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| <p>Item: If one thrusts with a High Strike, then capture his thrust with inverted hand (left) and wrench it around from you, and with your right hand together with the dagger thrust up from below inside to his joint (elbow), so you break his arm.</p>
 
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| <p>If someone thrusts high at you, then drive up from below under his arm with dagger horizontal so that your dagger lays across on your arm, while you are displacing him then simultaneously and quickly grab with your left hand to his right, drive quickly upwards with the pommel through and between both his arms and with the dagger next to your right, go up above you and stab him quickly to the face.</p>
 
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| <p>Item: Lay the dagger on your arm and if someone thrusts you from below then displace from above down onto the middle of the blade and drive it with the pommel to his face, so that he must defend himself, then go under his right from below and drive upwards with your left hand to take him out and stab him in the face.</p>
 
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| <p>If one thrusts at you from outside to the head or such, so thrust over his right arm and catch him with your dagger and jerk that to your right breast, hit him with your left hand to the joint of his elbow and break his arm.</p>
 
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| <p>Item: If one thrusts at you from above, then thrust from outside and over his right arm, pull him to you, step with the left foot behind his right, and with your left hand grab his left shoulder from around and behind him, and pull him to your left side over your forward placed leg.</p>
 
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| <p>Item: If one thrusts at you from above, then catch his right hand with your reversed left hand, and wrench it up and around away from you and spring in with your right foot behind his right and drive with the dagger pommel together with your open hand onto the front of his throat, throw him from you. </p>
 
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| <p>Counter: Pull your right hand towards you, and fold your left arm over your right hand, swing yourself around with this to your right side.</p>
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| <p>Item: Stand with your left foot forward, take hold of your dagger in the middle next to your right, so that the pommel stands out above your hand, if one thrusts at you, then displace the thrust with your left hand and thrust up instantly with the pommel over his arm to his face, and note as soon as he will displace your thrust, then pull yours again back to you and drive through from below upwards at him from the inside and between both his arms to his chin, stab him from above through his face with a step back.</p>
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| <p>Note: If one thrusts at you from above, then capture his right with your left hand in the air and reach with your right under and through his arm from outside and around so that your right comes back to your left side lift with both hands well above, step with your right foot behind his right and break him away from you as depicted here.</p>
 
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| <p>Position yourself in the Low Guard to the right, take note when he will pull up to thrust, that you immediately step through with your right foot between you and him to his right and thrust to his head from outside and over his right arm, as soon as he pulls up to displace, then jerk your thrust back to you and thrust from under to his right armpit, the third, thrust through with a wrench from your left over his arm.</p>
 
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| <p>Position yourself in the Low Guard to the left, then drive out with your dagger and threaten his head from outside and over his right arm, quickly pull back and thrust him upwards from under his arm to his head, ''Indes'' thrust away again from your left over his right arm.</p>
 
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| <p>Item: If one thrusts at you from below then grab with your left hand on your daggers blade, and displace his thrust from above between both your hands and seize his dagger blade to yours with your left hand and drive down and through with the dagger pommel outside and over his hand, then break upwards with your right hand, that he must let go of his dagger.<ref>''Uchsen'' = armpit (grimms), ''Koll'' = Head.</ref></p>
 
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| <p>If one thrusts at you with a high thrust and with rage, then capture him under his right arm with your hand, and grab him firmly behind the elbow, then stab him to the anterior shoulder, or the heart cavity, or to the face, then immediately thrust through at his right arm, with two Thwart thrusts from both sides, you may also throw him over your leg.</p>
 
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| <p>Item: Run in under his high thrust with your left, how it was just taught, and grab his forward thigh, with the dagger jerk back to you, then push up and away from you, thus he falls.</p>
 
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| <p>Item: If one thrusts from above at you, so hold your hands crosswise, your right hand on top so that the dagger lays long ways on your arm, then capture his arm between both your hands and in this displacement grab his dagger with your previously mentioned hand and force it around to your left side.</p>
 
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| <p>Counter: Step with your right foot behind his left leg, grab with your left hand onto his right elbow and throw him over your right leg.</p>
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| <p>If one thrusts from above, then step with your left foot well in to him and capture his thrust with crossed hands, and in the parrying drive him around from inside to the outside over his right arm and break this out to your right side.</p>
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| <p>Counter: Spring with the left foot to him, and grab his right elbow with your left hand and pull him over your right arm.</p>
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| <p>Item: Parry his high thrust with your dagger (laying) across on your right arm, and grab his sleeve with your left hand by his right elbow hold him strongly to your right breast and thrust him behind to the back of his neck.<ref>''Ancken'' = back of head/neck.</ref></p>
 
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| <p>Item: If one thrusts from above, then drive under his right arm with crossed hands so that your left is above his and grab his right arm with your left hand and thrust him to the hip or below his right side.</p>
 
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| <p>Item: In the ''Zufechten'', take your dagger by the middle and drive down on him strongly through to your right with the dagger horizontal, then next; thrust him from your right with a middle thrust so that you come into the left Low Guard, if he thrusts after, then take this away up from your left with the pommel and thrust him up and over his right to his head or face.</p>
 
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| <p>Note: If you are positioned in the Guard from the Roof (High Guard), then thrust down to his arm from above, whether from outside or inside.</p>
 
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| <p>Item: If you are positioned in the Low Guard, and where he would thrust from above at you, then stab him with the dagger from below against his arm.</p>
 
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| <p>Item: In those ''Stucken'' that he wants to do to your right arm, whether with both hands or a single hand, then strike him strongly up from below with your left arm to his arm joint (elbow), or fall down onto his arm joint from outside and above with thrusting or striking or grab onto him with wrestling.</p>
 
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| <p>Item: Capture his right arm with your right hand and reach over his right arm in front of his chest onto his left arm by the lower thumb* and hold fast or grab him around his neck and throw him over your leg.</p>
 
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| <p>Item: Displace his low thrust with the dagger and reach around from outside and over both arms and grab your dagger under his hand again, then jerk to your left side with crossed hands towards you, so that he must release the dagger.</p>
 
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{{section|Page:MS Bibl. 2465 073r.jpg|2|lbl=73r.2|p=1}} {{section|Page:MS Bibl. 2465 073v.jpg|1|lbl=73v.1|p=1}}
 
{{section|Page:MS Bibl. 2465 073r.jpg|2|lbl=73r.2|p=1}} {{section|Page:MS Bibl. 2465 073v.jpg|1|lbl=73v.1|p=1}}
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| <p>Note: If one thrusts at you from above, then displace his thrust between your two crossed hands, and wrench downwards to yourself, and let go with your left hand and thrust him to his right armpit, swinging him to your right side.</p>
 
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| <p>Item: Displace the low thrust with your left hand or arm, and bend it over from the outside and with your right hand grab his elbow back towards you and pull his hand through his back, then take off your right hand and grab his arm with it, bending his hand towards you, and he will fall.</p>
 
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| <p>'''Wrestling and the Forbidden Attacks''' that shall not be allowed in the Open Schools<ref>''Offenern Schulen''- this word is synonymous with the ''Fechtschulen'', “''Offenen''” basically means public or Open schools. See Wassmansdorff, many original examples.</ref></p>
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<p>Namely, the murder thrust to the Temple, to the groin, arm breaking, leg breaking, knee thrusts finger severing and breaking, neck thrusts, throat thrusts and eye gouging.<ref>''Genick''=neck, ''fingerlössen''=finger severing, ''Mauss''=ball of the hand below thumb.. ''Schlöff''=may be Swiss variation of ''schläfe'' or temple.</ref></p>
 
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| <p>Item: If someone grabs you by the arms with wrestling, then rush to take hold of him, with your left hand jerk his left hand to you and shoot immediately with your right arm from outside and over his left so that your elbow is forward on his chest or his chin and step at once with your right foot behind his left foot and throw him off his feet.</p>
 
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{{section|Page:MS Bibl. 2465 073v.jpg|5|lbl=73v.5|p=1}} {{section|Page:MS Bibl. 2465 074r.jpg|1|lbl=74r.1|p=1}}
 
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| <p>If he grabs you with wrestling and does not have a good hold on you, then grab his right hand with your right hand and jerk it towards you, grab his elbow with your left hand and strive with the left for his right, so swing him over it, or break his arm, then fall on his arm with your chest.</p>
 
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| <p>Item: With your left hand grasp his left, and jerk him toward you. and force his right arm outwards and over his left, then grab his right arm with your right hand, and step with your right foot to him and wrestle him to your left side.</p>
 
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| <p>Item: If one grabs you by the arms, and you also grab his, then release your right hand and drive through from below and strike the joint of his right arm, and so break through from below, upwards and seize him by the right elbow, and with the left hand grasp under the elbow against his arm and step with your right foot between his legs, or at least against them, and push from you.</p>
 
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| <p>Note: When one grabs around your body under your arms, whether with the left or the right, then strike with the same arm from outside onto his joint and turn yourself from him.</p>
 
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| <p>Item: Beware when he holds his feet straight, then step against him. Note in all wrestling that he doesn’t kick you to the groin, so pay attention to when he will lift his foot to kick your groin, then kick out with your foot against his, follow after him then with a strike or kick to his groin.</p>
 
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| <p>Item: If one has already grabbed or intends to grab at you with open hands, then see that you catch one of his fingers and break it upwards, thus he must release you or else lose to your advantage.</p>
 
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| <p>Item: If you wrestle with one who is nearly equal, see that both your arms go low and grab him around the middle, lift him off the ground while stomping on his foot with your foot, heave yourself to the other side, thus he falls.</p>
 
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| <p>Item: When someone grabs you around the body and will lift you up to throw you down put one knee hard between both his legs, so he may not lift you, and be careful how soon he lifts you, and to which side he lifts you, then ''hilff'' him on the other.</p>
 
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| <p>Note: If one catches you low on your leg to throw you, then meet him with your body on his and catch him with your left hand around his neck, and force him to you, with your right hand, and keep your advantage.</p>
 
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| <p>Note: When one will grab onto your shoulders or arms, then strike out with both hands from below and separate his arms, then catch him by the leg and pull to you.</p>
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| <p>Notice with what wrestling one wants to attack you, then see when he attacks you, that you close your fists hard and put them to your sides, or both sides of your chest, and push with the elbows out around you, swinging yourself free, then attack him quickly thereafter according to your advantage.</p>
 
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| <p>Note that if you seize a man by the hand in a hurry, jerk him to you, and drive with your other hand around his neck so that your hand comes back around to your chest, and grab your clothes and force him hard towards you, thus you will have caught him for the throw.</p>
 
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| <p>Item: Grab him by his right hand, swing it up and go through under his arm. Then step with your right foot between both his legs, grab from outside with your right hand around his leg, pull his right arm well towards you over your shoulder and heave upwards, throwing him to your liking.</p>
 
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| {{section|Page:MS Bibl. 2465 075v.jpg|3|lbl=75v.3}}
  

Revision as of 04:57, 5 April 2024

Joachim Meyer
Born ca. 1537
Basel, Germany
Died 24 February 1571 (aged 34)
Schwerin, Germany
Spouse(s) Appolonia Ruhlman
Occupation
Citizenship Strasbourg
Patron
  • Georg Johann Ⅰ
  • Otto von Solms
  • Johann Casimir
  • Johann Albrecht
Movement Freifechter
Influences
Influenced
Genres Fencing manual
Language Early New High German
Notable work(s) Gründtliche Beschreibung der... Kunst des
Fechtens
(1570)
Manuscript(s)
First printed
english edition
Forgeng, 2006
Concordance by Michael Chidester
Translations
Signature Joachim Meyer sig.jpg

Joachim Meyer (ca. 1537 - 1571)[1] was a 16th century German cutler, Freifechter, and fencing master. He was the last major figure in the tradition of the German grand master Johannes Liechtenauer, and in the later years of his life he devised at least four distinct and quite extensive fencing manuals. Meyer's writings incorporate both the traditional Germanic technical syllabus and contemporary systems that he encountered in his travels, including Italian rapier fencing. In addition to his fencing practice, Meyer was a Burgher and a master cutler.[2]

Meyer was born in Basel,[3] where he presumably apprenticed as a cutler. He writes in his books that he traveled widely in his youth, most likely a reference to the traditional Walz that journeyman craftsmen were required to take before being eligible for mastery and membership in a guild. Journeymen were often sent to stand watch and participate in town and city militias (a responsibility that would have been amplified for the warlike cutlers' guild), and Meyer learned a great deal about foreign fencing systems during his travels. It's been speculated by some fencing historians that he trained specifically in the Bolognese school of fencing, but this doesn't stand up to closer analysis.[4]

Records show that by 4 June 1560 he had settled in Strasbourg, where he married Appolonia Ruhlman (Ruelman)[1] and was granted the rank of master cutler. His interests had already moved beyond smithing, however, and in 1561, Meyer's petition to the City Council of Strasbourg for the right to hold a Fechtschule was granted. He would repeat this in 1563, 1566, 1567 and 1568;[5] the 1568 petition is the first extant record in which he identifies himself as a fencing master.

Meyer probably wrote his first manuscript (MS Bibl. 2465) in 1561 for Georg Johann Ⅰ, Count Palatine of Veldenz,[6] and his second (MS A.4º.2) in 1568 for Otto (later Count of Solms-Sonnewalde).[7] Both of these manuscripts contain a series of lessons on training with long sword, dusack, and rapier; the 1561 also covers dagger, polearms, and armored fencing. His third manuscript (MS Var.82), written between 1563 and 1571 and containing a dedication at the end to Heinrich, Count of Eberstein, is of a decidedly different nature. Like many fencing manuscripts from the previous century, it is an anthology of treatises by a number of prominent German masters including Sigmund ain Ringeck, pseudo-Peter von Danzig, and Martin Syber, and also includes a brief outline by Meyer himself on a system of rapier fencing based on German Messer teachings.

Finally, on 24 February 1570, Meyer completed an enormous treatise entitled Gründtliche Beschreibung, der freyen Ritterlichen unnd Adelichen kunst des Fechtens, in allerley gebreuchlichen Wehren, mit vil schönen und nützlichen Figuren gezieret und fürgestellet ("A Thorough Description of the Free, Chivalric, and Noble Art of Fencing, Showing Various Customary Defenses, Affected and Put Forth with Many Handsome and Useful Drawings"); it was dedicated to Johann Casimir, Count Palatine of Simmern,[6] and illustrated at the workshop of Tobias Stimmer.[8] It contains all of the weapons of the 1561 and '68 manuscripts apart from fencing in armor, and dramatically expands his teachings on each.

Unfortunately, Meyer's writing and publication efforts incurred significant debts (about 300 crowns), which Meyer pledged to repay by Christmas of 1571.[1] Late in 1570, Meyer accepted the position of Fechtmeister to Duke Johann Albrecht of Mecklenburg at his court in Schwerin. There Meyer hoped to sell his book for a better price than was offered locally (30 florins). Meyer sent his books ahead to Schwerin, and left from Strasbourg on 4 January 1571 after receiving his pay. He traveled the 800 miles to Schwerin in the middle of a harsh winter, arriving at the court on 10 February 1571. Two weeks later, on 24 February, Joachim Meyer died. The cause of his death is unknown, possibly disease or pneumonia.[5]

Antoni Rulman, Appolonia’s brother, became her legal guardian after Joachim’s death. On 15 May 1571, he had a letter written by the secretary of the Strasbourg city chamber and sent to the Duke of Mecklenburg stating that Antoni was now the widow Meyer’s guardian; it politely reminded the Duke who Joachim Meyer was, Meyer’s publishing efforts and considerable debt, requested that the Duke send Meyer’s personal affects and his books to Appolonia, and attempted to sell some (if not all) of the books to the Duke.[1]

Appolonia remarried in April 1572 to another cutler named Hans Kuele, bestowing upon him the status of Burgher and Meyer's substantial debts. Joachim Meyer and Hans Kuele are both mentioned in the minutes of Cutlers' Guild archives; Kuele may have made an impression if we can judge that fact by the number of times he is mentioned. It is believed that Appolonia and either her husband or her brother were involved with the second printing of his book in 1600. According to other sources, it was reprinted yet again in 1610 and in 1660.[9][10]

Contents

Treatises

Joachim Meyer's writings are preserved in three manuscripts prepared in the 1560s: the 1561 MS Bibl. 2465 (Munich), dedicated to Georg Johannes von Veldenz; the 1563-68 MS A.4º.2 (Lund), dedicated to Otto von Solms; and the MS Var. 82 (Rostock), including notes on teachings from Stephan Heinrich von Eberstein and which Meyer may have still been working at the time of his death in 1571. Dwarfing these works is the massive book he published in 1570 entitled Gründtliche Beschreibung der ...Kunst des Fechtens ("A Thorough Description of the... Art of Fencing"), dedicated to Johann Kasimir von Pfalz-Simmern. Meyer's writings purport to teach the entire art of fencing, something that he claimed had never been done before, and encompass a wide variety of teachings from disparate sources and traditions. To achieve this goal, Meyer seems to have constructed his treatises as a series of progressive lessons, describing a process for learning to fence rather than merely outlining the underlying theory or listing the techniques. In keeping with this, he illustrates his techniques with depictions of fencers in courtyards using training weapons such as two-handed foils, wooden dusacks, and rapiers with ball tips.

The first section of Meyer's treatise is devoted to the long sword (the sword in two hands), which he describes as the foundational weapon of his system, and this section devotes the most space to fundamentals like stance and footwork. His long sword system draws upon the teachings of Freifechter Andre Paurenfeyndt (via Christian Egenolff's reprint) and Liechtenauer glossators Sigmund ain Ringeck and Lew, as well as using terminology otherwise unique to the brief Recital of Martin Syber. Not content merely to compile these teachings as his contemporary Paulus Hector Mair was doing, Meyer sought to update—even reinvent—them in various ways to fit the martial climate of the late sixteenth century, including adapting many techniques to accommodate the increased momentum of a greatsword and modifying others to use beats with the flat and winding slices in place of thrusts to comply with street-fighting laws in German cities (and the rules of the Fechtschule).

The second section of Meyer's treatises is designed to address new weapons gaining traction in German lands, the dusack and the rapier, and thereby find places for them in the German tradition. His early Lund manuscript presents a more summarized syllabus of techniques for these weapons, while his printed book goes into greater depth and is structured more in the fashion of lesson plans.[11] Meyer's dusack system, designed for the broad proto-sabers that spread into German lands from Eastern Europe in the 16th century,[12] combines the old Messer teachings of Johannes Lecküchner and the dusack teachings of Andre Paurenfeyndt with other unknown systems (some have speculated that they might include early Polish or Hungarian saber systems). His rapier system, designed for the lighter single-hand swords spreading north from Iberian and Italian lands, seems again to be a hybrid creation, integrating both the core teachings of the 15th century Liechtenauer tradition as well as components that are characteristic of the various regional Mediterranean fencing systems (including, perhaps, teachings derived from the treatise of Achille Marozzo). Interestingly, Meyer's rapier teachings in the Rostock seem to represent an attempt to unify these two weapon system, outlining a method for rapier fencing that includes key elements of his dusack teachings; it is unclear why this method did not appear in his book, but given the dates it may be that they represent his last musings on the weapon, written in the time between the completion of his book in 1570 and his death a year later.

The third section of Meyer's treatise is omitted in the Lund manuscript but present in the Munich and the 1570, and covers dagger, wrestling, and various pole weapons; to this, the Munich adds several plays of armored fencing. His dagger teachings, designed primarily for urban self-defense, seem to be based in part on the writings of Bolognese master Achille Marozzo,[13] but also include much unique content of unknown origin (perhaps the anonymous dagger teachings in his Rostock manuscript). His staff material makes up the bulk of this section, beginning with the short staff, which, like Paurenfeyndt, he uses as a training tool for various pole weapons (and possibly also the greatsword), and then moving on to the halberd before ending with the long staff (representing the pike). As with the dagger, the sources Meyer based his staff teachings on are largely unknown.

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Additional Resources

The following is a list of publications containing scans, transcriptions, and translations relevant to this article, as well as published peer-reviewed research.

References

  1. 1.0 1.1 1.2 1.3 Dupuis, Olivier. Joachim Meyer, escrimeur libre, bourgeois de Strasbourg (1537 ? - 1571). In Maîtres et techniques de combat. Dijon: AEDEH, 2006.
  2. Naumann, Robert. Serapeum. Vol. 5. T.O. Weigel, 1844. pp 53-59.
  3. According to his wedding certificate.
  4. The influence of Achilles Marozzo's printed treatise is, however, apparent in the rapier illustrations of his 1561 manuscript and the dagger plays in his book.
  5. 5.0 5.1 Van Slambrouck, Christopher. "The Life and Work of Joachim Meyer". Meyer Frei Fechter Guild, 2010. Retrieved 29 January 2010.
  6. 6.0 6.1 Though as a prince of the Wittelsbach dynasty, he was addressed by the loftiest titles held by the family: Count Palatine of the Rhine and Duke of Bavaria.
  7. Norling, Roger. "The history of Joachim Meyer’s fencing treatise to Otto von Solms". Hroarr.com, 2012. Retrieved 14 February 2015.
  8. Whose members included Christoph Maurer and Hans Christoffel Stimmer.
  9. Schaer, Alfred. Die altdeutschen fechter und spielleute: Ein beitrag zur deutschen culturgeschichte. K.J. Trübner, 1901. p 76.
  10. Pollock, W. H., Grove, F. C., and Prévost, C. Fencing. London and Bombay: Longmans, Green, and co, 1897. pp 267-268.
  11. Roberts, James. "System vs Syllabus: Meyer’s 1560 and 1570 sidesword texts". Hroarr.com, 2014. Retrieved 14 February 2015.
  12. Roger Norling. "The Dussack - a weapon of war". Hroarr.com, 2012. Retrieved 6 October 2015.
  13. Norling, Roger. "Meyer and Marozzo dagger comparison". Hroarr.com, 2012. Retrieved 15 February 2015.
  14. Up to this point, the text matches the Lund manuscript, folia 6r to 7r.
  15. Note: this translation could be interpreted to mean “so that your half edge slides downward [presumably on his blade], hitting his right shoulder”. Meyer used the words mit Glitschen = to slither, to slide, to glide, to move with sliding.
  16. A number in the margin refers to the illustration in page number 13.
  17. The text starts matching the Lund manuscript again here (beginning on folio 7v), continuing until the Figures.
  18. Note: The Lund also mentions “the figure above” yet that figure does not appear in the Lund! Here it does, and it could be a representation of Meyer himself?
  19. The "l" appears to be written over another letter, perhaps a "b".
  20. Note: here I have included this line for clarity from Dr. Forgeng’s 1568 Lund translation: “Therefore every fighter shall know as has been said above, for when two good fighters come together, whoever thinks quicker triumphs quicker.”
  21. Note: the image shows the opponent on the left in Barrier Guard with point to the ground, hence Meyer’s advice to “take his blade away from the ground”.
  22. 22.0 22.1 22.2 22.3 Torn page on left.
  23. 23.0 23.1 Torn page on right.
  24. To help illuminate the connections to Liechtenauer's teachings, I've added the verse numbers used in the Johannes Liechtenauer article and the various glosses to Kevin's translation. I've also added a few footnotes, and included my initials to distinguish them from Kevin's notes. Note all the verses in this section are found in Christian Egenolff's 1531 edition of Andre Paurenfeyndt's treatise—except the "First Rhyme", verses 17-20. ~Michael Chidester
  25. Note: the interpretation here is a generalized summary found in the 1570 at Ⅰ.45v—46r
  26. These two lines are a paraphrase of verse 77 of Liechtenauer's Zedel. ~MCC
  27. This rhyming section is reminiscent of the eight-line Indes poem found in several of the 15th century glosses (despite not being part of Liechtenauer's Zedel), but only the last two lines are the same. ~MCC
  28. This rhyme found in Egenolph's 1531 Frankfurt edition of Pauernfeindt, page 4v.
  29. Unclear.
  30. This rhyme found in Egenolph's 1531 Frankfurt edition of Pauernfeindt, page 7r.
  31. Note: gesechen = may be gesehen ENHG
  32. Unclear.
  33. This is a reference to Liechtenauer verses 56 and 79. ~MCC
  34. Liechtenauer verse 57. ~MCC
  35. This is the fourth of Paurnfeyndt's Twelve Rules for the Beginner Fencer, found on page 4r of Egenolff 1531. This is particularly odd because the first line comes from Egenolff, but the second line seems to be from Liechtenauer verse 11, which the rule was based on. The version in the fourth rule is Der darff sich kunst nit frewen. ~MCC
  36. The above text appears somewhat synonymous with pages 44-45 of the Lund Dussack section, except that in the Lund Meyer says there are 12 cuts and yet here he says there are 16.
  37. This text also appears in the Lund pg 45, yet there Meyer gave an alternate name to the Watch guard as Luginslandt, here he does not mention Luginslandt. Additionally, Meyer does not include the Blind Cut in the Lund, yet here he does and it also appears in 1570 Dussack. In addition, here Meyer names the Slice and the Bow as guards. Yet in the 1560 he lists them with the guards but says they are the two parrys. Here he gives a separate paragraph about these two.
  38. Above text also appears in Lund 47v.1.
  39. The translation for this paragraph is incomplete. The missing part says something like "thus trap his hand as is drawn here, step behind him, and". ~MCC
  40. Lund 57v.1 Zornhau.
  41. The first paragraph “A good attack from the Steer” is synonymous in the 1560 57v.2. Last two paragraphs here are not found there.
  42. Unclear.
  43. Found in Lund 60v.1.
  44. Abrauschen = to shoot off.
  45. The second rule omits this sentence found in the Lund, “so that your Dussack comes onto your left shoulder”, and rather Meyer says here, “lift simultaneously your body together with the Dussack to your left side”. Then the Lund synonymously says “turn your body well after your Dussack upon your left side”.
  46. These two paragraphs found in Lund 61v.1 and 62r.1; with above noted differences.
  47. The 4th rule and other paragraph synonymous with Lund 62r.2, 62r.3
  48. The Counter to the Bow is synonymous with Lund 62v.1, except that here Meyer added the target of striking besides his parry to the face, ad also changed last line to read: “This technique often works as has been shown previously in the Bow”, while in the Lund he says “This technique often works as has been shown previously in the Bow and Change.” So he omitted the word Wechsel or Changer here.
  49. It refers to the picture set at the page with the number 31.
  50. Found in Lund 63r.1 63r.2 63r.3.
  51. Above paragraph “Breaking in over the Bow” is found in Lund 63v.1. Here Meyer added schenkel (thigh), also he added another line to the next; “zum gesicht das dein versatzung hoch pleibt” The third paragraph here is not found in the Lund.
  52. First paragraph here found as last and separate para in 63v.1 Lund. Meyer changed words here on the last line of the second paragraph from hand to haft, “so that your haft remains high”.
  53. Durcken Zug = this may mean Turkish Cut. A slice using a drawing motion, usually with a curved blade.
  54. Kniebugen = crook of knee, bend of knee.
  55. These descriptions differ in wording from the Lund.
  56. Apicem id from Latin: Apex Cut or a Scalp Cut; as also used in the Lund.
  57. Possible translation of anckell: “back of head”, as the image clearly shows a strike there.
  58. Curious typographical sign.
  59. Unclear.
  60. Note: The first paragraph of Two Constrainers appears in Lund 55v.1, but it does not include second paragraph found here from left steer.
  61. This paragraph is from Lund 56r.1, but is titled there: "a Good Stuck from the Constrainer"; here Meyer calls it an “Example”.
  62. The Rose Cut's first paragraph above is found in the Lund 56r.2, but the 2nd paragraph here is not found in Lund.
  63. Feler hau description here is mostly synonymous with the Lund 50r.1, but here Meyer ends with “how it is reported in the Boch hau”, which is not found in the Lund.
  64. Synonymous with Lund 56v.3.
  65. Synonymous with Lund 57r.1.
  66. Synonymous with Lund 57r.2.
  67. Unclear.
  68. Arbeit im einlauffen from Lund 60r.2; last 3 lines do not appear in Lund. Item etc.
  69. The isolated “s” seems a mistake and not the beginning of an unfinished word.
  70. The Drivings also appear in Lund 64v.1 – 65r.1.
  71. Note this line is missing from 6th driving here, but found in Lund 65r.1: sonderlich einem starcken zum schlachtschwert, "particularly for someone who is strong with a Battlesword".
  72. Note: The handwriting appears closer together with less spacing between sentences and words, so that maybe the author had a lot to share and yet was bound to limit the page space used? Appears Crammed together more.
  73. Unclear.
  74. Unclear.
  75. This paragraph here is from Lund 76v.1.
  76. These paragraphs found in Lund 77v.1 and 78v.1. These paragraphs found in Lund Rapier prior to this poem: Drei Lauffende Stich auss dem linken Pflug von einer seitten.
  77. Paragraph found in Lund 78v.2.
  78. From Lund 79r.1.
  79. Unclear.
  80. Gleich einer Rinder = like a Rinde or Looping technique.
  81. Found in Lund 81v.2, 82r.1, and 82r.2; changed Last line of first para 81v.2, added “den undern in obern”, the lower into the upper. 82r.1 paragraph title ox and plow different: den ochsen und pflug ineinander stechen to new Den ochsen und pflug zusamen stechen. The Ox and Plow thrusting into one another, changed to Thrusting the Ox and Plow together.
  82. This paragraph found in Lund pg 81 but without para title as above and no image. Angehest changed to mogest; several other changes with word additions. Part of paragraph titled: A Deceiving.
  83. Section of translation missing. ~MCC
  84. Handwriting appears to change here, first use of umlauted a and also the lower case g are different here, overall may be a new penman. Definitely a different person's handwriting!
  85. Second and third paragraphs here are from Lund 72v.1, 72v.2 and titled there as Change.
  86. Note: This is found in Lund 73v.3.
  87. Sprungsweise translates to “by leaping” “by skipping” drei schrit = 3 steps.
  88. In the last Stuck, Meyer actually gives units of measurement i.e., 3 schrit, a shritt is an obsolete unit of measurement roughly equal to 75 cm or 29.5 inches, so that 3 schritt would equal roughly 90 inches or 7.5 feet. Meyer also uses 2 shoe lengths, and then actually uses the word Klaffter which was: “derived from the span of a man's outstretched arms and was traditionally about 1.80 meters or 5.9 feet” (Wikipedia).
  89. Unclear.
  90. Unclear.
  91. Kelen = throat, Ancken = back of neck/head.
  92. Uchsen = armpit (grimms), Koll = Head.
  93. Ancken = back of head/neck.
  94. Offenern Schulen- this word is synonymous with the Fechtschulen, “Offenen” basically means public or Open schools. See Wassmansdorff, many original examples.
  95. Genick=neck, fingerlössen=finger severing, Mauss=ball of the hand below thumb.. Schlöff=may be Swiss variation of schläfe or temple.
  96. 96.0 96.1 96.2 orig. dolchen; all instances of "dagger" in this document are dolchen excepy when footnoted.
  97. orig. ararmschirleinn
  98. orig. stichen, "thrust"/"stab" (context dependent); instances of stabbing that use other verbs will be footnoted.
  99. orig. Armschiene - seemingly a part of the armour
  100. orig. geordinirtt
  101. orig. schießen; see here
  102. orig. findt
  103. orig. spis
  104. orig. schwertt
  105. orig. sebell
  106. 106.0 106.1 orig. kempff degen; it can mean either “combat sword” or “combat dagger” (Source 1, Source 2). See here for a painting with kempffdegen in its caption
  107. 107.0 107.1 orig. Anngreiffen; "attacking" or "grappling"; cf. angreifen
  108. orig. zimlich
  109. alt. "endure"
  110. Ittem has many potential meanings: "further", "likewise", "the same as", and also simply as a means of 'bullet-pointing' numerous items. I've found that "likewise" works as an apt translation most of the time, but for clarity I will leave it untranslated. See this article.
  111. orig. noch eines Idenn woll gefalen
  112. orig. Reren; cf. Rohre/Röhre
  113. orig. lest
  114. orig. Schranckenn
  115. orig. dringen/thringen; refers to pressing one's point into an opponent['s armour/mail], cf. modern sense of "pushing through a crowd". See this glossary for more information
  116. orig. donerschlag; a strike with the hilt of the longsword while holding the blade
  117. orig. vnnd las Inn vorverthobenn; messy ink makes it difficult to transcribe; possible alt. "and read above beforehand"
  118. A blunt strike, as opposed to a cut or slice. See here.
  119. orig. versezen; alt. "parrying"
  120. Unclear.
  121. orig. ansezen; most likely means "pinned", "planted" (in the sense of placing your weapon or hand against an opponent, in a grappling sense); alt. "attacking" (cf. modern ansetzen). See this glossary for more information
  122. orig. erlang
  123. see nachreissen
  124. 124.0 124.1 124.2 124.3 124.4 124.5 124.6 orig. stehenn; often coupled with ansezen in this section; alt. "stand against"
  125. orig. uchsen
  126. orig. Gelenck. Refers to joints in armour, but also body parts - in the context of armoured fencing, it is most likely referring to the joints in the armour
  127. orig. greifest
  128. 128.0 128.1 128.2 128.3 orig. brich
  129. orig. anbrichen
  130. 130.00 130.01 130.02 130.03 130.04 130.05 130.06 130.07 130.08 130.09 130.10 130.11 orig. stos
  131. orig. goch
  132. 132.0 132.1 132.2 132.3 132.4 132.5 132.6 orig. schlag
  133. 133.0 133.1 133.2 see absetzen
  134. orig. drissel; cf. thrissel
  135. orig. schlag dein beidt vnder dein Recht achsell. From interpretation, the word schlag here doesn't make much sense: it's possible that beidt was intended to be said or written as bindt, as in "put your grip under your right shoulder".
  136. orig. Achsell
  137. 137.0 137.1 see Ringen
  138. 138.0 138.1 see arbeiten
  139. 139.0 139.1 139.2 139.3 139.4 139.5 orig. streich, cf. schlag
  140. 140.0 140.1 140.2 140.3 140.4 140.5 140.6 140.7 orig. inndes
  141. alt. "attacks"
  142. orig. last Er dür die seitten
  143. 143.0 143.1 orig. Ring; alt. lists
  144. orig. vergesezsten
  145. 145.0 145.1 145.2 see abzucken
  146. orig. fies
  147. 147.0 147.1 see gleich
  148. unclear transcription; possibly nim, ergo "take the weight"
  149. Unclear.
  150. orig. zwerchs
  151. 151.0 151.1 orig. degen; see kempffdegen
  152. orig. hawen. A cut or slice, as opposed to a blunt strike. See see here.
  153. 153.0 153.1 153.2 orig. bickell; most likely referring to the artificial, "mason's hammer", pickaxe shape of the crossguard in armoured fencing
  154. orig. klos
  155. orig. Stuck
  156. orig. knefftiglich, interpreted as krefftiglich
  157. orig. verfelen - described earlier in 1561 as a feint whereby you wait for your opponent to react to a strike, then change the direction of the strike
  158. orig. entgehenn
  159. orig. faren/auffaren; cf. fahren
  160. originally transcribed as knefftiglich, but krefftiglich (lit. "powerfully") seems more likely, in my opinion
  161. orig. gerecht; possible mistranscription/misspelling of gemecht, lit. "groin" or "genitals"
  162. 162.0 162.1 162.2 orig. las dein bindt fahren, lit. "let your grip drive"; alt. "release your grip and drive"
  163. Possibly "hauberk"(?).
  164. 164.0 164.1 orig. ausnemen; alt. "take out [the blade with a parry]"; "deflect"(?)
  165. orig. verzoblen; cf. verzögern
  166. lit. oben hutt; contrast Oberhutt
  167. orig. heutt; possible verb form of hutt
  168. orig. überwegest
  169. 169.0 169.1 orig. schlagen. Probably means "place" in this context.
  170. orig. sez; no accompanying adposition but I assume he means ansezen
  171. listen
  172. orig. Bundtschlag, lit. "grip strike"
  173. orig. fertt
  174. orig. wie nechst
  175. orig. oder Aber fus gesicht, lit. or but foot face, possible alt. "or his foot or face"
  176. orig. wendt
  177. orig. Reüb
  178. orig. geschmidt, lit. smithed. Possibly misspelling of Geschmeidt, which means "jewellery" - perhaps slang for gemecht ("genitals)".
  179. orig. steßen
  180. orig. abgewünnen
  181. Note that he uses the word degen but seems to refer to the aforementioned "threefold" dagger, which he referred to using the word dolchen.
  182. orig. feder
  183. orig. spietzen
  184. Reference in the left margin to picture on page 61.
  185. orig. auf dz schlos am Rucken; alt. "clasp of the back"
  186. orig. Wappenrock
  187. Unclear whether die refers to the dagger or the heart, here
  188. orig. kurz halbenn; alt. "short edge"
  189. orig. concordiren
  190. This word overwrites an initial die.
  191. The first 10 lines of this paragraph are shorter of 30% than the last four, as if there is a left place here for a picture or a diagram.
  192. The second letter looks a bit like a “b” but it is nonsense. It can be also considered like a small capital “e”.
  193. The first letter corrected from “w” by cancelling the first bow of the letter.
  194. The first letter could also read as an “l", but “b” seems more probable here.
  195. The first letter corrected from “b” by overwriting.
  196. The ink is a bit blurred, particularly in the beginning of the word which results in an ambiguous reading; stucken would be more plausible in this context but does not fit with the appearance of the first couple of letters at all.
  197. The writer first wrote hawst but the “s” has been cancelled afterwards.
  198. Recte: und.
  199. The writer first wrote arms but the final “s” has been cancelled afterwards.
  200. The letter “s” has ben cancelled just before the word den.
  201. Above the letter “i” a large circle is drawn as it is used to mark the letter “u”.
  202. Doubling of the word seitten, considered as a mistake and corrected here as the first finished a line.
  203. Setzen has been written afterwards just under ver- and looks like a catchword; however, the following page does not start with the same word. It could be a mistake of the scribe.
  204. An abbreviation sign at the end of the word tends to signify that it should be expanded to hawen, but it has been cancelled.
  205. The “h” is writen above a “e”.
  206. Unclear reading. The word has been corrected, possibly from zu, which, however, cannot be definitely affirmed.
  207. The words und oder after this word are cancelled.
  208. At this place is a sign that commonly indicates a line break or an end of a paragraph. Here, however, the following text continues in the same line.
  209. The first letter appears to be a cancelled “t”; however the reading remains ambiguous.
  210. The end of this word, sicht is inserted below the line at the right, like a catchword. However, the following written page, fol. 23r, does not start with the same word. Could be a mistake by the scribe or a clue for a missing page.
  211. After this word a large circle is drawn and its only meaning seems to complete the line to the right and avoid a big default in the right alignment.
  212. The letter “d” is cancelled just before the “b” of this word.
  213. The initial letter “b” is written above another letter, maybe a “g”.
  214. This first two letters are written above the letter “k”.
  215. A letter “b” or “l” has been written after this word but has ben cancelled.
  216. The first letter seems to superscribe an initial “I”.
  217. The writer firstly wrote an “m” as a final letter and subsequently cancelled the last leg to get an “n”.
  218. The final letter “t” is written above the line, in replacement for a previously cancelled letter.
  219. This word is written above a previous one, which is unreadable now.
  220. The first letters are difficult to make out due to a (water?) damage.
  221. The first letter of this word has been written above another, now illegible one.
  222. A letter “h” was written in the second position to begin with but cancelled afterwards.
  223. The first letter is curiously composed, but seems to have been readen as a "v".
  224. The second letter has been canceled and corrected by "o" above the line.
  225. The original text is derholhalben derhalben, which seems to be an unnecessary repetition.
  226. Doubling of the word handt, a probable mistake as the first is written a the end of the line. Same mistake as 17r.
  227. Doubling of the words den andern, probable mistake, only it is conserved here.
  228. A lone letter "h" is writen here, perhaps a beginning for “hew”, which was finally written after the digit “4”. Corrected in this edition.
  229. This sentence can be found in the printed book: « und merck wann du zur rechten undern Blöß schlechst, es sey flech, lang oder kurtz » (plate XXIXv from the 1570 edition)
  230. The third letter “h” was cancelled by overwriting it with an “l”.
  231. The letter “a” is crossed out in the beginning of the word.
  232. The first letter was first written in lower case but was corrected with an upper-case letter.
  233. Unclear reading. It appears as if the scribe first intended to write “halber” but noticed his error in the middle of the word. The reverse may be true also.
  234. The "R." has been inserted at the end of the line afterwards.
  235. Right of this place a large blank space remains until the end of the line.
  236. The written put a "n" between sch and enckel and canceled it.
  237. Linck and seitten are reversed in the manuscript but superscribed with “1” and “2” respectively in order to indicate the correct order.
  238. Corrected from Im, the first stroke of the “m” has been cancelled.
  239. Spitz uber- is clearly copied twice, this is probably an eye-skip.
  240. Correction done on sticht by canceling the last letter.
  241. This entire paragraph is justified on the right by a vertical line, unique in the manuscript.
  242. Corrected on Ⅲ.47v.
  243. Corrected on Ⅲ.47v.
  244. The "st" ligature is inverted.
  245. Typo, should be "wolt, könne".
  246. Originally printed "abzutzest", but corrected on Ⅲ.47v.
  247. Originally printed "verhauren", but corrected on Ⅲ.47v.
  248. The "t" is inverted.
  249. Ⅲ.47v indicates that this was printed "erbangen" and needed to be corrected to "erlangen", but that's not true in any copy available for consult.
  250. Originally printed "mim", but corrected on Ⅲ.47v.
  251. Originally printed "Higur", but corrected on Ⅲ.47v.
  252. Originally printed "Fellen", but corrected on Ⅲ.47v.
  253. Originally printed "gem" (with an inverted g), but corrected on Ⅲ.47v.
  254. Originally printed "allo", but corrected on Ⅲ.47v.
  255. Originally printed "Atm", but corrected on Ⅲ.47v.
  256. The first 't' is inverted.
  257. Terminal 'e' is inverted.
  258. Originally printed "bleiden", but corrected on Ⅲ.47v.
  259. Originally printed "klnie", but corrected on Ⅲ.47v.
  260. Originally printed "duch", but corrected on Ⅲ.47v.
  261. The second "e" is inverted.
  262. Originally printed "fein", but corrected on Ⅲ.47v.
  263. Originally printed "behendig ich", but corrected on Ⅲ.47v.
  264. Misnumbered 87r.
  265. 265.00 265.01 265.02 265.03 265.04 265.05 265.06 265.07 265.08 265.09 265.10 265.11 265.12 265.13 265.14 265.15 265.16 265.17 265.18 265.19 265.20 265.21 265.22 265.23 265.24 265.25 265.26 265.27 265.28 265.29 265.30 265.31 indes
  266. palm up
  267. Illegible deletion.
  268. oberhauw
  269. ‘right’ is originally written, ‘left’ is written above it
  270. short edge
  271. “Degen”, lit. dagger, could either refer to a sword or dagger.
  272. short edge
  273. Unleserliche Streichung. Illegible deletion.
  274. Unleserliche gestrichen Einfügung oberhalb der Zeile. Crossed out illegible insertion above the line.
  275. Die Schlaufe des »h« trägt ein Diärese. The loop of the “h” carries a diaeresis.
  276. Korrigiert aus »mitelhauw«. Corrected from “mitelhauw”.
  277. Leicht unleserlich. Slightly illegible.
  278. Überschriebens »vom«. Overwritten “vom”.
  279. Inserted by means of a special mark.
  280. Word inserted next to the text.
  281. Inserted nest to the text.
  282. Zwei Worte am Seitenrand nachgetragen. Two words inserted at the margin.
  283. Wort am Seitenrand nachgetragen. Word inserted at the margin.