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Difference between revisions of "Andre Lignitzer"
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+ | {{under construction}} | ||
{{Infobox writer | {{Infobox writer | ||
| name = [[name::Andre Lignitzer]] | | name = [[name::Andre Lignitzer]] | ||
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| resting_place = | | resting_place = | ||
| occupation = [[Fencing master]]{{#set: occupation=Fencing master}} | | occupation = [[Fencing master]]{{#set: occupation=Fencing master}} | ||
− | | language = [[language::Early New High German]] | + | | language = [[language::Early New High German]]{{#set: language=Middle French||New Latin}} |
| nationality = | | nationality = | ||
| ethnicity = | | ethnicity = | ||
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| [[Codex Lew (Cod.I.6.4º.3)|Cod. I.6.4º.3]] (1460s) | | [[Codex Lew (Cod.I.6.4º.3)|Cod. I.6.4º.3]] (1460s) | ||
| [[Paulus Kal Fechtbuch (MS KK5126)|MS KK5126]] (1480s) | | [[Paulus Kal Fechtbuch (MS KK5126)|MS KK5126]] (1480s) | ||
+ | | [[Ortenburg Fechtbuch]] (1400s) | ||
| [[Codex Speyer (MS M.I.29)|MS M.I.29]] (1491) | | [[Codex Speyer (MS M.I.29)|MS M.I.29]] (1491) | ||
− | | [[Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)|MS Dresd. C.487]] ( | + | | [[Pirckheimer's Fechtbuch (Pirckh.Papp.353)|Pirckh.Papp.353]] (ca. 1500) |
+ | | [[Oplodidaskalia sive Armorvm Tractandorvm Meditatio Alberti Dvreri (MS 26-232)|MS 26-232]] (ca. 1505) | ||
+ | | [[Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)|MS Dresd. C.487]] (1504-19) | ||
| [[Glasgow Fechtbuch (MS E.1939.65.341)|MS E.1939.65.341]] (1508) | | [[Glasgow Fechtbuch (MS E.1939.65.341)|MS E.1939.65.341]] (1508) | ||
| [[Goliath Fechtbuch (MS Germ.Quart.2020)|MS Germ.Quart.2020]] (1535-40) | | [[Goliath Fechtbuch (MS Germ.Quart.2020)|MS Germ.Quart.2020]] (1535-40) | ||
+ | | [[Über die Fechtkunst und den Ringkampf (MS 963)|MS 963]] (1539) | ||
| [[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|MSS Dresd. C.93/94]] (1542) | | [[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|MSS Dresd. C.93/94]] (1542) | ||
| [[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Cod. 10825/10826]] (1550s) | | [[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Cod. 10825/10826]] (1550s) | ||
| [[Opus Amplissimum de Arte Athletica (Cod.icon. 393)|Cod.icon. 393]] (1550s) | | [[Opus Amplissimum de Arte Athletica (Cod.icon. 393)|Cod.icon. 393]] (1550s) | ||
− | | [[ | + | | [[Maister Liechtenawers Kunstbuech (Cgm 3712)|Cgm 3712]] (1556) |
+ | | [[Wilhalm/Sollinger Fechtbuch (Cod.I.6.2º.2)|Cod. I.6.2º.2]] (1564) | ||
+ | | [[Fechtbuch zu Ross und zu Fuss (MS Var.82)|MS Var.82]] (1570) | ||
}} | }} | ||
| principal manuscript(s)= | | principal manuscript(s)= | ||
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| website = | | website = | ||
| translations = {{collapsible list | | translations = {{collapsible list | ||
− | | {{German translation|http://www.hammaborg.de/ | + | | {{German translation|http://www.hammaborg.de/de/transkriptionen/peter_von_danzig/index.php|1}} |
| {{Hungarian translation|http://www.middleages.hu/magyar/harcmuveszet/vivokonyvek/vondanzig.php|1}} | | {{Hungarian translation|http://www.middleages.hu/magyar/harcmuveszet/vivokonyvek/vondanzig.php|1}} | ||
| {{Italian translation|http://www.septemcustodie.it/wp/?p{{=}}2239|1}} | | {{Italian translation|http://www.septemcustodie.it/wp/?p{{=}}2239|1}} | ||
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| below = | | below = | ||
}} | }} | ||
− | '''Andre Lignitzer''' (Andres Liegniczer) was a late 14th or early [[century::15th century]] [[nationality::German]] fencing master. His name might signify that he came from Legnica, Poland (German: Lignitz). While Lignitzer's precise lifetime is uncertain, he seems to have died some time before the creation of the [[Starhemberg Fechtbuch (Cod.44.A.8)|Starhemberg Fechtbuch]] in 1452.<ref>He is given the traditional blessing on the dead on [[Page:Cod.44.A.8 073r.jpg|folio 73r]].</ref> He had a brother named '''Jacob Lignitzer''' who was also a fencing master,<ref name="Kal">The Fellowship of Liechtenauer is recorded in three versions of [[Paulus Kal]]'s treatise: [[Paulus Kal Fechtbuch (MS 1825)|MS 1825]] (1460s), [[Paulus Kal Fechtbuch (Cgm 1507)|Cgm | + | '''Andre Lignitzer''' (Andres Liegniczer) was a late 14th or early [[century::15th century]] [[nationality::German]] fencing master. His name might signify that he came from Legnica, Poland (German: Lignitz). While Lignitzer's precise lifetime is uncertain, he seems to have died some time before the creation of the [[Starhemberg Fechtbuch (Cod.44.A.8)|Starhemberg Fechtbuch]] in 1452.<ref>He is given the traditional blessing on the dead on [[Page:Cod.44.A.8 073r.jpg|folio 73r]].</ref> He had a brother named '''Jacob Lignitzer''' who was also a fencing master,<ref name="Kal">The Fellowship of Liechtenauer is recorded in three versions of [[Paulus Kal]]'s treatise: [[Paulus Kal Fechtbuch (MS 1825)|MS 1825]] (1460s), [[Paulus Kal Fechtbuch (Cgm 1507)|Cgm 1507]] (ca. 1470), and [[Paulus Kal Fechtbuch (MS KK5126)|MS KK5126]] (1480s).</ref> but there is no record of any treatise Jacob may have authored. The only other fact that can be determined about Lignitzer's life is that Andre and Jacob's renown as masters was sufficient for [[Paulus Kal]] to include both of them in his list of members of the [[Fellowship of Liechtenauer]] in 1470.<ref name="Kal"/> |
− | An [[Andres Juden]] (Andres the Jew) is mentioned as a master associated with Liechtenauer in [[Pol Hausbuch (MS 3227a)|Pol Hausbuch]] | + | An [[Andres Juden]] ("Andres the Jew") is mentioned as a master associated with Liechtenauer in the [[Pol Hausbuch (MS 3227a)|Pol Hausbuch]] and [[Glasgow Fechtbuch (MS E.1939.65.341)|Glasgow Fechtbuch]], and [[Codex Speyer (MS M.I.29)|Codex Speyer]] contains a guide to converting between [[sword]] and [[Messer]] techniques written by a "Magister [[Andreas]]", but it's not currently known whether either of these masters is Lignitzer. |
− | Andre Lignitzer is | + | Andre Lignitzer is the only master in the Liechtenauer tradition to author a prose treatise on [[Arming sword|sword]] and [[buckler]], and some variation on this brief work is included in many compilation texts in the Liechtenauer tradition. Due to [[Martin Wierschin]]'s baseless assumption that the [[Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)|Dresden Fechtbuch]] was the sole work of [[Sigmund ain Ringeck]], Lignitzer's sword and buckler teachings are sometimes incorrectly attributed to that master in 20th century literature. |
− | == | + | Lignitzer also authored treatises on fencing with the [[short sword]], [[dagger]], and [[grappling]]. His armored fencing treatise can be divided into two parts, with the first two thirds (1-30) dealing with fencing with the short sword and the last third (31-45) dealing with the "death blow" (''Mordschlag'', a strike with both hands on the blade); these are typically presented as a single treatise, but [[Paulus Hector Mair]]'s works give them separate titles and each part appears in isolation in one manuscript—Codex Speyer for the first part and [[Oplodidaskalia sive Armorvm Tractandorvm Meditatio Alberti Dvreri (MS 26-232)|Albrecht Dürer's manuscript]] for the second. It's possible, therefore, that these two teachings had separate origins and only the first part was authored by Lignitzer. Lignitzer's dagger treatise is the only text in the Liechtenauer tradition that was translated into two other languages in its own era: French in 1538 and Latin in the 1550s. |
+ | |||
+ | == Textual History == | ||
+ | |||
+ | === Manuscripts and early books === | ||
+ | |||
+ | It's difficult to say when Lignitzer's treatise was written, and the original is certainly lost at present. | ||
+ | |||
+ | The oldest extant copy of any of Lignitzer's works is the [[Starhemberg Fechtbuch (Cod.44.A.8)|Rome version]] (1452); this is also the only manuscript to include all four texts attributed to him. The [[Goliath Fechtbuch (MS Germ.Quart.2020)|Kraków version]] (1535-40) was probably based on this manuscript (or one just like it),<ref>Welle (2017), p. 45.</ref> though it shows occasional expansions by a later author, especially in the grappling treatise; the scribe also adds two references to illustrations in the short sword and eleven in the grappling, but these were never executed. The relationship of the [[Glasgow Fechtbuch (MS E.1939.65.341)|Glasgow version]] (1508) to Rome is unclear, but it also attributes the sword and buckler text to Lignitzer, and is the only manuscript apart from Rome and Kraków to include the grappling text. Both Glasgow and the [[Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)|Dresden version]] (1504-19), which only includes the sword and buckler but has a very complete copy of it (apart from being unattributed), might descend independently from the original Lignitzer text. | ||
+ | |||
+ | The second-oldest extant copy is the [[Codex Lew (Cod.I.6.4º.3)|Augsburg version]], dated to the 1460s, which is based on an earlier manuscript possibly commissioned by [[Lew]].<ref>Jaquet and Walczak (2014), p. 121.</ref> and only includes the armored fencing and the sword and buckler. This only has Lignitzer's armored fencing, which it attributes to [[Martin Huntsfeld]], and his sword and buckler text, which it leaves unattributed. The [[Codex Speyer (MS M.I.29)|Salzburg]] (1491), [[Pirckheimer's Fechtbuch (Pirckh.Papp.353)|Nuremberg]] (ca. 1500), [[Oplodidaskalia sive Armorvm Tractandorvm Meditatio Alberti Dvreri (MS 26-232)|Vienna Ⅱ]] (ca. 1505), [[Über die Fechtkunst und den Ringkampf (MS 963)|Graz]] (1539), [[Maister Liechtenawers Kunstbuech (Cgm 3712)|Munich]] (1556), and [[Fechtbuch zu Ross und zu Fuss (MS Var.82)|Rostock]] (1565-70) versions also descend from this manuscript in some way, but their relationships to each other aren't always clear<ref>Jaquet and Walczak (2014), p. 122.</ref>—Munich is based on Augsburg and Vienna Ⅱ is based on Nuremberg, but the others may descend independently from earlier lost versions. | ||
+ | |||
+ | The [[Paulus Kal Fechtbuch (MS KK5126)|Vienna Ⅰ]] (1480s) and [[Ortenburg Fechtbuch|Ortenburg]] (late 1400s) versions only include Lignitzer's treatises on sword and buckler and the dagger and are unattributed. [[Andre Paurenfeyndt]]'s 1516 book ''[[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt)|Ergrundung Ritterlicher Kunst der Fechterey]]'' ("Foundation of the Chivalric Art of Swordplay") also includes these two treatises and is textually close to Vienna Ⅰ and Ortenburg, but was not copied from either of them and instead likely derived from the same earlier source.<ref>Jaquet and Walczak (2014), p. 110.</ref> Paurnfenydt's book was later translated into French and published in Antwerp in 1538 by [[Willem Vorsterman]] under the title ''La noble science des ioueurs d'espee'' ("The Noble Science of Swordplay"); this was the first time a Liechtenauer text was translated into a second language. Additionally, [[Christian Egenolff]] included Paurnfeyndt's entire text in his compilation ''[[Der Allten Fechter gründtliche Kunst (Christian Egenolff)|Der Allten Fechter gründtliche Kunst]]'' ("The Ancient Fencer's Foundational Art"), which was published in four editions between 1530 and 1558. And the [[Wilhalm/Sollinger Fechtbuch (Cod.I.6.2º.2)|Augsburg version Ⅱ]] is a faithful manuscript copy of Paurnfeyndt's book executed by [[Lienhart Sollinger]] in 1564. | ||
+ | |||
+ | [[Paulus Hector Mair]]'s three manuscripts—[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Vienna]] (1540s), [[Opus Amplissimum de Arte Athletica (Cod.icon. 393)|Munich]] (1550s), and [[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna]] (1550s)—are unique in a few ways. They are also descended from the original Lew manuscript, though Jaquet and Walczak suggest that Mair may have accessed multiple different copies of the short sword treatise and attempted to unify them.<ref>Jaquet and Walczak (2014), pp. 118-120.</ref> The dagger treatise, meanwhile, seems to have been copied from Egenolff. Mair's initial compilation manuscript (Dresden) was subsequently translated into Latin, and this text is found in Munich and Vienna (which has both languages), marking the first time Liechtenauer texts were translated into Latin. | ||
+ | |||
+ | === Modern HEMA === | ||
+ | |||
+ | Andre Lignitzer was represented at the dawn of HEMA in [[Martin Wierschin]]'s 1965 opus ''Meister Johann Liechtenauers Kunst des Fechtens'', which included a transcription of the Dresden manuscript (attributed entirely to [[Sigmund ain Ringeck]], an error that would then persist in HEMA thought for half a century). Wierschin's catalog also includes more than half of the currently-known copies of Lignitzer: [[Codex Lew (Cod.I.6.4º.3)|Augsburg]], [[Wilhalm/Sollinger Fechtbuch (Cod.I.6.2º.2)|Augsburg Ⅱ]], [[Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)|Dresden]], [[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden (Mair)]], [[Maister Liechtenawers Kunstbuech (Cgm 3712)|Munich]], [[Starhemberg Fechtbuch (Cod.44.A.8)|Rome]], [[Codex Speyer (MS M.I.29)|Salzburg]], [[Paulus Kal Fechtbuch (MS KK5126)|Vienna Ⅰ]], and [[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna (Mair)]]. Of those that were left out, [[Über die Fechtkunst und den Ringkampf (MS 963)|Graz]], [[Goliath Fechtbuch (MS Germ.Quart.2020)|Kraków]], [[Opus Amplissimum de Arte Athletica (Cod.icon. 393)|Munich Ⅰ]], and [[Oplodidaskalia sive Armorvm Tractandorvm Meditatio Alberti Dvreri (MS 26-232)|Vienna Ⅱ]] were added by [[Hans-Peter Hils]] in his 1985 update ''Meister Johann Liechtenauers Kunst des langen Schwertes''. | ||
− | + | Of the remaining four known copies, the [[Glasgow Fechtbuch (MS E.1939.65.341)|Glasgow version]] was identified in [[Sydney Anglo]]'s 2000 opus as merely "[R. L.] Scott's Liechtenauer MS",<ref>Sydney Anglo. ''The Martial Arts of Renaissance Europe''. New Haven and London: Yale University Press, 2000. pp 312-315.</ref> but had been fully profiled by 2008 when [[Rainer Leng]] published his catalog. The [[Fechtbuch zu Ross und zu Fuss (MS Var.82)|Rostock version]] was first identified in 2009, but has yet to be the subject of many publications, while the [[Pirckheimer's Fechtbuch (Pirckh.Papp.353)|Nuremberg version]] has only received brief descriptions in publications by [[Rainer Welle]] in 2021<ref>Rainer Welle (2021). ''Albrecht Dürer und seine Kunst des Zweikampfes: auf den Spuren der Handschrift 26232 in der Albertina Wien''. Kumberg: Sublilium Schaffer, Verlag für Geschichte, Kunst & Buchkultur.</ref> and [[Michael Chidester]] and [[Dierk Hagedorn]] in 2024.<ref>Michael Chidester and Dierk Hagedorn (2024). ''Pieces of Ringeck: The Definitive Edition of the Gloss of Sigmund Ainring''. Medford: HEMA Bookshelf.</ref> Finally, the [[Ortenburg Fechtbuch]] was discovered by Hils in the '80s only to be lost again ever after; microfilm scans that Hils bought at the time were finally the subject of an extensive book by [[Dierk Hagedorn]] published in 2023 as ''Das Ortenburger Fechtbuch'', including the first transcription, modernization, and other analysis. | |
− | The | + | The earliest work on Lignitzer is inseparable from work on [[Sigmund ain Ringeck]], partly because of the convoluted chain of copying proposed by Wierschin and Hils and accepted uncritically for a long time thereafter, and partly because of the previously-mentioned misattribution of the Dresden manuscript to Ringeck. The correct attribution of Lignitzer's sword and buckler and the fragment of [[Ott Jud]]'s wrestling were recognized by the early 21st century, but the fragment of pseudo-Danzig's mounted gloss was only identified by [[Michael Chidester]] in 2021. Thus, the first transcription of any part of the treatise would be Wierschin's transcription of the Dresden version in 1965, the first German modernization was made by [[Christoph Kaindel]] in the '90s, the first English translation was authored in 2002 by [[Alex Kiermayer]], and so on. Another English translation of the Dresden was produced by [[David Rawlings]] and posted on the [[HEMAC]] site in 2003. |
− | {{ | + | == Treatises == |
− | + | ||
− | + | {{Special:RunQuery/Andre Lignitzer}} | |
− | + | <h3 style="display: none;> Short Sword </h3> | |
− | + | <div id="short_sword" style="background:transparent; clear:both; font-weight:normal; padding:3px; text-align:left; width:0em; min-width:0em;"> | |
− | + | <table class="master sortable"> | |
− | + | <tr> | |
− | + | <th id="SSIllustrations0"><p>Illustrations</p></th> | |
− | + | <th id="SSRasmusson0"><p>{{rating|C|Draft Translation (from the Rome)}} (2004){{edit2|Andre Lignitzer/Mike Rasmusson SS 2004}}<br/>by [[Mike Rasmusson]]</p></th> | |
− | + | <th id="SSWaldmann0"><p>{{rating|C|Draft Translation (from the Salzburg)}} (2005){{edit2|Andre Lignitzer/Szabolcs Waldmann SS 2005}}<br/>by [[Szabolcs Waldmann]]</p></th> | |
− | + | <th id="SSRome0"><p>[[Starhemberg Fechtbuch (Cod.44.A.8)|Rome Version]] (1452){{edit index|Starhemberg Fechtbuch (Cod.44.A.8)}}<br/>Transcribed by [[Dierk Hagedorn]]</p></th> | |
− | + | <th id="SSAugsburg0"><p>[[Codex Lew (Cod.I.6.4º.3)|Augsburg Version]] (1460s){{edit index|Codex Lew (Cod.I.6.4º.3)}}<br/>Transcribed by [[Dierk Hagedorn]]</p></th> | |
− | + | <th id="SSSalzburg0"><p>[[Codex Speyer (MS M.I.29)|Salzburg Version]] (1491){{edit index|Codex Speyer (MS M.I.29)}}<br/>Transcribed by [[Dierk Hagedorn]]</p></th> | |
− | + | <th id="SSNuremberg0"><p>[[Pirckheimer's Fechtbuch (Pirckh.Papp.353)|Nuremberg Version]] (1500s){{edit index|Pirckheimer's Fechtbuch (Pirckh.Papp.353)}}<br/></p></th> | |
− | + | <th id="SSVienna0"><p>[[Oplodidaskalia sive Armorvm Tractandorvm Meditatio Alberti Dvreri (MS 26-232)|Vienna Version Ⅱ]] (1505){{edit index|Glasgow Fechtbuch (MS E.1939.65.341)}}<br/>Transcribed by [[Dierk Hagedorn]]</p></th> | |
− | + | <th id="SSKrakow0"><p>[[Goliath Fechtbuch (MS Germ.Quart.2020)|Kraków Version]] (1535-40){{edit index|Goliath Fechtbuch (MS Germ.Quart.2020)}}<br/>Transcribed by [[Bartłomiej Walczak]]</p></th> | |
− | + | <th id="SSGraz0"><p>[[Über die Fechtkunst und den Ringkampf (MS 963)|Graz Version]] (1539){{edit index|Über die Fechtkunst und den Ringkampf (MS 963)}}<br/></p></th> | |
− | + | <th id="SSDresdenM0"><p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden (Mair) Ⅱ Version]] (1542){{edit index|Opus Amplissimum de Arte Athletica (MS Dresd.C.94)}}<br/>Transcribed by [[Bartłomiej Walczak]]</p></th> | |
− | + | <th id="SSViennaMG0"><p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna (Mair) Ⅱ German Version]] (1550s){{edit index|Opus Amplissimum de Arte Athletica (Cod.10826)}}<br/></p></th> | |
− | + | <th id="SSMunichM0"><p>[[Opus Amplissimum de Arte Athletica (Cod.icon. 393)|Munich (Mair) Ⅱ Version]] (1550s){{edit index|Opus Amplissimum de Arte Athletica (Cod.icon. 393 II)}}<br/></p></th> | |
− | + | <th id="SSViennaML0"><p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna (Mair) Ⅱ Latin Version]] (1550s){{edit index|Opus Amplissimum de Arte Athletica (Cod.10826)}}<br/></p></th> | |
+ | <th id="SSMunich0"><p>[[Maister Liechtenawers Kunstbuech (Cgm 3712)|Munich Version]] (1556){{edit index|Maister Liechtenawers Kunstbuech (Cgm 3712)}}<br/></th> | ||
+ | <th id="SSRostock0"><p>[[Fechtbuch zu Ross und zu Fuss (MS Var.82)|Rostock Version]] (1570){{edit index|Fechtbuch zu Ross und zu Fuss (MS Var.82)}}<br/>Transcribed by [[Dierk Hagedorn]]</p></th> | ||
+ | </tr> | ||
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| <p><br/></p> | | <p><br/></p> | ||
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| <p><br/></p> | | <p><br/></p> | ||
− | {{section|Page: | + | {{section|Page:Cod.icon. 393 II 287r.jpg|4|lbl=287r.4}} |
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| <p><br/></p> | | <p><br/></p> | ||
− | {{section|Page:MS Var.82 067r.png|6|lbl=67r. | + | {{section|Page:MS Var.82 067r.png|6|lbl=67r.3|p=1}} {{section|Page:MS Var.82 067v.png|1|lbl=67v.1|p=1}} |
− | + | }} | |
− | |||
− | |||
− | |||
− | + | {{Lignitzer row SS rsb|5 | |
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| <p><br/></p> | | <p><br/></p> | ||
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| <p><br/></p> | | <p><br/></p> | ||
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{{section|Page:MS Var.82 067v.png|2|lbl=67v.2}} | {{section|Page:MS Var.82 067v.png|2|lbl=67v.2}} | ||
+ | }} | ||
− | | | + | {{Lignitzer row SS|6 |
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− | + | | {{section|Page:Cod.44.A.8 073v.jpg|2|lbl=73v.2}} | |
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− | | {{section|Page:Cod.44.A.8 073v.jpg|2|lbl= | ||
| <p><br/></p> | | <p><br/></p> | ||
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− | |||
| <p><br/></p> | | <p><br/></p> | ||
− | + | {{section|Page:MS M.I.29 137v.jpg|1|lbl=137v.1}} | |
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Line 236: | Line 267: | ||
| <p><br/></p> | | <p><br/></p> | ||
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Line 243: | Line 282: | ||
{{section|Page:MS Var.82 067v.png|3|lbl=67v.3}} | {{section|Page:MS Var.82 067v.png|3|lbl=67v.3}} | ||
+ | }} | ||
− | + | {{Lignitzer row SS|7 | |
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+ | | {{section|Page:Cod.44.A.8 073v.jpg|3|lbl=73v.3}} | ||
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+ | | {{section|Page:MS M.I.29 137v.jpg|2|lbl=137v.2}} | ||
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− | | {{section|Page:MS Dresd.C.94 244v.png|3|lbl= | + | | {{paget|Page:MS Germ.Quart.2020|254r|jpg}} |
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− | |||
{{section|Page:MS Var.82 067v.png|4|lbl=67v.4|p=1}} {{section|Page:MS Var.82 068r.png|1|lbl=68r.1|p=1}} | {{section|Page:MS Var.82 067v.png|4|lbl=67v.4|p=1}} {{section|Page:MS Var.82 068r.png|1|lbl=68r.1|p=1}} | ||
+ | }} | ||
− | | | + | {{Lignitzer row SS|8 |
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− | |||
− | |||
− | |||
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− | {{section|Page:Cod.44.A.8 073v.jpg|4|lbl= | + | {{section|Page:Cod.44.A.8 073v.jpg|4|lbl=73v.4|p=1}} {{section|Page:Cod.44.A.8 074r.jpg|1|lbl=74r.1|p=1}} |
− | |||
− | |||
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+ | {{section|Page:Cod.I.6.4º.3 071v.jpg|3|lbl=71v.3|p=1}} {{section|Page:Cod.I.6.4º.3 072r.jpg|1|lbl=72r.1|p=1}} | ||
| <p><br/></p> | | <p><br/></p> | ||
− | + | {{section|Page:MS M.I.29 137v.jpg|3|lbl=137v.3}} | |
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− | | {{ | + | | {{paget|Page:MS Germ.Quart.2020|254v|jpg}} |
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| {{section|Page:MS Var.82 068r.png|2|lbl=68r.2}} | | {{section|Page:MS Var.82 068r.png|2|lbl=68r.2}} | ||
+ | }} | ||
− | + | {{Lignitzer row SS|9 | |
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− | | | + | | {{section|Page:MS 963 82v.jpg|4|lbl=82v.4}} |
− | | {{section|Page:MS Dresd.C.94 245r.png|2|lbl= | + | |
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{{section|Page:MS Var.82 068r.png|3|lbl=68r.3}} | {{section|Page:MS Var.82 068r.png|3|lbl=68r.3}} | ||
+ | }} | ||
− | | | + | {{Lignitzer row SS rsa|10 |
− | | rowspan= | + | | rowspan=2 |
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− | + | | {{section|Page:Cod.44.A.8 074r.jpg|3|lbl=74r.3}} | |
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− | + | | {{section|Page:MS Germ.Quart.2020 255v.jpg|1|lbl=255v.1}} | |
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+ | }} | ||
− | + | {{Lignitzer row SS rsb|11 | |
− | |||
− | |||
− | |||
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− | {{section|Page:Cod.44.A.8 074r.jpg|4|lbl= | + | {{section|Page:Cod.44.A.8 074r.jpg|4|lbl=74r.4|p=1}} {{section|Page:Cod.44.A.8 074v.jpg|1|lbl=74v.1|p=1}} |
| <p><br/></p> | | <p><br/></p> | ||
− | {{section|Page:Cod.I.6.4º.3 072v.jpg|2|lbl= | + | {{section|Page:Cod.I.6.4º.3 072v.jpg|2|lbl=72v.2|p=1}} {{section|Page:Cod.I.6.4º.3 073r.jpg|1|lbl=73r.1|p=1}} |
− | |||
| <p><br/></p> | | <p><br/></p> | ||
− | + | {{section|Page:MS M.I.29 138r.jpg|1|lbl=138r.1}} | |
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− | | {{section|Page:MS Germ.Quart.2020 255v.jpg|2|lbl= | + | | {{section|Page:MS Germ.Quart.2020 255v.jpg|2|lbl=255v.2}} |
− | | | + | | <p><br/></p> |
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| <p><br/></p> | | <p><br/></p> | ||
− | {{section| | + | {{section|PageCod.10826 260r.png|3|lbl=260r.3}} |
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{{section|Page:MS Var.82 068v.png|2|lbl=68v.2}} | {{section|Page:MS Var.82 068v.png|2|lbl=68v.2}} | ||
+ | }} | ||
− | | | + | {{Lignitzer row SS|12 |
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+ | | {{section|Page:MS M.I.29 138r.jpg|2|lbl=138r.2}} | ||
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− | | | + | | {{paget|Page:MS Germ.Quart.2020|256v|jpg}} |
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− | + | | {{section|Page:MS Dresd.C.94 246r.png|1|lbl=246r.1}} | |
− | + | | {{section|PageCod.10826 260v.png|1|lbl=260v.1}} | |
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− | | {{section|Page:MS Dresd.C.94 246r.png|1|lbl=246r}} | ||
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Line 381: | Line 410: | ||
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{{section|Page:MS Var.82 068v.png|3|lbl=68v.3|p=1}} {{section|Page:MS Var.82 069r.png|1|lbl=69r.1|p=1}} | {{section|Page:MS Var.82 068v.png|3|lbl=68v.3|p=1}} {{section|Page:MS Var.82 069r.png|1|lbl=69r.1|p=1}} | ||
+ | }} | ||
− | | | + | {{Lignitzer row SS|13 |
| | | | ||
− | + | | {{section|Page:Cod.44.A.8 074v.jpg|3|lbl=74v.3}} | |
− | + | | {{section|Page:Cod.I.6.4º.3 073v.jpg|1|lbl=73v.1}} | |
− | + | | {{section|Page:MS M.I.29 138v.jpg|1|lbl=138v.1}} | |
− | | {{section|Page:Cod.44.A.8 074v.jpg|3|lbl= | ||
− | | {{section|Page:Cod.I.6.4º.3 073v.jpg|1|lbl=73v}} | ||
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− | |||
− | |||
− | |||
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− | + | | {{paget|Page:MS Germ.Quart.2020|257r|jpg}} | |
− | | {{ | + | | {{section|Page:MS 963 81v.jpg|2|lbl=81v.1}} |
− | + | | {{section|Page:MS Dresd.C.94 246r.png|2|lbl=246r.2}} | |
− | | {{section|Page:MS Dresd.C.94 246r.png|2|lbl= | + | | {{section|PageCod.10826 260v.png|2|lbl=260v.2}} |
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| {{section|Page:MS Var.82 069r.png|2|lbl=69r.2}} | | {{section|Page:MS Var.82 069r.png|2|lbl=69r.2}} | ||
+ | }} | ||
− | | | + | {{Lignitzer row SS|14 |
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− | |||
− | |||
− | |||
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− | {{section|Page:Cod.44.A.8 074v.jpg|4|lbl= | + | {{section|Page:Cod.44.A.8 074v.jpg|4|lbl=74v.4|p=1}} {{section|Page:Cod.44.A.8 075r.jpg|1|lbl=75r.1|p=1}} |
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+ | | {{section|Page:MS M.I.29 138r.jpg|3|lbl=138r.3}} | ||
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− | |||
− | |||
− | |||
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+ | | {{paget|Page:MS Germ.Quart.2020|257v|jpg}} | ||
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− | | {{section|Page:MS | + | {{section|Page:MS 963 81v.jpg|2|lbl=81v.2|p=1}} {{section|Page:MS 963 82r.jpg|1|lbl=82r.1|p=1}} |
+ | | {{section|Page:MS Dresd.C.94 246v.png|1|lbl=246v.1}} | ||
| | | | ||
− | | {{section| | + | {{section|PageCod.10826 260v.png|3|lbl=260v.3|p=1}} {{section|PageCod.10826 261r.png|1|lbl=261r.1|p=1}} |
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+ | }} | ||
− | + | {{Lignitzer row SS|15 | |
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+ | | {{section|Page:Cod.44.A.8 075r.jpg|2|lbl=75r.2}} | ||
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+ | | {{section|Page:MS M.I.29 138v.jpg|2|lbl=138v.2}} | ||
| | | | ||
− | |||
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− | | {{section|Page:MS Dresd.C.94 246v.png|2|lbl= | + | | {{paget|Page:MS Germ.Quart.2020|258r|jpg}} |
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| | | | ||
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| {{section|Page:MS Var.82 069v.png|2|lbl=69v.2}} | | {{section|Page:MS Var.82 069v.png|2|lbl=69v.2}} | ||
+ | }} | ||
− | | | + | {{Lignitzer row SS|16 |
| | | | ||
− | |||
− | |||
− | |||
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− | {{section|Page:Cod.44.A.8 075r.jpg|3|lbl= | + | {{section|Page:Cod.44.A.8 075r.jpg|3|lbl=75r.3|p=1}} {{section|Page:Cod.44.A.8 075v.jpg|1|lbl=75v.1|p=1}} |
+ | | | ||
+ | {{section|Page:Cod.I.6.4º.3 074v.jpg|2|lbl=74v.2|p=1}} {{section|Page:Cod.I.6.4º.3 075r.jpg|1|lbl=75r.1|p=1}} | ||
+ | | {{section|Page:MS M.I.29 138v.jpg|3|lbl=138v.3}} | ||
| | | | ||
− | |||
| | | | ||
− | | | + | | {{paget|Page:MS Germ.Quart.2020|258v|jpg}} |
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− | + | {{section|Page:MS 963 84r.jpg|1|lbl=84r.1}} | |
− | | | + | | {{section|Page:MS Dresd.C.94 247r.png|1|lbl=247r.1}} |
− | | | ||
− | | {{section|Page:MS | ||
| | | | ||
− | | {{section| | + | {{section|PageCod.10826 261r.png|3|lbl=261r.3|p=1}} {{section|PageCod.10826 261v.png|1|lbl=261v.1|p=1}} |
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{{section|Page:MS Var.82 069v.png|3|lbl=69v.3|p=1}} {{section|Page:MS Var.82 070r.png|1|lbl=70r.1|p=1}} | {{section|Page:MS Var.82 069v.png|3|lbl=69v.3|p=1}} {{section|Page:MS Var.82 070r.png|1|lbl=70r.1|p=1}} | ||
+ | }} | ||
− | + | {{Lignitzer row SS|17 | |
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− | + | | {{section|Page:Cod.44.A.8 075v.jpg|2|lbl=75v.2}} | |
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− | + | | {{section|Page:MS M.I.29 139r.jpg|1|lbl=139r.1}} | |
− | |||
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− | | {{ | + | | {{paget|Page:MS Germ.Quart.2020|259r|jpg}} |
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− | | {{section|Page:MS Dresd.C.94 247r.png|2|lbl= | + | | {{section|Page:MS Dresd.C.94 247r.png|2|lbl=247r.2}} |
+ | | {{section|PageCod.10826 261v.png|2|lbl=261v.2}} | ||
| | | | ||
| | | | ||
| | | | ||
| {{section|Page:MS Var.82 070r.png|2|lbl=70r.2}} | | {{section|Page:MS Var.82 070r.png|2|lbl=70r.2}} | ||
+ | }} | ||
− | + | {{Lignitzer row SS|18 | |
− | |||
− | |||
− | |||
− | |||
| | | | ||
− | |||
| | | | ||
− | {{section|Page:Cod. | + | {{section|Page:Cod.44.A.8 075v.jpg|3|lbl=75v.3|p=1}} {{section|Page:Cod.44.A.8 076r.jpg|1|lbl=76r.1|p=1}} |
| | | | ||
− | | | + | {{section|Page:Cod.I.6.4º.3 075v.jpg|2|lbl=75v.2|p=1}} {{section|Page:Cod.I.6.4º.3 076r.jpg|1|lbl=76r.1|p=1}} |
− | + | | {{section|Page:MS M.I.29 139r.jpg|2|lbl=139r.2}} | |
− | |||
| | | | ||
| | | | ||
− | | {{ | + | | {{paget|Page:MS Germ.Quart.2020|259v|jpg}} |
| | | | ||
− | | {{section|Page:MS Dresd.C.94 247v.png|1|lbl=247v}} | + | {{section|Page:MS 963 84r.jpg|2|lbl=84r.2|p=1}} {{section|Page:MS 963 84v.jpg|1|lbl=84v.1|p=1}} |
+ | | {{section|Page:MS Dresd.C.94 247v.png|1|lbl=247v.1}} | ||
+ | | {{section|PageCod.10826 261v.png|3|lbl=261v.3}} | ||
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Line 516: | Line 527: | ||
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{{section|Page:MS Var.82 070r.png|3|lbl=70r.3|p=1}} {{section|Page:MS Var.82 070v.png|1|lbl=70v.1|p=1}} | {{section|Page:MS Var.82 070r.png|3|lbl=70r.3|p=1}} {{section|Page:MS Var.82 070v.png|1|lbl=70v.1|p=1}} | ||
+ | }} | ||
− | | | + | {{Lignitzer row SS|19 |
| | | | ||
− | + | | {{section|Page:Cod.44.A.8 076r.jpg|2|lbl=76r.2}} | |
− | + | | {{section|Page:Cod.I.6.4º.3 076r.jpg|2|lbl=76r.2}} | |
− | + | | {{section|Page:MS M.I.29 139r.jpg|3|lbl=139r.3}} | |
− | | {{section|Page:Cod.44.A.8 076r.jpg|2|lbl= | ||
− | | {{section|Page:Cod.I.6.4º.3 076r.jpg|2|lbl= | ||
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− | |||
− | |||
− | |||
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+ | | {{paget|Page:MS Germ.Quart.2020|260v|jpg}} | ||
| | | | ||
− | | {{section|Page:MS | + | | {{section|Page:MS Dresd.C.94 247v.png|2|lbl=247v.2}} |
− | + | | {{section|PageCod.10826 261v.png|4|lbl=261v.4}} | |
− | | {{section| | ||
| | | | ||
| | | | ||
| | | | ||
| {{section|Page:MS Var.82 070v.png|2|lbl=70v.2}} | | {{section|Page:MS Var.82 070v.png|2|lbl=70v.2}} | ||
+ | }} | ||
− | + | {{Lignitzer row SS|20 | |
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
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− | |||
− | |||
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− | {{section|Page:Cod. | + | | {{section|Page:Cod.44.A.8 076r.jpg|3|lbl=76r.3}} |
| | | | ||
− | + | {{section|Page:Cod.I.6.4º.3 076r.jpg|3|lbl=76r.3|p=1}} {{section|Page:Cod.I.6.4º.3 076v.jpg|1|lbl=76v.1|p=1}} | |
− | |||
− | |||
| | | | ||
+ | {{section|Page:MS M.I.29 139r.jpg|4|lbl=139r.4|p=1}} {{section|Page:MS M.I.29 139v.jpg|1|lbl=139v.1|p=1}} | ||
| | | | ||
| | | | ||
| | | | ||
− | | {{section|Page:MS Dresd.C.94 248r.png|1|lbl=248r}} | + | | {{section|Page:MS 963 84v.jpg|2|lbl=84v.2}} |
+ | | {{section|Page:MS Dresd.C.94 248r.png|1|lbl=248r.1}} | ||
+ | | {{section|PageCod.10826 262r.png|1|lbl=262r.1}} | ||
| | | | ||
| | | | ||
| | | | ||
| {{section|Page:MS Var.82 070v.png|3|lbl=70v.3}} | | {{section|Page:MS Var.82 070v.png|3|lbl=70v.3}} | ||
+ | }} | ||
− | + | {{Lignitzer row SS|21 | |
− | | | ||
| | | | ||
− | + | | {{section|Page:Cod.44.A.8 076r.jpg|4|lbl=76r.4}} | |
− | + | | {{section|Page:Cod.I.6.4º.3 076v.jpg|2|lbl=76v.2}} | |
− | + | | {{section|Page:MS M.I.29 139v.jpg|2|lbl=139v.2}} | |
− | | {{section|Page:Cod.44.A.8 076r.jpg|4|lbl= | ||
− | | {{section|Page:Cod.I.6.4º.3 076v.jpg|2|lbl= | ||
− | | | ||
− | |||
− | |||
− | |||
| | | | ||
| | | | ||
− | | {{ | + | | {{paget|Page:MS Germ.Quart.2020|261r|jpg}} |
| | | | ||
− | | {{section|Page:MS Dresd.C.94 248r.png|2|lbl= | + | {{section|Page:MS 963 84v.jpg|3|lbl=84v.3|p=1}} {{section|Page:MS 963 85r.jpg|1|lbl=85r.1|p=1}} |
+ | | {{section|Page:MS Dresd.C.94 248r.png|2|lbl=248r.2}} | ||
+ | | {{section|PageCod.10826 262r.png|2|lbl=262r.2}} | ||
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Line 599: | Line 582: | ||
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{{section|Page:MS Var.82 070v.png|4|lbl=70v.4|p=1}} {{section|Page:MS Var.82 071r.png|1|lbl=71r.1|p=1}} | {{section|Page:MS Var.82 070v.png|4|lbl=70v.4|p=1}} {{section|Page:MS Var.82 071r.png|1|lbl=71r.1|p=1}} | ||
+ | }} | ||
− | + | {{Lignitzer row SS|22 | |
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
| | | | ||
− | | | + | | {{section|Page:Cod.44.A.8 076v.jpg|1|lbl=76v.1}} |
− | + | | {{section|Page:Cod.I.6.4º.3 077r.jpg|1|lbl=77r.1}} | |
− | + | | {{section|Page:MS M.I.29 139v.jpg|3|lbl=139v.3}} | |
| | | | ||
| | | | ||
− | | {{ | + | | {{paget|Page:MS Germ.Quart.2020|261v|jpg}} |
− | + | | {{section|Page:MS 963 85r.jpg|2|lbl=85r.2}} | |
− | | {{section|Page:MS Dresd.C.94 248v.png|1|lbl=248v}} | + | | {{section|Page:MS Dresd.C.94 248v.png|1|lbl=248v.1}} |
+ | | {{section|PageCod.10826 262r.png|3|lbl=262r.3}} | ||
| | | | ||
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Line 622: | Line 601: | ||
{{section|Page:MS Var.82 071r.png|2|lbl=71r.2}} | {{section|Page:MS Var.82 071r.png|2|lbl=71r.2}} | ||
+ | }} | ||
− | + | {{Lignitzer row SS|23 | |
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
| | | | ||
− | | | + | | {{section|Page:Cod.44.A.8 076v.jpg|2|lbl=76v.2}} |
− | |||
− | |||
| | | | ||
+ | {{section|Page:Cod.I.6.4º.3 077r.jpg|2|lbl=77r.2|p=1}} {{section|Page:Cod.I.6.4º.3 077v.jpg|1|lbl=77v.1|p=1}} | ||
+ | | {{section|Page:MS M.I.29 139v.jpg|4|lbl=139v.4}} | ||
| | | | ||
− | |||
| | | | ||
− | | {{section|Page:MS Dresd.C.94 248v.png|2|lbl= | + | | {{paget|Page:MS Germ.Quart.2020|262r|jpg}} |
+ | | {{section|Page:MS 963 85r.jpg|3|lbl=85r.3}} | ||
+ | | {{section|Page:MS Dresd.C.94 248v.png|2|lbl=248v.2}} | ||
+ | | {{section|PageCod.10826 262v.png|1|lbl=262v.1}} | ||
| | | | ||
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Line 645: | Line 620: | ||
| | | | ||
{{section|Page:MS Var.82 071r.png|3|lbl=71r.3|p=1}} {{section|Page:MS Var.82 071v.png|1|lbl=71v.1|p=1}} | {{section|Page:MS Var.82 071r.png|3|lbl=71r.3|p=1}} {{section|Page:MS Var.82 071v.png|1|lbl=71v.1|p=1}} | ||
+ | }} | ||
− | | | + | {{Lignitzer row SS|24 |
| | | | ||
− | + | | {{section|Page:Cod.44.A.8 076v.jpg|3|lbl=76v.3}} | |
− | + | | {{section|Page:Cod.I.6.4º.3 077v.jpg|2|lbl=77v.2}} | |
− | + | | {{section|Page:MS M.I.29 140r.jpg|1|lbl=140r.1}} | |
− | | {{section|Page:Cod.44.A.8 076v.jpg|3|lbl= | ||
− | | {{section|Page:Cod.I.6.4º.3 077v.jpg|2|lbl=77v}} | ||
| | | | ||
− | |||
− | |||
− | |||
| | | | ||
− | + | | {{paget|Page:MS Germ.Quart.2020|262v|jpg}} | |
− | | {{ | + | | {{section|Page:MS 963 85r.jpg|4|lbl=85r.4}} |
− | + | | {{section|Page:MS Dresd.C.94 249r.png|1|lbl=249r.1}} | |
− | | {{section|Page:MS Dresd.C.94 249r.png|1|lbl=249r}} | + | | {{section|PageCod.10826 262v.png|2|lbl=262v.2}} |
| | | | ||
| | | | ||
| | | | ||
| {{section|Page:MS Var.82 071v.png|2|lbl=71v.2}} | | {{section|Page:MS Var.82 071v.png|2|lbl=71v.2}} | ||
+ | }} | ||
− | | | + | {{Lignitzer row SS|25 |
| | | | ||
− | + | | {{section|Page:Cod.44.A.8 076v.jpg|4|lbl=76v.4}} | |
− | |||
− | |||
− | | {{section|Page:Cod.44.A.8 076v.jpg|4|lbl= | ||
− | {{section|Page:Cod.44.A.8 077r.jpg|1|lbl=77r}} | + | {{section|Page:Cod.44.A.8 077r.jpg|1|lbl=77r.1}} |
− | | {{section|Page:Cod.I.6.4º.3 078r.jpg|1|lbl=78r}} | + | | {{section|Page:Cod.I.6.4º.3 078r.jpg|1|lbl=78r.1}} |
+ | | {{section|Page:MS M.I.29 140r.jpg|2|lbl=140r.2}} | ||
| | | | ||
− | |||
− | |||
− | |||
| | | | ||
+ | | {{paget|Page:MS Germ.Quart.2020|263r|jpg}} | ||
+ | | {{section|Page:MS 963 85v.jpg|1|lbl=85v.1}} | ||
+ | | {{section|Page:MS Dresd.C.94 249r.png|2|lbl=249r.2}} | ||
| | | | ||
− | + | {{section|PageCod.10826 262v.png|3|lbl=262v.3|p=1}} {{section|PageCod.10826 263r.png|1|lbl=263r.1|p=1}} | |
− | |||
− | |||
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Line 690: | Line 658: | ||
| | | | ||
{{section|Page:MS Var.82 071v.png|3|lbl=71v.3|p=1}} {{section|Page:MS Var.82 072r.png|1|lbl=72r.1|p=1}} | {{section|Page:MS Var.82 071v.png|3|lbl=71v.3|p=1}} {{section|Page:MS Var.82 072r.png|1|lbl=72r.1|p=1}} | ||
+ | }} | ||
− | + | {{Lignitzer row SS|26 | |
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
| | | | ||
− | | | + | | {{section|Page:Cod.44.A.8 077r.jpg|2|lbl=77r.2}} |
− | |||
− | |||
| | | | ||
+ | {{section|Page:Cod.I.6.4º.3 078r.jpg|2|lbl=78r.2|p=1}} {{section|Page:Cod.I.6.4º.3 078v.jpg|1|lbl=78v.1|p=1}} | ||
+ | | {{section|Page:MS M.I.29 140r.jpg|3|lbl=140r.3}} | ||
| | | | ||
− | |||
| | | | ||
− | | {{section|Page:MS Dresd.C.94 249v.png|1|lbl=249v}} | + | | {{paget|Page:MS Germ.Quart.2020|263v|jpg}} |
+ | | {{section|Page:MS 963 85v.jpg|2|lbl=85v.2}} | ||
+ | | {{section|Page:MS Dresd.C.94 249v.png|1|lbl=249v.1}} | ||
+ | | {{section|PageCod.10826 263r.png|2|lbl=263r.2}} | ||
| | | | ||
| | | | ||
| | | | ||
| {{section|Page:MS Var.82 072r.png|2|lbl=72r.2}} | | {{section|Page:MS Var.82 072r.png|2|lbl=72r.2}} | ||
+ | }} | ||
− | + | {{Lignitzer row SS|27 | |
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
| | | | ||
+ | | {{section|Page:Cod.44.A.8 077r.jpg|3|lbl=77r.3}} | ||
+ | | {{section|Page:Cod.I.6.4º.3 078v.jpg|2|lbl=78v.2}} | ||
+ | | {{section|Page:MS M.I.29 140v.jpg|1|lbl=140v.1}} | ||
| | | | ||
− | |||
| | | | ||
− | | {{section|Page:MS Dresd.C.94 249v.png|2|lbl= | + | | {{paget|Page:MS Germ.Quart.2020|264r|jpg}} |
+ | | {{section|Page:MS 963 85v.jpg|3|lbl=85v.3}} | ||
+ | | {{section|Page:MS Dresd.C.94 249v.png|2|lbl=249v.2}} | ||
+ | | {{section|PageCod.10826 263r.png|3|lbl=263r.3}} | ||
| | | | ||
| | | | ||
| | | | ||
| {{section|Page:MS Var.82 072r.png|3|lbl=72r.3}} | | {{section|Page:MS Var.82 072r.png|3|lbl=72r.3}} | ||
+ | }} | ||
− | | | + | {{Lignitzer row SS|28 |
| | | | ||
− | | | + | | {{section|Page:Cod.44.A.8 077r.jpg|4|lbl=-77r.4}} |
− | + | {{section|Page:Cod.44.A.8 077v.jpg|1|lbl=77v.1}} | |
− | + | | {{section|Page:Cod.I.6.4º.3 079r.jpg|1|lbl=79r.1}} | |
− | + | | {{section|Page:MS M.I.29 140v.jpg|2|lbl=140v.2}} | |
− | {{section|Page:Cod. | + | | |
− | | {{section|Page: | ||
| | | | ||
− | | | + | | {{paget|Page:MS Germ.Quart.2020|264v|jpg}} |
+ | | {{section|Page:MS 963 85v.jpg|4|lbl=85v.4}} | ||
− | + | {{section|Page:MS 963 86r.jpg|1|lbl=86r.1}} | |
+ | | {{section|Page:MS Dresd.C.94 250r.png|1|lbl=250r.1}} | ||
| | | | ||
− | + | {{section|PageCod.10826 263r.png|4|lbl=263r.4|p=1}} {{section|PageCod.10826 263v.png|1|lbl=263v.1|p=1}} | |
− | |||
− | |||
− | |||
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Line 757: | Line 716: | ||
| | | | ||
{{section|Page:MS Var.82 072r.png|4|lbl=72r.4|p=1}} {{section|Page:MS Var.82 072v.png|1|lbl=72v.1|p=1}} | {{section|Page:MS Var.82 072r.png|4|lbl=72r.4|p=1}} {{section|Page:MS Var.82 072v.png|1|lbl=72v.1|p=1}} | ||
+ | }} | ||
− | + | {{Lignitzer row SS|29 | |
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
| | | | ||
− | | | + | | {{section|Page:Cod.44.A.8 077v.jpg|2|lbl=77v.2}} |
− | |||
− | |||
| | | | ||
+ | {{section|Page:Cod.I.6.4º.3 079r.jpg|2|lbl=79r.2|p=1}} {{section|Page:Cod.I.6.4º.3 079v.jpg|1|lbl=79v.1|p=1}} | ||
+ | | {{section|Page:MS M.I.29 140v.jpg|3|lbl=140v.3}} | ||
| | | | ||
| | | | ||
| | | | ||
− | | {{section|Page:MS Dresd.C.94 250r.png|2|lbl= | + | | {{section|Page:MS 963 86r.jpg|2|lbl=86r.2}} |
+ | | {{section|Page:MS Dresd.C.94 250r.png|2|lbl=250r.2}} | ||
+ | | {{section|PageCod.10826 263v.png|2|lbl=263v.2}} | ||
| | | | ||
| | | | ||
| | | | ||
| {{section|Page:MS Var.82 072v.png|2|lbl=72v.2}} | | {{section|Page:MS Var.82 072v.png|2|lbl=72v.2}} | ||
+ | }} | ||
− | | | + | {{Lignitzer row SS|30 |
| | | | ||
− | |||
− | |||
− | |||
| | | | ||
− | {{section|Page:Cod.44.A.8 077v.jpg|3|lbl= | + | {{section|Page:Cod.44.A.8 077v.jpg|3|lbl=77v.3|p=1}} {{section|Page:Cod.44.A.8 078r.jpg|1|lbl=78r.1|p=1}} |
| | | | ||
− | {{section|Page:Cod.I.6.4º.3 079v.jpg|2|lbl= | + | {{section|Page:Cod.I.6.4º.3 079v.jpg|2|lbl=79v.2|p=1}} {{section|Page:Cod.I.6.4º.3 080r.jpg|1|lbl=80r.1|p=1}} |
| | | | ||
− | + | {{section|Page:MS M.I.29 140v.jpg|4|lbl=140v.4|p=1}} {{section|Page:MS M.I.29 141r.jpg|1|lbl=141r.1|p=1}} | |
− | |||
− | |||
| | | | ||
| | | | ||
− | | {{ | + | | {{paget|Page:MS Germ.Quart.2020|265r|jpg}} |
| | | | ||
− | | {{section|Page:MS Dresd.C.94 250v.png| | + | {{section|Page:MS 963 86r.jpg|3|lbl=86r.3|p=1}} {{section|Page:MS 963 86v.jpg|1|lbl=86v.1|p=1}} |
+ | | {{paget|Page:MS Dresd.C.94|250v|png}} | ||
+ | | {{section|PageCod.10826 263v.png|3|lbl=263v.3}} | ||
| | | | ||
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Line 803: | Line 756: | ||
| | | | ||
{{section|Page:MS Var.82 072v.png|3|lbl=72v.3|p=1}} {{section|Page:MS Var.82 073r.png|1|lbl=73r.1|p=1}} | {{section|Page:MS Var.82 072v.png|3|lbl=72v.3|p=1}} {{section|Page:MS Var.82 073r.png|1|lbl=73r.1|p=1}} | ||
+ | }} | ||
− | | | + | {{Lignitzer row SS|31 |
| | | | ||
− | | <p> | + | | <p><br/></p> |
− | + | {{section|Page:Cod.44.A.8 078r.jpg|2|lbl=78r.2}} | |
+ | | <p><br/></p> | ||
− | + | {{section|Page:Cod.I.6.4º.3 080r.jpg|2|lbl=80r.2|p=1}} {{section|Page:Cod.I.6.4º.3 080v.jpg|1|lbl=80v.1|p=1}} | |
+ | | | ||
+ | | | ||
| <p><br/></p> | | <p><br/></p> | ||
− | {{section|Page: | + | {{section|Page:MS 26-232 101r.png|12|lbl=101r.1}} |
| <p><br/></p> | | <p><br/></p> | ||
− | {{ | + | {{paget|Page:MS Germ.Quart.2020|265v|jpg}} |
− | |||
− | |||
− | |||
− | |||
| <p><br/></p> | | <p><br/></p> | ||
− | {{section|Page:MS | + | {{section|Page:MS 963 86v.jpg|2|lbl=86v.2}} |
− | + | | {{section|Page:MS Dresd.C.94 251r.png|1|lbl=251r.1}} | |
− | | {{section|Page:MS Dresd.C.94 251r.png|1|lbl=251r}} | + | | {{section|PageCod.10826 264r.png|1|lbl=264r.1}} |
| | | | ||
| | | | ||
| | | | ||
| {{section|Page:MS Var.82 073r.png|2|lbl=73r.2}} | | {{section|Page:MS Var.82 073r.png|2|lbl=73r.2}} | ||
+ | }} | ||
− | | | + | {{Lignitzer row SS|32 |
| | | | ||
− | + | | {{section|Page:Cod.44.A.8 078r.jpg|3|lbl=78r.3}} | |
− | + | | {{section|Page:Cod.I.6.4º.3 080v.jpg|2|lbl=80v.2}} | |
− | |||
− | | {{section|Page:Cod.44.A.8 078r.jpg|3|lbl= | ||
− | | {{section|Page:Cod.I.6.4º.3 | ||
| | | | ||
| | | | ||
− | | | + | | {{section|Page:MS 26-232 101r.png|13|lbl=101r.2}} |
− | | | + | | {{paget|Page:MS Germ.Quart.2020|266r|jpg}} |
− | | {{ | + | | {{section|Page:MS 963 86v.jpg|3|lbl=86v.3}} |
− | + | | {{section|Page:MS Dresd.C.94 251r.png|2|lbl=251r.2}} | |
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| {{section|Page:MS Var.82 073r.png|3|lbl=73r.3}} | | {{section|Page:MS Var.82 073r.png|3|lbl=73r.3}} | ||
+ | }} | ||
− | | | + | {{Lignitzer row SS|33 |
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− | {{section|Page:Cod.44.A.8 078r.jpg|4|lbl= | + | {{section|Page:Cod.44.A.8 078r.jpg|4|lbl=78r.4|p=1}} {{section|Page:Cod.44.A.8 078v.jpg|1|lbl=78v.1|p=1}} |
| <p><br/></p> | | <p><br/></p> | ||
− | {{section|Page:Cod.I.6.4º.3 080v.jpg|3|lbl= | + | {{section|Page:Cod.I.6.4º.3 080v.jpg|3|lbl=80v.3|p=1}} {{section|Page:Cod.I.6.4º.3 081r.jpg|1|lbl=81r.1|p=1}} |
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| <p><br/></p> | | <p><br/></p> | ||
− | {{section|Page:MS Dresd.C.94 251v.png|1|lbl=251v}} | + | {{section|Page:MS 26-232 101r.png|14|lbl=101r.3}} |
+ | | {{paget|Page:MS Germ.Quart.2020|266v|jpg}} | ||
+ | | <p><br/></p> | ||
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+ | {{section|Page:MS 963 86v.jpg|4|lbl=86v.4}} | ||
+ | | <p><br/></p> | ||
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+ | {{section|Page:MS Dresd.C.94 251v.png|1|lbl=251v.1}} | ||
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+ | {{section|PageCod.10826 264r.png|3|lbl=264r.3}} | ||
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{{section|Page:MS Var.82 073r.png|4|lbl=73r.4}} | {{section|Page:MS Var.82 073r.png|4|lbl=73r.4}} | ||
+ | }} | ||
− | | | + | {{Lignitzer row SS|34 |
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− | + | | {{section|Page:Cod.44.A.8 078v.jpg|2|lbl=78v.2}} | |
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+ | {{section|Page:Cod.I.6.4º.3 081r.jpg|2|lbl=81r.2}} | ||
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− | | {{ | + | | {{paget|Page:MS Germ.Quart.2020|267r|jpg}} |
− | | | + | | {{section|Page:MS 963 86v.jpg|5|lbl=86v.5}} |
− | | {{section|Page:MS Dresd.C.94 251v.png|2|lbl= | + | |
+ | {{section|Page:MS 963 87r.jpg|1|lbl=87r.1}} | ||
+ | | {{section|Page:MS Dresd.C.94 251v.png|2|lbl=251v.2}} | ||
+ | | {{section|PageCod.10826 264r.png|4|lbl=264r.4}} | ||
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| {{section|Page:MS Var.82 073v.png|1|lbl=73v.1}} | | {{section|Page:MS Var.82 073v.png|1|lbl=73v.1}} | ||
+ | }} | ||
− | + | {{Lignitzer row SS|35 | |
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+ | | {{section|Page:Cod.44.A.8 078v.jpg|3|lbl=78v.3}} | ||
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+ | {{section|Page:Cod.I.6.4º.3 081r.jpg|3|lbl=81r.3|p=1}} {{section|Page:Cod.I.6.4º.3 081v.jpg|1|lbl=81v.1|p=1}} | ||
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− | |||
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− | | {{section|Page:MS Dresd.C.94 251v.png|3|lbl= | + | | {{section|Page:MS 26-232 101r.png|16|lbl=101r.5}} |
+ | | {{paget|Page:MS Germ.Quart.2020|267v|jpg}} | ||
+ | | {{section|Page:MS 963 87r.jpg|2|lbl=87r.2}} | ||
+ | | {{section|Page:MS Dresd.C.94 251v.png|3|lbl=251v.3}} | ||
+ | | {{section|PageCod.10826 264v.png|1|lbl=264v.1}} | ||
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| {{section|Page:MS Var.82 073v.png|2|lbl=73v.2}} | | {{section|Page:MS Var.82 073v.png|2|lbl=73v.2}} | ||
+ | }} | ||
− | + | {{Lignitzer row SS|36 | |
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+ | | {{section|Page:Cod.44.A.8 078v.jpg|4|lbl=78v.4}} | ||
+ | | {{section|Page:Cod.I.6.4º.3 081v.jpg|2|lbl=81v.2}} | ||
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− | | {{section|Page:MS Dresd.C.94 252r.png|1|lbl=252r}} | + | | {{section|Page:MS 26-232 101v.png|1|lbl=101v.1}} |
+ | | {{paget|Page:MS Germ.Quart.2020|268r|jpg}} | ||
+ | | {{section|Page:MS 963 87r.jpg|3|lbl=87r.3}} | ||
+ | | {{section|Page:MS Dresd.C.94 252r.png|1|lbl=252r.1}} | ||
+ | | {{section|PageCod.10826 264v.png|2|lbl=264v.2}} | ||
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| {{section|Page:MS Var.82 073v.png|3|lbl=73v.3}} | | {{section|Page:MS Var.82 073v.png|3|lbl=73v.3}} | ||
+ | }} | ||
− | + | {{Lignitzer row SS|37 | |
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− | {{section|Page:Cod. | + | | {{section|Page:Cod.44.A.8 078v.jpg|5|lbl=78v.5}} |
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+ | {{section|Page:Cod.I.6.4º.3 081v.jpg|3|lbl=81v.3|p=1}} {{section|Page:Cod.I.6.4º.3 082r.jpg|1|lbl=82r.1|p=1}} | ||
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− | | | + | | {{section|Page:MS 26-232 101v.png|2|lbl=101v.2}} |
− | | {{ | + | | {{paget|Page:MS Germ.Quart.2020|268v|jpg}} |
− | + | | {{section|Page:MS 963 87r.jpg|4|lbl=87r.4}} | |
− | | {{section|Page:MS Dresd.C.94 252r.png|2|lbl= | + | | {{section|Page:MS Dresd.C.94 252r.png|2|lbl=252r.2}} |
+ | | {{section|PageCod.10826 264v.png|3|lbl=264v.3}} | ||
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| {{section|Page:MS Var.82 073v.png|4|lbl=73v.4}} | | {{section|Page:MS Var.82 073v.png|4|lbl=73v.4}} | ||
+ | }} | ||
− | + | {{Lignitzer row SS|38 | |
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+ | {{section|Page:Cod.44.A.8 078v.jpg|6|lbl=78v.6|p=1}} {{section|Page:Cod.44.A.8 079r.jpg|1|lbl=79r.1|p=1}} | ||
+ | | {{section|Page:Cod.I.6.4º.3 082r.jpg|2|lbl=82r.2}} | ||
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− | | {{section|Page:MS Germ.Quart.2020 269r | + | | {{section|Page:MS 26-232 101v.png|3|lbl=101v.3}} |
+ | | {{paget|Page:MS Germ.Quart.2020|269r|jpg}} | ||
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− | | {{section|Page:MS Dresd.C.94 252v.png|1|lbl=252v}} | + | | {{section|Page:MS Dresd.C.94 252v.png|1|lbl=252v.1}} |
+ | | {{section|PageCod.10826 264v.png|4|lbl=264v.4}} | ||
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| {{section|Page:MS Var.82 073v.png|5|lbl=73v.5}} | | {{section|Page:MS Var.82 073v.png|5|lbl=73v.5}} | ||
+ | }} | ||
− | | | + | {{Lignitzer row SS|39 |
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− | + | | {{section|Page:Cod.44.A.8 079r.jpg|2|lbl=79r.2}} | |
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− | | {{section|Page:Cod.I.6.4º.3 082r.jpg|3|lbl= | ||
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+ | | {{section|Page:MS 26-232 101v.png|4|lbl=101v.4}} | ||
+ | | {{paget|Page:MS Germ.Quart.2020|269v|jpg}} | ||
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+ | | {{section|Page:MS Dresd.C.94 252v.png|2|lbl=252v.2}} | ||
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− | + | {{section|PageCod.10826 264v.png|5|lbl=264v.5|p=1}} {{section|PageCod.10826 265r.png|1|lbl=265r.1|p=1}} | |
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| {{section|Page:MS Var.82 074r.png|1|lbl=74r.1}} | | {{section|Page:MS Var.82 074r.png|1|lbl=74r.1}} | ||
+ | }} | ||
− | + | {{Lignitzer row SS|40 | |
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+ | | {{section|Page:Cod.44.A.8 079r.jpg|3|lbl=79r.3}} | ||
+ | | {{section|Page:Cod.I.6.4º.3 082v.jpg|1|lbl=82v.1}} | ||
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− | | {{section|Page:MS Germ.Quart.2020 270r.jpg|1|lbl=270r}} | + | | {{section|Page:MS 26-232 101v.png|5|lbl=101v.5}} |
+ | | {{section|Page:MS Germ.Quart.2020 270r.jpg|1|lbl=270r.1}} | ||
| | | | ||
− | | {{section|Page:MS Dresd.C.94 253r.png|1|lbl=253r}} | + | {{section|Page:MS 963 87r.jpg|5|lbl=87r.5}} |
+ | | {{section|Page:MS Dresd.C.94 253r.png|1|lbl=253r.1}} | ||
+ | | {{section|PageCod.10826 265r.png|2|lbl=265r.2}} | ||
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| {{section|Page:MS Var.82 074r.png|2|lbl=74r.2}} | | {{section|Page:MS Var.82 074r.png|2|lbl=74r.2}} | ||
+ | }} | ||
− | + | {{Lignitzer row SS|41 | |
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+ | | {{section|Page:Cod.44.A.8 079r.jpg|4|lbl=79r.4}} | ||
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+ | {{section|Page:Cod.I.6.4º.3 082v.jpg|2|lbl=82v.2|p=1}} {{section|Page:Cod.I.6.4º.3 083r.jpg|1|lbl=83r.1|p=1}} | ||
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− | | {{section|Page:MS Germ.Quart.2020 270r.jpg|2|lbl= | + | | {{section|Page:MS 26-232 101v.png|6|lbl=101v.6}} |
+ | | {{section|Page:MS Germ.Quart.2020 270r.jpg|2|lbl=270r.2}} | ||
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+ | {{section|Page:MS 963 87r.jpg|6|lbl=87r.6|p=1}} {{section|Page:MS 963 87v.jpg|1|lbl=87v.1|p=1}} | ||
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− | {{section|Page:MS Dresd.C.94 253r.png|2|lbl= | + | {{section|Page:MS Dresd.C.94 253r.png|2|lbl=253r.3|p=1}} {{section|Page:MS Dresd.C.94 253v.png|1|lbl=253v.1|p=1}} |
+ | | {{section|PageCod.10826 265r.png|3|lbl=265r.3}} | ||
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| {{section|Page:MS Var.82 074r.png|3|lbl=74r.3}} | | {{section|Page:MS Var.82 074r.png|3|lbl=74r.3}} | ||
+ | }} | ||
− | | | + | {{Lignitzer row SS|42 |
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− | {{section|Page:Cod.44.A.8 079r.jpg|5|lbl= | + | {{section|Page:Cod.44.A.8 079r.jpg|5|lbl=79r.5|p=1}} {{section|Page:Cod.44.A.8 079v.jpg|1|lbl=79v.1|p=1}} |
| <p><br/></p> | | <p><br/></p> | ||
− | {{section|Page:Cod.I.6.4º.3 083r.jpg|2|lbl= | + | {{section|Page:Cod.I.6.4º.3 083r.jpg|2|lbl=83r.2}} |
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| <p><br/></p> | | <p><br/></p> | ||
− | {{section|Page:MS Dresd.C.94 253v.png|2|lbl= | + | {{section|Page:MS 26-232 101v.png|7|lbl=101v.7}} |
+ | | {{section|Page:MS Germ.Quart.2020 270r.jpg|3|lbl=270r.3}} | ||
+ | | <p><br/></p> | ||
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+ | {{section|Page:MS 963 87v.jpg|2|lbl=87v.2}} | ||
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+ | {{section|Page:MS Dresd.C.94 253v.png|2|lbl=253v.2}} | ||
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{{section|Page:MS Var.82 074r.png|4|lbl=74r.4|p=1}} {{section|Page:MS Var.82 074v.png|1|lbl=74v.1|p=1}} | {{section|Page:MS Var.82 074r.png|4|lbl=74r.4|p=1}} {{section|Page:MS Var.82 074v.png|1|lbl=74v.1|p=1}} | ||
+ | }} | ||
− | + | {{Lignitzer row SS|43 | |
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+ | | {{section|Page:Cod.44.A.8 079v.jpg|2|lbl=79v.2}} | ||
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− | | {{section|Page:MS Dresd.C.94 253v.png|3|lbl= | + | | {{section|Page:MS 26-232 101v.png|8|lbl=101v.8}} |
+ | | {{paget|Page:MS Germ.Quart.2020|270v|jpg}} | ||
+ | | {{section|Page:MS 963 87v.jpg|3|lbl=87v.3}} | ||
+ | | {{section|Page:MS Dresd.C.94 253v.png|3|lbl=253v.3}} | ||
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| {{section|Page:MS Var.82 074v.png|2|lbl=74v.2}} | | {{section|Page:MS Var.82 074v.png|2|lbl=74v.2}} | ||
+ | }} | ||
− | | | + | {{Lignitzer row SS|44 |
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− | {{section|Page:Cod.I.6.4º.3 083r.jpg|4|lbl= | + | {{section|Page:Cod.I.6.4º.3 083r.jpg|4|lbl=83r.4|p=1}} {{section|Page:Cod.I.6.4º.3 083v.jpg|1|lbl=83v.1|p=1}} |
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− | + | | {{section|Page:MS Germ.Quart.2020 271r.jpg|1|lbl=271r.1}} | |
− | | {{section|Page:MS Germ.Quart.2020 271r.jpg|1|lbl=271r}} | + | | {{section|Page:MS 963 87v.jpg|4|lbl=87v.4}} |
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+ | |||
+ | {{section|Page:MS Dresd.C.94 253v.png|4|lbl=253v.4}} | ||
| <p><br/></p> | | <p><br/></p> | ||
− | {{section| | + | {{section|PageCod.10826 265v.png|2|lbl=265v.2}} |
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| {{section|Page:MS Var.82 074v.png|3|lbl=74v.3}} | | {{section|Page:MS Var.82 074v.png|3|lbl=74v.3}} | ||
+ | }} | ||
− | + | {{Lignitzer row SS|45 | |
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+ | | {{section|Page:Cod.44.A.8 079v.jpg|4|lbl=79v.4}} | ||
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− | | | + | | {{section|Page:MS Germ.Quart.2020 271r.jpg|2|lbl=271r.2}} |
− | | | + | | {{section|Page:MS 963 87v.jpg|5|lbl=87v.5}} |
− | | {{section|Page:MS Dresd.C.94 254r.png|1|lbl=254r}} | + | | {{section|Page:MS Dresd.C.94 254r.png|1|lbl=254r.1}} |
+ | | {{section|PageCod.10826 265v.png|3|lbl=265v.3}} | ||
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| {{section|Page:MS Var.82 074v.png|4|lbl=74v.4}} | | {{section|Page:MS Var.82 074v.png|4|lbl=74v.4}} | ||
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− | + | {{Lignitzer row SS noline|46 | |
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+ | | {{section|Page:MS M.I.29 141r.jpg|2|lbl=141r.2}} | ||
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− | + | }} | |
− | + | </table> | |
− | + | </div> | |
− | |||
− | {{ | + | <h3 style="display: none;> Sword and Buckler </h3> |
− | | {{ | + | <div id="buckler" style="background:transparent; clear:both; font-weight:normal; padding:3px; text-align:left; width:0em; min-width:0em;"> |
− | | {{ | + | <table class="master sortable"> |
− | | {{ | + | <tr> |
− | | {{ | + | <th id="SBIllustrations0"><p>Illustrations</p></th> |
+ | <th id="SBFarrell0"><p>{{rating|B|Complete Translation (from Rome and Dresden)}} (2020){{edit2|Andre Lignitzer/Keith Farrell SB 2020}}<br/>by [[Keith Farrell]]</p></th> | ||
+ | <th id="SBTse0"><p>{{rating|C|Draft Translation (from the French)}} (2022){{edit2|Andre Lignitzer/John Tse SB 2022}}<br/>by [[John Tse]]</p></th> | ||
+ | <th id="SBRasmusson0"><p>{{rating|C|Draft Translation (from the Rome)}} (2004){{edit2|Andre Lignitzer/Mike Rasmusson SB 2004}}<br/>by [[Mike Rasmusson]]</p></th> | ||
+ | <th id="SBRawlings0"><p>{{rating|C|Draft Translation (from the Dresden)}} (2003){{edit2|Andre Lignitzer/David Rawlings SB 2003}}<br/>by [[David Rawlings]]</p></th> | ||
+ | <th id="SBAlexAlmirena0"><p>{{rating|C|Draft Translation (from the Rome)}} (2002){{edit2|Andre Lignitzer/Keith P. Myers SB 2002}}<br/>by [[Keith P. Myers]]</p></th> | ||
+ | <th id="SBRome0"><p>[[Starhemberg Fechtbuch (Cod.44.A.8)|Rome Version]] (1452){{edit index|Starhemberg Fechtbuch (Cod.44.A.8)}}<br/>Transcribed by [[Dierk Hagedorn]]</p></th> | ||
+ | <th id="SBAugsburg0"><p>[[Codex Lew (Cod.I.6.4º.3)|Augsburg Version]] (1460s){{edit index|Codex Lew (Cod.I.6.4º.3)}}<br/>Transcribed by [[Dierk Hagedorn]]</p></th> | ||
+ | <th id="SBVienna0"><p>[[Paulus Kal Fechtbuch (MS KK5126)|Vienna Version Ⅰ]] (1480s){{edit index|Paulus Kal Fechtbuch (MS KK5126)}}<br/>Transcribed by [[Dierk Hagedorn]]</p></th> | ||
+ | <th id="SBOrtenburg0"><p>[[Ortenburg Fechtbuch|Ortenburg Version]] (1400s){{edit index|Ortenburg Fechtbuch}}<br/></p></th> | ||
+ | <th id="SBDresden0"><p>[[Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)|Dresden Version]] (1504-1519){{edit index|Johan Liechtnawers Fechtbuch geschriebenn (MS Dresd.C.487)}}<br/>Transcribed by [[Dierk Hagedorn]]</p></th> | ||
+ | <th id="SBGlasgow0"><p>[[Glasgow Fechtbuch (MS E.1939.65.341)|Glasgow Version]] (1508){{edit index|Glasgow Fechtbuch (MS E.1939.65.341)}}<br/>Transcribed by [[Dierk Hagedorn]]</p></th> | ||
+ | <th id="SBPaurenfeyndt0"><p>[[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt)|Paurenfeyndt's Edition]] (1516){{edit index|Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf}}<br/>Transcribed by [[Michael Chidester]]</p></th> | ||
+ | <th id="SBEgenolff0"><p>[[Der Allten Fechter gründtliche Kunst (Christian Egenolff)|Egenolff's Edition]] (ca. 1531){{edit index|Der Allten Fechter gründtliche Kunst (Christian Egenolff) 1531-1537.pdf}}<br/>Transcribed by [[Michael Chidester]]</p></th> | ||
+ | <th id="SBFrench0"><p>[[La noble science des ioueurs d'espee (Andre Paurenfeyndt)|French Translation]] (1538){{edit index|La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf}}<br/>Transcribed by [[Olivier Dupuis]], [[Didier de Grenier]], and [[Michaël Huber]]</p></th> | ||
+ | <th id="SBGraz0"><p>[[Über die Fechtkunst und den Ringkampf (MS 963)|Graz Version]] (1539){{edit index|Über die Fechtkunst und den Ringkampf (MS 963)}}<br/></p></th> | ||
+ | <th id="SBMunich0"><p>[[Maister Liechtenawers Kunstbuech (Cgm 3712)|Munich Version]] (1556){{edit index|Maister Liechtenawers Kunstbuech (Cgm 3712)}}<br/></th> | ||
+ | <th id="SBSollinger0"><p>[[Wilhalm/Sollinger Fechtbuch (Cod.I.6.2º.2)|Augsburg Version Ⅱ]] (1564){{edit index|Wilhalm/Sollinger Fechtbuch (Cod.I.6.2º.2)}}<br/>Transcribed by [[Dierk Hagedorn]]</p></th> | ||
+ | <th id="SBRostock0"><p>[[Fechtbuch zu Ross und zu Fuss (MS Var.82)|Rostock Version]] (1570){{edit index| Fechtbuch zu Ross und zu Fuss (MS Var.82)}}<br/>Transcribed by [[Dierk Hagedorn]]</p></th> | ||
+ | </tr> | ||
− | |- | + | {{Lignitzer row SB|1 |
+ | | {{section|Page:Cod.44.A.8 080r.jpg|1|lbl=80r.1}} | ||
+ | | {{section|Page:Cod.I.6.4º.3 084r.jpg|1|lbl=84r.1}} | ||
+ | | {{section|Page:MS KK5126 127v.jpg|2|lbl=127v.1}} | ||
+ | | {{section|Page:Ortenburg Fechtbuch 67v.png|3|lbl=67v.1}} | ||
+ | | {{section|Page:MS Dresd.C.487 054r.png|2|lbl=54r.1}} | ||
+ | | {{section|Page:MS E.1939.65.341 105r.jpg|1|lbl=105r.1}} | ||
+ | | {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/83|1|lbl=76.1}} | ||
+ | | {{section|Page:Der Allten Fechter gründtliche Kunst (Christian Egenolff) 1531-1537.pdf/71|3|lbl=33v.3}} | ||
+ | | {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/80|3|lbl=69.1}} | ||
+ | | {{section|Page:MS 963 88r.jpg|1|lbl=88r.1}} | ||
+ | | {{section|Page:Cgm 3712 37r.jpg|4|lbl=37r.1}} | ||
+ | | {{section|Page:Cod.I.6.2º.2 70v.jpg|4|lbl=70v}} | ||
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− | + | {{Lignitzer row SB|2 | |
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+ | | {{section|Page:Cod.I.6.4º.3 084r.jpg|2|lbl=84r.2}} | ||
+ | | {{section|Page:MS KK5126 127v.jpg|3|lbl=127v.2}} | ||
+ | | {{section|Page:Ortenburg Fechtbuch 67v.png|4|lbl=67v.2}} | ||
+ | | {{section|Page:MS Dresd.C.487 054r.png|3|lbl=54r.2}} | ||
+ | | {{section|Page:MS E.1939.65.341 105r.jpg|2|lbl=105r.2}} | ||
+ | | {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/83|2|lbl=76.2}} | ||
+ | | {{section|Page:Der Allten Fechter gründtliche Kunst (Christian Egenolff) 1531-1537.pdf/71|4|lbl=33v.4}} | ||
+ | | {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/80|4|lbl=69.2}} | ||
+ | | {{section|Page:MS 963 88r.jpg|2|lbl=88r.2}} | ||
+ | | {{section|Page:Cgm 3712 37r.jpg|5|lbl=37r.2}} | ||
+ | | {{section|Page:Cod.I.6.2º.2 70v.jpg|5|lbl=-}} | ||
+ | | {{section|Page:MS Var.82 096v.png|2|lbl=96v.2}} | ||
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+ | {{section|Page:Cod.I.6.4º.3 084r.jpg|3|lbl=84r.3|p=1}} {{section|Page:Cod.I.6.4º.3 084v.jpg|1|lbl=84v.1|p=1}} | ||
+ | | {{section|Page:MS KK5126 127v.jpg|4|lbl=127v.3}} | ||
+ | | {{section|Page:Ortenburg Fechtbuch 67v.png|5|lbl=67v.3}} | ||
| | | | ||
+ | {{section|Page:MS Dresd.C.487 054r.png|4|lbl=54r.3|p=1}} {{section|Page:MS Dresd.C.487 054v.png|1|lbl=54v.1|p=1}} | ||
+ | | {{section|Page:MS E.1939.65.341 105r.jpg|3|lbl=105r.3}} | ||
+ | | {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/83|3|lbl=76.3}} | ||
+ | | {{section|Page:Der Allten Fechter gründtliche Kunst (Christian Egenolff) 1531-1537.pdf/71|5|lbl=33v.5}} | ||
+ | | {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/80|5|lbl=69.3}} | ||
+ | | {{section|Page:MS 963 88r.jpg|3|lbl=88r.3}} | ||
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+ | {{section|Page:Cgm 3712 37r.jpg|6|lbl=37r.3|p=1}} {{section|Page:Cgm 3712 37v.jpg|1|lbl=37v.1|p=1}} | ||
+ | | {{section|Page:Cod.I.6.2º.2 70v.jpg|6|lbl=-}} | ||
| {{section|Page:MS Var.82 097r.png|2|lbl=97r.2}} | | {{section|Page:MS Var.82 097r.png|2|lbl=97r.2}} | ||
− | + | }} | |
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− | | | + | {{Lignitzer row SB|4 |
− | + | | {{section|Page:Cod.44.A.8 080r.jpg|4|lbl=80r.4}} | |
− | | | + | | {{section|Page:Cod.I.6.4º.3 084v.jpg|2|lbl=84v.2}} |
− | + | | {{section|Page:MS KK5126 127v.jpg|5|lbl=127v.4}} | |
− | + | | {{section|Page:Ortenburg Fechtbuch 67v.png|6|lbl=67v.4}} | |
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+ | {{section|Page:MS Dresd.C.487 054v.png|2|lbl=54v.2|p=1}} {{section|Page:MS Dresd.C.487 055r.png|1|lbl=55r.1|p=1}} | ||
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+ | {{section|Page:MS E.1939.65.341 105r.jpg|4|lbl=105r.4|p=1}} {{section|Page:MS E.1939.65.341 105v.jpg|1|lbl=105v.1|p=1}} | ||
+ | | {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/83|4|lbl=76.4}} | ||
+ | | {{section|Page:Der Allten Fechter gründtliche Kunst (Christian Egenolff) 1531-1537.pdf/71|6|lbl=33v.6}} | ||
+ | | {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/81|1|lbl=70.1}} | ||
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+ | {{section|Page:MS 963 88r.jpg|4|lbl=88r.4|p=1}} {{section|Page:MS 963 88v.jpg|1|lbl=88v.1|p=1}} | ||
+ | | {{section|Page:Cgm 3712 37v.jpg|2|lbl=37v.2}} | ||
+ | | {{section|Page:Cod.I.6.2º.2 70v.jpg|7|lbl=-}} | ||
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{{section|Page:MS Var.82 097r.png|3|lbl=97r.3|p=1}} {{section|Page:MS Var.82 097v.png|1|lbl=97v.1|p=1}} | {{section|Page:MS Var.82 097r.png|3|lbl=97r.3|p=1}} {{section|Page:MS Var.82 097v.png|1|lbl=97v.1|p=1}} | ||
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| | | | ||
+ | | {{section|Page:MS KK5126 127v.jpg|6|lbl=127v.5}} | ||
+ | | {{section|Page:Ortenburg Fechtbuch 68r.png|2|lbl=68r.2}} | ||
+ | | {{section|Page:MS Dresd.C.487 055r.png|2|lbl=55r.2}} | ||
+ | | {{section|Page:MS E.1939.65.341 105v.jpg|2|lbl=105v.2}} | ||
+ | | {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/83|5|lbl=76.5}} | ||
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+ | {{section|Page:Der Allten Fechter gründtliche Kunst (Christian Egenolff) 1531-1537.pdf/71|7|lbl=33v.7|p=1}} {{section|Page:Der Allten Fechter gründtliche Kunst (Christian Egenolff) 1531-1537.pdf/72|1|lbl=34r.1|p=1}} | ||
+ | | {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/81|2|lbl=70.2}} | ||
+ | | {{section|Page:MS 963 88v.jpg|2|lbl=88v.2}} | ||
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+ | | {{section|Page:Cod.I.6.2º.2 70v.jpg|8|lbl=-}} | ||
| {{section|Page:MS Var.82 097v.png|2|lbl=97v.2}} | | {{section|Page:MS Var.82 097v.png|2|lbl=97v.2}} | ||
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+ | | {{section|Page:Cod.44.A.8 080v.jpg|2|lbl=80v.2}} | ||
| | | | ||
| <p><br/></p> | | <p><br/></p> | ||
− | {{section|Page:MS KK5126 127v.jpg|7|lbl= | + | {{section|Page:MS KK5126 127v.jpg|7|lbl=127v.6}} |
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+ | | {{section|Page:MS E.1939.65.341 105v.jpg|3|lbl=105v.3}} | ||
+ | | {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/84|1|lbl=77.1}} | ||
+ | | {{section|Page:Der Allten Fechter gründtliche Kunst (Christian Egenolff) 1531-1537.pdf/72|2|lbl=34r.2}} | ||
+ | | {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/81|3|lbl=70.3}} | ||
+ | | {{section|Page:MS 963 88v.jpg|3|lbl=88v.3}} | ||
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+ | | {{section|Page:Cod.I.6.2º.2 71r.jpg|1|lbl=71r}} | ||
| {{section|Page:MS Var.82 097v.png|3|lbl=97v.3}} | | {{section|Page:MS Var.82 097v.png|3|lbl=97v.3}} | ||
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− | + | | {{section|Page:Cod.44.A.8 080v.jpg|3|lbl=80v.3}} | |
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− | | {{section|Page:Cod.44.A.8 | ||
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+ | | {{section|Page:MS KK5126 127v.jpg|8|lbl=127v.7}} | ||
+ | | {{section|Page:Ortenburg Fechtbuch 68r.png|4|lbl=68r.4}} | ||
− | | | + | {{section|Page:Ortenburg Fechtbuch 68v.png|1|lbl=68v.1}} |
− | | | + | | {{section|Page:MS Dresd.C.487 055v.png|2|lbl=55v.2}} |
− | + | | {{section|Page:MS E.1939.65.341 105v.jpg|4|lbl=105v.4}} | |
− | + | | {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/84|2|lbl=77.2}} | |
− | | {{section|Page: | + | | {{section|Page:Der Allten Fechter gründtliche Kunst (Christian Egenolff) 1531-1537.pdf/72|3|lbl=34r.3}} |
+ | | {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/81|4|lbl=70.4}} | ||
+ | | {{section|Page:MS 963 89r.jpg|1|lbl=89r.1}} | ||
| | | | ||
+ | | {{section|Page:Cod.I.6.2º.2 71r.jpg|2|lbl=-}} | ||
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− | | | + | {{section|Page:MS Var.82 097v.png|4|lbl=97v.4|p=1}} {{section|Page:MS Var.82 098r.png|1|lbl=98r.1|p=1}} |
− | | | + | }} |
− | | | ||
− | + | {{Lignitzer row SB noline|8 | |
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Line 1,444: | Line 1,246: | ||
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− | + | | {{section|Page:MS 963 89r.jpg|2|lbl=89r.2}} | |
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− | | {{section|Page:MS | ||
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+ | }} | ||
+ | </table> | ||
+ | </div> | ||
− | + | <h3 style="display: none;> Grappling </h3> | |
− | | | + | <div id="grappling" style="background:transparent; clear:both; font-weight:normal; padding:3px; text-align:left; width:0em; min-width:0em;"> |
− | + | <table class="master sortable"> | |
+ | <tr> | ||
+ | <th id="GIllustrations0"><p>Illustrations</p></th> | ||
+ | <th id="GMedvesek0"><p>{{rating|B|Complete Translation}} (2012){{edit2|Andre Lignitzer/Gregor Medvesek 2012}}<br/>by [[Gregor Medvešek]]</p></th> | ||
+ | <th id="GRome0"><p>[[Starhemberg Fechtbuch (Cod.44.A.8)|Rome Version]] (1452){{edit index|Starhemberg Fechtbuch (Cod.44.A.8)}}<br/>Transcribed by [[Dierk Hagedorn]]</p></th> | ||
+ | <th id="GGlasgow0"><p>[[Glasgow Fechtbuch (MS E.1939.65.341)|Glasgow Version]] (1508){{edit index|Glasgow Fechtbuch (MS E.1939.65.341)}}<br/>Transcribed by [[Dierk Hagedorn]]</p></th> | ||
+ | <th id="GKrakow0"><p>[[Goliath Fechtbuch (MS Germ.Quart.2020)|Kraków Version]] (1535-40){{edit index|Goliath Fechtbuch (MS Germ.Quart.2020)}}<br/>Transcribed by [[Michael Chidester]]</p></th> | ||
+ | <tr> | ||
− | + | {{Lignitzer row G rsa|1 | |
− | | {{section|Page:Cod.44.A.8 081r.jpg| | + | | rowspan=3 |
− | | | + | | [[file:MS Germ.Quart.2020 148v.jpg|400x400px|center]] |
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− | | | + | | {{section|Page:MS Germ.Quart.2020 148v.jpg|1|lbl=148v.1}} |
− | | | + | }} |
− | + | {{Lignitzer row G rsb|2 | |
− | | {{section|Page: | + | | {{section|Page:Cod.44.A.8 081r.jpg|2|lbl=81r.2}} |
− | | | + | | {{section|Page:MS E.1939.65.341 064r.jpg|2|lbl=64r.2}} |
− | | | + | | {{section|Page:MS Germ.Quart.2020 148v.jpg|2|lbl=148v.2}} |
− | | | + | }} |
− | | | ||
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− | | | + | {{Lignitzer row G rsb|3 |
− | | | + | | {{section|Page:Cod.44.A.8 081r.jpg|3|lbl=81r.3}} |
+ | | {{section|Page:MS E.1939.65.341 064r.jpg|3|lbl=64r.3}} | ||
+ | | {{paget|Page:MS Germ.Quart.2020|149r|jpg}} | ||
+ | }} | ||
− | + | {{Lignitzer row G|4 | |
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− | {{section|Page:Cod.44.A.8 081r.jpg| | + | | {{section|Page:Cod.44.A.8 081r.jpg|4|lbl=81r.4}} |
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− | | | + | | rowspan=2 |
− | + | | [[file:MS Germ.Quart.2020 150r.jpg|400x400px|center]] | |
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+ | {{section|Page:Cod.44.A.8 081r.jpg|5|lbl=81r.5|p=1}} {{section|Page:Cod.44.A.8 081v.jpg|1|lbl=81v.1|p=1}} | ||
+ | | {{section|Page:MS E.1939.65.341 064r.jpg|5|lbl=64r.5}} | ||
+ | | {{section|Page:MS Germ.Quart.2020 149v.jpg|2|lbl=149v.2}} | ||
+ | }} | ||
− | + | {{Lignitzer row G rsb|6 | |
− | + | | {{section|Page:Cod.44.A.8 081v.jpg|2|lbl=81v.2}} | |
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| [[file:MS Germ.Quart.2020 150v.jpg|400x400px|center]] | | [[file:MS Germ.Quart.2020 150v.jpg|400x400px|center]] | ||
− | + | | {{section|Page:Cod.44.A.8 081v.jpg|3|lbl=81v.3}} | |
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| [[file:MS Germ.Quart.2020 151r.jpg|400x400px|center]] | | [[file:MS Germ.Quart.2020 151r.jpg|400x400px|center]] | ||
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− | {{section|Page:Cod.44.A.8 081v.jpg|4|lbl= | + | {{section|Page:Cod.44.A.8 081v.jpg|4|lbl=81v.4|p=1}} {{section|Page:Cod.44.A.8 082r.jpg|1|lbl=82r.1|p=1}} |
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+ | | {{section|Page:Cod.44.A.8 082r.jpg|2|lbl=82r.2}} | ||
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+ | | {{paget|Page:MS Germ.Quart.2020|151v|jpg}} | ||
+ | }} | ||
− | | | + | {{Lignitzer row G|10 |
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− | | | + | {{Lignitzer row G rsb|12 |
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+ | | {{section|Page:MS Germ.Quart.2020 152r.jpg|2|lbl=152r.2}} | ||
+ | }} | ||
− | + | {{Lignitzer row G|13 | |
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+ | | {{section|Page:Cod.44.A.8 082v.jpg|2|lbl=82v.2}} | ||
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− | | | + | {{section|Page:MS E.1939.65.341 064v.jpg|7|lbl=64v.7|p=1}} {{section|Page:MS E.1939.65.341 065r.jpg|1|lbl=65r.1|p=1}} |
− | | | + | | {{section|Page:MS Germ.Quart.2020 152v.jpg|1|lbl=152v.1}} |
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− | + | {{Lignitzer row G|14 | |
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− | + | {{Lignitzer row G|16 | |
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+ | | {{section|Page:Cod.44.A.8 082v.jpg|5|lbl=82v.5}} | ||
+ | | {{section|Page:MS E.1939.65.341 065r.jpg|4|lbl=65r.4}} | ||
+ | | {{section|Page:MS Germ.Quart.2020 152v.jpg|4|lbl=152v.4}} | ||
+ | }} | ||
− | | | + | {{Lignitzer row G rsa|17 |
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− | + | {{Lignitzer row G rsb|18 | |
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+ | | {{section|Page:MS Germ.Quart.2020 153r.jpg|2|lbl=153r.2}} | ||
+ | }} | ||
− | | | + | {{Lignitzer row G|19 |
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+ | | {{section|Page:MS E.1939.65.341 065r.jpg|6|lbl=65r.6}} | ||
+ | | {{section|Page:MS Germ.Quart.2020 153v.jpg|1|lbl=153v.1}} | ||
+ | }} | ||
− | + | {{Lignitzer row G|20 | |
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− | | | + | | {{section|Page:MS Germ.Quart.2020 153v.jpg|2|lbl=153v.2}} |
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− | + | {{Lignitzer row G rsa|21 | |
− | | {{section|Page: | + | | rowspan=3 |
− | | | + | | [[file:MS Germ.Quart.2020 154r.jpg|400x400px|center]] |
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− | | | + | {{Lignitzer row G rsb|22 |
+ | | {{section|Page:Cod.44.A.8 083r.jpg|5|lbl=83r.5}} | ||
+ | | {{section|Page:MS E.1939.65.341 065r.jpg|9|lbl=65r.9}} | ||
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− | + | {{Lignitzer row G rsb|23 | |
− | + | | {{section|Page:Cod.44.A.8 083v.jpg|1|lbl=83v.1}} | |
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| [[file:MS Germ.Quart.2020 154v.jpg|400x400px|center]] | | [[file:MS Germ.Quart.2020 154v.jpg|400x400px|center]] | ||
− | | | + | | {{section|Page:Cod.44.A.8 083v.jpg|2|lbl=83v.2}} |
+ | | {{section|Page:MS E.1939.65.341 065v.jpg|2|lbl=65v.2}} | ||
+ | | {{paget|Page:MS Germ.Quart.2020|154v|jpg}} | ||
+ | }} | ||
− | + | {{Lignitzer row G|25 | |
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| [[file:MS Germ.Quart.2020 155r.jpg|400x400px|center]] | | [[file:MS Germ.Quart.2020 155r.jpg|400x400px|center]] | ||
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+ | | {{section|Page:MS E.1939.65.341 065v.jpg|3|lbl=65v.3}} | ||
+ | | {{paget|Page:MS Germ.Quart.2020|155r|jpg}} | ||
+ | }} | ||
− | + | {{Lignitzer row G|26 | |
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| [[file:MS Germ.Quart.2020 155v.jpg|400x400px|center]] | | [[file:MS Germ.Quart.2020 155v.jpg|400x400px|center]] | ||
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− | {{section|Page:Cod.44.A.8 083v.jpg|4|lbl= | + | {{section|Page:Cod.44.A.8 083v.jpg|4|lbl=83v.4|p=1}} {{section|Page:Cod.44.A.8 084r.jpg|1|lbl=84r.1|p=1}} |
− | | | + | | {{section|Page:MS E.1939.65.341 065v.jpg|4|lbl=65v.4}} |
− | | | + | | {{paget|Page:MS Germ.Quart.2020|155v|jpg}} |
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+ | | {{section|Page:Cod.44.A.8 084r.jpg|2|lbl=84r.2}} | ||
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+ | {{section|Page:MS E.1939.65.341 065v.jpg|5|lbl=65v.5|p=1}} {{section|Page:MS E.1939.65.341 066r.jpg|1|lbl=66r.1}} | ||
+ | | {{section|Page:MS Germ.Quart.2020 156r.jpg|1|lbl=156r.1}} | ||
+ | }} | ||
− | | | + | {{Lignitzer row G|28 |
| [[file:MS Germ.Quart.2020 156v.jpg|400x400px|center]] | | [[file:MS Germ.Quart.2020 156v.jpg|400x400px|center]] | ||
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− | {{section|Page:Cod.44.A.8 084r.jpg|3|lbl= | + | {{section|Page:Cod.44.A.8 084r.jpg|3|lbl=84r.3|p=1}} {{section|Page:Cod.44.A.8 084v.jpg|1|lbl=84v.1|p=1}} |
− | | | + | | {{section|Page:MS E.1939.65.341 066r.jpg|2|lbl=66r.2}} |
− | | | + | | {{section|Page:MS Germ.Quart.2020 156r.jpg|2|lbl=156r.2}} |
− | | | + | }} |
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− | + | {{Lignitzer row G|29 | |
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+ | | {{section|Page:Cod.44.A.8 084v.jpg|2|lbl=84v.2}} | ||
+ | | {{section|Page:MS E.1939.65.341 066r.jpg|3|lbl=66r.3}} | ||
+ | | {{section|Page:MS Germ.Quart.2020 157r.jpg|1|lbl=157r.1}} | ||
+ | }} | ||
− | | | + | {{Lignitzer row G|30 |
| | | | ||
− | | | + | | {{section|Page:Cod.44.A.8 084v.jpg|3|lbl=84v.3}} |
− | + | | {{section|Page:MS E.1939.65.341 066r.jpg|4|lbl=66r.4}} | |
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− | | {{section|Page: | ||
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− | + | {{Lignitzer row G noline|31 | |
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+ | | {{section|Page:MS Germ.Quart.2020 157r.jpg|2|lbl=157r.2}} | ||
+ | }} | ||
− | + | </table> | |
− | + | </div> | |
− | |||
− | <p> | + | <h3 style="display: none;> Dagger </h3> |
− | | {{ | + | <div id="dagger" style="background:transparent; clear:both; font-weight:normal; padding:3px; text-align:left; width:0em; min-width:0em;"> |
− | | | + | <table class="master sortable"> |
− | | | + | <tr> |
− | | | + | <th id="DIllustrations0"><p>Illustrations</p></th> |
− | | | + | <th id="DFarrell0"><p>{{rating|B}} (2023){{edit2|Andre Lignitzer/Keith Farrell D 2023}}<br/>by [[Keith Farrell]]</p></th> |
− | | <p>{{ | + | <th id="DRasmusson0"><p>{{rating|C|Draft Translation (from Egenolff)}} (2004){{edit2|Andre Lignitzer/Mike Rasmusson D 2004}}<br/>by [[Mike Rasmusson]]</p></th> |
+ | <th id="DTse0"><p>{{rating|C|Draft Translation (from the French)}} (2022){{edit2|Andre Lignitzer/John Tse D 2022}}<br/>by [[John Tse]]</p></th> | ||
+ | <th id="DRome0"><p>[[Starhemberg Fechtbuch (Cod.44.A.8)|Rome Version]] (1452){{edit index|Starhemberg Fechtbuch (Cod.44.A.8)}}<br/>Transcribed by [[Dierk Hagedorn]]</p></th> | ||
+ | <th id="DVienna0"><p>[[Paulus Kal Fechtbuch (MS KK5126)|Vienna Version Ⅰ]] (1480s){{edit index|Paulus Kal Fechtbuch (MS KK5126)}}<br/>Transcribed by [[Dierk Hagedorn]]</p></th> | ||
+ | <th id="DOrtenburg0"><p>[[Ortenburg Fechtbuch|Ortenburg Version]] (1400s){{edit index|Ortenburg Fechtbuch}}<br/></p></th> | ||
+ | <th id="DPaurenfeyndt0"><p>[[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt)|Paurenfeyndt's Edition]] (1516){{edit index|Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf}}<br/>Transcribed by [[Michael Chidester]]</p></th> | ||
+ | <th id="DEgenolff0"><p>[[Der Allten Fechter gründtliche Kunst (Christian Egenolff)|Egenolff's Edition]] (ca. 1531){{edit index|Der Allten Fechter gründtliche Kunst (Christian Egenolff) 1531-1537.pdf}}<br/>Transcribed by [[Michael Chidester]]</p></th> | ||
+ | <th id="DKrakow0"><p>[[Goliath Fechtbuch (MS Germ.Quart.2020)|Kraków Version]] (1535-40){{edit index|Goliath Fechtbuch (MS Germ.Quart.2020)}}<br/>Transcribed by [[Michael Chidester]]</p></th> | ||
+ | <th id="DFrench0"><p>[[La noble science des ioueurs d'espee (Andre Paurenfeyndt)|French Translation]] (1538){{edit index|La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf}}<br/>Transcribed by [[Olivier Dupuis]], [[Didier de Grenier]], and [[Michaël Huber]]</p></th> | ||
+ | <th id="DDresdenM0"><p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden (Mair) Ⅱ Version]] (1542){{edit index|Opus Amplissimum de Arte Athletica (MS Dresd.C.94)}}<br/>Transcribed by [[Pierre-Henry Bas]]</p></th> | ||
+ | <th id="DViennaMG0"><p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna (Mair) Ⅰ German Version]] (1550s){{edit index|Opus Amplissimum de Arte Athletica (Cod.10826)}}</p></th> | ||
+ | <th id="DMunichM0"><p>[[Opus Amplissimum de Arte Athletica (Cod.icon. 393)|Munich (Mair) Ⅱ Version]] (1550s){{edit index|Opus Amplissimum de Arte Athletica (Cod.icon. 393 II)}}<br/>by [[Michael Chidester]]</p></th> | ||
+ | <th id="DViennaML0"><p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna (Mair) Ⅰ Latin Version]] (1550s){{edit index|Opus Amplissimum de Arte Athletica (Cod.10825)}}</p></th> | ||
+ | <th id="DSollinger0"><p>[[Wilhalm/Sollinger Fechtbuch (Cod.I.6.2º.2)|Augsburg Version Ⅱ]] (1564){{edit index|Wilhalm/Sollinger Fechtbuch (Cod.I.6.2º.2)}}<br/>Transcribed by [[Dierk Hagedorn]]</p></th> | ||
+ | </tr> | ||
− | + | {{Lignitzer row D|1 | |
− | | | + | | {{section|Page:Cod.44.A.8 085r.jpg|1|lbl=85r.1}} |
− | | | + | | {{section|Page:MS KK5126 127v.jpg|9|lbl=127v.1}} |
− | | | + | | {{section|Page:Ortenburg Fechtbuch 68v.png|2|lbl=68v.1}} |
− | | | + | | {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/81|1|lbl=74.1}} |
− | | | + | | {{section|Page:Der Allten Fechter gründtliche Kunst (Christian Egenolff) 1531-1537.pdf/72|4|lbl=34r.4}} |
− | | | + | | {{section|Page:MS Germ.Quart.2020 098r.jpg|1|lbl=98r}} |
− | | | + | | {{section|Page:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf/78|5|lbl=67.1}} |
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− | | | + | | {{section|Page:Cod.10826 225v.png|2|lbl=225v.2}} |
− | | | + | | {{section|Page:Cod.icon. 393 II 029v.jpg|2|lbl=29v.1}} |
− | | | + | | {{section|Page:Cod.10825 251r.png|3|lbl=70r.1}} |
− | | | + | | {{section|Page:Cod.I.6.2º.2 70r.jpg|6|lbl=70r.1}} |
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− | |- | + | {{Lignitzer row D|2 |
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− | + | {{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/82|1|lbl=75.1|p=1}}<ref>This play is listed twice, at the bottom of 74 and the top of 75. This might be because the first instance had errors that weren't noticed until it was already printed, so the second was meant to correct it. The first reads: | |
− | < | + | <dl><dd>{{section|Page:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf/81|5|lbl=74.5|p=1}}</dd></dl></ref> |
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− | {{section|Page: | + | {{section|Page:Der Allten Fechter gründtliche Kunst (Christian Egenolff) 1531-1537.pdf/73|6|lbl=34v.6|p=1}} {{section|Page:Der Allten Fechter gründtliche Kunst (Christian Egenolff) 1531-1537.pdf/74|1|lbl=35r.1|p=1}} |
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{{master begin | {{master begin | ||
Line 2,325: | Line 1,683: | ||
| source link = http://www.bj.uj.edu.pl/ | | source link = http://www.bj.uj.edu.pl/ | ||
| source title= Biblioteka Jagiellońska | | source title= Biblioteka Jagiellońska | ||
− | | license = | + | | license = public domain |
}} | }} | ||
{{sourcebox | {{sourcebox | ||
− | | work = Translation (Short Sword, Dagger) | + | | work = Translation ([[Andre Lignitzer/Mike Rasmusson SS 2004|Short Sword]], [[Andre Lignitzer/Mike Rasmusson SB 2004|Sword and Buckler]], [[Andre Lignitzer/Mike Rasmusson D 2004|Dagger]]) |
| authors = [[translator::Mike Rasmusson]] | | authors = [[translator::Mike Rasmusson]] | ||
| source link = | | source link = | ||
− | | source title= [http://www.schielhau.org/von.danzig.html Shielhau.org] | + | | source title= [http://www.schielhau.org/von.danzig.html Shielhau.org] |
| license = GNU | | license = GNU | ||
}} | }} | ||
{{sourcebox | {{sourcebox | ||
− | | work = Translation (Sword and Buckler) | + | | work = [[Andre Lignitzer/Szabolcs Waldmann SS 2005|Translation (Short Sword)]] |
+ | | authors = [[Szabolcs Waldmann]] | ||
+ | | source link = | ||
+ | | source title= The Order of the Sword | ||
+ | | license = copyrighted | ||
+ | }} | ||
+ | {{sourcebox | ||
+ | | work = Translation ([[Andre Lignitzer/Keith Farrell SB 2020|Sword and Buckler]], [[Andre Lignitzer/Keith Farrell D 2023|Dagger]]) | ||
| authors = [[translator::Keith Farrell]] | | authors = [[translator::Keith Farrell]] | ||
− | | source link = https://www.keithfarrell.net/research | + | | source link = https://www.keithfarrell.net/research/ |
| source title= Academy of Historical Arts | | source title= Academy of Historical Arts | ||
| license = copyrighted | | license = copyrighted | ||
}} | }} | ||
{{sourcebox | {{sourcebox | ||
− | | work = Translation (Grappling) | + | | work = [[Andre Lignitzer/David Rawlings SB 2003|Translation (Sword and Buckler)]] |
+ | | authors = [[translator::David Rawlings]] | ||
+ | | source link = https://www.hemac.org/data/Ringeck%20translation%20project%20by%20David%20Rawlings.doc | ||
+ | | source title= Historical European Martial Arts Coalition (HEMAC) | ||
+ | | license = copyrighted | ||
+ | }} | ||
+ | {{sourcebox | ||
+ | | work = [[Andre Lignitzer/Keith P. Myers SB 2002|Translation (Sword and Buckler)]] | ||
+ | | authors = [[translator::Keith P. Myers]] | ||
+ | | source link = | ||
+ | | source title= | ||
+ | | license = copyrighted | ||
+ | }} | ||
+ | {{sourcebox | ||
+ | | work = Translation ([[Andre Lignitzer/John Tse SB 2022|Sword and Buckler]], [[Andre Lignitzer/John Tse D 2022|Dagger]]) | ||
+ | | authors = [[translator::John Tse]] | ||
+ | | source link = | ||
+ | | source title= Wiktenauer | ||
+ | | license = default | ||
+ | }} | ||
+ | {{sourcebox | ||
+ | | work = [[Andre Lignitzer/Gregor Medvesek 2012|Translation (Grappling)]] | ||
| authors = [[translator::Gregor Medvešek]] | | authors = [[translator::Gregor Medvešek]] | ||
| source link = http://www.scholapugnatoria.si/en/wrestling-andres-lignitzer/ | | source link = http://www.scholapugnatoria.si/en/wrestling-andres-lignitzer/ | ||
Line 2,368: | Line 1,754: | ||
| source title= [[Index:Paulus Kal Fechtbuch (MS KK5126)]] | | source title= [[Index:Paulus Kal Fechtbuch (MS KK5126)]] | ||
| license = copyrighted | | license = copyrighted | ||
+ | }} | ||
+ | {{sourcebox | ||
+ | | work = [[Ortenburg Fechtbuch|Ortenburg Transcription]] | ||
+ | | authors = | ||
+ | | source link = | ||
+ | | source title= [[Index:Ortenburg Fechtbuch]] | ||
+ | | license = | ||
}} | }} | ||
{{sourcebox | {{sourcebox | ||
Line 2,375: | Line 1,768: | ||
| source title= [[Index:Codex Speyer (MS M.I.29)]] | | source title= [[Index:Codex Speyer (MS M.I.29)]] | ||
| license = copyrighted | | license = copyrighted | ||
+ | }} | ||
+ | {{sourcebox | ||
+ | | work = [[Pirckheimer's Fechtbuch (Pirckh.Papp.353)|Nuremberg Transcription]] | ||
+ | | authors = | ||
+ | | source link = | ||
+ | | source title= [[Index:Pirckheimer's Fechtbuch (Pirckh.Papp.353)]] | ||
+ | | license = | ||
+ | }} | ||
+ | {{sourcebox | ||
+ | | work = [[Oplodidaskalia sive Armorvm Tractandorvm Meditatio Alberti Dvreri (MS 26-232)|Vienna Transcription Ⅱ]] | ||
+ | | authors = | ||
+ | | source link = | ||
+ | | source title= {{nowrap|[[Index:Oplodidaskalia sive Armorvm Tractandorvm Meditatio Alberti Dvreri (MS 26-232)|Index:Οπλοδιδασκαλια sive Armorvm Tractandorvm Meditatio Alberti Dvreri (MS 26-232)]]}} | ||
+ | | license = | ||
}} | }} | ||
{{sourcebox | {{sourcebox | ||
Line 2,391: | Line 1,798: | ||
}} | }} | ||
{{sourcebox | {{sourcebox | ||
− | | work = [[Goliath Fechtbuch (MS Germ.Quart.2020)| | + | | work = [[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt)|Paurenfeyndt's Edition]] |
− | | authors = [[ | + | | authors = [[Michael Chidester]] |
+ | | source link = | ||
+ | | source title= {{nowrap|[[Index:Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516.pdf|Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt) 1516]]}} | ||
+ | | license = noncommercial | ||
+ | }} | ||
+ | {{sourcebox | ||
+ | | work = [[Der Allten Fechter gründtliche Kunst (Christian Egenolff)|Egenolff's Edition]] | ||
+ | | authors = [[Michael Chidester]] | ||
+ | | source link = | ||
+ | | source title= [[Index:Der Allten Fechter gründtliche Kunst (Christian Egenolff) 1531-1537.pdf|Index:Der Allten Fechter gründtliche Kunst (Christian Egenolff)]] | ||
+ | | license = copyrighted | ||
+ | }} | ||
+ | {{sourcebox | ||
+ | | work = [[Goliath Fechtbuch (MS Germ.Quart.2020)|Kraków Transcription]] | ||
+ | | authors = [[Michael Chidester]] | ||
| source link = | | source link = | ||
| source title= [[Index:Goliath Fechtbuch (MS Germ.Quart.2020)]] | | source title= [[Index:Goliath Fechtbuch (MS Germ.Quart.2020)]] | ||
+ | | license = copyrighted | ||
+ | }} | ||
+ | {{sourcebox | ||
+ | | work = [[La noble science des ioueurs d'espee (Andre Paurenfeyndt)|French Translation]] | ||
+ | | authors = [[Olivier Dupuis]], [[Didier de Grenier]], [[Michaël Huber]] | ||
+ | | source link = | ||
+ | | source title= {{nowrap|[[Index:La noble science des ioueurs d'espee (Andre Paurenfeyndt) 1538.pdf|Index:La noble science des ioueurs d'espee (Andre Paurenfeyndt)]]}} | ||
| license = copyrighted | | license = copyrighted | ||
}} | }} | ||
Line 2,405: | Line 1,833: | ||
}} | }} | ||
{{sourcebox | {{sourcebox | ||
− | | work = [[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden Mair Transcription]] | + | | work = [[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden (Mair) Transcription]] |
| authors = [[Pierre-Henry Bas]] | | authors = [[Pierre-Henry Bas]] | ||
| source link = | | source link = | ||
Line 2,412: | Line 1,840: | ||
}} | }} | ||
{{sourcebox | {{sourcebox | ||
− | | work = [[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna Mair Transcription]] | + | | work = [[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna (Mair) Transcription]] |
| authors = | | authors = | ||
| source link = | | source link = | ||
− | | source title= [[Index:Opus Amplissimum de Arte Athletica (Cod. | + | | source title= [[Index:Opus Amplissimum de Arte Athletica (Cod.10825)]] |
| license = | | license = | ||
}} | }} | ||
{{sourcebox | {{sourcebox | ||
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Latest revision as of 22:16, 21 April 2025
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Caution: Scribes at Work This article is in the process of updates, expansion, or major restructuring. Please forgive any broken features or formatting errors while these changes are underway. To help avoid edit conflicts, please do not edit this page while this message is displayed. Stay tuned for the announcement of the revised content! This article was last edited by Michael Chidester (talk| contribs) at 22:16, 21 April 2025 (UTC). (Update) |
Andre Lignitzer | |
---|---|
Born | date of birth unknown Legnica, Poland |
Died | before 1452 |
Relative(s) | Jacob Lignitzer (brother) |
Occupation | Fencing master |
Movement | Fellowship of Liechtenauer |
Genres | |
Language | Early New High German |
Manuscript(s) |
|
First printed english edition |
Tobler, 2010 |
Concordance by | Michael Chidester |
Translations |
Andre Lignitzer (Andres Liegniczer) was a late 14th or early 15th century German fencing master. His name might signify that he came from Legnica, Poland (German: Lignitz). While Lignitzer's precise lifetime is uncertain, he seems to have died some time before the creation of the Starhemberg Fechtbuch in 1452.[1] He had a brother named Jacob Lignitzer who was also a fencing master,[2] but there is no record of any treatise Jacob may have authored. The only other fact that can be determined about Lignitzer's life is that Andre and Jacob's renown as masters was sufficient for Paulus Kal to include both of them in his list of members of the Fellowship of Liechtenauer in 1470.[2]
An Andres Juden ("Andres the Jew") is mentioned as a master associated with Liechtenauer in the Pol Hausbuch and Glasgow Fechtbuch, and Codex Speyer contains a guide to converting between sword and Messer techniques written by a "Magister Andreas", but it's not currently known whether either of these masters is Lignitzer.
Andre Lignitzer is the only master in the Liechtenauer tradition to author a prose treatise on sword and buckler, and some variation on this brief work is included in many compilation texts in the Liechtenauer tradition. Due to Martin Wierschin's baseless assumption that the Dresden Fechtbuch was the sole work of Sigmund ain Ringeck, Lignitzer's sword and buckler teachings are sometimes incorrectly attributed to that master in 20th century literature.
Lignitzer also authored treatises on fencing with the short sword, dagger, and grappling. His armored fencing treatise can be divided into two parts, with the first two thirds (1-30) dealing with fencing with the short sword and the last third (31-45) dealing with the "death blow" (Mordschlag, a strike with both hands on the blade); these are typically presented as a single treatise, but Paulus Hector Mair's works give them separate titles and each part appears in isolation in one manuscript—Codex Speyer for the first part and Albrecht Dürer's manuscript for the second. It's possible, therefore, that these two teachings had separate origins and only the first part was authored by Lignitzer. Lignitzer's dagger treatise is the only text in the Liechtenauer tradition that was translated into two other languages in its own era: French in 1538 and Latin in the 1550s.
Contents
Textual History
Manuscripts and early books
It's difficult to say when Lignitzer's treatise was written, and the original is certainly lost at present.
The oldest extant copy of any of Lignitzer's works is the Rome version (1452); this is also the only manuscript to include all four texts attributed to him. The Kraków version (1535-40) was probably based on this manuscript (or one just like it),[3] though it shows occasional expansions by a later author, especially in the grappling treatise; the scribe also adds two references to illustrations in the short sword and eleven in the grappling, but these were never executed. The relationship of the Glasgow version (1508) to Rome is unclear, but it also attributes the sword and buckler text to Lignitzer, and is the only manuscript apart from Rome and Kraków to include the grappling text. Both Glasgow and the Dresden version (1504-19), which only includes the sword and buckler but has a very complete copy of it (apart from being unattributed), might descend independently from the original Lignitzer text.
The second-oldest extant copy is the Augsburg version, dated to the 1460s, which is based on an earlier manuscript possibly commissioned by Lew.[4] and only includes the armored fencing and the sword and buckler. This only has Lignitzer's armored fencing, which it attributes to Martin Huntsfeld, and his sword and buckler text, which it leaves unattributed. The Salzburg (1491), Nuremberg (ca. 1500), Vienna Ⅱ (ca. 1505), Graz (1539), Munich (1556), and Rostock (1565-70) versions also descend from this manuscript in some way, but their relationships to each other aren't always clear[5]—Munich is based on Augsburg and Vienna Ⅱ is based on Nuremberg, but the others may descend independently from earlier lost versions.
The Vienna Ⅰ (1480s) and Ortenburg (late 1400s) versions only include Lignitzer's treatises on sword and buckler and the dagger and are unattributed. Andre Paurenfeyndt's 1516 book Ergrundung Ritterlicher Kunst der Fechterey ("Foundation of the Chivalric Art of Swordplay") also includes these two treatises and is textually close to Vienna Ⅰ and Ortenburg, but was not copied from either of them and instead likely derived from the same earlier source.[6] Paurnfenydt's book was later translated into French and published in Antwerp in 1538 by Willem Vorsterman under the title La noble science des ioueurs d'espee ("The Noble Science of Swordplay"); this was the first time a Liechtenauer text was translated into a second language. Additionally, Christian Egenolff included Paurnfeyndt's entire text in his compilation Der Allten Fechter gründtliche Kunst ("The Ancient Fencer's Foundational Art"), which was published in four editions between 1530 and 1558. And the Augsburg version Ⅱ is a faithful manuscript copy of Paurnfeyndt's book executed by Lienhart Sollinger in 1564.
Paulus Hector Mair's three manuscripts—Vienna (1540s), Munich (1550s), and Vienna (1550s)—are unique in a few ways. They are also descended from the original Lew manuscript, though Jaquet and Walczak suggest that Mair may have accessed multiple different copies of the short sword treatise and attempted to unify them.[7] The dagger treatise, meanwhile, seems to have been copied from Egenolff. Mair's initial compilation manuscript (Dresden) was subsequently translated into Latin, and this text is found in Munich and Vienna (which has both languages), marking the first time Liechtenauer texts were translated into Latin.
Modern HEMA
Andre Lignitzer was represented at the dawn of HEMA in Martin Wierschin's 1965 opus Meister Johann Liechtenauers Kunst des Fechtens, which included a transcription of the Dresden manuscript (attributed entirely to Sigmund ain Ringeck, an error that would then persist in HEMA thought for half a century). Wierschin's catalog also includes more than half of the currently-known copies of Lignitzer: Augsburg, Augsburg Ⅱ, Dresden, Dresden (Mair), Munich, Rome, Salzburg, Vienna Ⅰ, and Vienna (Mair). Of those that were left out, Graz, Kraków, Munich Ⅰ, and Vienna Ⅱ were added by Hans-Peter Hils in his 1985 update Meister Johann Liechtenauers Kunst des langen Schwertes.
Of the remaining four known copies, the Glasgow version was identified in Sydney Anglo's 2000 opus as merely "[R. L.] Scott's Liechtenauer MS",[8] but had been fully profiled by 2008 when Rainer Leng published his catalog. The Rostock version was first identified in 2009, but has yet to be the subject of many publications, while the Nuremberg version has only received brief descriptions in publications by Rainer Welle in 2021[9] and Michael Chidester and Dierk Hagedorn in 2024.[10] Finally, the Ortenburg Fechtbuch was discovered by Hils in the '80s only to be lost again ever after; microfilm scans that Hils bought at the time were finally the subject of an extensive book by Dierk Hagedorn published in 2023 as Das Ortenburger Fechtbuch, including the first transcription, modernization, and other analysis.
The earliest work on Lignitzer is inseparable from work on Sigmund ain Ringeck, partly because of the convoluted chain of copying proposed by Wierschin and Hils and accepted uncritically for a long time thereafter, and partly because of the previously-mentioned misattribution of the Dresden manuscript to Ringeck. The correct attribution of Lignitzer's sword and buckler and the fragment of Ott Jud's wrestling were recognized by the early 21st century, but the fragment of pseudo-Danzig's mounted gloss was only identified by Michael Chidester in 2021. Thus, the first transcription of any part of the treatise would be Wierschin's transcription of the Dresden version in 1965, the first German modernization was made by Christoph Kaindel in the '90s, the first English translation was authored in 2002 by Alex Kiermayer, and so on. Another English translation of the Dresden was produced by David Rawlings and posted on the HEMAC site in 2003.
Treatises
Short Sword
Sword and Buckler
Grappling
Dagger
Copyright and License Summary
Additional Resources
The following is a list of publications containing scans, transcriptions, and translations relevant to this article, as well as published peer-reviewed research.
- Acutt, Jay (2019). Swords, Science, and Society: German Martial Arts in the Middle Ages. Glasgow: Fallen Rook Publishing. ISBN 978-0-9934216-9-3.
- Ain ringeck, Sigmund (2006). Sigmund Ringeck's Knightly Arts of Combat. Trans. by David Lindholm. Boulder: Paladin Press. ISBN 978-1-58160-499-3.
- Bauer, Matthias Johannes (2016). 'Der Alten Fechter gründtliche Kunst' – Das Frankfurter oder Egenolffsche Fechtbuch. Untersuchung und Edition. München: Herbert Utz Verlag. ISBN 978-3-8316-4559-6.
- Hagedorn, Dierk (2008). Transkription und Übersetzung der Handschrift 44 A 8. Herne: VS-Books. ISBN 978-3-932077-34-0.
- Hagedorn, Dierk (2016). "German Fechtbücher from the Middle Ages to the Renaissance." Late Medieval and Early Modern Fight Books. Transmission and Tradition of Martial Arts in Europe: 247-279. Ed. by Daniel Jaquet; Karin Verelst; Timothy Dawson. Leiden and Boston: Brill. ISBN 978-90-04-31241-8.
- Hagedorn, Dierk (2017). Jude Lew: Das Fechtbuch. Herne: VS-Books. ISBN 978-3-932077-46-3.
- Hagedorn, Dierk (2021). Albrecht Dürer. Das Fechtbuch. Herne: VS-Books. ISBN 9783932077500.
- Hagedorn, Dierk; Christian Henry Tobler (2021). The Peter von Danzig Fight Book. Wheaton: Freelance Academy Press. ISBN 978-1-937439-53-8.
- Hagedorn, Dierk; Daniel Jaquet (2022). Dürer's Fight Book: The Genius of the German Renaissance and his Combat Treatise. Barnsley: Greenhill Books. ISBN 978-1-784438-703-7.
- Hagedorn, Dierk (2023). Das Ortenburger Fechtbuch. Herne: VS-Books. ISBN 978-3-932077-53-1.
- Hull, Jeffrey; Grzegorz Żabiński; Monika Maziarz (2007). Knightly Dueling: The Fighting Arts of German Chivalry. Boulder: Paladin Press. ISBN 978-1-581606744.
- Jaquet, Daniel; Bartłomiej Walczak (2014). "Liegnitzer, Hundsfeld or Lew? The question of authorship of popular Medieval fighting teachings." Acta Periodica Duellatorum 2(1): 105-148. doi:10.1515/apd-2015-0015.
- Tobler, Christian Henry (2001). Secrets of German Medieval Swordsmanship. Union City: Chivalry Bookshelf. ISBN 978-1-891448-07-2.
- Tobler, Christian Henry (2010). In Saint George's Name: An Anthology of Medieval German Fighting Arts. Wheaton: Freelance Academy Press. ISBN 978-0-9825911-1-6.
- Tobler, Christian Henry (2022). Lance, Spear, Sword, & Messer: A German Medieval Martial Arts Miscellany. Wheaton: Freelance Academy Press. ISBN 978-1-937439-64-4.
- Walczak, Bartłomiej; Bartosz Starko (2018). "Additional Transmissions of Hundsfeld and Lignitzer Dagger Teachings." Acta Periodica Duellatorum 6(1): 137-149. doi:10.2478/apd-2018-0005.
- Waldmann, Szabolcs (2008). "Mertein Hündsfelder: Fight Lesson with the Shortened Sword." Masters of Medieval and Renaissance Martial Arts: 239-248. Ed. by John Clements. Boulder: Paladin Press. ISBN 978-1-58160-668-3.
- Waldmann, Szabolcs (2013). "Mertein Hündsfelder: Fechtlehre mit dem Kurzen Schwert, circa 1491 AD, Fight-Teaching with the Shortened Sword from Codex Speyer (137r-141r)." Acta Periodica Duellatorum 1(2): 93-105. doi:10.36950/apd-2013-006.
- Wassmannsdorff, Karl (1870). Die Ringkunst des deutschen Mittelalters. Liepzig: Priber.
- Welle, Rainer (1993). '…und wisse das alle höbischeit kompt von deme ringen'. Der Ringkampf als adelige Kunst im 15. und 16. Jahrhundert. Pfaffenweiler: Centaurus-Verlagsgesellschaft. ISBN 3-89085-755-8.
- Welle, Rainer (2017). "Ein unvollendetes Meisterwerk der Fecht- und Ringkampfliteratur des 16. Jahrhunderts sucht seinen Autor: der Landshuter Holzschneider und Maler Georg Lemberger als Fecht- und Ringbuchillustrator?." Codices manuscripti & impressi S12. Purkersdorf: Verlag Brüder Hollinek. ISBN 0379-3621.
- Welle, Rainer (2021). Albrecht Dürer und seine Kunst des Zweikampfes: auf den Spuren der Handschrift 26232 in der Albertina Wien. Kumberg: Sublilium Schaffer, Verlag für Geschichte, Kunst & Buchkultur. ISBN 9783950500806.
- Wierschin, Martin (1965). Meister Johann Liechtenauers Kunst des Fechtens. München: C. H. Beck.
References
- ↑ He is given the traditional blessing on the dead on folio 73r.
- ↑ Jump up to: 2.0 2.1 The Fellowship of Liechtenauer is recorded in three versions of Paulus Kal's treatise: MS 1825 (1460s), Cgm 1507 (ca. 1470), and MS KK5126 (1480s).
- ↑ Welle (2017), p. 45.
- ↑ Jaquet and Walczak (2014), p. 121.
- ↑ Jaquet and Walczak (2014), p. 122.
- ↑ Jaquet and Walczak (2014), p. 110.
- ↑ Jaquet and Walczak (2014), pp. 118-120.
- ↑ Sydney Anglo. The Martial Arts of Renaissance Europe. New Haven and London: Yale University Press, 2000. pp 312-315.
- ↑ Rainer Welle (2021). Albrecht Dürer und seine Kunst des Zweikampfes: auf den Spuren der Handschrift 26232 in der Albertina Wien. Kumberg: Sublilium Schaffer, Verlag für Geschichte, Kunst & Buchkultur.
- ↑ Michael Chidester and Dierk Hagedorn (2024). Pieces of Ringeck: The Definitive Edition of the Gloss of Sigmund Ainring. Medford: HEMA Bookshelf.
- ↑ with longswords
- ↑ This label was apparently copied in the wrong place, and ought to accompany the next play.
- ↑ to the other side
- ↑ Lignitzer adds "and grab his right arm".
- ↑ play
- ↑ Lignitzer has aber instead of uber.
- ↑ Lignitzer adds "both his arms and wind your pommel".
- ↑ There is no equivalent by Hündsfelder via Speyer to this “breaking” by Lignitzer via Danzig. Conjectures: either Speyer forgot it; or he thought it was unworthy; or he never learned it. Who can say?
- Another breaking for this
- Someone wants to put both swords over your neck, so stay open with your right leg and let your sword glide by the handle and grab around his back with your right arm and throw him over without doubt.
- ↑ d corrected from t.
- ↑ Eben can also mean "smooth, level, or even". I prefer "flat" in this case.
- ↑ Lignitzer adds "choosing the one you like".
- ↑ Lignitzer adds "with crossed fingers".
- ↑ It's unclear why this word was struck out, since it's present in other versions.
- ↑ Literally "your", but corrected based on Lignitzer.
- ↑ Lignitzer adds "behind his left hand".
- ↑ Lignitzer adds "right".
- ↑ Literally "your", but corrected based on Lignitzer.
- ↑ Literally "his", but corrected based on Lignitzer.
- ↑ Lignitzer adds "left".
- ↑ Literally "right", but corrected based on Lignitzer.
- ↑ Literally "your", but corrected based on Lignitzer.
- ↑ Corrected from linnncken?
- ↑ Literally "your", but corrected based on Lignitzer.
- ↑ Literally "right", but corrected based on Lignitzer.
- ↑ Lignitzer adds "behind his right hand on the handle, and wind his pommel between both his arms from below".
- ↑ Added based on Lignitzer.
- ↑ Lignitzer adds "left".
- ↑ Lignitzer adds "behind".
- ↑ Lignitzer adds "So he will fall".
- ↑ The text ascribed to Lignitzer in Codex Danzig continues for 3 more folios until 79v. This section introduces the Mordschlag in 4 different pieces and a number of breakings against these. In this pieces one would reverse the grip on the sword, holding it by the blade with both hands, and hitting the opponent with the pommel or the crossbar, like a pollaxe. But these parts are completely missing from Speyer, and are thus not part of this translation.
- ↑ This single letter might have been intended to begin Lignitzer's final piece.
- ↑ The Rome version says: “Here begin the pieces with the buckler that the master Andre Lignitzer has written hereafter”.
- ↑ Oberhaw could be translated as “downward cut” for ease of use and clarity in English.
- ↑ This instruction is present in the Dresden version, but missing from the Rome version.
- ↑ Underhaw could be translated as “upward cut”. Can be done with the back edge or false edge, and can also be directed either at the man or at the sword. In this stuck, it appears to be a rising action to meet his sword.
- ↑ Dresden version specifies from his right shoulder, missing from Rome version.
- ↑ The position called the schilt is one described for longsword in the Kölner Fechtbuch and some of the other gemeinfechten sources, and is somewhat similar to what Liechtenauer would call an Ochs, although the point can be upward, potentially like quite a high Pflug. With the buckler in the left hand, standing like this in “two shields” with the sword in the schilt position and the shield covering the right hand, it looks very reminiscent of the schutzen position in the MS I.33. Following this line of thinking, the instruction to turn the sword to the right (out of the schutzen) and to reach (slice) through his mouth is very reminiscent of the follow-up action that the MS I.33 recommends from the schutzen obsesseo, and is also similar to what the Liechtenauer Zedel and glosses refer to as the Alten Schnitt.
- ↑ This instruction to wind bloß (“turn uncovered”) seems to have the sense of separating your sword and buckler while still pushing with both, keeping the hands more or less in front of the shoulders (as if sitting behind a steering wheel in a car with the hands at the “ten to two” position). The body probably has to move and turn in order to support this action, to keep the hands in front of the body rather than going out to the sides.
- ↑ Dresden has “holds his shield up”, Rome has “lifts his shield up”. Both could mean more or less the same thing, but I prefer “lifts” as an instruction.
- ↑ Wechselhaw could be translated as “changing cut”, because it goes up and down, side to side.
- ↑ Streÿchen could be translated as “strikes”, but in this context are specifically those striking actions from below, sweeping up with the short edge, perhaps “streaking” up from the ground to the opponent or to his sword.
- ↑ The same idea of separating your sword and buckler while still pushing both, keeping the hands more or less in front of the shoulders (as if sitting behind a steering wheel in a car with the hands at the “ten to two” position).
- ↑ Probably with a thrust, but potentially with any other pushing technique.
- ↑ Mittelhaw could be translated as “middle cut”, going across from one side to the other.
- ↑ Zwerch could be translated as “across”, in the sense of slanting across from one side to another or slanting across from one height to another, or going diagonally across from one place to another. It also has the sense perhaps of going across something, perhaps slanting across or athwart a boat, or going across your opponent’s blade or leg as opposed to simply coming onto it in whatever fashion. The Zwer is an example of a Mittelhaw, but it is important to note that the thumb is beneath the blade and the cut is performed with hand high.
- ↑ Schaittler could be translated as “parter”, in the sense of being something which parts another thing in two, or dividing something in two.
- ↑ The German transcription reads “Zwer”
- ↑ The German transcription reads “Schaittler”, perhaps related to "parting" in two halves.
- ↑ Corrected from »denn«.
- ↑ Sturtzhaw could be translated as “dropping cut”, in the sense of a ball dropping back to earth when it has been thrown upward.
- ↑ The treatise says schilts, plural, meaning that you thrust inside both sword and shield.
- ↑ Dresden version specifies to the body, missing from Rome version.
- ↑ If this gloss follows the Liechtenauer method of understanding the five words Vor, Nach, Schwöch, Störck, Indes and their relationship to each other, then we should look to the Blossfechten gloss for the meaning of Indes. However, there is no guarantee that this means exactly the same thing, so the word Indes could just mean “immediately” when removed from its technical context. There does not seem to be as much Winden involved with this sword and buckler treatise as there is in the Blossfechten gloss, although it is still quite possible to perform Winden with shorter blades (look at Leckuchner’s messerfechten, for example), and Lignitzer was a member of the Gessellschaft Lichtenawers and so was probably quite well aware of Liechtenauer’s understanding of the five words and how they relate to fighting.
- ↑ Although both the Dresden and Rome versions say bind, what they probably mean is the fastening of the hand, or the grip upon the sword.
- ↑ The instruction to Versetz could mean “to obstruct”.
- ↑ More correctly, both the Dresden and Rome versions say: “Thus, you have taken the shield from him.” However, the sudden change of tense seems a little abrupt and awkward, so I prefer to maintain the same tense as the rest of the instruction, for stylistic reasons.
- ↑ r corrected from h.
- ↑ There is a further piece of instruction in Goliath: “Pull your left leg far back”.
- ↑ Rainer Welle suggests the closing parenthesis should go here.
- ↑ An earlier word was effaced and this was written in its place.
- ↑ d corrected from s.
- ↑ The instructions in Goliath are more precise: “Go through to your left side under his left armpit while holding his left arm.”
- ↑ lincken runs into the margin and seems to have been added by the scribe after the paragraph was finished.
- ↑ Or “his” (in Goliath).
- ↑ r corrected from h.
- ↑ Or “his” (in the Glasgow Fechtbuch).
- ↑ r corrected from h.
- ↑ Goliath’s description is a bit different: “Strike out with your right hand and grab his right butt cheek”.
- ↑ I.e., against a hold with both arms under.
- ↑ The Glasgow Fechtbuch has another suggestion: “…or into his eyes”.
- ↑ Or “over” (in the Glasgow Fechtbuch).
- ↑ The instructions in Goliath are clearer: “Step with your right leg outside behind his right leg…”
- ↑ Goliath goes in more detail here: “…turn to your left side and throw him over your right hip”.
- ↑ Goliath has a further suggestion: “You can also step with your right thigh to his left thigh during the turn and throw him”.
- ↑ und druckh runs into the margin and seems to have been added by the scribe after the paragraph was finished, and the remainder of this segment was then added in a much smaller script underneath it.
- ↑ Or “his” (in the Glasgow Fechtbuch).
- ↑ Corrected from »deine~«
- ↑ Specified in the Vienna, but not in the Rome or Krakow.
- ↑ The term in the Rome is druck, which might more usually be translated as “press”. However, when considering how we might express this kind of motion in English, “pressing it” to the outside doesn’t sound right. “Taking it” to the outside is a little more vague in terms of precisely how you might do that, but sounds more natural in modern English.
- ↑ Korrgiert aus »rechten«.
- ↑ Although the source doesn’t quite say this, it does say that the opponent “does the same”, and so to what is this in reference? I think it refers to the previous lesson, where the attacker made a thrust from above.
- ↑ Feler could be translated as “failer” or “failing action”, and seems to mean a feint or an attack that is intended to fail in order to set up another action.
- ↑ This is most likely a rondel guard between the blade and handle.
- ↑ The Rome and Krakow have “the hand and dagger”, while the Vienna has “the hand with the dagger”. Although both mean more or less the same thing, I think the instruction in the Vienna is a bit clearer.
- ↑ The Vienna has “right armpit”, while the Rome and Krakow both have “left armpit”. Since the action is done with your own left arm, trapping their arm in your left armpit makes most sense.
- ↑ Although the Rome, Vienna, and Krakow all say “his right side”, this doesn’t make as much sense when thinking about applying a joint lock. I wonder if it was supposed to be “your right side”, as this would make perfect sense for a joint lock.
- ↑ This play is listed twice, at the bottom of 74 and the top of 75. This might be because the first instance had errors that weren't noticed until it was already printed, so the second was meant to correct it. The first reads:
- [74.5] DAS Virt stuck
- Hat er sein tolich daß die scheib pei dem daumen stet und stciht[!] dir zu der seiten oder gmecht so var mit deiner lincken hant von oben nider und stich mit deinem tolich under sein rechte hant undersich, und mit deiner rechten hant ubersich heb und truck fast an dein prust und schwing dich von ym auf sein rechte seitten.
- ↑ The Vienna has “from below” while the Rome and Krakow both say “from above”. I don’t think this is a problem though, because if the dagger is drawing a circle in order to get from the right out to the left below the attack, and then returning to the right over the attack, then “from below” just refers to an earlier point on that circle before the dagger comes high enough to come “from above” to the hand.
- ↑ The Vienna has “from your left side” while the Rome and Krakow do not. Again, this is not a problem, and the Vienna is probably just clarifying what side the action comes from.
- ↑ The Vienna has “over” while the Rome and Krakow have “under”. Again, it is not a problem, because both options let you establish your grip on your own blade.
- ↑ The Rome and Krakow have “behind you” while the Vienna has “downward”. Again, not a problem, because both are valid options to conclude the action.
- ↑ Gewicht can mean “weight”, but the instruction could by trying to convey the sense of breaking the person’s balance.
- ↑ The sources have “and throw two, one, or seven”, likely a reference to a dice-throwing game.
- ↑ Whose right arm? The Rome has “the right arm”, the Vienna has “his right arm”, and the Krakow has “your right arm”.
- ↑ It's unclear why this word is deleted, since it's present in other copies.
- ↑ Sperren could be translated as “barring”. We see it described as a technique by Meyer and Balthasaro Cramonio Pomerano, so maybe it has the sense here of using the arms outstretched to bar against the thrust so that you can then do something else?