant la maniere pour jouer a tout le bouclie.'''<br/><br/>
 
'''La premiere piece hors le hault debout'''<br>Quant vous frappez le deseur coup apres lhomme, mectez vostre pommeau par dedens sur le bouclie envers le poulx, & boutez par dessoubz au deseur apres son visaige, & tournez contre son espee, & laissez voler, cela va a deux costez
 
| '''[70v] / Vechtenn Im puckhlier oder Rodellenn /'''<br/><br/><br/>
 
Ittem das Erst stuckh Im mit dem buckhlier / aus dem Oberhaw wan du den oberhaw treibst zu dem man so sez dein knopf / Inwendig auf dein schilt zu deinem daum vnnd stich Im von vnden auff zu seim gsicht vnnd wint gegen seinem schwert vnd las vberschnappenn das get zu baÿden saÿten /
 
  
 
|-  
 
|-  
 
|  
 
|  
| <p>[2] {{red|b=1|The second play.}}</p>
+
| <p>[1] '''The first piece with the buckler'''</p>
  
<p>From the Underhaw (under strike / strike from below), when he strikes from above. Wind against him to your left side, [with his sword] against your shield. Thus you stand in two shields. So wind to the right side opening and strike in at the mouth. See if he deals with this by raising his shield, and if so then take the left leg. This works on both sides.</p>
+
<p>From the ''Oberhaw'':<ref>''Oberhaw'' could be translated as “downward cut” for ease of use and clarity in English.</ref> when you drive the ''Oberhaw'' to the man, set your sword with the pommel inside your buckler and at your thumb, and thrust in from below up to his face, and turn against his sword and let it snap-over. This goes to both sides.<ref>This instruction is present in the Dresden version, but missing from the Rome version.</ref></p>
 +
| <p>'''The first piece out of the high point'''</p>
 +
 
 +
<p>When you strike the high cut towards the man, put your pommel inside on the buckler towards the thumb and thrust from low to high towards his face. Turn against his sword and let it fly. This goes to both sides.</p>
 
| {{section|Page:Cod.44.A.8 080r.jpg|2|lbl=-}}
 
| {{section|Page:Cod.44.A.8 080r.jpg|2|lbl=-}}
|  
+
| {{section|Page:Cod.I.6.4º.3 084r.jpg|2|lbl=-}}
{{section|Page:Cod.I.6.4º.3 084r.jpg|2|lbl=-|p=1}} {{section|Page:Cod.I.6.4º.3 084v.jpg|1|lbl=84v|p=1}}
 
 
| {{section|Page:MS KK5126 127v.jpg|3|lbl=-}}
 
| {{section|Page:MS KK5126 127v.jpg|3|lbl=-}}
 
|  
 
|  
| {{red|b=1|Daß ander stuck}}
+
| <p>Das erst stuck mit dem buckler</p>
Item vß dem vnderhaw° wenn er dir oben eÿn haw°t von '''[54v]''' siner rechten achseln So wind gege~ im vff din lincken sÿtten gegen dine~ schilt So stest du in zwaÿen schilten So wind dann vff din <del>recht~</del> rechte sÿtten bloß grÿff im nach dem mau~l / wert er dir dz vñ helt den schilt vff So nÿm daß linck <del>bain</del> baÿn daß gät zu baÿden sÿtten zu° ~~
+
 
| '''Das ander stuck'''
+
<p>vß dem oberhaw° wen du den oberhaw trÿbst zu dem mañe So secz mitt dem knopffe din schwert inwendig vff dine~ bückler zu dine~ <del>dawmen</del> dav~men Vñ stich in von vnde~ auff zu sine~ gesichte wind gege~ sine~ schwert vñ lauß überschnappen dz gät zu baÿden sÿtten ~</p>
Item auß dem vnder chaw wan er dir oben zue chawtt von seiner rechten achselln so wind gegen Im auf dein linke seite~ gegen deinem schilt so stostu in tzwaien schilden so wind den auff dein Recht seiden ploß vnnd greÿff Im nach dem Maull werett Er dir das vnd chebt denn schilt auff So nim das link pain das get zue paiden seidenn
+
| <p>Das Erst stuck mit dem pu~gler</p>
 +
 
 +
<p>auß dem oberchaw dreÿbest tzue dem mane So setz mit dem knofp dein Sswertt in wendig auff deinenn pu~gler zue deinem dawmen vnd stich ÿm von vnden auff zue seinem gesicht vnd windt gegen seinem Schwert vnd las vber schnappen das get zue padn seyden</p>
 
|  
 
|  
 
|  
 
|  
Line 1,092: Line 1,220:
 
|  
 
|  
 
|  
 
|  
| '''DAS Ander ſtuck.'''
+
| {{section|Page:MS Var.82 096v.png|2|lbl=96v.2}}
Item auſʒ dem vnterñhaw wen er dir obñ ʒu haut von ſeiner rechtñ achſel ſo wint gegñ ym auf dein lincke ſeittñ gegen deinem ſchilt / ſo ſteſtu in ʒwaien ſchilten vñ wint dan auf dein rechte ſeittñ vnd greif ym nach dem maul / wert er das vñ hebt ſein ſchilt / ſo nim das linck pain das get auch ʒu paiden ſeitten
+
 
| '''II.'''
+
{{section|Page:MS Var.82 097r.png|1|lbl=97r.1}}
Auß dem Underhaw. Wann er dir oben zu hawt von seiner rechten achseln / so wind gegen ihm auff dein lincke seitten / gegen deinem schilt / so stehstu in zweyen schilten / unnd wind dann auff dein rechte seitten / und greiff ihm nach dem maul / weret er das / und hebt seinn schilt / so nim das linck beyn / Das geht auch zu beiden deitten.
+
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/83|2|lbl=-}}
| '''La seconde pieche hors le coup par dessoubz'''
+
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/62|4|lbl=-}}
Quant il frappe par deseur apres vous hors les dextres aselles, tournez contre luy sur vostre senestre coste contre vostre bouclie, ainsi serez entre deux boucliez, lors tournez sur le coste dextre & montez apres le visaige sil defend cela & lieue son bouclie, prenez la senestre gambe, cela va aussi a deux costez.
+
| {{section|Page:Cod.I.6.2º.2 70v.jpg|5|lbl=-}}
| '''/ Das annderr stuckh /'''
+
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/80|4|lbl=-}}
Ittem aus dem Vnderhaw wen er dir obenn zuhaut von seiner rechten achsell so wi[nt] gegen Im auf dein linckhen seÿtenn gegen deinem schilt so stestu Inn zwaÿen schilten vnnd wint dan auf dein rechte seÿtenn vnd greif Im nach dem maull wert er das v[nd] hebt sein schilt so [added from Paurnfeindt: nim das] linckh bain das gett auch zu baÿden seÿttenn /
 
  
 
|-  
 
|-  
 
|  
 
|  
| <p>[3] {{red|b=1|The third play.}}</p>
+
| <p>[2] {{red|b=1|The second piece}}</p>
 +
 
 +
<p>Item, from the ''Underhaw'':<ref>''Underhaw'' could be translated as “upward cut”. Can be done with the back edge or false edge, and can also be directed either at the man or at the sword. In this stuck, it appears to be a rising action to meet his sword.</ref> when he cuts in at you from above from his right shoulder,<ref>Dresden version specifies from his right shoulder, missing from Rome version.</ref> so turn against him to your left side to your ''schilt'', so that you stand in “two shields”,<ref>The position called the ''schilt'' is one described for longsword in the [[Kölner Fechtregeln (MS Best.7020 (W*)150)|Kölner Fechtbuch]] and some of the other ''gemeinfechten'' sources, and is somewhat similar to what Liechtenauer would call an ''Ochs'', although the point can be upward, potentially like quite a high ''Pflug''. With the buckler in the left hand, standing like this in “two shields” with the sword in the ''schilt'' position and the shield covering the right hand, it looks very reminiscent of the ''schutzen'' position in the [[Walpurgis Fechtbuch (MS I.33)|MS I.33]]. Following this line of thinking, the instruction to turn the sword to the right (out of the ''schutzen'') and to reach (slice) through his mouth is very reminiscent of the follow-up action that the MS I.33 recommends from the ''schutzen obsesseo'', and is also similar to what the Liechtenauer ''Zedel'' and glosses refer to as the ''Alten Schnitt''.</ref> then turn uncovered<ref>This instruction to ''wind bloß'' (“turn uncovered”) seems to have the sense of separating your sword and buckler while still pushing with both, keeping the hands more or less in front of the shoulders (as if sitting behind a steering wheel in a car with the hands at the “ten to two” position). The body probably has to move and turn in order to support this action, to keep the hands in front of the body rather than going out to the sides.</ref> to your right side, and reach out to his mouth. If he defends against this and lifts<ref>Dresden has “holds his shield up”, Rome has “lifts his shield up”. Both could mean more or less the same thing, but I prefer “lifts” as an instruction.</ref> his shield up, take the left leg. This goes to both sides.</p>
 +
| <p>'''The second piece out of the low cut'''</p>
  
<p>From the buckler, from the Wechelhaw (changing strike), sweep from the left side. From your buckler sweep clearly above with your sword then cut into his head from the left side; wind [to the] opening and thrust into his mouth. If he lifts with the shield and with the sword and defends against this then cut with the long edge in at his right leg. This works on both sides.</p>
+
<p>When he strikes from above towards you outwards from his right armpit, turn against him on your left side against your buckler. Thus you will move in both bucklers. Then turn your right side and raise towards his face. If he defends this and lifts his buckler, take his left leg. This also goes to both sides.</p>
 
| {{section|Page:Cod.44.A.8 080r.jpg|3|lbl=-}}
 
| {{section|Page:Cod.44.A.8 080r.jpg|3|lbl=-}}
| {{section|Page:Cod.I.6.4º.3 084v.jpg|2|lbl=-}}
+
|  
 +
{{section|Page:Cod.I.6.4º.3 084r.jpg|3|lbl=-|p=1}} {{section|Page:Cod.I.6.4º.3 084v.jpg|1|lbl=84v|p=1}}
 
| {{section|Page:MS KK5126 127v.jpg|4|lbl=-}}
 
| {{section|Page:MS KK5126 127v.jpg|4|lbl=-}}
 
|  
 
|  
| {{red|b=1|Daß dritt <del>stuc</del> stuck }}
+
| <p>{{red|b=1|Daß ander stuck}}</p>
Item vß dem bückler / vß dem wechselhaw° streÿch von der lincken sÿtten vß dem buckler fast übersich In sin schwert vñ haw° im dann võ der lincken sÿtten zu dem hau~pt Vnnd wind bloß vñ stoß im nach dem mau~l / Hept er mitt schilt vñ schwert vnnd wert daß So haw° '''[55r]''' mitt der langen schnide~ vnnd nach dem <del>reche</del> rechten bain dz gät och zu° baiden sÿtten ~
+
 
| '''Das dritt stuck'''
+
<p>Item vß dem vnderhaw° wenn er dir oben eÿn haw°t von [54v] siner rechten achseln So wind gege~ im vff din lincken sÿtten gegen dine~ schilt So stest du in zwaÿen schilten So wind dann vff din <del>recht~</del> rechte sÿtten bloß vñ grÿff im nach dem mau~l / wert er dir dz vñ helt den schilt vff So nÿm daß linck <del>bain</del> baÿn daß gät zu baÿden sÿtten zu° ~~</p>
Item auß dem pugler auß dem wechsell chaw streich von der lincken seiden auß dein bu~gler vast vber stich in sein Schwert vnd chaw im den von der lingen seiten zue dem chawbt vnd wind ploß vnd stoss im nach dem maul chebt Er mit schilt vnd mit Swert vnd went das so chaw '''[105v]''' mit der langen schneid im nach dem rechten pain das get auch zue paiden seiten
+
| <p>'''Das ander stuck'''</p>
 +
 
 +
<p>Item auß dem vnder chaw wan er dir oben zue chawtt von seiner rechten achselln so wind gegen Im auf dein linke seite~ gegen deinem schilt so stostu in tzwaien schilden so wind den auff dein Recht seiden ploß vnnd greÿff Im nach dem Maull werett Er dir das vnd chebt denn schilt auff So nim das link pain das get zue paiden seidenn</p>
 
|  
 
|  
 
|  
 
|  
Line 1,120: Line 1,253:
 
|  
 
|  
 
|  
 
|  
| '''DAS DRIT STVCK'''
+
| {{section|Page:MS Var.82 097r.png|2|lbl=97r.2}}
Item aufʒ dem wexelhw ſtreich von der linckñ ſeitten auſʒ dem pucklier vaſt vberſich in ſein ſchwert vñ haw ym dan von der lincken ſeittñ ʒu dem haupt vnd wint ploſʒ vnd ſtoſʒ ym nach dem maul / hebt er mit dem ſchilt vñ ſchwert vñ wert das / ſo haw mit der langñ ſchneid ym nach dem rechtñ pain / daſʒ get auch ʒu paiden ſeitten
+
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/83|3|lbl=-}}
| '''III.'''
+
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/62|5|lbl=-}}
Auß dem Wechselhaw. Streich von der lincken seiten auß dem Bucklier / fast übersich in sein schwerdt / und hawe ihm dann von der lincken seitten zum haupt / und wind bloß / und stoß ihm nach dem maul / hebt er mit dem schilt und schwert / und weret das / haw lang nach seinem rechten beyn / Brauchs zu beden seiten.  
+
| {{section|Page:Cod.I.6..2 70v.jpg|6|lbl=-}}
| '''[70] La tierce pieche hors le coup en change'''
+
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/80|5|lbl=-}}
Levez du senestre costre hors du bouclie en hault sur son espee et puis frappez du senestre coste apres sa teste, & tournez tout nud, & luy boutez apres son visaige, sil leve a tout le bouclie et lespee: et sil le defend lors frappez a tout le long taillon apres sa droicte gambe, cela va aussi a deux costez
 
| '''/ Dritt Dritt [!] stuckh /'''
 
Ittem aus dem wexelhaw streich von der linckhen seÿten aus dem puckhlierr vast Ibersich Inn sein schwertt vnnd haw Im dan von der linckhen seÿten zu dem hauptt vnnd wint blos vnnd stos Im nach dem maull hebt Er mit dem schilt vn schwertt vnnd wert so haw mit der lanngen schneidt Im nach dem rechten bain das gett zu baidenn seÿtenn /
 
  
 
|-  
 
|-  
 
|  
 
|  
| <p>[4] {{red|b=1|The fourth play.}}</p>
+
| <p>[3] {{red|b=1|The third piece}}</p>
  
<p>From the Mittelhaw (middle strike) make the Twer (cross strike) to both sides and the Schaitlar (skull strike) with the long edge, then make a thrust in underneath.</p>
+
<p>Item, from the buckler, from the ''Wechselhaw'':<ref>''Wechselhaw'' could be translated as “changing cut”, because it goes up and down, side to side.</ref> ''Streÿch''<ref>''Streÿchen'' could be translated as “strikes”, but in this context are specifically those striking actions from below, sweeping up with the short edge, perhaps “streaking” up from the ground to the opponent or to his sword.</ref> firmly upward from the buckler from the left side, into his sword, and then cut in from the left side to the head. And turn uncovered,<ref>The same idea of separating your sword and buckler while still pushing both, keeping the hands more or less in front of the shoulders (as if sitting behind a steering wheel in a car with the hands at the “ten to two” position).</ref> and push<ref>Probably with a thrust, but potentially with any other pushing technique.</ref> in to the mouth. If he lifts with shield and sword, and defends against this, then cut with the long edge to the right leg. This goes to both sides.</p>
 +
| <p>'''The third piece out of the change cut'''</p>
 +
 
 +
<p>Raise from the left side off of the buckler high on his sword, then strike from the left side towards his head. Turn fully exposed, and thrust towards his face. If he lifts with his buckler and his sword and if he defends, then with the long edge strike towards his right leg. This also goes to both sides.</p>
 +
| {{section|Page:Cod.44.A.8 080r.jpg|4|lbl=-}}
 +
| {{section|Page:Cod.I.6.4º.3 084v.jpg|2|lbl=-}}
 +
| {{section|Page:MS KK5126 127v.jpg|5|lbl=-}}
 
|  
 
|  
{{section|Page:Cod.44.A.8 080r.jpg|4|lbl=-|p=1}} {{section|Page:Cod.44.A.8 080v.jpg|1|lbl=80v|p=1}}
+
| <p>{{red|b=1|Daß dritt <del>stuc</del> stuck }}</p>
|  
+
 
| {{section|Page:MS KK5126 127v.jpg|5|lbl=-}}
+
<p>Item vß dem bückler / vß dem wechselhaw° streÿch von der lincken sÿtten vß dem buckler fast übersich In sin schwert vñ haw° im dann võ der lincken sÿtten zu dem hau~pt Vnnd wind bloß vñ stoß im nach dem mau~l / Hept er mitt schilt vñ schwert vnnd wert daß So haw° [55r] mitt der langen schnide~ vnnd nach dem <del>reche</del> rechten bain dz gät och zu° baiden sÿtten ~</p>
 +
| <p>'''Das dritt stuck'''</p>
 +
 
 +
<p>Item auß dem pugler auß dem wechsell chaw streich von der lincken seiden auß dein bu~gler vast vber stich in sein Schwert vnd chaw im den von der lingen seiten zue dem chawbt vnd wind ploß vnd stoss im nach dem maul chebt Er mit schilt vnd mit Swert vnd went das so chaw [105v] mit der langen schneid im nach dem rechten pain das get auch zue paiden seiten</p>
 
|  
 
|  
| {{red|b=1|daß vierd stuck}}
 
Item vß dem mittelhaw° mach die zwerch zu° baiden sÿtten vñ den schaittler mitt der lange~ schniden vñ stich im vnden zu° sinen gemächt ~~
 
| '''Das viert stuck'''
 
Iem [!] auß dem midellchaw mach die drew tzug paiden Seid~ Vnd denn scheidler mit der langen schneid vnd stich ym vnden zue seinem gemecht
 
 
|  
 
|  
 
|  
 
|  
Line 1,149: Line 1,284:
 
|  
 
|  
 
|  
 
|  
| '''DAS VIERT STVCK'''
+
{{section|Page:MS Var.82 097r.png|3|lbl=97r.3|p=1}} {{section|Page:MS Var.82 097v.png|1|lbl=97v.1|p=1}}
Item auſʒ dem mitterhaw mach die twer ʒu paiden ſeittñ vnd den ſchaitler mit der langñ fchneit vnd ſtich ym vndeu ʒu dem gmecht
+
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/83|4|lbl=-}}
| '''IIII.'''
+
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/62|6|lbl=-}}
Auß dem Mittelhaw. Mach die Zwir zu beden seiten / unn '''[XXXIv]''' den Scheytler mit langer schneid / stich ihm unden zum gmecht.  
+
| {{section|Page:Cod.I.6.2º.2 70v.jpg|7|lbl=-}}
| '''La quatriesme pieche hors le moyen coup'''
+
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/81|1|lbl=70}}
Faictes la deffence a deux costez, & le demy train a tout le long taillon, & luy boutez dessoubz apres les genitaires
 
| '''/ Das viertt stuckh /'''
 
Ittem aus dem Mittelhaw mach die zwer zu baÿdenn seÿtenn vnnd den schaitler mit der lanngenn schneidt vnnd stich Im vnndenn zu dem gmecht /
 
  
 
|-  
 
|-  
 
|  
 
|  
| <p>[5] {{red|b=1|The fifth play.}}</p>
+
| <p>[4] {{red|b=1|The fourth piece}}</p>
 +
 
 +
<p>Item, from the ''Mittelhaw'':<ref>''Mittelhaw'' could be translated as “middle cut”, going across from one side to the other.</ref> make the ''Zwer''<ref>''Zwerch'' could be translated as “across”, in the sense of slanting across from one side to another or slanting across from one height to another, or going diagonally across from one place to another. It also has the sense perhaps of going across something, perhaps slanting across or athwart a boat, or going across your opponent’s blade or leg as opposed to simply coming onto it in whatever fashion. The ''Zwer'' is an example of a ''Mittelhaw'', but it is important to note that the thumb is beneath the blade and the cut is performed with hand high.</ref> to both sides, and the ''Schaittler''<ref>''Schaittler'' could be translated as “parter”, in the sense of being something which parts another thing in two, or dividing something in two.</ref> with the long edge, and thrust in from below to him.</p>
 +
| <p>'''The fourth piece out of the middle cut'''</p>
  
<p>From the Sturzthaw (plunging strike) make as if to go to [his] left side over his shield with a thrust then with the point change under and thrust swiftly inside his shield. Wind immediately to your left side and if he defends against this then take his right leg with your long edge.</p>
+
<p>Perform the defense<ref>The German transcription reads “Zwer”</ref> to both sides and the half launch<ref>The German transcription reads “Schaittler”, perhaps related to "parting" in two halves.</ref> with the long edge. Thrust him below towards his genitals.</p>
| {{section|Page:Cod.44.A.8 080v.jpg|2|lbl=-}}
+
|  
 +
{{section|Page:Cod.44.A.8 080r.jpg|5|lbl=-|p=1}} {{section|Page:Cod.44.A.8 080v.jpg|1|lbl=80v|p=1}}
 +
|
 +
| {{section|Page:MS KK5126 127v.jpg|6|lbl=-}}
 
|  
 
|  
| <p><br/></p>
+
| <p>{{red|b=1|daß vierd stuck}}</p>
 +
 
 +
<p>Item vß dem mittelhaw° mach die zwerch zu° baiden sÿtten vñ den schaittler mitt der lange~ schniden vñ stich im vnden zu° sinen gemächt ~~</p>
 +
| <p>'''Das viert stuck'''</p>
  
{{section|Page:MS KK5126 127v.jpg|6|lbl=-}}
+
<p>Iem [!] auß dem midellchaw mach die drew tzug paiden Seid~ Vnd denn scheidler mit der langen schneid vnd stich ym vnden zue seinem gemecht</p>
 
|  
 
|  
| {{red|b=1|Daß funfft <del>fu~n</del> stuck}}
 
Item vß dem stürczhaw° thu alß so du im zu der lincken sÿtten über sinen schilt wöllest stechen vñ far mitt dem ort vnden durch vñ stich im inwendig sines schilts zu° de~ lÿbe Vnnd / Indes / wind vff din lincke sÿtten / wert er dir dz So nÿm sin '''[55v]''' recht baÿn mitt der langen schnÿd~ /
 
| '''das funnft stuck'''
 
Iem auß dem sturtz chaw thue sam dw ym tzue der lingken seiden vber sein schilt stechen vnd far mit dem Ord vnden durch vnd stich im in ÿnwaidig seines Schildes zue dem leÿb vnd in des wind auff dein Lincke seiden werd Er dir das so nim sein rechtes pain mit der langen Schneid
 
 
|  
 
|  
 
|  
 
|  
Line 1,178: Line 1,315:
 
|  
 
|  
 
|  
 
|  
 +
| {{section|Page:MS Var.82 097v.png|2|lbl=97v.2}}
 +
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/83|5|lbl=-}}
 
|  
 
|  
| '''[K3v] DAS Funfft ſtuck'''
+
{{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/62|7|lbl=-|p=1}} {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/63|1|lbl=31v|p=1}}
Item auſʒ dem ſchilhav / thu ab du ym cʒu der linckñ ſeittñ vber ſein ſchildt welleſt ſtechñ vnd var mit deinem ort vndñ durch / vnd ſtich ym inwendig ſeines ghileʒ cʒu dem leib vnd indes windt auf dein lincke ſeitñ / wert er daſʒ ſo nim ſein recht pain mit der langñ ſchneid
+
| {{section|Page:Cod.I.6..2 70v.jpg|8|lbl=-}}
| '''V.'''
+
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/81|2|lbl=-}}
Auß dem Schilhaw. Thu ob du ihm zu der lincken seitten über seinn schilt wöllest stechen / und far mit deim ort unden durch stich innwendig seins gesichts zum leib / In des wind auff dein lincke seitten / wert ers / so nim sein recht beyn mit langer schneid.
 
| '''La cinquiesme pieche'''
 
Faictes comme si luy vouldriez bouter apres le senestre coste aultre son bouclie, & entrez a tout vostre debout ou pointe par dessoubz parmy, & luy boutez par son visaige apres le ventre, & en cela tournez vous iuz sur vostre senestre coste & sil defende cela, lors prenz sa droicte gambe a tout le long taillon
 
| '''[71r] / Das finfft stuckh /'''
 
Ittem aus dem schilthaw thue ob du Im zu der linckhen seÿttenn Iber sein schilt wellest stechenn vnnd var mir deinem Ort vnndenn durch vnnd stich Im Inwendig seines gehilz zu dem leib vnnd Inndas wint auf dein linckhe seÿtenn wert er das so nim sein recht bain mit der lanngenn schneidt /
 
  
 
|-  
 
|-  
 
|  
 
|  
| <p>[6] {{red|b=1|The sixth play.}}</p>
+
| <p>[5] {{red|b=1|The fifth piece}}</p>
  
<p>Take the blade and the buckler in your left hand and wind against him in the half sword. If he strikes or thrusts at you from above to the face or from beneath to the legs, then set him aside with the shield and with the sword, and go with your right hand from the grip of your sword. Shoot with your right hand towards his right side, grasp his shield from underneath and twist to your own right side. So you will take the shield from him.</p>
+
<p>Item, from the ''Sturtzhaw'':<ref>''Sturtzhaw'' could be translated as “dropping cut”, in the sense of a ball dropping back to earth when it has been thrown upward.</ref> pretend as if you want to thrust over his shield into his left side, and go with the point under and through, and thrust inside his shields<ref>The treatise says ''schilts'', plural, meaning that you thrust inside both sword and shield.</ref> to the body,<ref>Dresden version specifies to the body, missing from Rome version.</ref> and turn ''Indes''<ref>If this gloss follows the Liechtenauer method of understanding the five words ''Vor'', ''Nach'', ''Schwöch'', ''Störck'', ''Indes'' and their relationship to each other, then we should look to the ''Blossfechten'' gloss for the meaning of ''Indes''. However, there is no guarantee that this means exactly the same thing, so the word ''Indes'' could just mean “immediately” when removed from its technical context. There does not seem to be as much ''Winden'' involved with this sword and buckler treatise as there is in the ''Blossfechten'' gloss, although it is still quite possible to perform ''Winden'' with shorter blades (look at Leckuchner’s ''messerfechten'', for example), and Lignitzer was a member of the ''Gessellschaft Lichtenawers'' and so was probably quite well aware of Liechtenauer’s understanding of the five words and how they relate to fighting.</ref> to your left side. If he defends against this, take his right leg with the long edge.</p>
| {{section|Page:Cod.44.A.8 080v.jpg|3|lbl=-}}
+
| <p>'''The fifth piece'''</p>
 +
 
 +
<p>Act as if you want to thrust him towards his left side over his buckler, and move in with your tip or point through below. Thrust from his face towards his stomach, and from this turn downwards to your left side. If he defends this, then take his right leg with the long edge.</p>
 +
 
 +
| {{section|Page:Cod.44.A.8 080v.jpg|2|lbl=-}}
 
|  
 
|  
| {{section|Page:MS KK5126 127v.jpg|7|lbl=-}}
+
| <p><br/></p>
 +
 
 +
{{section|Page:MS KK5126 127v.jpg|7|lbl=-}}
 
|  
 
|  
| {{red|b=1|Daß sechst stuckh ~}}
+
| <p>{{red|b=1|Daß funfft <del>fu~n</del> stuck}}</p>
Item nÿm din clingen zu dem bu~ckler in din lincke hand vnd wind gegen im alß mitt dem halben schwert / hawt er ode~ sticht er dir oben zu° der gesicht oder vnden zu° dem baÿn So lauß din rechte hand faren von dem pind vnd versecz im dz mitt schilt vnd mitt schwert vñ griff dann mitt dine~ rechte~ hannd vff sin rechte sÿtten nach dem schilt wol vndersich vnd re dree in vff din rechte sÿtten So haustu im den schilt genomen ~
+
 
| '''Das sechst stuckh'''
+
<p>Item dem stürczhaw° thu alß so du im zu der lincken sÿtten über sinen schilt wöllest stechen vñ far mitt dem ort vnden durch vñ stich im inwendig sines schilts zu° de~ lÿbe Vnnd / Indes / wind vff din lincke sÿtten / wert er dir dz So nÿm sin [55v] recht baÿn mitt der langen schnÿd~ /</p>
Item nim dein kling zue dem bugler in dein linge Hannd vnd wind gegen ym als mit dem helen Schwert hawet Er oder sticht er dir obe~ zue dem Gesicht oder vnden nach den pein so las dein reche Hand farn von dem pind vnd versetz im des mit dem schilt vnd swert vnd greÿff den mit deiner Rechten hand auff sein rechte seiden nach dem schilt wol vnder sich vnd dree in auff dein Rechte seid so hast due in dem schilt genomem
+
| <p>'''das funnft stuck'''</p>
 +
 
 +
<p>Iem auß dem sturtz chaw thue sam dw ym tzue der lingken seiden vber sein schilt stechen vnd far mit dem Ord vnden durch vnd stich im in ÿnwaidig seines Schildes zue dem leÿb vnd in des wind auff dein Lincke seiden werd Er dir das so nim sein rechtes pain mit der langen Schneid</p>
 
|  
 
|  
 
|  
 
|  
Line 1,207: Line 1,349:
 
|  
 
|  
 
|  
 
|  
| '''DAS SECHST Stuck'''
+
| {{section|Page:MS Var.82 097v.png|3|lbl=97v.3}}
Nym dein klingñ cʒu deinem puchlir in dein lincke handt / vñ windt kegñ ym / havt er oder ſticht dir obñ cʒu deinm͂ gſicht / oder vndñ nach deinem pain / ſo laſʒ dem rechte handt vom heft / vnd verſecʒ ym daſʒ mit ſchildt vnd ſchwerdt / vnd greiff mit deiner rechtñ handt auff ſein rechte ſeitten nach ſeim ſchilt / vnd vaſʒ den ſchilt wol vnderſich / vnd dree yn auf dein rechte ſeittñ / ſo haſtu ym den ſchildt gnumen &c.
+
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/84|1|lbl=77}}
| '''VI.'''
+
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/63|2|lbl=-}}
Nim dein klingen zu deinem Bucklir in dein lincke hanndt / wind gegen ihm / Hawet er oder sticht dir oben zu deinem gsicht / oder unden nach deinem beyn / so laß dein rechte handt vom hefft und versetz ihm das mit schilt und schwert / und greiff mit deiner rechten handt auff sein rechte seitten nach seinem schilt / und faß den schilt wol undersich / und drehe ihn auff dein rechte seitten / so hastu ihm den Schilt genommen.
+
| {{section|Page:Cod.I.6.2º.2 71r.jpg|1|lbl=71r}}
| '''La sixiesme pieche'''
+
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/81|3|lbl=-}}
Prenez vostre alumelle a vostre bouclie en la senestre main, et defendez contre luy, sil frappe ou boute deseur apres vostre visaige ou dessoubz apres la gambe, ostez vostre main droicte de vostre espee, & le remectez a tout le bouclie & lespee, & prenez a tout vostre droicte main son bouclie bien bas, & lefforcez sur vostre droicte coste & ainsi le luy prendrez.
+
 
| '''/ Das sechst stuckh /'''
+
|-
Nim dein klingenn zu deinem puchlierr Inn dein lincke hanndt vnnd wint gegen Im haut Er oder sticht dir obenn zu deinem gsicht v oder vnndenn nach deinem bain so lass dein Rechte hanndt vom hefft vnnd versez Im das mit schilt vnnd schwertt vnnd greiff Mitt deiner Rechtenn hanndt auf sein Rechten seÿtenn / nach seim schilt vnnd vass dein schilt woll vnndersich vnnd dree In auf dein rechten seÿtenn so hastu Im denn schilt genomenn /
+
| class="noline" |
 +
| class="noline" | <p>[6] {{red|b=1|The sixth piece}}</p>
 +
 
 +
<p>Item: take the blade to the buckler in your left hand, and turn against him with the half sword. If he cuts or thrusts at you from above to the face or from below to the legs, let your right hand go from the bind<ref>Although both the Dresden and Rome versions say ''bind'', what they probably mean is the fastening of the hand, or the grip upon the sword.</ref> and ''Versetz''<ref>The instruction to ''Versetz'' could mean “to obstruct”.</ref> with shield and with sword, and grip with your right hand to the shield, well below to his right side, and twist out to your right side. Thus, you take the shield from him.<ref>More correctly, both the Dresden and Rome versions say: “Thus, you have taken the shield from him.” However, the sudden change of tense seems a little abrupt and awkward, so I prefer to maintain the same tense as the rest of the instruction, for stylistic reasons.</ref></p>
 +
| class="noline" | <p>'''The sixth piece'''</p>
 +
 
 +
<p>Take your blade to your buckler in the left hand and defend against him. If he strikes or thrusts above towards your face or below towards your leg, remove your right hand from the sword and parry him with the buckler and sword. With your right hand take his buckler well down and press on your right side. Thus you take it from him.</p>
 +
 
 +
| class="noline" | {{section|Page:Cod.44.A.8 080v.jpg|3|lbl=-}}
 +
| class="noline" |
 +
| class="noline" | {{section|Page:MS KK5126 127v.jpg|8|lbl=-}}
 +
| class="noline" |
 +
| class="noline" | <p>{{red|b=1|Daß sechst stuckh ~}}</p>
 +
 
 +
<p>Item nÿm din clingen zu dem bu~ckler in din lincke hand vnd wind gegen im alß mitt dem halben schwert / hawt er ode~ sticht er dir oben zu° der gesicht oder vnden zu° dem baÿn So lauß din rechte hand faren von dem pind vnd versecz im dz mitt schilt vnd mitt schwert vñ griff dann mitt dine~ rechte~ hannd vff sin rechte sÿtten nach dem schilt wol vndersich vnd re dree in vff din rechte sÿtten So haustu im den schilt genomen ~</p>
 +
| class="noline" | <p>'''Das sechst stuckh'''</p>
 +
 
 +
<p>Item nim dein kling zue dem bugler in dein linge Hannd vnd wind gegen ym als mit dem helen Schwert hawet Er oder sticht er dir obe~ zue dem Gesicht oder vnden nach den pein so las dein reche Hand farn von dem pind vnd versetz im des mit dem schilt vnd swert vnd greÿff den mit deiner Rechten hand auff sein rechte seiden nach dem schilt wol vnder sich vnd dree in auff dein Rechte seid so hast due in dem schilt genomem</p>
 +
| class="noline" |
 +
| class="noline" |
 +
| class="noline" |
 +
| class="noline" |
 +
| class="noline" |
 +
| class="noline" |
 +
| class="noline" |
 +
{{section|Page:MS Var.82 097v.png|4|lbl=97v.4|p=1}} {{section|Page:MS Var.82 098r.png|1|lbl=98r.1|p=1}}
 +
| class="noline" | {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/84|2|lbl=-}}
 +
| class="noline" | {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/63|3|lbl=-}}
 +
| class="noline" | {{section|Page:Cod.I.6.2º.2 71r.jpg|2|lbl=-}}
 +
| class="noline" | {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/81|4|lbl=-}}
  
 
|}
 
|}
Line 1,223: Line 1,394:
 
  | width = 420em
 
  | width = 420em
 
}}
 
}}
{| class="floated master"
+
{| class="master"
 
|-  
 
|-  
! <p>Images</p>
+
! <p>Illustrations</p>
! <p>{{rating|B|Completed Translation (from the Rome)}}<br/>by [[Gregor Medvešek]]</p>
+
! <p>{{rating|B|Complete Translation (from the Rome)}}<br/>by [[Gregor Medvešek]]</p>
! <p>[[Codex Danzig (Cod.44.A.8)|Rome Transcription]] (1452){{edit index|Codex Danzig (Cod.44.A.8)}}<br/>by [[Dierk Hagedorn]]</p>
+
! <p>[[Starhemberg Fechtbuch (Cod.44.A.8)|Rome Version]] (1452){{edit index|Starhemberg Fechtbuch (Cod.44.A.8)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
! <p>[[Codex Lew (Cod.I.6.4º.3)|Augsburg Transcription]] (1460s){{edit index|Codex Lew (Cod.I.6.4º.3)}}<br/>by [[Dierk Hagedorn]]</p>
+
! <p>[[Codex Lew (Cod.I.6.4º.3)|Augsburg Version]] (1460s){{edit index|Codex Lew (Cod.I.6.4º.3)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
! <p>[[Paulus Kal Fechtbuch (MS KK5126)|Vienna Transcription]] (1480s){{edit index|Paulus Kal Fechtbuch (MS KK5126)}}<br/>by [[Dierk Hagedorn]]</p>
+
! <p>[[Paulus Kal Fechtbuch (MS KK5126)|Vienna Version]] (1480s){{edit index|Paulus Kal Fechtbuch (MS KK5126)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
! <p>[[Codex Speyer (MS M.I.29)|Salzburg Transcription]] (1491){{edit index|Codex Speyer (MS M.I.29)}}<br/>by [[Dierk Hagedorn]]</p>
+
! <p>[[Codex Speyer (MS M.I.29)|Salzburg Version]] (1491){{edit index|Codex Speyer (MS M.I.29)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
! <p>[[Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)|Dresden Transcription]] (1504-1519){{edit index|Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)}}<br/>by [[Dierk Hagedorn]]</p>
+
! <p>[[Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)|Dresden Version]] (1504-1519){{edit index|Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
! <p>[[Glasgow Fechtbuch (MS E.1939.65.341)|Glasgow Transcription]] (1508){{edit index|Glasgow Fechtbuch (MS E.1939.65.341)}}<br/>by [[Dierk Hagedorn]]</p>
+
! <p>[[Glasgow Fechtbuch (MS E.1939.65.341)|Glasgow Version]] (1508){{edit index|Glasgow Fechtbuch (MS E.1939.65.341)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
! <p>[[Goliath Fechtbuch (MS Germ.Quart.2020)|Krakow Transcription]] (1535-40){{edit index|Goliath Fechtbuch (MS Germ.Quart.2020)}}<br/>by [[Bartłomiej Walczak]]</p>
+
! <p>[[Goliath Fechtbuch (MS Germ.Quart.2020)|Krakow Version]] (1535-40){{edit index|Goliath Fechtbuch (MS Germ.Quart.2020)}}<br/>Transcribed by [[Bartłomiej Walczak]]</p>
! <p>[[Über die Fechtkunst und den Ringkampf (MS 963)|Graz Transcription]] (1539){{edit index|Über die Fechtkunst und den Ringkampf (MS 963)}}<br/></p>
+
! <p>[[Über die Fechtkunst und den Ringkampf (MS 963)|Graz Version]] (1539){{edit index|Über die Fechtkunst und den Ringkampf (MS 963)}}<br/></p>
! <p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden (Mair) II Transcription]] (1542){{edit index|Opus Amplissimum de Arte Athletica (MS Dresd.C.94)}}<br/>by [[Bartłomiej Walczak]]</p>
+
! <p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden (Mair) Ⅱ Version]] (1542){{edit index|Opus Amplissimum de Arte Athletica (MS Dresd.C.94)}}<br/>Transcribed by [[Bartłomiej Walczak]]</p>
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna (Mair) II German Transcription]] (1550s){{edit index|Opus Amplissimum de Arte Athletica (Cod.10826)}}</p>
+
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna (Mair) German Version]] (1550s){{edit index|Opus Amplissimum de Arte Athletica (Cod.10826)}}</p>
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna (Mair) II Latin Transcription]] (1550s){{edit index|Opus Amplissimum de Arte Athletica (Cod.10826)}}</p>
+
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna (Mair) Latin Version]] (1550s){{edit index|Opus Amplissimum de Arte Athletica (Cod.10826)}}</p>
! <p>[[Opus Amplissimum de Arte Athletica (Cod.icon. 393)|Munich (Mair) I Transcription]] (1550s){{edit index|Opus Amplissimum de Arte Athletica (Cod.icon. 393 I)}}</p>
+
! <p>[[Opus Amplissimum de Arte Athletica (Cod.icon. 393)|Munich (Mair) Ⅰ Version]] (1550s){{edit index|Opus Amplissimum de Arte Athletica (Cod.icon. 393 I)}}</p>
 +
! <p>[[Fechtbuch zu Ross und zu Fuss (MS Var.82)|Rostock Version]] (1570){{edit index| Fechtbuch zu Ross und zu Fuss (MS Var.82)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
  
 
|-  
 
|-  
| rowspan="2" | [[file:MS Germ.Quart.2020 148v.jpg|400x400px|center]]
+
| rowspan="3" | [[file:MS Germ.Quart.2020 148v.jpg|400x400px|center]]
| <p>[1] {{red|b=1|Here begins the wrestling of Master Andres Lignitzer}}<br/><br/></p>
+
| <p>{{red|b=1|Here begins the wrestling of Master Andres Lignitzer}}</p>
 
 
<p>The first wrestling – When you clinch up at the arms, make sure that your left hand is on the inside of his right arm and that your right hand is on the outside of his left arm. If he holds you loosely, reach with your left for his right arm, grab him by the fingers, and jerk them to your left side. This is how you break his balance.</p>
 
 
| {{section|Page:Cod.44.A.8 081r.jpg|1|lbl=81r}}
 
| {{section|Page:Cod.44.A.8 081r.jpg|1|lbl=81r}}
 
|  
 
|  
Line 1,250: Line 1,420:
 
|  
 
|  
 
|  
 
|  
| '''[64r] {{red|Hie heben sich an die Ringen}}
+
| <p>[64r] {{red|b=1|Hie heben sich an die Ringen}}</p>
<br/>{{red|Item /}} das erst ringen / hat er dich beÿ dem arm~ gefast / vnd du in wider / So tracht das du <del>in w</del> mit deiner glecken handt in wemdig [!] seins rechten arms pist / vnd mit deiner rechten handt / auswendig seins lincken pist / hat er dich dan los / So greiff vor mit deiner gliggen hant auff sein glincke hant vnd begreiff in pey seinen vingern vnd prich die / auff sein lincke seÿttñ / so nymbst du im das gewicht
 
 
| {{section|Page:MS Germ.Quart.2020 148v.jpg|1|lbl=148v}}
 
| {{section|Page:MS Germ.Quart.2020 148v.jpg|1|lbl=148v}}
 +
|
 
|  
 
|  
 
|  
 
|  
Line 1,260: Line 1,430:
  
 
|-  
 
|-  
| <p>[2] {{red|b=1|The counter}}</p>
+
| <p>[1] '''The first wrestling'''</p>
 +
 
 +
<p>When you clinch up at the arms, make sure that your left hand is on the inside of his right arm and that your right hand is on the outside of his left arm. If he holds you loosely, reach with your left for his left arm, grab him by the fingers, and jerk them to your left side. This is how you break his balance.</p>
 +
| {{section|Page:Cod.44.A.8 081r.jpg|2|lbl=-}}
 +
|
 +
|
 +
|
 +
|
 +
| <p>{{red|b=1|Item /}} das erst ringen /</p>
 +
 
 +
<p>hat er dich beÿ dem arm~ gefast / vnd du in wider / So tracht das du <del>in w</del> mit deiner glecken handt in wemdig [!] seins rechten arms pist / vnd mit deiner rechten handt / auswendig seins lincken pist / hat er dich dan los / So greiff vor mit deiner gliggen hant auff sein glincke hant vnd begreiff in pey seinen vingern vnd prich die / auff sein lincke seÿttñ / so nymbst du im das gewicht</p>
 +
| {{section|Page:MS Germ.Quart.2020 148v.jpg|2|lbl=-}}
 +
|
 +
|
 +
|
 +
|
 +
|
 +
|
 +
 
 +
|-
 +
| <p>[2] {{red|b=1|The counter}}</p>
  
 
<p>When someone does this to you and reaches for your fingers, spring with your right leg in front of both of his legs and reach with your right hand behind and around his back. Throw him in front of yourself to your left side.</p>
 
<p>When someone does this to you and reaches for your fingers, spring with your right leg in front of both of his legs and reach with your right hand behind and around his back. Throw him in front of yourself to your left side.</p>
| {{section|Page:Cod.44.A.8 081r.jpg|2|lbl=-}}
+
| {{section|Page:Cod.44.A.8 081r.jpg|3|lbl=-}}
 
|  
 
|  
 
|  
 
|  
 
|  
 
|  
 
|  
 
|  
| {{red|b=1|Der prüch dawider}}
+
| <p>{{red|b=1|Der prüch dawider}}</p>
Wer dir das thüet / vnd dir nach den vingerñ greifft / So spring mit deinem rechtñ pain / fu~r sein paide pain / vnd greiff mit deine° rechten handt hinten vber seinen ruck vnd wu~rff in fu~r dich auff dein lincke seyttñ /
+
 
 +
<p>Wer dir das thüet / vnd dir nach den vingerñ greifft / So spring mit deinem rechtñ pain / fu~r sein paide pain / vnd greiff mit deine° rechten handt hinten vber seinen ruck vnd wu~rff in fu~r dich auff dein lincke seyttñ /</p>
 
| {{section|Page:MS Germ.Quart.2020 149r.jpg|1|lbl=149r}}
 
| {{section|Page:MS Germ.Quart.2020 149r.jpg|1|lbl=149r}}
 +
|
 
|  
 
|  
 
|  
 
|  
Line 1,282: Line 1,474:
  
 
<p>When you clinch up at the arms, fall with your right arm over his left hand and help your right arm with your left hand. Turn away from him to your left side.</p>
 
<p>When you clinch up at the arms, fall with your right arm over his left hand and help your right arm with your left hand. Turn away from him to your left side.</p>
| {{section|Page:Cod.44.A.8 081r.jpg|3|lbl=-}}
+
| {{section|Page:Cod.44.A.8 081r.jpg|4|lbl=-}}
 
|  
 
|  
 
|  
 
|  
 
|  
 
|  
 
|  
 
|  
| {{red|b=1|Das Ander Ringen}}
+
| <p>{{red|b=1|Das Ander Ringen}}</p>
Hat er dich gefast aber peÿ dem arm~ du in wider als vor / so vall mit deine~ rechtñ arm~ vber sein lincke handt / vnd kumb mit deiner glincken handt / deiner rechtñ zu hilff / vnd schwing dich auff dein lincke seÿtten /
+
 
 +
<p>Hat er dich gefast aber peÿ dem arm~ du in wider als vor / so vall mit deine~ rechtñ arm~ vber sein lincke handt / vnd kumb mit deiner glincken handt / deiner rechtñ zu hilff / vnd schwing dich auff dein lincke seÿtten /</p>
 
| {{section|Page:MS Germ.Quart.2020 149v.jpg|1|lbl=149v}}
 
| {{section|Page:MS Germ.Quart.2020 149v.jpg|1|lbl=149v}}
 +
|
 
|  
 
|  
 
|  
 
|  
Line 1,301: Line 1,495:
 
<p>When you clinch up at the arms as before, make sure that your left hand is on the inside of his right arm and that your right hand is on the outside of his left arm. Strike his left hand from underneath with your right hand so that you have it on your right shoulder. Spring with your right leg in front of his left leg and wrap your right arm from the outside around his left arm. Help your right arm with your left hand and turn yourself away from him to your left side.</p>
 
<p>When you clinch up at the arms as before, make sure that your left hand is on the inside of his right arm and that your right hand is on the outside of his left arm. Strike his left hand from underneath with your right hand so that you have it on your right shoulder. Spring with your right leg in front of his left leg and wrap your right arm from the outside around his left arm. Help your right arm with your left hand and turn yourself away from him to your left side.</p>
 
|  
 
|  
{{section|Page:Cod.44.A.8 081r.jpg|4|lbl=-|p=1}} {{section|Page:Cod.44.A.8 081v.jpg|1|lbl=81v|p=1}}
+
{{section|Page:Cod.44.A.8 081r.jpg|5|lbl=-|p=1}} {{section|Page:Cod.44.A.8 081v.jpg|1|lbl=81v|p=1}}
 
|  
 
|  
 
|  
 
|  
 
|  
 
|  
 
|  
 
|  
| {{red|b=1|Das dritt ringen /}}
+
| <p>{{red|b=1|Das dritt ringen /}}</p>
Hat er dich aber gefasset als vor peÿ den arm~ vnd du in wider So betracht das die glinck handt inwendig seins rechtñ arm~s seÿ vnd dein rechte auswendig seins glingken arm~s / So stoß mit deiner rechtñ handt vndten auff im sein glinggen vber dein rechte achssel / vnd spring mit deinem rechte~ arm~ / von aussen von aussen [!] vber sein glencken arm~ / vnd thu mit deiner glincken handt dein rechten arm~ zu hilff vnd schwing dich dan von im auff dein lingke seÿttñ
+
 
 +
<p>Hat er dich aber gefasset als vor peÿ den arm~ vnd du in wider So betracht das die glinck handt inwendig seins rechtñ arm~s seÿ vnd dein rechte auswendig seins glingken arm~s / So stoß mit deiner rechtñ handt vndten auff im sein glinggen vber dein rechte achssel / vnd spring mit deinem rechte~ arm~ / von aussen von aussen [!] vber sein glencken arm~ / vnd thu mit deiner glincken handt dein rechten arm~ zu hilff vnd schwing dich dan von im auff dein lingke seÿttñ</p>
 
| {{section|Page:MS Germ.Quart.2020 149v.jpg|2|lbl=-}}
 
| {{section|Page:MS Germ.Quart.2020 149v.jpg|2|lbl=-}}
 +
|
 
|  
 
|  
 
|  
 
|  
Line 1,325: Line 1,521:
 
|  
 
|  
 
|  
 
|  
| {{red|b=1|Der pruch da wider}}
+
| <p>{{red|b=1|Der pruch da wider}}</p>
Wer dir das thüet / vnd dir deinen glinggen arm~ vber sein hals gestossen hat / So var mit deine~ glincken arm~ vber sein kopf / fu~r dein prust / begreiff yn mit deiner glinggen hant peÿ seine~ glingge~ arm~ / vnd mit deiner rechten handt / greiff aus wendig in sein rechte knyepu~g / vnd heb vbe°sich / vnd tauch oben auff dein glengge seyttñ / so wirfstu in auff den rugk /
+
 
 +
<p>Wer dir das thüet / vnd dir deinen glinggen arm~ vber sein hals gestossen hat / So var mit deine~ glincken arm~ vber sein kopf / fu~r dein prust / begreiff yn mit deiner glinggen hant peÿ seine~ glingge~ arm~ / vnd mit deiner rechten handt / greiff aus wendig in sein rechte knyepu~g / vnd heb vbe°sich / vnd tauch oben auff dein glengge seyttñ / so wirfstu in auff den rugk /</p>
 +
|
 
|  
 
|  
 
|  
 
|  
Line 1,344: Line 1,542:
 
|  
 
|  
 
|  
 
|  
| '''[64v] {{red|Das viert Ringen}}
+
| <p>[64v] {{red|b=1|Das viert Ringen}}</p>
Far mit dem rechten arm~ von aussen vber sein glengge / vnd greiff mit deiner rechten handt / fu~r sein prüst Im in sein rechte achssel / vnd spring mit deinem rechten pain hindter sein glings / vnnd greiff mit deiner glingen handt in wenig in sein glengge knyepueg / vnd wurff in auff sein rechte seÿttñ /
+
 
 +
<p>Far mit dem rechten arm~ von aussen vber sein glengge / vnd greiff mit deiner rechten handt / fu~r sein prüst Im in sein rechte achssel / vnd spring mit deinem rechten pain hindter sein glings / vnnd greiff mit deiner glingen handt in wenig in sein glengge knyepueg / vnd wurff in auff sein rechte seÿttñ /</p>
 
| {{section|Page:MS Germ.Quart.2020 150v.jpg|1|lbl=150v}}
 
| {{section|Page:MS Germ.Quart.2020 150v.jpg|1|lbl=150v}}
 +
|
 
|  
 
|  
 
|  
 
|  
Line 1,357: Line 1,557:
 
| <p>[7] {{red|b=1|The counter}}</p>
 
| <p>[7] {{red|b=1|The counter}}</p>
  
<p>When someone does this do you, grab his right arm by the wrist with your right hand and his right elbow from bellow with your left hand. This is how you throw him on his mouth.<ref>There is a further piece of instruction in Goliath: “Pull your left leg far back.</ref></p>
+
<p>When someone does this do you, grab his right arm by the wrist with your right hand and his right elbow from bellow with your left hand. This is how you throw him on his mouth.<ref>There is a further piece of instruction in Goliath: “Pull your left leg far back”.</ref></p>
 
|  
 
|  
 
{{section|Page:Cod.44.A.8 081v.jpg|4|lbl=-|p=1}} {{section|Page:Cod.44.A.8 082r.jpg|1|lbl=82r|p=1}}
 
{{section|Page:Cod.44.A.8 081v.jpg|4|lbl=-|p=1}} {{section|Page:Cod.44.A.8 082r.jpg|1|lbl=82r|p=1}}
Line 1,364: Line 1,564:
 
|  
 
|  
 
|  
 
|  
| {{red|b=1|Der pruch dawider}}
+
| <p>{{red|b=1|Der pruch dawider}}</p>
Wer dir das thuet / So greiff mit deiner rechten handt / hindter sein rechte / vnd greiff mit deiner glenggen handt von vndten auff in sein rechtñ ellpogen / So wurfst du in auff das maul /
+
 
 +
<p>Wer dir das thuet / So greiff mit deiner rechten handt / hindter sein rechte / vnd greiff mit deiner glenggen handt von vndten auff in sein rechtñ ellpogen / So wurfst du in auff das maul /</p>
 
| {{section|Page:MS Germ.Quart.2020 151r.jpg|1|lbl=151r}}
 
| {{section|Page:MS Germ.Quart.2020 151r.jpg|1|lbl=151r}}
 +
|
 
|  
 
|  
 
|  
 
|  
Line 1,383: Line 1,585:
 
|  
 
|  
 
|  
 
|  
| {{red|b=1|Das funfft Stuck}}
+
| <p>{{red|b=1|Das funfft Stuck}}</p>
Far mit deinem <sup>rechtñ</sup> arm~ von vndten auff inwendig vber sein glengñ arm~ vnd truck in vast zu dir in dein rechte seyttñ / vnd spring mit deinem glincken pain hindter sein glingks vnd far mit deinem glinggen arm~ im vber die rechtñ <del>aff</del> achssel vber sein hals / vnd wurff in auff dein rechte seÿttñ /
+
 
 +
<p>Far mit deinem <sup>rechtñ</sup> arm~ von vndten auff inwendig vber sein glengñ arm~ vnd truck in vast zu dir in dein rechte seyttñ / vnd spring mit deinem glincken pain hindter sein glingks vnd far mit deinem glinggen arm~ im vber die rechtñ <del>aff</del> achssel vber sein hals / vnd wurff in auff dein rechte seÿttñ /</p>
 
| {{section|Page:MS Germ.Quart.2020 151v.jpg|1|lbl=151v}}
 
| {{section|Page:MS Germ.Quart.2020 151v.jpg|1|lbl=151v}}
 +
|
 
|  
 
|  
 
|  
 
|  
Line 1,402: Line 1,606:
 
|  
 
|  
 
|  
 
|  
| {{red|b=1|Pruch da wider /}}
+
| <p>{{red|b=1|Pruch da wider /}}</p>
Wer dir das thuet / So stan freylich / vnd greiff mit deiner rechtñ handt vber sein sein [!] glincken arm~ fu~r sein prust im vndter das maul / vnd zeuch in fu~r dich / vber dein glinggs diech / vnd auff dein rechte seÿttñ /
+
 
 +
<p>Wer dir das thuet / So stan freylich / vnd greiff mit deiner rechtñ handt vber sein sein [!] glincken arm~ fu~r sein prust im vndter das maul / vnd zeuch in fu~r dich / vber dein glinggs diech / vnd auff dein rechte seÿttñ /</p>
 +
|
 
|  
 
|  
 
|  
 
|  
Line 1,421: Line 1,627:
 
|  
 
|  
 
|  
 
|  
| {{red|b=1|Das sechst stuck /}}
+
| <p>{{red|b=1|Das sechst stuck /}}</p>
Tracht das dein glengge handt aus wendig seins rechten arms seÿ / vnd dein rechte handt in wendig seins glenggen arm~s / vnd far dan mit deiner rechtñ handt / von vndten auff vndter sein rechtñ arm~ / vnd zwischen deins glenggen arms / vnd heb vast vbersich auff dein rechte seÿttñ / vnd nym im das gewicht / das stuck zu paidñ se[yttñ]
+
 
 +
<p>Tracht das dein glengge handt aus wendig seins rechten arms seÿ / vnd dein rechte handt in wendig seins glenggen arm~s / vnd far dan mit deiner rechtñ handt / von vndten auff vndter sein rechtñ arm~ / vnd zwischen deins glenggen arms / vnd heb vast vbersich auff dein rechte seÿttñ / vnd nym im das gewicht / das stuck zu paidñ se[yttñ]</p>
 
| {{section|Page:MS Germ.Quart.2020 152r.jpg|1|lbl=152r}}
 
| {{section|Page:MS Germ.Quart.2020 152r.jpg|1|lbl=152r}}
 +
|
 
|  
 
|  
 
|  
 
|  
Line 1,439: Line 1,647:
 
|  
 
|  
 
|  
 
|  
| {{red|b=1|Der pruch wider das stuck}}
+
| <p>{{red|b=1|Der pruch wider das stuck}}</p>
Ring im nach vnnd nÿm du im das gewicht /
+
 
 +
<p>Ring im nach vnnd nÿm du im das gewicht /</p>
 
| {{section|Page:MS Germ.Quart.2020 152r.jpg|2|lbl=-}}
 
| {{section|Page:MS Germ.Quart.2020 152r.jpg|2|lbl=-}}
 +
|
 
|  
 
|  
 
|  
 
|  
Line 1,458: Line 1,668:
 
|  
 
|  
 
|  
 
|  
| {{red|b=1|Das sibent Stuck}}
+
| <p>{{red|b=1|Das sibent Stuck}}</p>
Wen er dich peÿ den arm~en gefast hat / so la dein rechte handt schleiffen vnd begreiff in mit deiner rechtñ handt hindter seiner lincken / vnd kum mit deiner glingken handt / deiner rechten '''[65r]''' handt zu hilff / vnd hab vast / vnd gang durch sein arm~ / auff dein rechte seÿttñ / So gewinst du im den rugk an /
+
 
 +
<p>Wen er dich peÿ den arm~en gefast hat / so la dein rechte handt schleiffen vnd begreiff in mit deiner rechtñ handt hindter seiner lincken / vnd kum mit deiner glingken handt / deiner rechten [65r] handt zu hilff / vnd hab vast / vnd gang durch sein arm~ / auff dein rechte seÿttñ / So gewinst du im den rugk an /</p>
 
| {{section|Page:MS Germ.Quart.2020 152v.jpg|1|lbl=152v}}
 
| {{section|Page:MS Germ.Quart.2020 152v.jpg|1|lbl=152v}}
 +
|
 
|  
 
|  
 
|  
 
|  
Line 1,477: Line 1,689:
 
|  
 
|  
 
|  
 
|  
| {{red|b=1|pruch dar wider}}
+
| <p>{{red|b=1|pruch dar wider}}</p>
Wer dir durch gatt / So gang mit im durch / vnd fall in ain ringñ welches du wilt /
+
 
 +
<p>Wer dir durch gatt / So gang mit im durch / vnd fall in ain ringñ welches du wilt /</p>
 
| {{section|Page:MS Germ.Quart.2020 152v.jpg|2|lbl=-}}
 
| {{section|Page:MS Germ.Quart.2020 152v.jpg|2|lbl=-}}
 +
|
 
|  
 
|  
 
|  
 
|  
Line 1,490: Line 1,704:
 
| <p>[14] {{red|b=1|The eighth wrestling}}</p>
 
| <p>[14] {{red|b=1|The eighth wrestling}}</p>
  
<p>Let your arm slide and help your right hand with your left. Go through to your left side.<ref>The instructions in Goliath are more precise: “Go through to your left side under his left armpit while holding his left arm.</ref></p>
+
<p>Let your arm slide and help your right hand with your left. Go through to your left side.<ref>The instructions in Goliath are more precise: “Go through to your left side under his left armpit while holding his left arm”.</ref></p>
 
| {{section|Page:Cod.44.A.8 082v.jpg|4|lbl=-}}
 
| {{section|Page:Cod.44.A.8 082v.jpg|4|lbl=-}}
 
|  
 
|  
Line 1,496: Line 1,710:
 
|  
 
|  
 
|  
 
|  
| {{red|b=1|Das achtet Stuck}}
+
| <p>{{red|b=1|Das achtet Stuck}}</p>
Las aber dein arm~ schliessen / vnd kum mit deiner glingken handt / der rechten handt zu hilff / vnd gang durch auff <sup>dei~</sup> glincke seÿttñ /
+
 
 +
<p>Las aber dein arm~ schliessen / vnd kum mit deiner glingken handt / der rechten handt zu hilff / vnd gang durch auff <sup>dei~</sup> glincke seÿttñ /</p>
 
| {{section|Page:MS Germ.Quart.2020 152v.jpg|3|lbl=-}}
 
| {{section|Page:MS Germ.Quart.2020 152v.jpg|3|lbl=-}}
 +
|
 
|  
 
|  
 
|  
 
|  
Line 1,515: Line 1,731:
 
|  
 
|  
 
|  
 
|  
| {{red|b=1|pruch dawider}}
+
| <p>{{red|b=1|pruch dawider}}</p>
Wer dir das thuet / vnd will dir auff <del>dein</del><sup>sein</sup> glingke seyttñ durch gan / So greiff mit deiner rechtñ handt / vber sein glingken Ellpogen / vnd ruck fast an dich / So wirfst du in aüff den rugken /
+
 
 +
<p>Wer dir das thuet / vnd will dir auff <del>dein</del><sup>sein</sup> glingke seyttñ durch gan / So greiff mit deiner rechtñ handt / vber sein glingken Ellpogen / vnd ruck fast an dich / So wirfst du in aüff den rugken /</p>
 
| {{section|Page:MS Germ.Quart.2020 152v.jpg|4|lbl=-}}
 
| {{section|Page:MS Germ.Quart.2020 152v.jpg|4|lbl=-}}
 +
|
 
|  
 
|  
 
|  
 
|  
Line 1,528: Line 1,746:
 
| <p>[16] {{red|b=1|The ninth wrestling}}</p>
 
| <p>[16] {{red|b=1|The ninth wrestling}}</p>
  
<p>Let your right hand slide on his left arm. Help your right hand with your left and turn away from him to your<ref>“his” (in the Glasgow Fechtbuch)</ref> left side. Pull his arm over your right shoulder.</p>
+
<p>Let your right hand slide on his left arm. Help your right hand with your left and turn away from him to your<ref>“his” (in Goliath).</ref> left side. Pull his arm over your right shoulder.<ref>“his” (in the Glasgow Fechtbuch).</ref></p>
 
|  
 
|  
 
{{section|Page:Cod.44.A.8 082v.jpg|6|lbl=-|p=1}} {{section|Page:Cod.44.A.8 083r.jpg|1|lbl=83r|p=1}}
 
{{section|Page:Cod.44.A.8 082v.jpg|6|lbl=-|p=1}} {{section|Page:Cod.44.A.8 083r.jpg|1|lbl=83r|p=1}}
Line 1,535: Line 1,753:
 
|  
 
|  
 
|  
 
|  
| {{red|b=1|Das newnt Stuck}}
+
| <p>{{red|b=1|Das newnt Stuck}}</p>
Las aber dein rechte handt an seine~ glencken arm~ schliessen / vnd kum mit deiner glincken handt deiner rechten handt zu hilff / vnd wend dich võ im auff sein glingge seÿttñ / vnd zeuch im den arm~ vber dei~ rechte achssel /
+
 
 +
<p>Las aber dein rechte handt an seine~ glencken arm~ schliessen / vnd kum mit deiner glincken handt deiner rechten handt zu hilff / vnd wend dich võ im auff sein glingge seÿttñ / vnd zeuch im den arm~ vber dei~ rechte achssel /</p>
 
| {{section|Page:MS Germ.Quart.2020 153r.jpg|1|lbl=153r}}
 
| {{section|Page:MS Germ.Quart.2020 153r.jpg|1|lbl=153r}}
 +
|
 
|  
 
|  
 
|  
 
|  
Line 1,545: Line 1,765:
  
 
|-  
 
|-  
| <p>[17] '''[The Counter]'''</p>
+
| <p>[17] [The Counter]</p>
  
 
<p>[If he has grabbed you in this manner, strike him with your left hand from the front around his body and above his left shoulder from behind. Turn yourself to his or your left side and during that turn step with your left foot in front of his left foot and throw him.]</p>
 
<p>[If he has grabbed you in this manner, strike him with your left hand from the front around his body and above his left shoulder from behind. Turn yourself to his or your left side and during that turn step with your left foot in front of his left foot and throw him.]</p>
Line 1,555: Line 1,775:
 
|  
 
|  
 
| {{section|Page:MS Germ.Quart.2020 153r.jpg|2|lbl=-}}
 
| {{section|Page:MS Germ.Quart.2020 153r.jpg|2|lbl=-}}
 +
|
 
|  
 
|  
 
|  
 
|  
Line 1,571: Line 1,792:
 
|  
 
|  
 
|  
 
|  
| {{red|b=1|Das zechent stuck}}
+
| <p>{{red|b=1|Das zechent stuck}}</p>
Wen du in peÿ dem arme~ hast gefasset das dein glincke handt inwendig seins rechtñ arms seÿ / vnd dein rechte aus wenidig seinenes glincken So far mit deiner glencken handt fur sein prust / vndter sein kÿnpacke~ vnd in sein glincke achssel / vnd greiff mit deiner rechtñ handt auß wendig im in sein glencke knyepu~g / vnd wurff in auff dein glincke seÿttñ / das stuck gett zu paidñ seÿttñ /
+
 
 +
<p>Wen du in peÿ dem arme~ hast gefasset das dein glincke handt inwendig seins rechtñ arms seÿ / vnd dein rechte aus wenidig seinenes glincken So far mit deiner glencken handt fur sein prust / vndter sein kÿnpacke~ vnd in sein glincke achssel / vnd greiff mit deiner rechtñ handt auß wendig im in sein glencke knyepu~g / vnd wurff in auff dein glincke seÿttñ / das stuck gett zu paidñ seÿttñ /</p>
 
| {{section|Page:MS Germ.Quart.2020 153v.jpg|1|lbl=153v}}
 
| {{section|Page:MS Germ.Quart.2020 153v.jpg|1|lbl=153v}}
 +
|
 
|  
 
|  
 
|  
 
|  
Line 1,590: Line 1,813:
 
|  
 
|  
 
|  
 
|  
| {{red|b=1|Der pruch da wider}}
+
| <p>{{red|b=1|Der pruch da wider}}</p>
Wen er dir das thuet / So nÿm im das gewicht /
+
 
 +
<p>Wen er dir das thuet / So nÿm im das gewicht /</p>
 
| {{section|Page:MS Germ.Quart.2020 153v.jpg|2|lbl=-}}
 
| {{section|Page:MS Germ.Quart.2020 153v.jpg|2|lbl=-}}
 +
|
 
|  
 
|  
 
|  
 
|  
Line 1,603: Line 1,828:
 
| <p>[20] {{red|b=1|The eleventh wrestling}}</p>
 
| <p>[20] {{red|b=1|The eleventh wrestling}}</p>
  
<p>If he has grabbed you so that both of his arms are under your arms, grab him behind by his left butt cheek with your right hand.<ref>Goliath’s description is a bit different: “Strike out with your right hand and grab his right butt cheek.</ref> Grab him under his jaw with your left hand, so that your left arm is between your and his chest. Push him away above and pull him to yourself below, so that you throw him on his back.</p>
+
<p>If he has grabbed you so that both of his arms are under your arms, grab him behind by his left butt cheek with your right hand.<ref>Goliath’s description is a bit different: “Strike out with your right hand and grab his right butt cheek”.</ref> Grab him under his jaw with your left hand, so that your left arm is between your and his chest. Push him away above and pull him to yourself below, so that you throw him on his back.</p>
 
| {{section|Page:Cod.44.A.8 083r.jpg|4|lbl=-}}
 
| {{section|Page:Cod.44.A.8 083r.jpg|4|lbl=-}}
 
|  
 
|  
Line 1,609: Line 1,834:
 
|  
 
|  
 
|  
 
|  
| {{red|b=1|Das ainlifft Stuck}}
+
| <p>{{red|b=1|Das ainlifft Stuck}}</p>
Hat er dich gefasset das sein paide arm~ vndten sein / So greiff mit deiner rechtñ / im hindten auff sein glencken arspacken / vnd mit deiner glingken handt zwischñ Eür paider prust vndter sein kynpacken / Stos <del>v??l</del> oben vast võ dir / vnd zeuch vndten an dich / So wirfstü in auff den rucken
+
 
 +
<p>Hat er dich gefasset das sein paide arm~ vndten sein / So greiff mit deiner rechtñ / im hindten auff sein glencken arspacken / vnd mit deiner glingken handt zwischñ Eür paider prust vndter sein kynpacken / Stos <del>v??l</del> oben vast võ dir / vnd zeuch vndten an dich / So wirfstü in auff den rucken</p>
 
| {{section|Page:MS Germ.Quart.2020 154r.jpg|1|lbl=154r}}
 
| {{section|Page:MS Germ.Quart.2020 154r.jpg|1|lbl=154r}}
 +
|
 
|  
 
|  
 
|  
 
|  
Line 1,627: Line 1,854:
 
|  
 
|  
 
|  
 
|  
| {{red|b=1|Der pruch da wider}}
+
| <p>{{red|b=1|Der pruch da wider}}</p>
Wer dir das thüet / So la dein rechte handt farñ / vnd hab mit deine~ glengge~ handt vast in peÿ dem rück / vnd spring mit deine~ glingge~ pain fur in vnd wurff in auff dein rechte seÿttñ  
+
 
 +
<p>Wer dir das thüet / So la dein rechte handt farñ / vnd hab mit deine~ glengge~ handt vast in peÿ dem rück / vnd spring mit deine~ glingge~ pain fur in vnd wurff in auff dein rechte seÿttñ</p>
 +
|
 
|  
 
|  
 
|  
 
|  
Line 1,639: Line 1,868:
 
| <p>[22] {{red|b=1|Another counter to the previous wrestling}}</p>
 
| <p>[22] {{red|b=1|Another counter to the previous wrestling}}</p>
  
<p>When he has both of his arms under, go with both of your thumbs from bellow under his jaw or behind his ears.<ref>The Glasgow Fechtbuch has another suggestion: “…or into his eyes.</ref> This is how you break free from his hold.</p>
+
<p>When he has both of his arms under, go with both of your thumbs from bellow under his jaw or behind his ears.<ref>The Glasgow Fechtbuch has another suggestion: “…or into his eyes”.</ref> This is how you break free from his hold.</p>
 
| {{section|Page:Cod.44.A.8 083v.jpg|1|lbl=83v}}
 
| {{section|Page:Cod.44.A.8 083v.jpg|1|lbl=83v}}
 
|  
 
|  
Line 1,645: Line 1,874:
 
|  
 
|  
 
|  
 
|  
| '''[65v] {{red|Item mer ain pruch auff das vor genant stuck wen aine~ paid hendt vndtñ hat}}
+
| <p>[65v] {{red|b=1|Item mer ain pruch auff das vor genant stuck wen aine~ paid hendt vndtñ hat}}</p>
So far mit paiden dawmen von vndten auff vndter seine~ kÿnpacken oder in die augen / oder hindter die orñ / So prist du dich von im
+
 
 +
<p>So far mit paiden dawmen von vndten auff vndter seine~ kÿnpacken oder in die augen / oder hindter die orñ / So prist du dich von im</p>
 
| {{section|Page:MS Germ.Quart.2020 154r.jpg|2|lbl=-}}
 
| {{section|Page:MS Germ.Quart.2020 154r.jpg|2|lbl=-}}
 +
|
 
|  
 
|  
 
|  
 
|  
Line 1,658: Line 1,889:
 
| <p>[23] {{red|b=1|The twelfth wrestling}}</p>
 
| <p>[23] {{red|b=1|The twelfth wrestling}}</p>
  
<p>When you are in a neutral clinch position and you both have the same grips, make sure that your left arm is over his right arm and that your right arm is under<ref>“over” (in the Glasgow Fechtbuch)</ref> his left arm. Step with your right leg outwards<ref>The instructions in Goliath are clearer: “Step with your right leg outside behind his right leg…”</ref> and pull his left arm with your left arm to yourself. Help your left arm with your right arm and throw him over your hip.<ref>Goliath goes in more detail here: “…turn to your left side and throw him over your right hip.</ref> This is possible on both sides.</p>
+
<p>When you are in a neutral clinch position and you both have the same grips, make sure that your left arm is over his right arm and that your right arm is under<ref>“over” (in the Glasgow Fechtbuch).</ref> his left arm. Step with your right leg outwards<ref>The instructions in Goliath are clearer: “Step with your right leg outside behind his right leg…”.</ref> and pull his left arm with your left arm to yourself. Help your left arm with your right arm and throw him over your hip.<ref>Goliath goes in more detail here: “…turn to your left side and throw him over your right hip”.</ref> This is possible on both sides.</p>
 
| {{section|Page:Cod.44.A.8 083v.jpg|2|lbl=-}}
 
| {{section|Page:Cod.44.A.8 083v.jpg|2|lbl=-}}
 
|  
 
|  
Line 1,664: Line 1,895:
 
|  
 
|  
 
|  
 
|  
| {{red|b=1|Das zwelfft Stuck}}
+
| <p>{{red|b=1|Das zwelfft Stuck}}</p>
Mit geleichñ fassen / hat er dich geleich gefasset vnd du in wider / So petracht das dein glingger arm~ vber vber [!] seine~ rechtñ / vnd dein rechter vber sein glincken kum seÿ / So <del>betracht</del> schreitt mit deinem rechtñ pain aus wendig hindter sein rechtes / vnd druck mit deine~ glinggen arm~ vast im sein glincken arm~ zu dir / vnd kum mit deine~ rechtñ arm~ deine~ glingge~ zu hilff / vnd wurff in vbe~ die hu~ff / das stuck gat zu paidñ seÿttñ /
+
 
 +
<p>Mit geleichñ fassen / hat er dich geleich gefasset vnd du in wider / So petracht das dein glingger arm~ vber vber [!] seine~ rechtñ / vnd dein rechter vber sein glincken kum seÿ / So <del>betracht</del> schreitt mit deinem rechtñ pain aus wendig hindter sein rechtes / vnd druck mit deine~ glinggen arm~ vast im sein glincken arm~ zu dir / vnd kum mit deine~ rechtñ arm~ deine~ glingge~ zu hilff / vnd wurff in vbe~ die hu~ff / das stuck gat zu paidñ seÿttñ /</p>
 
| {{section|Page:MS Germ.Quart.2020 154v.jpg|1|lbl=154v}}
 
| {{section|Page:MS Germ.Quart.2020 154v.jpg|1|lbl=154v}}
 +
|
 
|  
 
|  
 
|  
 
|  
Line 1,677: Line 1,910:
 
| <p>[24] {{red|b=1|The thirteenth wrestling}}</p>
 
| <p>[24] {{red|b=1|The thirteenth wrestling}}</p>
  
<p>When he has grabbed you so that your right hand is under and your left arm is over, grab him with your left hand by the left side of his neck and with your right hand by his jacket on his left side. Push his neck away from yourself towards the ground from above and lift him up a bit from bellow. Step with your left leg back and turn to your left side.<ref>Goliath has a further suggestion: “You can also step with your right thigh to his left thigh during the turn and throw him.</ref></p>
+
<p>When he has grabbed you so that your right hand is under and your left arm is over, grab him with your left hand by the left side of his neck and with your right hand by his jacket on his left side. Push his neck away from yourself towards the ground from above and lift him up a bit from bellow. Step with your left leg back and turn to your left side.<ref>Goliath has a further suggestion: “You can also step with your right thigh to his left thigh during the turn and throw him”.</ref></p>
 
| {{section|Page:Cod.44.A.8 083v.jpg|3|lbl=-}}
 
| {{section|Page:Cod.44.A.8 083v.jpg|3|lbl=-}}
 
|  
 
|  
Line 1,683: Line 1,916:
 
|  
 
|  
 
|  
 
|  
| {{red|b=1|Das dreützehent stuck /}}
+
| <p>{{red|b=1|Das dreützehent stuck /}}</p>
Hat er dich aber gefasset / das dein rechte handt vndtñ ist / vnd de~ glingge oben / So greiff mit deiner glingñ handt ym an sein glinggñ hals / vnd begreiff in mit deiner rechtñ handt an seiner glinggñ peÿ der jopen / vnd tauch oben an den hals von dir gegñ der erdñ vnd heb vndten ain wenig h auff / So dritt mit deine~ glingge~ pain hindter dich / vnd schwing dich dan auff dein glingge seÿttñ
+
 
 +
<p>Hat er dich aber gefasset / das dein rechte handt vndtñ ist / vnd de~ glingge oben / So greiff mit deiner glingñ handt ym an sein glinggñ hals / vnd begreiff in mit deiner rechtñ handt an seiner glinggñ peÿ der jopen / vnd tauch oben an den hals von dir gegñ der erdñ vnd heb vndten ain wenig h auff / So dritt mit deine~ glingge~ pain hindter dich / vnd schwing dich dan auff dein glingge seÿttñ</p>
 
| {{section|Page:MS Germ.Quart.2020 155r.jpg|1|lbl=155r}}
 
| {{section|Page:MS Germ.Quart.2020 155r.jpg|1|lbl=155r}}
 +
|
 
|  
 
|  
 
|  
 
|  
Line 1,703: Line 1,938:
 
|  
 
|  
 
|  
 
|  
| {{red|b=1|Das vierzehent Stück}}
+
| <p>{{red|b=1|Das vierzehent Stück}}</p>
Hat er dich gefasset mit gleichem vassen / das dein rechter arm~ aus wendig seins glinggen ist / dein glingger vndter seine~ rechtñ vchssn So zuckh dein glingken arm~ aus seine~ rechtñ vchssn / vnd druck mit deinem rechtñ arm~ in sein glengken vast zu dir / vnd far mit deiner glinggñ handt im undter den hals / vnd schwing dich von im auff dein glingke seÿttñ / das stuck get zu paidñ seÿttñ /
+
 
 +
<p>Hat er dich gefasset mit gleichem vassen / das dein rechter arm~ aus wendig seins glinggen ist / dein glingger vndter seine~ rechtñ vchssn So zuckh dein glingken arm~ aus seine~ rechtñ vchssn / vnd druck mit deinem rechtñ arm~ in sein glengken vast zu dir / vnd far mit deiner glinggñ handt im undter den hals / vnd schwing dich von im auff dein glingke seÿttñ / das stuck get zu paidñ seÿttñ /</p>
 
| {{section|Page:MS Germ.Quart.2020 155v.jpg|1|lbl=155v}}
 
| {{section|Page:MS Germ.Quart.2020 155v.jpg|1|lbl=155v}}
 +
|
 
|  
 
|  
 
|  
 
|  
Line 1,716: Line 1,953:
 
| <p>[26] {{red|b=1|The fifteenth wrestling}}</p>
 
| <p>[26] {{red|b=1|The fifteenth wrestling}}</p>
  
<p>When he has grabbed you and you are in a neutral position so that your{{ref|11|11}} right arm is over and your left arm is under, pull your left arm and grab him with your left hand above his shoulder around his neck. Reach to help your right hand bellow and press him down. Fall on your buttocks and throw him over yourself. This one is also possible on both sides.</p>
+
<p>When he has grabbed you and you are in a neutral position so that your<ref>“his” (in Glasgow Fechtbuch).</ref> right arm is over and your left arm is under, pull your left arm and grab him with your left hand above his shoulder around his neck. Reach to help your right hand bellow and press him down. Fall on your buttocks and throw him over yourself. This one is also possible on both sides.</p>
 
| {{section|Page:Cod.44.A.8 084r.jpg|2|lbl=-}}
 
| {{section|Page:Cod.44.A.8 084r.jpg|2|lbl=-}}
 
|  
 
|  
Line 1,722: Line 1,959:
 
|  
 
|  
 
|  
 
|  
| {{red|b=1|Das funffzehent stuck}}
+
| <p>{{red|b=1|Das funffzehent stuck}}</p>
Hat er dich gefasset mit gleichem fassen / das sein rechter arm~ obñ ist / vnd dein glingker vndten / So zuck aber dein glincken arm~ / vnd greiff dan mit deiner glingken handt im vber sein glingge achssl vmb sein hals / vnd kum dan vndten deiner rechtñ hant zu hilff vnd druck in vast vndtersich / vnd fall auff deine~ hindterñ / vnd wurff in '''[66r]''' vber dich / gat zu paidñ seÿttñ /
+
 
 +
<p>Hat er dich gefasset mit gleichem fassen / das sein rechter arm~ obñ ist / vnd dein glingker vndten / So zuck aber dein glincken arm~ / vnd greiff dan mit deiner glingken handt im vber sein glingge achssl vmb sein hals / vnd kum dan vndten deiner rechtñ hant zu hilff vnd druck in vast vndtersich / vnd fall auff deine~ hindterñ / vnd wurff in [66r] vber dich / gat zu paidñ seÿttñ /</p>
 
| {{section|Page:MS Germ.Quart.2020 156r.jpg|1|lbl=156r}}
 
| {{section|Page:MS Germ.Quart.2020 156r.jpg|1|lbl=156r}}
 +
|
 
|  
 
|  
 
|  
 
|  
Line 1,742: Line 1,981:
 
|  
 
|  
 
|  
 
|  
| {{red|b=1|Das sechtzehent}}
+
| <p>{{red|b=1|Das sechtzehent}}</p>
So er dich hat peÿ den arme~ vnd du in widerumb / So petracht das dein rechte handt inwendig seines glingen arms seÿ / vnd dein glingge handt auswendig seins rechtñ arm~s / So la dein glincke handt / auss sein rechtñ arm~ schleiffñ / vnd greiff dan hindter sein rechte handt in peÿ dem arm~ / vnd dan mit deiner rechtñ <del>arm~</del> handt von vndtñ auff / vndter sein recht uff vchssñ / vnd spring mit deine~ rechtñ pain hindter sein glings / vnd daüch mit deiner glinggeñ handt vbersich / vnd zeuch mit deiner rechtñ handt an dich auff dein rechte seyttñ /
+
 
 +
<p>So er dich hat peÿ den arme~ vnd du in widerumb / So petracht das dein rechte handt inwendig seines glingen arms seÿ / vnd dein glingge handt auswendig seins rechtñ arm~s / So la dein glincke handt / auss sein rechtñ arm~ schleiffñ / vnd greiff dan hindter sein rechte handt in peÿ dem arm~ / vnd dan mit deiner rechtñ <del>arm~</del> handt von vndtñ auff / vndter sein recht uff vchssñ / vnd spring mit deine~ rechtñ pain hindter sein glings / vnd daüch mit deiner glinggeñ handt vbersich / vnd zeuch mit deiner rechtñ handt an dich auff dein rechte seyttñ /</p>
 
| {{section|Page:MS Germ.Quart.2020 156r.jpg|2|lbl=-}}
 
| {{section|Page:MS Germ.Quart.2020 156r.jpg|2|lbl=-}}
 +
|
 
|  
 
|  
 
|  
 
|  
Line 1,761: Line 2,002:
 
|  
 
|  
 
|  
 
|  
| {{red|b=1|Das sibentzehent Stuck}}
+
| <p>{{red|b=1|Das sibentzehent Stuck}}</p>
Tracht das dein paid arm~ vndtñ sein / vnd greiff dan mit deiner rechtñ handt im zwischñ seiner payder pain / vnd mit deiner glinggen hant far von vndten auff an sein prust / vnd heb vndtñ auff fast / vnd stos oben von dir /
+
 
 +
<p>Tracht das dein paid arm~ vndtñ sein / vnd greiff dan mit deiner rechtñ handt im zwischñ seiner payder pain / vnd mit deiner glinggen hant far von vndten auff an sein prust / vnd heb vndtñ auff fast / vnd stos oben von dir /</p>
 
| {{section|Page:MS Germ.Quart.2020 157r.jpg|1|lbl=157r}}
 
| {{section|Page:MS Germ.Quart.2020 157r.jpg|1|lbl=157r}}
 +
|
 
|  
 
|  
 
|  
 
|  
Line 1,780: Line 2,023:
 
|  
 
|  
 
|  
 
|  
| {{red|b=1|Pruch da wider}}
+
| <p>{{red|b=1|Pruch da wider}}</p>
Wer dir das thuet / So verschleuß mit deinen paidñ arme~ / vnd heb vbersich / So mag er dich nit werffen /
+
 
 +
<p>Wer dir das thuet / So verschleuß mit deinen paidñ arme~ / vnd heb vbersich / So mag er dich nit werffen /</p>
 +
|
 
|  
 
|  
 
|  
 
|  
Line 1,790: Line 2,035:
  
 
|-  
 
|-  
|  
+
| class="noline" |  
| <p>[30]</p>
+
| class="noline" | <p>[30]</p>
|  
+
| class="noline" |  
|  
+
| class="noline" |  
|  
+
| class="noline" |  
|  
+
| class="noline" |  
|  
+
| class="noline" |  
|  
+
| class="noline" |  
| {{section|Page:MS Germ.Quart.2020 157r.jpg|3|lbl=-}}
+
| class="noline" | {{section|Page:MS Germ.Quart.2020 157r.jpg|3|lbl=-}}
|  
+
| class="noline" |
|  
+
| class="noline" |  
|  
+
| class="noline" |  
|  
+
| class="noline" |  
|  
+
| class="noline" |  
 +
| class="noline" |
  
 
|}
 
|}
Line 1,812: Line 2,058:
 
  | width = 540em
 
  | width = 540em
 
}}
 
}}
{| class="floated master"
+
{| class="master"
 
|-  
 
|-  
! <p>Images</p>
+
! <p>Illustrations</p>
 
! <p>{{rating|C|Draft Translation (from the Rome)}}<br/>by [[Mike Rasmusson]]</p>
 
! <p>{{rating|C|Draft Translation (from the Rome)}}<br/>by [[Mike Rasmusson]]</p>
! <p>[[Codex Danzig (Cod.44.A.8)|Rome Transcription]] (1452){{edit index|Codex Danzig (Cod.44.A.8)}}<br/>by [[Dierk Hagedorn]]</p>
+
! <p>{{rating|C|Draft Translation (from the French)}}<br/>by [[John Tse]]</p>
! <p>[[Codex Lew (Cod.I.6.4º.3)|Augsburg Transcription]] (1460s){{edit index|Codex Lew (Cod.I.6.4º.3)}}<br/>by [[Dierk Hagedorn]]</p>
+
! <p>[[Starhemberg Fechtbuch (Cod.44.A.8)|Rome Version]] (1452){{edit index|Starhemberg Fechtbuch (Cod.44.A.8)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
! <p>[[Paulus Kal Fechtbuch (MS KK5126)|Vienna Transcription]] (1480s){{edit index|Paulus Kal Fechtbuch (MS KK5126)}}<br/>by [[Dierk Hagedorn]]</p>
+
! <p>[[Codex Lew (Cod.I.6.4º.3)|Augsburg Version]] (1460s){{edit index|Codex Lew (Cod.I.6.4º.3)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
! <p>[[Codex Speyer (MS M.I.29)|Salzburg Transcription]] (1491){{edit index|Codex Speyer (MS M.I.29)}}<br/>by [[Dierk Hagedorn]]</p>
+
! <p>[[Paulus Kal Fechtbuch (MS KK5126)|Vienna Version]] (1480s){{edit index|Paulus Kal Fechtbuch (MS KK5126)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
! <p>[[Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)|Dresden Transcription]] (1504-1519){{edit index|Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)}}<br/>by [[Dierk Hagedorn]]</p>
+
! <p>[[Codex Speyer (MS M.I.29)|Salzburg Version]] (1491){{edit index|Codex Speyer (MS M.I.29)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
! <p>[[Glasgow Fechtbuch (MS E.1939.65.341)|Glasgow Transcription]] (1508){{edit index|Glasgow Fechtbuch (MS E.1939.65.341)}}<br/>by [[Dierk Hagedorn]]</p>
+
! <p>[[Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)|Dresden Version]] (1504-1519){{edit index|Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
! <p>[[Goliath Fechtbuch (MS Germ.Quart.2020)|Krakow Transcription]] (1535-40){{edit index|Goliath Fechtbuch (MS Germ.Quart.2020)}}<br/>by [[Bartłomiej Walczak]]</p>
+
! <p>[[Glasgow Fechtbuch (MS E.1939.65.341)|Glasgow Version]] (1508){{edit index|Glasgow Fechtbuch (MS E.1939.65.341)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
! <p>[[Über die Fechtkunst und den Ringkampf (MS 963)|Graz Transcription]] (1539){{edit index|Über die Fechtkunst und den Ringkampf (MS 963)}}<br/></p>
+
! <p>[[Goliath Fechtbuch (MS Germ.Quart.2020)|Krakow Version]] (1535-40){{edit index|Goliath Fechtbuch (MS Germ.Quart.2020)}}<br/>Transcribed by [[Bartłomiej Walczak]]</p>
! <p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden (Mair) II Transcription]] (1542){{edit index|Opus Amplissimum de Arte Athletica (MS Dresd.C.94)}}<br/>by [[Pierre-Henry Bas]]</p>
+
! <p>[[Über die Fechtkunst und den Ringkampf (MS 963)|Graz Version]] (1539){{edit index|Über die Fechtkunst und den Ringkampf (MS 963)}}<br/></p>
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna (Mair) II German Transcription]] (1550s){{edit index|Opus Amplissimum de Arte Athletica (Cod.10826)}}</p>
+
! <p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden (Mair) Ⅱ Version]] (1542){{edit index|Opus Amplissimum de Arte Athletica (MS Dresd.C.94)}}<br/>Transcribed by [[Pierre-Henry Bas]]</p>
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna (Mair) II Latin Transcription]] (1550s){{edit index|Opus Amplissimum de Arte Athletica (Cod.10826)}}</p>
+
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna (Mair) German Version]] (1550s){{edit index|Opus Amplissimum de Arte Athletica (Cod.10826)}}</p>
! <p>[[Opus Amplissimum de Arte Athletica (Cod.icon. 393)|Munich (Mair) I Transcription]] (1550s){{edit index|Opus Amplissimum de Arte Athletica (Cod.icon. 393 I)}}</p>
+
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna (Mair) Latin Version]] (1550s){{edit index|Opus Amplissimum de Arte Athletica (Cod.10826)}}</p>
! <p>''[[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurñfeyndt)|Ergrundung Ritterlicher Kunst der Fechterey]]'' (1516){{edit index|Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurñfeyndt) 1516.pdf}}<br/>by [[Michael Chidester]]</p>
+
! <p>[[Opus Amplissimum de Arte Athletica (Cod.icon. 393)|Munich (Mair) Ⅰ Version]] (1550s){{edit index|Opus Amplissimum de Arte Athletica (Cod.icon. 393 I)}}</p>
! <p>''[[Der Altenn Fechter anfengliche kunst (Christian Egenolff)‎‎|Der Altenn Fechter anfengliche kunst]]'' (1530s){{edit index|Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf}}<br/>by [[Alex Kiermayer]]</p>
+
! <p>[[Fechtbuch zu Ross und zu Fuss (MS Var.82)|Rostock Version]] (1570){{edit index| Fechtbuch zu Ross und zu Fuss (MS Var.82)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
! <p>''[[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurñfeyndt)|La Noble Science des Ioueurs Despee]]'' (1538){{edit index|La noble science des ioueurs d%27espee (Andre Paur%C3%B1feyndt) 1538.pdf}}<br/>by [[Olivier&nbsp;Dupuis]], [[Didier&nbsp;de&nbsp;Grenier]], [[Michael&nbsp;Huber]]</p>
+
! <p>[[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt)|Paurenfeyndt's Edition]] (1516){{edit index|Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf}}<br/>Transcribed by [[Michael Chidester]]</p>
! <p>[[Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)|Sollinger Fechtbuch]] (1564){{edit index|Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)}}<br/>by [[Dierk Hagedorn]]</p>
+
! <p>[[Der Allten Fechter gründtliche Kunst (Christian Egenolff)|Egenolff's Edition]] (ca. 1531){{edit index|Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf}}<br/>Transcribed by [[Michael Chidester]]</p>
 +
! <p>[[Wilhalm/Sollinger Fechtbuch (Cod.I.6.2º.2)|Augsburg Manuscript]] (1564){{edit index|Wilhalm/Sollinger Fechtbuch (Cod.I.6.2º.2)}}<br/>Transcribed by [[Dierk Hagedorn]]</p>
 +
! <p>[[La noble science des ioueurs d'espee (Andre Paurenfeyndt)|French Translation]] (1538){{edit index|La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf}}<br/>Transcribed by [[Olivier Dupuis]], [[Didier de Grenier]], and [[Michaël&nbsp;Huber]]</p>
  
 
|-  
 
|-  
 
|  
 
|  
| <p>[1] {{red|b=1|Fencing with the Dagger or Combat Dagger / Seven important Rules.}}</p>
+
| <p>{{red|b=1|Fencing with the Dagger or Combat Dagger, Seven important Rules.}}</p>
 +
|
 
| {{section|Page:Cod.44.A.8 085r.jpg|1|lbl=85r}}
 
| {{section|Page:Cod.44.A.8 085r.jpg|1|lbl=85r}}
 
|  
 
|  
| {{section|Page:MS KK5126 127v.jpg|8|lbl=127v}}
+
| {{section|Page:MS KK5126 127v.jpg|9|lbl=127v}}
 
|  
 
|  
 
|  
 
|  
Line 1,848: Line 2,097:
 
|  
 
|  
 
|  
 
|  
| '''[K2r] Fechten im tolich oder kempftegen'''
+
|  
| '''[XXXIv] Fechten im Tolchen od Kaempfftegen / Siben merckliche Regeln.'''
+
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/81|1|lbl=74}}
| '''[67] Icy sensuyt lors la maniere de jouer a tout les courtz poingnarts.'''
+
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/63|4|lbl=31v}}
| '''[70r] / fechtenn Im tollich Oderr Kempffdegenn /'''
+
| {{section|Page:Cod.I.6.2º.2 70r.jpg|6|lbl=70r}}
 +
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/78|5|lbl=67}}
  
 
|-  
 
|-  
 
|  
 
|  
| <p>[2] {{red|b=1|[Mark the First Device with the Dagger]}}</p>
+
| <p>[1] {{red|b=1|Note the First Play with the Dagger]}}</p>
 +
 
 +
<p>If one stabs from above down to your face or chest, then drive forward with the left arm, and with the left hand grasp out from the inside over his right arm, and press him hard into your left side, and then stab him in the face with your dagger.</p>
 +
| <p>'''The first piece'''</p>
  
<p>If one stabs from above down to your face or chest / then drive forward with the left arm / and with the left hand grasp out from the inside over his right arm / and press him hard into your left side / and then stab him in the face with your dagger.</p>
+
<p>If someone thrusts you from below towards the face or towards the chest, move in with your left arm and with the left hand take out from inside over his right arm, and press strongly on your left side. Then thrust with the dagger towards his face.</p>
 
| {{section|Page:Cod.44.A.8 085r.jpg|2|lbl=-}}
 
| {{section|Page:Cod.44.A.8 085r.jpg|2|lbl=-}}
 
|  
 
|  
| {{section|Page:MS KK5126 127v.jpg|9|lbl=-}}
+
| {{section|Page:MS KK5126 127v.jpg|10|lbl=-}}
 
|  
 
|  
 
|  
 
|  
Line 1,870: Line 2,123:
 
|  
 
|  
 
|  
 
|  
| '''Item daſʒ erſt ſtuck /'''
+
|  
ſticht dir ainer von obñ nider ʒu dem gſicht oder pruft / ſo ferfar mit deim lincken arm͂ / vñ greiff mitder lincken hant võ inwendig auſſen yber ſein rechten arm͂ vñ truck yn faſt in dein lincke ſeitten / vñ ſtich yn dan mit deinem tolich ʒu ſeinem gſicht
+
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/81|2|lbl=-}}
| '''I'''
+
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/63|5|lbl=-}}
Sticht die einer von oben nider zu dem gsicht oder brust / so verfar mit deinem lincken arm / und greiff mit der lincken hand von innwendig aussen über seinen rechten arm / unnd truck ihn fast in dein lincke seitten / unnd stich ihn dann mit deinem tolchen zu seinem angsicht.
+
| {{section|Page:Cod.I.6.2º.2 70r.jpg|7|lbl=-}}
| '''La premiere pieche'''
+
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/78|6|lbl=-}}
Si aulcun vous boute par deseur apres le visaige ou apres la poictrine, entrez a tout vostre senestre braz, & prenez a tout la main senestre par dedens dehors outlre son dextre braz, & le pressez fort sur vostre coste senestre & puis boutez a tout le poingnart apres le visaige.
 
| '''Ittem das Erst stuckh'''
 
sticht dir ainer von Obenn nider zu dem gsicht oder brust so verfar mit dem linckhenn arm vnnd greif mit der linckhenn hant vonn Innwendig aussenn Iber sein Rechtenn arm vnnd truckh Inn vast Inn dein linckhen seÿten vnnd stich In dann mit deinem tollich zu seinem gsicht /
 
  
 
|-  
 
|-  
 
|  
 
|  
| <p>[3] {{red|b=1|[The Other Device]}}</p>
+
| <p>[2] {{red|b=1|The Second Play}}</p>
 +
 
 +
<p>If he moves as if he will stab to your face, and makes a feint to you, and will stab you in the side, then block the stab with your left arm, and then twist your left hand up from below over onto his right hand, and press hard onto your chest, and stab him to the face with your dagger.</p>
 +
| <p>'''The second piece'''</p>
  
<p>If he moves as if he will stab to your face / and makes a feint to you / and will stab you in the side / then block the stab with your left arm / and then twist your left hand up from below over onto his right hand / and press hard onto your chest / and stab him to the face with your dagger.</p>
+
<p>If he acts as if he wants to thrust high towards your face, makes the false cut, and wants to thrust to your side, shorten the cut on your left arm and with your left hand turn over his right’s and pierce him strongly against your chest. Then thrust towards his face.</p>
 
| {{section|Page:Cod.44.A.8 085r.jpg|3|lbl=-}}
 
| {{section|Page:Cod.44.A.8 085r.jpg|3|lbl=-}}
 
|  
 
|  
| {{section|Page:MS KK5126 127v.jpg|10|lbl=-}}
+
| {{section|Page:MS KK5126 127v.jpg|11|lbl=-}}
 
|  
 
|  
 
|  
 
|  
Line 1,892: Line 2,145:
 
| {{section|Page:MS Germ.Quart.2020 099v.jpg|1|lbl=99v}}
 
| {{section|Page:MS Germ.Quart.2020 099v.jpg|1|lbl=99v}}
 
|  
 
|  
| {{section|Page:MS Dresd.C.94 027v.png|4|lbl=-}}
+
| {{section|Page:MS Dresd.C.94 027v.png|3|lbl=-}}
 
|  
 
|  
 
|  
 
|  
 
|  
 
|  
| '''DAS ander ſtuck'''
+
|  
Thut er ob er dir obñ ʒu deim gſicht wel ſtechen vnd macht dir ain feler vnd wil dich in die ſeiten ſtechen ſo fach den ſtich in dein linckñ arm͂ vñ wint dan mit diener lincken hant von vnden auff vber ſein rechte hant vñ truck vaſt an dein pruſt vnd ſtich yn mit deim tolich ʒu ſeim gſicht
+
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/81|3|lbl=-}}
| '''II'''
+
|  
Thut er ob er dir zu deim gsicht will stechen / und macht dir einen Fehler / unnd will dich in die seitten stechen / So empfahe du den stich in deinen lincken arm / und wind dan mit deiner lincken '''[XXXIIr]''' handt, von unden auff über sein rechte handt / und truck fast an deine brust / und stich ihm mit deim tolch zum gesicht.
+
{{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/63|6|lbl=-|p=1}} {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/64|1|lbl=32r|p=1}}
| '''La seconde pieche'''
+
| {{section|Page:Cod.I.6.2º.2 70r.jpg|8|lbl=-}}
Sil faict comme sil voulsist par deseur bouter apres vostre visaige & faict le faulx coup et vous veult boutez au coste, recepvez le coup sur vostre senestre braz, & puys tournez a tout vostre main senestre oultre la sienne dextre et la persez fort contre ta poictrine, lors luy boutez apres le visaige.
+
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/79|1|lbl=68}}
| '''/ Das annder stuckh /'''
 
Tchuet er Ob er dir Oben zu deim gsicht well stechen vnd macht dir ain fellerr vnd will dich Inn die seÿten stechen so vach den stich Inn dein linckhenn arm vnt wint dann deiner linckhen hannt von vnden auf vber sein rechte handt vnd druckh vast ann dein brust vnd stich Inn mit deim tollich / zu seim gsicht /
 
  
 
|-  
 
|-  
 
|  
 
|  
| <p>[4] {{red|b=1|[The Third Device]}}</p>
+
| <p>[3] {{red|b=1|The Third Play}}</p>
 +
 
 +
<p>If he holds the dagger so that the disk stands by his thumb, and stabs to your face from above, then with your left hand drive up inward from below to his right arm, and out over his right hand, and trap his right hand in your left armpit, and attack him.</p>
 +
| <p>'''The third piece'''</p>
  
<p>If he holds the dagger so that the disk stands by his thumb / and stabs to your face from above / then with your left hand drive up inward from below to his right arm / and out over his right hand / and trap his right hand in your left armpit / and attack him.</p>
+
<p>If he has the dagger in his hand, the little finger towards the blade, and if he thrusts from above towards your face; raise your left hand from low to high in his right arm and out over his right hand. Take his hand with the dagger in your left and touch the dagger in front of him.</p>
 
| {{section|Page:Cod.44.A.8 085r.jpg|4|lbl=-}}
 
| {{section|Page:Cod.44.A.8 085r.jpg|4|lbl=-}}
 
|  
 
|  
| {{section|Page:MS KK5126 127v.jpg|11|lbl=-}}
+
| {{section|Page:MS KK5126 127v.jpg|12|lbl=-}}
 
|  
 
|  
 
|  
 
|  
Line 1,923: Line 2,177:
 
|  
 
|  
 
|  
 
|  
| '''DAS drit ſtuck'''
+
|  
Hat er den tolich gefaſt daſʒ die ſcheiben bei ſeinem daumnen ſtet vnd ſticht dir obñ ʒum gſicht / ſo far mit deiner linckñ hant von vndñ auff inwendig ſeines techten arm͂s / vñ auſſñ vber ſein rechte hant vñ fach ym die hant mit dem tolich in dein link vchſen vñ ſecʒ ym an
+
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/81|4|lbl=-}}
| '''III.'''
+
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/64|2|lbl=-}}
Hat er den dolch gefaßt das das die scheibe bei seinem daumen stehet / und sticht dir von oben zu gesicht / so far mit deint linckne hand von unden auff inwendig seins rechten arms / und aussen über seiner rechten handt / und fahe ihm die handt mit dem tolch in dein lincke uchsen / und setz ihm an.
+
| {{section|Page:Cod.I.6.2º.2 70r.jpg|9|lbl=-}}
| '''La tierce pieche'''
+
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/79|2|lbl=-}}
Sil a le poingnart en la main, le petit doiz vers lalumelle, et sil boute per deseur apres vostre visaige, montez a tout vostre main gauche den bas en hault dedens son dextre braz & dehors oultre sa main dextre, et prenez la main a tout le poingnart en la vostre senestre, et touchez le poingnart devant luy.
 
| '''/ Das Dritt stuckh /'''
 
Het Er denn tollich gefast das die scheibenn beÿ seinem daumen stet vnd sticht dir oben zum gsicht so var mit deiner linckhen hant von vnden auf Innwendig seines rechtens arm vnd ausen vber sein rechte handt vnd fach Im die hant mit dem tollich In dein linckh Iegsen vnd sez Im an /
 
  
 
|-  
 
|-  
 
|  
 
|  
| <p>[5] {{red|b=1|[The Fourth Device]}}</p>
+
| <p>[4] {{red|b=1|The Fourth Play}}</p>
  
<p>If he holds the dagger so that the disk stands by the thumb / and stabs to your side or torso / then with your left hand drive downward from above / and stab your dagger low under his right hand / and raise it up with your right hand / and press it hard to your chest / and twist yourself from him on your right side.</p>
+
<p>If he holds the dagger so that the disk stands by the thumb, and stabs to your side or torso, then with your left hand drive downward from above, and stab your dagger low under his right hand, and raise it up with your right hand, and press it hard to your chest, and twist yourself from him on your right side.</p>
 +
| <p>'''The fourth piece'''</p>
 +
 
 +
<p>If he has his dagger on the little finger towards the blade and if he thrust towards your side or the genitals, move in with your left hand from high to low and thrust with your dagger below his right hand. Press down with your left hand and with the right raise well up, take it to your chest and you shoot back or hurl from him on your right side.</p>
 
| {{section|Page:Cod.44.A.8 085v.jpg|1|lbl=85v}}
 
| {{section|Page:Cod.44.A.8 085v.jpg|1|lbl=85v}}
 
|  
 
|  
Line 1,949: Line 2,203:
 
|  
 
|  
 
|  
 
|  
| '''DAS Virt ſtuck'''
+
|  
Hat er ſein tolich daſʒ die ſcheib pei dem daumñ ſtet vñ ſtciht dir ʒu der ſeitñ oder gmecht ſo var mit deiner lincken hant von obñ nider vnd ſtich mit deinem tolich vnder ſein rechte hant vnderſich / vñ mit deiner rechten hant vberſich heb vnd truck faſt an dein pruſt vnd ſchwing dich von ym auf ſein rechte ſeitten.
+
|
| '''IIII.'''
+
{{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/82|1|lbl=75|p=1}}<ref>This play is listed twice.</ref>
Hat er sein tolch das die scheibe bei dem daumen stehet / unnd sticht dir zur seitten oder gemacht / so far mit deinr lincken handt von oben nider / und stich mit deinem tolch under sein rechte hand undersich / und mit deiner rechten übersich heb / und truck fast an dein brust / und schwing dich von ihm auff dein rechte seitten.
+
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/64|3|lbl=-}}
| '''La quatriesme pieche'''
+
| {{section|Page:Cod.I.6.2º.2 70r.jpg|10|lbl=-}}
Sil a son poingnart le petit doiz vers lalumelle & sil boute apres vostre coste ou les genitaires, entrez a tout vostre senestre main de hault en bas, et boutez a tout vostre poingnart dessoubz sa main dextre, et pressez a tout vostre gauche main en bas, et a tout la dextre levez en hault bien pres a vostre poictrine & vous vous retirez ou ruez de luy sur ta dextre coste
+
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/79|3|lbl=-}}
| '''Das viertt Stuckh /'''
 
hat Er sein tollich das sein die scheib beÿ dem daumen stett vnd sticht dir zu der seÿten ode[r] gmecht so var mit deiner linckhen hant von oben nider vnd stich mit deinem tollich vnder [added from Paurnfeindt: sein rechte handt / vnd truck mit deiner linkñ handt vndersich / vñ mit deiner rechtñ handt heb vbersich / vñ truck vast an dein prust / vñ schwing dich von ym auff sein rechte seittu~ [!]]
 
  
 
|-  
 
|-  
 
|  
 
|  
| <p>[6] {{red|b=1|[The Fifth Device]}}</p>
+
| <p>[5] {{red|b=1|The Fifth Play}}</p>
  
<p>If he holds the dagger so that the disk stands on his little finger / and stabs down to you from above / then hold your dagger / and stab up from low on your left side / against his stab / over his right hand / and with your left hand grasp up under his right to your blade and push your arm hard on his / and pull downward / this is the trap.</p>
+
<p>If he holds the dagger so that the disk stands on his little finger, and stabs down to you from above, then hold your dagger, and stab up from low on your left side, against his stab, over his right hand, and with your left hand grasp up under his right to your blade and push your arm hard on his, and pull downward, this is the trap.</p>
 +
| <p>'''The fifth piece'''</p>
 +
 
 +
<p>If he has his dagger and little finger towards the blade and if he thrusts from high to low towards you, then take your dagger like him and thrust from low to high out from your left side against his attack below his right hand. With your left hand take his right hand over your blade and press your arms to his and pull down. Thus he loses his dagger.</p>
 
| {{section|Page:Cod.44.A.8 085v.jpg|2|lbl=-}}
 
| {{section|Page:Cod.44.A.8 085v.jpg|2|lbl=-}}
 
|  
 
|  
Line 1,975: Line 2,230:
 
|  
 
|  
 
|  
 
|  
| '''DAS Feunft.'''
+
|  
Hat er den tolch geuaſt / daſʒ die ſcheibñ an ſeinem klayñ vinger ſtet / vñ ſticht dir vonobñ nider / fo vaſ du dein tolch / vnd ſtich du von vndñ auf von deiner linckñ ſeittñ gegen ſeinem ſtich vber ſein rechte handt / vñ greif mit deiner linckñ handt vnder dein rechte in dein klin / gñ / vnd truck dein arm͂ veſt cʒu ſeinen / vñ ruck vnderſich daſʒ iſt daſ verlieſen
+
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/82|2|lbl=-}}
| '''V.'''
+
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/64|4|lbl=-}}
Hat er den tolch gefaßt das die scheiben an seinem kleynen finger steht / und sticht dir von oben nider / so faß du dein tolch / unnd stich unden auff von deinr lincken seiten / gegen seinem stich / über sein rechte handt / und greiff mit deiner lincken handt under dein rechte in dein klingen und truck dein arm vest zu seinem / und ruck undersich / das ist das verliesen.
+
| <p><br/></p>
| '''La cincquiesme pieche'''
+
 
Sil a son poingnart et petit doiz envers lalumelle, & sil boute par deseur en bas apres vous, prenez aussi vostre poingnart comme luy, & boutez par dessoubz en hault hors vostre senestre coste contre son coup dessoubz sa dextre main, & prenez a tout la vostre main senestre oultre la sienne dextre vostre alumelle et pressez vostre braz au sien & tirez en baz ainsi pert il son poingnart
+
{{section|Page:Cod.I.6.2º.2 70v.jpg|1|lbl=70v}}
| <br/>
+
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/79|4|lbl=-}}
'''[70v]''' Hat er sein tollich gfast das die scheiben an seinem klain vinger stet vnd sticht dir von Obenn nider so vas du dein tolch vnd stich du von vnnden auff von deiner linckhen seÿtenn gegen seinem stich vber sein rechte hanndt vnd greif mit deiner linckhen handt vnder dein rechte In dein klingen vnd truckh dein arm vest zu seinem vnd ruckh vndersich das Ist das verliessenn /
 
  
 
|-  
 
|-  
 
|  
 
|  
| <p>[7] {{red|b=1|[The Sixth Device]}}</p>
+
| <p>[6] {{red|b=1|The Sixth Play}}</p>
  
<p>If he has drawn his dagger / but you have not / and he stabs above to you / then drive up from below with your right arm / and grasp him with your right hand behind his right / and drive your left hand up from below to his right elbow / and take his arm hard above your left arm and throw him.</p>
+
<p>If he has drawn his dagger, but you have not, and he stabs above to you, then drive up from below with your right arm, and grasp him with your right hand behind his right, and drive your left hand up from below to his right elbow, and take his arm hard above your left arm and throw him.</p>
 +
| <p>'''The sixth piece'''</p>
 +
 
 +
<p>If he has pulled his dagger and you point yours and if he thrusts towards you, with your right arm raise from low to high and with your right hand seize behind his own. And with your left hand take his right elbow. Take his arm over and hurl him to the ground.</p>
 
|  
 
|  
 
{{section|Page:Cod.44.A.8 085v.jpg|3|lbl=-|p=1}} {{section|Page:Cod.44.A.8 086r.jpg|1|lbl=86r|p=1}}
 
{{section|Page:Cod.44.A.8 085v.jpg|3|lbl=-|p=1}} {{section|Page:Cod.44.A.8 086r.jpg|1|lbl=86r|p=1}}
Line 2,002: Line 2,259:
 
|  
 
|  
 
|  
 
|  
| '''DAS Sechſt'''
+
|  
Hat er ſein tolch geecʒogen / vnd du deinen nit / vnd ſticht dir obñ cʒve / ſo var mit deinem rechtñ arm͂ / von vndñ auff / vnd greiff ym mit deiner rechtñ handt hinder ſein rechte / vnd var mit deiner linckñ hand von vndñ auf ſein rechtñ elpogñ / vñ nim ym den arm͂ gar uber den linckñ arm͂ vnd wirft yn.
+
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/82|3|lbl=-}}
| '''VI.'''
+
| {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/64|5|lbl=-}}
Hat er sein tolch gezogen / und du deinen nit / und sticht dir oben zu / so far mit deinem rechten arm von unden auff / und greiff im mit deiner rechten handt hinder sein rechte / und far mit deiner lincken handt von unden uff sein rechten elnpogen / und nim ihm den arm gar über den lincken arm und wirff ihn.
+
| {{section|Page:Cod.I.6.2º.2 70v.jpg|2|lbl=-}}
| '''La sixiesme pieche'''
+
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/80|1|lbl=69}}
Sil a tire son poingnart, & vous point le vostre, et sil boute apres vous montez a tout vostre dextre braz de dessoubz en hault, & happelle a tout vostre main droicte derier la sienne & prenez a tout vostre main gauche son droict cubit, & prenez son braz tout oultre, & le ruez a terre.
 
| '''Das Sechst /'''
 
Hat er sein tolch geezogenn vnnd du deinenn nit vnnd sticht dir oben zu so var mit deine[m] Rechtenn arm von vnden auff vnd greif Im mit deiner rechten handt hinder sein recht vnd var mit deiner linckhen hanndt von vnden auf sein rechten elenbogen vnnd nim Im den arm gar Iber den linckhen arm vnnd wirff Inn /
 
  
 
|-  
 
|-  
 
|  
 
|  
| <p>[8] {{red|b=1|[The Seventh Device]}}</p>
+
| <p>[7] {{red|b=1|[The Seventh Device]}}</p>
 +
 
 +
<p>If he draws his dagger sooner than you (draw) yours, and stabs above to you, then block the stab with your left arm, and drive outward from inside over his right arm, and press it to your left side, and twist yourself from him to your right side, thus you break his arm. If you would throw him on his back, then spring to your left with your right leg, and grab under his right arm with your right hand, then you throw him over the hip.</p>
 +
| <p>'''The seventh piece'''</p>
  
<p>If he draws his dagger sooner than you (draw) yours / and stabs above to you / then block the stab with your left arm / and drive outward from inside over his right arm / and press it to your left side / and twist yourself from him to your right side / thus you break his arm. If you would throw him on his back / then spring to your left with your right leg / and grab under his right arm with your right hand / then you throw him over the hip.</p>
+
<p>If he has his dagger pulled in front of you and if he thrusts from above towards you, shorten the cut on your left arm and with your left hand take his right arm in near his hand and press him to your left side. Throw him behind you. Thus you break his arm. And if you want to throw him over his back, with your right leg jump towards his left side, and with your hand take his right arm from below. Thus you will throw him over his thighs.</p>
 
| {{section|Page:Cod.44.A.8 086r.jpg|2|lbl=-}}
 
| {{section|Page:Cod.44.A.8 086r.jpg|2|lbl=-}}
 
|  
 
|  
Line 2,028: Line 2,285:
 
|  
 
|  
 
|  
 
|  
| '''DAS Sibendt'''
+
|  
Hat er ſeinen tolch ee gecʒogñ den du deinen / vnd ſticht dir obñ cʒue / ſʒo vach den ſtich in dein linckñ arm / vnd var von inwendig anſwendig vber ſein rechtñ arm / vnd truck yn dein lincke ſeittñ / vñ ſchwing dich von ym auf dein rechte ſeittñ / ſo prichſtu ym den arm͂ wil / du yn werffen auf ſein ruck / ſo ſpring mit deinem rechtñ pain auf dein linck ſeittñ / vñ greiff mit deiner rechtñ haindt vndñ ſein rechtñ arm͂ / ſo wirfſtu yn vber die huff.
+
| {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/82|4|lbl=-}}
| '''VII.'''
+
|
Hat er seinen tolch eh gezogen dan du deinen / un sticht dir oben zu / so fah den stich in dein lincken arm / und far von inwendig uß wendig über seinen rechten arm / und truck in dein lincke seitten / und schwing dich von ihm auff dein rechte seitten / so brichstu ihm den arm. Wiltu ihn werffen auff sein ruck / so spring mit deinem rechten beyn auff dein lincke seitten / unnd greif mit deiner rechten handt unden sein rechten arm / so wirffstu ihn über die hüfft.
+
{{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/64|6|lbl=-|p=1}} {{section|Page:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf/65|1|lbl=32v|p=1}}
| '''La septiesme pieche'''
+
| {{section|Page:Cod.I.6..2 70v.jpg|3|lbl=-}}
Sil a son poingnart tire devant vous, et sil boute par deseur apres vous, recepvez le coup sur vostre senestre braz, & prenez par dedens a tout vostre senestre main son dextre braz aupres de sa main, et le pressez a vostre senestre coste, & le iectez ariere de vous, ainsi vous luy rompez le braz, & si le voulez iecter dessuz son doz, saillez a tout vostre droicte gambe apres sa senestre coste, & prenez a tout vostre main son droict braz par dessoubz, ainsi le iecterez oultre les cuysses.
+
| {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/80|2|lbl=-}}
| '''/ Das Sibenndt /'''
 
Hat Er sein tolch Ee gezogen den du deinenn vnd sticht dir Oben zue so vach den stich In dein linckhen arm vnd var von Innwendig auswenndig Iber sein rechten arm vnd truckh In dein linckhen seÿtenn vnd schwing dich / von Im auf dein rechte seÿten so brichstu Im denn arm wiltu In werffen auf sein ruckh so spring mit deim Rechten bain auf dein linckhe seÿtenn vnd greif mit deiner rechten handt vnden sein rechten arm so wirfstu Inn vber die hiff /
 
  
 
|-  
 
|-  
|  
+
| class="noline" |
| <p>[9]</p>
+
| class="noline" |  
| {{section|Page:Cod.44.A.8 086r.jpg|3|lbl=-}}
+
| class="noline" | <p>[8]</p>
|  
+
| class="noline" | {{section|Page:Cod.44.A.8 086r.jpg|3|lbl=-}}
| {{section|Page:MS KK5126 128r.jpg|5|lbl=-}}
+
| class="noline" |  
|  
+
| class="noline" | {{section|Page:MS KK5126 128r.jpg|5|lbl=-}}
|  
+
| class="noline" |  
|  
+
| class="noline" |  
| {{section|Page:MS Germ.Quart.2020 102v.jpg|1|lbl=102v}}
+
| class="noline" |  
|  
+
| class="noline" | {{section|Page:MS Germ.Quart.2020 102v.jpg|1|lbl=102v}}
|  
+
| class="noline" |  
|  
+
| class="noline" |  
|  
+
| class="noline" |  
|  
+
| class="noline" |
|  
+
| class="noline" |  
|  
+
| class="noline" |  
|  
+
| class="noline" |  
|  
+
| class="noline" |  
 
+
| class="noline" |  
|}
+
| class="noline" |  
 +
 
 +
|}
 
{{master end}}
 
{{master end}}
  
Line 2,067: Line 2,324:
  
 
<section begin="sourcebox"/>{{sourcebox header}}
 
<section begin="sourcebox"/>{{sourcebox header}}
 +
{{sourcebox
 +
| work        = [[Goliath Fechtbuch (MS Germ.Quart.2020)|Kraków Illustrations]]
 +
| authors    = [[Biblioteka Jagiellońska]]
 +
| source link = http://www.bj.uj.edu.pl/
 +
| source title= Biblioteka Jagiellońska
 +
| license    = public domain
 +
}}
 
{{sourcebox
 
{{sourcebox
 
  | work        = Translation (Short Sword, Dagger)
 
  | work        = Translation (Short Sword, Dagger)
  | authors    = [[Mike Rasmusson]]
+
  | authors    = [[translator::Mike Rasmusson]]
  | source link = http://www.schielhau.org/von.danzig.html
+
  | source link =  
| source title= Shielhau.org
+
| source title= [http://www.schielhau.org/von.danzig.html Shielhau.org] (defunct)
 
  | license    = GNU
 
  | license    = GNU
 
}}
 
}}
 
{{sourcebox
 
{{sourcebox
 
  | work        = Translation (Sword and Buckler)
 
  | work        = Translation (Sword and Buckler)
  | authors    = [[Keith Farrell]]
+
  | authors    = [[translator::Keith Farrell]]
  | source link = http://www.historical-academy.co.uk/files/research/keith-farrell/Lignitzer%20Sword%20and%20Buckler.pdf
+
  | source link = https://www.keithfarrell.net/research/sword-and-buckler-by-andre-lignitzer/
 
  | source title= Academy of Historical Arts
 
  | source title= Academy of Historical Arts
  | license    = educational
+
  | license    = copyrighted
 
}}
 
}}
 
{{sourcebox
 
{{sourcebox
  | work        = Translation (Grappling)
+
  | work        = Translation (Sword and Buckler, Dagger)
  | authors    = [[Gregor Medvešek]]
+
  | authors    = [[translator::John Tse]]
  | source link = http://scholapugnatoria.si/?page_id=967
+
  | source link =  
  | source title= Schola pugnatoria Celeiana Celjska borilna šola
+
  | source title= Wiktenauer
  | license    = copyrighted
+
  | license    = default
 
}}
 
}}
 +
 
{{sourcebox
 
{{sourcebox
  | work        = [[Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)|Dresden Transcription]]
+
  | work        = Translation (Grappling)
  | authors    = [[Dierk Hagedorn]]
+
  | authors    = [[translator::Gregor Medvešek]]
  | source link =  
+
  | source link = http://www.scholapugnatoria.si/en/wrestling-andres-lignitzer/
  | source title= [[Index:Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)]]
+
  | source title= Schola Pugnatoria
 
  | license    = copyrighted
 
  | license    = copyrighted
 
}}
 
}}
 
{{sourcebox
 
{{sourcebox
  | work        = [[Codex Danzig (Cod.44.A.8)|Rome Transcription]]
+
  | work        = [[Starhemberg Fechtbuch (Cod.44.A.8)|Rome Transcription]]
 
  | authors    = [[Dierk Hagedorn]]
 
  | authors    = [[Dierk Hagedorn]]
 
  | source link =  
 
  | source link =  
  | source title= [[Index:Codex Danzig (Cod.44.A.8)]]
+
  | source title= [[Index:Starhemberg Fechtbuch (Cod.44.A.8)]]
 
  | license    = copyrighted
 
  | license    = copyrighted
 
}}
 
}}
Line 2,121: Line 2,386:
 
  | source link =  
 
  | source link =  
 
  | source title= [[Index:Codex Speyer (MS M.I.29)]]
 
  | source title= [[Index:Codex Speyer (MS M.I.29)]]
 +
| license    = copyrighted
 +
}}
 +
{{sourcebox
 +
| work        = [[Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)|Dresden Transcription]]
 +
| authors    = [[Dierk Hagedorn]]
 +
| source link =
 +
| source title= [[Index:Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)]]
 
  | license    = copyrighted
 
  | license    = copyrighted
 
}}
 
}}
Line 2,136: Line 2,408:
 
  | source title= [[Index:Goliath Fechtbuch (MS Germ.Quart.2020)]]
 
  | source title= [[Index:Goliath Fechtbuch (MS Germ.Quart.2020)]]
 
  | license    = copyrighted
 
  | license    = copyrighted
 +
}}
 +
{{sourcebox
 +
| work        = [[Über die Fechtkunst und den Ringkampf (MS 963)|Graz Transcription]]
 +
| authors    =
 +
| source link =
 +
| source title= [[Index:Über die Fechtkunst und den Ringkampf (MS 963)]]
 +
| license    =
 
}}
 
}}
 
{{sourcebox
 
{{sourcebox
Line 2,159: Line 2,438:
 
}}
 
}}
 
{{sourcebox
 
{{sourcebox
  | work        = ''[[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurñfeyndt)|Ergrundung Ritterlicher Kunst der Fechterey]]''
+
  | work        = [[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt)|Paurenfeyndt's Edition]]
 
  | authors    = [[Michael Chidester]]
 
  | authors    = [[Michael Chidester]]
 
  | source link =  
 
  | source link =  
  | source title= [[Index:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurñfeyndt) 1516.pdf|Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurñfeyndt) 1516]]
+
  | source title= {{nowrap|[[Index:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf|Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516]]}}
 
  | license    = noncommercial
 
  | license    = noncommercial
 
}}
 
}}
 
{{sourcebox
 
{{sourcebox
  | work        = ''[[Der Altenn Fechter anfengliche kunst (Christian Egenolff)‎‎|Der Altenn Fechter anfengliche kunst]]''
+
  | work        = [[Der Allten Fechter gründtliche Kunst (Christian Egenolff)‎‎|Egenolff's Edition]]
  | authors    = [[Alex Kiermayer]]
+
  | authors    = [[Michael Chidester]]
 
  | source link =  
 
  | source link =  
 
  | source title= [[Index:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf|Index:Der Altenn Fechter anfengliche kunst (Christian Egenolff)]]
 
  | source title= [[Index:Der Altenn Fechter anfengliche kunst (Christian Egenolff) 1531-1537.pdf|Index:Der Altenn Fechter anfengliche kunst (Christian Egenolff)]]
Line 2,173: Line 2,452:
 
}}
 
}}
 
{{sourcebox
 
{{sourcebox
  | work        = ''[[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurñfeyndt)|La Noble Science des Ioueurs Despee (Andre Paurñfeyndt)]]''
+
  | work        = [[Wilhalm/Sollinger Fechtbuch (Cod.I.6.2º.2)|Sollinger Fechtbuch]]
  | authors    = [[Olivier&nbsp;Dupuis]], [[Didier&nbsp;de&nbsp;Grenier]], [[Michael&nbsp;Huber]]
+
  | authors    = [[Dierk Hagedorn]]
 
  | source link =  
 
  | source link =  
  | source title= [[Index:La noble science des ioueurs d%27espee (Andre Paur%C3%B1feyndt) 1538.pdf|Index:La noble science des ioueurs d%27espee (Andre Paur%C3%B1feyndt)]]
+
  | source title= [[Index:Wilhalm/Sollinger Fechtbuch (Cod.I.6.2º.2)]]
 
  | license    = copyrighted
 
  | license    = copyrighted
 
}}
 
}}
 
{{sourcebox
 
{{sourcebox
  | work        = [[Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)|Sollinger Fechtbuch]]
+
  | work        = [[La noble science des ioueurs d'espee (Andre Paurenfeyndt)|French Translation]]
  | authors    = [[Dierk Hagedorn]]
+
  | authors    = [[Olivier&nbsp;Dupuis]], [[Didier&nbsp;de&nbsp;Grenier]], [[Michaël&nbsp;Huber]]
 
  | source link =  
 
  | source link =  
  | source title= [[Index:Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)]]
+
  | source title= {{nowrap|[[Index:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf|Index:La noble science des ioueurs d'espee (Andre Paurenfeyndt)]]}}
 
  | license    = copyrighted
 
  | license    = copyrighted
 
}}
 
}}
Line 2,191: Line 2,470:
 
== Additional Resources ==
 
== Additional Resources ==
  
* ''[http://www.archive.org/details/anzeigerfurkunde01germ Anzeiger für Kunde der deutschen Vorzeit]''. Nuremberg: [[Germanisches Nationalmuseum|Verlag der Artistisch-literarischen Anstalt des Germanischen Museums]], 1854.
+
{{bibliography}}
* [[Albrecht Dürer|Dürer, Albrecht]] and [[Karl Wassmannsdorff|Wassmannsdorff, Karl]]. {{Google books|hb1AAAAAcAAJ|Die Ringkunst des deutschen Mittelalters}}. Liepzig: Priber, 1870.
 
* [[Dierk Hagedorn|Hagedorn, Dierk]]. ''Jude Lew: Das Fechtbuch.'' VS-Books, 2017. ISBN 978-3-932077-46-3
 
* Jaquet, Daniel; [[Bartłomiej Walczak|Walczak, Bartłomiej]]. "Liegnitzer, Hundsfeld or Lew? The question of authorship of popular Medieval fighting teachings". ''[[Acta Periodica Duellatorum]]'' '''2'''(1): 105-148. 2014. {{doi|10.1515/apd-2015-0015}}.
 
* [[David Lindholm|Lindholm, David]] and Svard, Peter. ''Sigmund Ringeck's Knightly Arts of Combat.'' Boulder, CO: [[Paladin Press]], 2006. ISBN 978-1-58160-668-1
 
* [[Jeffrey Hull|Hull, Jeffrey]], with [[Monika Maziarz|Maziarz, Monika]] and [[Grzegorz Żabiński|Żabiński, Grzegorz]]. ''[http://www.academia.edu/1035644/Knightly_Dueling_the_Fighting_Arts_of_German_Chivalry Knightly Dueling: The Fighting Arts of German Chivalry]''. Boulder, CO: [[Paladin Press]], 2007. ISBN 1-58160-674-4
 
* [[Christian Henry Tobler|Tobler, Christian Henry]]. ''In Saint George's Name: An Anthology of Medieval German Fighting Arts.'' Wheaton, IL: [[Freelance Academy Press]], 2010. ISBN 978-0-9825911-1-6
 
* [[Christian Henry Tobler|Tobler, Christian Henry]]. ''Secrets of German Medieval Swordsmanship.'' Highland Village, TX: [[Chivalry Bookshelf]], 2001. ISBN 1-891448-07-2
 
* [[Szabolcs Waldmann|Waldmann, Szabolcs]]. "Mertein Hündsfelder: Fight Lesson with the Shortened Sword." ''Masters of Medieval and Renaissance Martial Arts''. Ed. [[Jeffrey Hull]]. Boulder, CO: [[Paladin Press]], 2008. ISBN 978-1-58160-668-3
 
* [[Szabolcs Waldmann|Waldmann, Szabolcs]]. "Mertein Hündsfelder: ''Fechtlehre mit dem Kurzen Schwert'', circa 1491 AD, Fight-Teaching with the Shortened Sword from Codex Speyer (137r-141r)". ''[[Acta Periodica Duellatorum]]'' '''1'''(2): 93-105. 2013.
 
* [[Rainer Welle|Welle, Rainer]]. ''"…und wisse das alle höbischeit kompt von deme ringen". Der Ringkampf als adelige Kunst im 15. und 16. Jahrhundert.'' Pfaffenweiler: Centaurus-Verlagsgesellschaft, 1993. ISBN 3-89085-755-8
 
  
 
== References ==
 
== References ==
  
{{reflist}}
+
{{reflist|2}}
{{DEFAULTSORT:Liegniczer, Andre}}
+
{{DEFAULTSORT:Lignitzer, Andre}}
 
{{Liechtenauer tradition}}
 
{{Liechtenauer tradition}}
 
__FORCETOC__
 
__FORCETOC__
Line 2,214: Line 2,483:
 
[[Category:German]]
 
[[Category:German]]
 
[[Category:Latin]]
 
[[Category:Latin]]
 +
[[Category:French]]
  
[[Category:Minor Translation]]
+
[[Category:Translation]]
  
 
[[Category:Armored Fencing]]
 
[[Category:Armored Fencing]]
Line 2,221: Line 2,491:
 
[[Category:Grappling]]
 
[[Category:Grappling]]
 
[[Category:Sword and Buckler]]
 
[[Category:Sword and Buckler]]
 +
 +
[[Category:Format on hold]]
 +
[[Category:Modular display candidate]]

Latest revision as of 03:20, 12 July 2024

Andre Lignitzer
Born date of birth unknown
Legnica, Poland
Died before 1452
Relative(s) Jacob Lignitzer (brother)
Occupation Fencing master
Movement Fellowship of Liechtenauer
Genres
Language Early New High German
Manuscript(s)
First printed
english edition
Tobler, 2010
Concordance by Michael Chidester
Translations

Andre Lignitzer (Andres Liegniczer) was a late 14th or early 15th century German fencing master. His name might signify that he came from Legnica, Poland (German: Lignitz). While Lignitzer's precise lifetime is uncertain, he seems to have died some time before the creation of the Starhemberg Fechtbuch in 1452.[1] He had a brother named Jacob Lignitzer who was also a fencing master,[2] but there is no record of any treatise Jacob may have authored. The only other fact that can be determined about Lignitzer's life is that his renown as a master was sufficient for Paulus Kal to include him, along with his brother, in his list of members of the Fellowship of Liechtenauer in 1470.[2]

An Andres Juden (Andres the Jew) is mentioned as a master associated with Liechtenauer in Pol Hausbuch,[3] and Codex Speyer contains a guide to converting between sword and Messer techniques written by a "Magister Andreas",[4] but it is not currently known whether either of these masters is Lignitzer.

Andre Lignitzer is best known for his teachings on sword and buckler, and some variation on this brief treatise is included in many compilation texts in the Liechtenauer tradition. He also authored treatises on fencing with the short sword, dagger, and grappling, though these appear less frequently. Lignitzer's sword and buckler teachings are sometimes attributed to Sigmund ain Ringeck due to their unattributed inclusion in the MS Dresden C.487, but this is clearly incorrect.

Treatises

Note that the Augsburg, Salzburg, Graz, and Rostock versions of Lignitzer's treatise on short sword fencing are erroneously credited to Martin Huntsfeld, while Huntsfeld's own treatise on the subject is credited to Lew.[5]

The text of the Krakow version of Lignitzer frequently refers to intended illustrations that were never added to the manuscript. The appropriate blank pages are included in the illustration column as placeholders. It's possible (though not likely, given what we know about its origins) that this manuscript was replicating another one with a complete set of illustrations; if this ever surfaces, the illustrations will be replaced.

Additional Resources

The following is a list of publications containing scans, transcriptions, and translations relevant to this article, as well as published peer-reviewed research.

References

  1. He is given the traditional blessing on the dead on folio 73r.
  2. 2.0 2.1 The Fellowship of Liechtenauer is recorded in three versions of Paulus Kal's treatise: MS 1825 (1460s), Cgm 1507 (ca. 1470), and MS KK5126 (1480s).
  3. Anonymous. Untitled [manuscript]. MS 3227a. Nuremberg, Germany: Germanisches Nationalmuseum, ca.1389.
  4. von Speyer, Hans. Untitled [manuscript]. MS M.I.29. Salzburg, Austria: Universitätsbibliothek Salzburg, 1491.
  5. Jaquet and Walczak 2014.
  6. This label was apparently copied in the wrong place, and ought to accompany the next play.
  7. play
  8. The Rome version says: “Here begin the pieces with the buckler that the master Andre Lignitzer has written hereafter”.
  9. Oberhaw could be translated as “downward cut” for ease of use and clarity in English.
  10. This instruction is present in the Dresden version, but missing from the Rome version.
  11. Underhaw could be translated as “upward cut”. Can be done with the back edge or false edge, and can also be directed either at the man or at the sword. In this stuck, it appears to be a rising action to meet his sword.
  12. Dresden version specifies from his right shoulder, missing from Rome version.
  13. The position called the schilt is one described for longsword in the Kölner Fechtbuch and some of the other gemeinfechten sources, and is somewhat similar to what Liechtenauer would call an Ochs, although the point can be upward, potentially like quite a high Pflug. With the buckler in the left hand, standing like this in “two shields” with the sword in the schilt position and the shield covering the right hand, it looks very reminiscent of the schutzen position in the MS I.33. Following this line of thinking, the instruction to turn the sword to the right (out of the schutzen) and to reach (slice) through his mouth is very reminiscent of the follow-up action that the MS I.33 recommends from the schutzen obsesseo, and is also similar to what the Liechtenauer Zedel and glosses refer to as the Alten Schnitt.
  14. This instruction to wind bloß (“turn uncovered”) seems to have the sense of separating your sword and buckler while still pushing with both, keeping the hands more or less in front of the shoulders (as if sitting behind a steering wheel in a car with the hands at the “ten to two” position). The body probably has to move and turn in order to support this action, to keep the hands in front of the body rather than going out to the sides.
  15. Dresden has “holds his shield up”, Rome has “lifts his shield up”. Both could mean more or less the same thing, but I prefer “lifts” as an instruction.
  16. Wechselhaw could be translated as “changing cut”, because it goes up and down, side to side.
  17. Streÿchen could be translated as “strikes”, but in this context are specifically those striking actions from below, sweeping up with the short edge, perhaps “streaking” up from the ground to the opponent or to his sword.
  18. The same idea of separating your sword and buckler while still pushing both, keeping the hands more or less in front of the shoulders (as if sitting behind a steering wheel in a car with the hands at the “ten to two” position).
  19. Probably with a thrust, but potentially with any other pushing technique.
  20. Mittelhaw could be translated as “middle cut”, going across from one side to the other.
  21. Zwerch could be translated as “across”, in the sense of slanting across from one side to another or slanting across from one height to another, or going diagonally across from one place to another. It also has the sense perhaps of going across something, perhaps slanting across or athwart a boat, or going across your opponent’s blade or leg as opposed to simply coming onto it in whatever fashion. The Zwer is an example of a Mittelhaw, but it is important to note that the thumb is beneath the blade and the cut is performed with hand high.
  22. Schaittler could be translated as “parter”, in the sense of being something which parts another thing in two, or dividing something in two.
  23. The German transcription reads “Zwer”
  24. The German transcription reads “Schaittler”, perhaps related to "parting" in two halves.
  25. Sturtzhaw could be translated as “dropping cut”, in the sense of a ball dropping back to earth when it has been thrown upward.
  26. The treatise says schilts, plural, meaning that you thrust inside both sword and shield.
  27. Dresden version specifies to the body, missing from Rome version.
  28. If this gloss follows the Liechtenauer method of understanding the five words Vor, Nach, Schwöch, Störck, Indes and their relationship to each other, then we should look to the Blossfechten gloss for the meaning of Indes. However, there is no guarantee that this means exactly the same thing, so the word Indes could just mean “immediately” when removed from its technical context. There does not seem to be as much Winden involved with this sword and buckler treatise as there is in the Blossfechten gloss, although it is still quite possible to perform Winden with shorter blades (look at Leckuchner’s messerfechten, for example), and Lignitzer was a member of the Gessellschaft Lichtenawers and so was probably quite well aware of Liechtenauer’s understanding of the five words and how they relate to fighting.
  29. Although both the Dresden and Rome versions say bind, what they probably mean is the fastening of the hand, or the grip upon the sword.
  30. The instruction to Versetz could mean “to obstruct”.
  31. More correctly, both the Dresden and Rome versions say: “Thus, you have taken the shield from him.” However, the sudden change of tense seems a little abrupt and awkward, so I prefer to maintain the same tense as the rest of the instruction, for stylistic reasons.
  32. There is a further piece of instruction in Goliath: “Pull your left leg far back”.
  33. The instructions in Goliath are more precise: “Go through to your left side under his left armpit while holding his left arm”.
  34. “his” (in Goliath)
  35. “his” (in Goliath).
  36. “his” (in the Glasgow Fechtbuch).
  37. Goliath’s description is a bit different: “Strike out with your right hand and grab his right butt cheek”.
  38. The Glasgow Fechtbuch has another suggestion: “…or into his eyes”.
  39. “over” (in the Glasgow Fechtbuch).
  40. The instructions in Goliath are clearer: “Step with your right leg outside behind his right leg…”.
  41. Goliath goes in more detail here: “…turn to your left side and throw him over your right hip”.
  42. Goliath has a further suggestion: “You can also step with your right thigh to his left thigh during the turn and throw him”.
  43. “his” (in Glasgow Fechtbuch).
  44. Korrgiert aus »rechten«.
  45. This play is listed twice.